Issue 2 - Spring 2012

Issue 2 Spring 2012

South wales’ creative and lifestyle magazine

Featuring:

THE GUNS ALBINO JACKS OWEN G RICHARDS VALENTINES PHOTOGRAPHERS Reviewed:

THE BLACKOUT DOPAMINE SAVE YOUR BREATH BLEED ELECTRIC STARS AND FLIGHTS TIGER PLEASE REAPER IN SICILY

EXCLUSIVE! Photos & Interview

& MANY MORE...

MASUBI G

m o d n a r d n a l u eeky, colourf

Contents ISSUE 2 - SPRING 2012

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CONTENT IMAGES

44 18 The Usual Suspects 05

A quick look at some of the exciting features inside this very issue...

Editorial Some bloke rambles on about what’s in this issue.

06

Gallery Our usual round-up of what creatives have been up to since the last issue.

10

Newcomers Under the radar music, models, art & photography!

2

36

26

10

Fashion 18

Masubi COVER FEATURE

Music 36

Exclusive images and words with our favourite alt beauty.

24

32

Street Style

44

Albino Jacks

Behind The Scenes: Boy Set Sail

Exclusive sneak-peek at some new pin-up story time!

We join the band behind the scenes on music video shoot.

Naked Ambition

42

Q&A: Shadow Promotions

58

Reviews

Jo talks nudity 34

The Guns We catch up with Alex and get a little more than we bargained for!

40 26

Photography

Designer: IntravenousX

Owen G Richards Photographer talks to us his history, experiences, ambitions & shares a whole wealth of great advice.

50

Valentines Day shoots Our look at 6 of South Wales’ finest portrait photographers, for that ideal Valentines gift.

Happy

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4

STAFF

From The Editor W

Synectic Issue 2 / Spring 2012

Kevin Barnes

synectigmag.co.uk

Editor-in-Chief

Editor-in-Chief Art Director elcome, one and all. I’m delighted to be able to intro- Kevin Barnes duce you to issue 2 of Synectic Magazine. As you can kev@synecticmag.co.uk see, we’ve put a lot of work in over the three months since issue 1 (has it really been three months?), and made the Fashion Editor Vicki Roach magazine a little bit prettier to look at. vicki@synecticmag.co.uk This issue we have some unprecedented fashion coverage, kicked off by the lovely Masubi. Masubi was kind enough to PR / Editorial answer some questions for us during her exclusive shoot with Richard Meyrick our fashion editor, Vicki. The criminally good folk at Albino rich@synecticmag.co.uk Jacks were kind enough to give us a sneak-peek at their latest Advertising & Sales project, check out page 26.

Sally King Music wise, The Guns were kind enough to give us a bit of their sally@synecticmag.co.uk time, and in return we got one of the most genuinely amusing, bemusing and downright strange interviews I’ve ever read, be Journalists sure to check it out. We’ve also got all the usual review coverage Stephanie Lamerton Laura Kenny you’d expect.

Richard Meyrick This issue sees the formal introduction of a photography sec- Kevin Barnes tion. Owen G Richards is the featured photographer, I can’t Andrew Roach recommend his article highly enough, what a fascinating and Martin Izzard highly talented individual. We also have an insightful feature James Payne into six of the best portrait photographers in South Wales, with Benj Squibbs Alex McPake an eye on that perfect Valentines gift.

Emma Hathway I must thank the staff involved with making this, and every issue possible. They’ve worked so hard around work & university Contributors commitments and delivered as they always do. This magazine Josephine Jones wouldn’t be what it is without them, so thank you, team!

Photographers I hope you enjoy reading as much as we’ve enjoyed putting this Vicki Roach Jessica Brown issue together. We look forward to seeing you again in April!

Kevin Barnes

Kev

facebook.com/synecticmag @synecticmag #synmag 5

Photo EyeLine Photography Model Ida Staszczyk

Gallery A selection of what some of the photographers, models & other creatives of South Wales have been getting up to recently.

Photo Kimberley Collins Model Ophelia Hart

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Photo Alveena T Photography Model Tayce Szura-Radix MUA KB Artistry

Photo Jon Swain Model Tia Magno

Photo Jessica Brown Model Zoey Lucy Groves MUA Petra Costello Hair Vic Stevens

Photo Catherine McLaughlin Model Jessica Pearce MUA/Hair Catherine McLaughlin

Photo Ceri Vale Model Little Miss Violence MUA Victoria Barwick

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8 Photo Capture Photography Model Hollie Masterman

Photo Luscious Photography Model Hayley Hollister MUA/Hair Red Lotus

Photo Lillian Charlotte / Teagan Delemore Model, MUA/Hair Simmie Vedi

Be a part of Gallery

Want to show off a recent project? We’re accepting submissions for Issue 3 between now & April 23rd.

Contact: kev@synecticmag.co.uk

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NEWCOMERS

NEWCOMERS

Each issue, we look at some of the hottest new, undiscovered and under the radar talent in South Wales.

A

fter two years of modelling - edgy, angelic beauty Joanna Felton has begun building a profile within the fashion industry, having been signed by Gingersnap Modelling Agency.

It’s often difficult for a model to break out of their comfort zone or even realise what the industry is looking for. Joanna is constantly in the know, realising the importance of keeping up with trends. During our interview, Joanna showed how she really is of this, stating that although the edgy-boyish ideal is still in and among her preferred looks, she believes the classic era is coming back.

Unlike some models, Joanna seems to flourish in an editorial style, stating that “no matter what your look - there will always be a time for you!”

Joanna’s inspiration comes from the “real life people” of the industry, making it the powerful force it is.

Formats such as blogs and street style are where these. However, she also thrives off of visionaries she meets whilst modelling, having walked in London’s Alternative Fashion Week.

Model

Joanna Felton 10

Photo Jade Warlow

Joanna hopes 2012 will allow her to build her portfolio, as she begins to realise her versatility and potential as a model. Joanna has also been booked for a show at London Fashion Week in February.

With such experience behind her, and a driving ambition, Joanna’s ultimate aim is to have her own fashion line. Joanna is definitely one to watch. <

“

It’s pretty cliché, but we want to create songs that sound like the bands we love.

”

M

Music

Manhattan Coast

anhattan Coast are just one of many exciting new South Wales bands emerging.

Drawing influence from You Me At Six and Deaf Havana, the Bridgend 5-piece formed around a year ago.

have big ambitions and aren’t phased by the work it will take, nor do they take it lightly: “we’re staying realistic and we know we have to put in a shit load of hard work to get to where we want to go.”

Emerging from the ashes of Death Quit Dancing, “the band decided to make a change.” As well respected as DQD were, the members decided to rename and continue to develop their sound along a different style. The aim for Manhattan Coast is to “not have any limits to our music.” Despite that, the band have firm feelings on their style and sound: “it’s pretty cliché, but we want to create songs that sound like the bands we love.”

At Synectic, we will always back bands who appreciate the value of hard work and know they have to work for any success they achieve.

Success is different to each band.

Manhattan Coast’s idea?

Having verified Twitter accounts. Hardcore, guys!

Along with a firm sense of direction, they also appreciate the value of putting on a show: “although writing music, recording it, and listening back to it has its perks, playing those songs live to people, and for them to enjoy it, is something we wish we could do on a daily basis.” The band are pretty fresh faced in a live sense, but they

facebook.com/ ManhattanCoast Twitter @manhattancoast soundcloud.com/ manhattancoast

The mentality is honest, and refreshing.

Manhattan Coast see themselves as just a part of the bigger picture. They just want to write music and enjoy doing it, “2012 has just started...” they remind us, “and we’re going to focus on making this a great year.” With a summer EP release following up a couple of tracks in the spring, and a handful of local shows, Manhattan Coast are a band to pay attention to right now. <

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NEWCOMERS

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NEWCOMERS

W

hat happens when an artist becomes a photographer?

Genuine creativity ensues.

24 year old Stacey Legge (aka Stacey StarGazer) has pretty much covered every possible creative avenue (painting, modelling, jewellery making) in her pursuit of creativity.

This road has brought the intrinsic artist to a crescendo of expression.

Stacey not only takes photos, she producing art by manipulating those photos into something greater.

Stacey describes her post-production work: “I love experimenting with bold colours and interesting textures to create unique eye catching images. The majority of my images will almost always have very strong colours, and if I’m working on a portrait, piercing eyes.”

Among upcoming projects, Stacey plans on bringing Disney princesses to life and light painting.

We can’t wait to see more of Stacey’s striking work. <

Facebook Star Gazer Photography

Photographer

Stacey StarGazer 13

NEWCOMERS

Digital Artist

Craig Minchington

W

ith 6 years’ experience and a full-time art job under his belt, Bristolbased Craig Minchington isn’t strictly a newcomer.

Although Craig admits that he does “try to get as deep into my own designs as my free time allows.”

Craig’s unique blend of techniques was inspired at a young age, when he saw “an expressive lighting tutorial by Justin Maller” in Computer Arts, “I was hooked.”

He continues. “The idea that you could mix up Graphic design with art; and still be really expressive

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was very appealing and I just had to get involved.”

Having always been interested in art when he was younger, Craig has moved with the digital revolution to create his unique, eye-catching pieces.

Craig embraces the potential of the digital revolution: “It’s definitely helped but it was always going to happen with the way design has evolved.”

As an artworker in his day job, Craig was recently among the lead artworkers on a Fanta branding project in conjunction

with Oblivion (Alton Towers).

With the standard of his work, it can’t be long until Craig is recalling one of his own works as his proudest moment. <

Portfolio behance.net/AdoraAttack Tumblr adoraattack.tumblr.com Twitter: @AdoraAttack

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NEWCOMERS

I

t’s not everyday you meet somebody who was destined to do something.

It seems that illustrator Hollie Pryce-Jones could be one of those people. “When I was little I used to write little stories and poems and illustrate them. Weirdly, the second my grandmother saw my first drawing she said I’d be an artist.”

Hollie is traditionalist when it comes to her art: “It’d be annoying if a lot of artists started using photoshop/ illustrator to trace images for portraits and such though... as it’d be a punch in the face for people who spend a ridiculous amount of time and effort producing images to perfection using more classic mediums.”

The sentiment is admirable in a world becoming completely driven by digital medium. It’s going to be an interesting time for young artists & illustrators over the next few years. Should Hollie’s destiny persevere, she has big plans: “I’d love to get into game conce p ts , graphic novels and merch design! On the other hand I’ve been interested in tattooing since I was 13 so that’s another option! I’ve had plenty of people say they’d get me to tattoo them if I had the equipment so it’s a good possibility.” <

Illustrator

Hollie Pryce-Jones 16

NEWCOMERS

Are you our next NEWCOMER?

If youâ&#x20AC;&#x2122;re doing work in any of our newcomer categories & think you should be featured in our next issue, contact kev@synecticmag.co.uk 17

Feature

MASUBI Photos Vicki Roach Words Stephanie Lamerton 18

Feature

Masubi [ma-soo-bee] Noun

1. An active volcano on Jupiter’s moon Io. It is located on Io’s leading hemisphere within a bright terrain region.

2. A sexy alt model with an ever changing hair colour and a passion for roller derby and cosplay.

J

apanese loving Masubi is a colourful haired chameleon. A petite, striking beauty in the alt model scene, by day she’s a graphic designer. By night Masubi is a model with a love of Pokémon and anything geeky.

With a 20mm flesh tunnel and a half sleeve (among other tattoos), Masubi breaks the generic mould of what a model should be.

Branded one of the sexiest tattooed girls on the planet by Bizarre magazine, Masubi took part in their search for a new cover star. As a runner-up in 2011, Masubi graced the cover of the respected alternative magazine only recently. She has also found success as one an Ultra Vixens, you may recognise her face from advertising on both the Bizarre & Ultra Vixens websites.

A shy girl who transforms in front of the camera, our cover star is inspired by manga and anime. With an eye for the colourful, she is often photographed with playful makeup and never far from latex, having modelling for such designers as Lady Allura.

Along with being a graphic designer

and model, this multi-talented vixen has also carved a niche as a photographer, under her ‘iamsuko’ alter ego.

Next month anybody lucky enough to own the 2012 Skin Deep calendar will enjoy a whole month of Masubi.

As Miss March in the calendar, Masubi was photographed by the award winning Scott Cole. Masubi has also featured in adverts for Obsolete Clothing and InkaBilly.

She is also heavily featured by Albino Jacks throughout many of their unique campaigns & looks. In March 2011, Masubi was the focus of their ‘Little Red Riding Hood’ series. She adorned a fur trapper hat, red cloak and was dripping with fake blood as the big bad wolf pounced. The series continues with an exclusive first look of Albino Jacks’ latest images in their feature in this very issue. Masubi is prominent in ‘Masubi vs. Wolf.’

Masubi took time out of her exclusive Synectic shoot to answer some questions. Turn to page 22 to read the interview.

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Feature

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Feature

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Feature

You’ve brought a broad selection of outfits with you today, where are they from?

The latex is by Jane Doe and the Pokémon jewellery is handmade

by Adornment Freak. The dress and bodysuit are from high street stores.

How did you get into modelling?

I started with photography and then started doing self portraits.

One of my friends asked me to do a shoot. I sort of went from there really.

2011 was a successful year for you, what was your favourite moment and why?

My favourite was getting on the cover of Bizarre Magazine, because it has been a life long dream. When I started modelling, I’d be reading Bizarre, and I used to think “that’s what I want to do, I want to be on the cover.” Then I got it!

Do you have any idols within the business?

Yeah, Miss Mosh is one of my favourite models. She is definitely a big influence on me. Nina Kate as well. They’re probably the two biggest influences.

If you could work with anyone on a shoot who would it be?

Photography wise, I would really like to work with a photographer called Sito Alvina - he is amazing.

Designer wise, Issey Miyake.

Can you give us a heads up on what to expect from you in 2012?

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Currently I’m doing mainly jewellery shoots. I seem to have quite a few jewellery places interested, but I’m really looking at doing a lot more published work and latex modelling. I’d like to be in Bizarre again, that would be cool.

What advice would you give to someone looking to get into modelling or photography?

People getting in to photography get out there and take some photos before you go out and spend a lot of money. Just because you have expensive equipment, doesn’t mean you will have a passion for it straight away.

With modelling - just get out there and do TF shoots. Don’t suddenly take your clothes off because a photographer asks you to. Do what you’re comfortable with.

Even do some modelling for your friends and stuff like that. Do little projects really and go from there.

Join some model websites like model mayhem. Things like that.

If you weren’t a model what would you do?

Well I’m a graphic designer so I would probably just do that.

Can you tell the readers something about yourself that they couldn’t learn on the web?

Ooh, that’s a hard question. Something random, I have original marvel comics from the 60’s.

Describe yourself and your style in three words.

Geeky, colourful and random, I guess. I don’t have a particular style. <

MASUBI

Q&A Interview by Stephanie Lamerton

Feature

PHOTO(S)

23

Street

Style Cardiff

Above Esther

Cardiff, singer Loves - H&M Style Icon - Jane Birkin

W

e sent our fashion team to the streets of Cardiff, to check out what your latest styles are.

Below Jesse

Newport, sales assistant Loves - Urban Outfitters Style Icon - Gwen Stefani

Want to be in the next issue?

Hit the shops and look out for our team stylespotting in Cwmbran. Where weâ&#x20AC;&#x2122;ll be looking for the ultimate spring fashion guide.

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Photos by Jessica Brown

Check out these gorgeous girls and what they think about fashion.

Above Shauna

Above Moya

Cardiff, student Loves - H&M Must-Have Accessory - Satchel

Cardiff, student Loves - Tophsop and H&M Must-Have Accessory - Straw Basket

Below Izzy

Below Amy

Cardiff, student Loves - Urban Outfitters Style Icon - Layer Up

Cardiff, student Loves - H&M Style Icon - Sienna Miller

Above Flora

Cardiff, student Loves - Urban Outfitters Style Tip - Dry Shampoo

Below Chloe

Cardiff, sales assistant Loves - River Island Must-Have Accessory - Oversized Bag

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Feature

ALBINO JACKS EXCLUSIVE!

F

antasy creation specialists Albino Jacks produce some of the most imaginative, artistic & intriguing photos weâ&#x20AC;&#x2122;ve ever seen. Expanding on the mould of photographer, or clothing company, Albino Jacks blend all of their creative talent into beautifully dark imagined story books. As well as these twisted offerings, Albino Jacks also make and sell some particularly nice looking t-shirts.

Join us over the next 6 pages as we take an EXCLUSIVE FIRST LOOK at some images from their upcoming projects, and try to get inside their heads to find out what goes into these creations.

Photos Albino Jacks Interview Vicki Roach Words Kevin Barnes

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Feature

ABOVE & P. 31 MASUBI VS. WOLF

Homage to Red Riding Hood (Roald Dahl version) a page from imminent new release on little Miss Masubi getting more than she bargained for on the way home from Grandmas.

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Feature

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What exactly is Albino Jacks?

In a nutshell - we’re interested in producing pulp / trash / kitsch / horror inspired pinup stories with a good dash of the macabre. We wanted to have some fun and produce something tangible that you can pick up, not just pixels.

How did the idea to create Albino Jacks come about?

Well, we were bored of having to please everyone else and do things to please other people. It was a (kind of) rejection of the everyday, and we wanted to start doing something for ourselves, with no real pressure. Doing the things we love, and producing some quality pulp / kitsch. It wasn’t ever just to be a ‘pretty picture,’ they come ten a penny on the internet.

We wanted something more.

Where did the name come from?

We blame copious quantities of cheap pipe-cleaner-infused lager, which got us a little carried away. Originally, we tried to name this character who was a barman, and he would determine your fate when you walked in to the bar by throwing a load of ‘jacks’ in the air. But, in the cold light of day we left the character idea the next morning, but the name stuck.

You use the tagline ‘ cooking up lethal doses of pinup fiction’ what does this mean?

We want to bring pulp-inspired tales of debauchery and horror with a large dash of the sinister and the macabre.

We love trash inspired pulp pinup from the 50s, 60s & 70s, when it wasn’t all about the gloss. But, we definitely want to keep a pinup element to it in the more vintage-inspired way.

Your photos tend to have a fairy tale theme. Do you come up with these themes yourself or do you collaborate with your models on ideas?

We come up with all our own ideas (like, everything though - these traditional ones are influenced by classics). But that’s not to say the model doesn’t have an important role. We make sure we run all our ideas past the model well before the

OPPOSITE THE WOODCUTTER feat. Lucy Cates

Full story coming in a couple of months.

ABOVE GOLDILOCKS & THE 3 BEARS feat. Ethel Fletcher

A more dedicated vintage pin-up series of an alternative take of the story we all know and love.

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Feature unseen images from shoots earlier last year.

(Albino Jacks explain image concepts in the captions next to images in this feature.)

If you could work with anyone who would it be and why?

For a collaboration it would have to be Rob Zombie. Just epic and like a juggernaut of dark-art and horrorness, he’s unrelenting in his quest to push the genre. Couple with Zooey Deschanel to add that je ne sais quoi!

Who is your main inspiration for the brand? Are there any designs/entrepreneurs you look up to?

To be honest, our main inspiration for the brand comes from writers, filmmakers & artists.

I’m trying desperately to not ‘try and be like …,’ we’re fixed & focused on doing what we like doing. If other people do, then great. That said, there’s a few people who hold an extra special place in our dark little hearts: Brothers Grimm, Rob zombie, Jean Rollin, Roald Dahl, Gil Elvgren & Mark Gatiss.

What’s next for Albino Jacks?

Getting regular stories out this year.

We’ve got four in production, plus some video action later in the year with a horror-short.

Possibly a launch party or gallery event for our upcoming features & releases, some limited edition coffee table editions and a calendar. But we’ll keep you posted.

Where do you see yourself in 5 years time?

ABOVE THE EXORCISM OF RUBY JEWEL An exclusive, unreleased image.

shoot. We’ve been lucky to work with some awesome models, including Masubi, KeikoSuicide, Ethel Fletcher, Ruby Jewel & Lucy Cates. They’ve expanded on our initial ideas and really helped craft and deliver the story. We’ve got three new series’ after the Red Riding Hood one which are sci-fi influenced, which will be fun.

What’s the story behind the exclusive series for Synectic?

Well, we thought we’d give you first glimpse of 3 new featurette featuring Ethel, Masubi and Lucy Cates - plus

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Jail. Only joking, running a b-movie / b-photo production studio out of San Francisco. Or, if thats fallen into the sea, Canada. In a hut by a lake.

We hear you have a competition coming up soon. How can our readers get involved?

Hell yeah, get a wriggle on to our page and ‘share’ our competition flyer.

There’s going to be 3 winners, each winning our latest 32 page, full colour PRINTED story featuring Masubi. Also a lucky dip (from all our likers) to win an exclusive t-shirt. <

Feature

Visit www.facebook.com/albinojacksfans to enter the incredible Albino Jacks competition 31

Feature

Naked Ambition Resident model & MUA Josephine ‘Gypsy Curl’ Jones looks at the effects of an abundance of nude work in the local modelling scene & asks why do girls feel the need to sell themselves short?

N

ow we all love a bit of flesh, right? I don’t think anyone would debate that! As an artist I not only appreciate but also participate in the creation of artistic nude images.

But why is more sexualised nude modelling (particularly glamour), becoming such a big trend in the Welsh community? Especially with new models?

Getting nude for a stranger is not only nerve wracking, but it puts you in an extremely vulnerable position as a model. You could be in the middle of nowhere with someone who you’ve never met before. So why is there such an increase in the numbers of models in Wales getting naked for the camera?

I spend a lot of time networking with other models, and I’ve discovered a large number of them are often asked to do a set of nudes at the end of a shoot, when they clearly state on their profile that they do not offer nude work! It seems a little disrespectful to ask a model for nude work when it is not something they offer. But are new models perhaps feeling a little pressured to produce a good shoot and earn a good reputation, and therefore over-step their limits to gain respect?

I know some photographers who refuse to shoot nudity. If a photographer’s paid work comes from working with the general public, then they certainly don’t need nude work on their portfolio. Many people do not understand or appreciate artistic nude photography, so if these photographers can’t use those images for clients, who are they for?

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What if your main goal as a model is to become “the next Jordan?” I hear this term far too often. It’s fairly common with new models, mainly due to the way media portrays glamour models and their lifestyles. What you don’t see is how competitive the glamour industry really is.

The glamour industry is among the most difficult to crack. Most of these “lads mags” only use signed agency models for their content. Quite simply, photographing yourself in your bra at home is not going to put you on the next cover of FHM, Nuts or any other “lads mags” as there is far too much competition.

However, if your dream is to become a professional glamour model, then do your research. Look into which agencies are most commonly used by these types of magazines, and work towards the standards and styles these top agencies are looking for.

I adore the fashion industry and would love to do more fashion orientated work. But, as a busty, curvy, 5’ 7”, size 12 model, my body shape is better suited to nudity and glamour, as I learnt from experience (but that’s another story!)

If you’re unsure of where you fit in try a bit of everything. Once you find the genre that suits your shape and personal limits, stick with it and work hard at it.

What confuses me is when tall, gorgeous, slender models with perfect skin and the right body type for fashion related projects, end up producing masses of glamour or nude images. Today it seems as though models believe no one will work with them, unless they do glamour or nude images. If you’re going to make it as a model, it’ll happen by

If you’re going to make it as a model, it’ll happen by hard work and dedication, with or without clothes.

”

hard work and dedication, with or without clothes. It won’t damage your reputation if you feel uncomfortable being photographed nude, there are plenty of disciplines which don’t require nudity.

There’s also payment.

A very experienced pro photographer once told me that all nude work should be paid, due to the risks involved (vulnerability, risk of prosecution in public places, etc). If others want to give it all away for free, then let them worry about that. If you want to work nude, be selective and take time over who you arrange your portfolio shoot with. You only need one or two outstanding images in each genre for your portfolio, so choose someone you know, respect, admire and most importantly, trust. This photographer will then provide you with the right quality of image for your portfolio.

Not so long ago all models in Wales were paid for their nude work.

Photographers would visit from all over the UK to work with the models Wales had to offer. I wonder if the devaluation of nude work is contributing to the decline of paid assignments in Wales? Maybe, maybe not. But I can’t help but wonder how the parents of these young girls feel? Knowing that allowing their daughter to model in Wales could be setting them a on a fast track to nude and glamour based work. So respect yourself, value your body, know your limits and work tirelessly to be the type of model you want to be instead of feeling pressured to be someone you’re not.<

Photo courtesy of iamsuko

“

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DESIGNER

IntravenousX

Birdcage Collection

I

ntravenousX is a fetish style clothing company who specialise in Victorian inspired clothing and accessories. Since its creation in 2004, IntravenousX has worked with materials such as taxidermy, leather and latex to create unique designs including crowns, steampunk broaches and faux skull fascinators.

The release of their new Bird Cage Collection in 2012 is set to put IntravenousX’s stamp on the alternative fashion scene. The Bird Cage Collection puts a modern twist on the traditional bird cage silhouette. Using ribbon to create intertwined, plaited skirts and latex to make sexy, strapping dresses. The collection aims to provide alternative fashion at accessible prices. But, if you are after that special piece, take a look at their Magpie crown which is enough to make anyone feel like a queen.

Looking at IntravenousX’s spike gauntlets and fallen angel harness, we here at Synectic dare you to cage your excitement, and we can’t wait to see what they do next!

Where to buy: http://www.etsy.com/shop/IntravenousX

Facebook Intravenous Clothing 34

Photos Salleh Sparrow

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FEATURE Interview by Richard Meyrick

e h T “

It’s a rough bitch from a caravan park, with a big chip on her shoulder and a lot of fight in her. With a heart of gold, but a face like a leather boot gone solo into prostitution You know?

”

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s n u G W

ith a new album under their belts (rated 7/10 in issue 1), The Guns rode into 2012 in arguably their best ever state. Thrusting forth with their trademark energy and vigour for music making, it seems that Wales’ worst kept secret could well be in for a big one in 2012.

Synectic took some time to catch up with front man Alex Wiltshire to talk about what makes the band special, what they love, their plans, a certain vintage Les Paul and a whole lot more than we bargained for...

What made you want to form The Guns?

We just wanted to do something that was pure and splitting out of the sides with what music is; energy and noise within our unit. Spewing out of any and every orifice, be it instrument or body part (mouth). Within any form that grabs people by their faces and drags them through whatever it is and will be. It could be a puddle of slushy grunt sometimes and then it could be a melodic cloud of aural scents. If people can still see honesty, passion and energy in anyone’s music then that’s the cause right there. It’s fully balling. Be it angry, sad or mellow.

How did you come to settle on your unique sound?

We didn’t and haven’t yet its just a combination of a lack of materials, a giant non-stop imagination for sound and the gutter to choose our instruments and equipment from. The day we get what we want from our sound is the day shit’s gonna get real rad. That’s not to say we don’t like our sound now, we love it. It’s just necessity and madness that’s giving us the opportunity to stomp through different bare elemental guitar sounds.

Right now it’s a really thick, brash and raw smack with a punchy loose attack sound. Vocally, I just run at it however I can whether it’s melody, erratic shouting or a bad combination of both. I just try and make the noise in tune the best I can and hope that I pull it off. It is what it is I just hope people dig it. If they don’t then yo mama got snakeskin teeth haha.

What were your main influences behind your new album ‘Fuck The Demon Outta Me’?

We listen to a lot of stuff, which I’m sure almost everyone says! We really do listen to a lot of different things that cover the board so it’s just pin pointing what we found rad and jamming at that time. The things that hit a few notes with us for this album aren’t just records or songs but attitudes and atmospheres of things.

For example, there’s a track on the album called ‘Stranger Than You’, what I felt while doing that was a Lost Boys sound track vibe. It was like someone changing into something different, caught off guard but thinking they’ve got the situation locked and sussed - but turns out that

shit changes you. Band wise we have loads of influences but amongst them is QOTSA, The Bronx, Foo Fighters, older stuff like The Rolling Stones, Free, CCR, Tom Waits, anything HEAVY that was pre heavy as we know it, ya digg?

But there’s also a lot of boom bap and hip hop influences I like for flow and ease, like Pharcyde, early NAS, obviously Beastie Boys and Wu Tang (36 Chambers). There are so many things that were buzzing around for us at the time of recording that helped chip in. We were in the middle of having a re-sort through a whole bunch of classic albums during the recording process. We also like a whole bunch of metal but that’s another animal you must know that right?

there is a brand new video out for a single we have released off the album called ‘Missing Girls’. You’ll like it or you’ll completely hate it and never want to see us again hahaha. It’s got boundaries on this one unlike ‘Donkey Kong’ they couldn’t show that on TV and that was the censored version. Apparently it looked too real. That’s it though because I’ve seen things that are way, way worse but because its well lit with some nice filters and a film look it’s allowed. We tried to make that as raw looking as possible and I guess it really worked! But this one is nice I like it. It should be out by the time you’re reading this or if it isn’t it’ll be online and hopefully TV within a few days of reading this. If in doubt go nuts and visit www.tmfg.co.uk.

Do you have a personal favourite off your album?

What’s the worst and best gear you’ve ever used?

I’m not sure because they’ve all got different shit tagged onto them, you know. Like there’s a track called ‘Voodoo Boogie’ which is an acoustic track, which took a night or two in the making with just one acoustic and a voice, but it was dark and low even in reality during that track. In a good way of course there’s just a vibe to it that has almost creature-like seductive moves. I have footage of the whole album process and because we did it all ourselves you can really see the change in tracks and moods, especially on this track with its gnarly footage. It’s got this real nice drugged up sounding filthy guitar lead line in it as well it sounds like it keeps coming into focus and then blurring as if it’s the instrument that’s trashed and trying to pull itself out of a hole. It flows like a white tar river. I’m just describing a feel of a track right there again aren’t I? The question was about a favourite track.

My answer is that it changes. Right this second, maybe ‘Nighty Night Creepin’ because it keeps pushing constantly then gets well creepy with the breathing in the middle of the track. Depends how you look at it and hear it. A lot of people will just shrug it as cheeky but if you flip the coin it gets darker.

That’s easy. The stuff we use now. It’s falling apart but loud and banging as hell. Well certainly the stuff I use. I have a vintage Les Paul and when I first heard the words ‘Vintage Les Paul’ it sounds fantastic but I’ve hammered it into the ground and it just does not give up. The pots have fallen off; all the paint is worn on the back. It’s a rough bitch from a caravan park, with a big chip on her shoulder and a lot of fight in her. With a heart of gold but a face like a leather boot gone solo into prostitution. You know?

We loved your video for ‘It’s On Like Donkey Kong’ last year, can we expect another video soon?

Yes yes yes, indeed. We’ve got stacks of ideas for different videos and viral jams but it’s the whole getting around to do it when you can’t afford shit thing. But

Do you have any guilty pleasures?

It depends what people define as guilty!

Our bass player Tom is an Apple addict and I don’t mean he just likes Apple stuff and has it, that’s standard we all have it, it’s banging. But sometimes he sits there and just stares into the screen for so long doing nothing and everything at the same time. It has him in this trance.

He’s impossible to talk to as well you may as well not have him there. He’s just a vessel taking air when he’s on or near any Apple product. Our guitarist Adam has a massive spider that he really shouldn’t have. He’s had advice to get rid of it somehow from professionals and he still doesn’t know why he hasn’t yet that also seems to have him a trance. It’s as big as a small two-slice standard bread sandwich plate. The glass case he has it in opens at the front which is ridiculous to start with because the second you open the tank it bolts to get out and will definitely bite you. It’s called Frankie and it shouldn’t

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“

be where it is. It needs to be taken to the edge of our atmosphere and flung gently into space. I’m not too sure about our drummer Stixx, he has a few little bits and bobs under wraps but nothing really that bad unless you count being a Star Trek fan as being guilty. I know I do, because it’s nowhere near as good as Star Wars.

I’ve got some stuff myself that I’m sure the boys would love to dive into. It would make me look pretty mental man. I guess any guilty pleasures like partying all night or playing on COD in your pants for 4 days straight is a pretty standard thing that everyone does. There’s some stuff that you’d love to hear but I can’t throw myself in the water too quickly haha. A very guilty pleasure of mine is trainers, it’s outrageous. Seriously I feel shame, more shame than a woman’s shoe shame. I have over 50 pairs of trainers going through to limited edition stupidly collective stuff. Some I’ve got two pairs of so I can wear a pair and keep a pair in its unopened collectors box. I was almost sick writing that then. I’m the same with jackets and anything I love though. I also have a sharp tongue that I like to keep sharp and often just act out situations and practice with on the boys. It always goes way too far as you can imagine. I

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I just try and make the noise in tune the best I can and hope that I pull it off. It is what it is I just hope people dig it.

”

end up getting caught nine times out of ten at the wrong time saying things. I just love words. That’s it for that essay!

You’ve played many a show over the years you’ve been a band, do you have a favourite?

What was it like playing Merthyr Rock?

The ones in the future because I want to play any and every show ever that’s given to us. I like to imagine what they’ll be like, good or bad they all blow me away.

Small, big, empty or rammed. Yeah I’m sticking with the ones we are yet to play!

It was a trip sharing a stage and a whole weekend with some of the best and strongest bands in Wales. The whole thing was perfect in my eyes as an event.

Saw some of the best performances that day as well. But for us we loved it because it was a chance for us to do what we love.

Hammer the crowd until they had no choice but to listen or leave. That’s what I love about all crowds, but the bigger the crowd is, the hungrier we are to pull the energy out of them and totally force them into positive enjoyment. It’s like the small shows absolutely nail and they don’t need you to guide them, they’re already taking the place to pieces. But the bigger crowds I love going at because you can really get a huge atmosphere if you keep pushing and know their limits.

It’s a win-win because we gain fans we’ve never had and they gain a buzz, which hopefully adds to their whole experience with music during their life. Even if we are a 3 second memory so be it!

What can we expect from The Guns in 2012?

A lot more disturbing music, records, shows and videos I’m guessing. I’m also predicting a few holes that I’ll verbally be throwing myself into. Which should be really interesting for anyone but me.

Nah I guess we set out to keep going and smash everything we possibly can in the most negatively positive most well lit midnight party we can haha. It’s been a trip talking to pre written questions I have no idea what the person looks like who wrote them. Good luck to you and once again I’m sorry for my grammar and my essays! <

AD SPACE

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MUSIC VIDEO

40

“Believe” Photos & Words Kevin Barnes

H

ot on the heels of debut EP ‘We’re Almost There’ (9/10 in issue 1), Boy Set Sail have been setting the local scene alight with their melodic vibes. Synectic spent a very cold January day with the band during the first day of the recording of their second music video, ‘Believe.’

‘Believe’ is the second track from the EP to get the video treatment after the video for ‘Rewind’ was released last summer. The band again teamed up with Martin Izzard of Robot Pilot Productions to shoot the video. Martin has also recently worked with Stars and Flights on a video for their single ‘Angel Squared’ (reviewed on p.63 of this issue).

Upcoming local model Lauren Caley also featured in the video alongside the band. The video is planned for release in the spring. In the mean time, take the time to check out those who were involved in the making. <

In other words Boy Set Sail tell us about the new video: “The concept of our new video for ‘Believe’ is quite popular, but hey! It’s about rocking the fuck out and enjoying the music we play. Even though a lot of bands these days do this sort of video, I don’t think it really matters as we’re not those bands!

The reason behind this is because we’re all about the live show, so we want that portrayed in the music video for ‘Believe.’

Hopefully it’ll look sweet and you’ll all agree the concept was definitely the right choice for us.”

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Q&A

Shadow Happy Promotions Photos & Interview Kevin Barnes How/why/when did Shadow Happy start?

Shadow Happy started in 2008, when there seemed to be a gap in local music exposure. There were bands constantly overlooked, and I got fed up of it. SH originally started as a webzine on MySpace & YouTube, with interviews (both written and video) of local bands.

Soon after SH started putting on its own shows to try and help build up more interest in our music scene.

Who’s behind it & what do they do?

Currently there’s myself, Jonny (founder), Charliee (artist management) and Lee (Sound engineer).

Where do you promote shows?

We promote shows throughout South Wales. It isn’t only the shows that we put on, but shows bands & promoters ask us to promote as well. It’s not just our shows around and we know that, we want to help out the local scene as much as possible.

What genres do you promote?

Shadow Happy currently promotes guitar based bands (rock, metal,

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punk & indie).

We have an interest to expand to more genres as and when a suitable demand arises.

What ages do your shows cater for?

Ideally we’d welcome any ages to the shows we put on. We don’t like excluding people just because of their age. If kids come to the show then surely that’s a good thing, as they’ll probably still be around a few years down the line when the adult audience have moved on. We understand that licensing and alcohol laws do restrict the age limit to get into our shows, but as it differs between venues, there may be opportunities to put on shows for all ages as well as the 14, 16, & 18+ shows.

What makes a Shadow Happy show special?

Shadow Happy is run by people who have been in the music scene for a long time. Myself and Lee started playing live shows when we were 14/15, and I started putting on shows at the age of 16. We’ve carried this experience with us for the last ten or so years now. We don’t exclusively promote bands

within a certain distance either.

We will work with bands from all around the UK, and further afield.

South Wales needs an injection of bigger & better known bands to play here. We’ve all been/are in bands, so we understand it

from that perspective. Which is why we believe that every band; big or small, deserves the right to showcase their talent.

What’s been the best show to date?

Q&A Either the Shadow Happy summer party back in 2010 (just because we had a BBQ and lots of fun with all the bands that played) or October 7th at The Factory. Loads of people, awesome bands and a good night all round.

Who are the best Welsh acts you’ve worked with, and why?

Fourth Autumn are definitely up there. Every time we put them on they always push the shows and give an awesome performance.

Reaper In Sicily and Falling With Style are also bands to keep an eye on.

Storm The Walls or Mantikore have probably been the best bands to watch live, STW for the amount of energy they bring, and Mantikore for the axe they wield!

Which acts are you tipping to make a name for themselves this year?

Falling With Style if they keep

gaining momentum. Outgunned are also another band to keep an eye on this year.

Autumn, Against Fate, DeadEnd and Mantikore. Entry is £5 and doors are 7pm!

What’s in the pipeline for this year?

This year we have decided to pull back on the monthly shows, in favour of more quarterly shows.

To bring in bigger bands, giving the chance to our local or less known bands to support. The aim for Shadow Happy has always been to create a network of people, artists, labels & companies to benefit the local scene and help create a buzz. We will be sticking to this objective in the coming year, even if it means we have to hold back on the amount of shows we would like to put on.

Finally, the Welsh music scene is special because... it’s a community. It’s had some tough times, but even with the closure of venues, studios & rehearsal spaces, bands breaking up, bookers/touring bands stopping in Bristol (more Welsh tour dates, please), people are still here today.

They’re working their hardest to keep this scene active and vibrant.

To me that’s what makes it a special scene. <

What’s the next show you have booked?

Shadow Happy’s next show is March 16th at The Factory (Porth, Rhondda Cynon Taff), with Fourth

Check out Shadow Happy online for more news on shows.

Facebook Shadow Happy Promotions Twitter @ShadowHappy

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PHOTOGRAPHER

OWEN G.

RICHARDS 44

M

eet Owen G Richards, a semi-pro photographer based in Porthcawl. Owen photographs a wide range of topics.

Chief amongst his work are music & modelling images (although he also captures nightlife, weddings & family portraits). As Owen explains, “the common factor is people, and I rarely take a photo that doesn’t include a human being.”

Buying his first camera in 2006, Owen found himself unable to work due to dialysis treatment for chronic renal failure. He says: “I’d always wanted to have a go, as a child I’d been fascinated by it yet I wasn’t allowed to play with my father’s 35mm SLR.”

PHOTOGRAPHER With that new found sense of wonderment & discovery, was borne Owen’s desire to develop. He certainly found influence in a fantastic place: “A huge influence on me has been London photographer Steve Brown.” A quick glance at Steve’s work will show you just why, and Owen elaborates: “Steve excels at composited images, creating very realistic yet almost completely constructed images.” This is a quality Owen shares, having shown his skills of compositing images most notably in projects for Cadence Metal Carnival over the past year.

“

The common factor is people, and I rarely take a photo that doesn’t include a human being.

”

Thinking he would just be “another guy with a camera,” Owen has spent the past 6 years developing & crafting his technique. Whilst his images could eventually lead to him becoming pro, Owen is in no hurry, and still appreciates the value of enjoyment. “Something creative and artistic can be spoilt by trying to turn it into business or something you define yourself by.”

As a huge metal fan with a camera, Owen took the natural first step into the photographic world. “It just felt right to combine the two.” He recalls his first show: “I can remember shooting The Blackout as my first gig. They’re not a band I would enjoy watching or listening to all that much, but it was quite a rush photographing my first live show.” Thriving off of a lack of pressure and an abundance of creative license, live music quickly graduated Owen to promotional band shots. It’s at this point that the hobby began to evolve into passion: “Suddenly photography changed completely. I was no longer at the mercy of stage lighting and I had complete control over what was created. My attention turned to lighting and composition more, also the ability to use post production to create more arresting images. The sense of being an auteur allowed me to put more of myself into what I created. While I could shoot all day until I got the image I wanted, it wasn’t any easier than finding the decisive moment in a concert as I had total creative responsibility.”

But there’s more than imitation behind the influence: “My personal feeling is that if you admire someone’s work, the sensible thing to do is to ask them how they do it. If you can watch them work, if they can give you any advice whatsoever.”

Owen did just that, having assisted Steve while he shot Mastodon for Terrorizer magazine.

Closer to home, Owen also cites Mei Lewis as an influence on his work and approach. Having gained a mutual respect, the pair began to collaborate.

Owen explains the appeal: “Mei’s energy, attention to detail and work ethic are a big part of what makes him a good photographer, and that’s something I definitely try and replicate.”

Through his influences and experiences, Owen developed an appreciation for preparation, demonstrating the thought process

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PHOTOGRAPHER behind his shots. “Before each shoot I like to spend a while gathering inspiration by browsing images online, or referring to my private blog of images that excite me. Then I like to plan and scout out locations, draw lighting diagrams and previsualise what it is I’ll be creating.”

The attention to detail is admirable and must be greatly respected. His thorough approach serves a greater purpose than just inspiration, however.

“No two shoots are ever the same, nor should they be.” Says Owen, speaking as a man who knows exactly how to get what he wants out of shoots, and how to recover if things don’t go to plan. He believes routine can potentially “hamper your ability to think outside the box.”

Owen clearly takes a great deal of pride in his work, affording an admirable level of commitment and time. “When I get asked to shoot something I take it very seriously, my primary objective is to make the best photograph I can. As a photographer my work is also my reputation. My reputation determines what opportunities I get in the future, as a result I see ‘satisfactory’ as failure.” Just imagine the standard of work if all photographers aspired to such standard and self-discipline?

However, it wouldn’t do if everybody were the same. Owen strives to stand out from the crowd: “There’s a bewildering amount of mediocre images floating around the internet among this model/photographer scene that seem to serve no purpose other than to make the model and photographer feel good about themselves. There’s nothing really wrong with that, it makes me strive harder and harder to keep my work removed from that goldfish bowl, and try my hardest to get work that has some value that everyone can appreciate. That’s my goal at least.”

How close is he to that goal? Has he already made it? “I still see myself as an aspiring photographer. I rarely look back on how far I’ve come, instead I look forward at how much there is left to learn and achieve.” That’s a no, then. But to a lot of aspiring photographers, having two photo sets purchased by Suicide Girls would

be a good start (not to mention the weekend he spent in Prague with “around 20 Suicide Girls”). Suicide Girls is clearly a facet of his work that Owen is particularly happy with: “It’s hugely satisfying to have photographs such as that bought from you, and it’s great fun reading all the comments and seeing the positive votes coming in.”

Beyond

Suicide

Girls,

Owen’s

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PHOTOGRAPHER extensive, high quality model portfolio would also be the envy of many.

However, there’s one particular aspect which appeals more than others. “I can’t deny that I’m fascinated by the nude form and its power. This is mainly why I like working with nudity; I can create more powerful and dramatic images! The great thing about nudity is that it’s removed from our everyday lives. A nude figure is often seen as a sexual thing but in art it’s more than that.” Owen is even attending life drawing classes to enhance his knowledge of the form and art behind nudity.

Again, commitment is a buzz word when looking at Owen’s work. He has a firm idea of what he wants: “If I were given a choice I’d like to work with a stylist and make-up artist regularly to produce fashion or nude photographs.

That’d be living the dream. I’d always want to keep my hand in with music photography, travelling to festivals and shooting bands for magazines. I want it all!” From talking to him, the sense emerges that he’s under no illusions of what he needs to do to achieve it.

But it can be difficult as a photographer.

In a world where better technology (just look for the iPhone4 wedding online) and financial constraints can influence who consumers place their trust in, how does a photographer take the next step? Owen admits: “I feel like I’ve hit a wall. I don’t know what direction I want to go in now and often feel uninspired.” His answer? Going back to the future, so to speak: “I realise I was too narrow minded and focussed on the medium of digital. There’s undeniably a certain quality to film that digital can’t replicate and I think it’d suit the style of image I really want to play with.” Having now spent money on medium-format and instant cameras, with plans to buy a “TLR medium format camera to do more art nude and fashion, maybe even band portraits,” Owen appears to have filled a small void. Even exploring documentary photography has provided a remedy for Owen to get past the dreaded “wall”.

and potential to really carve a niche for himself. Whilst remaining true to, and building on his already solid production values will surely mean the images he turns out will go from strength to strength.

There could even be some more SFX work to boot (those intestines in the Cadence poster? Owen’s very own creation using latex and fake blood!). Owen will certainly continue to produce striking, distinguished images. On the evidence of what’s come before, he’s already set aside from probably 90% of other photographers out there.

Finally, what is Owen’s advice to fellow aspiring photographers? “Know your strengths and play on those while quietly filling the gaps in your knowledge with research, experimentation and genuine curiosity.” It’s a trick which has served him well: “When I see an image I immediately feel the need to deconstruct it. I wonder ‘could I, or can I, take that photo or a photo just like it with the right elements in place? If not; why not? What is it that I need to discover or practice in order to get it?’ Once you know what you don’t know, you can make a start on educating yourself.” Inspiring stuff, how about a final word? “Be open with other photographers, be unashamedly curious, have fun, don’t creep out women, don’t turn up to a shoot without your memory cards!” <

“

Know your strengths and play on those while quietly filling the gaps in your knowledge with research, experimentation and genuine curiosity.

”

On the strength of his existing portfolio, a clear drive to improve and learn, Owen has the foundations

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VALENTINES DAY

Special THAT

SOMETHING words Kevin Barnes

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alentines Day is almost upon us again. Is it all its hyped up to be, or just another excuse to extract money from tired consumers?

If you’re tired of seeing the same stuff every year - why not look at something different? The greatest gift your partner could possibly have is you, right? Why not capture and immortalise what you have with a portrait session for the big day? Fine quality photos aren’t just for weddings, after all.

they charge, are there hidden costs? It can be a potential minefield, and just what constitutes value for money or reliable service? Does the website give the right impression, are the photos really that good?

Fear not! With just over 2 weeks until Valentines Day, Synectic have taken it upon ourselves to scour the great yonder and deliver up 6 of the finest, yet completely unique portrait photographers in South Wales. So, put your feet up, take a look at their photos, We know it can be daunting read about what they do, and looking for the right photogra- take a peek at their prices at pher under any circumstanc- the same time. You can’t say es. What do you want, what fairer than that, no? can they offer, how much do

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Nic Cleave Photography www.niccleave.com Swansea/Cardiff

All images © 2012 Nic Cleave Photography www.niccleave.com 01792 863571

A

ward-winning photographer Nic Cleave is a standout choice. Couple portraits are just one of Nic’s specialities in. His experience, professionalism & attitude are second to none, and all readily show in the quality of his work.

Nic produces stunning natural images, preferring to watch you and your partner in a relaxed, fun environment. The result? Priceless images for you & your loved one to remember the occasion fondly.

proach. The shoot itself is covered by a session fee (including a complimentary 7x5” print).

After shooting, Nic quickly Session Fee £55 produces online sample images before you get to view your Prints from £95 images at his studio.

Selection of luxury framed prints,

Pricing

Nic then offers an excellent high quality range of display products for your images.

These cater for everything you could possibly want from the shoot.

canvas & block mount prints.

Digital from £195

Slideshow DVD, web-optimised or high resolution images on CD.

Albums & Books from £299

Jorgensen portrait albums & luxury A4 coffee table portrait books.

Pricing is premium, but worth every penny. The results speak for themselves - if you want To top of the quality of his high quality, stunning, natural Unframed prints also available. work, Nic’s service revolves images, then Nic is most cer- Full pricing options available on Nic Cleave Photography website. around a straightforward ap- tainly your man.

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Paul Hindmarsh

www.paulhindmarshphotography.com Cardiff

I

t’s all about in Paul Hindmarsh’s eyes. Paul’s shoot philosophy revolves around building a comfortable environment for you and your partner, and spending the time needed to get the right shots.

If your idea for your Valentines Day shoot is well thought out, striking & contemporary images, then Paul Hindmarsh Session Fee Complimentary is offering exactly what you As an exclusive special offer for need. readers of Synectic Magazine,

What’s more, Paul has teamed Paul is vastly experienced in up with Synectic to offer a very wedding and portrait photog- special deal. Paul has made raphy. His portrait photog- available to us a voucher, raphy has even won awards. which entitles you to a comPaul’s images show an appre- plimentary shoot, and a £75 ciation for setting, and gran- voucher towards your prints. deur. Whereas some pho- Now, we would recommend tographers will take perfectly Paul under normal circumacceptable headshots, Paul’s stances. But this offer means work has a certain grandeur he’s ideal if you’re not sure and the inclusion of dramat- about a Valentines Day shoot, ic backdrops and surrounds or worried about the cost.

You’ll also get great photos. make his work stand out.

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Pricing

Paul has made available a voucher which entitles you to a complimentary photo shoot & voucher worth £75 towards prints.

To download & print the voucher, visit: synecticmag.co.uk/ phvalentinesvoucher.pdf

Light and Day Photography www.lightanddayphoto.com Chepstow

O

ur favourite down to the emotion captured in each image, Light and Day Photography (aka Maryanne Hawes) produce some truly stunning portraits.

Maryanne’s philosophy revolves around capturing the beauty of the moment. We think you’ll agree that the showcased images testify to that. Light and Day produce beautiful, intimate images of you and your partner. The approach to the shoot is also delicate, Maryanne prospers from the use of natural light, and also creating a comfortable, relaxed environment to capture the best results.

Not convinced yet? Light and Day Photography has a special offer for your shoot this Valentines Day. With a £150 photo shoot (typically a 2 hour session), Maryanne has thrown in a disk of 10 high resolution images, to make it a special treat.

Outside of that are the regular pricing options. Whilst Light and Day is the most expensive of the services we look at, they really are great value for money. For the price you get what seems to us to be a very personal service, and the results speak for themselves. If you have the money, then Light and Day’s offerings surely won’t disappoint.

Pricing Session Fee £150

2 hour session. Valentines offer includes 10 high resolution images on a disk.

Framed Prints from £120 Canvas from £250 Collections from £350

Collections offer savings on the above, individual prices.

A full price list PDF can be obtained from contacting Light and Day Photography via their website.

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Picture Wales www.picturewales.com Gwent

P

icture Wales are an established family business, with over 10 years’ experience. Specialising in weddings, portrait & commercial photography, they offer the unique coverage of having two photographers for every shoot.

Specialising in theme-based shoots, the company believes standard white/black backdrop portraits are all well and good, but how about creating something a little more personal?

They believe “as couples we all have things that connect us, films music etc so why not capture that in the photo?” We can’t agree more. Besides the 54

philosophy to add something unique to your shoot, Picture Wales also offer a very straightforward pricing structure. With two photographers on all their shoots, their prices are very reasonable for what you get.

If you have the money to spend, we recommend the platinum package. £200 may seem pricey, but look at everything that’s included; it really is great value for money. Picture Wales may not have the flair and flourish of some of the others we’ve looked at, but their personal, friendly service & pricing makes them a great company for your shoot.

Pricing Bronze Package £30

1 hour location shoot, link provided to images to purchase prints.

Silver Package £100

1 hour location/studio shoot, disk provided with unlocked hi resolution images.

Gold Package £125 Silver package + prints

Platinum Package £200 Gold package + canvas print

Custom quotes available if requirements aren’t matched by any of the pre-built packages.

Marie Palbom

www.mariepalbom.wordpress.com Cardiff

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trait shots. We feel the price is great if you’re on a budget.

Marie charges just £75 for a shoot, and even throws in 2 8x10 prints. Whilst she is relatively new, Marie has shown Despite her relative inexpe- good values & great results in rience, Marie already offers her work. competitive images with a unique feel. In Marie’s own If she continues shooting couwords, her service is ‘contem- ples & weddings at her current porary lifestyle photography,’ rate, then we anticipate she and it does exactly what it says will become an established on the tin. Marie specialises in name in no time. This time baby portraits, and has been next year £75 could well be working with families in a pro- much more, so why wait? Defessional capacity during the spite her relative newcomer latter part of 2011. Marie’s ex- status, we believe the strength periences & results from these of Marie’s overall portfolio shoots have built the basis on demonstrates why she should which she is able to offer por- be considered for your shoot. ooking for that bit of continental flair? Danish-born Marie Palbom is the newest of the photographers we look at in this feature.

Pricing Session Fee £75

Includes 2 8x10 prints.

Disk £100

All pictures from the session.

Options are available to purchase additional prints without purchasing disk with all images.

Additional prints are arranged by the photographer and exact requirements are discussed when arranging the shoot.

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Siân Trenberth www.sian-trenberth.com Cardiff

S

iân Trenberth is a veteran of over 500 weddings.

Aside from that experience, she confesses that she simply loves photographing people.

Siân has built a great deal of expertise and has some great portfolio shots to show for it.

Unlike our other featured photographers, Siân favours studio portraits and has a wealth of experience in getting the right shots during a portrait session.

Offering a studio session for £125, Siân includes 2 mounted photos. After this, there is an extensive range of display options. As Siân is so vastly experienced in wedding photos, these are all high quality, professional presentations.

Besides the obvious quality & presentation of her work, Siân clearly puts a lot of time & attention to detail into her shoots.

We believe Siân’s work speaks for itself, and she should be high on your list.

Pricing Studio Session £125

Including 2 mounted medium size photos.

Mounted Prints from £18 Framed Prints from £95

Single, multi & gallery frame options to display up to 18 photos.

Canvas £295

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What’s coming in

Issue 3...

YOU ME AT SIX

Exclusive cover feature as we talk to the guys behind-the-scenes at their Cardiff show. We will also review the show and have some exclusive images of the action.

As well as:

WELSH BURLESQUE FESTIVAL

All the news, performances & images from Wales’ first burlesque festival.

Plus all the usual FASHION, PHOTOGRAPHY & MUSIC coverage you’ve come to expect... and a few surprises in store.

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Issue 3 out 30 APRIL 2012

Reviews: live

Dopamine

Buffalo Bar / 22 Dec 2011 Support: Gavin Butler, Among Others, Tom Jenkins A show consisting of only Welsh bands seems to be something of a novelty these days. Promoters thinking they have to bring in bigger English bands to pull a crowd couldn’t be more wrong, judging by tonight’s sold out crowd.

Starting proceedings is Tom Jenkins from Straight Lines. Playing a set that hardly resembles what you’re known for is always going to be a tough job.

Tom pulls it off effortlessly, giving the usual high octane songs a mellower approach and a whole new dynamic.

The highlight of his set is the cult classic Christmas song he wrote while in Said Mike.

Next up are up and comers Among Others. Even though they don’t have

The Blackout

Cardiff Uni / 30 Dec 2011 Support: Attack! Attack!, Revoker, Save Your Breath The Blackout had their biggest ever year in 2011, having hand picked their favourite bands from the South Wales music scene, they are determined to see the year out with a bang.

First up are Newport pop-punkers Save Your Breath. Having recently released their debut album ‘Vices’ they walk onto the stage to a heroes welcome. Bounding around the stage with the precession and confidence that touring with the likes of New Found Glory must have given them, they manage to get the (admittedly half empty) room to join in with every soaring chorus. The only negative about the Newport mob is that they’re hardly breaking any new ground.

If Save Your Breath are taking us

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enough original songs to do a full set, they still manage to get the crowds interest. If they can take all the positives and learn from the other performers tonight, they may be an act to look out for in the future.

If Tom’s set was stepping out of his comfort zone, then Gavin Butler takes it to a whole new level. Known to most as a vocalist in The Blackout (No, not the blonde loud mouthed one), Gavin delivers a really stripped down set, just him and an acoustic guitar. Although visibly nervous he gets through all of his songs perfectly, portraying gorgeous melodies. For his final song he brings up Dopamine’s Neil Starr for a stripped back version of The Blackouts ‘You And Your Friends Against Me And The Revolution.’ For long time fans this provides a real blast from the past, not lost on those of the crowd who remember the track.

Dopamine are one of the best acts to ever come from South Wales. Maybe not in terms of album sales or magazine front covers but musically they back ten years then the next group Revoker are taking us back thirty. In an odd choice of band for the lineup, Revoker don’t really do anything to change minds. With their dated old school metal approach to every song and calculated head banging they have the crowd bemused. With each song comes another “are you fucking ready for this Cardiff!” and the answer is simply no.

Next up are Attack! Attack! who bring tonight back on course. A!A! are possibly one of the most underrated bands in South Wales right now. Having released two critically-acclaimed albums, they seem unable to break through to a bigger audience. On tonight’s showing this could be about to change. Songs like ‘You And Me’ and the full throttle ‘No Excuses’ deliver much more in a venue of this size. Every song they seems to have a bigger chorus than the last. They are surely going to be a band to keep a close eye on in 2012.

Next, The Blackout. They are already known as a ‘must see’ band through-

are high up there. Dopamine step on stage for their traditional Cardiff Christmas gig to a huge round of applause.

Playing a 45 minute set of songs from their first two albums, they whip the crowd into a mini frenzy. Neil’s voice is still pitch perfect and can match any singer currently making waves. Highlights are always hard to choose in Dopamine’s sets, they play every song with such passion and conviction. But when they strip things back for ‘This January’ they bring certain members of the audience to tears.

When the sound man tells them they have one song left, everybody in the crowd starts to chant their favourite, the fact all are different shows how good this band are. Opting to play ‘Call to Arms,’ which Neil proclaims has sold more than 4 million copies worldwide; they have the crowd in the palms of their hands. Dopamine are a band that should be doing a whole lot more than just one off specials. Hopefully they can come back with a bang in 2012. BS 9/10 out the UK, tonight is no exception.

They truly have come a long way in the last five years. As they set foot on stage the crowd goes absolutely crazy and doesn’t let up for a second in their hour and a half set. Blasting through songs from all three albums, it’s often the older songs that get the biggest reaction. To their credit the new songs really shine tonight. As Sean Smith explains why he wrote the song ‘Hope’ and what it means, it seems to genuinely resonate with the crowd, they respond by screaming every lyric back at him.

The Blackout can sometimes border on the line of speaking too much during a set, but tonight they have the crowd in fits of laughter. Cries of ‘boo’ and ‘aww’ greet Sean as he tells the crowd they have no plans to gig in the near future. He bellows back, “Oh shut up you lot, Enter Shikari will have a new album out in January and you will have forgotten about us anyway!”

That remains to be seen, but on tonight’s showing, The Blackout will be sorely missed until their triumphant return. BS 8/10

Reviews: LIVE

Straight Lines Save Your Clwb Ifor Bach / 13 Dec 2011 Breath Support: Cuba Cuba, Tiger Please

Le Pub / 21 Dec 2011 Support: Blow Goat

White shirts and waist coats were the uniform for the artists of Escape Artist Management’s showcase at Clwb Ifor Bach. After a typically wet and windy wait, expectations were high. Straight Lines casually stroll on to the stage and play some of their best known songs, as well as an apt rendition of ‘Last Christmas’ by Wham. The enthused crowd show their relish with nods of approval to the beat of the bass. With the eminent release of a second album and tours supporting Funeral for a Friend and Kids In Glass Houses, the future is bright for the Pontypridd quartet.

Next up is Cuba Cuba, so good that they named themselves twice. With their matching shirts the band make a nod to the wild west with ‘We Rode’, a theme followed through to their album artwork. Often compared to the likes of Bloc Party and Friendly Fires with their innovative use of keys and xylophone, band members play a game of musical chairs around instruments, showcasing their musical talents. After a mellow duet from singer Morgan Isaac and Tiger Please’ Leon Sanford they take a breather before the final act.

Ever the showmen, Tiger Please have Leon Sanford leaping off stage, singing to the crowd. A conga line and guest violinists provide a great spectacle. The mood switches with a story of one fans’ influence on the band, introducing an unknown track from their upcoming album. The crowd are captivated by the sentiment. The evening draws to an end with a duet, with Greta Isaac, a 16 year old new comer to the music scene.

With a line-up of well-known and established bands, tonight had it all.

Great music, varied from energetic fast paced rock tunes to easy listening, soothing melodies. SL 9/10

Shortly after arriving at Le Pub, I began to realise that this was going to be a gig like no other.

First and only support was Blow Goat.

The energetic, aggressive bunch jumped around belting out their hardcore punk tunes. As this was a Christmas show, the band seemed a little out of place. It didn’t enhance an overall feeling of the festive season, although their enthusiasm throughout was definitely something to admire.

The first song Save Your Breath played was the classic ‘Santa Claus Is Coming To Town’. The song was previously recorded for the Pierpoint Records Christmas Compilation, raising money for Teenage Cancer Trust.

Throughout the night they play songs from their album ‘Vices’, which was released earlier this year. Playing the catchy ‘Stay Young’ is all it takes to encourage the whole room to sing along.

With the beer and music flowing, Save Your Breath brought plenty of Christmas spirit to the stage. They present twists on popular kids party games such as pin the kiss on the Bobby (Bobby being their bashful drummer).

Although the crowd seemed reluctant at first, those enthusiastic few joined in and helped bring an extra enjoyment to the night for all.

By the end of the night Save Your Breath proved themselves to be much more than just another poppunk band. They showed themselves to be showmen, who can easily entertain and please the crowd. These Newport boys have come so far in the past year and have great things waiting ahead of them. EH 8/10

Twin Atlantic

Cardiff Uni / 28 Nov 2011 Support: Arcane Roots, Dinosaur Pile-Up

Despite the brisk winter winds and the inevitable Welsh rain, nothing could dampen the spirits of the near sell-out crowd, flooding into the small venue tonight to see Twin Atlantic. This was the first show in the appropriately named ‘Free-ze ’Tour and would be a night to remember as this was the band’s first gig back on UK following a recent US tour.

The Glaswegian quartet really had a lot to live up to, with supporting acts Arcane Roots and Dinosaur Pile-Up really setting the bar high. The lights began to drop and the music began to fade in as the boys emerged onto the smoke filled stage, welcomed by an enormous roar from the eagerly awaiting crowd.

Front man, McTrusty, boasted prior to the first song, how he felt a certain sense of “home” here in Cardiff, as the band’s first (mini) album, ‘A Guidance From Colour’, was recorded at Long Wave Studios.

Opening with a mellow instrumental, ‘Serious Underground Dance Vibes’, it makes the change to the inevitable upbeat song more sudden. They almost catch the crowd off guard as they crash into ‘Make A Beast Of Myself’, the bands fourth single from newly released album ‘Free’.

As a spectator, it becomes immediately noticeable that the band have a love for what they do, pouring everything into every song. Collectively, they really give it their all, and there’s a real energy in the room as this group of 4 best friends make the crowd begin to feel more like a family, rather than a collection of strangers.

The foursome treat the audience as a fifth member and give it their all, so much so that McTrusty himself chipping his tooth! AMcP 8/10

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REVIEW

All Time Low Cardiff Uni / 29 Jan 2012

Support: The Maine, We Are The In Crowd All Time Low’s recent Cardiff show truly cemented them as future greats in the pop-punk Hall Of Fame.

To kick off the night we had the pleasure of New York pop-punkers We Are The In Crowd, who put on a great live show with a ton of energy and catchy tunes. Opening with ‘Rumour Mill’ made my night, such a good track!

I wasn’t that bothered to hear The Maine were supporting, after leaving halfway through their boring set, I stand by that.

Then, the moment every one was waiting for, All Time Low hit the stage, greeted by ear piercing screams and women’s underwear. Opening with new single ‘Time Bomb’, they had the crowd jumping throughout, the screams never stopped.

Playing through classics like ‘Damned If I Do Ya (Damned If I Don’t)’, ‘Poppin’ Champagne’, ‘I Feel Like Dancin’, and the ever popular acoustic track ‘Remembering Sunday’ they had the crowd in the palm of their hands throughout. Finishing up with ‘Weightless’ and ‘Dear Maria Count Me In’, they really took the roof off the place! Bringing to an end one of the best pop-punk gigs I’ve been to in a long time (not to mention the light show!), I take my hat off to All Time Low. RM 9/10

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Photos Kevin Barnes

PHOTO REVIEW

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Reviews: live

Reaper In Sicily The Globe / 3 Nov 2011 Support: Colours Of One, Show It Off!, Red Room Therapy, Falling With Style Reaper In Sicily have come a long way over the past few years, as was well documented in issue 1 of this magazine. But, with a new EP under their belts, and a fresh hope of achieving great things in the music world, the band welcomed a few friends to Cardiff in November to help launch the latest EP ‘Chapters’.

Opening proceedings for Aberdare’s favourites, Falling With Style. The band endorsed by tonight’s headliners look set for bigger things over the next few years. Already packed with attitude and a incredibly assured stage

presence, their set tonight is hopefully just a sign of things to come for the pop-punk hopefuls.

Red Room Therapy are a different kettle of fish altogether. Substituting Falling With Style’s youthful exuberance for a tamer approach, the rockers set about putting together their show in a steady way. Nothing spectacular or sensational, but a solid effort and showing to fans of the right leaning that there is something worth taking note of.

Contrast that reserved approach with Weston-Super-Mare’s Show It Off! Excuse the pun, but they did just that. The four piece almost erupted on stage in a massive, unapologetic ball of energy. Normal service felt to have been restored as they turned it up a notch from Falling With Style’s impressive opening.

Show If Off! aren’t really known in Wales, which is a crying shame, as they could knock a bit of sense into so many identikit pop-punk bands on this side of the bridge.

Colours Of One were unfortunately a let down on this occasion. The experienced Bridgend-based band have quite a following, and for good reason.

Sadly, with the energy brought into tonight by 60% of the bands playing, Colours Of One felt a little out of place, and counter-productive to the overall vibe of the evening.

Not to worry then, as the slightly delayed main article took to the stage.

Witnessing a Reaper In Sicily show feels like being at the start of something. When imagining how current big bands might have started, this is probably the closest we’ve seen. In just 30 seconds, Reaper In Sicily turn the intimate Globe venue into what feels like a much bigger, louder room.

Their energy is unrivalled in the local scene, they literally own the stage and treat it like a slave. Jumping, shouting, running, it’s all here. Reaper In Sicily are a credit to what a hard working band should do and achieve. After some hard time, it seems they may finally be keeping their heads above water. Now on tonight’s evidence they’re reaping the rewards. KB 9/10

£30 Discount Promo Shoot when you mention this advert. www.kevinbarnes.co

Reviews Album

Stars And Flights

and one listen to debut album ‘Dropping Anchors’ will tell you just why.

At nine tracks and just under forty minutes, it feels more like an EP, but let’s not get drawn on technicalities.

What Stars And Flights do, and do well, is draw you into their off-kilter sound. There are both strong musical and production values which become immediately apparent.

Out 26th March Ghoulish Records

Neath three-piece Stars And Flights are something of a welcome break to an often saturated scene. The band appear to have come from nowhere,

Don’t be drawn into the negatives, give tracks like ’18 September’ and ‘Arsetronauts’ half a chance and they’ll draw you into the band’s more frantic character.

As the album progresses, it’s difficult to not be drawn into what the band are doing. There’s an eclectic mix of soft & strong vocal delivery, complex drumming patterns and even the odd bit of half time for good measure. In some tracks it can grate a little and become old news a little more quickly

Overall, there are a few too many similarities between a few too many of the tracks to make this album a real instant hit. Chances are, stylistic elements will keep you coming back for more, but there’s a slightly hollow feel. It’s as if Stars And Flights aren’t yet 100% sure of who they are or what sound they ultimately will adopt. This isn’t a bad thing, far from it. However, this album’s slightly unsure identity and repetitive strains could put off the casual listener. Give it a chance, and you will be rewarded. Stars And Flights have made a solid debut album. Nothing more, nothing less.

KB 6/10

great bands. There are promoters like Cadence pushing the profile of local metal, and even Bloodstock’s Metal 2 The Masses talent search calling The Green Rooms home in Wales.

some TV show or other. However, rip off this is not. Fourth Autumn give the track their own dark-twist, you’ll easily forget what it’s parodied and soon just enjoy the track for its own qualities.

What better time to release your debut album, then? Fourth Autumn are the beneficiaries of such good grace, and with one fell swoop this ten-track behemoth sticks a massive middle finger up to the world.

Another comedy title packaging a neat metal track is ‘Rigor Mortis (Makes Me Stiff)’, behind the jokes there is a very serious album here. There’s an epic blend of instrumentation and differing vocal deliveries, all done in a typical metal fashion. Fourth Autumn have nailed it with this album, they establish what their about and then proceed to flaunt it over the next forty minutes.

Opening track, and lead single ‘Angel Squared’ reminds a bit of a Dopamine track when starting. It eventually breaks into a driven, furious track.

It’s a natural opening point, and allows enough leeway by which to expand on their unorthodox sound.

Dropping Anchors

than it should. ‘The Scene Is Dead...

And I Won’t Be At It’s Funeral’ is a prime example, although a glance at the title could explain it.

Album

Fourth Autumn

Mock The Weak Out Now Rising Records

It seems that the Welsh metal scene is in a pretty good place at this moment in time. There’s a strong, dedicated local scene armed with some

As black metal goes, this is a solid offering from the Newport/Cwmbran quartet. Bundled with the right sort of balance between riff, chug and blast beats, this album jumps out of your speakers instantly and will have you head banging along in no time.

Credit must go to Fourth Autumn for throwing in a good amount of comedy as well. ‘Don’t Stop Bereaving’ is a lyrical parody of an unfathomably popular 80’s song resurrected in the last few years by a bunch of school kids and some Geordie-bloke on

Stand-out, ground breaking, it is not, sadly. Solid, consistent, driving, bearable it most certainly is. Far from setting the world alight, Fourth Autumn have reinforced why they gain so much respect locally. They’ve also shown that Wales is capable of producing polished, high quality metal. If this is an omen for the whole scene then it could be in for halcyon days indeed. KB 7/10

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Reviews Album

Recluse

Crooked Heart

Out Now Habitformed Records It’s always good to reminisce about past times and the influences they’ve had on today, as well as the good memories that we all remember.

However, it’s important to not get stuck there, and adapt to the now.

Album

Science Bastard

Pull Tiger Death Cord Out Now Junta Records

With this impressive debut album under their belt, it’s surprising that Newport’s Science Bastard have not had more press coverage. It appears this could be about to change. An energetic vibe emerges immediately from

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Recluse’s new album ‘Crooked Heart’ does seem to be stuck in the 1990’s.

‘Crooked Heart’ is primarily a mix of post-grunge and hard rock that was prevalent in the mid-90’s. With the dirty riffs and angry, rough vocals in opening track ‘Come On Over’ and closing song ‘Calmer Killer’, it’s not hard to think that these songs could be a Pearl Jam or a Stone Temple Pilots B-side. The similarities to these bands go even further, with the same riffs alternating between the verse and the chorus. Whilst producing a good, fist-pumping song; it doesn’t really leave a lasting impression on the listener. This is unfortunately an issue that crops up throughout the album.

However, whilst the riffs may be repetitive at times, they combine well with the vocals, which are ideally suited to Recluse’s hard-rock style. They can be aggressive and rough on the more driven tracks such as ‘Heartjacker’ and ‘All Of A Sudden’, yet detitle track, ‘Pull Tiger Death Chord’. Although less than two minutes long, it’s loaded with a diversity of dynamics.

The whispered words seem almost enigmatic and contrast with the gang vocals. There is a subtlety to the continuous 4 chord sequence which, from just one track, already indicates the band’s talent.

The variety of tempo as well as instrumental texture in ‘Phil Collins’ is original. Keeping the listeners on the edge of their seats with sudden, unexpected changes in drum beats, whilst ‘A Different Same’s oxymoronic title reflects the juxtaposing transformations of vocal approaches, from melodic singing to harsh screams. This track is ideal for those unaware of Science Bastard’s work. A less dramatic and slightly more indie approach is taken with ‘All Watched Over By Machines Of Loving Grace’. The riffs seem inspired by Biffy Clyro, and the overall song is anthemic, the perfect track to end a live set.

Science Bastard demonstrate a shine of individuality throughout the whole

liver a soft and melodic presence in some of the more relaxed and varied tracks, such as ‘Hush’ and ‘Crown Of Sleep’. At some points, they are almost Dave Grohl-esque, which again highlights the 90’s hard rock influence.

It’s when the 3-piece vary their style that the album really comes alive.

The southern rock-tinged ‘Porterhouse Blues’ features a rare, but good solo and the math-rock elements during the breakdowns of both ‘In Retrospect’ and ‘Dirty Blonde’ complement the bands technical capabilities, making the listener take notice.

All in all, ‘Crooked Heart’ isn’t a bad album. There are good, varied vocals and a nice mix of musical styles.

However, Recluse will need to try and adapt their sound a bit more to create their own identity and sound (instead of trying to replicate a sound that has had its time) if they are to move on to bigger and better things. AR 6/10

album, especially with tracks like ‘Trevor’, through its unusual ascending vocal lines. The the medievallike melody of ‘A Knock Came And I Though Warning’ and it’s sudden end after one minute, fifty six seconds.

The heavy bass line and spoken form of lyrics are what makes ‘Harmonica’ memorable. It is apparent that the vocalists have been practicing their falsetto, and the recording of the track has been thoroughly considered with some drawn out guitar chords, suggesting the dedicated attitude that the members of this band have.

‘Pull Tiger Death Chord’ is an album packed with varied vibes between each track. It seems originality is a key representation through tracks like ‘Wolves’ and particularly ‘Anon (To Become Vain)’. ‘Exit’ is no doubt the most remarkable track and the faultless way of leaving listeners nothing less than impressed. Science Bastard are truly deserving of more than just praise for this album. In no time they will proudly be able to boast about much greater achievements as a band, there is no doubt. NL 7/10

Reviews Album

Dead Shed Jokers

like this, I feel like I’ve heard it before, but then they pull out something that makes me go “Oo, I liked that!”.

Out Now Self Released

If I were to compare Dead Shed Jokers to anyone then it’d have to be Wolfmother. I’m not saying they sound exactly like them, because they don’t. The similarities I speak of come in the guitar and bass sounds mainly.

The tube distorted bass guitar, in parts, and the really crunchy guitar sound make for the Wolfmother-esque ‘Stadium sound’. Arguably, you could say the vocalist takes a leaf out of Wolfmother’s book too, but I feel every song is different as far as vocals go.

It’s very rare you come across a vocalist who can sing in different tones, and do it well! Be it shouting (in tune, yes there is such a thing!), softly singing over a clean guitar, or giving us a good old 70’s Led Zeppelin style vocal, this guy has it nailed!

Dead Shed Jokers, a band that sound familiar but with a sense of originality.

I find it odd when I come across bands

I’m pretty pleased with the production on ‘Peyote Smile’ as it’s really pleasing

Peyote Smile

EP

Reaper In Sicily

on the ears, no booming bass, clicky kick drum or snapping snare, makes a pleasant change. ‘Jericho’ is by far my favourite track on ‘Peyote Smile’, the guitar and vocal melody compliment each other beautifully. Funnily enough, not so much a Wolfmother sound on ‘Jericho’ but a rather modern twist on the 70’s sound. When a band takes a sound from the past and really makes it their own, it shows a great deal of talent, and Dead Shed Jokers don’t lack much of that! Other notable tracks are ‘Too Quick For Comfort’ and ‘Peculiar Pastimes’, the “Wasting time” vocal line in ‘Too Quick For Comfort’ is a catchy addition to a mental track!

If you love your classic rock, or even if you have a love for a toe tappingly good riff, then ‘Peyote Smile’ by Dead Shed Jokers would be a great addition to your record collection. RM 8/10

EP tolerable sounds. Having saved the cheerleader, the world and just about everything else worth saving, the Aberdare boys return with a quick burst of four tracks.

Nothing New

As topical as ever, ‘Tiger Blood’ is the aptly titled opening track. Wasting no time in launching into a riff that screams “don’t forget your towel” you’re suddenly being guided through a more mature, yet still distinctly Reaper sound.

Chapters

Out Now Self Released With their third EP, ‘Chapters’, Reaper In Sicily will once again have you dancing, singing and partying along to their insatiable and frankly over-

Through ‘Worlds End’, ‘Sinking Ships’ and finally ‘The Pen Is Blue’, Reaper In Sicily underline their appeal, and why they’re rightly being considered one of the hottest, most exciting bands around right now.

Needless to say, not everyone will like it, and it may well be time for an album from this lot, but Reaper In Sicily yet again deliver a consistent, enjoyable sound. KB 7/10

You Can Bet Your Life On It Out Now Self Released

This is by no means the greatest produced EP around, but that doesn’t take away from the sheer character ‘You Can Bet Your Life On It’ has. Having been around for what seems like for-

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Reviews ever, Nothing New treat us to a heavy dose of classic pop-punk, reminiscent of giants like Blink 182 and Good Charlotte. Don’t expect a carbon copy of late 90’s/early 00’s bands though, Nothing New also have a love for a good old guitar ‘chug’. ‘This Is Our Anthem’ is a perfect example of a poppunk beatdown, a great opening track with a catchy “List-en Up!” before and during the beatdown.

I notice the use of a few samples on this EP too, my favourite being the elevator music at the start of ‘Lights Out’, a genius addition for a track intro! Nothing New have a huge DIY ethic, (this EP is hand-made to look like a roulette table, the cover is green felt!) which is lost on so many bands, who sit around and wait for it to fall in their lap. If more bands took lessons from Nothing New, I personally believe the South Wales music scene would thrive more than ever, with more bands working their asses off.

The production is the only thing that lets this EP down, but at the same time it shows off Nothing New’s DIY style, the heart and soul of the band.

RM 8/10

EP

The Nothing

The Nothing Out Now Self Released

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EP

Bleed Electric

Let The Invasion Begin Out 29th February Altsounds Records

but is still undoubtedly Bleed Electric.

Opener ‘Trinity’ feels like it’s pulled from that dramatic moment where a significant character dies in a movie, and it’s dealing with the aftermath. It would possibly be perfect over a slow mo action scene with lots of explosions. As that breaks into a Santanaesque solo, it’s clear this isn’t your normal hip-hop.

‘Cry Little Sister’ is a little slice of familiarity, opening gradually, it breaks into a hauntingly catchy down-tempo chorus, pulling you into a trancelike state. This haunting, eerie feels continue into ‘Gravity’, although it the mood gradually lightens with a brilliant chorus, this is the stand out track of the EP.

‘Let The Invasion Begin’ has a slightly different feel to previous offerings,

‘Boost Your Ones’ feels experimental, it’s very heavily influenced by retro video game soundtracks.

‘Cherry Bomb’ then in contrast feels like a summer dance track. ‘Eight Years Late For Dinner’ tops everything off with that same uptempo vibe, although it fits the off-kilter vibe from the start. Bleed Electric have produced another very good EP here. It does feel a track or two short of being killer, but if they continue on this trend they should continue to grow. KB 7/10

Hailing (half, at least) from the country filled with endless musical talents, Wales; The Nothing are another band ready prove they are worthy of joining this list with their recently released EP, self-titled.

Although the first two tracks don’t fail to impress, ‘I am Your Nightmare’ does. The talent in the band is undeniable; however, the song is generic and sounds a bit messy and out of sync at times.

The first track on the EP, ‘So It Begins...’ sweeps listeners off their feet. It is energetic and contains the catchy riffs that The Nothing pride themselves on.

The lyrics are relatable and the vocals, nothing less than powerful.

This is easily remedied by ‘You Wanna Know How I Got These Scars?’, which sounds similar to a song that could be written by Lostprophets or The Blackout. The lyrics are honest and the variety of vocals are sure to leave you in awe.

Electro hip-hop three-piece Bleed Electric are back with their most progressive EP to date. Now 1/3rd New York-based, they’re a testament to the power of the internet as they continue to write & record tracks despite being over 4000 miles apart.

‘Even a God King Can Bleed’ reveals the band’s pop side, very reminiscent of some of New Found Glory’s work.

You will find yourself inadvertently dancing along to the guitar chords, impressive drum beats and repeated guitar riff sequences, as they coincide perfectly with each other.

With the ability to incorporate elements of many genres, The Nothing reveal their raw talent, offering fans new and exciting music. The Nothing have a long & exciting future ahead of them. NL 7/10

EP

Against Fate

the Valleys. Having developed and evolved their line-up along the way, the five-piece unleash this three-track EP of mostly self recorded and produced tracks.

‘The Noose’ is arguably the best known, most popular & best track of the three. Launching in at a frenzied, rapid pace, it pulls you in like any good metal track should, with half your face intact. This track is also probably the closest to the bands ferocious live show.

Condemn Them All Out Now Self Released

‘Timelines’ has a subtler birth, but the delicately picked guitar lines don’t last, and soon it’s a full on metalic onslaught again. ‘As The Daylight Fades’ also briefly threatens to be slow & quiet, but then smashes into life.

Rhondda/Newport-based metal band Against Fate have been beginning to make a dent on the metal scene in the past twelve months. The band enjoyed a support slot on DevilDriver’s Cardiff date last year as well as regular slots on metal bills throughout

‘Condemn Them All’ is a good indication of what Against Fate are all about.

It doesn’t quite do justice to their raw energy in a live setting, but there’s enough here to convince most metal fans to give this band a little bit of their day. KB 6/10

Single

Single

Single

Twice My Size Oh Yeah, Fame’s A Bitch Out Now //Self Released Rhondda’s Twice My Size are among a number of upcoming local bands.

New single, ‘Oh Yeah, Fame’s a Bitch’ starts with a summery intro, leading into a first verse powered by driving drum beats and slick guitar riffs.

Vocalist Josh Frederick compliments with his own unique vocal delivery.

This song offers a fabulously catchy chorus that fans of the genre will find hard not to resist. There are strong points in the song such as a change of drumming style in intervals that gives the track some edge. The driving nature of the song makes it enjoyable and keeps you interested throughout It’s an impressive first glimpse of Twice My Size, I’m sure the band will continue releasing catchy, appealing tracks on this evidence. JP 7/10

Single

Stars And Flights We Are The Afterglow Polaris Angel Squared 98 On My Mind Out Now //Ghoulish Records Out Now //Self Released

Alone In The Crowd Out Now //Self Released

Imagine you have listened to a song more than fifty times within a week or so, and still enjoying it.

Polaris have written a catchy song with good potential in ‘Alone In The Crowd’.

Consisting of a bouncy bassline, simple but effective guitar riffs and a strong vocal melody, it sounds almost like a happy version of Fightstar.

Neath trio Stars And Flights do not fall into my usual music tastes, but their new single, ‘Angel Squared’, is something to stand up and take note of.

There’s no fancy thrill of pretentiousness about this band, they prove that with this single. From the very start, each member belts out their parts with gusto, from the technical complexity of the drums to the harmonious vocals. Stars And Flights do not pander to an audience, because they dabble in many genres. With guitar riffs reminiscent of early Hit the Lights and drum fills that wouldn’t be out of place in a FFAF song. If this is a sign of things to come, I am certainly looking forward to it. MI 8/10

Imagine if John Wayne and The Libertines had a love child, the outcome would be ’98 On My Mind’, which treats us to a melodic yet dissonant sound. Despite some lovely harmonies (kudos), it’s hard to enjoy the lead vocals, too reminiscent of The Misfits.

If the rest of this single was like the chorus it would be much better.

WATA are talented musicians, this single is cracking for the rock/indie genre. The guitar solo is a nice highlight, producing a sound that is a cross between, in my eyes, Weezer’s ‘Beverly Hills’ guitar solo, Daft Punk’s ‘Digital Love’ guitar solo and classic 70’s rock guitar sound. Production is a let down, but overall I didn’t mind this single, it’s not something I’d usually listen to but for what it is, it isn’t bad. WATA are capable of producing better songs. RM 6/10

I’m not entirely fussed on the production of ‘Alone In The Crowd’, I feel Richard’s voice has a bit too much compression on it which is emphasizing his s’ and breathing too much.

Josh’s drumming is pretty good, he has some nice fills in there and keeps it steady throughout, but the overall sound of the drums are bland and the snare drum sounds dead.

That’s not to take away from the band themselves, this is a very strong single with a pretty neat video. Polaris are definitely a band to check out.

RM 7/10

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