January 14th, 1971

Page 1


478-6077 Published every Thursday durIng the ac;o~mlc year (except vac:atlon periods) by Campus C~lcatlons, Box 95 University Station, Syracuse, N.Y. 13210 Editorial and Business offices lac:ated ot 311 Comstock Avenue, Syracuse, N.Y. 13210. Distributed door-to-door to 16,000 Syracuse University, 1,900 Onondaga CornrTV~Ity College, 1,500 Lemoyne College and 600 Upstate Medical Center Students, faculty and persOnnel. -Publisher Kenneth A•. Simon -Editor Jeremy L. Fergusson - Chief Salesman Jomes P. Maney -Production Mgr Ilene Greenfield -Account Executive Lyle St~der -Asst. to Publisher Ellen Liebman -Office Mgr Mary-Am Thompson -Graphic Consultant Lloyd G. F lx, Jr. -Chief Artist Steffanie McCrady -Artists Susan Sensemon Margaret Davis Margie McLellan Pat Wilkie Karen Moore Aida Longo AI Collelo -Circulation Mgr Bill Reynolds -Dist. Mgr/Lemoyne Jolvl Hen I ey -Contributing Editor BruceApar -LeMoyne Editor Larry Hoyt -o.c.c. Editor Mark Richards - Staff Photographer Fred Bodin The Syracuse New Times and Orange Pemysaver will not be liable for errors appearing In advertisements beyond the cost of the space occupied by the error, and notification must be mode In writing within one

/GuESS IT WASBOIJND

-·- ______ TO HAPPEN.,. ~ SOONER DR

LATER.... ·.: · ~ -·

TABLE OF CONTENTS New~ Times Table Calendar of Events••••••••••••••••• 18 Top of .the Pops •• •••••••••••••••••••••••••••••• ~ ••• 20 Reflections on a Year Past ••••••••••••••••••••••••••• 21 The Brothers Berrigan •• •••••••••••••••~ •••••••••••••• 22 T. D. and Tse.ro••••••••••••••••••••••••••••••••••• ,2;3

Wait Shepperd's Conjuring a Counter-Culture ••••••••••••• 6 American Rite of Passage • •••••••••••••• : • ••••••••••••• 7 Mastering the Draft -- California Scheming•••••••••••••• 8 Shaker Arts and Crafts• •••••••••••••••••••••••••••••••. 9

Rip .Off -- Good Time Eddie Filth ••••••••••••••••••••••. 10

On Nuttition••••••••••••••••••••••••••••••••••••••. 24

"Margins" -- A Review • •••••••••••••••••••••••••••••• , 1.1 The Broke Gounnet •••• ••••••••••••••••••••••••••••••• 12 DoUglas B! ode 's Fibn Rap ••••••••••••• • ••••••••••••••• • 16

·F EIFFER

FEIFFER appears exclusively

Spons Shorts•• •••••••••••••••••••••••••••••••••••• .26

ev~ry

week in the Syracuse

~w

By this time, you're n6 well into the end-of- · business of finals, pro· papers. Take a little··· P.r eak, and read us for. ~ We will be publishi.Qg . · usual next week (Jan. 2"l will then break for a w turning on Feb 4 with o ular weekly schedule.

........

Times and Orange Pennysaver

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SYRACUSE NEVV TIMES, ' JANUARY 1~', .1971 .'

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WORDS "They ought to send over some of those pe~ple who are for the war ••• Send some of those brave politicians and hard hat and let them see if they like it much. I'll change places with any one of them." NEWSWEEK, Sp/4 Steven Almond in Vietnam

"4 President-any President-is a captive of the national situation. Any President, by whatever name, ":ould now ?e withdrawing from_Vietnam, or proposing a basic change m

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CLEVELAND RIDE WANTED anytime after Jan. 23, 2 p.m. Return Feb. 2 - Call Peggy at SU x2921, Sadler 3, will share expenses.

"This Women's Lib movement is the next revolution. The kids have been defeated. The military has seen to that, so Women's Lib may be our only hope for man's salvation . -unless the ladies start getting a blood lust for power. " Kurt Vonnegut Jr.

GRETSCH GUITAR For Sale: Electric AMiversary model; excellent cond., with strong case, $200. or best offer. Call Marshall Beckman at SU x2261.

FOR SALE: Alpen Lace Ski Boots, size 10, used 3 times. A great buy at $20. Call Steve at SU x 2035.

AD

RIDERS WANTED TO QUEENS NYC. Leave 12/17/70-return 1/3/71. Call Mark at 4798435.

FOR SALE: '66 Mustang, 6-cyl. r & r, auto., snows, new: Shocks, FOR SALE: One 6-year-old bearings, plugs, brakes; antimono record player in good cond. For information, call Jo- ~__:.jMI!~UIIUWIP~-.::-JiiL.-J~ theft device. $1,000 or best offer. SU x Larry Acker. AIUl S. at SU x 2919 or 2918.

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DAVE MASON • ALONE TOGETHER/ Mason puts love on the line with his now-distinguished · "today" music (in a fantastic: foldout jacket and multi-colored record for visual help): ' ·

LEON RUSSELL/There's not too much to say about a guy who's touched it all •.• been heavy with himself and others and come up with something that never before existed. Russell is a long-shot original:

IKE & TINA TURNER • OUTTA SEASON/ Here are two of the most soul-gripping performers ever to be outta season. No, that's a lie! • • . It's always the season for Ike & Tina's seasonings:

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CHICAGO BLUE STARS • COMING HOME/ No ego trips -just honest, direct performances by six guys whose commitment is entirely to the blues: I Nee!~ Your Loving; Early In Tlte Morning; Coming Home, Baby; Site's Got A Good 'Un; Route 66; It's Your Last Time; Summertime; Black Nights; You Better Cut That Out; Walking Tltrauglt Tlte Park. BTS 9/ BTS 8809

TYRANNOSAURUS REX • A BEARD OF STARS/ Dedicated to the priests of peace • . . songs to bring it on: A Day Laye; The Woodland Bop; Fist Heart Mighty Down Dart; Pavilions Of Sun; Organ Blues; By The Light Of A Magical Moon; Wind Cheetah; Great Horse; Dragon's Ear; Lofty Skies; Dove; Elemental Child. BTS 18/BTS 8818

ROBBIE BASHO • VENUS IN CANCER/ Romontic is what it is . . . French Expressionism; French horns, silk, velvet, sil. ver and wine ... Robbie Basho, a poet singing: Eagle Sails Tlte Blue Diamond Waters; Kowaka D'Amour; Song For Tlte Queen; Cathedrals Et Fleur De Lis; Wine Song (Sweet Wine of Love); Venus In Cancer. BTS 10/BTS 8810

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FOR SALE: 1964 VW su Clean inside and out. tires and engine. Call 478-9024. ASSORTMENT OF Pre corded Stereo Cassette $3 each -- Beatles, Seb: Steppenwolf, Collins, Hai Cream. Call Jim at SU after 6. CRAIG STEREO C~ Recorder Model 2703. $189 - asking $125. Woo kers, many extras. P corded tapes, $3. Jim x2981, after 6.

TRUCKIN' WITH ALBERT COLLINS/The man's a monster on guitar. He masters his own idiom in modern electric: blues . . . creates an excitement that is almost physical! Frosty; Hot 'N Cold; Frost Bite; Tremble; Thaw-Out; Dyin' Flu; Don't Lose ·Your Coal; Koal Aide; Backstroke; Shiver 'N Shake; , Icy Blue; Sno-Cone II. ' BTS B/ BTS 8808

·MEMPHIS SWAMP JAM/One of the heaviest albums to come up from the South features Jazz I Blues greats: Booker White; Piano Red; Nathan Beauregard; Sleepy John Estes; · Fred McDowell & Johnny Woods; Napoleon Strickland; Furry Lewis; R. L. Watson & Josiah Jones. A 2-Record album- 20 selections. BTS 6000/ BTS 8706

GABOR SZABO • MAGICAL CONNECTION/Tripping • . . the light FANTASTIC with Szabo and seven slight-ofhand sidemen: Sombrero Sam; Close To You; Country Illusion; Lady With Child; Pretty Girl Why; Hum A Song; Magical Connection; Fred And Betty; Love Theme From Spartac:us. BTS 23/ BTS 8823

FOR SALE: Univox Bas top only, no speakers sy: like new. Asking $101 Rick, 446-2882 or x 283 AMPEX --Micro 87R c with AM-FM radio - 50 new, full warranty, wo.s 1lSking $225 - speakers, phones included. Call I x2491. ROOMMATE NEEDED j 1 bedroom Apt. on camp Call Chris, 478-7849 af p.m. WANTED TO RENT til mer and next school Y' bedroom house near Call Sandy Kroloff at S

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SYRACUSE NEW TIMES, JANUARY 14. 1971

# 5 NEW ROADS OPEN ON THE WEATHER ·MAP Naomi Jaffee's first appearance in Syracuse was in a flowered cotton dress, with stockings, high heels,·and scarf in her hair. As a researcher at the Community Action Training Center (which the University allowed within its community of inquiry for only nine months) she learned the routine of launching daily salvoes against The Man in all his varied forms. The black turtleneck, blue jeans, and sandels she wore to the neighborhood action meetings showed that her ideology had begun to merge with her life-style. When the CA TC was strangled at its still vital pursestrings, Naomi was hardened by the experience, Naomi Jaffee appeared again in Syracuse last week, on an FBI wanted poster on the post office wall. Already under federal indictment for conspiracy charges as a member of a Weatherman collective, the poster said that she was sought for transporting stolen checks across a state line, that she had already been convicted of assault, resisting arrest, and aggravated assault, that she had adopted several ethnically symbolic sounding aliases, that she hung out with people who used explosives, and that she should be considered armed and dangerous. She had continued to harden. You coul~ see it mostly in the eyes. The continued existence of the members of Weatherman collectives represents a full cycle of changes gone through by an advance patrol of the present generation's political explorers. A communication received in the office of the liberation News Service last month, signed (and fingerprinted) "Bernardine Dohrn" told that the Weatherpeople have continued to go through personal changes. Another cycle has begun. •This communication does not accompany a bombing or a specific action, • it read "We want to express ourselves to the mass movement not as military leaders but as tribes at council, It has been nine months since the townhouse explosion. In that time, the future of our revolution has been changed decisively, A growing illegal organization of young women and men can live and fight and love inside Babylon. The FBI can't catch us; we've pierced their bulletproof shield, But the townhouse forever destroyed our belief that armed struggle is the only real revolutionary struggle. • From their inception Weatherman collectives had beengiven their head by the underground papers, which reproduced the Weatherpeople'~ communiques without extensive commentary or interpretation, But last October the women's collective which had seized control of RAT a year ago ran, as their lead reevaluating their feelings about what the article, an open

Weatherpeople had been doing. Headlined "Whiter Weatherpeople•. The letter recalled sympathy with the early bombings because they showed that white middle-class children had taken that final step away from their fear of the authority of The Man; they had brought the war home. It credited Weatherpeople with creating •for the ftrst time a viable form for urban guerilla action, • and expressed a feeling of obUgation to the Weatherpeople for taking such extreme risks to heighten people's ·consciousness. But it sharply criticized Weatherpeople for being arrogant, romantic, elitist, ·chauvinistic, and generally out of touch with anybody else. It called their communiques jargonistic, and their bombing mindless and lacldng in message for the average American worldng person. And it suggested that Weatherpeople might better use Robin Hood for a reference ten than •Battle of Algiers. • The •NEW MORNING--Changing Weather• communique ad-:mitted that •people become revolutionaries in the schools, in the army, in prisons, in communes, and on the streets. Not in an underground cell. • It declared that it's •tiJne for the movement to come out into the air, to organize, to risk calling rallies and demonstrations, to convince that mass actions against the war and in support of rebellions do make a difference, • Having survived this long, Weatherpeople have probably learned how to survive a lot longer. Some will surface in Nebraska with two kids and a corn farm, and some in the capitals of newly revolutionized countries in the Third World. How they got there could be a story grimmer than any we have told so far. A good look at one possible answer to the question Whither Weatherman? is supplied by DANCE THE EAGLE TO SLEEP by Marge Piercy, the best novel on the Pepsi Generation that the major companies have published to date, But whatever ends finally befall its members, the organization has already burned itself into the pages of American radical history with The Krishna Shiva Affair. the breaking of Timothy Leary out of_a minimum security prison. In-announcing their accomplishment, Bernardine Dohrn declared that .•LSD and grass, like the herbs and cactus and mushrooms of the American Indians and countless civilizations that have existedonthisplanet, will help us make a future world where it will be possible to live in peace." Leary warned that he was armed and •should be considered dangerous to anyone who threatens my life or my freedom. • A mushroom and stick of dynamite could now rest comfortably with the AD-47 and hash pipe on the flag of the Woodstock Nation. Leary argued that "you cannot talk peace and love to a humanoid robot. • and support for the waging of a violent guerllla struggle was implied throughout, in a statement he had written 1n jail and carried over the wall with him. Two months later, in the EAST VILLAGE OTHER, Leary wrote from Algiers reassuring Allen Ginsberg that he was still alive, praising the Black Panters and the Weathermen, and urging mass jailbreaks ending his message "Smoke it! And blow it up!• But his friends had already begun to worry. In an open letter to Leary in ROLLING STONE Ken Kesey asked him to "keep in mind what somebody, some Harvard holy man I think 1t was, used to tell us years ago:- 'The Revolution is over and we have won.' • And Allen Ginsberg recommended •as political action for everybody henceforth after Leary's flight & statement & Weatherman affiliation is that whatever political action anyone takes 1t should be done on the basis of at least a minimum of one hour daily sitting, meditation, contemplation, of one form of yoga or another with or without a teacher but at least one hour daily, best in the morning around dawn." In an interview in New Orleans NOLA 22

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"At the age of 14· or 15, I believe youngsters should be isolated and fed little, be purged and frightened, and given a hallucinogen.•• " yb M . ·· Poet Robert Graves, Pla oy agazme. The above quotation, sounding rather more like an early dawn session at Big Sur than Miss January telling us what she looks for in a man, has greater relevance to what we may whimsically term "American education" than ·most anyt~g since Dr. Albert Hoffman fell off his bicycle one electnc blue green, purple day in Switzerland. N~ less a presence than Syracuse University itself says that attendance within its orange and ivy wal!-s is "a priviledge, not a right." It says this in its own Rule One. S. U. and its educational cousins might have added that it's not a rite either, but this would be a play on words and institutional humor is never intentional. "Rite" in this instance refers to the traditional "rite of passage," a personal confrontation with th~ realities ~at ~akes American . student polities of confrontation look like mtellectual placard . cheering by comparison. This is the pivotal act in •primitive" societies by which an adolescent becomes an adult. Supernal, experiencial, intensely personal,, the rite of passage in native American ("Indian") societies parallels the prescription for morality that Graves gave to PLAYBOY. Historically, it was characterized by a mystic initiation, the object of which was to be aged through contact with the eternal verities in a vision.

College as the New Puberty Rite David Armstrong

American mass culture, following its Protestant tradition, on someone else's failure. Fear and failure--and fear of has sought to divest itself of all things ~upernatural <."su~er­ failure -- becomes our chief barometers of life, in class and stitious") and thus "impractical," with the consciencwus after school, · flair of an Army Engineer composing an ode to ~ untamed Thanks to the social engineers who shape American educariver. This mentality of exclusion rejects most ntuals and, tion, college produces mainly programatic behavior and ~hly most assuredly, all visions. Secular America has d~veloped structured opportunities for experience• .Its keystone lS a its own rite of passage however, and on the surface It exiSts staggering impersonality. The university transmits not pure to teach much the sam~ lesson that traditional rites of pas- knowledge--which it claims to hold in trus! for humatl;lty-but its own essence, that is, mastery of the techniques sage were developed to do. . Increasingly, in America, a boy becomes a man and a g_rrl ("methodology") of analytical segme~~ation. ~his speci~zed becomes a woman by going to college. Though the Marme branch of knowledge is the cogmtlve basiS of Amencan Corps may still build men, though minority people may enter technocracy. the Academy 3s "prospects• and quotas, more and more Americans of all backgrounds are fulfilling their privledged obligation of going to college. And though they have not been ·14 or 15 since junior high school, American college freshmen are still children at 18 or 19, for they live in a society at onc_e so indulgent of its young and so frightened by_ them that It · has extended adolesence indefinitely. That society has ex_- · from this blitz on his being, the American initiate interpressly established "a college education" as its mass trans_It nalizes a kind of walled perception that breeds belief in the means to adulthood, College is, at once, the Great Democratic naturalness of the artificiality with which he surrounds himLeveler and That Chance to Get Ahead, the place to master self and of the inevitability of still more of it. He becomes the correct social footwork and the place to train for a caree~. convinced that the way he is living is the only sensible, the College, as the pre-confrontation blurbs used to tell us, lS · only right, way in a world where Progress is the most America's best friend, important product. In such a world, non-verbal, experiencial As the child is father to the man, college--a microcosm lifeways are banished to the Black Woods of Subjectvity, of the larger society--is the surrogate parent of its students. where lurk visions, speels, strange odors, and "all manner ("In loco parentis "remember?) And from the parent culture's of folks" who do not compute. standpoint its rit~ of passage has borne along its brood fairly Now in non-competitive native American societies "higher well in society's mainstream. education" was high indeed. For the Indian youth "growing up" This · picture is not without serious flaws. Berkeley, Col- also meant "growing out" and "going in" and that _involv~d umbia Kent and Jackson States have seen to that, Moreover, not a categorical compression of self, but an extentlon of It. many ~ollegiate family traits have been the subjects of critical The Indian youth never had to declare a major. Life was his personality sketches. The homogenization of the mass p~yche major. He pursued growth according to Graves: going alone was revealed in the literature of inner space by the beats 10 the into the wilderness, he had to prepare himself not only to fifties and the co-optation of academic objectivity was do- satisfy his physical needs, but his spiritual ones .as well. cumented throughout the sixties, Yet "highex: education" con- Hallucinogens, fasting, chanting, singing, and _other means tinues to imprint its lessons on the minds and nervous sys- known to inner-directed people were used to 10duce an ectems of most of us--including those who think they've le_ft static experience. Receiving a vision was absolutely_ necesits strictures forever--in subtle ways; for cultural condi- sary a-cosmic diploma, for it was the central expenence of tioning operates on many levels, simultaneous!~. It deals, not life.' A person who shunned or somehow missed _out on. this with mere opinion, but with the means of perception. was felt to be incomplete. And so he was, for without It he The "leaders of tomorrow" have unfortunately been pro- lacked the wholeness that characterizes a mature person, gramed to think, feel, and act very much ~ke the hist~ry-­ an adult, if you will. Like contemporary American caree~ists, makers of the past. The -financial overkill on the bus~ess the middle-aged child was forced to search for himself 10 the side of rock and roll, continued male-female role-play10g, opinions, experiences and blueprints of others. , and the evidence of self-fulfilling prophesies at work in the The native American rite of passage was much that t<>?ay s too-easy acceptance of polarization, are testim_ony to this, The processes of conditioning have been intentionally pro- college is not. Inner-directed, personal, transcendent, It ~­ moted tooled by a system that programs itself for self-per- stilled in the growing person a sense of wholeness. Its me~g petuation, in which no one takes responsibility for the con- was that of autonomy -- a fluid strength that makes cooperation sequences of their acts because very few people have any possible-- that modernAmericanscanonlyparodyin defensive clear notion of what they do, at home, on the job, in school, aggression and that peculiar variety of loneliness known as individualism." . . . on the streets. And personal responsibility is impossible "rugged The modern American nte of passage claims to a1m for when societal schizophrenia prevails. autonomous growth, but, in fact, it promotes prec!-Se~y the opCollege as our mass culture's rite of passage gets Middle , posite end. Outer-directed, impersonal, egocentric, It teaches America's Good Housekeeping Seal ofApproval--townandgown the lesson of dependence, dependence on enforced striving hostilities notwithstanding--for passage through the Academy against others as the means of liveli_hood, depend~nce ~n provides the youthful traveler with a crash course in implicit pre-established standards of self-defimtion. Underlymg this and explicit cultural features. The university's role in the pursuit of conditioned response is crucial, Higher education has dependence is, a great fear and fear can never be accep~le as a basis for growth. In the end, college as the mass Amencan mixed deadening repetition, maddening channeling (•group rite of passage is concerned with develop~g ~u~tho?d's alm?st requirements") , fear, guilt, pride, greed--all of the conventional virtues--in a total environmental blend of largely not at all, Preferring instead the massive Jamtonal function unquestioned cultural premises. Deeply ingrained American to which it has been assigned by society, its most noteworthy legacy is the binding of America's children into per attitudes towards time (•Time is money")._ the supremacy of print-symbolism, and compartmentalized linear thinking are all petual adolescense. •You who build these altars now highlighted in class and on the ·campus. So is the chief energy To sacrifice these children source behind America's production/ consumption/ pollution You must not do it naymore society: competition. It was the American college, remember, A scheme is not a vision that gave Dave Meggasey a football to channel his competitive And you never have been tempted skills, and Angela Davis her walking papers for telling people By a demon or a god." to stop doing it. By competing with our friends ("peers") we transform them into secret enemies, for competition is Leonard Cohen based on fear. Thus arises the notion of success in our society: the successful person is he who has out-maneuvered and

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N~W.: JLMES i,'ZJANUARY 14, 1971 Afte~ a· man receives an ind~ctlon order, ·he can ~ply for a

SYR4CUSE;

transfer from the local board which ordinarily sends draftees to the station where the young man wants to go; usually this board will be the one located nearest to the desired induction station. The application for transfer cannot be made at the young man's own board -- the one that issued his order. Under the regulations, a transfer should be granted by the board receiving the application if that board "finds that (the registrant) has good reason for his absence from his own local board area and that he is so far from his own local board area that it would be a hardship for him to return to his own local board area for induction:... " . This fall, Draft Director Tarr acted to tighten up the standards for transfer. He took direct aim at instances of self-induced "hardship" by warning each potential transfer board to grant applications only if convinced that the applicant is in the transfer board 's area "because ofnormalchanges in his, or his family's place of current residence." "No request for transfer • , • should be approved," Dr. Tarr continued (in Local Board Memorandum No. 116) "when it is 'opyright 1971 by John Stricker and Andrew Shapiro evident that (the applicant) is transferring primarily to delay compliance with orders, or for purposes inconsistent with his Selective Service is starting to take a well-deserved thrashobligation to perform military training and service." ng in the courts. For an agency whose stock-in-trade is the iolation of due process, final retribution comes in the court"The local board of transfer should inquire into the time he ·oom; refusal-of-induction cases are mounting, and convictarrived in the transfer board area, the reason for his presence there, the date of his expected return to the area of his own local on rates are plummeting. Whereas the number of cases has ncreased tenfold in the last five years, the rate of convictions board, his local address and other pertinent matters. as dropped from a consistent 70 percent in 1965-1967 to barely "The local board of transfer should consider whether a registrant requesting transfer is likely to return to the area of his 0 percent in 1970. And that is only half the story. Gorie are the days when conown local board before the date it can schedule his for .... induction, If the likelihood of his return to this local board area is riction necessarily meant the maximum 5-year sentence for :efusing induction. Consider the sentencing record of. the fed apparent, it should recommend that he seek apostponem-ent (of induction) rather than a transfer." 1ral court for the Northern District ofCaliforniain fiscal year l969: Of the 86 men convicted that year, none received 5-year After all these warnings, Dr Tarr did, however, add: "A regientences; only 3 got 3 to 5 years; 21 drew,l to 3 years; 8 men istrant should not be denied a transfer solely because his own local board is not distant if local transportation facilities make ~ot 1 year or less; and 54 were just put on probation. Of course, statistics vary with the individual judges in the . the transfer board easily accessible, reporting to his own board excessively burdensome, and the delay will not be excessive if ~ferent federal districts. lftheNorthernDistrictof Californ[a is the Woodstock for draft resistors, then their Altamont lies he transfers." Now you know the inquiries you are likely to face should you the courts like the Eastern District of Michigan. There in tiscal 1969, 20 men got 5-year sentences; only23 men had been seek a transfer. If you can meet these inquiries with satisfactory explanations, your motives will not be questioned, and your :onvicted! application should be granted. No wonder, then, that since the mid-1960's, draft resistors The rules for transfer of induction apply equally to the transwith good cases for acquittal have been California-dreamin'. in droves they have had their scheduled inductions transferred fer of a preinduction physical examination. This latter form of lo the Oakland induction station, where they can refuse induct transfer has also become popular since young men have discovlon within the jurisdictionoftheNorthernDistrictof California. ered that rejection rates vary among the different examining The court in which a resistor will be tried is the one having stations. In the near future, this solumn will report a relative jurisdiction over the station where he r~fused induction.) By comparision of rejection rates which prevail at the various exatransferring induction to a lenient judicial district, a young man mining stations. We welcome your questions and comments, Send them to exercises some control over the likelihood of his acquittal (because his draft board violated his procedural rights) or, at "Mastering the Draft, "Suite 1202, 60 East 42nd Street, New York, N.Y. 10017. '*"" least, a softer sentence (should his defense fail).

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PAGE Ulllld Btlllftn IDCbrllt'ss.c.t.Appea -=e • ~ ID 1... Ct1arJ Ellllaad. ..._ tii'O'P Qulren came . . - a. bdl-=e of lbe c..._., radlc F~b Prot.taDts. 'I'IIIJ c_. to AIDtrica 1D 1114 IDd pal cbuld llad DIU' AbDy ftlretblymlbltiJDiduelf-adlieie commaalty. Cl.l"l')11lc oa all tbt bUic IDdutrits ..:e•ary tbe1r exlsteace, sacb u blacbmltblllg,carpeatry,clblaetlnal Jog, tlosm1thing, taDaJog aDd weavlog. Tbougb begun only IDsupplytbelrownneeds,some of tbe ~ ustr1es eventually were expanded for sales. During tbe 1860 chairs were sold through a successful mail order business I Robert Wagan of New Lebanoh. Other important craft indus ries included Shaker cloaks, oval boses and the manufactw of brooms and brushes. Miss Franco notes in the exhibition catalogue that the distil ctive functionalism of their crafts "was an outgrowth of bo their simple practicality and their religious philosophy. Tl perfection which the Shakers sought in their spiritual life w~ carried over into their craftsmanship a,s well." Though they maintained strict celibacy, their membershfl was increased by conversion, particularly after the religio~ revival in 1779, so that they eventually numbered into the tho~ sands. Today only a handful of Shakers sisters remail The Shakers were open to technological improvements su~ as machine tools, l!Ild electricity, which would lessen their wo king time and allow more time for spiritual pursuits. Indus! rialization, contributed sign1ficantly to their devline, as com petition to their way of life increased. Yet interest in the Sha ker arts and. crafts has continued and grown both for the intri nsic beauty of the objects themselves and for the insight int the Shaker life style which they provide. Miss Franco explains that 'Distinctive Shaker objects result 1ng from the unique interpretation which Shaker craftsmen app lied to otherwise traditional 'wordly' forms , are still admir for the simplicity of their forms and the ingenuity and invent! iveness which they display." In conjunction with this outstanding exhibition, Everson Mus· eum will present a Gallery Walk by Miss Franco January 28 a 11:00 a.m. · Preceeding this guided tour through the "Shake! Arts and Crafts" exhibition, Miss Franco will present a shor slide program to help the participants on the walk to better und · erstand the history of the pieces which they will view. Admiss· ion to this even is $1.00 for non Museum Memebers. Luncheon will follow ·at 12 noon in the Member's Lounge at $1.50 per per· son. Reservations may be obtained by calling MembershJI1 Office, Everson Museum of Arts, 315-474-6943...... ......._ 01'

0

Things From An Early Commune SHAKER ARTS AND CRAFTS, anexhibtionof1091tems fashioned by members of one of the earliest communal religious sects in America will run from January 12 to March 14 at the Everson Museum. Organized by Miss Barbara Franco, Curator of Decorative Arts at Munson-Williams-Proctor Institute in Utica, the exhibition has already appeared at the Memorial Art Gallery of the University of Rochester. This show consists of 22 pieces of furniture, 56 utilitarian objects, .18 examples of textiles and 13 prints, drawings and photographs. Accompanying the exhibition is an illustrated catalogtJe prepared by Miss F r anco and published bv M-WP-1.

IWatervl~t. New York (a 19th century stereoptican view of an ~arly Shaker Commune.) The Sha1'.ers got their name from

A Shaker basket block and stand, part of the current exhibit at the Everson Museum. The show runs .from January 12 thru March 14,

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SYRACUSE NEW TIMES, JANUARY 14, 1971

PAGE 10 FOR SALE: Tires, l pair J70x14" Mickey Thompson racing tires, 9" wide, $30. 1 pair of 14" x 7" black wheels, (Pontiac) $10. Call after 6 p.m., GRS-3'780.

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Getting into trouble just seems . to come naturally to Good Time Eddie Filth. Only last sum:ner he was arrested for stealing a diving board. The police had little tr ouble apprehending him; not too many diving board thiefs can elude the law by walking dr unkenly Clown Main Street with a stolen slab on their back. And Eddie certainly isn't much of a crook. J ust an unlucky one. If ther e is one thing Eddie can do, however , it's drink. Or at leas t, he could until the diving board incident, when he was so drunk that he confessed the entire escapade to the policeman who stopped him. He seems to have sobered up a little since then, at least in comp arison to -the r eal hard-core days when he delighted in taking part in some of the foulest escapades imaginable. Hence the nickname, Good Time Eddie F ilth, and his selection as Rip-Off's firs t Freek of the Weak. So it was a reformed Eddie who guided two of his friends, Mr . Bung and Mr, Cow and a third visitor fr om out of town, up to the top of a hill from which they could get a great view of the Tri-Cities below. He looked r eformed, anyway. His

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hair was still short, thanks to the hatchet job the police did on him in jail after the diving board incident. He felt reformed, too, If he hadn't remembered the judge's warning that he stay out of trouble or have his bail revoked, his mother had reminded him just before he left the house, But when he got into Mr. Bung's car, a 1962 Chevy n with a heater/defroster that sounded like Niagara Falls, and Mr. Cow handed him a joint, thoughts of reform quickly went up in smoke. •we can pull over here," Eddie advised Mr. Bung, when road had become a twis ting dirt path and the darkness overwhelming. "Nobody ever comes up here. Least of cops." Mr. Bung pulled the car off the road and switched off engine anj lights, while Cow and the visitor lit up some Somewhere between the second and third joints, they the approaching headlights, and stopped everything. · The other car glided slowly past - it ·was a cop. So Mr Bung did what any normal, every-day stoned out freak do - he panicked. In what seemed like one motion, he on the engine, the lights and the windshield wipers and on the gas pedal. The Chevy II burped once and lept out the road. "He's turning around," observed Good Time Eddie. get the hell out of here." Mr. Bung needed little encouragement. Scared and he communicated his anxiety gracefully to the car, not too gracefully acknowledged him by rumbling faster the curve at the end of the downhill grade. But Mr. in. his stupor, underestimated the angle of the turn, which almost a right angle. He slammed on the brakes as they into it, and the skid started imJ11ediateiy. The two pa:;se1n~;et:S1 in the back seat saw a brilliant collage of snow, rocks go streaking by in a circle, as the car spun once completely, and added another half turn for good sur e,

When the spin finally halted, all were too stunned to' except for Bung, whose route was clear. The car was back in the directiontheyhad comefrom,sothat was the tion he chose. As the car pulled back into the straightaway, cop passed it, going in the opposite direction. "He's got to get us now," Eddie moaned, "That's all I We're going to have to ditch the dope." The neon lights front of his eyes flashed "JAIL" in capital letters, "Wait a minute," Cow said. "Maybe he won't turn The car was already following. "Well," he continued, could always off him. n . Eddie's dilated pupils lit up. "Yea, We could plant all of dope on him and make it look like a suicide.! can see headlines: 'Drug Crazed Cop Takes Own Life'." Bung put an end to the fantasy. "He's getting closer. rid of it, " With a sign, they rolled down the windows l~IIU9 n::r continued on pa ge 11

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PAGE 11

SYRACUSE NEV/TIMES, JANUARY 14, 1971 jure up for ·some readers one aspect of manhood: "a woman I loved who refused me taught me what I/ mean to leave here: how to let go what won't do, " The suggestion ruins the other finely accumulated lines of the poem. (One poem, "Was a man•, reads like out of an inferior college literary magazine.) Finally, one rebels against the •concentric rings" of "Poems". A poem is a thing of the moment, the elongation of a moment's preciousness, and a system of poetry (just seven more paragraphs here) denies the intrinsic worth of its very ingredients. All this leaves the reader with the second category of poetry reviewing, and the tide of MARGINS hardly ebbs. Booth says early in the collection, "I cultivate a different orchard", and thus· MARGINS should be seen. A reader overly concerned with themes and the such chances to lose the finely tuned personal touches of these poems. Poem after poem offers a glimpse of landscape, a bit of local color, a fluttering of motion, and it's this view of nature that gets the reader to MARGINS, Philip Booth, Viking Press, New York,l970. see what he has seen in his past, to feel what he has felt Reviews of poetry collections customarily fall into one of in his past: to see and to feel what he may not want to again. two categories. The reviewer can situate his particular poet's The tick of a fallen acorn, the mushiness of seaweed on a rock, concentrations in the thematic structure of (American) lit- the bold relief of a Vermont hillside ("Vermont: indian erature, point out the influence of a major poet and, in em- summer" is the most physically concentrated poem of the phasizing variations usually to the betterment of technique collection), the junked color of a commercialized interstate, or statement or whatever, establish his man as a breakaway the drip of an oil pan, a pregnant silo before a haloed sky, the cold of a Maine winter (the sweep and sway and chill of artist. Or the reviewer can study the poet's work. Philip Booth, of the Creative Writing Program at Syracuse Philip Booth's home state is best captured in "Jake's wharf"), · · University, has just published a new collection of poetry. pies in a coalstove oven. MARGINS, a selection from the poet's first three books and There is here none of Berryman's complexities and comfrom his other publications, lends itself easily to the first mentaries, and no need for the bi}Jliographic structures and category. stylistic games of the Beats: the little jarrings of the reader's Booth's first book of poetry, LETI'ER FROM A DISTANT memory threaten to lose him in the poems. Some of the poems LAND, appeared in 1957, individual works have run in various actually lose themselves in the reader. The return to nature literary magazines and his name occurs frequently in anthol- at this point becomes a communion with nature, and the transogles; obviously he deserves a bit more critical attention formation induces the absolute reader participation. "Native than he's getting. Booth shows an only superficial re- to valleys• has the ridges and the grain of the land become lationshjp to the post-war period's outstanding poet, John the contours of the body: "I wake to a mirror of hardwood,/ Berryman. Both fit into the confessional line, working from facing myself ·in the shape/ of familiar hills. They tier/ to a series of personal statements. The individual poems of both my eye ridge beyond ridge:/ each plotted farm a map/ of my often have been prompted by living persons and are so dedi- morning limits, wrinkled/ to cowpath and furrow; each/ skycated in actual publication (MARGINS has several "in mem- line tree and high pasture/ horizons of my own nature." ory" poems). Berryman, however, engages in a juxtaposi- The meeting of nature and the person is characteristic of tioning of imagery and comment for his effectiveness, while MARGINS. Booth relies mostly on the simplicity of pure description The intent of the poet in MARGINS is clear. "Hard countrv" and narration. · says, •each white/ clapboard, wind-/ tight and water-/ tight As for the continuity of American literature, MARGINs juts/ against weather/ its own four inches/ of shadow and/ calls for a return to nature. "Letter from a distant land", light." In the surroundings of conformity, each person must with its tight construction and pace probably the best poem find his perfect center, his thing, from which to ascertain in the collection, was appropriately chosen to q:,en it. Its and defend his margins, his possibilities to extend himself invoking that nature enthusiast Henry David Thoreau, as one to the fullness of his 4 inches. "Tower" places an atomic to whom to address •a simple and sincere account of his own antennae-like structure in a typical suburban town; over the life" (Ji ALDEN), serves as a base from which the "I" of apparently unaffected activities of school children and houseMARGINS can set out to "say my strange love in a distant wives, an occasional flake of contamination falls from the "stland." Some critics will claim that the title of the collection range orange glow• atop this thing. It's only in the wee refers to this recurring theme of nature, and they might shadowy hours of the morning that someone dares whisper just be right. Nature in MARGINS, and its landscape appro- to another that what they can't really name is not quite the priate to the particular trend of thought, is the "middleground" · same. Here the explosiveness of an individual's tendencies from which the narrator can look tobothsides and view reality are overcome by a destructive community complacency, the which is the margin, so to speak, of nature's theoretical pur- result of senses dulled by "Circuit breakers", "census takers" ity. The nature of MARGINS is a new version, where a snow- and, if you will, theme-~eekers. · covered hillside is shadowed by the crossbeams of a lightThe key poem of MARGINS is "Shag". The scene is set post, where the landscape is piled with junked autos, where between man and nature: "six black shags run on/ the water the ships are old, where the virgin strands are ripped to • • ./ • • •Toward east wind/ they take off on the run,/ splashstumps of trees, where misused nature piJl>oints man's ing until the sh~ mind/ tells spend feet to retract./ Then misuse of hi.ro$elf. The narrator sees a gamot of conflicts, the seventh shag,/ straggling, begins to react./ ••. six black between hope and terror, between to kill and to help, between shags, shagging:/ August for, me, a Maine ledge;/ and the the present and the past, between the yesterday of yesterday seventh shag, lagging. • The seventh shag lags behind his conand the yesterday of today. The conflicts shake the solidarity forming and restricted fellow-shags, and reacts. The lagging and naivete of traditional nature-lovers, in this the first of an active mind permits the glimpsing of margins, of meminklings of an eco-poetry, and the ·collection does endona ories; a mind warmed, as in "Letter from adistantland", depressing note. with what the heart bas known is the hero of MARGINS. All this is fine and dandy for the critic, and probably the Bouncing from one picture to the next, from one remembrance poet too, but where does it leave the reader? One tends to to another, from the hearings and sightings that all go through rebel against the obvious order of the collection, That the to the idyllic dreams that make them the margins and measure~ening poem was originally published in 1955 and can so ments of the mind, the mind makes it easier to lag behind crystallize the themes and imagery of most of the poems in those goals that are set too high. this collection is disturbing and, despite the occasional brilMARGINS is hardly escapist literature, or passive. MARGINS liant moments throughout, must cast doubts on at least the is the celebration of the freedom of the mind. At the end of merit of such a collection. One rebels also against the book's collection, "The day the tide" leaves the oceans bare, and 4 divisions; section 1 presents nature as a vantage point, "Bolt" leaves man just that. But, in "The stranding", man's section 11 presents the fleeting characteristic of the mind, mind sees himself being saved: "When I put my eyes up to/ section 111 shows change in traditions, section IV pictures the the eyes of my skull and/ look in through both eyes/ at once, sea. These clear groupings force the search for recurring out beyond shoals/ of porpoises. · • ./ all I can see/ is myself elements, and can only deter from an individual's response at infinite/ focus •.•/ • •. if 1/ weren't stranded so far/ from to any or some of the poems. myself, or if/ the wind veered, I might tryI to yell his name. • Of a more subtle unsettling nature is the poet's habit of The reader's participatory role ignites a sharper understanding concluding some poems here and there with an epigrammatic of himslef throughout MARGINS. · summation, the jarring effect of which forces a remembrance In all this concern with landscape and the individual, there that unfortunately downtones earlier statements in the piece. is no Rockwellian slickness, or Rockwellian ethic. MARGINS For instance, the ending of "Cleaning out the garage" will con- is raw and restless. Its techniques, its stylistic margins

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becommg strange verbs, descriPtions substituting for metaphors, , a place name for an allusion. MARGINS returns poetry to its proper domain: personal involvement With today's sterile screens and meandering journalistics, this is a breather. So com' on and think 'bout a poem!-~~

EDDIE fiLTH

continued from page 10 threw an assortment of grass, papers and containers out into the 10 degree cold. "We should·have just sat there," Eddie said. "When he came up to the window we could have just stuck joint in his mouth and invited him in, I'm sure he would have loved it." Eddie never got his chance. The cq:, finally cornered them on a straightaway, checked the license and r~gistration, which Mr. Bung couldn't find after groping around in the glove compartment for a while, and told them to get moving. But if he could have seen bow hysterical the group got as he followed them back to the main highway, it might have been a different story. Quickly forgotten was Eddie's probationary status, their close shave with the law, and the near car wreck. •could you see what would have happened if we had been in an accident before we got rid of the stuff?• Cow asked and they laughed. "I would have liked to have seen the cq:,'s face when · we came back to him in the other direction," said Bung, and they laughed uncontrolably, "I'm pissed, • said Good Time Eddie Filth, changing the mood. "He didn't even search the car. Look at all that good dope we wasted. I'm going back there tomorrow to find it." The next day it snowed. When your name is Good Time Eddie Filth, you learn to expect these kind of things.

a

P.S. This IS the first in Rip-Off's salute to the unsung heroes of the counter-culture, the Freeks of the Weak. If you would like to nominate yourself or any of your friends for this dubious honor, send a brief description of their exploits to Rip-Off,Box 95 University Station, Syracuse, N.Y. If you want to be considered for a prize, include your name and address. If you're smart, or inclined toward paranoia, make one up. 1970 CHALLENGER RIT, 383 Magnum 4-speed, buckets, lime green, Polyglas wide ovals, new studs, must sell. $3,100. Call Rick, 1210 at 471-9638 or SU X 3541, FOR SALE: 1967 MGllOO,rth, four extra tires. Front wheel drive - snows, great car for winter. Call Bob at SU x4211 or 478-9042.

1

GRUNDIG, SONY, AMPEX, KENW~OD, NIKKO, GARRARD, DUAL, LESA, ADC, EPI, UNIVERSITX, EMPIRE, NORELCO, CHANNEL MASTER, WHARFEDALE,PICKERING, •...• AND MORE

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The -Broke Gourmet a guide to good,_ inexpensive

BY

ToM LiPIDN Jj) In

MIRBACH'S & VALLE'S The holiday season brings out the best and the worst aspects of German character ••• we get generous and sentimental. As a result of the quest to reimmerse ourselves in the still crisp quietitude of the Advent and Christmas seasons, those of us abroad (in the United States particularly) seek solace trying to recapture the ghosts of Alpine Christmasses past---mos tly in central European restaurants. Immediately upon our return from New York we paid a visit to Mirbach's on Butternut Street one block southwest off Lodi on the near northside of town. Mirbach's has been at this same location since it was founded almost 50 years ago. The decor is pretty much the same. Pine panelled walls and carpeted floors in the dining area are illuminated by stained glass lamps. Austrian coats of arms in full color and country still life scenes grace the walls. The overall atmosphere recalls countless small r estaurants through-. out middle Europe. The menu is solidly German, although several American meals such as turkey and roast beef may be had. Most of the prices range from $3.65 - $4.95, not including appetizer or dessert which are extra-- as in Germany. We started off oureveningwithalightand a dark ('Henes und 'n Dunkles) stein of genuine Lowwenbraeu (Low-n'-brow) from the tap, at 65~ a Krug. Meanwhile a pleasant young lady wheeled out a most impressive relish car featuring Bavarian radish relish, scallions, carrots, celery, sickle pears, crab apple rings, spiced apples, green bean salad and pickled beets. Dark bread and butter completed the Vorspeise, Silvia chose the KnackWurst and Sauerkraut and I the slightly mis-nomered Paprikaschnitzel, Eva sharing a good deal of our very large portions.

The KnackWurst was huge. Two extremely thick mUd boiled sausages and a huge mound of warm kraut provided a more than sufficient portion for the two ladies. A warm potato salad thoroughly in keeping with Teutonic tradition completed their meal. My •schnapprikapitzel" of veal was properly cooked and deluged with a sour creamy paprika sauce accompanied by Spaetzl -- the potato pastina so popular in Southern Germany. Tastewise, terrific. German paprika schnitzel is generally a panfried veal cutlet topped with paprika and lemon slices while Mirbach's version is refered to as aRahms chnitzel. However, English translations of the manner of preparation accompanying each selection to help non-linguists avoid mistakes. Following the repast we chatted briefly with Manager Robert Braunitzer, nephew of the founding owners. Mr. Braunitzer informed us that the kitchen is still his Aunt's domain and operates much as it did half a century ago, He regrets that they no longer manufacture their own wurstwaren, breads and noodles

I i

NEAR TEALL AVE.

I t

~i F=:: :::.::~v j 7

476-5868

EAT- HERE OR lOGO

TUESDAYS THROUGH SUNDAY

475-9124 •

THE FOUR REASON'S with singing star .

NICK KANAVOS

*

SANDWICH 1.89

OPEf'J 7 DAYS EACH WEEK

EVERY MONDAY NITE

NE 14,, SUPER SUBMARI _

·*

SERVING DINNER 5 to 2 A.M. BEFORE AND AFTER THE THEATER Polyn~sian Drinks Every Day Till 3 A.M.-,-

fAMILY DINNEIS

:

Across fro m MIANO'S PRODUCE

and AMERICAN CUISINE

Businessmen's l Shoppers' Luncheons

Chicken Delight£ 1508 ERIE BOULEVARD EAST

CtJINESt

'-,._..;___ _ __

a* C H I c KEN SHRIMP I:** FISH PIZZA BBQ RIB

Sco:L!N:=A .

446-4800

L.-;.-------

---------------------------- -f'*****************"'-.l:

FOR SALE: Men's white lamb jacket from Morocco, medium ~ size, $20. 446-8134. "7'

~~~~·:~~~~Yi~:=

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;~~~~~=~1;~~;;--~~--;: t

bedroom Apt.,Feb.1,S.Crouse,. 4 blocks from campus. Newly. remodeled, modern kitchen. •

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mealS-SandWiCheSbeer-SOda

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;~~~~~~~~~~~~~-:~1~~:~~~~~ -~

EXPERIENCED SU GRAD AS- ~ SISTANT Available for tutoring in mathandphysics. Highschool • and college level, Call Mark~ -

~~~r:_~~::~~::~~~----------.

RIDE WANTED: Minneapolis - • Leaving Jan. 24, return byFeb. ~ 1. Call Sheri, 422-3016 or SU ~

**

,

[~F,,:~i;:-¥:~,:~! L ••••~:.....J Elise Levine, SU x2957 or Doug Erdman, SUx4252.

LEE's RESTAURANT & TAP ROOM

St.

Watch for our NEW YORK STYLE . DELICATESSEN and NEW ROOM

Sororities

Banquet Facilities to 250.

..,...

2600 JAMES ST.

Near Campus 503-505 WESCOTT

Fraternities

""-

ARTURO'S REAL PIZZA DELI VERY SERV I CE F ROM 11 A. M. T 0 M I ON I GH T 7 DAYS

NOTICE Closed parties featuring Draft Beer

ONLYstsoo ROOM RENTAL

"'-. ..,.."'-.

Erie Blvd. at Thompson Rd. Devvitt

44&-&&50

Upstairs Dining Seafood Menu :r-:;;~---..:J~ Unexcelled in Central N.V. <>

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boston scrod ·lobster thermidor fillet of sole stuffed wI c.rabmeat OOOooOOOOOQOO

;sPECIAL~

to open soon

15% Discount

NOON DAY LUNCHES • NOTHING OVER 99~

on All Items on Menu

Hot Meatball Sandvviches Sausage Sandwiches Beer by the Pit_cher

alvvays available for a TGI.F or P~rty

STUDENTS SHOWIN-G COLLEGE 1.0. CARD!! (limited time)


PAGE 13

SYRACUSE NEW TIMES, 'JANUARY 14, 1971

THE FINEST IN CORNED BEEF AND PASTRAMI SANDWICHES

Corned Beef Slaaclr

HAMBURGERS MILK SHAKES

2912 ERIE BLVD., E.- Btwn. CLARK'S MUSIC ANrJ STEREO WORLD. We mentioned that we appeared to be the sole German-speaking customers on hand that evening and Braunitzer confirmed the fact that few "real" ethnic Angehoerigen ever eat out. "They taste our Sauerbraten and say its delicious. But then they add that their Mother's re~ipe is unbeatable, and so they eat at home". A truism. Our total bill ran$10.80withthreebeersand tip, we consider the place well worth a visit, Mirbach's is not, thank God, the Hofbraeuhaus or Platzl's, But neither are those two eatablishments Germany. Three Stars and a Stein for Mirbach's,

Every Sunday is Luau Day 1-8 prn

Barbecued Pork Tenderloin With Chinese Vegetables, Egg Roll and Fried Rice, Chicken Almond Ding with Egg Roll and Fried Rice, Prime Ribs of Beef au jus with Baked Potato, Chef Salad, Rolls, Butter and Coff~e or Tea, Pork Canton (Sweet & Sour) Egg Roll and Fried Rice.

$2.55 ~ $2.55 · 1

$3.50. $2.55

ABOVE DINNERS .SERVED WITH EGG FLOWER OR WON TON SOUP, ALMOND COOKIES OR FORTUNE COOKIES AND POT OF IMPORTED CHINESE TEA.

Student Discounts Special Price for Frat_e rnity & Sorority Parties - No Room Rental Charge -

• Music and Dancing Every · Friday and Saturday Night • . Stop in and pick UJ:' your student bonus certificate ·for a discount on yoilr next meal. Ph~

4 76-4244

The Broke Gourmet will present an exhibition of 13 color photographs from three Wagner operas in the main lobby of Newhouse Communications Center beginning Saturday, January 16th and continuing on through-the end of the month. The pictures were made at this past summer •s Bayreuth Wagner Festival and have · never previously been exhibited. Several weeks ago anew, typically AmeriCan restaurant made it's debut on Erie Boulevard East. The semi-prefab construction surfaced in no time flat, and we decided to hustle over and take a look at Valle's, valle's is a place you cannot miss. It is mammoth and_ :WPears to be at least the length of a football field. Its parking lot alone can accomodate no less than 400 cars. We called ahead of time and learnedthatdinner prices range from $2.95 - $7. The emphasis is on steak and lobster with a wide variety of strictly American meals filling in the menu. The vast majority o f the menu does however lie above the $4.50 level which meansV alle's comes under the splurge category as a complete dinner for two runs well above $10, with appetizers, desserts and drinks. Be prepared. Christmas vacation having made its traditional sore inroads in our budget, we restricted ourselves to the economy dinners. And kicked ourselves for our economy measures as double onepound lobsters (Wednesday night special at $5.75) whisked by our table. Silvia chose the tender beef tips with saffron rice and mushro- . oms and peppers for $3.65 and I restricted myself to braised short ribs ofbeefat$3.25. A tasty, average "french"onion soup started my dinner and Silvia's was preceded by a New England Clam Chowder which we rated so-so. The portions were adequate to the extent that Eva shared our surplus. Fresh rolls, baked on the premises, were very good, and we decimated the bread dish. All baked goods served at Valle's come straight from their own kitchens, we were informed. Both meals were average and not at an distinguished. Flavour , tended to be identical although the rice andpeppers accompanying the stewed beef did alleviate boredom of the palette. Next time we will try one of the seafood salads in the same price range instead. Or go to The Au~ornat.

NEW YORK STYLE HOTS COLE SLAW FRENCH FRIES

The Boston Cream Pie and nutted ice cream rolls, desserts included in the dinners were justfair. Other, far more scrumpious offerings such as banana splits and wild multi-flavoed concoctions may be had a la carte. Valle's is decorated much like the old railway restaurants of our great-grandfather's heyday. Beautiful ironhorseprints and railway scenes from the last century grace the walls. Eight :$ tracks of tables in the Syracuse room containing dining compart- r. ments are used to give the impression of the plush dining car atmosphere of yesteryear. They also serve with only moderate success to break up a dining hall that seats some 600 people. The West wing of the building can house an equal number of guests and is used for receptions and parties. The center section houses the bar and small tables for sall ion houses the bar and small tables for saloon car visitors. Valle •s is so utterly American with its emphasis on Big Beef and something for everyboy that we feel sort of lost and ill at ease. Service is slow, not leisurely, Portions are big but size is not everything. Effects are forced, not cultivated. One cannot accept it a5 a reality. It is too smoothly staie-managed. Just a few days after Valle's opened, I had the opportunity to join some friends for a few beers at the bar. You can well imagine our surprize when "last call" was made around 11: 15 p.m. Stunts such as that can make one's beer go fiat, even if it is a good draft type at only 55~ a mug • . Perhaps once Valle's has been around for a couple of years and the hub-hub and furour of newness is worn-off it may acquire some degree of serenity. Until then it indeed seems a part of the Age of Steam in the wild, wooly west. Two Stars , maybe. The Syracuse Symphony is giving its fourth concert of the season at Hennigar High School Auditorium, Thursday and Saturday evenings, January 14th and 16th. Guest Conductor will be Arthur Weisberg. Featured solist will be Reuben Gonzalez, violinist, former concertmaster of the' SSO, Gonzalez will perform the Concerto in D for Violin and Orchestra by Beethoven. Other works will be Dukas'FanfarefromLaPeri, and Bartok's Concerto for Orchestra. Curtaintime is 8:30p.m. After dinner snacks and drinks are available UP and down Erie Boulevard's · Eaterry Row. Other outstanding concerts coming UP in the months ahead will feature Igor Oistrakh, Raymond Loewenthal and Leq>oldStokowski.-

\fc~~,~~~n

---------------------------WOULD LIKE A RIDE to Michigan over semester break -Call Jayne at SU x3131 before Sat., Jan. 16. RIDE NEEDED TO Northern, N.J. (Morris County) Jan. 26, afternoon. Call Jane, Room 552, SU x2931. Will share expenses.

----------------------------

RIDE NEEDED toOhioforsemester break. Will share expenses. Call Bette, SU x2915,

INFORMAL

BUSIN~SS

LUNCHEONS FROM s.85 11AM-2 · DINNERS FROM SPM

FEAST .FOR THE PALATE

INFORMAL COME AS YOU ARE

I

Cocktail Specials From ll-2 & 4-6 .

M11Q:V s"PflllY Clu& FEATURES STEAKS, CHOPS, ITALIAN·AMERICAN CUISINE 411" N. SALI"A ST.

LEE'S - College crowd, draft . beer in back room, Great hot sandwiches and pizza. Daily luncheon specials and complete Sunday dinners. 505 Westcott St. 472-9591.

PLEASE -- PLEASE! , RIDE NEEDED to NYC to leave Jan. 25, 26 or 27, share expenses. Call Karen, SU x4207. GOING TO CANADA? Ride Needed to Toronto, late Jan. 17 - 19. Call Judy, SU x3056, 3055. Will share cost. TWO GIRLS NEED RIDE TO Brunswick, Maine or vicinity, weekend of Feb. 12. CallDenise at SU x3932 or Monica, SU x3304. RIDE NEEDED to Port Authority, NYC, week of Jan. 24. Will share expenses. Please call Angela, SU x2972.

INFORMAL MR. Q'S SUPPER CLUB~ Come as you are. Cocktails, dancing. Go-go girls. Featuring steaks chops, Italian-American Cui~ sine. 411 N,.SalinaSt. 471-9894.

ORIENTAL THE BARGE INN, Business.: mens' Lunches served in the historic simplicity of the Erie Canal Era. • • complemented by potato salad and a pickle. 415 Burnet Ave.

SHANGRI-LA EAST - ChineseAmerican meals, with exotic Polynesian drinks. Their student bonus card gives you a discount on your next meal. Erie Blvd, E. at University Ave. Telephone 476-4244.

EUROPEAN HARVEY'S - Real appeal to students, Reasonably priced 'meals, Featuring sour dough french bread, fantastic pies mountain high sundaes. Com~ plete sandwich line. Erie Blvd., E. 446-6060.

YATES HOTEL - Try The Cellar for draught beer, .wine, folksinging. Also the Steak & Rib Room Swiss Inn Tabard · ·Room. 1_892 Cocktail Lounge. Smorga,sbords, banquets~ Call 422-0403.

SEAFOOD CORNED BEEF SHACK -Doc & Lefty serve up delicious N.Y. Style dogs, corned beef, and pastrami sandwiches in an informal manner. 2912 Erie Blvd. E., 446-4436,

JACK STAMP ALIA'S- Specializing in seafood, Banquet and party facilities. 15% discount on entire food menu to -i:O. students. Erie Blvd. E. at Thompson Rd. 446-6650,


1971

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SYRACUSE NEW TIMES, JANUARY 14, 1971

liiTTl- FAUSS IIG IIAI.SY the beginning that these are only half-men; that neither of them .can survive, much less succeed, without the other; and that one of the sad facts of life is the way in which people who don't necessarily even like or respect one another much at all must become terribly close in order to just keep in the game. Unfortunately, the scene (as movirig as it is) only serves as a foil for the rest of the movie, which is sometimes funny, sometimes enjoyable, and sometimes exciting, yet manages to be, in th~ final analysis, quite weak. And what makes this all the more disappointing is that one comes away from it sure that in this tale of these two men there was a story very much worth telling, if only the right people had told it. But the right people didn't. Charles Eastman's screenplay is very mu~h at fault, for he makes the mistake of pretending to understand his people rather than really coming to grips with them, which;he ultimately fails to do in any of the scenes except the one discussed above. It is perfectly alright that be has his •innocent," Little Fauss, alternately idolizing and condemning Big Halsy, but it is disastrous that the screenwriter himself seems to share in, rather than show us, Little Fauss' problem, At one moment, for instance, his script has Big Halsy strutting around a raceway without a shirt on his flexed muscles turning on all the women present until the ~ost buxom broad within miles tosses herself at him. Shortly after another girl shows up claiming to have a prior stake on him, But before an argument can break out between the two women, Halsy has the both of them in bed with him together, The next thing we. know, he's tip toeing away from the whole scene, much to Little Fauss' amazement. And the audience's. For there is nothing in the entire sequence--in the manner in which it is written or directed-to indicate that we are supposed to take this anything but, as Big Halsy would say, •very cool." And that is why when Big Halsy confesses to Little Fauss while they get drunk in the rain that he is really not much with women, we can't quite believe him. And it is on the essence that we believe every word he says, for it is one of the only two times during the entire film that he momentarily lets his guard up and exposes his not so cool inner self, But how can we, when we've seen the exhausted bodies and satisfied faces of the women he's put away? Instead of assuming a single ironic distance from Halsy, the film alternately wants us to enjoy his antics and a moment later feel superior to him because of them. And there are other problems. Like the way in which Little Fauss, after splitting with Big Halsy, becomes bothanexcellentcyclistand a womanizer to equal his ex-companion. Thematically, it doesn't work, because neither the screenplay nor the direction give us any indication how the people who made the movie feel. Are we supposed to take it that Little Fauss is now some kind III~··•ICnw of a winner? That seems hardly likely, when there were hints all along that Big Halsy's way of life, which Little Fauss is now emulating (he even ends up with one of Ha.\sy's earlier women) is not a very satisfying one. · And Sidney J. Furie's direction only makes the picture's sense of values that much more confusing. He is unable even to make _the motorcycle races seem particularly thrilling-most of the shots look like someone's home movies edited in. And he appears to have little if any effect on his actors; Redford is alqwst too believable as the smalltime stud trying to be a big time winner, mainly because he has done the part · a number of times before (including THE DOWNHILL RACER), and Pollard, except for a few spontaneous and charming moments, blows his one chance to escape from the buffoon image that's been surrounding him for years, by turning what should

About midway through Little Fauss and Big Halsy, there occurs an incident that momentarily makes the entire movie, which until that point has been somewhat of a drag, come alive. · It is the scene in which the two lead characters, a pair of minor league professional motorcycle racers who are travelling around the country together in an uneasy alliance which has Big Halsy (Robert Redford), whose official registration has been suspended, entering and sometimes winning races under the guise of Little Fauss (Michael J. Pollard), whose papers are in order but who can't stay on a bike at high speeds, find the radiator on their pick up truck blowing over and have to pull off the highway onto a deserted stretch of road, Since there's nothing better to do, the two of them curl up behind the truck and get plastered, talking over where they've been and what they've done. And as they talk--indeed confess, while under the influence, their deepest fears and most carefully concealed secrets--it begins to drizzle, The camera then angles back and away from the two frightfully small creatures crouching together against the cold, with no source of warmth but a bottle of bad booze and what they can derive, physically and psychologically, from one another. It is a fine scene--quite comic and yet tragic at the same time, for .., it makes clear what should have been obvious from

as

IOMIT miCHAtt. J. MDFOID POU.AID lul UTTU FAUSS ~ AnD IIG

--·L. . . . ___ _. '"'. . . . . . . ."

..........

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SED aJNBRr .lij "THUNDBRBALL" FLEMINGS -

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be a ~omplex figure into yet another of his standard caricatures. BIG FAUSS AND LITTLE HALSY was, quite obviously, meant to be another MIDNIGHT COWBOY by way of EASY RIDER, with the relationShip between. the would-be stud and the emotional cripple enhanced this time by a background of ·bike races. It didn't quite turn out that way, There is a certain sad charm to a tale of two losers who learn to love one another, and MIDNIGHT COWBOY had it. And there is an attractiveness to a movie like the classic HUD, in which the innocent Lon Bannon (Brandon deWilde) gradually grew mature enough to see through, and evenb,ially reject, the womanizing Hud(Paul Newman) he had once idolized. BIG FAUSS AND LITTLE HASY might have been just such a major film if its makers had only been a bit more clear on what it was their story was supposed to illustrate. . .. ·.· .. :.·: .. . .:·. . : .. . ·. ·:· ·... . ·: :: .. : .· .. ... . . .. .

If you want to catch LOVE STORY at the SHOPPINGTOWN 1, plan to get to the box office a good half hour (if not more) before' the scheduled showing, as lines have been piling up like nothing you've ever seen. I'll review this one next week. • •The new Radley Metzger movie (he's the man who gave you I, A WOMAN and CARMEN BABY) is called believe it or not, THE LICKERISH QUARTET and is at th~ RIVIERA•••Mel Brooks' first major film since his oddball hit THE PRQDUCERS is at the STUDIO THEATRE. RON MOODY of "Oliver" and Frank Langella from "Diary of a Mad Housewife" are in it. ••If you're looking for light comedy, THE OWL AND THE PUSSYCAT continues at CINEMA EAST, as does THERE'S A GffiL IN MY SOuP at CINEMA NORTH. . •TORA, TORA, TORA, which was meant to do for Pearl Harbor what "The LongestDay" did forD-Day, is at the BAYBERRY and the MINI-1. , .D.LB.

FILM FILE

by Bruce G, Apar

Absence makes the heart grow fo_nder, the memory less retentive, and the cultural taste buds markedly less discerning. Ont; cannot !nllY appreciate nor realize the cultural sophistication and Importance of New Yor,k City until they are removed to a remote area (e.g, Syracuse), where the cultural tastes and standards are blatantly inferior .During this past holiday season, the city held forth with a bountiful plethora of new releases, whose collective reception proved to be unusually favorable. . Director Robert Altman drafted several of the troops from his hugely successful and brilliant anti-war service comedy M*A*S*H to appear in his l~test venture into absurdity, BREWSTER McCLOUD, an Icarms-influenced tale of a malcontent youth, who attempts to escape society by winging it like the birds do. Bud Cort stars as Brewster and Salli Kellerman, Hot Lips Houlihan in MASH, shines as his fairy godmother. Other MASH people, such as Tom Skerrit , also participa.te in the irreverent frolics which Altman so deftly mastermmds and conducts. Altman displays the most talent and promise of any new director, Paul Mazursky and Larry Tucker, the team of screenwriters who double as director and produ.cer, re~ectively, ·have come out with their own personal1zed versiOn of Fellini's autobiographical 8 1/2 ALEX IN WONDERLAND, starring Donald Sutherland as an ~ff-beat ~irecto~ _looking to make that one special movie, yet searchmg fubllty, The flick has engendered very mixed reviews creating much controversy, Elliot Gould, continuing to care~ le.ssly wear himself thin on the screen, bombed out royally Wlth I LOVE MY WIFE, a limp, rather static marriage comedy that's not r_eally a comedy at all. Gould may not know what'~ good for _h1m, but turke~s such as this movie won't help to prol~ng his success, Goldie Hawn, the surprise winner in last years Oscar show for CACTUS FLOWER, appears again, this -epng dnrqd

. , . .,,..,..,.._

continued on page 23

_ _ _ _ __ _ _. . . - - - - - - - - - - - - - - - - - - - ·- - - - - - - - ·

TWO GIRLS NEED RIDE tc R.L on Jan. 27 or 28. Will share expenses. Call DebbiE at SU x2918, 2919.

Amos & Andy • X Minus One • Gunsmoke • Our Miss Brooks • The Shadow • JohnnY. Dollar • Lone Rang~r • Inner Sanctum

Ib~_'6'.hi!tl~!:.~_fJ22~!:.M~Q.~~AM2LI.Y_!_Y£.<!f_2fJb~_YL<?.rl.9!! Ahbove are just a .few of the hundreds of old time radio sows that used to fill the air waves. If you have a tape recorder, you can obtain these at a very low cost.

RIDE DESPERATELYNEEDED to Virginia - To leave Jan. 26. Please call immediately. Will share expenses. Steve Brown, SU x2034,

(ALMOST -SEE BELOW)

. ! 1----------------------------

To introduce you to DOUBLE-R-RADIO send 18 cents in stamps {to ~o~er postage) for a de.mo~stration tape and catalog l1shng hundreds of old time radio shows ••• Mail to:

S return on Jan. 31 or Feb. 1, l Call Peter at SU ;3222. ~ ----------------------------

RIDE WANTED TO BOSTON, Jan. 20. Will pay· expenses. Call Michele at SU x 2138,39,

"

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DOUBLE-R-RADIO 505 Seeley Road Syracuse, N.Y. 13224

! REALLY NEED A RIDE to Bos-

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SKI FIEND WANTS to Ski ever~ weekend -- but no wheels. Da~ or weekend, looking for inter-' session ride. Will share expenses. Jeff Blumfeld at SU x2393. Flint 420C •


PAGE 17

SYRACUSE NEW TIMES, JANUARY 14, 1971

If vou 'can find vour name ~

CINEMA · CLOSEUP ·

~

HIDDEN IN THIS ISSUE YOU'VE WON

2Guest Tickets to

LOEW'S THEATER!

TO COLLECT YOUR TICKETS, COME TO THE SYRACUSE NEW TIMES/ ORANGE PENNYSAVER OFFICE AT 311 COMSTOCK AVENUE, MONDAY NIGHT, 6 TO 7 P.M • .

, CARRDLS THEATRES GREAT FILM ENTERTAINMENT AT REGULAR PRICES!

THE TWELVE CHAIRS

DAME HAMLET One begins to gain slight perception into the classic universality and timelessness of William Shakespeare's works, when confronted with the paradox that an actress can successfully play the role of such a dominant male figure as Hamlet. Noted and respected British actress, Dame Judith And erson, has recently been hailed for her tour de force performance as the melancholy Danish prince in the Paul Gregory- · American Conservatory Theatre production of the Shakespeare tragedy, due February 6, 8:30pm, in Lincoln Auditorium. Famous Artists Series brings the William Ball-directed play to Syracase, following SRO sell-outs and curtain-call bravos across the country. The critical reception thus far afforded the septagenarian (72) thespian has been unanimous in its adulation, and earmarks this particular role as a towering achiev ment in a career filled with a succession of personal triumphs. In his review appearing in the Sept 30, · 1970 issue of INDEPENDENT-JOURNAL, drama reviewer Jas. E. Williams notes, · " •••·Dame Judith transcended her sex in presenting a timeless Hamlet who is as alive today as he was 300 years ago ••• Her rich golden voice caught every nuance in the emotional scale_••• one of the giant evenings of American theater ••• " The entire interpretation of the play and subsequent innovative production techniques were conceived and realized by both Director William Ball and producer Paul Gregory. Ball has foregone common visual effects, such as swords and rapiers, in pruning the play's length one hour to result in a two and-one-half hour production. The company has been on a 26-week national tour since September, playing in major cities as well as one-night stands on college campuses. The one-night February 6 Syracuse performance offers seats .at $6, 5 & 4; Send a check or money order, specifying desired price and number of seats, to "Famous Artists, StateTower Building, Syracuse, New York." Phone: 471-0462. A rare and memorable theatrical event that should be experienced. -APAR .._ ,

------------------------------------------------------1970 OLOO CUTLASS-S, V-8, auto. on fioor, PS, PB, $2,795. or best offer. Call 422-8710 after 5 p.m.

--------------------------------------------------------

AKC SILVER Miniature Poodle for Stud Service. 457-6520 after 3 ·p.m.

-------------------------------------------------------CARTRIDGE Tape· Player with Walnut speakers, excellent cond., $100. 437-9~8. -- ~~- --------------------------------------------------FOR SALE: Micr~hone Amplifier, and stand, used twice. OR2-6292.

Mel Brooks is a comic genius of distorted, superconscious scope and proportion, creating humor on a level unattainable by mere mortals. His ipitial screen effort, THE PRODUCERS, starred Zero Mostel as a theatrical producer who stages a musicalization of Adolph Hitler entitled "Sprin~ime for Hitler." Brooks' original screenplay p1cked up a well-deserved Oscar. Now, THE TWELVE CHAIRS, which the diminutive giant of creativity directed, wrote and stars in, fias tied the critics' tongues in knots once again, simply because much oTwhat Mel Brooks thinks, · conceives and does defies coherent description or appraisal. THE TWELVE CHAIRS is Mel Brooks translated into basic filmic terms, and that alone is enough to scare away even the

~ otitic•

MOTHER WILL CARE for 1 or 2 chlldren in her home - Bear Road area - 458-5360. '

--------------------------------------·----------------WANTED: Good home.for 6 month old mixtured German Shepherd Beagle. Holise trained. Loves chlldren - 458-5685. ----------·----------~-----------------------------------

WILL BABYSIT- in my home. North Syracuse area.451-1781.

---------------------------------------------·-----------

1968 VW SEDAN, Green, radio & gas !Jeater, mounted studded snows & ·mounted summers. Less than 13,000 miles. $1,600 488-2024. ------------------~--------------------------- - ---- - ----

FREEZER, $100; Washer $100; Dryer, $100; Stereo, $350; Couch, $150; Desk & chair, $10; These are all practically new, very good buys. No room - must sell. 446-1170 or 633-2992. GOING IN SERVICE - Must sell. 1970 VW Bug, best offer over $1,550. Call 699-2394 after 6 p.ll_!.

-------------------------------------------------------

FOR SALE: 1968 GMC Pick-up, 3/4 ton Heavy-duty. A-1 ,t shape. Reasonable. NE5-5687. ·

.a

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Now >t the StOOio.

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TODAY (BOTH THEATRES) AT 7:00-9:30

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DIRECT FROM IT$ SENSlTIOtlll ROlDSHOW EN&l&EMEIIT Now For The 1st Time lt Popular Prices I

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18 FT. FIBERGLASS BOAT & Trailer, full canvas, 3ft. deep with fiat bottom. 85 h.p. Mercury & 7 1/2 h.p. McCulloch. Both mounted. All accessories included. 458-7536 or GL4-4663. WANTED: Reliable & Experienced person to babysit for 2 children whlle m'Jther works, my home or yours. Call 458-8375.

a 1

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LOVE STORY In an age where pornography and sexual promis-

cuity run rampant across the silver screen, what could be more welcorr,e than a film devoid of drugs, perversion, lecherous old men_and crammea with warm, sincere human emotion and feeling. Erich Segal originally wrote LOVE STORY as a screenplay, ran amiss somewhere, wrought it with his Ivy League hands into a totally unpretentious and refreshing novella, then delved back into his screenplay writing. He says he just feels as if he should be a screenplay writer, as opposed to a novelist or playwright. Despite wfiat one may think of it in a critical vein, it has to be the literary phenomenon of the century, holding the no. 1 spot on the bestseller list f?r 34 of its 44 weeks. The Arthur Hiller directed flick stars Ali McGraw and Ryan O'Neal, and is now playing at Kallet's Shoppingtown I. ~------------~--------------~

CINEMA East 446 PH~NE 3880 E R>E BCVO E A S T

TO~ITE 7:oo._a:3o.1o:1o

"Barbra Strelsand is better than ever I


PALACE, "Hello Dolly!" 437-8990. Streisand proves herself to be quite a consummate performer as she eats up the screen in the Gene Kelly-directed spectacle of turnoooouooooooooooooooo of-the-century phantasmigoria. · RIVIERA CINEMA, "The Lickerish Quartet, " 478-4021. 0 Urbane skin-fldck attist Radley Metzger and his Audubon 476-7959 Film company have come up with their most literate, quality achievment to date. And wouldn't you know it, it's rated 'X. • 0 820 East Genesee St. l SHOPPINGTOWN I, "Love Story," 446-0320. Erick Segal's Louis Malle's 11002 C bestseller adapted to the screen by himself and directed Stars Jeanne Moreau as an unhappily married woman. [ by Atthur Hiller. and . [. SHOPPINGTOWN II, "Little Fauss and Big Halsy," 446-3221. Robett Redford motorbiking along with inoffensive MichRoman Polanski's C ael J. Pollard. A young couple encounters a strange youth. 8 :28 0 STUDIO, "The Twelve .Chairs," 479-99ll. Mel (THE PRO- .. DUCERS) Brooks is a man with brilliant comic sense and 0 The Times Table is prepared with the assistance of the Culuntapped creativity. This film is merely an extension -WORLD ADVENTURE TOUR- 0 tural Resources Council of Syracuse and Onondaga County, of his own }t!rsonality translated dramatically, graphicJA~u,~ A new frontier on an old continent. 0 Inc., 113 E. Onondaga St., Dr. Joseph Golden, Executive Direcally and attistically. With Frank Langella, a future tor. Listings for this calendar should be sent to Times-Table, superstar. JPM with William 0 Box 95, University Station, Syracuse, 13210, at least two WESTHILL, "The Savage Wild," 475-9915. Adventurer Stockdale 0 weeks before the event. Phone: 478-6077. Gordon Eastman brings back memories of Frank Buck in this documentary on Nature's children and their 0 GET YOUR TICKETS NOW FOR FEB 7th pursuers. For the outdoorsmen in your life.

°

~hNiVEfl-;JTY

~ :@~~ii(i:I*Mi;l::U•l~l~!t:f The Lovers

Knife in the Water

UGANDA

The Modern Jazz Quartet

D

LOEW'S - THURS. EVE. FEB. II at 8:30 I'M The funny, c.o mpassionate comedy about a PAUPER who thought he was the POPE !! -

~. 'TJ;;·a~··.

HADRIAN VII THE INTERNATIONAL SMASH HIT PETER L.UKE Based on "Hadrian the Seventh" and other wor'ks Written by

by FR. ROLFE (Biron Corvo)

Directed by

HENRY.T. WEINSTEIN

STUDENTS!! $ 1.00 REDUCTION otT reg. prices $6.50,$5.00,$4.50

FAMOUS ARTISTS STATE TOWER BLDG.

GR-1-0462

FILM TIMES

FILM FORUM, The final showing in the series' fall schedule is Sam Peckinpah's THE BALLAD OF CABLE HOGUE, presented at Gifford tonight (Jan. 14) at 7 & 9 p.m. for the usual dollar. Jason Robards stars as a desert rat who falls upon a water hole and Stella Stevens in this contemporarily-conceived and executed western, proudly bearing the stylistic signature of di,rector Peckinpah, BAYBERRY CINEMA, "Tora! Tora! Tora!" 652-3775. The also responsible for THE WILD BUNCH. controversial $25 million re-staging of the Pearl Harbor NICKELODEON SATURDAY FILM SERIES. The final showing attack is a sprawling, ambitious effort. in this series' fall schedule is the 1927 classic, WINGS, CINEMA EAST, "The Owl & the Pussycat, " 446-3880. A directed by William Wellman. It will be presented Jan. flick best desribed as a non-sequitur; a sophisticated form 16 at 7 & 9 p.m. in Gifford for one dollar bill. Film esof zany comedy that borders on the absurd. Streisand & pecially noted as vehicle in which a new film actor, Segal are marvelous and endearing. Gary Cooper, made his debut appearance. Also, sensaCINEMA NORTH, "There's A Girl In My Soup," 455-6624. tional in its depiction of WW I's infamous dog-fights, Pure escapist fare, with top banana Peter Sellers and REGENT FLICKS. Jan. 14-16: 8:28 p.m. - Roman Polanski's adorable Goldie Hawn leading the shenanigans. KNIFE IN THE WATER pits a young couple against a CIVIC FOLLIES, "The Spread Eagles" wI "Love Thy Neighbor," 471-9925. The ace attraction on this unabashedly weird kid. 7 & 10:02 p.m. - Louis Malle's THE LOVERS profane double bill demonstrates the title position, plus has Jeanne Moreau as a discontented social egg. Jan. a variety of others. The 'wl' film is a DeMille spoof, 21-23: 8:36 p.m. - YOUNG APHRODITES by Nikos with sacrilegious tendencies. Koundouros tells of a nomadic group of shepherds es· ECKEL, "Song of Norway," 422-2311. A beautifully photoconced in a world of innocence and other vices. 7 & 10:03 graphed, scenic film adaptation of the Broadway musip.m. - Ingmar Bergman's THE SEVENTH SEAL is the cal with rather uninspired music. highly praised work concerned with man and the meanFRANKLIN ART, "The Postgraduate Course," 475-0712. A ing of life. All admission is $1.00. winning documentary on the graduate school at C. W. EVERSON WINTER FILM SERIES: All showings at 7:30p.m. Post College. on Tuesday evenings in Everson Auditorium. Jan. 19: HOLLYWOOD, "Joe" wI "Tell Me That You Love Me, Junie Moon, " 454-0321. Easily the most talked about film of THE HUNT (Spain, 1967), directed by Carlos Saura. the year, "Joe" falters at providing adequate mental Perceptive human nature account of three Spanish Civil stimulation due to underlying superficialities inherent in War veterans whose reunion subtly reveals resentments its controversial themes. Liza Minelli shines in the secand selfish aims. ond film, a finely treated Preminger product. THE MARX BROS. ARE COMING! On Jail. 16 at 8, 10 & 12 KALLET GENESEE, "The Aristocats" w7 "Niok, the Orphan p.m. in Kittredge Auditorium, the S. U. Cinema Society Elephant, " 488-2929. Two Disney animated creations presents the notorious syblings in MONKEY BUSINESS, that offer a creative transcending of your everyday car$1.00. One of the more obscure,though not so tame toon. Marx Movies. MINI-ONE, "Tora! Tora! Tora!" 446-6892. See BAYBERRl CINEMA. CAZENOVIA COLLEGE FLICKS. Tonight at 7:30p.m.: s·teve LOEW'S STATE, "You Only Live Twice" wl "Thunderball," Mc'-ueen as BULLIT in Peter Yates superior private 471-5652. Sean Connery is all dash, charm, savoirinvestigator yarn, placing added emphasis on the human faire and toupee as he saunters through these two gimmelement and highlighted with a breathtaking car-chase ick-saturated sci-fi fantasies. The last of the movie through the steep hills of San Francisco. Jan. 21 & 22 at serials. 7:30 p.m.: Rod Steiger in Ray Bradbury's THE ILLUSTRATED MAN, a disappointing effort that should have FOR SALE: Hart Javilin Skiis, been far better. Cazenovia College Playhouse. 205 em. with bindings, used continued on page 19 twice. $135. Call 475-3022.

TheHlllstde. DRINKS HOMEMADE .PIZZA Directions.: Out Colvin to Nottingham Road. We're at the end of Nottingham Road ...Past Drumlins.

Z7ltimac1j. .......

H"R R.

,,Wft!!lt'/IM'~~~ _469-1351~


PAGE 19

SYRACUSE NEW TIMES, JANUARY 14, 1971

YTIMES· TABLE MORE MARX, MA! The Syracuse Cinephile Society will hold their initial meeting of the winter season on Jan. 17 & 18 at 8 p.m. at the Regent West Restaurant, on the corner of State Fair and Hiawatha Blvds. The Marx Bros. most revered and well-known classic, A NIGHT AT THE OPERA will be shown. Regina! DeLong will be the guest speaker; he worked with the brother~ on the 1_935 MGM release and also toured with them m vaudeville. Also shown will be WILLIAMS. HART'S FAREWELL SPEECH TO THE MOVIES, preserving rare footage of the immortal western star's parting words to his many fans. · For further info, contact Phil Serling at 472-5738,

CONCERT TIMES THE 7-PIECE ROCK GROUP CHICAGO will mix jazz, classi. cal and rock sounds into their own distinctive brew! Jan. 26 at Loew's State Theatre, with all seats prof1!ably priced at six dollars. (Got to keep the boys dressed mcely and well-fed). Two shows will be offered at 7 & 9_:30 p.m. with added attraction being none other than wh1te blues singer John Hammond.- Tickets at theatre. SYRACUSE SYMPHONY ORCHESTRA presents its lOth Anniversary program with guest conductor Arthur Weisberg and Violinist Ruben Gonzalez, in a program ofBeethove~, Bartok and Dukas. Tonight and Jan. 16 at 8:30 p.m. m Henninger High School Auditorium. Ticke_ts are $5, $4, $3, $2 at Record Boutique, 481 S. Salma St. Ph~ne : 471-0147. Also at box office after 6:45 p.m. on mght concert. FAMOUS ARTISTS SERIES present Miss Jacqueli~e ~upre, British Cellist, on Jan. 15 at 8:30 p.m. m Lmcoln Auditorium. Tix $5.50, $5, $4.50. Phone: GRl-046_2. SERGIO MENDES & BRASILIA '66, outdated in name only, Wlll perform at Buffalo's Kleinhans Music Hall at 8:30 p.m. on Friday, Jan. 22. The unique bien~ of :ock an? bossa nova evokes a rapidly mobile s ensation m the hstener. Tix are $5.50, $4.50, & $3.50. SU SCHOOL OF MUSIC presents Philip MacAr thur , oboe player in Crouse College Auditorium on Jan. · 17 at 4 p.m. Something different to groove on when the rock seems to grow stale.

~

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RIDE DESPERATELYNEEDED to NYC (Brooklyn), Jan. 22. (Can leave after 2p.m,). Return for spring semester. Will share expenses and driving. Call Pat Room 618 at SU x2934, 35. • .---------------------------

ART

OTHER TIMES

TIMES

EVERSON MUSEUM OF ART, 401 Harrison St., Community UNIVERSITY COLLEGE REGISTRATION fur the Spring 1970Plaza. 12 - 5, Tues. - Sun. Closed Mondays. Thru 71 semester will be held Jan. 26. -Feb. 4 from 4:30 March 14: "Shaker Arts & Crafts" features furniture, 9 p.m. (except Sat., Jan. 30 when it will be 10 a.m. textiles and other utlitarian objects. Thru Jan. 31 : 2 p.m.) at Reid Hall,610 E. Fayette St. Phone: 476-5541, "R.B. Kitaj Graphics." Thru Feb. 28: "American Paintext. 3261,3266. Classes Feb,5-May24. Finals May 25ing." . . 31. One of the courses will be . a daytime non-credit MAY MEMORIAL UNITARIAN CHURCH, 3800 E. Genesee St., seminar in the Humanistic Studies Center division en10-5 weekdays, except Saturdays. 10:30 - 1 Sundays. titled "Film Rap" and taught by the Syracuse NEW Thru Jan. 29: Exhibit of paintings by Betty Munro. TIMES' resident film critic, I)oug Brode, These eight LEMOYNE COLLEGE ART GALLERY, Administration Bldg., · sessions wilL meet on Wednesdays · begiiming Feb. 10 1st floor, LeMoyne Heights. 9 a.m. - 10 p.m., Mon."' from 10-12 a.m. Tuition is $35 single, $65 husband & Thurs., 9 - 4 Fri. & Sat., 1 - 9 Sunday• .Thru Jan. 23: wife. Phone: 476-5541, ext. 3254, 3294 Richard Tobin and Andrew Szebenyi display their sculp~ ture, drawings and paintings. TELEVISION LOBBY GALLERY AT REGENT THEATRE, 820 E. Genesee St., 9-6 Mon. - Fri., Noon - 6 Sat. & Sun. Thru Feb. 5: Yvette . Bogan . show of watercolors and otherworks. A NUlVj:BER OF TELEVISION_ ~remieres s:em to dominate CINEMA EAST, Erie Blvd., E. Open at 7 p.m. daily and from the coming week's T.V. Itinerary. Tomght (Jan. 14) at 2 p.m. Sundays. Thru Jan. 30: Collection of acrylics by 9 p.m. on Channel 5, Bill Holden and Grace Kelly star Pauline Shostack. in BRIDGES AT TOKO-RI, a human drama story of Navy KALLET SHOPPINGTOWN TWIN THEATRES LOBBY, Shopjet pilots and rescue teams in the Korean War.An ampingtown, DeWitt. 10-10 daily and 1-10 Sundays. Thru bitious effort which slumps atr.eglilar intervals, but worth Feb. 15: Anni Berman with her sculpture and collages. a try, color. Tomorrow night's Star Theatre I & II, also CANAL MUSEUM, Weighlock Bldg., Erie Blvd., E. 1 - 5 Tues., on 5, features RUN FOR COVER with Cagney as an exWed., Fri., 1-9 Thurs., 10-5 Sat. and 2-6 Sunday. criminal in the old West and Richard Carlson in BENLOWE ART <:;.ENTER, 309 University Place, SU Campus. 9-5 GAZI of a gold search which ends in the desert with and 7-10 weekdays, 9-5 Sat and 2-6 Sunday. Thtu March death: Starts 11:30. jan, 16: Channel 3's 1 p.m. flick is 1: Merlin F. Pollack exhibition of watercolors. THE SPIDER WOMAN STRIKES BACK, ablood-curdler ••• ART GALLERY AT THE YATES, Exhibit of works by M. at 9 p.m., DUEL AT DIABLO has Sid Poi~er and Jim Hendrickson, M. Wemett and W. Gangi. Garner face-to-face in the Wild West••• 11:30 p.ro ART BARN GALLERY, 5420 W. Genesee St. 6-9p,m. Thurs. & offers DOWN TO THE SEA IN SHIPS with Dick Widmark Fri. , 1-6 Sat. & Sun. Continuous exhibits by George and Lionel Barrymore in a whaling story of a captain Benedict, J anet Mathews, Bette Dean, Henry Grieshaber and his guilt-ridden grandson. SUN., JAN. 17: At 2 p.m., and others. NBC (Channel 3) will virtually control the airwaves as GRANT AUDITORIUM AT SU. 2-5 Mon., Wed., Fri., 9-Noon, it p;esents the Super Bowl, Baltimore Colts w/ John Tues., Thurs., also by appointment. 476-5541, ext. 2611. Unitas at the helm up against the Daryle Lamonica"The Edward Marshall Boehme Collection"of porcelain George Blanda controlled Oakland Raiders in the ultimate sculptUre on exhibit in lounge. sports championship (a 1 minute commercial here costs ASSOCIATED ARTISTS OF SYRACUSE, 225 E. Fayette St. upwards of $100,000); channel 5 has the always diverting 11 a.m. - 4 p.m., Mon. -Saturday. Thru Jan. 29: Phyllis Sullivan variety hour at 8 p.m.; channel9 at 6 p.m. offers Largent exhibit cf oil and water.color works; drawings CASH MCCALL on its Sunday Big Movie, with Jim Garand watercolors by Helen Sass and oils by Terry Gossom. ner, Dean Jagger and E.G. Marshall in a drama of N.Y. TELEPHONE CO., Business Office, 329 S. Warren St. wealth and big business and corruption. • • 9 p.m. flick 9-5 Mon. - Friday. Thru Feb. 24: Robert C. Atkinson is WATERHOLE #3 with James Coburn, a fine actor exhibit of paintings. · wasted in an inane comedy-western.••• MON., JAN. 18: APPLETON GALLERY, Syracuse. 3-9 p.m. Wed, or by appointLee Marvin won the acting Oscar for his hilarious, ment, 463-0042. Thru Jan. 31: Drawings by Demong; brilliant dual portrayal of a lush gunslinger and a ruthlandscapes by Billmeier and Oriental Art from Thailand, Cambodia and Vietnam. less gun-for-hire in CAT BALLOU, with Jane Fond~ as Cat channel 9 at 9 p.m. The definitive western sabre. ' . continued on page 21_

~ r ***-********** ******** I MODERN SALES I DISCOUNT

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HOME OF p ANASONIC EQUIPMENT

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TUES., JAN. 19: Tune in channel 5, 9:30 p.m. for an interesting new comedy series, ALL IN THE F AMII;Y, "a comedy ·or chatacte.r - and contemporary extrermis, • , with a •Joe-"· type patriarchal"figure as'the lead·; Sports buffs have the NHL All-Star· Game on channel 9 at 8:30 for their insatiable appetites. WED., JAN. 20:· Native Syracusan Rod Serling's return to television may tie seen on channel 3 at 10 p.m. as his 4-IN-1 segment NIGHT GALLERY, continues with its psychologically-oriented tales of the super supernatural. Only a couple of weeks left to catch it; 8:30 p.m. brings with it the first premiere channel 9's THE SMITH FAMILY with Henry Fonda succumbing to the urge to do a TV series••• he's a lawyer ••• at 8 p.m. ROOM 222 has Lloyd Hanes in the lead, and that's enough reason . to watch it. THURS., . JAN. 21: The CBS (channel 5) Thursday Night Movie at 9 p.m. offers what might be termed a 'throw-away' flick as Adam "Batman• West and Nancy Kwan appear in THE GffiL WHO KNEW TOO MUCH, and the less known about this disaster, the better. Channel 9 premieres a new half-hour western comedy series, ALIAS SMITH & JONES, at 7:30 p.m. obviously parodying and capitalizing on the enormous success of 20th Century Fox's BUTCH CASSIDY & THE SUNDANCE KID, from which the story line might as well have been cartooned.• , THIS IS YOUR LIFE, that 'early pioneer days of television' hit program, has been given a rebirth andreturns tonight at 10:30 p.m. • • • the big change is that it's now videotaped, whereas the former live. version had the important element of electricity, Ralph Williams, the creator and m.c. will still be on hand. Other interesting programs include weekday fare such as channel 3's Hollywood Matinee movie at 1 p.m.; Channel 9's DAVID FROST SHOW at 4:30p.m. and the ever-popular STAR TREK at 6 p.m •••• DICK CAVETT at 11:30 p.m. all Monday thru Friday. Saturdays, channel 9 has WIDE WORLD OF SPORTS at 5 p.m. and COLLEGE BASKETBALL at 1:30 p.m.; Channel 3 has EASTERN COLLEGE BASKETBALL at 2 p.m. Sundays, Channel 9 has ROLLER DERBY at 11 a.m ....... DESPERATE! Ride Wanted to Burlington, Vt. or anywhere nearby - Fri., Jan. 22, Call Deborah at 422-8938,

CAMPUS CLOTHIERS ANNUAL FALL AND WINTER SAVINGS UP TO SO~ OFF CASUAL SLACKS, DRESS · SHIRTS

ALL s-wEATERS KNIT SHIRTS T , '·

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2¢XEROX 2~

nrst 'l'ea Catrie•

'l'ea to 100 Copies

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~ Guitars

$10 PAID FOR RIDE TO NYC L.L anytime between Jan. 27 and Jan. 31. Call Louis Brockman at SU x2879.

Amplifiers

' fender, gibson~ · martin~ guild~

fender~ kustom~ accoustic~ ampeg~

yamaha, univox,dan armstrong! harmony~ garcta~

kasino, marshall ·Accessories

hernandis ernie ball~ fender~ P.A. Systems ~~F=·· Iabella~ gibson~ altec lansing~ shore~ d~angelico~ martin~ kustom~ electrovoice guild~ savarez SOUTH ARCADE SHOPPINGTOWN DEWITT. N. Y. 13214

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446~ 5770

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DISCOUNT PRICES OPEN DAILY 10-9


SYRACUSE NfW TIMES: JANUARY !4, 1971

PAGE 20

OF

TOP

.THE·

WORST DITEIFERBCE (eleclrGIIc or oa.rwtse): Dale AliiDM at tbe Dent ..S Dnmlaoes Coacert.. · 11061' CLASS: Procol Hanm. THE SPOILER: Pbll Spector, lor' bk SpectorllatloD of LET

POPS

by Bruce G. Apar and Harold Feigenbaum The results are ln on tbe oftlelal Syracuse NEW 11M~ noncomputerized rock, etc. poll for. tbe year 1970, aDd they are presented for your harsh scrutinlzation herewith. If you should have any comments, k:indly keep them to yourself. DON'T CRUSH THAT DWARF, HAND ME THE PLIERS Firesign Theatre: Although not a musical statement, this holds as the supreme album of the year, and possibly the last ten years, The group and album that has had phenomenal success in reaching and developing new horizons in the field of recorded art and creativity. An utterly masterful achievement by a quartet of masterminds, JOHN BARLEYCORN MUST DIE - Traffic: The six impeccably composed, produced and executed cuts on this work represent beautifully the quintessential Steve Winwood musical genius. No other musical album of the year displayed such a composite of superior compositions, played by four talented musical virtuosoes. Traffic's return has engendered their best album, as well as the finest musical achievement of the year. Following are a selection of the year's quality albums: AMERICAN BEAUTY AND WORKINGMAN'S DEAD - Grateful Dead: Two albums that immensely enhance the status of rock music by a group with infinite taste. LOLA VERSUS POWERMAN AND THE MONEYGROUND The Kinks: Undoubtedly the most underrated, unappreciated rock group - has given us a finely crafted album with brilliant lyrics and music. "Apeman," "Lola" and "This Time Tomorrow• are three of the finest rock songs ever written. STAGE FRIGHT - The Band: A most welcome and skillful alternative to the hyperactive rock syndrome. ALL TUING MUST PASS - George Harrison: His lyrics perfectly complement the beautiful, contagious elegance of his music.A brilliantly gifted artist whose style of guitar and sensitivity of voice speak for themselves. HOME - Procol Harum: Another relatively overlooked, ignored group who delicately and deftly combine rock and classical music into a distinctive trademark sound. Keith Reid's lyrics never cease to amaze and Gary Brooker is an electric performer. Robin Trower's harsh, fuzzy guitar sound, "About to Die" a classic number.

IT.BE.

BlGG~T DISAPPOINTMENTS: LET IT BE " MCCARTNEY

albums.

J~US

.

CHRJST -SUPERSTAR: A laDdmark achievement ln MOST SIGNIFICANT EVENTS: Beatles' dissolution and Henmusical composition, engineering and CODCeptlon. In years to drix death. come, It wUl receive its just praise. BEST EXPLOITATION & PROSTITUTION OF ROCK CULCIDCAGO'S SECOND - Chicago: This group has set some- TURE: Jann Wenner, editor of Rolling Stone Magazine, what of a mold for itself, yet remains irritatingly amorphous BEST SUMMER FESTIVAL: Strawberry Fields (forever?). in its musical personality and direction. Still, this is an aboveMOST OUTSTANDING PROOF OF ROCK'S SATURATION, average work with many pleasant moments. MATURATION, INFLUENCE AND LOSS OF VIRGINITY: The DEJA VU - Crosby, Stills, Nash & Young: A more total, yet filmed rock festival documentaries, "Woodstock" and "Gimme somewhat less creative and satisfying experience than their Shelter." first. Enough outstanding material, the bestofwhichis Young's ALBUMS/GROUPS MOST DETRIMENTAL TO IMAGE OF •country Girl, • to rate it as a quality album. In the end, ROCK MUSIC: Grand Funk Railroad and their four travesties; the group, as is the case with any supergroup, is enamored Jefferson Starshlp (Paul Kantner's ego-trip bums out); Black of four dominant personalities who are not mentally or emo- Sabbath - just can't be taken seriously.; James Gang Rides tionally solvent. Again- should bechasedoutoftown;Blood, Sweat & Tears lllBENEFIT - Jethro Tull: A powerhouse, lead-laden album musical abortion at its ugliest; Steppenwolf 7 & Live - who with Ian Anderson upstaging one and all, as he does on stage. buys their records, anyway? Iron Butterfly's Metamorphosis "Teacher" is .a classic cut, and the remainder of the itinerary only extinction will suffice. is generally exceptional in content and sound. BEST AM SONG OF YEAR: Free's All Right Now, GASOLINE ALLEY - Rod Stewart: This pineapple-topped BEST CONSISTENCY: Frank Zappa's Chunga's Revenge. pixie never sounded better, and neither did many of the songs he rasps. "You're My Girl, • a Rhinoceros tune, is great, and Stewart displays throughout the album a soulful musical sincerity which embellishes anything he puts his voice to. ELTON JOHN - Elton John: An album and performer which spread and caught on in epidemic proportions. Bernie Taupin's by JIT lyrics are refreshingly literate and ·creatively poetic, with "Border Song• nothing less than breathtaking. 1. Their nam~ is a rather deathly Romantic language transJOHNNY WINT-ER AND - Johnny Winter and the McCoys: lation for •beyond these things." An obscure recording, yet one of the best any way you play 2. Go back as many years as a spectator stretch for that year's it. Repeated listenings will inevitably result in hard-core number one tune, addiction, with no known cure, fortunately. The McCoys("Hang 3. Called Billy Lee and the Rivieras until Bob Crewe cusOn Sloopy") provide ingenious back-up accompaniment. "Where tomized them for the early Sixties rock race. Am I?" will enrapture you. 4. Left his marks on the Rolling Stones and Moody Blues. TWELVE DREAMS OF DR. SARDONICUS - Spirit: This 5, These two rhyth.."ll guitarists seem to be into musical group doesn't seem to believe inturningoutanything mediocre, aerodynamics. for their albums are always wonderfully put-together. "DR. 6, Hazei-eyed Nancy and booted Duane share him. SAROONICUS" is an obvious change of pace for them, yet is 7. Discovered by no less a body than Twiggy, ironically characteristically innovative and surreal, meant to freak out knocked •Hey Jude" out of the Number One spot, and confuse with its complexities and incongruities. 8. Led Zeppelin in stripes. Now for a few indiscriminately awarded presentations, citing 9. Originally The Highnumbers, they never actually found a outstanding and exceptional performers, experiences, objects proper name. and other miscellany: 10, You won't believe that this group's song was Number One BEST LYRICIST: Ray Davies of The Kinks. four years ago this week, all told for seven consecutive BEST COMPOSER: Traffic's Steven Winwood, weeks._ BEST SYRACUSE CONCERT: The Band. continued on page 25 BIGGEST BASTARD: Peter Townsend of The Who. BEST HYPE: Capitol Records and Terry Knight for Grand Funk Railroad. BEST COMEDY ACT: Ian Anderson of Jethro Tull, tOO Woodbine Avenue 488-88811 BEST COSTUME DESIGN: John a Sebastian of The Land of Flower-Children. · GUII'AII & DRUM INSTRUCTION BEST VISUAL EFFECTS: Grace Slick of JeffersonAirplane, GUITARS & ACC-ORI.S MOST OUTRAGEOUS CANCELLATION: Crosby, Stills, Nash

ROCQUIZ

(UNTITLED) - The Byrds: Having experienced a myriad of personnel and musical changes, this trend-setting band has come up with a vastly enjoyable and pleasure-giving album. "Chestnut Mare" stands up to endless playings, and is probably their best song, AFTER THE GOLDRUSH - Nell Young: A versatile performer whose introvertedness and temperamental personality are prismatically reflected on this album. COSMO'S FACTORY - Creedence Clearwater Revival: John Fogerty is a commercial-music genius, with a unique brand of Klondike soul. His compositions can be beautiful ("Who'll Stop the Rain"), imaginative ("Up Around the Bend") or personalized, as is his .version of •Heard it Through the Graperv_in_e_,_"_tha __ t_~_ng __ 's_m_o_s_t_co_l_or_fu_l_in_c_arn __a_ti_o_n.~----------- andYo~·-----------4

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SYRACUSE NEW TIMES, JANUARY 14, 1971

PAGE 22

WEATHER MAP .

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REV. ·BERR-IGAN GETs· BIG RAP By Mark Richards

ace Editor

During the period Dan Berrigan was ai large, he made an "My brothers ?e very proud to be in prison and I'm proud of them," brags Professor Jerome Berrigan. Berrigan is an appearance at a church service where he took the podium English Professor at Onondaga Community College and older and spoke to the congregation saying, "It is impossible to brother to Dan and Phil Berrigan, the imprisoned war dissident remain Christian and abide by the law of this land. " Good men and women should "refuse to pay taxes (and should) priests. A graduate of LeMoyne, Professor Berrigan received his aid and abet aJ!d harbor people like myself so that a solid Masters from Canisius and his Ph.D, from Syracuse Univer- wall of conscience confronts the war makers." sity. If asked, Professor Berrigan will state his convictions, The feelings of the church has been one of "hands off" however, he adds,. "I will not bring them up in my classes. by the Bishops since 1966 when Dan was exiled to Latin But, at last year's Moratorium, I gave a speech about the war America for four months. Professor Berrigan feels that profiteers making money from the blood and guts of the Viet- since his brothers are the first American priests to be put namese people," Berrigan does not mind being identified with behind bars, there has been a "dramatic cast on the acDan and Phil if it will help to convey his convictionS. tivities" of his brothers. "People's conventional views on

continued from page 6

EXPRESS~ Articles run side-by-side in the Chicago SEED mirrored the counter-culture's wonderment. One doubted that Leary had made the original statement, attributing authorshiP to "a couple of weathermen who had dropped acid;" the other expressed initial suspicion but thought it genuine after a second reading, Both agreed that the letter had established its own realjty. Even Charles Manson paid his respects, with an open 1~tter in Vancouver's GEORGIA STRAIGHT telling Leary: "Love will look at death and welcome a look into itself. " Timothy Leary may end up the toastmaster of an exile colony, the Charlie Chaplin of Algiers, to be joined by Naomi Jaffee and hundreds of others, the brain-drain of our generation. But the weather's definitely ci'<~ne;ing, the pollution won't let it settle, '*"""'

r------------------------

~EW t10blN~­

Dl~NC1lN"

WfAiHEK' December 6, 1970

This communication does not accompany a bombong or a specific action. We want to express ourselves to the mass movement not as military leaders but as tribes at council. It ha~ been nine months since the townhouse explosion. In that time, the future of our revolution has been changed decisively. A growing illegal organization of young women and men can live and fight ana love inside Babylon~ The FBI can't _catch us; we've pierced their bullet-proof shield. But the townhouse forever destroyed our belief that armed struggle is the only real revolutionary struggle.

o.c.c. 's Professor Jerome Berrigan

Brought up on ::;yracuse's Northside, ,J erome Berrigan was religion" have also been modified, . Berrigan claims that the main reason he has not followed ~C>l one of six boys ·in a poor family. "Perhaps our religious up) 'l ~ bringing had something to do with the forming of our con- his convictions to the extremes that his brothers have is, victions." This seems to be the case as four of the six "because I am married with four children. Students are Incense ·Incense Burners I brothers share the same convictions. "The other two, like placed under the burden of fighting for their convictions ,.., I ·Happy Coats most of the American public, are unaware of the issues." because they for the most part, do not carry such respon,..,.j Father Philip Berrigan was recently convicted on two sibility," Perhaps the convictions in which the Berrigans • Woven Belts ~;:-:'1 believe can be summed up by a quote of his brother~ which counts of destroying draft records and sentenced to six years in a federal prison. He was held in a maximum security pri- Professor Berrigan used, "all of the paper in the world is . !/ ~.) ·Mugs son at Lewisburg, Pennsylvania, where he was subjected to not worth the life of a single child." • Buddha Statues - solitary confinement. Father Daniel .Berrigan, accused of one On Tuesday, Rev, Philip F. Berrigan and six others were ·Wind(~ count of destroying draft records Jwas a fugitive from the _ indicted on Federal charges of plotting to kidnap Hemy A. • Wood Carvings F.B.L) making unannounced appearances for months before Kissinger, assistant to the President for National Security-AfChimes --·Revolving Op Lamps being captured on Long Island. fairs, and to blow up the heating system of Federal buildings ~ & Mobiles in Washington, Professor Berrigan) reflecting on his experiences while . Professor Berrigan had previously commented. "I am conDan was at large, said, "the family was under constant sur- vinced that Mr. Hoover lies," that he wants additional funveillance by the Feds and our phone had all of the symptoms ding for the F. B. I. and uses scare tactics. It looks like it ... of being bugged;according to a friend with the phone company." Berrigan speaks of his brothers in prison saying, "they have wor'ked, it looks like he's going to get additional funding. '*"""'' ~roc&rt~S identified themselves with powerless people everywhere. Now Erie Blvd E. in tije Soolin Bldg. Dewitt 446-5001 they can feel just as powerless as people in the ghetto and in - .1_ l prison." Berrigan added, "At first, they felt that it would be FOR SALE: Guild Classical J.. J - r:::J right for them to go to prison for what they did, but later Mark IV guitar, six months they felt that the government had lost its right to imprison old, plus case, $150. Call Bob, them- because it had broken its promise to end the war." SU x 4211 or 478-9042.

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. We open on a palatial jobn, elegantly dekotated, immakulately klean. Enter a man of diminutive stature, grey of hair and ruddy of complexion marked with premature wrinkles • . He walks with a . slightly noticeable slou~h, he talks like a highly irritable grouch. The Man approaches $tall with •Executive Throne• emblazened in Day-Glo crimson red on the door. He is quite dismayed to find out that the stall is locked and occupied. . T,D.: Who's in there? VOICE: It's me, T.D. T.D.: Zero, how many times have I deplored you not to use my stall. ZERO (MIGHTY MOUTH): T.D. how many times have I coerced you not to call me Zero. It's demeaning. T.D.: What then? ZERO: You know I like to be called Czero. T.D. (tongue in cheek): How's about if I called you Czar-0?

TSERO: I'm sorry, T.D., butlts just not inflammatory enough. It doesn't quite embody the essence of what we're trying to get across to the suckers. · Not sensational enough. •• not gutsy. It's just too pretentious and banal. · T.D.: Wen; thanks a lot for your opinion, Tsero. (SOTTO VOCE): Now I'll definitely use it. TSERO: · By the way, T,D., here's an anniversary present. T.D.: But today's not my anniversary. TSERO: Sure, it's the anniversary of the day you told your first public prevarication. T.D.: My very first lie••• you remembered! TSERO: Of course I remembered, T.D.: Gee, then that means Monday was the anniversary of my operation. I'd never be able to celebrate this anniversary Jf it wasn't for that operation. TSERO: You mean the plastic surgery one tliat enabled you to talk out of both sides of your mouth?

ZERO (foot-in-mouth): Well. how about Tsaro? T.D.: Either one or another. (sotto voce) You'd look better in a mask, anyhow, TSARO: I'm not sure what I want to be called••• T.D.: O.K we'll compromise-- I'll call you T~~~heby,

T.D. (DISPLAYING HIS INCREDIBLE TECHNIQUE): Y(N)E (O)S. TSERO: That was really good, T,D. T.D.: (S)T(C)H(R)A(E)N(W)K Y(Y)O(O)U(U). TSERO: You haven't looked at the present yet. It's a book. T,D,: "How to Win Frien. •• • Gee, thanks a lot, Tsero, Dale Carnegie's one of my favorites. TSERO: I've been thinking about something. T.D.: Let's celebrate. TSERO: Maybe we should change the last lilles of the · anthem. T.D.: What'd (Are) you (you) have (out) in (of your) mind (mind). TSERO: Nothing major. Something unobtrusive, like: Land of the Pharoah And the home of the slave. T.D.: I don't know. I'll think it over and tell you what my advisors decide. I better be going. TSERO: Where to? T.D.: The zoo. • • I promised my granddaughter I'd take her there today. They just received some newly bred rare animal from Greece. TSERO: Oh, yeah, what's it called? T, D.: It's. • • uh. • • I just forgot it. •• a. •• a. •• I saw a picture of it in the POST today. It has an oversized head, really funny looking. They say it's almost totally blind and unaware of what's going on around il The brain is extremely small, and it's supposed to make this repulsive, incessant noises which is very irritating, but they don't know how to make it shop, Ah! Now I remember. , • it's called a gnu.-"

~~

where the hell have you been hiding for the past two weeks. They've been on my back asking about you. TSERO: Take 'em for a ride. Take 'em for a ride I always ,Extra Wide Red, White And Blue Suspenders, • • · .2. 49 G~! Army Topcoats,I4. 9~ Strij>ed Belts.······· 2.'98 say! Well,put up a seat, T.D., and I'll fill you up on the details. ~l._axi Coats.· • • • • :. · 29. 95 Wool Blanket • • ~ • • 95 T.D. (FUMBLING AROUND IN POCKETS): Damn it! Zero, Pea Coats~ ••••••.•. 20. 95 Syracuse T Shirts, •• : 2, 4 9 . can you spare a dime? TSERO N0 b b th • 1 that h ld fit. Denrm Jackets, •••• , 6, 98 C. P. 0. Jackets •••••. 9. 95 .M • ro, u ere s as ug Denim Bib Overalls. 7. 98 Ski Caps•••••••••• · 1. 00 ~ : s ou "'-. Ski Mask . . . . . . .1._98 Air Force Sun Glasses 2. 98 ~ T,D.: Thanks a lot. As I was reciting, tl1e media are most ::: Wallace Barry Shirts, 3, 98 Navy Work Shirts, •• , 3. 49 disgruntled that you've been missing••• they don't have ~ Book Bag •• ,, •••• , . 2. 98 "Bronson" Caps ••••• !. OQ any~y to push around anymore. . _ ""'- ·pocket T Shirts ••••• 1,19 Striped Scarves.·••••• 2. 98 don t have anybody to push arolllld anymore. ~ · Army Gloves ••••••• 3. 98 Laundry Bag •• , •• ,, 1. 29 • TSERO: So those fairy b--- are pissed. Well, you can tell Snowmo~ile Boots •• .12. 95 Fatigue Jackets ••••• ~. 98. . those pseudo-intellectual moronic misfits that they can come ""'- Fleece-Lmed Boots •• 9. 9~5 Sk1 .socks . . . . . . . . I. .QO : in here anytime, and I'll give them a piece of my mind. ..4'f" . Peace Emblem.... • 4i> Pla1d Wo.ol..Shlrts. ~. .? • 95 : VOICE (SOTTO VOCE): Don't be so generous with such a ""'- Flag Patch......... 59 ArmJ·.Shuts •••••••• 3. 98 small commodity ..4'f" Army Fatigues•••••. 3, 98 F~el Jacket Liner... 2. 98 T.D.: You still.haven't told me••• Navy Sweaters •••••• 5, 95 fleld Jackets....... .5. 95 · TSERO· Oh 1 t h , Flannel Shirts •••••• . 4. 49 Lined Denim Jackets 10. 95 • • mus ave misplaced my mind, I ve been in Army T Shirts, ••••• 1. oo Insulated Pants . . . .. 5 . g5 here all this time writing a book. ""'- , Navy Bell Bottoms •• 6. 98 Red Suspenders..... 1. 49 ~ T.D.: You! Writing a book?! Ha Ha Ha Ha Ha Ha Ha Ha Ha ..4'f" Sn?opy Flying Hats, ••• 98 Ski ~carves ••.•••••• 2. 9& ~ Ha Ha Ha Ha Ha H~ Ha Ha Ha Ha Ha Ha Ha Ha. , • · "'-. Sk1 Gloves......... 6. 95 Nayy Watch caps..... 1,mJ~ TSERO: Why don t you use toilet paper, •• maybe it wouldn't ~ Lined Chukka Boots. 7. 95 Ski Goggles ••••••••• 2. 98 'J' tickle so damn much. · Army Coveralls.~.:·. 6. 95 . Ski _overalls ••••••••• 7. 98 ~ T.D.(WIPING TEARS OF HYSTERICAL,MANACAL LAUGHStore~ TER FR~M HISEY~): Why are you writing it here, though? ___ __ _ . I ' ,_ . . l' TSERO. Oh, I don t know. I just feel more comfortable in · BURNET AVE. 479-8170 • these surroundings. It provides me my inspiration. Icansit PLENTY OF O~n Eves. till 7 :30 ~ here, keep an open mind, ~.d everything seems to come much FREE PARKING Mon. and Fri. till 9 """ el!Sier and. •• all at once. 50 CARS Sat. till 6:00 • . T.D.: What's it all about, Tsero?

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PAGE 23

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TSERO: Its title is THIRTY DAYS TO MORE INFLAMMATORY RHETORIC. T, D. : Sounds••• uh. • • very controversial, How far are you into it? · TSERO: I just finished the preface. I'm about to start my first chapter. · T.D.: After two weeks? That's pretty fast, isn't it? TSERO: Actually, I spent the firstten days writing the table of contents ••• ran into some trouble there. T. D. : How can you write the table of contents before the book? TSERO: The same way you can lie before the people. T.D.: With a straight face, though. TSE 0: That's right, I forgot about that. T.D.: How're yer doin' on chapter one? TSERO: I got the title down. •• "Hitting Below the Belt - or Punchy Prose for Rupturing Radicals. • T.D.: Very clever, Tsero! Did you think of th~t? TSERO: Actually, no, As a matter of record, your daughter, Tushy, recommended it. ·T. D.~ And I highly recommend Tushy. Why are you. writing this any how? TSERO: It all started when Iwasapproachedby the chairmen of the Committee for a Right On Society. He said his group would greatly appreciate it if I made this contribution to the country. VOICE (SOTTO VOCE): Resigning would be more effective. T.D.: What about the Left On People. They'll turn this into a national crisis, just like they did with Marlboro State. Well, I say nix on those creepy freaks ••• they're all fugitives from the sewers. T. D. : Why don't you put that in the book? TSERO: Don't tell me what to write. Do I tell you what to say? I think I'll put that in the book. T. D.: Did I ten you the new line The Boys came up with? TSERO: No. What is it? T.D;: Well, it goes something like, "When the action gets hot, cool the rhetoric. • HYSTERICAL LAUGHTER BURSTS OUT OF TSERO'SSTALL. T.D.: What the hell is so funny? TSERO: It sound like a slogan for Frigidaire. That's the most ridiculous thing'I've ever heard. VOICE (SOTTO VOCE): N~t to your name, .

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FILM FILE

continued from page 16

time with the finest comic actor of the screen, Peter Sellers, in THERE'S A GIRL IN MY SOUP, a Broadway hit comedy of two years ago that starred Gig Young. The film itself is expectedly banal, bUt Sellers and Miss Hawn provide some sparks. Erich Segal's LOVE STORY, with Ryan O'Neal and Ali MacGraw has finally made it to the screen, in the guise of a surrealistic avant garde commercial for Kleenex tissues. Director Hiller's primal purpose is to set the tear ducts a-flowing, and he succeeds while sacrificing artistic quality and sophistication for camp hilarity. One cannot help but burst out laughing at some of the more sensitive and schmaltzy scenes, played to the hill Most people think its better than the book, -Which is ironic since Segal originally scripted it as a screenplay anyhow. The Yale English professor will be seeing green for a long time to come. Martin Ritt has mercilessly butchered Howard Sackler's prize-winning play, THE GREAT WHITE HOPE, into an amorphous, disjointed, cold flick. James Earl Jones' performance is of a celestial magnitude and he possesses a mesmerizing and overbearing stage presence. Sackler's own adapted screenplay is simply awful, as the movie becomes regretably lost in its own image of greatness and dramatic potency, Melvyn Douglas turns in a flawless, classic performance as the ungrateful, obnoxious father in the screen version of Robert Anderson's play, I NEVER SANG FOR MY FATHER, co-starring Gene Hackman, who rivals Douglas' presence in a vir tuoso role. The film is beautifully structured and a superb dramatic work. Arthur Penn, after successes with ALICE'S RESTAURANT and BONNIE AND CLYDE, directs Dustin Hoffman, the most versatile and determined of the new breed of actors, in LITTLE BIG MAN, loosely based on the events surrounding Custer's Last Stand. These two personalities alone merit your seeing this film, and the make-up of Hoffman as a 120 year old man by artist Dick Smith is phenomenal. JohnCassavetes' HUSBANDS, matching him up with two fellow rascals, Ben Gazzara and Peter Falk, is a bold and ambitious, although sprawling achievement. It's a long (2 1/2 hours) one for such an improvisational, daring effort, yet Cassavetes proves himself to be one of our most sensitive, perceptive direetors, with a rare amount of empathy. An important film for many reasons, the singular one being that Cassavetes wrote and directed it. He logs his title credit with • A Comedy of Life Death and Freedom• and that's just what it is, Finally, the Rolling Stones' GIMME SHELTER transcends W::>OOOTOCK in a number of categories, not the least of which is the film's focusing on Mick Jagger, surely the most exciting and electric rock singer of them all. Mick $hines in the flick as we see ~ as a person with emotions, feelings, and very real fears. He 'has a trying time in attempting to overcome the squalor of the Altamont disaster in this expertly done movie that has a personality all its own. GIMME SHELTER, as conceived by Albert and David Maysles and Charlotte Zwerin, is a monument to the art of film documentary and an ominous warning to the rock sub-culture.


SYRACUSE NEW TIMES, JANUARY 14, 1971

PAGE 24

YEATES AUTO SERVICE Cor. Thompson Rd. & Grover SL Syracuse, N.Y. Phone 437-8989

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Have spent the lastweekeatinggrapefruitand after the Zen-based plan works in reverse ofbalanceddiets. It conyour holiday gorge, eliminated white bread from your d1et, and sists of steps or numbers called •Ten ways to Health and Happgiven up the cereal you've loved since childhood because you iness." The bottom step, -3, consists. of six foods (which are read they weren't good for you? Have you been faithfully taking specially prepared and bought from health food s tores). and the the vitamin C pills that your· mother put into yo~r poc~et last number of foods that are allowed to be consumed decreases untime you wer e home? If you have altered your daily eating r outil the highest level, number?, thespiritualpinnacle, where the tine in any of these ways , then you've been duped. diet is 100% brown rice, While brown rice is a good source of Recent claims of 4.uick weight losses, spiritual uplifting , or nutrients, it doesn't supply all the essential nutrients in the corharmful effects from eating certain foods have made students a r ect pr oportion, receptive audience for the doctrines of nutrition quacks, SurpThe diet falls apart under chemical analysis, for brown rice -risingly gullible, this highly educated group is the major m ark~t doesn't contain vitamin C, among other nutrients, and in order to ior miracle foods, never questioning the biochemical authenbget one's daily caloric requirement, 16 cups of rice would have _.city of the promises. Regrettably, -the credos of the so-called to be eaten. A rule of the diet is that liquids are to be taken authorities do not hold true. sparingly so one faces the possibility of dehydration. It mus t ·be realized, however, unromantic, that there is no Nutritional fallacies have been given notable media coverage, quick way to lose weight and keep it off. If there was, there to the despair of qualified nutritionists. The cereal expose of would be no need cf the varieties of fad diets . The "diet of the Robert Choate in 1970 exemplified the susceptibility of Amerimonth" plan is significant to their unreliability. Granted, you Ca!lS to the fantasies of the wrong leader. Choate, an engineer, lose that five oounds you wanted to- -until you eat your first mecaused an uproar il;l the cereal industry by claims denouncing the al. Enter, next month's issue, as the diet cycle continues and nutritional quality _aLthe popular American breakfast stand-by, weight is never reaily lost. , . . _ . What he e"mph'i!sizect was .ttft! ·unsqtiD,_d !)titritionat'va1ue of the~ Why don't the miracle methods work? The p1ctures md1cate food itself, and, as nutritionists knovr;-Iio one food is perfectly certain success, and yo11 probably don't approach the obese mess complete in all nutrients. What Choate failed to tell Americans of the "before" figure. With the variety of diets available, one is that cereals . are a good source of many nutrients, and with would expect a reliable plan, but it never really hits the dieter the addition of milk, are as complete a source of protein, vitathat the only way to lose weight is by changing one's eating hab- mins, and mineral as any other breakfast food. its. White bread suffered insult and injury from publicity caused If you remember from your grade school health class, foods by misinterpreted statistics. Rats that were fed a continuous contain vitamins , minerals, and proteins. Eachofthese nutrie- diet of enriched white bread died in laboratory experiments, nts must be consumed in a certain quantity so that the body can but it was never explained to the public that they would have died chemically perforrr. effectively and efficiently. Calories are if they had been given a steady diet of any one food. White or necessary to suppl· the energy for cell functions, and these whole wheat bread remains a good source of vitamins, and there calones come from those foods with the nutrients. is no great difference between them in nutritional content. A good diet, if you plan it right, consis ts of the nutrients reqPublicity of a book by Stanford Professor Linus Pauling uired daily from the sources that total your caloric requirement concerning the theory tha:t vitamin C prevents colds has brought but do not exceed it. It is the excess that puts the pounds on. questions from nutritionists and consumers. The old wives tale Too many people believe that only bread and potatoes are the Ms been given media endorsement by mistake, for it remains killers of their gorgeous physique, not realizing that eating a theory, not a scientific truth, "only four dishes of ice cream for dinner" (and later ordering a The result of the popularity of the supposed cure has been a pizza at ten o'clock) eeps them from losing weighl run on ascorbic acid (the scientific name for vitamin C) tablets Popular diets include the -"all o~·one thing," the "fasting for There has never been any indication that the vitamin played a three days _with only water," joining weight watchers, and the role in cold alleviation, so the public is falling for another mirmacrobiotic diet, all of which end in failure. cle claim. Obviously vegetaria!lS are healthy, Twoweeksoftheir meals, Vitamin pills are given the same build-up. The effect of these however , may not bring about the results you want in weight loss is useless, The nutrients they contain is ingested by most because you probably consider all vegetables equally nutritious. · people who consume an average diet. The pills act as a secuFew of them, however , other than beans and nuts, contain prot- rity measure, a waste of money for the masses. ein that is as high in qualfty as meat, milk, or fish, Eating is a pleasure and considered an art by many, Often This "quality" refers to chemical structure. The body needs the fun and enjoyment hides the purpose behind it. Serious a high quality protein to build and repair strong tissue, not the low quality protein that is found in most vegetables. The poorer quality found in them and in gelatin can be made equivalent to as dieting must become, it is important to become aware of that of meat by eating meat, milk, and cheese along with vege- the long-range effects of poor eating habits. Old age is inevittables. Remarkable as it sounds, the body must have these sup- able, and haphazard patterns of vitamin, miner al and protein · plem ents at the same time (not even an hour later) in order to intake can prove cos tly. perfor m efficiently and repair tissue. . _ Unfortunately, Society's Child finds nothing cool about eating Growing and repairing tissue dqes not refer to mcreasmg accor ding to the health books. While the excuse of no time to body size, but to the cells functioning in chemical r eactions. eat meals is a valid one in university life, candy bars do not Technically, nutrients depend on each other and work together contribute to weight loss or good health, spiritual enrichment to keep the body performing as it should. Dieting this way does- or popularity. Ther e is only one way to health and happiness, n't supply the type of conversation and prestige as a meat and - It can be achieved by intelligently analyzing the merits of a water, but it takes pounds off and keeps them away. balanced diet. The supermarket and not the health food store Fasting has been an effective dietary method used by doctors offers a s ound meal plan for the dieting and impover ished to treat the obese, Even then it requires constant qbservation s tudent,.,.'*' because of the potential chemical complications. F asting s tudents recall fantastic results: the s tomach feels empty and the NEED RIDE - Ft. Worth, Texas scale r eports were encouraging--until their firs t sensible meal. or anywhere in that direction. You've heard your mother's fr iends r ave about their weight Leave between 22 & 26 (Jan.). watching clubs. At least they did while they attended the meet- Will share expenses and drivings and weighed in ~ver y week in front of their little group. A ing. Call Dale at SU x 279 1. few weeks after they stopped attending those ses sions , catch them in the kitchen raiding the refrigerator. There middle age DRIVING to Manhasset, L.I. spread is in there with them, all because they really, once and area early Sat. , Jan. 23. Refor all, haven'taltered their eating habits and confined their cal- turn Sunday, Jan. 31, $10 round ories to the foods that contain the nutrients they need. trip, Jim, SU x2981 .after 6. The most recent diet to interest university students is the macrobiotic method, With claims ranging from curing dandruff RIDES OFFERED to New Haand diabetes in ten days, toprovidinganenriched spiritual life, ven over intersession. Leaving Thurs., J an. 28 - The more the merrier, Return -rides ot· - .• fered. Call Randy Robinson at dd-ei:::> uqo1 · su x3595 during the day.


PAGE 25

SYRACUSE NEW TIMES, JANUARY 14, 1971

ANSWERS TO ROCQUIZ

1. 2. 3. 4. 5. 6. 7. 8. 9. 10.

FOR SALE: Rossingnal-- stratos 215 CMS, 1 year old, factory reconditioned with $50. Procol Harum, who sing of death and Hell. The number one song of 1964 was The Beatles' I Want To bindings. All for $150. Call Steve at 474-3135. Hold Your Hand. Remember that Devil with the Blue Dress, Mitch Ryder and the Detroit Wheels. RIDE NEEDED TO Hartford, Wrote the Stones' •King Bee" and "Moody Blues," from CoiUl. or vicinity after Jan. 25. which that group lifted their name, Slim Harpo. Please call Linda, SU x3932. First with The Byrds, then the Flying Burrito Brothers-; were rhythm guitarists Gram Parsons and Chris Hillman. RIDE NEEDED TO NYC or •Those Boots Were Made for Walking" composer, Lee Wayne, N.J. area, Jan. 20, 21, Hazlewood, discovered and managed both. 22 or 23. Call Craig, SU x3213. Beatles' protege, Mary Hopkins, had her big hit in "Those Were the Days. • Jimmy Page, Robert Plante, John Bonham and John Paul Jones at one time comprised The Yardbirds, amidst its many persoiUlel switches. The Who. Mleltlll! The Monkees' "I'm a Believer• was in the top spot from the week of December 31, 1966 until the week of February COlN OPERA TED

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Erie Blvd. !;:. & Orrick Rd. Dewitt, N.

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DESIRE SOME COMPANY on your way to BOSTON Jan. 28? Sherry and Pam need a ride there. Please contact us at SU x2745.

IN 2 HOURS OF YOUR SPARE TIME MALE PLASMA DONORS

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WANTED: Ride or hitch-hiking companion to Pittsburgh, Jan. 28th or 29th, return Jan. 31 or Feb. 1. Call Jess at SU x2915.

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CALL 472-8826 FOR APPOINTMENT

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TO SEE IF YOU QUALIFY

· • DRIVE-IN SERVICE • · F;\ST INSURANCE CLAIMS • FOREIGN & AMERICAN CARS

RIDE WANTED to Phila, Jan. 25 (Mon.) or Jan. 26. Will share expenses. Contact Jeff at SU x3528. If not in, please leave message.

·. ~~RYENIENT WAITING ROOM . 6- · FRfE COFFU WITH OUR WHILE YOU WAIT" SERVICE fREE PICJC· UI' & OEUVEIIY

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U-Haul Truck and Trailer Rentals Permanent Hitche~ Installed

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I (there are SIX letters in the first part of the character's name, and THREE in the second part.) · CLUES ACROSS: 1) common name for LSD and pot 5) wrote das Kapital 8) fancy name for dirty , pictures

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CLUES DOWN: 2) 3) 4) 6) 7) 9)

liquor that goes well ln Coke Man's favorite indoor sport "NOTHING" in Spanish bomb dropped on HIROSHIMA mightier than sword· British movie of lif~ in boys' school; winner of 1968 Cannes Film Festival. For answers see page 27.

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TV AND THE HOLIDAYS. Two ho-hummers which fall annually during the holidays are the college football all-star games and the opening of the progolftour. The all-star !!ames come across to me as a complete bore and I real~y can't see how there is enough interest to keep televising them. They're ,great for the scouts and the local chambers of commerce but they have very little to offer the fans. There is nothing to root for or identify with. I mean does anyone really care if the North beats the South or the East the West? Instead of meaningless scrimmages, how about using them to implement the long -awaited playoff system. Combine them with the bowl games and there'd probably be enough games to come up with a tournament which would determine the national champion. The pro golf tour isanotherthingwhichleaves me cold. Now I know there are a lotofgolffans who disagree but on the other hand the networks are beginning to agree. There is a cutback in the number of tournaments covered this year. I simply can't get excited about who the leading money wipner is --whichiswhatthetourisall about. I'm all for it, of course, if I'm making the money. But since I'm not, so what if some guy from the Lost Nation Country Club Wins the Insurance City Open. Last I heard, Lost Nation didn't have too big a following. Just like the football games, there's nothing for the fans to root for, nothing to identify with. I think there's hope,however. The best plan I've heard of is for some sortofnationalprogoifleagueto be formed. Each city in the league would have a team composed of X number of players from the tour. They would be perman~ntly assigned (barring trades) to that team. This would make it much easier for the fans to have a rooting interest and ultimately, I think, make the tour more exciting. · THE SYRACUSE DILEMMA. The dilemma which has plagued recent Syracuse basketball teanis -- 1t!consistency -- is not likely to disappear this season. I'm just guessing but it may have a lot to do with Bill Smith, the 6-11 senior center. Smith may be the best big man(he is the tallest) SU has ever had. Yet, barring a last-minute surge which is still possible, he is quite likely to lead Syracuse to three disappointing seasons. Why? The problems revolves around adapting a tall man into the offense, which can be alotharderthanit sounds. Even John Wooden, the great UCLA coach, had some problems like this when he had Lew Alcindor (nevertheless, what coach in his right mind wouldn't want those problems?). The tall man often interrupts the flow and rhythm of a team which is geared to arunninggame. A team of small quick men, which is what Syracuse is, outside of Smith, is forced to set up and play a more deliberate game than it's used to. Patterns get upset when the ball is forced inside (A tall center invariably plays the low post). On defense, such a team depends on good rebounding and a quick outlet pass. But Smith is much stronger offensively than he is defensively. So you might think that with a big center and good outside shooters Syracuse should have everything. But the fact is, too many options may lead to indecision and that may cause the team's disappointing record. GREG KOHLS

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The emergence of Greg Kohls as an outside shooter and ball handler par excellence has been the bright spot of the season for Syracuse. But it alsoleavesmewonderingwhere Kohls, who is a junior, was last year. Somebody missed something when he sat on the bench for virtually all oflast season. Granted, SU has all the guards it needed then but it also finished with a 12-12 record. Now I wonder if Kohls ' outside shooting wouldn't have improved that just a little? PRO BASKETBALL AT THE WAR MEMORIAL.

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If you hadn't noticed and I wouldn't blame you if you hadn't, two NBA games were slated for theW ar Memorial this year. In the one already played, Buffalo met Chicago. In the one still to come, it will be Buffalo and Cleveland. Neither is worth remembering. The Syracuse papers reported the day after the Chicago game that the attendance was disappointingly small. Is there any wonder why? The teams must have been chosen on how bad they

continued on page 27


"~ ,Pf. Hf 27

SPORTS SHORTS

Continued are. The Cleveland game brings in one of the worst pro teams ever in any sport. I don't know that that might have a unique appeal. There is a mania here with bringing in teams which have had some past connection, however slight, with the ·city. But that appeal is very limited as the attendance shows. Of course, it's very tough to get good teams to come here. They cite the poor draws in the past. So it's a chicken-and-egg argument and f hope someday somebody here finds a way to answer it. It would be nice to see the Knicks or the Bucks.

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THE NIT. In a little-noticed item, the Ivy League voted recently to allow its members to play in the NIT. Not too long ago the Big Ten did the same. This is, of course, a real bonanza for the NIT,which in the past has loaded up on teams from the New York Metropolitan area. With a wider selection this year, the tournament promises to be much better. THE NEW YEAR'S UPSETS. Even · though I'm. no great fan of Ara Parseghian, the Notre Dame -football coach, he has to be given credit'for'leading his team to an upset (that sounds kinda funny talking about Notre Dame) of Texas in the Cotton Bowl. Texas is haFdly known for its imagination. It se.e ms to run the option on every other play. Thus,.stackingthe line and cutting off the outside was the natural thing to do, I wonder why it took so long for someone to think it up, I'm sure you '11 see more of that against the Longhorns next year. The Stanford upset of Ohio State in the Rose Bowl was due in great part to the Buckeyes' weak schedule, In three years, they simply never faced someone like Jim Plunkett( except perhaps Mike Phipps ofPurdue}. Theypaidthepriceon New Year's Day,

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If you are a writer and if you are good, come see us at the office ihis Monday or Tuesday night 6-10 PM. Bring some samples of your work-published or unpubl.ished. J1~

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ATTENTION WORKING MOTHERS: Will babysit in my home, . _pre-s<?hool children. Tailnton area. 468-3777.

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· 'FOR RENT: 2 - 4 - 5 room heated APts. Private bath, stove & ' .

~ refrig. 476-1591.

t

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FOR SALE: 21• Black & ·white Console T.V. GRZ-0870. FOR RENT: 3 rooms, bath, ~rnished, heated, 310 Shonnard . St. Inquire 308 Shonnard St. 488-5116 • FOR SALE: 1965 Rambler Classic model, 660. 48,000 miles, . new tires, 1 owner. Phone evenings, GR8-3434. 2 CHROME Reverse Wheels. Victrola and records. 1 large 1917 Dollar bill; 1884 Liberty nickel, 1863 Indian penny. 1912 and 1954· Liberty and Franklin half. 1909 Liberty Quarter. 469-713!1. ------------------------------------------~-------------

FOR RENT: 5 room upper nat, ·2 bedrooms, west side. Busline, 476-8609, · , FOR RENT: Modern 3 room Apt. Reserved parking. Bus. 474-6531, 472-5603. 3/4 TON FORD CAMPER SPECIAL- 6 sleeper, Frolic truck. Camper, excellent cond.-, $3,000. 476-2658.

rREE--~-~~~~-~~~;~~-t;~;;-t;;d-;h~ts-~-t;;~:;~;~~-:L GR5-8736, 408 BELLEVUE AVE. Very clean 2 rooms & bath. Refrig,, stove, heat & 'bot water. See to appreciate. Call after 5, GR4-3580,

--------------------------~-----------------------------

• 1970 TORINO, Red, PS, radio, white sidewall tires & snow tires, auto. trans,, 2,100 actual miles. 635-9472. UNIVERSITY - CL<~E: 4-bedrooms, garage, fenced yard. Owner. Mid-teens. 475-7983,

SHEARED HUNGARIAN Brown & BeJge Leopard Lamb coat with Beaver collar, size 18, Never been worn, $200. 474-3589, FOR SALE: Engine, 71 Dodge, 225 cu. in., 3,000 miles. Complete $350. Pbone after 6 p.m., 437-6774. 197l SNOWMOBll.E

TRAILER, Wt

& swivel, $150, 437-6451 • .

--------------------·-----------------------------------WANTED: Graduate Student preferred to share 2 bedroom, furnished & beated Apt. Your share, $71.25, Call Mike O'Hara, 469-6724 or 476-9393. FOR SALE: 1963 Princess Mobile Home, 10:r5.5, front kitchen, separate dining room, 2-bedrooms, 15 cu. ft. freezer. Central air-conditioning. Metal shed. Set up in Mallory Trailer Court, Lot 15. Available now. 668-6369.

FOR SALE: 1962 Thunderbird, $350 or best offer. 635-9031,

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SHOP AT SEARS AND SAVE .Satisfaction Guaranteed or Your Money

~ack

[Sears I SEARS, RPEBUCK AND CO.

1300 So, Salina SEARS DOWNTOWN 10 MINUTES FROM CAMPUS Open Daily: 9:30 A.M. to 9:00 P.M.



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