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LETTER FROM THE ARTISTIC DIRECTOR DEAR FRIENDS,
ROBERT HUPP. PHOTO: BRENNA MERRITT.
Thank you for joining us for our holiday production of Elf The Musical. We’re very glad you’ve joined us for this fun, family musical. Like many of you, the movie version of Elf is a part of the holiday tradition at my house. It joins It’s a Wonderful Life and National Lampoon’s Christmas Vacation as mustsee movies when our kids come home for the holidays. Of course, the movie isn’t a musical, but the stage version embraces the fun of the film and does it one better by wrapping the experience in song and dance that feels just right. I think it’s the perfect recipe for getting us all in the holiday spirit.
to all of you, our subscribers, donors, and patrons for making Syracuse Stage a part of your life. We are fortunate to celebrate 46 years of theatre-making right here in Central New York. We look forward to sharing more good times and great adventures with you in the weeks and months to come. Thank you, and enjoy Elf The Musical.
Our holiday show is particularly special because it highlights our partnership with the Syracuse University Department of Drama. You’re in for a special treat because Elf The Musical features wonderful veteran actors from across the country, our amazing Drama faculty, and our incredibly talented and energetic students. Syracuse Stage is honored to be the professional theatre company in residence here at Syracuse University, and we celebrate our University engagement with this production.
With warmest regards in this holiday season,
Elf The Musical is a joyful celebration of family in all its shapes and forms. As 2018 draws to a close, we want to express our heartfelt gratitude to our Syracuse Stage family. We are thankful
Robert Hupp Artistic Director
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Letter from the Artistic Director Title Taking Photos in the Theatre Cast & Credits Dramaturgical Cast & Artistic Staff Bios About the Department of Drama Department of Drama Faculty and Staff Who We Are Our Mission Our Vision Our Core Values About Syracuse Stage Indigenous Land Acknowledgement In the Community Accessibility Performances General Information Next at Syracuse Stage Next at the Department of Drama Board of Trustees Emeritus Circle Education Advocacy Board Young Adult Council Corporate, Foundation & Government Sponsors Elf The Musical Sponsors Individual, Corporate, Foundation, & Government Gifts In Tribute Planned Giving Matching Gift Program Staff
PROGRAM BOOK Director of Marketing and Communications: Joseph Whelan Advertising: Joanna Penalva Layout: Jonathan Hudak Cover: Brenna Merritt
Elf The Musical Published November 23, 2018 The Syracuse Stage program is published six times a year. For advertising rates and information contact Joanna Penalva at 315-443-2636. Printed by Canfield & Tack.
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College of Visual and Performing Arts PRESENT
BOOK BY
Thomas Meehan and Bob Martin MUSIC BY
LY R I C S B Y
Matthew Sklar
Chad Beguelin
DIRECTED BY
Donna Drake MUSIC DIRECTION BY
CHOREOGRAPHED BY
Brian Cimmet
Brian J. Marcum
BASED UPON THE NEW LINE CINEMA FILM WRITTEN BY
David Berenbaum SCENIC DESIGNER
COSTUME DESIGNER
LIGHTING DESIGNER
SOUND DESIGNER
Czerton Lim
Jessica Ford
Martin E. Vreeland
Jacqueline R Herter
PROJECTION DESIGNER
A S S O C I AT E MUSIC DIRECTOR
S TA G E M A N A G E R
CASTING
Jacob Stebly
Laura Jane Collins*
Harriet Bass Casting
Katherine Freer
Robert Hupp
Jill A. Anderson
Kyle Bass
Ralph Zito
Artistic Director
Managing Director
Associate Artistic Director
Chair, Department of Drama
PRESENTING SPONSOR
SPONSORS
SENSORY-FRIENDLY SPONSOR
MEDIA SPONSORS
SEASON SPONSORS
Originally produced by Warner Bros. Theatre Ventures in association with Unique Features. The videotaping or other video or audio recording of this production is strictly prohibited. Elf The Musical is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI, New York, NY. Tel: 212-541-4684. Fax: 212-397-4684. www.MTIShows.com November 23, 2018 - January 6, 2019 17
TA K I N G P H O T O S I N T H E T H E AT R E Audience members may take photos in the theatre before and after the performance and during intermission. If you post photos on social media or elsewhere, you must credit the production's designers by including the names below. Please note: Photos are strictly prohibited during the performance. Photos of the stage are not permitted if an actor is present. Video and audio recording is not permitted at any time in the theatre.
SCENIC DESIGNER
COSTUME DESIGNER
LIGHTING DESIGNER
Czerton Lim
Jessica Ford
Martin E. Vreeland
SOUND DESIGNER
PROJECTION DESIGNER
Jacqueline R Herter
Katherine Freer
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THE CAST (in alphabetical order) Michelle Arotsky†............................Santa’s Elf, New Yorker, Office Employee, Customer, Store Elf, Skater Madi Beumee†...........Santa’s Elf, Office Employee, Customer, Mom, Store Elf, Skater, Charlotte Denning Markcus Blair†................................Santa’s Elf, Jim, Store Elf, Policeman Doug, Souvlaki Man, Fake Santa Anju Cloud†...........................................Santa’s Elf, Sara, Store Elf, Policewoman Loraine, Skater, Waitress Jayson Elliott*....................................................................................................................................Santa Grace Gentile†..........................Mrs. Claus, New Yorker, Office Employee, Store Elf, Salvation Army Lady Aloysius Gigl*.......................................................................................................................Walter Hobbs Caleb James Grochalski†...................................Santa’s Elf, Flyer Person, Sam, Store Elf, Fake Santa, Skater Crawford Horton†............................Charlie the Elf, Flyer Person, Matthews, Store Elf, Skater, Fake Santa Joshua Keen†.....Santa’s Elf, Business Man/Man Hailing Cab, Security Guard, Store Elf, Skater, Fake Santa Jonathan Kornmeyer.....................................................................................................Boy on Santa's Lap David Lowenstein*...............................................................................................................Mr. Greenway Celia Madeoy*.....................................................................................................................................Deb Kayla Mattocks†....................................................Shawanda, Office Employee, Store Elf, Main Ice Skater Allison Mickelson*.................................................................................................................Emily Hobbs Rachel Mracna‡...................................................................................................................................Jovie Seth Pagliaroli................................................................................................................................Michael Chaz Rose*........................................................................................................................Macy's Manager Devina Sabnis†..........Santa’s Elf, Sneezer Passerby, Office Employee, Macy's Saleswoman, Store Elf, Skater Byron St. Cyr*...........................................Santa’s Elf, Jogger, Security Guard, Store Elf, Skater, Fake Santa Chris Stevens*..................................................................................................................................Buddy Joseph Tully†............................................Santa’s Elf, Teenager, Chadwick, Customer, Store Elf, Fake Santa
SPECIAL THANKS Special thanks to Kelly Johnson, associate director, Department of Recreation Services and the Tennity Ice Skating Pavilion for providing the ice skates used in this production.
*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. The director is a member of the Stage Directors and Choreographers Society, a national theatrical labor union. ‡ Student, Syracuse University Department of Drama, Appears Courtesy of Actors Equity Association. † Student, Syracuse University Department of Drama Elf The Musical is made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.
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UNDERSTUDIES Michelle Arotsky† (Deb), Madi Beumee† (Emily Hobbs, Mrs. Claus) Anju Cloud† (Jovie), Caleb James Grochalski† (Buddy) Johnathan Kornmeyer (Michael), Chaz Rose* (Walter) Byron St. Cyr* (Greenway, Macy's Manager, Santa)
SWINGS Shanel Bailey† (Shawanda, Main Ice Skater, Office Employee, Store Elf, Macy's Saleswoman, Sneezer Passerby, Santa’s Elf, New Yorker, Customer, Skater), Noah Lentini† (Skater, Matthews, Charlie the Elf, Flyer Person, Security Guard, Santa’s Elf, Teenager, Chadwick, Customer, Store Elf, Fake Santa), Victoria Madden† (Santa’s Elf, Office Employee, Customer, Store Elf, Skater, Charlotte Denning, Mrs. Claus, New Yorker, Salvation Army Lady, Santa’s Elf, Sara, Policewoman Doug, Waitress), Kevin Morrison† (Santa’s Elf, Flyer Person, Sam, Fake Santa, Skater, Office Employee, Store Elf, Policeman Vinnie, Souvlaki Man, Business Man/ Man Hailing Cab, Jim, Security Guard)
ADDITIONAL CREDITS Dance Captain: Crawford Horton† Student Assistant to the Choreographer: Carly Caviglia† Associate Scenic Designer: Sammantha Nickel Student Assistant to the Scenic Designer: Renee Ningning Yang† Student Assistant to the Costume Designer: Renee Ningning Yang† Student Assistant to the Lighting Designer: David Jackson† Assistant Projection Designer: Kelly Colburn Student Assistants to the Projection Designer: Garett Pembrook†, Adrian Yuen† Casting Associate: Wallis Dean† Casting Assistant: Andy Jacobson† Stage Management Journeyman: Erin C Brett Stage Management Apprentice: Em Piraino Stage Management Interns: Alyssa Jaffe†, Marilyn Wechsler† Young Actor Supervisor: Megan Berner Deck/Rail Crew: Basil Allen, John Fortunato, Shane Heyn, Larry Macri, Caitlin Radziewski Sound Apprentice: Alex Brock Dressers: Hannah Betters, Christie Donato, Liz Jaquay, Patty Laine, Ashley Vargason Assistant Audio Engineer/Sound Board Operator: Kevin O’Connor Electrics Journeyman/Light Board Operator: Anastasia Sioris Electrics Apprentice/Followspot Operator: Caitlin Weinell Spotlight Operator: Chris Green Wardrobe and Hair Supervisor: Sarah Stark Official Hotels for Guest Artists: The Genesee Grande Hotel, Parkview Hotel
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SONG LIST ACT ONE
Overture..................................................................................................................Orchestra Christmastown..................................................................................Santa, Buddy, Company World’s Greatest Dad....................................................................................................Buddy In the Way.................................................................Deb, Walter, Emily, Michael, Company Sparklejollytwinklejingley.............................................................Buddy, Manager, Company I’ll Believe in You............................................................................................Michael, Emily In the Way (reprise)...........................................................................................Emily, Walter Just Like Him.....................................................................................Buddy, Deb, Company A Christmas Song..............................................................................Buddy, Jovie, Company World’s Greatest Dad (reprise).....................................................................Buddy, Company
There will be one fifteen-minute intermission.
ACT TWO
Nobody Cares About Santa.......................................................Fake Santas, Manager, Buddy Never Fall In Love...........................................................................................................Jovie There Is a Santa Claus.....................................................................................Michael, Emily The Story of Buddy the Elf....Buddy, Walter, Michael, Mr. Greenway, Emily, Deb, Company Nobody Cares About Santa (reprise)..............................................................................Santa A Christmas Song (reprise)...........................Jovie, Buddy, Emily, Michael, Walter, Company Finale......................................................................................................................Company
MUSICIANS Brian Cimmet.............................................................................Keyboard 1/Conductor Joe Carello............................................................................................................Reed 1 Pat Carney..........................................................................................................Trumpet Josh Dekaney...................................................................................................Percussion Dave DiGennaro.............................................................................................Trombone Darryl Pugh..............................................................................................................Bass Jim Spadafore........................................................................................................Reed 2 Jacob Stebly..................................................................Keyboard 2/Associate Conductor
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ELF THE MUSI CAL
SCENIC DESIGN Scenic designer Czerton Lim found inspiration in two ideas: the art of gift giving and the transformative property of snow. The play begins with a gift of a snow globe and is filled with little moments of giving throughout. For that far away land New York City, Lim envisions a very composed, fantastic, and fictive image of the holiday season as celebrated in Macy’s window displays. The design also references iconic New York holiday locales such as the ice rink at Rockefeller Center,
Central Park and Tavern on the Green, and the Empire State Building. "We see the world through Buddy's eyes as if for the first time, even if we the audience have already seen and experienced these iconic places more than once. To Buddy, these places and the people around him are all magical and wonderful, as wonderful and magical as his beloved North Pole, and eventually, that joy and wonder affect even the most cynical people around him."
Scenic sketches courtesy of Czerton Lim.
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CENTRAL PARK.
“To Buddy, these places and the people around him are all magical and wonderful, as wonderful and magical as his beloved North Pole, and eventually, that joy and wonder affect even the most cynical people around him.”
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ELF THE MUSI CAL
COSTUME DESIGN There are approximately 130 costumes in Elf The Musical. For Buddy and the North Pole elves, costume designer Jessica Ford wanted to ground their look in historical research so that they were fanciful and fun without looking too much like the original production. The designs are based on Victorian silhouettes; a time before children’s clothing was differentiated from what the adults were wearing.
dren were dressed like little versions of adults. The proportions are a little funny, which is helpful when you are trying to make full scale people look like elves.” For the New Yorkers Buddy encounters on his journey, the goal was to make each as accurate and real as possible, even if for only a very brief appearance. “The fun of those street scenes is watching Buddy encounter NYC for the first time, warts and all.”
“In the 19th century, chil-
Costume sketches courtesy of Jessica Ford.
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“In the 19th century, children were dressed like little versions of adults. The proportions are a little funny, which is helpful when you are trying to make full scale people look like elves.”
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E L F T H E MU S ICAL
IS THERE A SANTA CLAUS? Real Santa, fake Santa—is there a Santa? Perhaps the most famous response to this question appeared in the New York Sun in an unsigned editorial on Sept. 21, 1897. Written by veteran newsman Francis Pharcellus Church, the response to a letter from Virginia O'Hanlon has since become history’s most reprinted newspaper editorial, appearing in part or whole in dozens of languages in books, movies, and other editorials, and on posters and stamps. The writing belongs to an earlier time; the perspective is worth revisiting. DEAR EDITOR: I am eight years old. Some of my little friends say there is no Santa Claus. Papa says, ‘If you see it in THE SUN it’s so.’ Please tell me the truth; is there a Santa Claus? VIRGINIA O’HANLON. 115 WEST NINETYFIFTH STREET.
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VIRGINIA, your little friends are wrong. They have been affected by the skepticism of a skeptical age. They do not believe except they see. They think that nothing can be which is not comprehensible by their little minds. All minds, Virginia, whether they be men’s or children’s, are little. In this
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YOUNG VIRGINIA O'HANLON.
“Yes, VIRGINIA, there is a Santa Claus. He exists as certainly as love and generosity and devotion exist, and you know that they abound and give to your life its highest beauty and joy. Alas! how dreary would be the world if there were no Santa Claus.” great universe of ours man is a mere insect, an ant, in his intellect, as compared with the boundless world about him, as measured by the intelligence capable of grasping the whole of truth and knowledge. Yes, VIRGINIA, there is a Santa Claus. He exists as certainly as love and generosity and devotion exist, and you know that they abound and give to your life its highest beauty and joy. Alas! how dreary would be the world if there were no Santa Claus. It would be as dreary as if there were no VIRGINIAS. There would be no childlike faith then, no poetry, no romance to make tolerable this existence. We should have no enjoyment, except in sense and sight. The eter-
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nal light with which childhood fills the world would be extinguished. Not believe in Santa Claus! You might as well not believe in fairies! You might get your papa to hire men to watch in all the chimneys on Christmas Eve to catch Santa Claus, but even if they did not see Santa Claus coming down, what would that prove? Nobody sees Santa Claus, but that is no sign that there is no Santa Claus. The most real things in the world are those that neither children nor men can see. Did you ever see fairies dancing on the lawn? Of course not, but that’s no proof that they are not there. Nobody can conceive or imagine all the wonders there are unseen and unseeable in the world.
EDITORIAL WRITER FRANCIS P. CHURCH (THE CENTURY ASSOCIATION ARCHIVES FOUNDATION)
“Nobody can conceive or imagine all the wonders there are unseen and unseeable in the world.” You may tear apart the baby’s rattle and see what makes the noise inside, but there is a veil covering the unseen world which not the strongest man, nor even the united strength of all the strongest men that ever lived, could tear apart. Only faith, fancy, poetry, love, romance, can push aside that curtain and view and picture the supernal beau-
ty and glory beyond. Is it all real? Ah, VIRGINIA, in all this world there is nothing else real and abiding. No Santa Claus! Thank God! he lives, and he lives forever. A thousand years from now, Virginia, nay, ten times ten thousand years from now, he will continue to make glad the heart of childhood.
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CAST Michelle Arotsky (Santa’s Elf, New Yorker, Office Employee, Customer, Store Elf, Skater, u/s Deb) is thrilled to be making her Syracuse Stage debut. She is a senior musical theater major from Voorhees, NJ. This past summer Michelle was a part of The Glimmerglass Festival and played Estella (u/s, perf. Graziella and Consuelo) in West Side Story and played the Cricket in the opera of The Cunning Little Vixen. At the Department of Drama, Michelle recently played Jack’s Mother in the production of Into the Woods (mainstage), Alba in The House of the Spirits (mainstage), was a part of the ensemble in Failure: A Love Story (Loft Theater), and was seen as the Exotic in Le Diable Amoureux (Loft Theater). Michelle was also a part of Jeff Whiting’s workshop of Fly More Than You Fall (Loft Theater). Happy Holidays!
Madi Beumee (Santa’s Elf, Office Employee, Customer, Mom, Store Elf, Skater, Charlotte Denning, u/s Emily Hobbs, Mrs. Claus) is thrilled to be making her Syracuse Stage debut. She is a senior musical theater major from Denville, NJ. At the Syracuse University Department of Drama, Madi has been seen on the mainstage in Into the Woods (Baker’s Wife), Crazy For You (Tess, u/s Irene), Berlin to Broadway with Kurt Weill: A Musical Voyage (Soprano), and Nine (Ensemble, u/s Luisa). She recently played Jennifer in the workshop production of Fly More Than You Fall (studio project) directed by Jeff Whiting. @madibeumee Markcus Blair (Santa’s Elf, Jim, Store Elf, Policeman Doug, Souvlaki Man, Fake Santa) is a senior musical theater major from Miami, FL. Markcus has last been seen in the Syracuse Stage/Department of Drama co-productions of Mary Poppins and The Wizard of Oz as well as Department of Drama productions of Into the Woods (mainstage), The King Stag (mainstage), Berlin to Broadway with Kurt Weill: A Musical Voyage (mainstage), and Ragtime (studio project). Insta @markcusblair
Shanel Bailey (Swing) is a senior musical theater major from Queens, NY. She is thrilled to return to Syracuse Stage in this production of Elf The Musical. Her recent Department of Drama mainstage work includes Into the Woods as Lucinda, The Baltimore Waltz as Anna, and Crazy For You as Mitzi/Polly u/s. She appeared in Oklahoma! as Aggie and as a member of the chorus in Porgy and Bess, both at The Glimmerglass Festival. She has also appeared in the ensembles of the Syracuse Stage/Department of Drama co-productions of The Wizard of Oz and Mary Poppins.
Anju Cloud (Santa’s Elf, Sara, Store Elf, Policewoman Loraine, Skater, Waitress, u/s Jovie) is a junior musical theater major from Los Angeles, CA. She is thrilled to be performing
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GALA HONOREES Chancellor Kent Syverud & Dr. Ruth Chen, June 8, 2018 Robert Moss, June 16, 2017 Tim Bond, June 10, 2016 Diana C. Coles, June 10, 2016 Barbara Beckos, June 10, 2016 Bethaida González, June 19, 2015 James A. Clark, June 7, 2014 Jack H. Webb, June 14, 2013 Dr. Louis G. Marcoccia, June 15, 2012
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CAST in her second co-production with Syracuse Stage. Recent credits include Anybodys in West Side Story (The Glimmerglass Festival), Crystal in Little Shop of Horrors (Department of Drama), and Ensemble/Dorothy Gale u/s in The Wizard of Oz (Syracuse Stage/Department of Drama). She would like to thank this wonderful cast and crew for making such a sparklejollytwinklejingley show possible and her family and friends for their constant support. Enjoy the show!
Grace Gentile (Mrs. Claus, New Yorker, Office Employee, Store Elf, Salvation Army Lady) is a senior musical theater major from East Hartford, CT. Her past credits include Department of Drama’s mainstage productions of Nine (Ensemble, u/s Claudia) and Into the Woods (Narrator), faculty production of First Lady Suite (Amelia Earhart) and studio production/workshop of Fly More Than You Fall (Nora).
Jayson Elliott (Santa) is grateful to be spending the holidays at Syracuse Stage! Favorite credits include: Buddy! The Buddy Holly Story (The Big Bopper-multiple Broadway World nominations), The Full Monty (Dave Bukatinsky), 25th...Spelling Bee (William Barfee), Avenue Q (Brian), The Wizard of Oz (Cowardly Lion), Oklahoma! (Jud Fry), Guys and Dolls (Nicely Nicely Johnson), The Music Man (Marcellus Washburn), Sister Act (Joey), and the Jolly Ol' Elf in multiple holiday productions across the country. Jayson spent the better part of the past two years as the iconic Genie in Aladdin with Disney Cruise Line. You can also look for Jayson with his tribute band, The Rave Ons, as they recreate the final concert of Buddy Holly, Ritchie Valens, and the Big Bopper. Much love and many thanks to everyone at Syracuse Stage, the incomparable Donna Drake, my beautiful wife Karen, and YOU for supporting live theatre! Happy Holidays!
Aloysius Gigl (Walter Hobbs). Since receiving his M.F.A. from the Yale School of Drama, Aloysius has enjoyed a diverse career. Highlights include: The Hunchback of Notre Dame (Archdeacon Frollo), Travesties (Bennett), Sweeney Todd (Sweeney), A Midsummer Night’s Dream (Oberon-Theseus), Les Miserables (Javert), Peter Pan (Captain Hook), Mama Mia (Bill Austin), Ragtime (Mother’s Younger Brother), A Little Night Music (Carl-Magnus), The Royal Family (Tony Cavendish), Serious Money (Jake), Jane Eyre (St. John Rivers), The Phantom of the Opera (Raoul), A Child’s Garden (Robert Lewis Stevenson), As You Like It (Orlando), Romeo and Juliet (Romeo), A View from the Bridge (Rodolfo); as well as roles in Forrest Gump, Law and Order, One Life to Live, and Erotic Fire of the Unattainable. Aloysius thanks his husband, family, and friends for their love and support.
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CAST Joshua Keen (Santa’s Elf, Business Man/Man Hailing Cab, Security Guard, Store Elf, Skater, Fake Santa) is a sophomore musical theater major from Erwin, NC. Credits include 42nd Street at Bucks County Playhouse; Beauty and the Beast, Spamalot, The Little Mermaid, Evita, Oliver! at NC Theatre; and Oklahoma! (Dream Curly), Crazy For You (Bobby Child), Jesus Christ Superstar (Annas) at NC Theatre Conservatory.
Caleb James Grochalski (Santa’s Elf, Flyer Person, Sam, Store Elf, Fake Santa, Skater, u/s Buddy) is a senior B.F.A. musical theater major hailing from Pittsburgh, PA. Favorite performances include Albert Peterson in Bye Bye Birdie, and ensemble of Beauty and the Beast, Saturday Night Fever, and Singing in the Rain (Maine State Music Theatre); Into the Woods, Crazy For You, and Major Barbara (Department of Drama mainstage); The Wizard of Oz and Mary Poppins (Syracuse Stage/Department of Drama co-production). Other performances include Ragtime; White Christmas; Priscilla: Queen of the Desert; Disaster!; Chicago; The Secret Garden. Always for Pappy. @calebjamesgroch
Jonathan Kornmeyer (Boy on Santa’s Lap, u/s Michael) is 11 years old and has seven years of experience with community theatre productions at Rome Community Theater and The Capitol Theater. He has attended Long Lake Camp for the Arts for the last two summers and most recently was cast as LeFou in Beauty and the Beast. He has participated in two Broadway Acting Workshops in New York City. Jonathan is homeschooled and enjoys several sports, sings in a mostly adult choir as a featured soloist, and enjoys the outdoors, cooking, reading, animals, and traveling. Jonathan is a team player, is dedicated, and is passionate about seeking professional opportunities in musical theatre.
Crawford Horton (Charlie the Elf, Flyer Person, Matthews, Store Elf, Skater, Fake Santa/Dance Captain) is a senior musical theater major from Atlanta, GA. Department of Drama credits include The Scarecrow in The Wizard of Oz (co-produced with Syracuse Stage), Bobby Child in Crazy For You (mainstage), Orin in Little Shop of Horrors (mainstage), Leander in The King Stag (mainstage), Ike in First Lady Suite (studio project), Younger Brother in Ragtime (Studio Project), and Mary Poppins (co-produced with Syracuse Stage). Professional credits include Holiday Inn, The Best Little Whorehouse in Texas, and Guys and Dolls (Merry Go Round/FLMTF), La Boheme and Sweeney Todd (The Glimmerglass Festival), and Barnum (The Atlanta Lyric).
Noah Lentini (Swing) is a junior musical theater major from the Detroit suburbs. He is thrilled to be appearing in this year’s Syracuse Stage/
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CAST Department of Drama co-production after appearing in the ensemble of The Wizard of Oz last year. Regional theatre credits include A Christmas Carol (Cincinnati Playhouse); To Kill a Mockingbird, The Grapes of Wrath (Cincinnati Shakespeare Co.); Newsies, La Cage, Evita, Showboat (ILST). Film credits: Unrequited (Lucky Day Productions), The Field Trip (ZoMotion Productions). Huge thank you to Mom and Dad. @noahlentini
The Threepenny Opera (Tiger Brown) at The Connecticut Grand Opera, Jesus Christ Superstar and Evita at Papermill Playhouse, The Merchant of Venice and A Christmas Carol at Syracuse Stage. David’s voice is featured on the original cast recordings of the above Broadway credits, concerts, WhoopDee-Doo!, and in the animated films Anastasia, Bartok the Magnificent, and Buster and Chauncey’s Silent Night. David is professor of practice in the Syracuse University Department of Drama, as well as an alumnus, and artist in residence at Cazenovia College.
David Lowenstein (Mr. Greenway) was last seen as Professor Marvel and The Wizard in The Wizard of Oz. Other Syracuse Stage credits include Admiral Boom, Bank Chairman, and Policeman in Mary Poppins, and his SALT Award-winning turn as Edna Turnblad in Hairspray. Lowenstein’s Broadway credits include: The Frogs (original cast) at Lincoln Center, Seussical (original cast), On the Town, 1776 (original cast, Joseph Hewes), King David, A Christmas Carol (original cast) at Madison Square Garden, Jerome Robbins’ Broadway (original cast). He performed as Major Duomo in Fanfare for New York City Ballet. Concerts include: South Pacific, Anyone Can Whistle, and Jubilee! at Carnegie Hall. Lowenstein’s Off-Broadway credits include: Howard Crabtree’s Whoop-Dee-Doo!, The Truth about Ruth (all the men), Anything Cole, Lady Be Good (Birdie). National Tours include: Company (Paul), 42nd Street (Andy Lee), Jerome Robbins’ Broadway, On Your Toes (Hank J. Smith/ Louis Capataletti). Regional credits include:
Victoria Madden (Swing) is a senior musical theater major from Newtown, CT. At the Department of Drama Victoria has been seen as the Narrator in Into the Woods (mainstage), Anne Frank in Syracuse Stage’s Backstory program, Rummy Mitchens in Major Barbara (mainstage), and The Innocent in Le Diable Amourex (independent). Regional theatres include Cortland Repertory Theatre and The Woodstock Playhouse. Celia Madeoy (Deb). This season marks Celia’s eighth year with Syracuse Stage and on performance faculty with Syracuse University Department of Drama. Past performances include bad nanny Miss Andrew in Mary Poppins, Guido’s Mother in Nine, Adult Woman in Spring Awakening, Frances Flute/Thisbe in A Midsummer Night’s Dream, Mrs. Dubose in To Kill a Mockingbird, Aunt Ev in The Miracle
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JPMorgan Chase & Co. is proud to be a sponsor of Syracuse Stage’s 46th season.
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CAST Worker, and Mrs. Fezziwig in A Christmas Carol. Celia originated the role of Flo in the recent North American World Premier and National Tour of Saturday Night Fever produced first at The Finger Lakes Musical Theatre Festival. She also created world premiere performances as Mistress Hibbins in A Scarlet Letter, Olga Knipper in To Chekhov With Love, and Ana in Who Killed Pablo Neruda? at The Edinburgh Fringe Festival. She’s performed in almost all of Shakespeare’s canon with The Shakespeare Theatre Company, Folger Theatre, Shakespeare & Company, Virginia Shakespeare Festival, and the American Shakespeare Center where she acted with the Blackfriars Playhouse Resident Company as Lady Macbeth, Emilia in Othello, and Phoebe in As You Like It. Celia has also played Kate and Petruchio in separate productions of The Taming of the Shrew at Shakespeare & Company, in which she was named most outstanding actress of the Berkshires twice those seasons. Internationally, she has worked alongside renowned directors and voice teachers of the Royal Shakespeare Company, Australia’s National Institute of Dramatic Art, British American Drama Academy, Canadian National Voice Intensive, and the Shakespeare’s Globe Theatre in London. Celia is a proud M.F.A. acting graduate of The Theatre School Conservatory at DePaul University in Chicago. Member Actors’ Equity Association.
Recent credits include Cabaret, A Raisin in the Sun, West Side Story, and The Drowsy Chaperone. She also appeared in Fly More Than You Fall in the Department of Drama this past spring. Allison Mickelson (Emily Hobbs) is honored to be making her Syracuse Stage and Syracuse University Department of Drama debut! Credits include Alison Bechdel, Fun Home (Portland Center Stage, Colorado Springs FAC, Oregon Contemporary Theatre); Mother, Ragtime (Surflight Theater); Emily Hobbs, Elf The Musical (National Tour); Lola, Damn Yankees, and Mame, Mame (Allenberry Theater). She also starred in the one-woman show, 2.5 Minute Ride, by Lisa Kron at Profile Theatre in Portland, OR, and will return there in April of 2019 to perform Well by Kron and Let Me Down Easy by Anna Deavere Smith. Mickelson has written and performed multiple solo cabarets across the country and is also a choral conductor, music educator, yoga instructor, and social justice activist. May we all be kind to one another in this season and beyond. www.allisonmickelson.com Kevin Morrison (Swing) is currently a sophomore musical theater major from Atlanta, GA. He is super excited to be making his Syracuse Stage debut in Elf The Musical. His most recent credits include Hot Mikado (The Mikado) and Crazy For You (Moose/ Bobby Child u/s) at Orbit Theatrical.
Kayla Mattocks (Shawanda, Office Employee, Store Elf, Main Ice Skater) is a junior musical theater major from Westchester, New York.
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CAST Major thanks to the production team, cast, crew, and his family and friends. He is happy to join this team and make art that inspires. Enjoy the show.
Chaz Rose (Macy’s Manager, u/s Walter) is thrilled to be returning to Syracuse Stage. He was last seen here as Porthos in The Three Musketeers. His off-Broadway credits include Black Angels Over Tuskegee and She Like Girls (GLAAD Award winner). Chaz produced and appeared in the film Writer’s Block, starring Bryan Cranston. Other regional and touring credits include Ragtime (Coalhouse Walker Jr.), Little Shop of Horrors (Audrey II), Full Monty (Horse), The Little Mermaid (Sebastian), CourtMartial at Ft. Devens (Philadelphia Fringe Festival), Prom (New Paradise Laboratories), and Our Town (Arden Theatre Company). He is a graduate of The University of the Arts in Philadelphia and a proud member of Actors’ Equity Association. He has directed and produced more than 20 children’s shows and has toured and performed for more than 100,000 young audience members throughout the United States for various theatre companies. He is thankful for the opportunity to work with such a talented cast and crew, as well as for the never-ending support he receives from his beautiful wife, family, and friends. www.Chazrose.net
Rachel Mracna (Jovie) is a sophomore musical theater major from Pittsburgh, PA. She is thrilled to be making her mainstage debut at Syracuse Stage. Previous credits include Ariel in The Little Mermaid, Gingy in Shrek: The Musical, and Mrs. Kendal in The Elephant Man, at Lincoln Park Performing Arts Center. The Broadway second National Tour of Billy Elliot: The Musical as Debbie, as well as young Cosette in Les Miserables and Oliver! with the Pittsburgh CLO at the Benedum. Seth Pagliaroli (Michael) is proud to be playing Michael in Elf The Musical. This is his first production with Syracuse Stage. He has been acting for two years. His first production was The Music Man with the Baldwinsville Theater Guild, as a River City Kid. He has loved theater ever since. He has played Cat in the Hat in Seussical the Musical at Riley elementary school and Narrator in the Oswego Children’s Theater production of 101 Dalmatians. His music teacher, Ms. Ceara Windhausen, encouraged him to pursue acting. He is a 6th grader at Charles E. Riley Elementary School. When not on stage he loves singing in honor choir, playing drums, trombone, and baseball. He lives at home with his Dad, Mom, and sisters.
Devina Sabnis (Santa’s Elf, Sneezer Passerby, Office Employee, Macy’s Saleswoman, Store Elf, Skater) is a senior musical theater major from New Jersey. In the Syracuse University Department of Drama, Devina has been seen in the ensembles of Ragtime (concert version faculty project) and Failure a Love Story
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CAST (faculty project), and appeared as Malia in Fly More Than You Fall (new musical workshop faculty project). Devina was also in the ensemble of the Syracuse Stage/Department of Drama coproduction of The Wizard of Oz and appeared as Nancy in Pricilla Beach Theatre’s production of Bye Bye Birdie.
tunity. National Tours: Jersey Boys (Nick Massi), Mamma Mia! (Sky), CATS (Rum Tum Tugger). Regional credits include: Grease (Engeman Theatre), South Pacific (Walnut Street Theatre), Footloose (Fulton Theatre), Tarzan (WPPAC), CATS (Theatre by the Sea), The Sound of Music (Paper Mill Play House), and 1776 (PSF). New York City debut: solo show UNWRITTEN at 54 Below. Always thankful for the dream team at B.W.A. Endless love and gratitude to Mom, Dad, Brett, and the man who taught me a love for Christmas like no other, my angel above, Uncle Drew. For my Dad, Jippy, who truly is the “World’s Greatest Dad.” Wishing you all a happy and healthy holiday season!!! Follow me @CJStevens421
Byron St. Cyr (Santa’s Elf, Jogger, Security Guard, Store Elf, Skater, Fake Santa, u/s Greenway, Macy’s Manager, Santa) is thrilled to be a part of Elf The Musical. Past credits: My Fair Lady (National Tour), Ragtime (Paper Mill Playhouse, Weston Playhouse), Hair (ATP), and Jesus Christ Superstar (NSMT) among others. Most recently Byron has made a splash on the cabaret stage with Byron St. Cyr Swings Down Broadway and 4600 Mithra: My New Orleans (2018 MAC nomination). A huge thank you to Charles, Dawn, and Wendy for too many reasons to mention. For more info visit www.byronstcyr.com.
Joseph Tully (Santa’s Elf, Teenager, Chadwick, Customer, Store Elf, Fake Santa) is a sophomore musical theater major at Syracuse University and could not be more excited to be a part of this production. His favorite credits include Shrek Jr. (Lord Farquaad), and Beauty and the Beast Jr. (Gaston) at Walnut Street Theatre, and Bare: A Pop Opera (Alan) at Ritz Theatre.
Chris Stevens (Buddy) feels “merry and bright” to be a part of this special holiday production! Thanks to the amazing Elf team for the oppor-
A R T I S T I C S TA F F Czerton Lim (Scenic Designer) is excited to be collaborating with Syracuse Stage for the first time with the holiday production of Elf The Musical. He frequently works at the Finger Lakes
Musical Theatre Festival at the Merry-Go-Round Playhouse in Auburn during the summer, having recently designed Murder for Two, Ghost the Musical, Parade, Crazy For You, Swee-
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Angel Appeal Stage is committed to providing patrons a special place to connect. A place where we can learn from others’ experiences and share our own. Your support is a vital part of this special place. Thank you to our Stage “Angels” who have contributed to our Annual Angel Appeal.
PLEASE JOIN US. EVERY GIFT MATTERS. MAKE YOURS TODAY. CONTACT DIRECTOR OF DEVELOPMENT, TINA MORGAN, FOR MORE INFORMATION: TMORG100@SYR.EDU, 315-443-3931 SYRACUSESTAGE.ORG
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A R T I S T I C S TA F F ney Todd, and West Side Story to name a few. New York City credits include Storm Theatre, Ma-Yi Theatre Company, National Asian-American Theatre Company, Theatre Mitu/NYUAbu Dhabi, and New York Musical Theatre Festival. He is currently in his fifth year of teaching scene design and other related topics at the State University of New York at Fredonia. A proud member of USA local 829, he is originally from the Philippines. www.czlimdesign.com
sign for These Paper Bullets at Atlantic Theater Company in NYC, the 2015 LA Critics Circle and Sage Awards, a 2016 Ovation nomination for Best Costume Design at Geffen Playhouse in LA, and a 2014 Connecticut Critics Circle Award for Best Costume Design at Yale Rep in New Haven, CT. M.F.A.: Yale School of Drama. www.jessicafordcostumedesign.com Martin E. Vreeland (Lighting Designer) is happy to return to and make his debut at Syracuse Stage. He is an alumnus of the Syracuse University Department of Drama as well as a former Stage employee. Broadway: NHSMTA/2018 Jimmy Awards and 15 Annual Easter Bonnet Competition Shows. Off-Broadway: Lost in Yonkers (TACT), Tryst (Irish Rep), Road to Qatar (York Theatre), Freed (59E59 Theatres). Elsewhere: Arkansas Rep, Broadway Sacramento, North Shore Music Theatre, City Theatre Company, Alabama Shakespeare Festival, Maltz Jupiter Theatre, Theatre Squared, Merrimack Rep, TheatreWorks Hartford, Cape May Stage, Cherry Lane Theatre, PS122, St. Clements, Personal Space Theatrics, Penguin Rep, Engeman Theatre, New Harmony Theatre, Virginia Musical Theatre, Florida Studio Theatre, Stoneham Theatre, and Troika. Martin has also assisted on several Broadway productions including The Lion King.
Jessica Ford (Costume Designer) has Syracuse Stage credits including: The Wizard of Oz, The Glass Menagerie, A Midsummer Night’s Dream, Rent, Fiddler on the Roof, and set and costumes for The Brothers Size and The Santaland Diaries, among others. Recent credits include costumes for The Agitators at Geva Theater Center and Transfers by Lucy Thurber with MCC Theater in NYC, as well as sets and costumes for the world premiere of Project Dawn by Karen Hartman at People’s Light and Theatre Company. Jessica has designed at regional theaters across the country including The Long Wharf Theatre, Cleveland Playhouse, Dallas Theater Center, Baltimore Center Stage, Berkeley Repertory Theatre, Arena Stage, and Alley Theatre to name a few. In NYC she has worked with Women’s Project, Labyrinth Theater Company, Ars Nova, The Play Company, Second Stage, P73, Rattlestick Playwright’s Theatre, Pearl Theatre Co., and The Public Theater, among others. Jessica received a 2016 Drama Desk nomination for Best Costume De-
Jacqueline R Herter (Sound Designer) has served as resident sound designer for twenty seasons at Syracuse Stage and the Syracuse University Department of Drama. She has designed
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A R T I S T I C S TA F F for Indiana Repertory Theatre, Studio Arena, the Wilma, Geva, Round House, Shakespeare Santa Cruz, Virginia Stage, and the Hangar Theater as well as other theatres across the nation. Some favorite designs have been: Next to Normal, The Three Musketeers, Nine, Hairspray, The Overwhelming, Caroline, or Change, The Miracle Worker, The Day Room, The Christians, Radio Golf, Parade, The Diary of Anne Frank, The Lieutenant of Inishmore, Red Noses, The Real Thing, Hedwig and the Angry Inch, M. Butterfly, A Raisin in the Sun, A Lesson Before Dying, Frozen, Copenhagen, Who’s Afraid of Virginia Woolf?, Inherit the Wind, and Big River.
info, portfolio, and full production history please visit: katherinefreer.com Jacob Stebly (Associate Music Director) is a Syracuse-based pianist and graduate of The Eastman School of Music. Last season he was the associate music director for The Wizard of Oz. He serves as assistant music director and a voice teacher for the Department of Drama at Syracuse University where he recently music directed Little Shop of Horrors as well as serving as the assistant music director for Into the Woods and Crazy For You. This coming spring he will be working on the department’s production of Wild Party. He recently performed in Rochester Lyric Opera’s production of You’re Gonna Love Tomorrow and has composed incidental music for Rochester’s Screen Plays production of Cat’s Meow.
Katherine Freer (Projection Designer) is a multimedia designer working in theatre, events, and installation. She is thrilled to return to Syracuse Stage for her ninth production. Her work is driven by the love of storytelling and belief in its power to shift reality. Frequent collaborators include Ping Chong, Liz Lerman, Tim Bond, Kamilah Forbes, and Talvin Wilks. Recent designs include: The Brobot Johnson Experience (Bushwick Starr, dir. Andrew Scoville), Ajijaak on Turtle Island (La Mama, dir. Ty Defoe and Heather Henson), Next to Normal (Syracuse Stage, dir. Bob Hupp), Generation NYZ (New Victory, dir. Sara Zatz and Kirya Yvonne Traber), The Wizard of Oz (Syracuse Stage, dir. Donna Drake), The Curious Incident of the Dog in the Night-Time (Syracuse Stage, dir. Risa Brainin), Detroit 67 (Chautauqua Theater Company, dir. Steve Broadnax). Katherine is a Helen Hayes nominee and an Innovative Theater Award nominee. For more
Laura Jane Collins (Stage Manager) returns for her ninth season with Syracuse Stage and will be a part of the stage management team for Noises Off, Elf The Musical, Pride and Prejudice, and The Humans. Regional credits include: The Curious Incident of the Dog in the Night-Time, Next to Normal, The Magic Play, Disgraced, Stupid F***ing Bird, The Piano Lesson, Chinglish, Scorched, and The Boys Next Door (Syracuse Stage); The Foreigner, Third, The Hound of the Baskervilles, Around the World in 80 Days (Hangar Theatre); Anne of Green Gables: A New Folk Rock Musical, Murder For Two, Ghost: The Musical (Finger Lakes Musical Theatre Festival). Dance production credits include: Slightly Sinful, Ballet on the Edge, The Nut49
PRESENTS
College of Visual and Performing Arts
18 19 SEASON
INTO THE WOODS BOOK BY JAMES LAPINE | MUSIC AND LYRICS BY STEPHEN SONDHEIM | DIRECTED AND CHOREOGRAPHED BY DAVID LOWENSTEIN | MUSIC DIRECTION BY BRIAN CIMMET | OCTOBER 12 21 OPENING NIGHT: OCTOBER 13
NEXT FALL BY GEOFFREY NAUFFTS | DIRECTED BY RALPH ZITO NOVEMBER 9 – 17 | OPENING NIGHT: NOVEMBER 10
ELF THE MUSICAL* BOOK BY THOMAS MEEHAN AND BOB MARTIN MUSIC BY MATTHEW SKLAR | LYRICS BY CHAD BEGUELIN | DIRECTED BY DONNA DRAKE | CHOREOGRAPHY BY BRIAN J. MARCUM | MUSIC DIRECTION BY BRIAN CIMMET | BASED ON THE NEW LINE CINEMA FILM BY DAVID BERENBAUM | CO-PRODUCED WITH SYRACUSE STAGE | NOVEMBER 23 – JANUARY 6 | OPENING NIGHT: NOVEMBER 30
WE ARE PROUD TO PRESENT A PRESENTATION ABOUT THE HERERO OF NAMIBIA, FORMERLY KNOWN AS SOUTH WEST AFRICA, FROM THE GERMAN SÜDWESTAFRIKA, BETWEEN THE YEARS 1884 - 1915 BY JACKIE SIBBLIES DRURY | DIRECTED BY GILBERT MCCAULEY | FEBRUARY 22 – MARCH 3 | OPENING NIGHT: FEBRUARY 23
THE WILD PARTY BOOK, MUSIC, AND LYRICS BY ANDREW LIPPA BASED ON THE POEM BY JOSEPH MONCURE MARCH DIRECTED BY KATHERINE MCGERR | ASSOCIATE DIRECTED AND CHOREOGRAPHED BY ANDREA LEIGH-SMITH | MUSIC DIRECTION BY BRIAN CIMMET MARCH 29 – APRIL 7 | OPENING NIGHT: MARCH 30
GOOD KIDS BY NAOMI IIZUKA | DIRECTED BY HOLLY THUMA MAY 3 -11 | OPENING NIGHT: MAY 4
*DRAMA SUBSCRIBERS WILL RECEIVE VOUCHERS REDEEMABLE FOR TICKETS TO ELF THE MUSICAL. PHOTO: (FROM RIGHT) BRITTANY ADEBUMOLA, MADELEINE INCE, AND CARLY CAVIGLIA IN THE SEAGULL. DIRECTED BY ROB BUNDY. SCENIC DESIGNER: EMMA ANTENEN. COSTUME DESIGNER: FELIX E. COCHREN. LIGHTING DESIGNER: ARIA SIVICK. PHOTOGRAPHER: MICHAEL DAVIS. RALPH ZITO, CHAIR, DEPARTMENT OF DRAMA
TICKETS AND SEASON PACKAGES AVAILABLE VPA.SYR.EDU/DRAMATICKETS 315.443.3275
S E AS O N S PO N S O R
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A R T I S T I C S TA F F cracker (Rochester City Ballet, under the direction of David Palmer). LJ is a graduate of the stage management program in Syracuse University’s Department of Drama.
atre. She cast the original and touring production of August Wilson’s Radio Golf, the Broadway production of Gem of the Ocean, and the Off-Broadway production of Jitney. Selected regional casting credits include Mark Taper Forum, Hartford Stage Co, Arena Stage, Trinity Rep, San Jose Rep, Geva, Syracuse Stage, Pittsburgh Public, Merrimack Rep, Long Wharf Theatre, Alliance Theatre, the Goodman Theatre, Kansas City Rep, Baltimore Center Stage, Huntington Theatre Company, Virginia Stage Company, Dallas Theatre Company, Berkeley Rep, Portland Center Stage, and Playmaker’s Rep.
Harriet Bass Casting (Casting). Harriet is an independent New York casting director for theatre, film, and television. In New York she has cast for ABC/TV, Fox Television Studios, Joseph Papp’s Public Theater: New Work Now, the Minetta Lane Theatre, the Women’s Project, La Mama E.T.C., New York Women in Film and Television, and the Jewish Repertory The-
C R E AT O R S Thomas Meehan (Book) received the Tony Award for co-writing the book for The Producers in 2001 and in 2003 for co-writing the book for Hairspray. He received his first Tony Award in 1977 for writing the book of Annie, which was his first Broadway show, and has written the books for the musicals Rocky, Elf the Musical, Cry-Baby, Young Frankenstein, Chaplin, Bombay Dreams, I Remember Mama, Ain’t Broadway Grand and Annie Warbucks. In addition, he was a long-time contributor of humor to The New Yorker, an Emmy-Award winning writer of television comedy, and a collaborator on a number of screenplays, including Mel Brooks’ Spaceballs and To Be Or Not To Be. Meehan was also a member of the Council of the Dramatists Guild. He and his wife, Carolyn, divided their time between a home in Nantucket
and an apartment in Greenwich Village, near which, on Hudson Street, she owned and presided over the longrunning and near-legendary children’s store Peanut Butter & Jane. Meehan passed away in August 2017. Bob Martin (Book) has been working as an actor and writer in Canadian theatre, film, and television for over three decades. He has had a long association with the Toronto Second City, where he co-wrote and performed in four Second City revues, directed three, and had a stint as artistic director. He is a co-creator of The Drowsy Chaperone, and has performed in many of its incarnations including Ahmanson Theatre (Los Angeles), Marquis Theatre (Broadway), Novello (London). Bob has won a number of awards for his work including an
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C R E AT O R S L.A. Drama Critics Circle Award, an L.A. Stage Alliance Ovation Award, a Drama Desk Award, a Theatre World Award, and a Tony Award. He is also co-creator of the critically acclaimed dramatic series Slings & Arrows. Recent TV projects include Michael: Tuesdays and Thursdays I & II (CBC), Sensitive Skin I & II (HBO), and Elf: Buddy’s Musical Christmas (NBC). Recent theatre projects include Elf (Broadway), Minsky’s (Ahmanson LA), and in development, Gotta Dance, Prom, The Sting, and Millions.
York University, Matthew began playing keyboards for the Broadway production of Les Miserables, eventually conducting the show at 21. He has also been a keyboardist, conductor, and/or arranger for many Broadway productions including Shrek, Caroline, or Change, Nine, Oklahoma, 42nd Street, Putting It Together, Annie Get Your Gun, On the Town, Titanic, Guys and Dolls, Sunset Boulevard, and Miss Saigon. Matthew also appeared onstage as Oscar in the Broadway revival of 42nd Street. Awards include the ASCAP Richard Rodgers New Horizons Award, the Gilman/Gonzalez-Falla Theatre Award, and the Jonathan Larson Performing Arts Foundation Award. Matthew is a proud member of the Dramatists Guild, ASCAP, and the American Federation of Musicians, Local 802. His music is published by Warner/Chappell Music. Matthew was educated at The Juilliard School of Music (Pre-College Division), the Boston University Tanglewood Institute, and New York University.
Matthew Sklar (Music) is a Tony®, Emmy®, and Drama Desk Awardnominated composer. His works include the Broadway musicals Elf and The Wedding Singer (Tony Award Nomination for Best Original Score, Drama Desk Award Nomination for Outstanding Music). He also wrote the music for The Rhythm Club (Signature Theatre), Judas & Me, and Wicked City (American Stage Company). Matthew received a 2015 Primetime Emmy® Award Nomination for Outstanding Music Direction for the critically-acclaimed NBC stop-motion animated TV special Elf: Buddy’s Musical Christmas, starring Jim Parsons. He adapted and arranged the music of Marvin Hamlisch for the Emmy Awardwinning documentary film Marvin Hamlisch: What He Did For Love, seen on PBS/American Masters. Matthew has contributed original songs/music to Sesame Street, Wonder Pets!, and the NBC Broadcast of The Macy’s Thanksgiving Day Parade. As an 18-year-old freshman at New
Chad Beguelin (Lyrics) is a fourtime Tony nominee whose works include Disney’s Aladdin (Tony Award nomination for Best Book and Best Original Score, Drama Desk Award nomination for Outstanding Lyrics and Best Book) and The Wedding Singer (Tony Award nomination for Best Book and Best Original Score, Drama Desk Award nomination for Outstanding Lyrics). He also wrote the lyrics for the Broadway musical Elf, which broke several box office records at the Al Hirschfeld Theatre.
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A strong arts community
is critical in attracting and retaining employees. Keep Syracuse a vibrant and enriching place to live with your business sponsorship today! Plus, the more your give, the more you benefit. FOR MORE INFORMATION, CONTACT TINA MORGAN, DIRECTOR OF DEVELOPMENT AT 315-443-3931 OR TMORG100@SYR.EDU SYRACYSE STAGE GALA. PHOTO: JERRY KLINEBERG.
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C R E AT O R S His play Harbor premiered offBroadway at Primary Stages. Chad also wrote the book and lyrics for Judas & Me (NYMF Award for Excellence in Lyric Writing), The Rhythm Club (Signature Theater) and Wicked City (American Stage Company). He is the recipient of the Edward Kleban Award for Outstanding
Lyric Writing, the Jonathan Larson Performing Arts Foundation Award, the Gilman & Gonzalez-Falla Musical Theater Award and the ASCAP Foundation Richard Rodgers New Horizons Award. Chad is a graduate of New York University’s Tisch School of the Arts Graduate Dramatic Writing Program.
MTI school theatres in the US and in over 60 countries worldwide. MTI is particularly dedicated to educational theatre, and has created special collections to meet the needs of various types of performers and audiences. MTI’s Broadway Junior™ shows are 30- and 60-minute musicals for performance by elementary and middle schoolaged performers, while MTI’s School Editions are musicals annotated for performance by high school students. MTI maintains its global headquarters in New York City with additional offices in London (MTI Europe) and Melbourne (MTI Australasia).
Music Theatre International (MTI) is one of the world's leading theatrical licensing agencies, granting theatres from around the world the rights to perform the greatest selection of musicals from Broadway and beyond. Founded in 1952 by composer Frank Loesser, and orchestrator Don Walker, MTI is a driving force in advancing musical theatre as a vibrant and engaging art form. MTI works directly with the composers, lyricists, and book writers of these musicals to provide official scripts, musical materials, and dynamic theatrical resources to over 70,000 professional, community, and
DIRECTOR Donna Drake. Broadway: original production of A Chorus Line, Sophisticated Ladies, Woman of the Year, The Wind in the Willows, 5678-Dance, It’s So Nice to Be Civilized, and the original production of The 1940s Radio Hour. She directed four Broadway concerts of Nothing Like a Dame for BC/EFA. She is co-writer and director for the acclaimed singing
string quartet, Well-Strung, which debuted at London’s West End, Leicester Square, New York City, and currently on National Tour. Awards: an Emmy nomination, four Drama Desk nominations, a Mac Award nomination, a Theatre World Award, and an Off-Broadway Alliance nomination. She choreographed Catherine Zeta-Jones for the American Film In-
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DIRECTOR stitute Awards (AFI), 2009, and the AFI Awards, 2011, honoring Morgan Freeman and starring Betty White. She directed a new children’s show Addy & Uno, currently running OffBroadway, and John Tartaglia’s ImaginOcean, Off-Broadway and national and international tours. TV: Julie’s Greenroom, starring Julie Andrews (choreography); Monica’s Mixing Bowl; Disney’s Johnny & the Sprites; AFI Awards, 2009 and 2011; ABC TV’s Dear Alex & Annie, One life to Live, and The Edge of Night (contract roles). Regional: The Wizard of Oz, starring Mickey Rooney and Eartha Kitt; Romance in the Dark, starring Jennifer Holliday; Nothing Like a Dame, BC/EFA 2004-06; All
the World’s a Stage at Carnegie Hall. Additional: A Chorus Line, National Tour, AIDA, Cats, Chicago, Godspell, Hairspray, Sister Act, Rent, Tommy, Damn Yankees, NEWSicle, Annie, Love Always, Patsy Cline, Smokey Joes Café, Sweet Charity, Honk!, Lucky Guy, Beauty & the Beast, Anything Goes, and Chess. National tour and documentary film for Varla Jean Merman, BOOBS! The Musical, Christmas with the Crawfords, The Wiz, Little Shop of Horrors, The Buddy Holly Story, The Medium, and John Tartaglia at 54 Below, NYC. Drake is currently teaching acting at Pace University, NYC. Heartfelt thanks to Bob Hupp and all at Syracuse Stage. DonnaDrakedirector.com
MUSIC DIRECTOR Brian Cimmet was the music director for last season’s The Wizard of Oz and Next to Normal (SALT Award, Best Music Director), and has been music director for most productions with Syracuse Stage and the Syracuse University Department of Drama since 2010. With the Department of Drama, Brian teaches classes in Musical Theater Literature and History, Audition Technique, and Music Foundations. Beyond the confines of Syracuse, Brian’s credits include the Broadway companies of Mary Poppins, The Drowsy Chaperone, and Grease, the original Off-Broadway productions of I Love You Because (also the cast album) and The Tin Pan Alley Rag, and over a hundred touring, regional, and stock productions
around the globe. He has composed scores to Absolutely Anything, The Spirit of Reindeer, A Christmas Carol, Burn This, Stop Kiss, Let’s Play Two, Cheese & Cheese & Meat & Cheese, and The Yellow Door of Kindness, and his songs have been nominated for three MAC Awards (Manhattan Association of Cabarets and Clubs). In an entirely unrelated walk of life, Brian is a two-time award winner at the American Crossword Puzzle Tournament, co-creator and cohost of Lollapuzzoola (his own summertime crossword tournament, http://www.bemoresmarter.com), co-host of the weekly crossword podcast Fill Me In, and contributor to several puzzle books, some of which are available at Barnes & Noble.
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GA L A 2 0 1 8 T H A N K Y O U T O O U R G A L A B E N E FA C T O R S Christine Larsen and Vincent Dopulos Mackenzie Hughes LLP Mangano Law Offices Fran and Sally Lou Nichols NBT Bank Michael J. Falcone, Pioneer Companies Rockacres Veterinary Hospital Solvay Bank Dr. Paul Phillips and Mrs. Sharon Sullivan
UNDERWRITERS Bank of America Merrill Lynch BPAS Crouse Health Everson Museum of Art The Hayner Hoyt Corporation JPMorgan Chase & Co. Ashley McGraw Architects, D.P.C. O’Brien & Gere Peterson Guadagnolo Engineers The Dorothy and Marshall M. Reisman Foundation Syracuse University
SPONSORS Advance Media New York George Bain Mark Jackson & Candace Campbell Jackson Syracuse Banana
V I P TA B L E S Michael & Jacki Goldberg National Grid
GALA SUPPORTERS PAT R O N TA B L E S
Edward S. Green & Associates LLC Neil and Helene Gold Hueber-Breuer Construction Co., Inc. Huen Pathfinder Bank The Austin and Alesandro Group at UBS Financial Services Zellar Homes
Barclay Damon Bond, Schoeneck & King, PLLC Bousquet Holstein PLLC Cathedral Candle Company Excellus BlueCross BlueShield Neil and Helene Gold Bea González and Michael Leonard Hancock Estabrook, LLP
As of June 4, 2018
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CHOREOGRAPHER Brian J. Marcum is a director, choreographer, dancer, and professor. Brian is so thankful to revisit this holiday classic here at Syracuse Stage after being the associate choreographer of this original holiday hit, Elf The Musical on Broadway. Most recently, Brian directed and choreographed Crazy For You for Syracuse University’s Department of Drama. He has also directed and/or choreographed for The North Carolina Theatre, Music Theatre of Wichita, Alpine Theatre Project, Lyric Theatre of Oklahoma, and Summer Repertory Theatre among others. As a dancer, Brian performed in six Broadway shows, The Gershwins’ Fascinating Rhythm, Saturday Night Fever, the Tony Award-winning revival of 42nd Street, The Boy from Oz starring Hugh Jackman, Spamalot, and The Drowsy Chaperone. He has toured nationally with Annie Get Your Gun and State Fair and internationally with The Who’s Tommy. He has performed at many of the best regional theatres in the country as well as the best theme parks in the world including, Disney-
World and TokyoDisneyland. He has danced with the world famous Radio City Rockettes in the Christmas Spectacular and the Spring Spectacular and has performed numerous times on the Tony Awards, the Macy’s Thanksgiving Day Parade, in music videos and the movie of The Producers. Brian teaches master classes all over the country and has toured with Dance Olympus, taught for Broadway Theatre Connection, Southern Association of Dance Masters, Chicago National Association of Dance Masters, Oklahoma Dance Masters, Dance Masters of America, and Lachey Arts. He has been on the dance faculty at Vanderbilt University, Belmont University, and Broadway Dance Center and Ballet Arts in New York City. Brian spent six years as an associate professor of dance in the Ann Lacy School of American Dance and Arts Management at Oklahoma City University and is now a dance professor in the musical theater program at the Syracuse University Department of Drama where he teaches tap, jazz, and theater dance.
ARTISTIC DIRECTOR Robert Hupp is in his third season as artistic director of Syracuse Stage. He recently directed Noises Off, Next to Normal, and The Three Musketeers for Stage. Prior to coming to central New York, Robert spent seventeen seasons as the producing artistic director of Arkansas Repertory Theatre in Little Rock. He directed over 30 produc-
tions for Arkansas Rep ranging from Hamlet to Les Miserables to The Grapes of Wrath. In New York City, Robert directed the American premieres of Glyn Maxwell’s The Lifeblood and Wolfpit for the Phoenix Theatre Ensemble. He also served for nine seasons as the artistic director of the Obie Award-winning Jean Cocteau Repertory. At the Cocteau, Robert’s directing credits include works by
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ARTISTIC DIRECTOR Buchner, Wilder, Cocteau, Shaw, Wedekind and the premieres of the Bentley/Milhaud version of Brecht’s Mother Courage and Her Children, Seamus Heaney’s The Cure at Troy, and Eduardo de Filippo’s Napoli Millionaria. He has held faculty positions at Pennsylvania’s Dickinson College and, in Arkansas, at the University of Arkansas at Little Rock and Hendrix College. Robert served as vice president of the Board of Directors of the Theatre Communications Group and has served on funding panels for the
New York State Council on the Arts, National Endowment for the Arts, the Theatre Communications Group, the New Jersey State Council of the Arts, and the New York City Department of Cultural Affairs. While in Arkansas, Robert was named both Non-Profit Executive of the Year by the Arkansas Business Publishing Group, and Individual Artist of the year by the Arkansas Arts Council. He and his wife Clea ride herd over a blended family of five children, one dog, and two cats.
MANAGING DIRECTOR iumaa, Estonia. Previously, Jill spent five years in the production office at Washington DC’s Arena Stage, after working as a stage manager in Minnesota, New Mexico, and Massachusetts. In addition to her work at Stage, Jill is an instructor in the Theater Management program of the Syracuse University Department of Drama, building on her work with high school and college students elsewhere, including at the Kennedy Center American College Theater Festival. Jill was recognized as part of the Central New York Business Journal’s “40 Under Forty” awards in 2017 and has served on numerous municipal and non-profit boards. Jill is a proud cheesehead, hailing from Marshfield, Wisconsin. She and her husband Dave Anderson, along with their daughter, are pleased to call Central New York home.
Jill A. Anderson has served as managing director of Syracuse Stage since 2016. Jill is responsible for Stage’s nearly $6.5 million operating budget and has oversight of fundraising, marketing, and operational matters within the organization. Prior to joining Stage, Jill spent a decade as general manager at the Eugene O’Neill Theater Center in Waterford, CT. During her tenure, the O’Neill completed a $7 million capital campaign and campus expansion, doubled its operating budget, and was honored with a 2015 National Medal of Arts and the 2010 Regional Theatre Tony Award. Under the O’Neill’s aegis, Jill also developed the Baltic Playwrights Conference, an annual international new play development retreat held in Hi-
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A S S O C I AT E A R T I S T I C D I R E C T O R Kyle Bass is the author of Possessing Harriet, commissioned by the Onondaga Historical Association, which received its world premiere at Syracuse Stage earlier this season. A two-time recipient of the New York Foundation for the Arts Fellowship (for fiction in 1998 and playwriting in 2010), a finalist for the Princess Grace Playwriting Award, and Pushcart Prize nominee, Kyle’s full-length plays include Tender Rain, The Faith of our Fathers, and Bleecker Street. Separated, a piece of documentary theatre about the student military veterans at Syracuse University was presented at Syracuse Stage and at the Paley Center in New York, directed by Robert Hupp. Kyle is the co-author (with Ping Chong) of Cry for Peace: Voices from the Congo, which had its world premiere at Syracuse Stage and was subsequently produced at La MaMa Experimental Theatre in New York City. Kyle’s one-act plays include Fall/Out, Theory of Night, Love is a Blue Velvet Box, Spoons, Northeast, and The Cutaneous Rabbit Illusion. Kyle has begun writing a new full-length play: Lakeview, which is set in a small city situated between a large university and a sacred but troubled body of water, and on the verge. As dramaturg, Kyle worked with acclaimed visual artist Carrie Mae Weems on her theatre piece Grace Notes: Reflections for Now, which had its world
premiere at the 2016 Spoleto Festival USA in Charleston, South Carolina, subsequently produced at Yale Rep and the Kennedy Center. As a screenwriter, Kyle is the coauthor of the original screenplay for the film Day of Days (Broad Green Pictures, 2017), which stars awardwinning veteran actor Tom Skerritt, and he is the author of the screenplay adaptation of the novel Milk by Darcy Steinke. Kyle has been commissioned by the Society for New Music to write the libretto for an opera based on the life and music of legendry folk singer and guitarist Libba Cotten. Kyle’s plays and other writings have appeared in the journals Callaloo, Folio, and Stone Canoe, among others, and in the essay anthology Alchemy of the Word: Writers Talk about Writing. He is drama editor for the journal Stone Canoe. Recently named Burke Endowed Chair for Regional Studies at Colgate University, Kyle has taught in the M.F.A. Creative Writing program at Goddard College since 2006 and also teaches playwriting in Syracuse University’s Department of Drama, theatre courses in the Department of African American Studies, and has been guest lecturer in playwriting at Hobart & William Smith College. Kyle is creator and curator of Syracuse Stage’s Cold Read Festival of new plays, holds an M.F.A. in Playwriting from Goddard College, and is a proud member of the Dramatist Guild of America.
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C H A I R , D E PA R T M E N T O F D R A M A Ralph Zito is in his ninth year as chair of the Department of Drama. He came to Syracuse University from the Juilliard School Drama Division, where he had been a teacher and director from 1992 to 2010 and chair of the Voice and Speech Department since 1999. He was a director and adjunct lecturer in the Barnard College Theater Department from 2006 until 2010 and has been a guest artist at training programs across the country, including the Old Globe in San Diego, The University of Texas at Austin, and the Academy for Classical Acting in Washington, DC. Directing credits for the Department of Drama include: Next Fall, The Spitfire Grill, As You Like It, Gruesome Playground Injuries, and The Aliens. He has served as a voice, text or dialect consultant for numerous professional productions both on and off-Broadway, including: The Light in the Piazza; Awake and Sing!; The Herbal Bed; Mrs. Klein; The Fiery Furnace; The Time of the Cuckoo (Lincoln Center Theatre); Tongue of a Bird; The Mer-
chant of Venice (New York Shakespeare Festival); The Pitchfork Disney (Blue Light Theatre Company); Birdy (The Women’s Project); The Model Apartment (Primary Stages); the New York premiere of Tony Kushner’s SLAVS! (New York Theatre Workshop); and The African Company Presents Richard III (The Acting Company). His regional theater credits include numerous productions at The Shakespeare Theatre and Arena Stage in Washington, DC; Syracuse Stage; Baltimore CENTERSTAGE; Hartford Stage; and the McCarter Theatre, among others. A former touring member of The Acting Company, he served as artistic associate of The Chautauqua Theatre Company for seven years and was a member of the Board of Directors of The American Society for the Alexander Technique (AmSAT) for six years. He is a graduate of Harvard University, The Juilliard School, and the American Center for the Alexander Technique. He was recently awarded the prestigious Juilliard President’s Medal in recognition of his contributions to both Juilliard and to the broader performing arts community.
A B O U T T H E D E PA R T M E N T O F D R A M A Part of the College of Visual and Performing Arts, the Syracuse University Department of Drama offers degree programs in acting, musical theater, theater design and technology, stage management, and theater management utilizing conservatory-style training in a university setting and in collaboration with Syracuse Stage. With much appreciation, the Depart-
ment of Drama wishes to acknowledge the valuable contribution of the Syracuse Stage staff. While students are responsible for designing the technical elements of most Drama productions, implementing these designs requires a significant contribution by the professional staff of the Syracuse Stage production department.
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S Y R A C U S E U N I V E R S I T Y D E PA R T M E N T O F D R A M A Chair..............................................................................................................Ralph Zito Business Manager.............................................................................................Lisa Tucci Administrative Specialist......................................................................Charlotte Santella Director, Tepper Semester in NYC..............................................................Lisa Nicholas Assistant Musical Director............................................................................Jacob Stebly Director, 914Works.........................................................................................Scott Rose
F U L L - T I M E FA C U L T Y Brian Cimmet Gerardine Clark James A. Clark Felix E. Cochren Jr. Stephen Cross Rodney Hudson Felix Ivanov
Rebecca Karpoff Marie Kemp Alex Koziara Victor Lazarow Andrea Leigh-Smith David Lowenstein Celia Madeoy
Brian J. Marcum Maria Marrero Katherine McGerr Thom Miller Anthony Salatino Holly Thuma
A D J U N C T FA C U L T Y Jill Anderson Rob Andrusko Dianna Angell Kathleen Baum Kyle Bass Dave Bowman Rob Bundy Don Buschmann Diane Coloton Richard Crawley Gretchen Darrow-Crotty Peggy Droz Danita Emma
Kathryn Fathers Len Fonte Kelley Hamilton Jacqueline R Herter Mary Houston Robert Hupp Sandra Knapp Nicholas Kowerko Holly K. LaGrow Victoria Lillich Karen Menter William Morris Leslie Noble
Stuart Plymesser Rebecca Schuetz Hanni Schwarzlander Abel Searor Blake Segal Kevin Shumway Jacob Stebly Randy Steffen Renee Storiale Joseph Whelan Matthew Winning Kathleen Wrinn
A C C O M PA N I S T S Barry Blumenthal, Kerry Dromgoole, David Sabin, Abel Searor, Jacob Stebly
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Thank You TO OUR VIP BUSINESS SPONSORS FOR HELPING TO BRING THIS MAGICAL HOLIDAY TALE TO LIFE!
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WHO WE ARE Syracuse Stage is the non-profit, professional theatre company in residence at Syracuse University. We are nationally recognized for creating stimulating theatrical work that engages Central New York, and for our significant contribution to the artistic life of Syracuse University, where we are a vital partner in achieving the educational mission of the University’s Department of Drama.
OUR MISSION Syracuse Stage tells stories that engage, entertain, and inspire us to see life beyond our own experience.
OUR VISION Reimagining what's possible for regional theatre–through active inclusion, innovative outreach, and bold productions–Syracuse Stage shapes the culture and social vitality of Central New York, enriches the Syracuse University student experience, and fosters change in ourselves, our communities, and our world.
O U R C O R E VA L U E S People - Actively including diverse individuals, communities, ideas, and perspectives. Passion - Commitment to integrity, excellence, and enthusiasm in our work. Curiosity - Fostering an innovative and adaptive environment that elicits wonder.
A B O U T S Y R A C U S E S TA G E Originally constructed as the Regent Movie House in 1914, the physical space of Syracuse Stage has seen many films, musicians, actors and artists pass through its doors over the course of the past century. The Syracuse Stage that exists today is a nonfor-profit professional theatre company founded in 1974, and a longstanding League of Resident Theatres (LORT) member. Since its inception, Stage has produced over 300 shows, both plays and musicals, within its walls. Now, Stage produces six to seven shows per season, while also offering educational programs to students, various pre- and post-show events, and fundraising events each year. Stage is Central New York’s only LORT theatre and one of the largest performing arts organizations in the area. Stage has a strong commitment to giving the community access to a range of high-quality productions; it is equally committed to bringing in actors, designers and directors who are among the leading theatre professionals, both locally and across the nation.
INDIGENOUS LAND ACKNOWLEDGEMENT Syracuse Stage acknowledges with respect the Onondaga Nation, the indigenous people on whose ancestral lands we now stand.
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IN THE COMMUNITY Stage has collaborated with a myriad of institutions in the Syracuse area. Community partners include AccessCNY, ARC of Onondaga, ARISE, ArtRage, CNY Reads, Interfaith Works of Central New York, La Casita, McMahon / Ryan Child Advocacy Center, Onondaga Historical Association, Rosamond Gifford Zoo at Burnet Park, SUNY Upstate Medical University, the VA Medical Center, and Vera House. Additionally, the educational department collaborates with many CNY schools.
ACCESSIBILITY PERFORMANCES 2018/19 ELF THE MUSICAL
PRIDE AND PREJUDICE
Sat. Dec. 8, 3:00 S Sat. Dec. 8, 3:00 A Wed. Dec. 5, 2:00 O Sat. Dec. 15, 8:00 O Sun. Dec. 16, 2:00 O Sat. Dec. 29, 3:00 R/SF
Sat. Mar. 30, 3:00 S Sat. Apr. 6, 3:00 A Wed. Mar. 27, 2:00 O Sat. Apr. 6, 8:00 O Sun. Apr. 7, 2:00 O Sat. Apr. 2, 7:30 R/SF
NATIVE GARDENS
THE HUMANS
Sat. Feb. 23, 3:00 S Sat. Mar. 2, 3:00 A Wed. Feb. 20, 2:00 Sat. Mar. 2, 8:00 O Sun. Mar. 3, 2:00 O
Sat. May 4, 3:00 S Sat. May 11, 3:00 A Wed. May 1, 2:00 O Sat. May 11, 8:00 O Sun. May 12, 2:00 O
O
American Sign Language = S Sign Language Interpreted Performance Series supported in part by Welch Allyn, in memory of Susan Thompson. An American Sign Language Interpreted performance is offered for every production. For the most advantageous viewing, be sure to mention your interest in sign interpretation when reserving tickets.
Relaxed/Sensory-Friendly = R/SF Relaxed/Sensory-Friendly performances provide a welcoming environment that lets all patrons express themselves freely without judgment or inhibition. These live theatre experiences invite and encourage individuals with autism, ADD, ADHD, dementia, and sensory sensitivities to enjoy the performance in a "shush-free" zone. All tickets for Relaxed/Sensory-Friendly performances are $25 and include a 100% refund right up to the start of the show. Tickets can be reserved by calling the Box Office. Contact Kate Laissle at kmlaissl@syr.edu or 315-4427755 for more information.
Open Captioned = O Open Captioning is provided for two matinee performances and one evening performance of every production. A small screen, placed to the side of the stage, displays text corresponding to the play’s dialogue and other sounds. Open Captioning can be viewed from most seats in the theatre. However, for the most advantageous viewing, please contact the Box Office. Open Captioning is supported by grants from Theatre Development Fund’s TAP Plus Praagram, NYSCA and donations from individuals and corporations.
Audio Enhancement We offer a wireless FM system for patrons with up to a 70% hearing loss. Headsets can be reserved free of charge at the Coat Room before curtain, or patrons can use their own earbuds or headphones, or with t-coil technology for those who use hearing aids equipped with a t-switch.
Audio Description = A Simultaneous live narration and pre-show description for blind and visually impaired patrons. Please call the Box Office in advance to reserve headsets.
Wheelchair Seating and Accessibility Syracuse Stage is wheelchair accessible. Please call the Box Office at 315-443-3275 to arrange wheelchair seating.
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G E N E R A L I N F O R M AT I O N Syracuse Stage 820 East Genesee Street Syracuse, NY 13210-1508 Administration: 315-443-4008 Box Office: 315-443-3275 www.SyracuseStage.org
carry a $5 fee per ticket. Flex Pack holders may make one free exchange per show. Subscribers may make unlimited free exchanges; upgrade charges may apply. Subscribers who missed a scheduled performance and did not exchange may use their Extra Value Coupon or purchase a missed performance pass for $5.
Group Discounts Available Available for groups of 10 or more; additional discounts for student/senior citizen groups. Contact Tracey White: 315-443-9844, trwhite@syr.edu
Latecomers In order to ensure the safety and concentration of the actors and the uninterrupted enjoyment of our patrons, latecomers will be seated at the earliest, appropriate break in the performance in the closest available seats.
M&T Bank Pay-What-You-Will We believe everyone should be able to attend Syracuse Stage performances. With this in mind, we are offering 76 tickets to one performance of each show on a pay-what-you-will basis. Dates can be found on our website. Tickets must be claimed in person at the Box Office on the day of performance only, limit of two per person. Subject to availability. Box Office Hours The Box Office is open Monday through Friday, 10 a.m. to 6 p.m., and two hours before each performance. Box Office phone: 315-443-3275. Box Office fax: 315-443-1408. Gift Certificates Call the Box Office or visit us online at SyracuseStage.org Parking Entrance to the enclosed parking garage on Irving Avenue is on the corner of Madison Street and Irving, next to the Madison-Irving Medical Building. For hours of operation and parking costs, call 315-475-4742. There is an open parking lot between Phoebe’s Restaurant and Coffee Lounge and the garage maintained by Syracuse University. Fire Notice The exit indicated by a red sign nearest the seat you occupy is the shortest route to the street. In the event of an emergency, walk to that exit and follow the house staff ’s directions. Smoking Policy The Syracuse Stage/Drama Complex is proud to be tobacco- and smoke-free. To help ensure a healthy and respectful environment, the use of all tobacco and tobacco-related products is prohibited on the property, including buildings, sidewalks, and parking areas. For more information visit: wellness.syr. edu/tobacco-free
Buy It if You Like It! Many of the items featured in our productions are available for purchase. For information contact Mary Houston, Props Master: 315-443-2437. To Volunteer as an Usher If you would like to get a backstage view of Syracuse Stage, or would like to expand your social circle, this is the ideal opportunity for you. All we ask for is a positive attitude, a smiling face and the willingness to commit a few hours a month. Please call our House Manager at 315-443-3219 for more information. Emergency Telephone Contact To be reached in an emergency, please leave your name and seat location at the Coat Room when you arrive. This is the only way we can locate you. In case of an emergency you may be reached at 315-443-9922. SyracuseStage.org Subscribe, purchase Flex Packs, gift certificates, and single tickets 24-7. Information, schedules, reviews and more. Cell Phones For the actors’ safety and in consideration of the audience please turn off all cell phones. Advertiser Support Syracuse Stage encourages audience members to support the businesses advertised in our program. Taking Photos In The Theatre Audience members may take photos in the theatre before and after the performance and during intermission. If you post photos on social media or elsewhere, you must credit the production's designers by including their names, which may be found on the title page of this program.
Quiet Children Quiet children over the age of five are welcome at Syracuse Stage performances. We do ask that adults remove disruptive children to the lobby.
Please note: Photos are strictly prohibited during the performance. Photos of the stage are not permitted if an actor is present. Video and audio recording is not permitted at any time in the theatre.
Ticket Exchange All tickets may be exchanged. Please call the Box Office 24 hours prior to the earliest performance involved in the exchange. Single ticket exchanges
Beverage Policy Only drinks in Syracuse Stage’s Approved Theatre Containers may be brought into the theatre. Those containers are available for purchase at the Gift Shop in the Coyne Lobby and at the bar.
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N E X T AT S Y R A C U S E S TA G E
NATIVE
GARDENS
NATIVE GARDENS
PRIDE AND PREJUDICE
BY KAREN ZACARÍAS | DIRECTED BY MELISSA CRESPO CO-PRODUCED WITH GEVA THEATRE CENTER FEBRUARY 13 - MARCH 3 | OP E NING NIGHT: F E B R UAR Y 1 5
BY KATE HAMILL | DIRECTED BY JASON O’CONNELL MARCH 20 - APRIL 7 | OPENING NIGHT MARCH 22
In the age of The Crown and Victoria, we go back to the Anglophile source with Kate Hamill’s playful adaptation of Jane Austen’s classic romance, Pride and Prejudice. The outspoken Elizabeth Bennet faces mounting pressure from her status-conscious mother to secure a suitable marriage. But is marriage suitable for a woman of Elizabeth’s intelligence and independence? Especially when the irritating, aloof, self-involved… tall, vaguely handsome, mildly amusing, and impossibly aristocratic Mr. Darcy keeps popping up at every turn? What? Why are you looking at us like that? Literature’s greatest tale of latent love has never felt so theatrical, or so full of life than it does in this effervescent new adaptation. Hey, Jane Austen could show these upstart hipsters a thing or two.
Enjoy a light-hearted look at what ails us in this witty and spot-on new comedy. Take a semi-retired Washington bureaucrat and his defense contractor wife, a young Chilean lawyer and his doctoral student wife, set them cheek by jowl in a border dispute over a couple of feet of property in a Georgetown backyard, and let the laughter begin. Privilege, prejudice, and yes, a border dispute all get an equitable skewering in this punchy and playful show. The road to recovering our shared sense of decency might just begin with laughter. A winner of the National Latino Playwriting Award, Karen Zacarías is among the most produced playwrights in the nation. This satirical gem shows us why.
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N E X T AT T H E D E PA R T M E N T O F D R A M A
WE ARE PROUD TO PRESENT...
THE WILD PARTY
B Y JAC KI E S I B B L I E S D R U R Y | DI R E C TE D B Y GILBERT MCCAULEY | FEBRUARY 22 – MARCH 3 O P E N I N G N I G H T : F E B R UAR Y 2 3
BOOK, MUSIC, AND LYRICS BY ANDREW LIPPA BASED ON THE POEM BY JOSEPH MONCURE MARCH | DIRECTED BY KATHERINE MCGERR ASSOCIATE DIRECTED AND CHOREOGRAPHED BY ANDREA LEIGH-SMITH | MUSIC DIRECTION BY BRIAN CIMMET | MARCH 29 – APRIL 7 | OPENING NIGHT: MARCH 30
Ever wonder what it would be like to be in the rehearsal room when actors are digging ferociously into their psyches to discover a moment of revelation, or arguing heatedly over a character’s motivation? In We Are Proud to Present …, a company of six actors gathers in a rehearsal room to tell the little-known story of the first genocide of the 20th century—the extinction of the Herero tribe at the hands of their German colonizers. Along the way, they test the limits of empathy as their own stories, subjectivities, assumptions and prejudices catalyze their theatrical process. Eventually the full force of a horrific past crashes into the good intentions of the present, and what seemed a faraway place and time comes all too close to home in this exceptional play about the sensitivities and difficulties inherent in the act of storytelling itself.
You’re invited to a party—a wild Hollywood party set in the Roaring 20s. Queenie and Burrs are your hosts. An intoxicating array of beverages will be served, music and dancing will raise the roof, and trouble will most certainly make an appearance. What’s a party without at least a little trouble? Based on Joseph Moncure March’s 1928 narrative poem, The Wild Party is a steamy prohibition tale driven by one of the most exciting, pulse-racing scores ever written. When you need to cut loose, how far is too far?
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S Y R A C U S E S TA G E B O A R D O F T R U S T E E S CHAIR
Rick Shirtz Regional President NBT Bank PRESIDENT
Bea González Vice President for Community Engagement Syracuse University CHAIR-ELECT
Nancy Green President Edward S. Green & Associates VICE CHAIR
Janet Audunson Assistant General Counsel National Grid VICE CHAIR
Larry Harris EVP and CFO Saab Defense and Security, USA VICE CHAIR
Melvin T. Stith Dean Emeritus, Whitman School of Management Syracuse University VICE CHAIR
Phil Turner Pastor Bethany Baptist Church TREASURER
Lorraine Branham Dean/Professor, S.I. Newhouse School of Public Communications Syracuse University SECRETARY
Sharon Sullivan Community Volunteer Jill Anderson** Managing Director Syracuse Stage George S. Bain Freelance Editor and Writer Barbara Beckos Retired Syracuse Stage Dan Berman Partner Hancock Estabrook, LLP Sandra Brown President Grandma Brown’s Beans, Inc.
Nancy Byrne Community Volunteer
Rod McDonald Bond, Schoeneck & King
Steve Chase Senior Vice President BPAS
Samantha Millier Associate Attorney Mackenzie Hughes LLP
Robin Curtis Zellar Homes/Berkshire Hathaway CNY Realty
Molly Mulvihill VP, Market Manager Enterprise Business & Community Engagement Bank of America
Richard Driscoll Sr. Commercial Banking Relationship Manager Commercial Banking Division NBT Bank Herman R. Frazier Senior Deputy Athletics Director Syracuse University Helene Gold Private Voice & Piano Instructor Neil Gold Retired VP Gold Pure Food Products Jacki Goldberg VP Fundraising Syracuse Stage John Huhtala Relationship Manager Middle Market Commercial Banking Chase
Fran Nichols Chair Emeritus, Syracuse Stage Eric Mower + Associates Marc Nichols Executive VP & General Counsel SAAB USA, LLC. Virginia Parker Retired Educator Annette Peters Marketing Director Syracuse Media Group Kendall Phillips Associate Dean, Global Academic Programs and Initiatives Syracuse University Amir Rahnamay-Azar Chief Financial Officer Syracuse University
Robert Hupp** Artistic Director Syracuse Stage
Molly Ryan Partner, Goldberg Segalla LLP
Kathy Kelly Health Educator, PNP, retired
Robert Sarason Retired Lawyer, Organizer, Fundraiser
Larry Leatherman Retired Bristol-Myers Squibb, MOST Dan Lent Vice President Solvay Bank Anthony Malavenda Duke’s Root Control Rocco Mangano Partner Mangano Law Office, PLLC Julia Martin Associate Attorney, Bousquet Holstein Kevin R. McAuliffe Partner Barclay Damon Suzanne McAuliffe Retired Educator
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L. John Steigerwald IV Marketing and Sales Representative Cathedral Candle Company Cora Thomas Radio Host and Office Manager, WAER Michael S. Tick Dean, College of Visual and Performing Arts Syracuse University Ralph Zito** Chair Syracuse University Department of Drama Michael Zoanetti VP Senior Wealth Advisor Tompkins Financial Advisors **Ex-Officio
S Y R A C U S E S TA G E E M E R I T U S C I R C L E We are grateful to the following individuals who have served as Members of the Stage Board of Trustees and continue to support Syracuse Stage at the Circle level. Jim Breuer Mary Beth Carmen Joan Green Elizabeth Hartnett
Jack Mannion Margaret Martin Eric Mower Judy Mower
Michael Shende Jack Webb
SYRACUSE STAGE EDUCATION ADVOCACY BOARD Sara Bambino
Elizabeth Defurio
Linda Ponza
CICERO-NORTH SYRACUSE
NOTTINGHAM HIGH SCHOOL
SOLVAY HIGH SCHOOL
David Fisselbrand
Jennifer Sabatino
AUBURN HIGH SCHOOL
CATO-MERIDIAN MIDDLE SCHOOL
HIGH SCHOOL
Todd Benware CHRISTIAN BROTHERS ACADEMY
Melissa Morgan
Jordan Berger
BAKER HIGH SCHOOL
JAMESVILLE-DEWITT HIGH SCHOOL
Matthew Phillips
Rhiannon Berry
JAMESVILLE-DEWITT HIGH SCHOOL
LIVERPOOL HIGH SCHOOL
Y O U N G A D U LT C O U N C I L Samantha Aitken
Ryan Dunn
Nancy O’Connor
JAMESVILLE-DEWITT HIGH SCHOOL
FAYETTEVILLE-MANLIUS HIGH SCHOOL
JAMESVILLE-DEWITT HIGH SCHOOL
Emma Baker
Garrett Frink
Tyler Piper
NOTTINGHAM HIGH SCHOOL
PHOENIX HIGH SCHOOL
JORDAN-ELBRIDGE HIGH SCHOOL
Chloe Butler
Chloe Hill
Victoria Sayre
JAMESVILLE-DEWITT HIGH SCHOOL
PAUL V. MOORE HIGH SCHOOL
MARCELLUS HIGH SCHOOL
Derek Caldeira
Lauren Lammers
Peyton VanBoden
FABIUS POMPEY HIGH SCHOOL
C.W. BAKER HIGH SCHOOL.
HOMESCHOOLED
Emma Clardy
Joe McCurdy
Eleanor Wester
JAMESVILLE-DEWITT HIGH SCHOOL
LIVERPOOL HIGH SCHOOL
CAZENOVIA CENTRAL SCHOOL
Cami Cortez
Jade McKenney
WESTHILL HIGH SCHOOL
NOTTINGHAM HIGH SCHOOL
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SYRACUSE STAGE ANNUAL GIFTS Syracuse Stage depends on the generosity of contributions from individuals, corporations, businesses, foundations, and government agencies. It is with much gratitude that we recognize the following donors to our annual campaign. For information regarding levels of contribution and benefits of each please contact the Development office at 315-443-3931 or visit syracusestage.org.
CORPORATE, FOUNDATION, AND GOVERNMENT SPONSORS
Richard Mather Fund
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CORPORATE, FOUNDATION, AND GOVERNMENT SPONSORS
J.M. McDonald Foundation
Contributions listed above are current as of October 22, 2018 and reflect operating support of $2,800+ and in-kind donations of $10,000+.
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ELF THE MUSICAL SPONSORS NBT Bank is committed to putting customers first and actively investing in the communities we call home. We are excited to be involved again with Syracuse Stage for another great season, this year supporting the theatrical production of Elf The Musical. Please join us in congratulating Syracuse Stage on an outstanding season, and for the continuing value that they bring to the cultural community in Central New York. Carrier is proud to continue to support Syracuse Stage and is delighted to sponsor the mainstage play Elf The Musical this season. We salute Syracuse Stage for remaining committed to its mission of bringing such exceptional performances and educational programming of live theatre to our community for over 40 years. Excellus BlueCross BlueShield is a nonprofit company that provides access to high-quality, affordable health coverage to about 1.5 million people across upstate New York. We are pleased to partner with Syracuse Stage in bringing our community some holiday cheer with Elf The Musical. Please join us in congratulating Syracuse Stage on its 2018-2019 season and for helping us to embrace our inner elf with this modern-day holiday classic. Cathedral Candle Company has been a familyowned and operated business on the Northside of Syracuse for over 120 years. Thank you to Syracuse Stage for entertaining and enlightening our community with outstanding live theatre, we are honored to support your work. Upstate Medical University. Syracuse Stage is widely recognized as a sparking gem in the Central New York performing arts scene. Syracuse Stage has been uniquely successful in its rich tradition of producing stimulating stage productions and has provided educational and performance opportunities for students and artists alike. Upstate Medical University is proud to be a long-time supporter. We offer a standing ovation to our neighbor: Syracuse Stage.
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INDIVIDUAL, CORPORATE, FOUNDATION, & GOVERNMENT GIFTS New and increased gifts this season will be matched by The Richard Mather Fund. $100,000+ Syracuse University $75,000 - $99,999 Bill & Nancy Byrne The Dorothy and Marshall M. Reisman Foundation $50,000 - $74,999 Advance Media New York CNY Arts, Inc Destiny USA The Shubert Foundation $20,000 - $49,999 CNY Community Foundation iHeartMedia Richard Mather Fund $15,000 - $19,999 Allyn Family Foundation Howard L. Green Foundation, Inc. M&T Bank NBT Bancorp Inc Benefactors Circle $10,000 - $14,999 AXA Foundation George Bain Bank of America Business Journal News Network Cumulus Media News Channel 9 The John Ben Snow Foundation & Memorial Trust Paul Phillips & Sharon Sullivan Urban CNY WAER Founders Circle $7,500 - $9,999 JP Morgan Chase Mary & Larry Leatherman Elinor Spring-Mills & Darvin Varon Syracuse New Times WRVO
Playwrights Circle $5,000 - $7,499 Carrier Corporation Cathedral Candle Company Community Bank Fred L. Emerson Foundation Excellus BlueCross BlueShield Michael & Barbara Flintrop Rosamond Gifford Foundation Helene & Neil Gold Michael & Jacki Goldberg Gail Hamner & Daniel Bingham Peter & Brigitte Herzog J.M. McDonald Foundation LeChase Construction Lockheed Martin Lockheed Martin Employees Federated Fund Suzanne & Kevin McAuliffe Eric & Judy Mower Sally Lou & Fran Nichols Pathfinder Bank Raymour & Flanigan Furniture Patricia & Melvin Stith SUNY Upstate Medical University Syracuse Symposium: Stories Tompkins Trust Company Wegmans Producers Circle $2,800 - $4,999 Janet Audunson & David Youlen Bank of New York Mellon Jane Burkhead & Robert Sarason Grandma Brown Foundation Sandra L. Brown Mary Beth & Pete Carmen Margaret, Amy, & Bob Currier Gladys Krieble Delmas Foundation Bill Eggers
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Sandra Fenske Fidelity Charitable Bea Gonzalez & Michael Leonard Larry & Ann Harris Nancy Kramer & Doug Sutherland Roberta & Rocco Mangano David Murray & Judith Sayles Fredrick & Virginia Parker Selma Radin Theatre Development Fund, Inc. Dr. & Mrs. Thomas R. Welch Directors Circle $1,500 - $2,799 Barbara Beckos & Art McDonald Boeheim Foundation Kris & Jeffrey Bogart Lorraine Branham & Melvin Williams Jim & Cathy Breuer Richard Bunce Mark Jackson & Candace Campbell Jackson Peter Cannavo & Helen Jacoby James Clark & Sharon Gordon Kristin & Sidney Cominsky Bob & Bobbie Constable Robin Curtis & David Zeller Edward & Susan Downing Dick & Therese Driscoll Peggy & Dana Dudarchik Alex Epsilanty & Dan Jonas Herman Frazier Mary Ann Finn Barbara Genton Joan Green Nancy Green & Tony Marschall Betsy Hartnett David & Sally Hootnick Robert & Clea Hupp Sandra Hurd & Joel Potash Jewish Community Foundation of CNY
Randy & Elizabeth Kalish Kathy Kelly & Len Weiner Leslie Kohman & Jeffrey Smith KPMG, LLP Dan & Ann Lent Andrew S. London, Ph.D. and Alan E. Curle, MD Martine Burat & Anthony Malavenda Jack Mannion & Stephanie Miner Julia & Lee Martin Pete & Betsy McKinnell Molly & Kevin Mulvihill Rosemary Pooler Dr. Amir Rahnamay-Azar Rissa & Michael Ratner Frank and Frances Revoir Foundation Molly Ryan & Tim Byrnes Elaine & Michael Shende Margaret & Richard Shirtz George & Rita Soufleris Dr. & Mrs. Sam Spalding Raymond & Linda Straub Cindy Sutton & Family Peter & Cherry Thun TIAA-CREF Trust Michael & Cathy Tick Linda & Jack Webb Welch Allyn Glenda & Larry Wetzel Woodbine Group, Inc Dr. Yu and Mr. Qi Michael & Laurie Zoanetti Star $1,000 - $1,499 Jill & Dave Anderson ACLS Mailing & Fulfillment Action Printwear, Inc. Paula Dendis Bankers Healthcare Group Bousquet Holstein Craig & Kathy Byrum Steven & Seanne Chase Joan Christy John Druke Edward S. Green & Associates Mary Ann Finn Grace & Michael Flusche Karen & Daniel Fuleihan Winnie Greenberg Hampton Inn & Suites, Syracuse North (Airport Area)
Nancy & Lee Herrington Homewood Suites, Liverpool/Syracuse John & Kimberly Huhtala Dr. Lawrence Myers Paciorek Orthodontics Jan & David Panasci Panasci Charitable Trust Annette & Kenneth Peters Sutton Companies Super 8 Motel Liverpool/ Syracuse Syracuse Research Corporation Tru by Hilton Syracuse North (Airport Area) Leading Role $500 - $999 George & Sandra Abbott Anoplate Corp. Marion Barbero Daniel & Sarah Berman Donald Blair & Nancy Dock William & Audrey Boyd Marlene A. Brown Craig Buckhout Drs. Jayne & Larry Charlamb Charney Family Foundation George Curry Roger & Naomi DeMuth Stephen & Catherine DiMarco Lewis & Elaine Dubroff Allen & Anita Frank Douglas Goldschmidt & David Jacobs Golub Foundation Lawrence & Dorothy Gordon Drs. Michael & Wendy Gordon Theodore C. & Antonia M. Hansen David Heisig & Donna Mahar Heritage Masonry Restoration Joyce Homan Huen New York The Kelberman Center Ellen & Terry Lautz Law Office of Keith D. Miller Bob & Pat Lebel Elizabeth D. Liddy George & Roseann Lorefice
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In Tribute Contributions have been made to Syracuse Stage to honor someone, celebrate a special occasion, or offer an expression of sympathy in memory of a loved one.
Andre Bishop in honor of Bob Moss Andrea Fleck Clardy in honor of Bob Moss Anne Grace in memory of Audrey Dwyre Bruce Hoover in honor of Bob Moss Carol Bryant in honor of Virginia Parker Charlie & Beth Beach in honor of Rosemary Curtis Daniel Fuleihan in honor of Boss Moss Dene A. Sarason's children in memory of Dene Sarason Diane Kuppermann in honor of Jacki Goldberg Diane Orcutt in honor of Bob Moss Dr. Lawrence Myers in memory of Betty Jane Myers Dr. Susan & Mr. S Jeffrey Bastable in honor of Chancelor Kent Syverud & Dr Ruth Chen Elizabeth Burton in honor of Julia Martin Elizabeth Humphreys in memory of Barbara Burke Liptak Gary Pugh in honor of Audry Dwyre Gene Gill in honor of Bob Moss George Bain in honor of Don Buschmann. And all the production shops at Stage Gwynne Bellos in memory of Dr. Neal Bellos
Mackenzie Hughes LLP Elizabeth G. Mascia Rod & Jana McDonald Elizabeth & Walter Merriam John & Joan Nicholson Doren & Dennis Norfleet Mike & Maggie O'Connor Lois & Ted Schroeder Kendrick & Gracia Sears Lowell Seifter & Sharon McAuliffe James W. Shults Lynn & Corrine Smith L. John Steigerwald IV Paul Steiner The Taishoff Center Gregg Tripoli Lennie Turner Phil & Janice Turner Supporting Role $150 - $499 Alan Byer Auto Sales, Inc Eric Alderman Anaren Kristi Andersen Robert & Jeanne Anderson Anthony Antonello & Danielle Quintus Chris Arnold & Ellen Yeomans Peggy & Tim Atseff Aminy Audi Gail & Dennis Baldwin Theresa & Dennis Bardenett Todd Battaglia Gerhard & Carole Baule Andrew & Margot Baxter Dr. Joanne & Jim Beckman Phyllis & William Berinstein Berkshire Hathaway Dr. Sylvia Betcher & Martin Korn Kathleen Bice Roslyn Bilford Bill Rapp Superstore Diana Biro and Eric Rogers Gerald & Barbara Black Cynthia Blume Richard Bowman Eric & Carol Boyer Mary Brady Susan & Thomas Brett Angel & Walter Broadnax Melanie Comito & Spencer Brown Nicholas & Carolyn Brust
Kevin Bryans Marion L. Burke Mary & Bill Butler Frank & Kathy Campagna Ronald Capone Robert Caswell Linda Tassa & Joseph Cerroni Susan Chappuis Margaret Charters Anthony & Carolyn Cimino Sam & Carolyn Clemence Susan & Craig Cobb Paul & Linda Cohen Martha Cole Jack & Lori Coleman The Concept @235 Joan & Robert D. Conine William & Julia Consroe Malcolm & LaRae Cottrell Dannible & McKee, LLP Judith Dannible Peter & Margaret Darby Clive & Sandra Davis Carol Decker Bill & Terry Delavan George & Margaret DeLorenzo Sandra DiBianco Cynthia Dietz Alan B. Dolmatch Sharry W. Doyle Elizabeth & Evan Dreyfuss Jonathan & Rosanne Ecker Bill & Betsy Elkins Linda & Greg Ellstrom Ted & Penny Emerick Richard Ernst Linda Fabian & Dennis Goodrich Daniel Fisher & Lori Rublman Robert & Terry Flower Len Fonte Patricia Fortunato Phillip & Marilyn Frankel Kurt Frazier Jeffrey & Teresa Freedman Cyril & Elinor Freeman Kathleen & Kenneth Freer Silvia & David Fry Melanie & Mark Fullerton Allen & Nirelle Galson Giarrusso Building Supplies, Inc Ernest & Penny Giraud Dr. Roger & Mrs. Vicki Greenberg
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H. Paul Steiner in honor of Tracey White Holly Thuma in memory of Genevieve and Theodore Thuma James MacKillop in Memory of Patricia MacKillop Jeff Purdy in honor of Enoch Purdy JoAnn Wickman in memory of Arlene Alpaugh Jody Harvey in memory of Mrs. Audrey W. Dwyre John Huppertz & Diane Mastin in honor of Fran and Sally Lou Nichols John Kunert in honor of Aisha Shanes John Wolf in honor of Bob Moss Joyce Homan in honor of Bob Moss Judy Rubin in honor of Bob Moss Judith Dannible in memory of Anthony F. Dannible Kathleen M. Effler in honor of Damian M. Effler Kathleen M. Effler in memory of Steven W. Effler Lorne and Ellen Runge in memory of Laurie Clark Molly Corley in honor of Fran Nichols Nancy and Joesph Gorrell in honor of Bob Moss Robert Moss and Michael Brennan in honor of Tracey White and Don Buschmann Rocco Mangano in memory of Ed Green Susan Dorn in memory of Philip K. Dorn Susan Kaplan in honor of Bob Moss Winona Rainbow, Jodi Gunther, Cindy & Jim Altman in memory of Audrey Dwyre
Mark & Cynthia Dowd Greene Jerry & Beth Groff Ms. Carol Guido Greg & Elaine Hallett Mr. H. Baird Hansen & Mrs. Sarah Hansen Margaret Harding & Joseph Whelan David & Ellen Hardy Dr. & Mrs. Donald M. Haswell Sharon Hayford Mary Hershberger Drs. Joseph & Paula Himmelsbach Joseph J. Hipius Alexander & Charlotte Holstein Judy & John Hoepner Hueber-Breuer Construction Co., Inc. IBM Foundation Linda & Dr. John Isaac Virginia Jacob Robin & Mark Kasowitz Norma Kelley Amy Kemp Jeanne Kempton Key Bank - Foundation Russell & Joan King King David's Restaurant Kathy & Barry Kogut Elizabeth Kolodney and Barbara Sutton Sheldon and Karen Kruth Ellen & Robert LeBerge Lauren & Robert Lalley Randall LaLonde & Patricia Homer Jay & Linda Land Lawrence Lardy Elizabeth D. Liddy Zalie and Bob Linn Edward & Carol Lipson
David Michel & Peggy Liuzzi Kathleen Lloyd Nicholas & Cathy Lozoponi Julie Lutz Marlene & Scott Macfarlane Jon Maloff Louis & Nancy Maresca Candace & John Marsellus Susan Martineau Elizabeth G. Mascia Michael Masingale Mr. and Mrs. Peter Mazzaferro Laurel Moranz & John McAllister Phillip & Juli McCann Mary Ellen McDonald Michael & Patricia McGrath Howard McLaughlin & Mary O'Hara Sam & Margaret McNaughton Dr. & Mrs. James L. Megna Maggie & Andreas Meier Ben & Julie Merchant Michael Miller & Katharine O'Connell Dan & Terry Miller Peter & Gail Mitchell David & Beth Mitchell Robert & Barbara Moore Patricia Naughton Network for Good Brenda R. Neuss Marc Nichols Sally O'Herin Phyllis Olmsted Donna & Richard O'Neil Deborah O'Shea David & Susan Palen Cathy Palm Robert & Teresa Parke Susan R. Parker Ralph & Mary Lou Penner
Kendall Phillips & Catherine Thomas Jane Pickett Marilyn Pinsky Mr. and Mrs. Robert Rabin Dan & Kathy Rabuzzi David Rankert Teresa Reller Michael & Cindy Rogan Neil & Erica Rube Arnie & Libby Rubenstein Elaine Rubenstein Linda & Bob Ryan Marc Safran Anthony & kelly Scalzo Peter Scheibe & Margaret Gelfuso Marilyn & Mike Sees Geraldine Sheehan Pamela Sherwood Rhoda Sikes Robert M. & Harriet Silverman Harold & Ruth Smulyan Laurence Sovik Helene & George Starr Lawrence Stewart & Pamela Sunshine Christopher & Laina Stupp Thomas Talbot J. Martin & Jackie Talcik Steve & Kathleen Tallman Peter Vanable & Anne Jamison Lynn Vanderhoek & Michael VanVranken Gershon & Dina Vincow Meghan & TJ Vitale Robert & Anita Wagner Linda Webb Peter N. Wells Lynda & Terry D. Wheat David & Daryll Wheeler Gregory Wilt Tina Winter Lola Winter
PLANNED GIVING A planned gift is a way to make a significant and lasting gift to Syracuse Stage. By making a bequest to the theatre, you are assuring that Syracuse Stage will continue to inspire, stimulate, and entertain Central New York audiences for generations to come, as well as maintain its high artistic standards that are recognized locally, and nationally. Mary Louise Dunn Fund Dr. William J. Clark, Jr. Fund
The Estate of Rosemary Curtis
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In Honor and Memory of Sheldon P. Peterfreund and Josephine A Peterfreund
Matching Gift Program
Key Foundation Lever Brothers Company
The following companies will match gifts of their employees, retirees, and spouses with a gift of their own to Syracuse Stage. Ask your personnel office for a matching gift form, send the completed form with your gift – and we’ll do the rest!
Marine Midland Bank,
AT&T
Mutual Life Insurance Co.
Allied-Signal, Inc. American Express Company Avon Products, Inc. AXA Equitable Bank of America
Digital Equipment Corporation
Ins. Co.
General Foods Corporation
Chemical Bank
John Hancock Mutual
Coopers Industries Foundation Crouse Hinds Co. – Cooper Industries Deluxe Corporation
Foundation Owens-Illinois, Inc.
GlaxoSmithKline
N.A.
NCR Corporation
Niagara Mohawk
Farmer & Traders Life
CNA Foundation
Insurance Companies
The MONY Group
New York Telephone
Society
GE Foundation
Citicorp & Citibank,
Mobil Oil Corporation
National Grange
Fireman’s Fund Insurance
Chubb Group of
Merrill Lynch
Equitable Life Assurance
Bristol-Meyers Squibb CIGNA Corporation
McDonald’s Corporation
Emerson Electric Co.
Borden, Inc. Foundation
N.A.
Life Insurance The Home Depot Foundation
Pitney Bowes The Prudential Foundation Charles Schwab Radio Shack Rockwell Automation Trust SmithKline Beecham Labs The St. Paul’s Companies The Travelers Companies
Honeywell IBM Corporation J.P. Morgan Chase & Co.
United Parcel Service United Technologies Corp.
Johnson & Johnson
Verizon
Kemper National P&C
Welch Allyn Xerox Corporation
Co.
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S Y R A C U S E S TA G E S TA F F
Artistic Director.............................................................................................................Robert Hupp Managing Director.....................................................................................................Jill A. Anderson Associate Artistic Director....................................................................................................Kyle Bass P R O D U C T I O N S TA F F
Director of Production Operations...........................................................................Don Buschmann Associate Director of Production Operations..........................................................Dianna Angell Company Manager/Production Management Assistant..............................................Brian Crotty Production Management Apprentice...................................................................Audrey Flynn Production Management Intern.....................................................................Samuel Arencibia Technical Director..................................................................................................Randall Steffen Assistant Technical Director............................................................................Rebecca Schuetz Scene Shop Foreman...........................................................................................Michael King Carpenters.................................................Andrew Burns, Caleb Harris, Cheyenne McBurney Graduate Assistant................................................................................................Joshua Baker Student Assistants....................................................................Garett Pembrook, Allison Turlo Scenic Charge Artist...........................................................................................Holly K. LaGrow Assistant Scenic Artist...........................................................................................Phillip Dyke Graduate Assistants.......................................................................................Louise Thompson Props Supervisor.....................................................................................................Mary Houston Props Carpenter...............................................................................................Jordan Michaud Props Artisan....................................................................................................Jessica Culligan Props Graduate Assistant........................................................................................Drew Davis Student Assistants.....................................................................Shannon Bagoly, Logan Shiller Costume Shop Manager..........................................................................Gretchen Darrow-Crotty Assistant Costume Shop Manager/Drama Department Costume Coordinator.....Mallory Kay Nelson Cutter-Drapers...............................................................Catherine Hennessy, Meghan Pearson First Hand.........................................................................................................Victoria Lillich Stitchers.......................................................................................Emily King, Katelyn Yonkers Craftsperson/Shopper.........................................................................................Sandra Knapp Wardrobe and Wig Supervisor.................................................................................Sarah Stark Student Assistants......................................................................Michaela Vivona, Xinglan Yan Lighting and Projection Supervisor..................................................................David M. Bowman Electrician…….......................................................................................................Jed Daniels Electrics Journeyman/Board Operator...............................................................Anastasia Sioris Electrics Apprentice/Followspot Operator........................................................Caitlin Weinelll Student Assistants..................................................Samuel Arencibia, Ian Borowik, Aria Sivick Resident Sound Designer/Audio Engineer......................................................Jacqueline R Herter Assistant Audio Engineer................................................................................Kevin O’Connor Sound Apprentice...........................................................................................Alexandra Brock Production Stage Manager....................................................................................Stuart Plymesser Stage Manager..............................................................................................Laura Jane Collins Stage Management Journeyman............................................................................Erin C Brett Stage Management Apprentice................................................................................Em Piraino 80
S Y R A C U S E S TA G E S TA F F
A D M I N I S T R AT I V E S TA F F
General Manager....................................................................................................Michael McCurdy Comptroller..............................................................................................Mary Kennett Morreale Human Resources Manager/Business Associate.......................................................Kathy Zappala Student Business Office Intern...........................................................................Kristen Brown Director of Information Management & Technology...................................Garrett Wheeler-Diaz Box Office Managers.......................................Laurie Lindsey, Courtney Richardson, Aisha Shanes Box Office Assistants..........................Abby Cieslewski, Chidube Egbo, Talia Fossum-Wernick Rupert Krueger, Nick Lacopo, Chelsea Perez, Samoya Peters Lexie Smychynsky, Olivia St. Peter, Mary Storholm Box Office Intern..............................................................................................Margot Correa Audience Services Manager........................................................................................Jacob Ellison Audience Services Assistant.................................................................................Ella Lafontant Assistant House Manager...............................................................................Patricia Condello Student Assistant House Managers..................Manda Borden, John MacLeod, Jackson Norman McKenna Vargas, Marilyn Wechsler Bartenders...........Daisha Abdillahi, Meg Pusey-Anthis, Michelle Cannizzo, Evan Starling-Davis Ushers (Non-Student).......................................................................Alex Herter, Sarah Herter Student Ushers.........Summer Ainsworth, Haley Ayers, Blake Brewer, Anju Cloud, Ella Coste, Shamel Fadloun, Olivia Herz, Ellie Kallay, Calvin Keener, Clare Kenny, Dylan King, Jaelle LaGuerre, Kerri McAneney, Grace Morgan, Denise Romero, Eli Shwartz, Charles Curtis Towle III, Damon Williams, Haley Wright Director of Development...............................................................................................Tina Morgan Development Manager.......................................................................................Stefania Ianno Development Assistant.................................................................................Elizabeth Gardner Development Intern.............................................................................................Daniel Wilde Director of Education & Community Engagement.......................................................Joann Yarrow Associate Director of Education.............................................................................Kate Laissle Community Engagement and Education Assistant...................................MiKayla Hawkinson Education Assistant...................................................................................................Len Fonte Education Intern.................................................................................................Greg Mytelka Director of Marketing and Communications..............................................................Joseph Whelan Group/Corporate Sales Manager..........................................................................Tracey White Marketing Manager...........................................................................................Joanna Penalva Patron Campaign Specialist.........................................................................Nori Gartner-Baca Graphic Designers.................................................................Jonathan Hudak, Brenna Merritt Group Sales Assistant........................................................................................Amanda Kurey Student Group Sales Assistant.............................................................................Lia Chapman Marketing Interns...................................................................Cara Christian, Christine Liggio Executive Assistant..................................................................................................Rebecca Li Grady Artistic Student Intern..................................................................................................Crystal Heller Sign Language Interpreters....................Brenda Brown, Jim Brown, Aaron Burton, Angelo Coppola, Mikki Evans, Sue Freeman, Joanne Jackowski, Zenna Preli, Trisha Schwartz, Ryan Wight Open Captioning..................................................................................................Jessika Whitehouse Audio Description...................................................................................Kate Laissle, Joseph Whelan Community Services Officers.......................................................Stacey Emmons, Joseph O'Connor Custodians.............................................................................Kitty Ashby, Les Edwards, Tony Rogers 81
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A SEASON BURSTING with dynamic stories & vibrant characters NOISES OFF
NATIVE GARDENS
SEPTEMBER 12 - 30
FEBRUARY 13 - MARCH 3
By Michael Frayn Directed by Robert Hupp
By Karen Zacarías | Directed by Melissa Crespo | Co-produced with Geva Theatre Center & Portland Center Stage
Hailed as the funniest farce ever written . . . a festival of delirium.
POSSESSING HARRIET OCTOBER 17 - NOVEMBER 4
By Kyle Bass | Directed by Tazewell Thompson | Commissioned by the Onondaga Historical Association Presented by Nancy and Bill Byrne A world premiere inspired by the true story of Harriet Powell who escaped slavery while visiting Syracuse in 1839.
ELF THE MUSICAL NOVEMBER 23 - JANUARY 6
Book by Thomas Meehan and Bob Martin | Music by Matthew Sklar Lyrics by Chad Beguelin | Directed by Donna Drake | Choreography by Brian J. Marcum | Musical Direction by Brian Cimmet | Based on the New Line Cinema film by David Berenbaum Co-produced with the Syracuse University Department of Drama Great songs, great fun, and tons of holiday cheer.
A spot–on new comedy skewers walls, border disputes, and more from adjoining backyards in Georgetown, Washington, D.C.
PRIDE AND PREJUDICE MARCH 20 - APRIL 7
By Kate Hamill Directed by Jason O’Connell Jane Austen’s classic gets a bright and lively makeover for the 21st century.
THE HUMANS APRIL 24 - MAY 12
By Stephen Karam | Directed by Mark Cuddy | Co-produced with Geva Theatre Center The 2016 Tony Award winner for Best Play.
ADDED SHOW
THE LAST FIVE YEARS MAY 29 – JUNE 16
Written and Composed by | Jason Robert Brown | Directed by Jason Alexander Musical Direction by Brian Cimmet A compelling musical of love gained and love lost.
COLD READ FESTIVAL
Flex Packs on Sale! SAVE UP TO 30% COMPARED TO SINGLE TICKETS 315.443.3275 | SyracuseStage.org SEASON SPONSORS
MARCH 7 - 10
Curated by Kyle Bass Featuring Playwright Larissa FastHorse