Syracuse Stage 16/17 Brochure

16 17 SEASON GREAT EXPECTATIONS DISNEY AND CAMERON MACKINTOSH’S

MARY POPPINS DISGRACED

AIN’T MISBEHAVIN’

THE FATS WALLER MUSICAL SHOW

HOW I LEARNED TO DRIVE DEATHTRAP

. . . think for a moment of the long chain of iron, or gold, of thorns, or flowers that never would have bound you , but for the formation of the first link on one memorable da

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Welcome to our new season at Syracuse Stage!

A letter from Robert M. Hupp

ay.

ARTISTIC DIRECTOR

P

lease accept this invitation to a thrilling theatrical adventure by joining us as a season subscriber.

As we enter this season of change at Stage, I look forward to meeting each of you.

I want to hear what you love about our theatre and what hopes you have for the future. And, I want to assure you, that even as we chart a new course, our commitment to unswerving artistic excellence remains constant.

Our joyful task is to bring to life on stage amazing stories to entertain and engross you.

Our success lies in placing these stories in the hands of the most creative and exciting actors, directors, and designers working in theatre today. In this way we can deliver plays and musicals crafted by our artists right here especially for you.

We begin the season with Great Expectations, a title that evokes the sense of anticipation and promise of what lies ahead. This rollicking adaptation reminds us that, above all, Charles Dickens is a master storyteller. Sweet as a spoonful of sugar is the musical holiday treat we have in store for you (and subscribers

get first crack at buying tickets for the whole family). Our second musical will have the joint, and most likely your feet, jumpin’ as the swinging sounds of Fats Waller recall the Golden Age of the Cotton Club. A pair of Pulitzer Prize-winning dramas—one also won the 2015 Tony Award for Best Play— connect us with two of the finest voices in contemporary American theatre. And for dessert, we conclude the season with a throwback thriller that will have you gasping one moment and laughing the next.

Six wonderful shows make our 44th season, and you can enjoy them all by becoming a Syracuse Stage subscriber. As a subscriber, you know your seats are waiting for you for every show. Plus, subscribers receive special benefits and discounts. I hope you’ll join us. I know I can’t wait to get started.

Let’s do this together!

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Great Expectations ADAPTED FOR THE STAGE BY GALE CHILDS DALY BASED ON THE NOVEL BY CHARLES DICKENS DIRECTED BY MICHAEL BLOOM

E

xperience Charles Dickens’ great novel (arguably his greatest) in one energetic and sweeping evening of theatre. This compact adaptation cuts right to the narrative core of Pip’s unexpected journey from orphan to gentleman as aided and inhibited by three memorable Dickens characters: the escaped convict Magwitch, the beautiful Estella, and the lonely, embittered Miss Havisham. Six actors create an atmospheric Victorian world in this fast-paced classic coming-of-age adventure.

OCT 19 – NOV 6

19 wed 7:30 P

20 thu 7:30 P

21 22 fri sat 8:00 OP 3:00 8:00

27 thu 7:30 H

28 fri 8:00

23 24 sun mon 2:00 PL 7:00 D

25 tue

26 wed 7:30

30 sun 2:00

1 tue 7:30

4 2 3 fri wed thu 2:00 O, W 7:30 PL 8:00 7:30

31 mon

6 sun 2:00 O P = preview OP = opening D = discussion S = ASL interpreted O = open captioning AD = audio description PL = prologue H = happy hour W = Wed@1

29 sat 3: 00 S, PL 8:00 5 sat 3:00 AD 8:00

16 17 Disney and Cameron Mackintosh’s

Mary Poppins A MUSICAL BASED ON THE STORIES OF M.L. TRAVERS AND THE WALT DISNEY FILM | ORIGINAL MUSIC AND LYRICS

BY RICHARD M. SHERMAN AND ROBERT B. SHERMAN | BOOK BY JULIAN FELLOWES | NEW SONGS AND ADDITIONAL MUSIC AND LYRICS BY GEORGE STILES AND ANTHONY DREWE | CO-CREATED BY CAMERON MACKINTOSH DIRECTED BY PETER AMSTER | CHOREOGRAPHY BY ANTHONY SALATINO | MUSICAL DIRECTION BY BRIAN CIMMET CO-PRODUCED WITH THE SYRACUSE UNIVERSITY DEPARTMENT OF DRAMA

S

upercalifragilisticexpialidocious! The sound of it may be atrocious but it is synonymous with this beloved family musical. The Banks children, Jane and Michael, have been positively beastly to a series of nannies. Enter (from above) Mary Poppins with her magic tricks and common sense know-how to charm children and grown-ups alike and remind them and us how important they are to each other. Winner of multiple Tony Awards, Mary Poppins is an enchanting mixture of irresistible story, unforgettable songs, breathtaking dance numbers, and astonishing stage magic.

NOV 26 – JAN 8

P = preview OP = opening D = discussion S = ASL interpreted O = open captioning AD = audio description PL = prologue H = happy hour W = Wed@1

23 wed

24 thu

25 fri

Thanksgiving

3 2 sat fri 8:00 OP 3: 00 8:00

27 sun 2:00 P

28 mon

29 tue

30 wed 7:00 P

4 sun 2:00 PL 7:00 D

5 mon

6 tue

7 8 wed thurs 2:00W, O 7:00 H 7:00

9 fri 8:00

10 sat 3: 00 S,PL, AD 8:00

11 sun 2:00

12 mon

13 tues

14 wed 7:00

15 thurs 7:00 PL

16 fri 8:00

17 sat 3:00 8:00

18 sun 2:00 O

19 mon

20 tues 7:00

21 wed

22 thurs 7:00

23 fri 8:00

24 sat

25 sun Christmas

26 mon 7:00

27 tues 2:00

28 wed 2:00 7:00

29 thurs 2:00

30 fri 2:00 8:00

31 sat 3:00

1 sun

2 mon

3 tues

4 wed

5 thurs 7:00

6 fri 8:00

7 sat 3:00 8:00

New Year’s Day

8 sun 2:00

1 thu 7:00 P

26 sat 2:00 P

Christmas Eve

DISGRACED

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Disgraced

BY AYAD AKHTAR DIRECTED BY MAY ADRALES

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mir Kapour is a deeply assimilated Pakistani-American with the perfect job, the perfect apartment, and the perfect wife—until it all unravels over the course of a single dinner party (an unforgettably explosive scene).

Winner of the Pulitzer Prize (2013) and the Tony Award for Best Play (2015), Disgraced is a timely and taut (90 minutes) drama that engages mind and heart with refreshing and stunning candor as it explores the cultural and personal fracturing Amir encounters as he pursues his ideal of the American Dream. A new and daring voice in American theatre, Akhtar creates urgent dramatic connections between the stage and the world outside our doors.

JAN 25 – FEB 12

25 wed 7:30 P

26 thu 7:30 P

27 28 fri sat 8:00 OP 3:00 8:00

2 thu 7:30 H

29 30 sun mon 2:00 PL

31 tue

1 wed 7:30

3 fri 8:00

4 sat 3:00 S, PL 8:00

5 sun 2:00 7:00 D

7 tue 7:30

8 9 10 wed thu fri 2:00 O, W 7:30 PL 8:00 7:30

11 sat 3:00 AD 8:00

6 mon

12 sun 2:00 O P = preview OP = opening D = discussion S = ASL interpreted O = open captioning AD = audio description PL = prologue H = happy hour W = Wed@1

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Ain’t Misbehavin’ The Fats Waller Musical Show BASED ON AN IDEA BY MURRAY HORWITZ AND RICHARD MALTBY, JR. | ORCHESTRATIONS AND ARRANGEMENTS

BY LUTHER HENDERSON | VOCAL AND MUSICAL CONCEPTS BY JEFFREY GUTCHEON | VOCAL ARRANGEMENTS

BY JEFFREY GUTCHEON AND WILLIAM ELLIOTT | CONCEIVED AND ORIGINALLY DIRECTED BY RICHARD MALTBY, JR. ORIGINALLY PRODUCED BY THE MANHATTAN THEATRE CLUB | ORIGINALLY PRODUCED ON BROADWAY

BY EMANUEL AZENBERG, DASHA EPSTEIN, THE SHUBERT ORGANIZATION, JANE GAYNOR, AND RON DANTE DIRECTED AND CHOREOGRAPHED BY PATDRO HARRIS

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tep back into the sparkling nightlife of a 1930s jazz club in this celebration of the jazz legend Fats Waller. From Uptown to Tin Pan Alley to Hollywood, Waller’s music helped define the swinging sound of the Golden Age of the Cotton Club.

Music, dance, sassy repartee, and a whole lot of fun with 29 famous songs including “‘T Ain’t Nobody’s Biz-ness If I Do,” “Honeysuckle Rose,” “The Joint is Jumpin’,” and “I Can’t Give You Anything But Love.”

MARCH 1 – 26

1 wed 7:30 P

2 thu 7:30 P

3 4 fri sat 8:00 OP 3:00 8:00

9 thu 7:30 H

10 fri

11 sat 3:00 S, PL 8:00

17 fri 8:00

18 sat 3:00 AD 8:00

5 6 sun mon 2:00 PL

7 tue

8 wed

12 sun 2:00 7:00 D

13 mon

14 tue

15 16 wed thu 2:00 O, W 7:30

19 sun 2:00 O

20 mon

21 tue 7:30

22 wed 7:30

26 sun 2:00 P = preview OP = opening D = discussion S = ASL interpreted O = open captioning AD = audio description PL = prologue H = happy hour W = Wed@1

23 24 thu fri 7:30 PL 8:00

25 sat 3:00

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How I Learned to Drive

BY PAULA VOGEL DIRECTED BY LAURA KEPLEY CO-PRODUCED WITH THE CLEVELAND PLAY HOUSE

B

uckle up. It’s going to be a bumpy ride.

Li’l Bit takes us on a no-holds-barred trip back in time to her adolescence in 1960s Maryland and her complicated relationship with an older man. A deeply compassionate look at how we are shaped by the people who hurt us, How I Learned to Drive masterfully veers in and out of personal memory and deftly traverses comedy, drama, and farce. Winner of the 1998 Pulitzer Prize for Drama.

APRIL 5 - 23

5 wed 7:30 P

6 thu 7:30 P

7 8 fri sat 8:00 OP 3:00 8:00

13 thu 7:30 H

9 10 sun mon 2:00 PL 7:00 D

11 tue

12 wed 7:30

14 fri 8:00

15 sat 3:00 S, PL 8:00

16 sun 2:00

18 tue 7:30

19 20 21 wed thu fri 2:00 O, W 7:30 PL 8:00 7:30

22 sat 3:00 AD 8:00

17 mon

23 sun 2:00 O P = preview OP = opening D = discussion S = ASL interpreted O = open captioning AD = audio description PL = prologue H = happy hour W = Wed@1

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Deathtrap

BY IRA LEVIN DIRECTED BY PAUL BARNES

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idney Bruhl is a successful playwright lately plagued by a series of flops. When a sure-fire hit drops into his hands courtesy of a young student, Bruhl concocts a devilish plan that twists and turns its roller coaster course right through to the final moments. As spellbinding and entertaining as ever, Ira Levin’s hit play is an ingeniously plotted theatrical thriller that excites screams and laughter.

MAY 10 - 28

10 wed 7:30 P

11 thu 7:30 P

12 13 fri sat 8:00 OP 3:00 8:00

18 thu 7:30 H

19 fri 8:00

14 15 sun mon 2:00 PL 7:00 D

16 tue

17 wed 7:30

21 sun 2:00

23 tue 7:30

24 25 26 wed thu fri 2:00 O, W 7:30 PL 8:00 7:30

22 mon

28 sun 2:00 O P = preview OP = opening D = discussion S = ASL interpreted O = open captioning AD = audio description PL = prologue H = happy hour W = Wed@1

20 sat 3: 00 S, PL, AD 8:00 27 sat 3:00 8:00

From the

DIRECTORS SYRACUSE STAGE has always attracted talented directors whose collective experience extends from New York theatre to major regional companies around the country. Directors enjoy working at Syracuse Stage—many return frequently— because of the artistic caliber of our actors and designers, the dedication and proficiency of our staff, and the enthusiasm and sophistication of our audience.

Michael Bloom

Peter Amster

May Adrales

M

P

M

Great Expectations is one of the greatest coming of age stories ever written—and a powerful tale of desire, happiness, and entitlement. Our adaptation is a fast-paced adventure that will captivate audiences of all ages.

“

eter Amster is familiar to Syracuse Stage audiences having directed last season’s Ken Ludwig’s Baskerville: A Sherlock Holmes Mystery. Previously, he directed A Christmas Carol, Moby Dick, Alfred Hitchcock’s The 39 Steps, This Wonderful Life, and The Fantasticks. This season he takes on the holiday musical Mary Poppins.

I was fourteen when the Disney movie came out, and though I enjoyed the mix of live action and animation, I thought of it as a “jolly holiday”, and not much more. The stage musical digs deeper. It tells the story of a family on the brink of financial and familial disaster, when Mary Poppins steps in and helps them to value each other in new and profound ways. The fun, magic, familiar songs, and favorite characters are still there, as well as some new friends culled from the many stories of P.L. Travers.

“

ichael Bloom makes his directorial debut at Syracuse Stage with Great Expectations. He is a writer, director, and the former artistic director of The Cleveland Play House.

“

“

DIRECTOR OF MARY POPPINS

DIRECTOR OF DISGRACED

“

ay Adrales returns to Syracuse Stage where she previously directed In the Next Room, or the vibrator play and Chinglish. For the 2016/2017 season she directs the exciting contemporary drama Disgraced.

Ayad Akhtar’s Tony Awardwinning Disgraced is a terrifying look at the insidious self-loathing and violence entrenched in our society. The effects of racism, religious intolerance, and gender bias shake the walls of this upper-middle class New York liberal home and the four New York sophisticates who inhabit it. To dive into such intellectually challenging and controversial material is my desire as a director.

“

DIRECTOR OF GREAT EXPECTATIONS

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Meet the Talented Directors for the 2016–2017 Season

Patdro Harris

Laura Kepley

Paul Barnes

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L

P

The joy of music. There are certain places in the soul that only music can touch... Ain’t Misbehavin’.

“

aura Kepley is the artistic director of The Cleveland Play House. Previously, she directed Good People, which was a co-production between Syracuse Stage and The Cleveland Play House.

This season she directs Paula Vogel’s How I Learned to Drive, also a coproduction between the theatres.

Ms. Kepley was a student of the Pulitzer Prize-winning Ms. Vogel at Brown University.

How I Learned to Drive is a tender, seductive, and dangerous trip down memory lane. Our main character, Li’l Bit, lets us in on a deeply held secret. By sharing her story with us she is saving her life. This is a story about the freedom and empowerment that comes when we take over the wheel of our own lives and drive.

“

“

“

atdro Harris previously directed Crowns at Syracuse Stage and Quilters in the Syracuse University Department of Drama. He returns to Syracuse for this season’s rollicking Ain’t Misbehavin’, which he will direct and choreograph.

DIRECTOR OF HOW I LEARNED TO DRIVE

DIRECTOR OF DEATHTRAP

“

aul Barnes is well known to Syracuse Stage audiences having previously directed Peter Pan, Irving Berlin’s White Christmas, and The Miracle Worker.

This season he tackles the comedythriller Deathtrap.

Ira Levin’s Deathtrap is equal parts romp and chiller-thriller. I recall jumping out of my seat when I saw the original Broadway production, and I look forward to eliciting similar reactions from audiences at Syracuse Stage. Deathtrap is like a good roller coaster ride . . . you know you’re going to emerge safe and sound at the end of the experience but there will be plenty of surprises and, we hope, some heart-pounding ascents and breath-taking plunges along the way.

“

DIRECTOR OF AIN’T MISBEHAVIN’

EVENTS & SERVICES

Group Services TURN YOUR THEATRE EXPERIENCE into a memorable social occasion with group sales discounts and extras. Last season almost 18,000 patrons enjoyed great plays at Syracuse Stage at a discount of up to 40% by coming in a group of 10 or more people.

You organize the group and we’ll make the evening or afternoon special by helping with catered parties, backstage tours, and pre- or post-show discussions.

TO BOOK YOUR GROUP EVENT CONTACT GROUP SERVICES:

315-443-9844

Accessibility Services ASL INTERPRETED

OPEN CAPTIONING

AUDIO DESCRIPTION

For every production there is a Saturday matinee performance that is signed for our hard-of-hearing and deaf audience members.

For every production there are Sunday and Wednesday matinee performances that are open captioned for our hard-of-hearing and deaf audience members.

For every production there is a Saturday matinee performance that is described by a live narrator for our blind and visually impaired audience members. Please call the Box Office in advance to reserve headsets.

You are part of my existence, part of myself.

You have been in every line I have ever read. . .

Special Events

ALL PATRONS CAN ENJOY ONE OF OUR SPECIAL SHOW-SPECIFIC EVENTS.

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NEW FOR 2016/2017

DINNER & SHOW Enjoy a buffet dinner with fellow theatre lovers in the Sutton Pavilion. Seasonal faire prepared by Phoebe’s Restaurant followed by great theatre.

Great Expectations Wednesday, November 2 at 6:00 pm Mary Poppins Wednesday, December 14 at 5:30 pm Disgraced Wednesday, February 8 at 6:00 pm Ain’t Misbehavin’ Wednesday, March 22 at 6:00 pm How I Learned to Drive Wednesday, April 19 at 6:00 pm Deathtrap Wednesday, May 24 at 6:00 pm

WINE AND BEER FLIGHTS A delightful way for those who have come-of-age to get a spoonful of grape and grain.

Great Expectations Friday, October 28 at 6:30 pm Sutton Pavilion Mary Poppins Friday, December 9 at 6:30 pm Sutton Pavilion

POETRY & PLAY A reading series that connects the literary arts to the work on our stage. Local writers share original works of poetry and prose prompted by themes, ideas and images in selected season offerings.

Light refreshments.

Great Expectations “Subverting Expectations” with Joan Sauro and other local writers Sunday, October 30 12:30 pm – 1:30 pm Sutton Pavilion How I Learned to Drive “The Road Less Travelled: Writing the Taboo” Saturday, April 8 1:30 pm – 2:30 pm Sutton Pavilion

BRUNCH AND BROADWAY STEPS Delicious brunch for families at Phoebe’s and a chance for young dancers to learn some of the choreography from Mary Poppins. Bring your dance shoes.

December 4 and 18. Dance class at 11 a.m. at Syracuse Stage, brunch at Phoebe’s at noon, Mary Poppins at 2 pm

DISGRACED DINNER PARTY The calm before the stormy dinner party on stage.

Wine & Tapas Friday, February 3 at 6:30 pm Sutton Pavilion

CRAFT BEER TASTING Selection of tasty local brews then music and/or mystery.

Ain’t Misbehavin’ Friday, March 17 at 6:30 pm Sutton Pavilion Deathtrap Friday, May 19 at 6:30 pm Sutton Pavilion

HOW I LEARNED TO DRIVE: ORDER HERE 50s Pop Music and Diner food.

Friday, April 14 at 6:30 Sutton Pavilion

Eat. Drink. Enjoy the Show.

DETAILS:

315-443-9844

OUTREACH

In our

COMMUNITY SYRACUSE STAGE IS A CULTURAL LEADER AND RESOURCE FOR A VIBRANT CENTRAL NEW YORK COMMUNITY. ENGAGING YOUTH IN AND OUT OF SCHOOL. Out of School: Special 10:30 a.m. matinees of mainstage productions; playwriting festivals for high school and middle school students; Young Adult Council workshops and events at the theatre; Summerstage and Random Acts summer programs at the theatre for middle and high school students; tours of the theatre and facilities (by request); and education advocacy board.

In School: Fall Children’s Touring production for elementary schools; Backstory! (where history meets theatre) for middle schools; ARTSEmerging interdisciplinary project for high school students; and visiting artists in the classroom.

PARTNERING WITH THE COMMUNITY. Syracuse Stage is pleased to support and partner with many local organizations, civic groups, churches, and businesses including: AccessCNY, ACR Health, Arc of Onondaga, ARISE, ArtRage, Big Brothers Big Sisters of Onondaga County, Christ the King Retreat Center, Community Folk Art Center Creative Arts Academy, CNY Reads, Elmcrest Children’s Center, Hiscock Legal Aid Society, InterFaith Works of Central New York, McHarrie Life, Onondaga Historical Association, PEACE, Inc., Relay for Life, Rosamond Gifford Zoo at Burnet Park, Salvation Army, SUNY Empire State College, SUNY Upstate Medical, St. Joseph’s Hospital Health Center, Underground Poetry Spot, and VA Medical Center.

Syracuse Stage Supporters Syracuse University, The Dorothy & Marshall M. Reisman Foundation, Onondaga County/CNY Arts, Syracuse Media Group, Genesee Grande Hotel, The Shubert Foundation, New York State Council on the Arts, The Richard Mather Fund, The Allyn Foundation, Central New York Community Foundation, John Ben Snow Foundation, M&T Bank, POMCO Group, Bank of America, iHeart Media, Syracuse New Times, AXA Foundation, The Gifford Foundation, KeyBank, WAER, WRVO, NBT Bank, National Endowment for the Arts, Lockheed Martin, Chase Bank, Business Journal News Network, Barclay Damon LLP, Syracuse Stage Guild, Wegmans, Carrier Corporation, Excellus BlueCross BlueShield, Grandma Brown Foundation, Lockheed Martin Employees Federated Fund, SU Humanities Center, Theatre Development Fund, Tompkins Financial Advisors, Phoebe’s, National Grid, Gladys Krieble Delmas Foundation, Melvin & Mildred Eggers Family Foundation.

Additionally, Syracuse Stage acknowledges generous contributions from over 2,000 individuals each season.

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Subscriber Benefits

SEASON TICKETS INCLUDE SIX PLAYS: Great Expectations, Disney and Cameron Mackintosh’s Mary Poppins, Disgraced, Ain’t Misbehavin’ The Fats Waller Musical Show, How I Learned to Drive, and Deathtrap. Benefits include—

Choose your seats before the general public and renew them year after year, plus priority status for changes in seating.

RESTAURANT DISCOUNTS Coupons for area restaurants will be mailed before the season begins.

TICKET EXCHANGES Free, unlimited ticket exchanges by phone, or in person.

SINGLE TICKET DISCOUNTS

INSIDE VIEW Interesting articles, interviews, and features in the Syracuse Stage newsletter StageView.

Discounts on all Syracuse Stage and Department of Drama productions, without service charges.

EXTRA $53 VALUE ONE FREE TICKET!

BEST PRICES

An Extra Value Ticket redeemable for one free ticket during the season (not valid for Mary Poppins.)

Save up to 25% over the cost of purchasing tickets for individual shows.

TICKET REPLACEMENT Prompt replacement of tickets should they be lost or stolen.

Enhance Your Experience OPENING NIGHT

Join the cast for a postshow celebration with live music, food, drinks, and good times.

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ACTOR TALKBACK

What did you think of the play? Here’s your chance to hear from the cast after the show.

W@1

PROLOGUE

WED@1 LECTURE

Get the inside game from rehearsal to stage from cast members and guest speakers. One hour prior to select performances.

Find out more about the play with these free and informative talks starting at 1 p.m. prior to the Wednesday matinee performance.

CONSIDER ONE OF OUR SPECIAL SUBSCRIPTION SERIES

HAPPY HOUR

Liven up Thursday nights with pre-show gatherings featuring signature drinks and fun activities such as martini tastings, spoken word performances, cabarets, spa nights, and more.

SEASON SPONSOR:

EDITOR: JOSEPH WHELAN | ART DIRECTION & DESIGN: BRENNA MERRITT

BENEFITS

BEST SEATS

SUBSCRIPTIONS FOR AS LITTLE AS $29/SHOW! (A) SYRACUSE STAGE 6 SHOW SEASON TICKET PACKAGE Includes: Great Expectations, Mary Poppins, Disgraced, Ain’t Misbehavin’, How I Learned to Drive, and Deathtrap.

Section A

Section B Section C

GROUP TICKETS

Friday Eve., 8:00 p.m. $282 $252 $174 Saturday Eve.­, 8:00 p.m.

Matinees Saturday, 3:00 p.m. $270 $240 $174 Sunday, 2:00 p.m.

Wednesday, 2:00 p.m.

Seniors (65+) $228 $210 $174 Weekday Evenings Tues., Wed., Thurs. Eves., 7:30 p.m.

Sunday Eve., 7:00 p.m.

$228

$204

$174

Seniors (65+) $204 $186 $174 ­Wednesday & Thursday Preview, 7:30 p.m.

$186

$168

$150

18 & under (any performance) $108 $108 $108

B

C

No seat farther than 50 feet from the stage.

116 DD 1

2

DD 101

113 AA 1

18

2

AA 101

17

DD X

2

AA

10

9

M

2

23

118 M 1

M 101

114 F

2

F 101

106 A

22

2

A 101

14 A

Stage

Flex 6Packs

$246

Flex 8Packs

$304

BY MAIL:

Syracuse Stage Box Office 820 E. Genesee St. Syracuse, NY 13210-1508

BY FAX:

315. 443.1408

DD BO AA

M

1

X

3

BY PHONE: 315. 443.3275

(Monday - Friday, 10 a.m. - 5 p.m.)

IN PERSON: Syracuse Stage Box Office

1

1

21

F

4

24

BO

$176

GIFT CARDS

How to Subscribe

ARCHBOLD THEATRE A

Flex 4Packs

Groups of ten or more save up to 40%. Extras available such as backstage tours, pre- or post-show discussions, parties, reception facilities, and fundraising opportunities. Contact Tracey White at 315-443-9844.

Give the gift of live theatre to your friends, family, and coworkers.

40 & under (any performance) $186 $168 $144

(B) SYRACUSE STAGE FLEX PACKS Flexible packages of four, six, or eight tickets that may be used as you choose in whatever combination suits your needs. (Keep in mind only two tickets per Flex Pack may be redeemed for Mary Poppins.) To use your Flex Pack, simply contact the Box Office any time prior to the performance you wish to attend and receive the best seats available. Tickets may be obtained up to curtain time pending availability.

MORE TICKET OPTIONS

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A

(Monday - Friday, 10 a.m. - 5 p.m.)

ONLINE:

www.SyracuseStage.org

F

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ORDER FORM Name _______________________________________________________________________________ Street ________________________________________________________________________________ City/State/Zip ________________________________________________________________________ Phone (home/cell) _____________________ (work) __________________ Email ___________________________ FORM OF PAYMENT

❏ check (payable to Syracuse Stage)

❏ PARTIAL PAYMENT OPTION

❏ VISA ❏ MasterCard ❏ Discover ❏ Amex

For more information call the Box

Account number __________________________________________________

Office at 315/443-3275.

Expiration date ____________________________________V code ________ Name on card ___________________________________________________ CHOOSE YOUR SERIES:

(A) SYRACUSE STAGE 6 SHOW SEASON TICKET PACKAGE

Previews ❏ Wednesday Preview, 7:30 p.m. ❏ Thursday Preview, 7:30 p.m.

I wish to order __________ season tickets at $____________ __________ season tickets at $____________ __________ Day of week Total Season Ticket Order

❏ matinee ❏ evening

$______________

EVENT/ACCESSIBILITY SERIES

Please indicate if you wish to subscribe to one of the series listed below. ❏ Opening Night Series (Fri evening) ❏ Prologue Series (❏ Sun matinee ❏ Sat matinee ❏ Thur evening) ❏ Wed@1 Lecture Series (Wed matinee) ❏ Actor Talkback Series (Sun evening) ❏ Happy Hour Series (Thur evening) ❏ Open Captioned Series (❏ Wed matinee ❏ Sun matinee) ❏ Audio Description (Sat matinee)

(B) SYRACUSE STAGE FLEX PACK (all seats, all performances) I wish to order __________ Flex 4Packs at $176 I wish to order __________ Flex 6Packs at $246 I wish to order __________ Flex 8Packs at $304 ______________

(C) TOTAL ORDER FROM A & B ABOVE:

$

Suggested tax deductible student subsidy*

$

15.00

Processing fee $4.00 (per subscription or Flex Pack) x ___ = $ Total Enclosed Payment

Matinees ❏ Wednesday Matinee, 2:00 p.m. (WED LECTURE, OPEN CAPTIONING) ❏ 1st Saturday Matinee, 3:00 p.m. ❏ 1st Sunday Matinee, 2:00 p.m. (PROLOGUE) ❏ 2nd Saturday Matinee, 3:00 p.m. (ASL INTERPRETED, PROLOGUE) ❏ 2nd Sunday Matinee, 2:00 p.m. ❏ 3rd Saturday Matinee, 3:00 p.m. ❏ 3rd Sunday Matinee, 2:00 p.m. (OPEN CAPTIONING) Fri-Sat Evenings ❏ 1st Friday Evening, 8:00 p.m. (OPENING) ❏ 1st Saturday Evening, 8:00 p.m. ❏ 2nd Friday Evening, 8:00 p.m. ❏ 2nd Saturday Evening, 8:00 p.m. ❏ 3rd Friday Evening, 8:00 p.m. ❏ 3rd Saturday Evening, 8:00 p.m.

❏ ASL Interpreted Perf. Series (Sat matinee)

Total Flex Pack Order

Sun-Thurs Evenings ❏ Sunday Evening, 7:00 p.m. (ACTOR TALKBACK DISCUSSION) ❏ Tuesday Evening, 7:30 p.m. ❏ 1st Wednesday Evening, 7:30 p.m. ❏ 1st Thursday Evening, 7:30 p.m. (HAPPY HOUR) ❏ 2nd Wednesday Evening, 7:30 p.m. ❏ 2nd Thursday Evening, 7:30 p.m. (PROLOGUE)

$______________

Indicate if any of these accommodations apply to your purchase ❏ Wheelchair Access ❏ Open Captioning ❏ ASL Interpreted ❏ Audio Description *Supports elementary, middle, and high school student participation in Syracuse Stage educational programs.

KINDLY DETACH AND MAIL TO SYRACUSE STAGE | 820 E. GENESEE ST. | SYRACUSE, NY 13210

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16 17 SEASON 820 E. Genesee Street | Syracuse NY, 13210 | SyracuseStage.org