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Center for Anvendt viden om Energi og Miljø John Midtgaard Jensen

jmj@ucn.dk Tlf.: 72 69 14 80

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Center for anvendt viden om energi og miljø Fokusområder

Center for anvendt viden om Energi og Miljø

Samspil i energiforsyningssystemet Samspil mellem lavenergibyggeri og energiforsyning Optimering af transportsektoren til lands, til vands og i luften

Centeret tilbyder dig Centeret vil løbende udbyde: Kurser Fyraftensmøder Netværksmøder

www.ucn.dk

Centerets arbejde Kompetencecenteret vil lægge vægt på at sikre: Kompetencecenterets arbejde bygger på samspillet mellem uddannelse, rele- vante forskningsmiljøer og erhvervsliv og har som opgave at afdække, samle og formidle udviklingsbaseret viden om Energi og Miljø i praksis.

Videndeling mellem forskning, uddannelse og erhverv. Kvalitetssikring af uddannelser indenfor energi og miljø. Deltagelse i udviklingsprojekter til gavn for studerende og erhverv

Kompetencecenteret vil lægge vægt på at sikre: Videndeling mellem forskning, uddannelse og erhverv. Kvalitetssikring af uddannelser indenfor energi og miljø. Deltagelse i udviklingsprojekter til gavn for studerende og erhverv

Konakt Centerchef John Midtgaard Jensen jmj@ucn.dk Tlf.: 72 69 14 80

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parrot studio

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parrot studio

Magazine For Art Size A4

Contents Photographer- portfolio: Aiwlys Atosal, Body Poetry in acts, Pages 01 -07

Every picture is full of painting-Bartek Materka Pages 08-011

Inteview with Joanna Kulig, photo shoot inspired by the Ingmar Bergman movie ,,Persona’’ Pages 012-017

Magazine 1

Cover of magazine-first and last page

inside of magazine

International monthly magazine about art

Magazine PP OO EE TT The polish photographer Aiwlys Atosal was born in Lodz in 1983. The artist balances on the border between painting, sculpture and photography. Her series of acts brings to mind antique sculptures. Body models dancing in the light.

His fascination with the body, the celebration of human life. Although black and white colors feel the joy and energy radiating from models. At the same time the body are covered with a layer of dust or rust though.

inside of magazine

The artist tries to communicate in a subtle way, that everything passes ... and nothing is permanent. It is easy to notice a big impact on the work of Sally Mann artist.

Harmony and softness emanating from the naked bodies has been compiled with their weight, which can be easily felt by color photography.

Every Picture Picture Is Is Every Full of of Painting Painting Full

Bartek Materka 6

inside of magazine

Materka’s

Sylwia Lasota I do not remember any of the Polish actress made her debut in the European cinema with such gusto.

work comprises both painting and drawing. It is personal- often

inspired by the artist’s takes on board sociological and psychological phenomena

Photographs are the starting point for most Materka’s work, but they are only rarely a mere recording of reality. The artist is fascinated by deformations, mishapings and anomalies to which images are subjected within our consciousness as well as by disturbances caused by the application of

technology

modern optical

or by biological malfunctioning of vision. Materka’s work is exper-

teristic for many precursors of painting, Materka takes on board

inventions. Paintings is directed on visual adventures of everyday life, but focuses largely on the kind of deformation is a picture of reality in our consciousness. Images Materka, usually arising from their own photographs, are an analysis of the camera eye, that the impact of modern technology on it and the optical method of generating images (digital photos, TV, microscopic, ascii code). Another theme is an inspirational artist image deformation associated with neurological disorders. Constantly

Joanna Kulig

there is also the question of emotions associated with personal life - heroes Materka images are generally the form of his inner circle: his wife Joanna, son of Titus, a friend.

In March, we’ll see it in the “Los numeros” Zatorski, soon in“Million Dollars “and Kondratiuk “Dance Mara Juliette Binoche in Szumowska movie

of paintings and images are distorted, discolored, loses control and impose on themselves, demanding the different perspectives of looking and understanding.

The paintings Materka we can say that “something else is often seen in the distance, and another at 10 close range. “

inside of magazine

Then, next to Ethan Hawke and Kristin Scott Thomas in Pawlikowski and Gemma Arter

Joanna Kulig Pawel Pawlikowski kept

telling me that I did not have any complexes. In the end I believed him. On the set I was proud that I’m Polish. I felt my slovian nature. I knew I was a Joanna Kulig Recent months have little different nature, I am different been a fantastic adventure. New peo- from others. It was the added value. A ple, foreign languages, an attempt to few people warned me against Juliette

Bi-noche, arguing that it is overbearon the profession. ing and conceited. I did not have such an impression. Juliette is aware of his position, but also open to improvisaSylwia Lasota On the status of the tion and madness. At one point she star? said: “Joan must have freedom, let’s do as she wants. “ I am very impressed Joanna Kulig I understand that a joke? with it. False modesty is foreign to me, but the term “star “ is something cheesy, Sylwia Lasota On the plan does not paradoxically unpleasant. When I look corrects to pretend nothing. From at the sky, I smile at the sight of the the directors know that you have the stars, but reading about the “stars” courage to say things are not always in cheep magazines I feel stupid. I like pleasant. the other, less fashionable phrase: the artist. I want to be an artist. Joanna Kulig Diplomacy serves no purpose, deduction - quite the contrary. Sylwia Lasota - At work I try to be as sincere, even at likowski and Szumowska your profes- the cost of derision. There are various sional dossier will look very different methods of investigation for the role. than today. Some are based on emotions, I’m asking lots of questions, I want to know Joanna Kulig Such things can not be everything. It helps me. predicted. In college, I was wondering why the school did not try the theat- Sylwia Lasota Honesty is your busier scene in the English language. I ness card. thought, though it looked as if I one

Joanna Kulig I do not like arrogance. heard if he was to meet me for sever al months already, i woudn’t believe. actor is only a tool to realize their vision, but I really do not like it when we Sylwia Lasota Binoche, Hawke, Scott are treated objectively. were afraid to meet with such stars?

PERSONA

Joanna Kulig I’m a girl from the

mountains. In my village, near Krynica Muszynka, lives only three hundred people, everyone knew. Nature and people gave my spine. I got out of which to draw. My background is also a character. $ with nature.

Sylwia Lasota In a moment in your ognizable. I won a casting call for an international role in the high budget movie studio Paramount - “Hansel & Gretel: Witch Hunters. “ Play in the next Gemma Arterton and Jeremy Renner known for “The Hurt Locker’’.

Sam selects the “sponsors”, who matched her appearance, and are ! # ! # $ % ! risy and the hypocrisy of the French played by Binoche. ! " # stereotype of the polish emigration in Paris.

Joanna Kulig I’m not thinking about Sylwia Lasota I heard that on the set it. Do not tempt me easy popularity.

attack, sharply stepped in to share ...

Joanna Kulig We are mainly men -

$ ! also physical. It’s easy to abuse. Of course, I realize that some people can afford more, others less, I be $ be the same respect.

Sylwia Lasota What was the agree-

ment between you and Ethan Hawke and Kristin Scott Thomas on the set of “Women of the Fifth District?

Joanna Kulig $

did not have a common scene, but We saw in the dressing room. Great, witty and intelligent woman. And with Ethan made friends very much. We are constantly talking about " # $ ! a soldier, I - jazz singer in a bar.Even if it’s just courtesy, it’s an extremely nice. Maybe in next year we gonna play together in some movie, if not it was wonderfull time to play with so good acotr. For sure we will meet again at the premiere,,’’Sponsorship’’ in the Venice Film Festival this summer. So it’s just a few months.

A year ago I got married, we are very happy with Maciek. Naturally I would like as many to play, sing, meet a professional. But if there is no further proposal is not likely to break. Cinema is not everything.

Joanna Kulig % " # ! inhibitions, sex is fun for her. There would have to do it, comes from a fairly wealthy family, but playing it constantly provoking: itself and its people.

Sylwia Lasota Are Sing forever? Joanna Kulig Weeks, months, years

Sylwia Lasota The role had to be # ! strong erotic scenes.

of practice. Only now I see how much it gave me the extent to which it helped. Good hearing and the concentration needed in the music taught me to focus appropriate, necessary role in the preparation of each $ " cally. “ The scenes and dialogues have for me, your inner rhythm and ! works by Pawel Pawlikowski. We were in the same team.

Joanna Kulig Before the shooting for hours walking around the Musee d’Orsay. I watched the acts and repeating to myself that that’s an art. The body is beautiful. Working with $ % challenge, but I did not feel that I was manipulated.

Sylwia Lasota In movie “Sponsorship” you are play a prostitute.

Alice would not call a prostitute. This girl loves to love. Makes it a pleasure, but it is also a source of income. Alice is not frightened mistletoe.

Joann Kulig I still will not associ-

ate. Maybe someone out there saw me on the show “Time of honor”, the “Wednesday, Thursday morning, “ Grzesiek Packa or “Dr. Halina” in the Television Theatre, but the vast majority of my name does not say anything. Did anything change? I’m not thinking about it. Do not tempt me easy popularity. A year ago I got married, we are very happy with Maciek. Naturally I would like as many to play, sing, meet a professional. But if there is no further proposal is not likely to break. Cinema is not everything. . Sylwia Lasota Winter in Krynica you took me to your music school. Do you like to go back to that time? Joann Kulig Very. I have music in the genes. My grandfather carved violin alone. I come from a poor family, so moonlighted as a teenager myself, where I could, for example, appearing at various events. I played key # # ano in Krynica, then high school class of vocal singing in Krakow. In Krynica every day after class hospitality at a technical college for a few hours until late at night practicing the piano and sang.

girl from from the themountains mountains I’m aa girl

inside of magazine

All photos were taken by Sylwia Lasota

CD Cover One Stop Noise Shop First prize in the competition for the band cover

CD cover back

CD cover front

CD cover inside

One Stop Noise Shop

CD cover inside

All photos were taken by Sylwia Lasota

Posters Noc muzeów Size A0

Poster for competition night of museums in Warsaw poster competition night of museums in Warsaw to promote the 100th anniversary of birth Marie Curie-Sklodowska

o c M uzeów 17 maj 2011

Wstęp Wolny w Warszawie start godz.19

Zaprasza

Prezydent m.st Warszawa www.um.warszawa.pl

KiS030510

Add for magazine Size A4

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BREAK THE SILENCE

Maria Curie-Sklodowska Size A0

Poster for competition in Warsaw to promote the 100th anniversary of birth Marie Curie-Sklodowska

Eye for sounds Size A1

Eye for Sound-Graphic design promotes the artistic achievements Viggo Steincke on the borderline of painting and music

,,Pulsen’’ Size A4

,,Pulsen’’Danish magazine about knowledge (UCN)

VOL. 3 NR. 3 2012

Næste nummer af Pulsen udkommer snart

Cover for magazine ,,Pulsen’’ Size A5

VOL. 3 NR. 3 2012

Cover for magazine ,,Pulsen’’ Size A5

Alice in Wonderland Cover for book Size A4

Alice in Wonderland by Lewis carroll

Illustrations Sleeping girl Size A5

Inside Size A3

Portrait of man Size A4

Dancing body Size A3

In the garden

Father Size A1

Crucifixion Size A1

Act

Size A3

Portrait of K. Size A1

Portrait Size A4

Man and glasses

Perfect Housewife poster A4

Project for Juliusz Slowacki Theater in Krakow Poster for Father

Juliusz Slowacki Theatre in Krakow

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,,Father’’theater play tells the story of woodcarving master, who receives an order made sculptor crucifix for St. Mary’s church in Gdansk. Play talks about the murder of a man, to create a perfect work in the name of art and struggle of the artist and his ineptitude create sculptures representing the great death

script, direction and set design

Agata Duda Gracz second semester exam

Ticket for Father size 148mm/53mm

Tickets