Concerto for
Alto Saxophone and
Small Chamber Orchestra
ANDREW BOSS 2015 Written for and dedicated to Sean Meyers and the musicians of Symphony Number One for their Fall 2015 season.
Contents Movement 1 – Prologue and Concertante Movement II – Dialogue, Toccata, and Remembrance
p.1 p. 72
Instrumentation Flute Oboe Clarinet Horn Bassson Percussion 1 – vibraphone, snare drum, 4 tom-toms, bass drum, 2 bongos, medium suspended cymbal, tam-tam, bell tree Percussion 2 – xylophone*, marimba, crotales, triangle, tambourine, water gong*, waterphone*, large suspended cymbal, crash cymbal, sizzle cymbal, vibra-slap, chimes*, anvil, 1 timpani (F-C)*, temple blocks, bass drum (share with 1) Piano Keyboard pad* (a warm “bowed” pad is most desired, or a synthesis of a warm string/choir sound) Violin I Violin II Viola I Viola II Cello Contrabass ** * denotes optional yet strongly preferred instruments ** string parts intended to be 1 player-per-part. Maximum allowed doublings (4.3.2.1.2.1). For all other doublings, please talk with the composer.
About the piece… The Concerto for Alto Saxophone and Chamber Orchestra is a large two-movement work intended to introduce a highly innovative, uniquely challenging, and genuinely musical approach to modern saxophone writing. Written for Sean Meyers and the east coast’s newest ensemble Symphony Number One, it combines the musical virtuosity of the saxophone with a very actively responding orchestra, resulting in an intense musical experience created through the intricate and equally essential dialogue taking place among the players. The 1st movement begins dramatically and sets the pensive and melancholy mood of the opening. The saxophone introduces the main material, which binds the piece and develops through several soloistic cadenzas. The mood from the beginning transforms into an uplifting resolution through a powerful crescendo. A final cadenza segues into the more upbeat Concertante, which further develops the musical material while adding rhythmic complexity and dynamic interest. The movement ends on a cathartic wash of sound by the entire orchestra. The 2nd movement combines elements of musical contrast with instrumental tambours bound by an underline theme first introduced in the clarinet in the Dialogue. This section contains a pastoral undertone which then leads to a highly-energetic Toccata. The unyielding music in the Toccata soon merges with the slower music from the beginning to make a final powerful orchestral climax. The music then settles and resolves into a peaceful and transcendent finale bringing back previously heard material. To learn more about me and my music, please visit my webpage www.andrewboss1.com.
Written for and dedicated to Sean Meyers and the contemporary ensemble "Symphony Number One" for their Fall 2015 season
Concerto for Alto Saxophone and Chamber Orchestra I. Prologue and Concertante Molto Rubato q=50
Flute
Oboe
f
3
f
pp
quasi-cadenza: freely, with expression
mf poco sul pont.
fp
Viola 2
fp
Violoncello
mp pizz. mf
mf
p
n
(L.H. included in 8va)
medium suspended cymbal: scrape slowly with wire brush
mp
mf
6
sim.
3
n
mf
sul pont.
ord.
Copyright © 2015 by Andrew Boss. All Rights Reserved.
n
mp
pp
n
3
n poco sul pont.
fp
Contrabass
mp
Viola 1
mf
Violin 2
n
Violin 1
with bow
Alto Saxophone
mf
Vibraphone: medium mallets
f
Percussion 2
Pad 5 (Bowed)
Crotales: metallic sound
Piano
click keys - breath only
5
Percussion 1
Horn in F
Bassoon
Clarinet in Bb
click keys - breath only
ANDREW BOSS
n
f
2 click keys - breath only 6
Fl.
Ob.
mf
click keys - breath only
Cl.
Hn.
Bsn.
Perc. 1
Perc. 2
Pad 5
mf
Vln. 1
f
Tam-tam: bow edge
water gong (if available): soft mallets; slight pitch bends
Alto Sax.
Pno.
mp
5
mp
6
3
Vln. 2
Vla. 1
mf
sul pont.
Vla. 2
Vc.
Cb.
6
ord.
n
mp
n
A 9
Fl.
Ob.
Cl.
Bsn.
Hn.
3
fluttertongue
mf
multi-phonics
f
mp
Vibraphone: medium mallets
Perc. 1
Perc. 2
Pno.
p
Vln. 1
pp
f
Crotales: metallic sound
f
3
f
p
n
Vla. 1
Vla. 2
Vc.
Cb.
ppp
pp
3
p
mf
3
poco sul pont.
fp
n poco sul pont.
fp
sul tasto
n
Vln. 2
Alto Sax.
Pad 5
5
n poco sul pont.
fp
fp
n
pp
p
mp pizz.
mf
n
4 15
Fl.
Ob.
Cl.
Hn.
Bsn.
Perc. 1
Perc. 2
Pno.
Pad 5
Vla. 2
Vc.
f
water gong (if available): soft mallets
p
5
p
5
6
mp 3
Vla. 1
Vln. 2
Cb.
Alto Sax.
Vln. 1
Tam-tam: bow edge
n
3 3 3 3
mp
ord. sul pont.
n
n
mp
19
Fl.
p
Ob.
Cl.
pp
5
e=e
Hn.
Bsn.
poco rit.
beat 3
Vibraphone: soft mallets
Perc. 1
Perc. 2
Pno.
Pad 5
pp
Alto Sax.
p
Vln. 1
Vln. 2
Vla. 1
Vla. 2
Vc.
3
molto rubato
mp
2
pp
con sord.
pp
con sord.
pp
Cb.
pp
con sord.
pp
con sord.
pp
arco, con sord.
pp
B 6 24
Fl.
Ob.
Cl.
Hn.
Bsn.
Molto Rubato q=50
medium mallets
Perc. 1
f
Perc. 2
6
soft mallets
Crotales: metallic sound
ff
pp
3
with bow
Pad 5
mf
3
f
Pno.
poco rit.
p
pp
p 5 3 3 3 6 3
molto espress
Alto Sax.
Vln. 1 Vln. 2
3
pp
f
Vla. 2
Vc.
fp
pp
fp pizz.
Cb.
3
pp
Vla. 1
ff
mf
f
f
n
pizz.
pizz.
p
3
mp
n
pp
n
p
7
Cadenza
29
Alto Sax.
3 accel
dolce
5
p
5
molto rit.
5
5
espress 30
Alto Sax.
f
slowly fade to breath only and key clicks
3 3 3 3 3 3 3 3 very fast
accel
n
ff
31
Alto Sax.
slap: standard searching
p
3 modo ord. 3 molto rit.
f
p
pp
mp dolce, slow
C Ascending q=70 32
Alto Sax.
Vln. 1
n
Vln. 2
poco accel.
mp
pp
echo the saxophone
Vla. 1
mp
p
senza sord.
Vla. 2
Vc.
pp
senza sord., arco searching
n
mp
3
3
senza sord. arco
senza sord. searching
3
p
3
3
3
3
3
8
3 3 5 5
38
Alto Sax.
5
3
5
5
poco a poco cresc.
Vln. 1
Vln. 2
Vla. 1
3
3
3
poco a poco cresc.
poco a poco cresc.
3
3
pp
3
3
Vc.
3
Cb.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
poco a poco cresc.
41
Alto Sax.
6
6
3 Vln. 1
Vln. 2
Vla. 1
Vla. 2
Vc.
Cb.
3
3
3
3
6
3
3
6
3
3
7
7
3
7
6
6
6
6
6
senza sord. arco pp
3
poco a poco cresc.
poco a poco cresc.
3
poco a poco cresc.
Vla. 2
5
3
3
3
D
44
Fl.
Ob.
Cl.
p
Pno.
Pad 5
Alto Sax.
mp
mf
pp
Cb.
ff
ff
ff
mf
p sub
3
mf
3
3
3
3
ff
3
6
ff
p sub
f
mf
3
mp 3
crotales - metallic sound
may start before beat 2 if necessary 7 3 6
9
fl, ob, cl: play scales around given contourin Eb major: fast
f vibraphone - harder mallets
mf
Vc.
mf
Vla. 2
ff
Vln. 1
Vla. 1
ff
Vln. 2
p
Bsn.
Perc. 2
Perc. 1
p
Hn.
q=90
3
f
f
ff
f
f
10 47
Fl.
Ob.
Cl.
Hn.
Bsn.
Perc. 1
Perc. 2
Pno.
slow down
slow down
slow down
Cb.
ff
Vc.
ff
Vln. 1
f
Vla. 2
3
f
Vla. 1
p
Pad 5
f
Vln. 2
p
7
Alto Sax.
3
dim.
3
3
dim.
3
dim.
3
3
dim.
3
3
3
6
dim.
dim.
3 3 3
3
3
3
3
3
11 51
Fl.
Ob.
Cl.
Hn.
Bsn.
3
medium mallets
Perc. 1
Perc. 2
Pno.
Pad 5
Vln. 2
Vla. 1
Vc.
3
3
3
3
3
3
3
3
3
3
3
3
6
3
3
3
3
3
f
mp
Vla. 2
3
mf
3 Vln. 1
Cb.
mp
Alto Sax.
5
3
3
3
3
3
3 3 3 3 3
3
3
3
3
3
3
3
12 55
Fl.
Ob.
Cl.
Hn.
Bsn.
Perc. 1
p
Perc. 2
poco rit.
Pad 5
Vln. 1
3
p
Cb.
p
3
pp
p
3
Vc.
p
3
3
pp
n
mf
pp
pp
pp
3
3
3
mp
pp
pp
n
3
mp
quasi-cadenza: freely, with expression
Vla. 2
p
Vla. 1
p
p
Vln. 2
crotales - with bow
mp 3
Alto Sax.
soft mallets 3
Pno.
A tempo
3
13
62
Alto Sax.
Vln. 1
Vln. 2
Vc.
3
3
3
3
3
3
3
n
3
n
Vla. 2
Cb.
Vla. 1
n
n
n
Alto Sax.
Vla. 2
molto rit.
sub-tones
tambour trill
E 14
With Energy q=95
Fl.
64
mf
f
Ob.
mp
Cl.
mf
mp
Hn.
mp
sf
mp
Triangle
Perc. 2
Pno.
mf
pp
p
Vln. 1
Vln. 2
Vla. 2
Vc.
sfz
Cb.
p
f
pizz.
mf
arco
pp
pp
arco
pp
p
pizz.
f
p
p
Vla. 1
pizz.
mp
Alto Sax.
mf
Bsn.
Perc. 1
68
Fl.
Cl.
mp
Ob.
mp
mp
Hn.
Bsn.
Perc. 1
Perc. 2
Pno.
Alto Sax.
p
pp
p
pp
Cb.
mp
pizz.
Vc.
p
Vla. 2
pizz.
Vla. 1
p
Vln. 1
Vln. 2
mp
Bass Drum - soft mallet
15
pizz.
p
mp
mp
arco
mp arco
arco
mp
p
mp
16 72
Fl.
Hn.
Perc. 1
Perc. 2
Pno.
Alto Sax.
Vln. 1
Vln. 2
mf
p
Vc.
Cb.
4 t-toms
p marimba - harder mallets
mf
mp
mf
pizz. p sub
p sub
p
pizz.
p sub
cresc.
pizz.
p
mf
Vla. 2
p
cresc.
mf
Vla. 1
mp
open
cresc.
mp
cresc.
mp
Cl.
mf
Ob.
Bsn.
cresc. cresc.
cresc.
p sub
arco
cresc.
p sub
p sub
cresc.
cresc.
F 76 Fl. Ob.
Cl.
5
p sub
p sub
Hn.
Bsn.
Perc. 2
Perc. 1
Pno.
Alto Sax.
Vln. 1
Vln. 2
Vla. 1
Vla. 2
arco
arco
f
f
f
p sub
f
sfp
f
ff
f
3
p sub
Cb.
5
dim.
sfp
Vc.
5
f
sfp
5
dim.
mf
p sub
p sub
mf
f
p sub
5
f
6
17
p sub
mf
dim.
f
p
6
f
p sub
Conductor's note: fl, ob, and cl. should play independently; does not need to be exactly together
f
18
79 Fl.
5
5
Cl.
Bsn.
Perc. 2
Perc. 1
Pno.
p
3
p
triangle
mf
mf
Alto Sax.
pp
5
Hn.
Ob.
3 6 sfp
Vln. 1
Vln. 2
Vla. 1
pizz.
pizz.
p
sf
Vla. 2
Vc.
p
sf pizz.
sf
Cb.
pizz.
p
snap pizz. sf
19
Fl.
Ob.
Cl.
Hn.
83
Bsn.
Perc. 2
Perc. 2
Pno.
B.D.
pp
Alto Sax.
mf
Vln. 1
arco
pp
Vln. 2
Vla. 1
p
arco, poco sul pont.
pp
arco
pp
Vla. 2
Vc.
p
arco, poco sul pont.
pp
Cb.
pizz.
p
pp
pp
p
20 87
Fl.
Ob.
Cl.
Hn.
Bsn.
p
p
p
p
p
p
Perc. 1
Perc. 2
Pno.
Alto Sax.
p
Vln. 1
p
Vln. 2
Vla. 1
p
p sub
p
p
p
p
modo ord.
Vla. 2
Vc.
Cb.
poco sul pont. p pp
modo ord.
p
90 Fl.
Ob.
Cl.
Hn.
p
mp
Bsn.
Perc. 2
Pno.
Alto Sax.
Vln. 2
Vla. 1
Cb.
mp
p
mp
p
mp
6
mf
6
mp
pp
tambourine
p
Vc.
21
poco sul pont.
Vla. 2
triangle
p sub
Vln. 1
p
Perc. 1
p
mp
mp
G
22 94
Fl.
Ob.
f
3
3
mf
Cl.
f
Hn.
mp
Bsn.
3
f
mp
pp
3
pp
mf
6
f
modo ord.
arco
f
pp
f
arco
p
f
mf
p
p
pizz.
f
f
pizz.
6
6
ff
mf
p
6
f
f
Cb.
pp
pp
3
f modo ord.
Vc.
Vla. 2
pp
Vln. 1
Vla. 1
3
ff
Vln. 2
3
Alto Sax.
f
mf
Pno.
mf
Perc. 2
snare drum - with snares
Perc. 1
3
p
Fl. 99
Ob.
Cl.
Hn.
mp
p
4 t-toms
3
p
3
marimba - harder mallets
Perc. 2
Pno.
Alto Sax.
Vla. 1
Vc.
Cb.
mp
p
mp
p
modo ord.
modo ord.
sfz
3
col legno
col legno
col legno
modo ord.
modo ord.
p
modo ord. p
sfz
p
sf
sf
23
sfz
sf
p
3
modo ord.
sf
col legno
p
3
mp
sf
col legno
p
sfz
col legno
sf
p
sfz
mp
n
Vla. 2
mf
Vln. 1 Vln. 2
mp
mp
2 bongos
3
yarn mallets
Bsn.
Perc. 1
sfz
24
104 Fl.
3
mf
H
f
open
Bsn.
Ob.
mf
Cl.
Hn.
Perc. 1
Perc. 2
Pno.
Alto Sax.
f
p
Vln. 2
mp
Cb.
mf
mf
med. susp. cym.
mp
p
mf
f
p
ff
f
arco
mf
mf
7
f
ff
mf
ff
ff
ff
ff
mf
mp
Vc.
mp
Vla. 2
f
mp
Vla. 1
p
f
Vln. 1
ff
f
mp
mp
mf
arco
ff
ff
mf
ff
arco ff
107
Fl. Ob.
Perc. 2
Vla. 1
Vla. 2
Vc.
Vln. 2
Cb.
Alto Sax.
Vln. 1
25
Pno.
Hn.
Perc. 1
Cl.
Bsn.
f
26
Fl. 111
p
Ob.
p
Cl.
mp
ff
ff
mp
ff
mp
p
Hn. p ff Bsn. mp Perc. 1
Perc. 2
Pno.
Alto Sax.
ff
mp
ff
mf
p
ff
Vla. 1
p
Vla. 2
p
Vc.
Cb.
p
p
p
ff
p
mp
ff
pizz.
p
ff
p
mf
arco
pp
arco
pp
mp
p
ff
solo
cym. - dampen f
pizz. Vln. 1 Vln. 2
mf
p
mf p ff
115
Fl.
Bsn.
Perc. 1
Perc. 2
Pno.
mf
p
short
p
p
p
p
p
pizz.
p
p
p
p
t-tam
solemn
Vc.
pp
solemn
mf
Vla. 2
solemn
Vla. 1
Cb.
Vln. 2
p
Alto Sax.
Vln. 1
Hn.
27
I
mf
Cl.
mf
Ob.
solemn
p
p
short
arco, short
p
28
Fl.
122
Ob.
Cl.
Bsn.
Hn.
Perc. 1
Perc. 2
Pno.
Vla. 1
Vla. 2
Vc.
Vln. 2
Cb.
Alto Sax.
Vln. 1
29 128
Fl.
Ob.
Cl.
Hn.
Bsn.
Perc. 1
Perc. 2
Pno.
Alto Sax.
Vln. 1
Vln. 2
Vla. 1
Vla. 2
large susp. cym.
n
pp
p
Vc.
Cb.
J
30
133 Fl.
p
Ob.
mp
p
p
short
p
short
p
mp
p
p
n
f
p
Vc.
Vla. 2
p
p
p
Cb.
Vla. 1
pp
p
Vln. 1 Vln. 2
p
Alto Sax.
p
Pno.
vibraphone - soft mallets
Perc. 2
pp
Perc. 1
blend in
Bsn.
pp
Hn.
blend in
Cl.
pizz.
p
137
Fl.
Cl.
Hn.
Bsn.
Perc. 1
crotales - with bow
Perc. 2
Pno.
mf
Cb.
solemn
mp
short
mf
p
p
3
3
mp
31
mp
Vc.
solemn
Vln. 1
Vla. 2
mp
3
Vla. 1
Vln. 2
Alto Sax.
K
Ob.
solemn
short
short
arco, short
32 141
Fl.
Ob.
Perc. 2
Pno.
mp
p
p
mp
Vln. 2
Vla. 1
Vc.
triangle
p
Vln. 1
Vla. 2
p
Alto Sax.
Cb.
Hn.
Perc. 1
mp
Cl.
Bsn.
mp
mf
pp
pp
pp
p
pp
pp
145
Fl.
Ob.
Cl.
Hn.
Bsn.
Perc. 1
Perc. 2
Alto Sax.
Vla. 1
Vla. 2
Cb.
mp
p
p
pp
pp
f
mp
p
33
p
mp
mp
p
p
pp
Vc.
mp
Vln. 1
Vln. 2
Pno.
p
mp
p
mp
mp
mp
34 149
Fl.
Ob.
Hn.
Perc. 1
Cl.
Bsn.
mf
p
L
3
3
mf
mf
mp
t-toms (with soft vib. mallet)
Pno.
Alto Sax.
Vla. 1
Vla. 2
Cb.
blend in
mf
vibraphone
pp
shimmering
mf
3
pp
mf
sf
mf
p
p
pp
pp
mf
mf
pp
3
mp
sf
Vc.
3
Vln. 1
Vln. 2
mf
pp
mp
solo
p
mf
3
vibra-slap
Perc. 2
p
pp
153 Fl.
Ob.
Cl.
Hn.
Perc. 1
mp
Alto Sax.
mp
Vla. 2
Vc.
Cb.
3
pp sub
pp sub
p sim.
pp sub
p sim.
pp sub
mp
mp
Vln. 1
Vla. 1
3
Vln. 2
p
sim.
35
mp
mf
Pno.
crotales - bowed
Perc. 2
mp
p
Bsn.
3
mf
pp sub
pp sub
pp sub
pp sub
36 157
Fl.
Cl.
p
Bsn.
Perc. 1
Perc. 2
Pno.
mp
3
Alto Sax.
Vln. 1
Vln. 2
Vc.
Cb.
sfp
mf
ff
ff
f
f
B.D. - soft mallets
sfp
ff
sfp
t-toms/bongos
mf
f
f
ff
6
sfp
f
sfp
sfp
f
f
f
6
marimba - harder mallets
mf
3
Vla. 2
M
Vla. 1
sfp
Hn.
Ob.
sfp
f
sfp
sfp
f
f
161
Fl.
Ob.
Cl.
Hn.
Bsn.
Perc. 1
Perc. 2
Alto Sax.
Vla. 1
Vla. 2
Vc.
Cb.
3
37
f
Vln. 1 Vln. 2
Pno.
3
38 165
Fl.
Ob.
Cl.
Hn.
Bsn.
f
Perc. 2
Pno.
Alto Sax.
Vln. 1
Vln. 2
Vla. 1
t-tam
n
mp
ff
molto espress
ff
molto espress
molto espress
ff
Vc.
Cb.
ff
Vla. 2
molto espress
ff
f
ff
Perc. 1
molto espress
molto espress
ff
ff
169
Fl. Ob.
Cl.
Hn.
Bsn.
Perc. 1
Perc. 2
Pno.
Alto Sax.
5
5
Vc.
Cb.
Vln. 1
ff
S.D.
mp
ff
39
ff
Vla. 2
f
Vla. 1
5
Vln. 2
N
mf
f
ff
ff
40
Fl. 173
Ob.
Cl.
Hn.
Bsn.
Perc. 1
Perc. 2
Pno.
Alto Sax.
Vla. 1
Vla. 2
Vc.
Cb.
ff
ff
t-toms (sticks)
chimes (optional, but encouraged)
Vln. 1
Vln. 2
177 Fl. Ob.
Hn.
sfp
Perc. 2
Pno.
Alto Sax.
ff
ff
Bsn.
Perc. 1
sfp
Cl.
41
heavy Vln. 1 accented, not short heavy Vln. 2 accented, not short heavy Vla. 1
mf
accented, not short
accented, not short
Vla. 2
p
mp
heavy
heavy accented, not short
Vc.
Cb.
heavy
42
Fl.
180
Ob.
Cl.
Hn.
Bsn.
Perc. 1
Perc. 2
Pno.
Alto Sax.
pp
Vln. 2
Vla. 1
Vln. 1
Vla. 2
pp
p
p
Vc.
pp
p
Cb.
O 187
43
With Feeling q=70
Fl.
Ob.
Cl.
Hn.
Bsn.
vibraphone - medium mallets
Perc. 1
Perc. 2
Pno.
Pad 5
mp
3
3
3
pp mute
pp mute
pp
Cb.
f
p
3
mute
Vc.
pp
mute
Vla. 2
n
Vla. 1
dolcissimo
Vln. 2
crotales - bowed
p
pp
Vln. 1
mf
Alto Sax.
pp
44 195
Fl.
dolce
Cl.
Hn.
Perc. 1
sim. ped sim.
Crot.
sim.
Pad 5
ped sim.
Alto Sax.
mute
pp
Cb.
p
mp
3 3
n
p
p
3
3
mf
3
3
large sus. cym.
Vla. 1
dolce
3
Vc.
pp
mp
Vln. 2
3
mp
Vln. 1
Vla. 2
mf
Pno.
Bsn.
Ob.
3
3
3
pp
45 201
Fl.
Ob.
sim.
mp
Cl.
Hn.
Bsn.
Perc. 1
p
mp
sim.
mp
Pno.
Pad 5
mp
sim. 5
Vln. 1
sim.
3
3
3
3
mp
3
sim.
3
sneak in sul D
Vla. 1
Vla. 2
Vc.
Cb.
n
Vln. 2
sim.
Alto Sax.
3
3
p
Perc. 2
n
46 209
Ob.
Cl.
Hn.
Fl.
Bsn.
Perc. 1
Perc. 2
Pno.
Pad 5
vibraphone - soft mallets
pp
Alto Sax.
4
p
p
Vla. 1
Vla. 2
Vln. 1
pp
Vln. 2
Vc.
Cb.
P With Energy q=95
pp
senza sord.
pizz.
p pizz.
p
47
Bsn.
Perc. 1
fluttertongue
mp
Hn.
sfp
Cl.
mp
Ob.
219
Fl.
mp
sfp
sfp
p
sfp
p
Perc. 2
Pno.
6
p
sizzle cymbal
6
pp
6
6
6
6
mp
7 6 f
Alto Sax.
6
Vln. 1
pizz, senza sord.
p
Vln. 2
p
pizz, senza sord.
Vla. 1
pizz, senza sord.
p
arco
sfp
Vc.
Cb.
pizz, senza sord.
Vla. 2
p
48
Fl.
222
mf
Bsn.
Perc. 1
mf
Perc. 2
dampen
Pno.
Alto Sax.
arco
Vln. 1 mp
mp
arco
Vln. 2
Vla. 1
arco
mp
p
Vc.
mf
Vla. 2
mp
Cb.
mp
mp
mp
p
crotales - with bow
7
7
mf
pizz.
p
mf
mf
7
p
mp
mp
f
Hn.
f
Cl.
f
Ob.
mf
pizz.
p
mf
mf
mf
mf
p
p
Fl.
225
Ob.
Cl.
Bsn.
Perc. 1
Perc. 2
Pno.
Vln. 1
Vln. 2
Vla. 1
7
7
Cb.
7
6
6
mf
mf
p
mf
vla solo
mf
mp
Vc.
mp
Vla. 2
mf
7
Alto Sax.
B.D. - soft mallet p
49
Hn.
Q
vla solo
mf
50 228 Fl.
Ob.
Cl.
Hn.
Bsn.
Perc. 1
Perc. 2
Pno.
Alto Sax.
Vln. 2
Vla. 1
Vla. 2
Vc.
Cb.
arco
pp
mp
Vln. 1
arco, poco sul pont.
p
pp
poco sul pont.
p
mp
mp
mp
p
mp
51
Fl.
Ob.
Cl.
Hn.
231
Bsn.
Perc. 1
triangle
Perc. 2
Pno.
mf
modo ord. key-clicking - gradually louder
n mp
p
f
Vc.
f
Cb.
f
p
pp
mf
Vla. 2
pp
f
Vla. 1
p
mf
Vln. 2
pp
f
Vln. 1
Alto Sax.
B.D.
p
p
52
Fl.
233
Ob.
Cl.
Hn.
Bsn.
Perc. 1
Perc. 2
Pno.
Alto Sax.
p
p
Vln. 2
Vla. 1
p
Vla. 2
Vc.
Cb.
pp
p
pp
p
pp
mf
pp
mf
Vln. 1
236
Fl.
Ob.
p
53
Hn.
Bsn.
Perc. 1
Perc. 2
Pno.
p
p
p
p
Vln. 1
p sub
Vla. 1
p
Vln. 2
p
p sub
Vc.
p
modo ord.
pp
p
poco sul pont. p
modo ord.
Vla. 2
p
Alto Sax.
Cb.
p
p
Cl.
poco sul pont. p
p
54 239
Fl.
mp
p
mp
Cl.
p
Ob.
R
Bsn.
Perc. 1
Pno.
Alto Sax.
Vln. 2
Vla. 1
Vc.
Cb.
mp
mp
Vla. 2
p
3
mf
mf
6
6
f modo ord.
f
modo ord.
arco
ff
7
mp
mf
tambourine
snare drum - with snares
mp
mp
3
3
open
6
Vln. 1
3
f
triangle
Perc. 2
mf
f
mp
Hn.
f
mf
f
Fl. 243
pp
Ob.
Cl.
pp
Hn.
Bsn.
Perc. 2
Alto Sax.
Vc.
Cb.
3
mf
3
3
f
pizz. p
arco f
mf
f
pp
p3
2 bongos 4 t-toms
6
6
ff
f
pp
3
pp
3
f
pp
Vla. 2
Vln. 1
Vla. 1
p3
Vln. 2
55
mp
Pno.
3
pp
Perc. 1
f
3
3
3
3
n
p
pizz. p
mp
56 248
Fl.
mp
Hn.
Perc. 1
Cl.
Bsn.
mp
Ob.
3
yarn mallets
3
marimba - harder mallets
mp
Pno.
Alto Sax.
mp
mf
col legno Vln. 1 p
Vln. 2
Vla. 1
Vla. 2
Vc.
Cb.
col legno
f
3
mp
3
modo ord. p
p
p
modo ord.
sfz
f
col legno
ff
f
col legno
mp
p
p
col legno
modo ord.
modo ord. modo ord. mp
sfz
sfz
6
mp
arco
mp
f
modo ord.
3
sfz
p
sfz
f col legno
sfz
f
p
3
p
p
Perc. 2
mp
arco
mf
mf
S
252 Fl.
f
Ob.
f
Cl.
f
Hn.
f
Bsn. f
Perc. 1
mf
Perc. 2
Pno.
Alto Sax.
f
p
large. susp. cymbal
n
p
solemn
Vla. 1
Vla. 2
f
Vc.
Cb.
solemn
p
f
pizz.
mp
solemn
sim.
p solemn open
p
mp
shimmering
pp
6
3
pp
pp
pp
arco
pp
mp
p
pp
f
mf
pp
f
p
p
3
Vln. 1
vibraphone - soft mallets
mp
Vln. 2
pp
f
solemn
mp
p
blend with pizz. strings
57
p sub
p sub
p sub
p sub
p sub
p sub
pizz.
mp
58 257
Fl.
Ob.
Cl.
Hn.
Bsn.
Perc. 1
Perc. 2
Pno.
Alto Sax.
p
pp
p
mp
crotales: bowed
mf
shimmering
6
3
p
mf
3
mp
pp sub
arco
pp
pp
pp
pp
pp
pp
mf
pp
Cb.
Vc.
Vla. 2
p
Vla. 1
Vln. 1 Vln. 2
pp sub
pp sub
pp sub
pp sub
pp sub
261 Fl. Ob.
Cl.
Hn.
Bsn.
Perc. 1
Perc. 2
Alto Sax.
Vla. 1
Vla. 2
Vc.
Cb.
p
6
mf
3
3
sfp
sfp
sfp
B.D.- soft mallet (ossi: yarn mallets)
mf
f
6 7 6
mp
ff
sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfz
59
mf
mf
mf
Vln. 1 Vln. 2
Pno.
sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfp
sfp
sfp
sfp
sfz
sfz
sfp
T
60
265
Fl. Ob.
f
f
Hn.
Bsn.
Perc. 1
Perc. 2
ff
mf
f
f
chimes (optional but encouraged)
Alto Sax.
t-toms; bongos : yarn mallets
Pno.
ff
Vln. 1
ff
ff
ff
ff
f
Cl.
ff
Vln. 2
ff
Vla. 1
ff
Vc.
ff
Cb.
ff
ff
Vla. 2
269
Fl. Ob.
Perc. 2
Pno.
sfp
pp
mp
3 3
3
3
3
3
3
3
3
mp p
p
p
3
3
mp
p
p
7
3
6
3
6
mp
p
3
mf
3
mp
mf
3 3
marimba - medium mallets
61
5
mf
6
vibraphone - soft mallets
f
3
mp
Cb.
p
Vc.
p
Vla. 2
mf
Vla. 1
Vln. 2
Pulsating
p
Alto Sax.
Vln. 1
Hn.
Perc. 1
5
Cl.
Bsn.
sfp
mf
sfp
3 3
mf
sfp
mf
sfp
mf
3
mf
sfp
sfp
mf
3
3
62
Fl. 272
p
Ob.
mf
Cl.
7
mf
mf
mf
6
Hn.
Bsn.
Perc. 1
sfp
mf
mf
mf
sim.
Perc. 2
Pno.
3
p
3
3
3
3
p
mf
5
Vla. 1
sfp
p
Vla. 2
Vc.
sfp
sfp
p
sfp
sfp
3
3
3
3
3
3
sfp
7
3
p
3
mf
mf
p
3
mf
p
3
6 3 3 5
p
Vln. 2
3
p
mf
6
3
p
Cb.
3 3
Alto Sax.
Vln. 1
3
3
3
3
3 3
mf
mf
p
mf
p
3
p
p
p
* if saxophonist is unable to perform full or quasi-
275
Fl.
Ob.
Cl.
Hn.
Bsn.
Perc. 1
Perc. 2
open
Alto Sax.
Vln. 2
Vla. 1
Vla. 2
Vc.
Cb.
f
ff
ff
pp
mf
3
3
3
f
7
fff
f
molto vibrato * gliss.
f
f
ff
ff
3 3 3
mf
large susp. cym.
6
Vln. 1
f
Pno.
f
glissandos, they should play mix of chromatic and diatonic ascending pitches within the glissando indications. 63
U Building up
f
64
Fl. 278
Ob.
Cl.
Hn.
Alto Sax.
Vla. 1
Vla. 2
Vc.
Cb.
. gliss
ff
molto vibrato
ff
ff
ff
gliss.
molto vibrato
ff
ff
marimba - harder mallets
ff
f ped. sim
ff
Vln. 1 Vln. 2
ff
Pno.
ff
Perc. 2
ff
Bsn.
Perc. 1
ff
ff
ff
282
Fl.
mp
Cl.
mp
Bsn.
Perc. 1
Perc. 2
Pno.
Pad 5
Alto Sax.
Hn.
mf
Ob.
p sub
pp
p sub
sfp
sfp
sfp
p
sfp
p sub
Cb.
mf
f
p
Vc.
p sub
Vla. 2
Vln. 1
Vla. 1
ff
Vln. 2
f
65
p sub
sfp
66 285
Fl. Ob.
Cl.
Hn.
rit.
Perc. 1
Perc. 2
Pno.
Pad 5
Alto Sax.
p
Bsn.
p
*
glis
s.
Vln. 1
Vln. 2
Vla. 1
Vla. 2
Vc.
Cb.
V q=95 287
Fl. Ob.
Cl.
Hn.
ff
ff
Bsn. fff
Perc. 2
ff
Pno.
fff
Pad 5
mf
Alto Sax.
Vln. 1
ff
gliss.
t-tam
7
gliss.
Cb.
fff
Vc.
fff
Vla. 2
fff
Vla. 1
fff
Vln. 2
fff
3
ff
67
7
t-tam
7
7
mf
Perc. 1
3
f
fff
fff
68 289
Fl.
Ob.
Cl.
Hn.
Bsn.
Perc. 1
Perc. 2
Pno.
3
7
7
Vc.
Cb.
Vla. 2
p sub
p
p sub
p sub
Vla. 1
ff
Vln. 1 Vln. 2
mp
t-tam
mp
p sub
Pad 5
Alto Sax.
p sub
p sub
p sub
p sub
p sub
p sub
291 Fl.
ff
Ob.
ff
Cl.
Hn.
ff
**
ff
**
ff
** ff
** Winds play scales very fast at random in upper register and staggerbreathe if necessary. Vibraphone plays random pitches very fast with pedal down
Perc. 1
Perc. 2
ff
Pno.
ff
Pad 5
Alto Sax.
Vln. 1
Vln. 2
ff
ff
ff
p
ff
ff
p
p
p
p
p
p
fff
fff
ff
f
ff
f
fff
fff
ff
Cb.
B.D. - soft mallet
p
ff
Vc.
fff
**
ff
Vla. 2
p
ff
Vla. 1
vibraphone harder mallets
fff
p
ff
fff
ff
Bsn.
69
ff
fff
ff
ff
ff
ff
ff
fff
fff
fff
fff
fff
(This page was intentionally left blank by the composer)
II. Dialogue, Toccata, and Remembrance Searching q=50 Flute
Oboe
Clarinet in Bb
Percussion 2
Piano
Pad 5 (Bowed)
Alto Saxophone
Violin 1
Violin 2
Viola 1
Viola 2
Violoncello
Contrabass
dolce p
mf
dolce mp
dolce
Bassoon
Percussion 1
mp
Horn in F
mp
mp
dolce pp
dolce
dolce
mp
dolce
p
mp
72
More deliberate q=50
poco rit. 8
Fl.
p
Ob.
Cl.
p
Hn.
molto rit.
pp
Bsn.
n
Pad 5
Alto Sax.
Perc. 1
Perc. 2
Pno.
molto espress
Vln. 1
Vln. 2
Vla. 1
p f molto espress
3
molto espress
Cb.
mf
bring out
f
mp
mp
pp
mp
p
3
p
p
bring out
molto espress
f
mp
p
Vc.
p f molto espress
p
Vla. 2
p
mf
p
p
p
A Brooding q=50
14 Fl.
pp 3
Ob.
3
Cl.
Bsn.
pp
mp
3
sf
Anvil
Crotales
sf
sf
Pad 5
Vln. 1
Alto Sax.
3
pp
Vln. 2
3
3
3
Vla. 2
pp
Vc.
3
pp
Cb.
pp
3
mp
mp
3n
mp
sf
3
3
pp
pp
3
3
pp
3
f
3
3
mp
mp
mp
pp
mp
3
pp
pp
mp
sf
mf 3
mp
mp
3 3 3 3
3
mp
p
mp
mp
pp
pp
Vla. 1
3
sf
mp
mp
pp
pp
3
espress
p
n
pp
mp
Vibraphone - soft mallets
Pno.
Perc. 1 Perc. 2
mp
pp
Hn.
73
mp
mp
74
dolce
20
Fl.
Ob.
Cl.
Hn.
3
Perc. 2
Crotales - with bow
dolce
mp
p
3
3
mp
3
3
3
sim.
3
3
3
3
3
3
legato
p
pp
pp
pp
Cb.
p
pp
Vc.
pp
Vla. 2
mf
Vln. 1
Vla. 1
p
Vln. 2
mp
dolce
Alto Sax.
dolce
Perc. 1
Pad 5
mp
Bsn.
Pno.
3
mp
B
pp
Fl.
27
Ob.
Cl.
Hn.
mf
3
3
3
3
mf
3
mf
Bsn.
mp
p
3
mf
p
3
f
3
f
mf
Perc. 2
Pno.
Pad 5
Alto Sax.
3
mp
3
Vln. 1
3
3
Vla. 1
Vla. 2
Vc.
Cb.
legato
p
3
mp
3
mf
mf
mp
3
3
3
legato
5
7
mp
p 3
p
6
5
3
mp
chimes - optional but encouraged
p
3
mp
p
3
mf
f
3
Vln. 2
vibraphone - medium mallets
Perc. 1
75
mp
3
mf
3
mp
3
3
mp
3
3
3 3 3
mp
mp
mp
p
mf
76 32 Fl.
5
mf 5
Cl.
5
mf 5
Ob.
poco rit.
f
6
f
6
3
5 3
f
Hn.
Bsn.
p
Pno.
Alto Sax.
5
mf 5
Pad 5
5
5
Vln. 1
p sub
Vla. 1
p
Cb.
3
6
ff
3
6
mp
5 5 7 ff
mp
f
3
f
5
3
ff
ff
f
6
mp
f
cresc.
3
p sub
Vc.
mp
p sub
Vla. 2
B.D. - medium mallet
6
Vln. 2
cresc.
Perc. 1 Perc. 2
cresc.
cresc.
3
3
3
* provided tempo indication intended to be the minimum. If capable, ensemble may go up to q=175
C Presto Agitato q=160* 35
Fl.
Ob.
Cl.
Hn.
Bsn.
Perc. 1
Perc. 2
77
ff
ff
ff
ff
ff
Pad 5
f
detached and percussive
Vln. 1
Vln. 2
Vla. 1
Vla. 2
ff
ff
pizz.
ff
Cb.
ff
ff pizz.
sfp
ff
ff
ff
arco
mf
mp
ff
ff
ff
ff pizz.
arco
ff
ff pizz.
ff
Vc.
ff pizz.
mp
pizz.
f
mp
Alto Sax.
ff
Pno.
mp
78
43 Fl.
Ob.
Cl.
triangle
Pad 5
Alto Sax.
mp
mp poco sul pont.
pp
mp
Cb.
p
Vc.
Vla. 2
Vln. 1
Vla. 1
mp
mp
Vln. 2
Perc. 2 p
Pno.
pp
Perc. 1
Hn.
Bsn.
49
Fl.
Ob.
Cl.
Hn.
Bsn.
mf
Perc. 2
Pno.
Pad 5
Alto Sax.
mf
D
79
mp
mp
f
mf
Perc. 1
pp
fp
precise Vln. 1 f p
Vln. 2
mf
arco, deliberate
p
modo ord.
Vla. 1
fp
Vla. 2
Vc.
Cb.
arco
sfp
f
f
80 54
Fl.
Cl.
Hn.
Ob.
Perc. 1
Perc. 2
Pno.
Pad 5
mp
p
legato
p
Vln. 2
cresc.
Alto Sax.
Vln. 1
mp
p
open
Bsn.
Vla. 1
Vla. 2
Vc.
Cb.
arco legato
p arco legato p
59
Fl.
Cl.
Pno.
Pad 5
Vln. 1
mf
mp
mf
mf
mp
mf
yarn mallets
bongos t-toms
pp
Alto Sax.
mp
mf
81
E
mf
Perc. 1
Perc. 2
Hn.
Ob.
Bsn.
p
f
mf p sub
mf p sub
Vln. 2
Vla. 1
mf p sub
Vc.
Cb.
p sub
Vla. 2
p sub
p sub
82 63
Fl.
Ob.
mf
Cl.
p sub
mf
Hn.
Bsn. mf
Perc. 1
Perc. 2
Pad 5
Alto Sax.
p sub
Pno.
pp sub
mf
p sub pp sub p sub p sub pp sub
Vln. 1 p sub
Vln. 2
Vla. 1
Vla. 2
Vc.
Cb.
p sub
p sub
pp sub
pp sub
68
Fl. Ob.
Cl.
Hn.
Bsn.
Perc. 1
Perc. 2
Pad 5
Alto Sax.
pp
mf
poco cresc.
p
Vc.
Cb.
poco cresc.
sfp
sfp
sfp
sfp
sfp
sfp
sfp
sfp
p poco cresc.
p poco cresc.
sfp
arco
p poco cresc.
sfp
sfp
ff
p poco cresc.
sfp
p poco cresc.
Vla. 2
poco cresc.
p poco cresc.
Vla. 1
83
sfp
Vln. 1 Vln. 2
f
marimba - semi-hard mallets
p
Pno.
p
f
poco cresc.
mp poco cresc.
sfp
84 74
Fl.
Cl.
Perc. 2
Pno.
ff
ff
f
med. susp. cym.
f
p
f
ff
Vln. 1
Vln. 2
Vla. 1
Vla. 2
Vc.
ff
mf
3
ff
ff
t-toms
3
f
ff
F
Alto Sax.
Cb.
Pad 5
Hn.
Perc. 1
Ob.
Bsn.
ff
ff
ff
ff
77 Fl.
85
Bsn.
Perc. 1
Cl.
Hn.
ff
Ob.
Pno.
Pad 5
Alto Sax.
t-toms
f
ff
mf
3
3
sfp
sfp
Cb.
sfp
f
Vc.
sfp
p
sfp
Vla. 2
med. susp. cym.
Vla. 1
f
Vln. 1
sfp
ff
p
ff
Vln. 2
ff
f
Perc. 2
ff
ff
ff
ff
ff
ff
86 80
Fl.
Ob.
Perc. 1
Cl.
Hn.
Bsn.
Pno.
Pad 5
Alto Sax.
Vla. 1
Vla. 2
f
med. susp. cym.
3 3 3
ff
ff
sfp
sfp
t-toms
mf
sfp
f
ff
ff
sfp
Cb.
sfp
Vc.
p
sfp
Vln. 2
ff
Vln. 1
ff
f
Perc. 2
f
ff
7
ff
p
7
ff
ff
ff
83 Fl.
Ob.
Cl.
Hn.
Bsn.
Perc. 1
Pno.
Pad 5
Alto Sax.
Vln. 1 sfp
Vln. 2
Vla. 2
Cb.
ff
ff
p
f
ff
ff
3
3
mf
ff
sfp
87
sfp
ff
f
med. susp. cym.
f
sfp
Vc.
sfp
7
sfp
Vla. 1
f
Perc. 2
7
p
ff
ff
ff
ff
ff
88 86
Fl.
Ob.
Cl.
Hn.
7
ff
ff
Perc. 1 t-toms
Perc. 2
Pno.
Pad 5
Alto Sax.
Vln. 1
Vln. 2
Vla. 1
Vla. 2
Vc.
Cb.
ff
p
3
3
3
3
3
3
3
3
3
xylophone (optional, but preferred; otherwise, stay on marimba and play 8va)
ff
f
play if not using xylophone
f
Bsn.
ff
3
3
3
92
Fl.
Ob.
Hn.
Bsn.
Perc. 1
**
Cl.
G
Hold for 9-11'' **
**
**
**winds play scales very fast at random in various registers (mid-upper register= ob., bsn.; upper register = fl., cl.). They may staggerbreate if necessary
ff
ff
ff
Pno.
B.D.
p
f
ff
ff
Pad 5
ff
ff
ff
ff
ff
repeat figure at increasing rate until conductor cues next measure
ff
ff
t-tam
ff
repeat figure at increasing rate until conductor cues next measure
Perc. 2
ff
ff
ff
ff
89
ff
ff
ff
ff
ff
ff
ff
mf
ff
ff
mf
mf
f
Alto Sax.
Vln. 1
Vln. 2
Vla. 1
feroce
ff
ff
ff
repeat these pitches; very fast
repeat these pitches; very fast
Cb.
ff
ff
ff
ff
ff
Vc.
ff
ff
Vla. 2
ff
ff
ff
ff
ff
ff
ff
ff
ff
pizz. mf
pizz. mf
90 99
Fl.
Ob.
Cl.
Hn.
feroce
Bsn. Perc. 1
Perc. 2
Pad 5
Alto Sax.
Pno.
Vln. 2
Vla. 1
Vla. 2
Vc.
p
3
mf
p
f
feroce f
3
Vln. 1
f`
fff
Cb.
feroce arco
f feroce arco f
H 108
Fl. Ob.
Cl.
Hn.
feroce
f
ff
91
feroce
mf
ff
f mf ff
feroce
p
f
Bsn. mp ff
Perc. 1 Perc. 2
Pno.
Pad 5
p
f
t-toms
p
mp
mf
marimba
f
mp
ff
p
mp
molto vib./quasi trill Alto Sax. feroce Vln. 1 ff mf feroce Vln. 2 f ff feroce mf Vla. 1 f
feroce
Vla. 2
mf
Vc.
ff
ff f
ff
Cb. ff
92
Fl. 115
Ob.
Cl.
Hn.
Bsn.
Perc. 1
Perc. 2
Pno.
Pad 5
f
p
f
Alto Sax.
Vln. 1
Vln. 2
Vla. 1
Vla. 2
Vc.
Cb.
pizz.
121
Fl.
Ob.
Cl.
Hn.
Bsn.
Perc. 1
Perc. 2
Pad 5
ff
Vln. 1
mp
Vc.
Cb.
arco
ff
med. susp. cym. (damped)
mf
ff
p
p
mf
p
p ff ff
temple blocks
p
ff
p
ff
p
p
p
Vla. 2
ff
play fast around lowest three octaves; keep pedal completely down until end of m.117
mf
mf
Vla. 1
sizzle cymbal
Vln. 2
ff
t-toms
ff
p
93
p
Alto Sax.
I
p
Pno.
p
Introspective
p
p
ff
ff
ff
p
94
Fl.
127
Ob.
Cl.
Hn.
bongos - with hands
Bsn.
Perc. 1
Perc. 2
Pno.
Pad 5
Vln. 1
Vla. 1
Vla. 2
Vc.
dolce, freely
mp
Vln. 2
Cb.
Alto Sax.
f
133
Fl.
Ob.
p
2
Perc. 2
mp
mp
large suspended cymbal
n
mp
Pno.
Pad 5
Alto Sax.
Vln. 1
f
3
pp cresc.
pp sempre
pp sempre
Vln. 2
Vla. 1
Vla. 2
pp sempre
Vc.
pp sempre
legato
p
Cb.
p
t-tam
p
Perc. 1
95
pp
Bsn.
mp
Hn.
mp
Cl.
J
legato
p
96 138 Fl.
mf
Ob.
mf
Cl.
Hn.
mp
mp
mp
Perc. 1 Perc. 2
mp
Pno.
Pad 5
mp
Vla. 1
Vla. 2
Vc.
n
bongos - with hands
mf
mp
2
p
3
3
p
n
mp
p
mp
mp
Vln. 2
Cb.
Alto Sax.
Vln. 1
p
Bsn.
n
legato
p
n
142
Fl.
Ob.
Cl.
Hn.
Perc. 2
2
p
pp
Pad 5
mf
p
Vla. 2
Vc.
Cb.
mp
mf
mf
mf
3
3
mf
n
legato
Vla. 1
mp
Vln. 1 Vln. 2
mf
mf
mf
97
mf
Alto Sax.
mf
Pno.
2
Bsn.
Perc. 1
n
n
98 147
Fl.
Ob.
Bsn. Perc. 1 Perc. 2
Pno.
dim.
mp
n
pp
p pp
p
n
p
Vla. 2
p
Vc.
p
p
pp
dim.
dim.
pp
dim.
mp
Vla. 1
vibraphone - soft mallets
Vln. 2
pp
pp
pp
p
dim.
Cb.
Pad 5
Vln. 1
4
p
Alto Sax.
mp
dim.
Hn.
2
mp
Cl.
pp
pp
pp
n
K Revisiting 153
99
Fl.
Ob.
Cl.
Hn.
Bsn.
Perc. 1
Perc. 2
Pno.
Pad 5
p slap-tongue pitches with "x"
Alto Sax.
Vln. 1
Vln. 2
Vla. 1
pizz.
Vla. 2
Vc.
Cb.
pizz.
p
pizz.
pp
pizz.
pp
pizz.
pp
pp
pizz.
pp
100 161
Fl.
Ob.
Cl.
Hn.
Bsn.
Perc. 1
Perc. 2
Pno.
Pad 5
p
p
mp
sfz
sfz
cresc. mf p cresc.
Alto Sax.
Vln. 1
Vln. 2
Vla. 1
sfz
sfz
sfz
Vla. 2
Vc.
Cb.
mp
mp
mp
sfz
sfz
sfz
mp
169
Fl.
Cl.
Perc. 2
Pno.
Pad 5
mp
mp
sfz
p
p
101
p
p
mp
p
f
dim.
sfz
Vln. 2
sfz
Vla. 1
sfz
Vla. 2
Vc.
Cb.
Alto Sax.
Vln. 1
mp
sfz
Hn.
Perc. 1
Ob.
Bsn.
sfz
sfz
p
arco
p
sfz
mp
mp
p
102 176
Fl.
Ob.
Cl.
Hn.
L
With Direction
mf
mf
dolce
sf
f
sf
dolce
mf
mp
Bsn.
Perc. 1
mp
marimba
Perc. 2
Pno.
Pad 5
Alto Sax.
mp
ff
p
mf
mf
Vln. 1
mf
Vln. 2
mf
Vla. 1
Vla. 2
f
pp
mf
Cb.
pp
mf
Vc.
arco, short
mf
arco, short
mp
mp
103 180
Fl.
Cl.
Perc. 1
Perc. 2
Pno.
Pad 5
dolce
pp
mf
pp
mf
dolce
mp
Vln. 2
Vla. 1
Vla. 2
Vc.
Cb.
Alto Sax.
Vln. 1
Hn.
pp
Ob.
Bsn.
dolce
p
p
104
184
Fl.
Ob.
Cl.
Hn.
Bsn.
Pno.
Pad 5
Vc.
Cb.
arco, short
p
p
arco, short
pp
p
mf
vibraphone - soft mallets
Vla. 2
Vla. 1
Vln. 1 Vln. 2
mf
Alto Sax.
3
3
ff
Perc. 1 Perc. 2
strong breath
105 187
Fl.
Ob.
3
Pad 5
mf
3
Alto Sax.
dolce
p
Perc. 2
Pno.
mp
Bsn.
dolce
Perc. 1
f
Hn.
mp
Cl.
pp
f
mf
Vln. 1
Vln. 2
Vla. 1
Vla. 2
Vc.
Cb.
106
Fl.
190
Ob.
Cl.
Hn.
Bsn.
Perc. 1
Perc. 2
Pad 5
3
Vla. 2
Vc.
4
ff
f
f
mf
pizz.
f pizz.
mf
mf
mf
mf
Cb.
4
f
Vla. 1
Vln. 1 Vln. 2
ff
Alto Sax.
ff
3
ff
3
ff
p
Pno.
3
3
3
M poco accel.
mf
f pizz.
f
pizz.
f
f
f
194 Fl.
Bsn.
Ob.
Cl.
Hn.
Perc. 1
Perc. 2
Pno.
Pad 5
Vln. 1
Vln. 2
Vla. 1
Vla. 2
Vc.
Cb.
p
3 3
3 3
4
Alto Sax.
107
4
h=92-95
108
200 Fl.
Ob.
Hn.
Bsn.
Pno.
Pad 5
4
ff
4
4
f
ff
Vln. 1
Vla. 2
Vc.
3
Vla. 1
Vln. 2
6
t-tam
ff
1 timpani: pitched F-C (or other low-pitched drum, ex. B.D.)
f
ff
f
3
ff
4
Alto Sax.
Cb.
ff
ff
4
Perc. 1 Perc. 2
3
Cl.
With Feeling h=q, q=80
rit.
arco molto espress
ff molto espress arco
ff
molto espress arco
ff
molto espress arco
ff
molto espress arco
ff
sul A
3
3
3
3 3 3
3
3
3
3
3
3
3 3 3 3 3 3 ff
arco
206
Fl.
Ob.
N
109
p
Hn.
Bsn.
Perc. 1
Perc. 2
Pno.
p
Vln. 1
p
5
5
5
Vla. 1
3
Vc.
3
3
5
5
5
3
3
f
sfp
3
5
5
3 5
f
fp
3
3
f
f
5
fp
3
p
f
ff
legato, but with a pulsating swell
5
3
3
5
f
p
p
3
f
with emphasis 3
3
p
mp
p 3 3
Vla. 2
Cb.
3
3
f
legato, but with a pulsating swell
Vln. 2
mf
3
vibraphone - medium mallets 3 p 3 3 3
3
3
f
f
mp
Alto Sax.
p
Pad 5
mf
pp
pp
Cl.
110
210
Fl.
Ob.
Pad 5
5
5
Vln. 1
3
Vln. 2
Vla. 1
Vla. 2
Vc.
5
3
f
ff
fp
fp
5
3
3
3
5
5
5
5
3
5
legato, but with a pulsating swell
p
legato, but with a pulsating swell
p
3
f
5
6
3
3
f
f
persisting through
mf
5
5
5
p
p
open
3
mp
n
f
Cb.
5
large susp. cym.
5
f
3
sfp
5
mp
3
3
mp
mp
3
mf
Alto Sax.
f
Pno.
f
3
3
3
3
f
3
Perc. 1 3
p
Bsn.
Perc. 2
mf
3 mp
Hn.
Cl.
Slowly build
111
Fl. 213
Ob.
poco a poco cresc
Cl.
Hn.
Perc. 1
Perc. 2
Pad 5
poco a poco cresc
sempre p
Pno.
p
poco a poco cresc
Bsn.
6
5
6
5
3
3
Vln. 1
6
6
5
3
6
6
5
6
poco a poco cresc
poco a poco cresc
Vln. 2
Vla. 1
poco a poco cresc
Vla. 2
poco a poco cresc
Vc.
Cb.
Alto Sax.
112 215
Fl.
Ob.
mp
molto
Hn.
Bsn.
Cl.
molto rit.
molto
3
molto
molto
Perc. 1
B.D.
n
mp large susp. cym.
Perc. 2
Pno.
6
Pad 5
6
5
Vla. 1
7
7
7
7
p
6
5
molto
n
Vln. 1 Vln. 2
Alto Sax.
3 3 6 fff 3
molto
molto 3
molto
Vla. 2
Vc.
p
Cb.
p
molto
molto
molto
q=80 219
Fl. Ob.
ff
ff
Cl.
ff
Bsn.
ff
Perc. 1
Perc. 2
f
f
3 ff Pno. 3 Pad 5 f Alto Sax.
div. (if available)
Vln. 1
Vln. 2
3
p
div. (if available)
ff
Vla. 1
3
ff
Vla. 2
ff
Vc.
ff
Cb.
ff
3
3
ff
3
3
3
3
3
2
2
3
3
mf
3
fff
fff
2
fff
fff
mp
fff
blend in
2
ff crash cymbals
6
blend in
fff
fff
7
113
rit.
5
fff
3
fff
fff
ff
n
5
fff
3
fff
3
ff
Hn.
Allargando q=75
rit.
3
114
With Feeling q=75 224 Fl. 2
f
Ob.
f
4
2
4
2
2
poco rit.
Hn.
mp
Bsn.
mp
Pno.
p
Vln. 2
Vla. 2
Vc.
mp
mp
mp
pp
p
2
n
2
2 2
mp
pp
p
large sus. cym.
p
quasi-cadenza, with a timeless feel
3 3
mp
3
mf
mp
p
mf
Vla. 1
p
mp
Vln. 1
mp
5
mp
Alto Sax.
2
vibraphone - soft mallets
4
4
Pad 5
Cb.
Perc. 1 Perc. 2
2
p
7
3 6 3
Cl.
O
p
3
p
p
p
p
p
115
q= c.a.55 232
Fl.
Ob.
Bsn.
Pno.
Pad 5
Vln. 1
3
3
3
3
3
3
n
3
3
3
n
3
n
p
3
pp
Cb.
pp
Vc.
3
pp
Vla. 2
pp
Vla. 1
3
3
pp
3
3
pp
Vln. 2
pp
3
pp
3
pp blend in
dolce
Alto Sax.
p
pp
Perc. 1 Perc. 2
3
Hn.
Cl.
molto rit.
P Graceful h=45
116
236
Fl. Ob.
Cl.
Hn.
Bsn.
Perc. 1
Perc. 2
Pad 5
Alto Sax.
7
7
7
pp
6
pp
3
3 pp flautando
6
mf
pp flautando
7
pp
pp flautando
Cb.
6
ppp una corda, pedal accordingly
pp flautando
Vc.
7
pp flautando
Vla. 2
3
mf
Vln. 1
Vla. 1
3
p
flautando
Vln. 2
Pno.
3
3
3
3
3
3
238
Fl.
3
p
Ob.
Cl.
Hn.
Bsn.
vibraphone - soft mallets
Perc. 1
5
Pno.
7
Pad 5
Vln. 1
Vln. 2
Vla. 1
Vla. 2
Vc.
pp
6
7
7
sim.
7
3
3
Cb.
7 7
7
Alto Sax.
p
crotales - soft mallet
Perc. 2
117
3
3
3
3
3
3
118 240
Fl.
mf
3
p
Ob.
Cl.
Hn.
Perc. 1
Bsn.
Perc. 2
Pno.
Pad 5
Alto Sax.
Vla. 1
Vla. 2
Vc.
Cb.
6
6
6
5
6
6
6
6
6
5
3
Vln. 1
Vln. 2
6 6
pp
5
3
3
3
3
3
3
3
3
3
3
3
3
119 243
Fl.
mp
mp
Ob.
Cl.
Hn.
Bsn.
Perc. 1
Perc. 2
Pno.
Pad 5
5
5
Alto Sax.
Vln. 1
Vln. 2
Vla. 1
Vla. 2
Vc.
Cb.
5
3
3
3
3 3 3 3
3
3
3
3
3
3
7
3
3
7
3
7
7
3
3
3
Q Molto Rubato h=q
120 248
Fl.
Ob.
Cl.
Bsn.
Perc. 2
Pno.
Pad 5
mf
pp
5
mf
7
5
p
molto espress, legato
p
3
3
p molto espress, legato
molto espress, legato
3
pp
pp
pp
mf
pp
mf
pp
mf
mp
mf
p
p
3
molto espress, legato
ff
mf
molto espress, legato
3
p
Cb.
mp
solo
espress, legato molto Vln. 1
Vc.
3
Vla. 2
pp
mp
Vla. 1
mp
molto espress;arioso timeless, rhythm intended to be more expressive than exact
Vln. 2
3
p
Alto Sax.
pp
Perc. 1
q=45 solo mf
pp
Hn.
poco rit.
mf
pp
R Brooding
q=45
molto rit.
Fl. 255
pp
Ob.
Cl.
Hn.
pp
p
Bsn.
p
Perc. 1
Perc. 2
Pno.
Pad 5
Alto Sax.
p
Vla. 2
p
Cb.
p
p
p
p
pp
mp
pp
mp
f
3
mf
pp
ppp
pp
mp
pp
pp
mp
mp
pp
mp
pp
pp
ppp
ppp
ppp
pp
pp
pp
pp
ppp
pp
mp
ppp
p
pp
p
solo
mp
pp
mf
mp
3 3
pp
p
p
Vc.
p
Vla. 1
p
Vln. 2
mp
p
pp
mp
pp
mf
Vln. 1
pp
mp
pp
pp
mp
121
mp
mp
mp
pp
p
pp
pp
p
mp
mp
122
rit.
Fl.
Ob.
Cl.
265
Hn.
Bsn.
Perc. 1
Perc. 2
Pno.
Pad 5
Alto Sax.
pp
p
pp
p
pp
mp
mp
die away
Vln. 2
Vla. 1
Vln. 1
Vla. 2
pp
mp
pp
Vc.
Cb.
pp
mp
mp
pp
pp
p
pp
mp
pp
pp
p
p
p
ppp
ppp
pp
pp
S Ethereal
(q=c.a. 40)
123
Fl.
274
Ob.
Cl.
Hn.
Bsn.
Perc. 1 p t-tam
p
mp
Pno.
Pad 5
Vla. 1
keep pedal down
Vc.
p
n
mp
n
mp
3 p
sim.
3
3
3
3
p
3
pp
pp
pp
n
mp
3
n
Cb.
sul pont.
Vla. 2
crotales - with bow
strum bass strings (no fingernail)
Vln. 1
Vln. 2
mp
pp
Alto Sax.
Bell Tree - hit infrequently and at random; not too tinny, but resonant
waterphone (if available): with bow; many sounds
Perc. 2
modo ord.
ppp
flautando
f
pp
124 278 Fl.
3
Ob.
Cl.
Hn.
Bsn.
Perc. 1
mp
mp
mf
Pno.
Pad 5
3
pp
3
p
mp
3
mp
cresc.
3
sim.
mf
3
3
3
5 3 6
mf
Vln. 1
p
3 p
mf
Vla. 1
Vla. 2
Vc.
Cb.
3
n
Vln. 2
mf
mp
p
3
3
mp
vibraphone - soft mallets
pp
3
p
p
3
n
3
mp
mp
Alto Sax.
crotales - with bow
3
waterphone
Perc. 2
3
n
3
3
mf
pp
p
n
mp
modo ord. pp
Fl.
283
mp
mf
Cl.
mp
Bsn.
p
mp 5
Alto Sax.
3
mp
Vln. 1
mp
pp
mf
3
Vla. 1
Vla. 2
f
large susp. cym.
3
5 3
3
n
pp
Vc.
Cb.
beat 3
Vln. 2
mf
n
3
125
pp
3
6
Pad 5
mf
Perc. 2
mp
Perc. 1
Pno.
mf
Hn.
Ob.
rit.
126
q=40 Fl. 286
p
Ob.
p
Cl.
p
Hn.
p
Bsn.
mp
Vln. 1
mp
mp
mp
mp
mp
Cb.
Vc.
Vla. 2
Vla. 1
Vln. 2
Pad 5
Alto Sax.
Pno.
p
Perc. 2
p
Perc. 1
molto rit.
mp
q=35
Fl. 289
**
pp
Ob.
** players sing one of given pitches on "aw." They may staggerbreathe when necessary. Be sure that pitches are divided as evenly as possible among players based on their voice range. Written as concert pitch.
n
**
n
Cl.
Hn.
Bsn.
Perc. 2
Pno.
**
n
**
pp
crotales
mf
f
7
5
mf
Pad 5
Alto Sax.
Vln. 1
Vln. 2
p
pp
pp
Vla. 1
pp
Vla. 2
Vc.
pp
pp
Cb.
pp
**
**
pp
pp
p
7
("m")
n
p
pp
**
n pp
("m")
p
pp
p
("m")
p
p
mp
p
waterphone
mp
3
("m")
("m")
p
f
p
pp
5
vibraphone - medium mallets
pp
n
Perc. 1
n
**
pp
pp
pp
pp
127
p
("m")
p
("m")
p
("m")
p
("m")
p
("m")
p
("m")