Yoga Play Program by Syracuse Stage

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FOR WHAT’S NEXT

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LETTER FROM THE ARTISTIC DIRECTOR

DEAR FRIENDS,

 ROBERT HUPP. PHOTO: BRENNA MERRITT.

Welcome to the second half of our 49th season! Thank you for joining us for Yoga Play. If we’ve learned anything over the course of these past two years, we’ve learned that even our best laid plans are no match for Mother Nature. We’re extremely grateful to you for your flexibility and dedication as we continue to navigate the everchanging challenges of the pandemic. This Covid time tends to leave us feeling isolated and uncertain. Now, more than ever, we need the opportunity to share the joy of common experiences. With your support, we’ll continue to produce work in the context of the safety guidelines and best practices outlined by our unions, Syracuse University, Onondaga County, and the CDC. Whenever we can do so in a manner that is safe for our audience, staff, and artists, we will do our best to offer relief and refuge and provide a ray of optimism and a sense of community for all.

seriously overpriced trousers that we used to call sweatpants…). In the very capable hands of our new associate artistic director Melissa Crespo, who is joined by a stellar cast and creative team, this revealing and spot on comedy should prove just the right antidote for our cold Syracuse winter. Thank you for continuing to make Syracuse Stage a part of your life. Enjoy Yoga Play!

With this in mind, we’re proud to produce the East Coast premiere of Dipika Guha’s satirical comedy, Yoga Play. Guha’s play has been on our minds (and in our season) for the past two years. Her work seems especially timely in this moment when our forced isolation has fostered an explosion of the athleisure wear industry. (I’m writing this note while wearing some pretty comfy and

With warm regards,

Bob Hupp Artistic Director

TA B L E O F C O N T E N T S 7 11 12 13 18 26 36 37 44 45 46 48 49 50 61 62

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Letter from the Artistic Director Title Taking Photos in the Theatre Cast & Credits Dramaturgical Cast & Artistic Staff Bios Who We Are Our Mission Our Vision Our Core Values | About Syracuse Stage Anti-Racism Pledge Land Acknowledgement In the Community | Board of Trustees | Emeritus Circle Education Advocacy Board Young Adult Council | Corporate, Foundation & Government Sponsors | Sponsors | Individual, Corporate, Foundation, & Government Gifts | In Tribute | Planned Giving Matching Gift Program | Staff

PROGRAM BOOK Director of Marketing and Communications: Joseph Whelan Advertising: Joanna Penalva Layout: Jonathan Hudak Cover Design: Brenna Merritt

Yoga Play | January 19 - February 6, 2022 The Syracuse Stage program is produced six times a year. For advertising rates and information contact Joanna Penalva at 315-443-2636. Printed by QMC Group.

SUBSCRIPTIONS ON SALE NOW

LIVE THEATRE RETURNS!

OCT. 13 – 31, 2021

EUREKA DAY By Jonathan Spector Directed by Robert Hupp

NOV. 19, 2021 – JAN. 2, 2022

Back Together!

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MATILDA THE MUSICAL

Book by Dennis Kelly | Music and Lyrics by Tim Minchin | Based on the book Matilda by Roald Dahl | Directed by Donna Drake Musical Direction by Brian Cimmet Choreography by Andrea Leigh-Smith JAN. 19 – FEB. 6, 2022

YOGA PLAY

By Dipika Guha | Directed by Melissa Crespo NEW MUSICAL

FEB. 23 – MARCH 13, 2022

SOMEWHERE OVER THE BORDER By Brian Quijada Directed by Rebecca Martínez APR. 13 – MAY 1, 2022

THE PLAY THAT GOES WRONG

By Henry Lewis, Jonathan Sayer, and Henry Shields | Directed by Robert Hupp WORLD PREMIERE

JUN. 8 – 26, 2022

SALT/CITY/BLUES

By Kyle Bass | Directed by Gilbert McCauley MAR. 14 - 20, 2022

COLD READ

FESTIVAL OF NEW PLAYS

SEASON SPONSORS

315.443.3275 10

SYRACUSESTAGE.ORG

PRESENTS

Dipika Guha DIRECTED BY

Melissa Crespo SCENIC DESIGN

COSTUME DESIGN

LIGHTING DESIGN

SOUND DESIGN

Ann Byersdorfer

Johanna Pan

Jeanette Oi-Suk Yew

Mark Van Hare

PROJECTION DESIGN

DIALECT COACH

D R A M AT U R G

Lisa Renkel

Susan Cameron

Sidikha Ashraf

A S S O C I AT E

PRODUCTION

DIRECTOR

S TA G E M A N A G E R

CASTING

Caitlin Sullivan

Stuart Plymesser

Bass/Valle Casting

Robert Hupp

Jill A. Anderson

Melissa Crespo

Kyle Bass

Artistic Director

Managing Director

Associate Artistic Director

Resident Playwright

CO-PRODUCED WITH

Geva Theatre Center Mark Cuddy

Christopher Mannelli

Artistic Director

Executive Director

SEASON SPONSORS

MEDIA SPONSOR

Commissioned and first produced by South Coast Repertory January 19 - February 6, 2022

TA K I N G P H O T O S I N T H E T H E AT R E

Audience members may take photos in the theatre before and after the performance and during intermission. If you post photos on social media or elsewhere, you must credit the production's designers by including the names below. Please note: Photos are strictly prohibited during the performance. Photos of the stage are not permitted if an actor is present. Video and audio recording is not permitted at any time in the theatre.

SCENIC DESIGN

COSTUME DESIGN

LIGHTING DESIGN

Ann Byersdorfer

Johanna Pan

Jeanette Oi-Suk Yew

SOUND DESIGN

PROJECTION DESIGN

Mark Van Hare

Lisa Renkel

CAST (in alphabetical order)

Octavia Chavez-Richmond...............................Romola, and others Andrea Cirie.............................................................................Joan Rishan Dhamija.........................................................................Raj Christopher Gurr...................................................John, and others Ricky Pak.................................................................................Fred ADDITIONAL CREDITS Fight Captain: Ricky Pak Student Assistant Director: Puaseisei (Pua) Patu-Tanielu Specialized Movement: Stephen Cross Specialized Yoga Movement: Gretchen Darrow-Crotty, RYT Assistant Scenic Designer: Theron Wineinger Associate Lighting Designer: Alex DeNevers Associate Projection Designer and Video Programmer: Brian Pacelli Animator: Wayne Bryant 1st Production Assistant: Em Piraino 2nd Production Assistant: Erin Brett Wardrobe & Wig Supervisor: Michael King Sound Assistant/Board Op: Dan McLain Electrician/Board Op: Brian C. Jordan Deck Crew: Christopher Green, Chelsea Lembo, Brian O’Connor II, Caitlin Radziewski Dresser: Leah Moore Official Hotel for Guest Artists: Collegian Hotel & Suites Syracuse SETTING Jojomon Headquarters and a high-end yoga studio in Southern California. And the internet. There will be one fifteen-minute intermission. SPECIAL THANKS Special thanks to Jesal Parikh.

The stage manager and actors in this production are members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. The director of this production is a member of the Stage Directors and Choreographers Society, a national theatrical labor union. The scenic, costume, lighting, sound, and projection designers are represented by United Scenic Artists Local 829, IATSE. Yoga Play is made possible by the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature. 13

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Thank You FOR YOUR STEADFAST SUPPORT

Fundraising provides more than 60% of our operating revenue. Your unwavering support is essential! Together we can ensure Syracuse Stage continues to be a thriving cultural anchor in our community now and in the future. Photo: Cole Taylor and Phoebe Holden in I and You. By Lauren Gunderson. Directed by: Melissa Crespo. Scenic Design: Shoko Kambara. Costume Design: Lux Haac. Lighting Design: Dawn Chiang. Sound Design Elisheba Ittoop. Photo: Brenna Merritt.

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DIPIKA GUHA Playwright Dipika Guha was born in Calcutta and raised in India, Russia, and the UK. She moved to the United States to pursue playwriting, eventually earning an M.F.A. from the Yale School of Drama where she studied with Paula Vogel. The following are excerpts from various interviews.  PLAYWRIGHT DIPIKA GUHA. PHOTO: JESSICA BENJAMIN.

ON YOGA PLAY

“It’s a play about yoga and Capitalism and what it means to be yourself.” (Interview with South Coast Repertory)

...

“As someone who’s adapted to new places so many times, I’ve seen how much of my identity I’ve either adopted or dropped for survival reasons. If this is true for all of us, then how do we really know who we are? This question gains political heft in a time when our sense of who we are is dividing us more than uniting us. I find myself returning to this question urgently in my work, whether it’s through comedy or through a more serious or lyrical lens.” (Interview with The Playwrights Center)

...

“I had been thinking of California . . . and the desire for both authenticity and wealth, and yoga seemed to be at the nexus of that.” (Interview with South Coast Repertory)

...

“The tensions of world views in this play, of yoga, which is buried in an Indian religion and Hinduism, and the way it is interpreted, I hope there is a space and generosity in looking at appropriation and space for questioning it and laughing at it.” (Interview with South Coast Repertory)

“Displacement and the different languages of displacement and the theatrical language of displacement have always been in my work, but this is the first time it has been through the lens of comedy.” (Interview with South Coast Repertory)

ON THEATRE

“My grandparents were refugees, my parents immigrants, the memory of a very bloody partition and great poverty is part of my inheritance. So deciding to throw myself wholeheartedly into theatre knowing only that I loved it was very risky. But it’s given me a kind of soul peace I am continually grateful for and a profound gratitude for all the people who have continually supported me along my path, most especially for Paula [Vogel] who had faith in my work before I had any myself.” (Interview with The Playwrights Center)

...

“[Paula Vogel} speaks a great deal about defamiliarisation or making the familiar strange and the strange familiar. She made me feel like there was space in this form to create new ways to see the world. Getting to study with Paula who is a formalist and fundamentally interested in how you can change the form to say what you want to say really allowed me to feel free in my writing. I connected to her pedagogy because growing up in multiple languages—literal languages and also emotional landscapes— theatre felt like a natural form for me.” (Interview with The Playwrights Center)

...

“I actually very rarely see work on stage that represents international, bi-, or tri-cultural perspectives held by a single play. I’m interested in how we move in the world when so many of us are moving across the world, adopting lands that are not our own and choosing family structures we did not grow up with. Globalization is, of course, not a new phenomenon. So I’m as interested in stories of people who ‘immigrated’ and ‘assimilated’ in ancient history as I am in our time. I want to see more of this.” (Interview with The Playwrights Center)

“I didn’t just like theatre—I loved it right from when I was a child. I had a visceral reaction when I was onstage. When I was seeing theatre and doing it myself, I was so unspeakably happy just somewhere really deep. It took a long time to realize I could be brave enough to do it. I didn’t know how to make a living at it. There were no artists in my family. I took a long time to decide I loved it enough to throw myself at it.”(Interview with Emily Wilson for 48hills)

YOGA “Keep in mind that when you practice yoga, you’re not practicing to improve yourself. You are perfect. The practice is there to help you know that.” –Maty Ezraty, co-founder of YogaWorks

extremely subtle science, which focuses on bringing harmony between mind and body. It is an art and science of healthy living. The word ‘Yoga’ is derived from the Sanskrit root ‘Yuj’, meaning ‘to join’ or ‘to yoke’ or ‘to unite’. As per Yogic scriptures the practice of Yoga leads to the union of individual consciousness with that of the Universal Consciousness, indicating a perfect harmony between the mind and body.”

According to the official public diplomacy page of the Indian government, “Yoga is essentially a spiritual discipline based on an

While the spiritual practice is important to many, a regular yoga practice has been found to provide many practical benefits in-

cluding: improved strength, balance, and flexibility; reduced pain from conditions such as arthritis as well as reduced stress; and better sleep and increased energy. Taking a class from a well-trained instructor is recommended for anyone interested in beginning yoga. Below, courtesy of the New York Times, is a quick primer on some of the different types of classes and practices available. Hatha: Most yoga styles being taught in America today are a form of hatha yoga, which is a general term that refers

“Keep in mind that when you practice yoga, you’re not practicing to improve yourself. You are perfect. The practice is there to help you know that.” –Maty Ezraty, co-founder of YogaWorks  YOGA STUDIO. PHOTO: JAN KRUKOV.

to the physical part of yoga, rather than yoga philosophy or meditation. A Hatha yoga class is likely to be a combination of poses and breathing exercises, but it’s hard to know whether it will be challenging or gentle. Check with the school or the teacher to find more about the level of classes that are described only as Hatha yoga. Ashtanga Yoga: This is a challenging style of yoga that is centered around a progressive series of yoga sequences that, traditionally, students practice on their own under the guidance of a teacher. If you think that yoga is not a workout, you haven’t tried an Ashtanga class. Classes include advanced poses such as arm balances and inversions including headstands and shoulder stands. Beginner students are strongly advised to study with an experienced teacher. Ashtanga classes will also often include teachings in yoga philosophy. Power Yoga: As its name suggests, power yoga is a challenging style of yoga aimed at strength-

building. These classes will include advanced poses and inversions like headstands and handstands that require a lot of strength. Vinyasa or Flow: These classes usually consist of a fairly energetic flowing sequence of yoga poses that will include — depending on the level — advanced poses, such as arm balances, headstands, shoulder stands and handstands. Many vinyasa classes have musical accompaniment of the teacher’s choosing. Iyengar: Love learning about how your muscles and joints work together? This is the yoga for you. Iyengar yoga focuses on the precision of your yoga poses. Iyengar classes are known for their use of props, including blankets, blocks, straps and bolsters, to help students do poses that they wouldn’t be able to do otherwise. Classes can also include ropes that are anchored to the walls to do inversions and other poses. They also tend to include breathing exercises and references to yoga philosophy.

“It’s a good idea to try several yoga classes. How much you enjoy any class will come down to how much you like the teacher, not how it’s labeled." Bikram or Hot Yoga: Like the heat? Bikram yoga is a set series of 26 poses performed in a room heated to 105 degrees, which is said to allow for deeper stretching and provide for a better cardiovascular workout. Unlike most yoga classes, Bikram classes are always done in rooms with mirrors. Hot yoga refers to any yoga class that is done in a heated room — generally from 80 to 100 degrees. Restorative Yoga: If you are looking for a little more relaxation from your yoga class, restorative yoga is for you. This yoga style usually involves a few restful poses that are held for long periods of time. Restorative poses include light twists, seated forward folds and gentle back-bends, usually

done with the assistance of many props, including blankets, blocks and bolsters. Yin Yoga: Looking for a new kind of stretching experience? Yin yoga is aimed at stretching the connective tissue around the pelvis, sacrum, spine and knees to promote flexibility. Poses are held for a longer amount of time in yin yoga classes, generally from three to five minutes. It is a quiet style of yoga, and will quickly show you how good you are at sitting still. Note: It’s a good idea to try several yoga classes. How much you enjoy any class will come down to how much you like the teacher, not how it’s labeled.

CAST (recurring), Younger, Law & Order: SVU, Madame Secretary, For Life, Search Party, The Defenders, 30 Rock, Law & Order, Unforgettable. Film: Irresistible (directed by Jon Stewart), I’ll Meet You There, Violet Tendencies, Santa Con, Off The Rails, Flatbush Luck, Norman, Gimme Shelter. Andrea is a proud union member of AEA and SAG-AFTRA.

Octavia Chavez-Richmond (Romola, and others) is an actor, playwright, and storyteller whose work has been featured at international film festivals and regional theatres. She holds an M.F.A. in acting from Brown University/Trinity Repertory where she received the David Wickham Playwriting Award. After graduating, Trinity Repertory awarded Octavia with the Margo Skinner Memorial Fellowship for 2018. Her original short film Lolita Express recently debuted at the NYC Indie Theatre Film Festival (March 2021). Octavia uses theatre and film to explore women’s relationship to their bodies. She is particularly interested in women of color and their sexual agency. Her work disrupts hierarchy, racism, and misogyny and challenges conventional beauty standards.

Rishan Dhamija (Raj) is an actor/writer based in New York. Rishan’s parents were hyped to hear that after graduating from acting school (UNC, M.F.A. ‘19), he’d get to play doctors and IT guys on TV. Something they couldn’t get him to do in real life. He wasn’t going to give them the satisfaction. And so, he got his second M.F.A. in dramatic writing (NYU-Tisch ‘21) so that he could create authentic South Asian content for himself and his friends. Rishan recently appeared on TV shows like Apple TV’s Little Voice and NBC’s New Amsterdam and will be seen next in Apple TV’s limited series WeCrashed.

Andrea Cirie (Joan) is delighted to be making her debut at Syracuse Stage with this production. Select theatre credits include: OffBroadway: The Cherry Lane Theater. Regional Theatre: Shakespeare Theatre of DC, Hartford Stage, Cincinnati Playhouse, Repertory Theatre of St. Louis, Old Globe, Barrington Stage Company, Florida Stage, Contemporary American Theater Festival, Olney Theatre Center, Berkshire Playwrights Lab, Capital Repertory, Virginia Stage, Alabama Shakespeare Festival, and Playmakers Rep. Television: Blue Bloods, House of Cards

Christopher Gurr (John, and others). Broadway: Cats (revival), Tuck Everlasting, Kinky Boots, Amazing Grace, and All The Way with Bryan Cranston. National Tours: Memphis, Monty Python’s Spamalot. OffBroadway: Cyrano with Peter Dinklage at New Group, Arturo Ui with Raul Esparza at Classic Stage, Call

CAST Me Madam with Carmen Cusack at City Center. Regional credits include: Elf at Pioneer Theatre Company, Fun Home at Theatre Raleigh, Marie at 5th Avenue, The Sting at Paper Mill, plus multiple productions at Pittsburgh Civic Light Opera, Geva Theatre Center, Berkshire Theatre Group, Indiana Rep, Ogunquit Playhouse, and Human Race. Television: Madame Secretary on CBS, At That Age pilot, Soul Santa on BET+, Gilded Age on HBO this February, and five episodes as Godwin Page (#141) on last season’s The Blacklist on NBC. Union member: Actors’ Equity, SAG/AFTRA, and the Stage Directors & Choreographers Society. Christopher has been teaching for over thirty years (Oregon Shakespeare Festival, Webster University, St. Louis, Geva Theatre) and coaching in NYC for the last twelve. When he’s in the city, he misses the woods. When he’s in the woods, he misses the work. ChristopherGurr.com

ductions of Danny, King of the Basement for The Bank of America Children’s Tour and Home for the Holidays for the Syracuse Stage/Syracuse University Department of Drama main “stage” holiday show. He is an assistant professor of acting for the Department of Drama and a teaching artist with the Tectonic Theater Project in New York City. He lived in Los Angeles where he worked as a professional actor for close to 18 years prior to coming to Syracuse to teach. Pak is the artistic director of the Circle Squared Collective, a bicoastal theatre company with members in Los Angeles and Syracuse. Upcoming directorial work includes the Department of Drama’s virtual production of Id, which will debut in the spring of 2022. Recent credits: Regional Theatre: Here Comes the Sun (New York Pops Up/ The REV Theater Company), Saving the Country from Itself (Su Teatro, Denver, CO.), Valley of the Heart (el Teatro Campesino/Center Theatre Group, Los Angeles, CA). Film: I Love My Dad (Hulu), The Ultimate Playlist of Noise (Hulu). He would like to express his gratitude to Melissa, Bob, and the entire Syracuse Stage team, the Department of Drama for their support, and his wife Whitney and dog Gus for their undying love. www.TheRickyPak.com

Ricky Pak (Fred, Fight Captain) is happy to make his premiere at Syracuse Stage as an actor, though he was honored to serve as director for last year’s streaming pro-

A R T I S T I C S TA F F Ann Beyersdorfer (Scenic Design) is a NYC based set and production designer, a proud Syracuse University Department of Drama alumna

(‘14), and is absolutely thrilled to be back in Syracuse, designing at Syracuse Stage! TV credits include: NBC’s Saturday Night Live (current

A R T I S T I C S TA F F art director of the film unit), NBC’s The Kid’s Tonight Show (assistant art director). Broadway associate design credits include: Company (the current revival), Ink, August Wilson’s Jitney, The Children, Anastasia (first national tour and EU productions). Additional associate design credits: Samson et Dalila (The Metropolitan Opera), PHISH New Year’s Eve Concert ‘17/’18 (Madison Square Garden), an immersive touring production of Peter Pan in China. Select Regional/Off-Broadway design credits include the Off-Broadway sleeper hit, Afterglow, as well as Carmen (Rose Hall at Lincoln Center, postponed), We Are the Tigers (Theatre 80 - NY premiere), Knead (The Alliance Theatre). Ann was a 2018 Live Design/LDI 30 Under 30 recipient, Broadway World Regional Award winner, a United Solo Festival Award Winner for Best Set Design, and a proud member of USA Local 829. Big thanks to the entire staff and crew at Syracuse Stage for their incredible work and support, and for being the teachers and mentors who helped shape the career that I have today. www.annbeyersdorfer.com @annbeyersdorfer

Odyssey of the Mind and has never looked back. They are a proud feminist, lover of vintage clothing and all things related to textile arts. Johanna’s artistic practice is centered around decolonizing the imagination, breaking down the notions of feminized labor, and anti-racism. They continue to harbor hope for a more sustainable humankind in the face of adversity and dreams of a future filled with equity, inclusion, and diversity. As part of their artistic practice, they are building the curriculum for a decolonized costume history survey class. M.F.A. -NYU/TISCH, B.F.A. - Ithaca College, IG: @jpandesign Jeanette Oi-Suk Yew (Lighting Design) is an award-winning multidisciplinary theatrical designer for theatre, dance, opera, musicals, music performances, installation, immersive experiences, and digital productions. Her designs have been seen across US cities and internationally at Havana, Cuba; Prague, Czech Republic; Lima, Peru; Edinburgh, Scotland; Tokyo, Japan; Graz, Austria; Shanghai, China; Paris, France; and Bloemfontein, South Africa. As a designer, Jeanette aims to create a visual environment that is organically integrated into the landscape and language of the production. The New York Times described her designs as “clever” and “inventive”. Recent: KPOP! (Henry Hewes Award, LIT Design Award, Lortel and Drama Desk nomination), Sweet Land (2020 Lighting Design Achievement Award), Amy

Johanna Pan (Costume Design) is a costume and sometimes scenic designer for theatre, film, dance, and opera, a textile and visual artist, host and co-producer of the podcast Dirty Laundry: Unpacking the Costume Closet. Born and raised in Singapore, they first discovered theatrical design while competing in the creative thinking competition

A R T I S T I C S TA F F Berryman’s Walden (2021 Berkshire Theatre Awards Outstanding Lighting Design nomination), Erika Dickerson-Despenza’s cullud wattah, Whitney White’s Macbeth in Stride, Haruna Lee’s Suicide Forest, Aya Ogawa’s Ludic Proxy (Bel Geddes Design Enhancement), and En Garde Art’s installation A Dozen Dreams. In addition, she is a generative artist in devising interdisciplinary and collaborative productions with puppetry. Jeanette is the assistant arts professor and head of lighting design training with NYU’s Department of Drama Production & Design Studio (P&D). Member of Woodshed Collective, Caborca, and USA829. Recipient of the NEA/ TCG Career Development Program.

sical at Town Hall; and Smart People at Second Stage Theater. He was production audio for Sing Street, Slave Play, and What The Constitution Means To Me at New York Theatre Workshop; Freestyle Love Supreme at Greenwich House Theatre; and The Wrong Man at MCC. Mark is currently the technical director for The Get Up podcast on Spotify. markvanhare.com Lisa Renkel (Projection Design) is an award-winning projection designer based in New York City and is thrilled to be returning to Syracuse Stage for her third production. Her passion for collaborative design has allowed her the opportunities to work on a wide variety of productions ranging from Broadway to music world tours. Select video designs include: Off-Broadway: Emojiland The Musical (The Duke – New 42; Drama Desk, Lucille Lortel, and Outer Critics Award), The Revolving Cycles Truly and Steadily Roll’d (The Duke – New 42), She Persisted (Sheen Center). New York/ Regional: Eureka Day (Syracuse Stage), Reefer Madness (New 42), Drama League Gala ft. Nathan Lane (The Plaza Hotel), Broadway Bares (Broadway Cares/Equity Fights Aids), Pedro Pan (Theatre Row), Village Orpheus (Wild Project), Boundless and Merrily We Roll Along (Cape Rep Theatre), Learn to Speak Doll (Peppercorn Theatre). Select associate designs include: Music: Ariana Grande – Sweetener/thank u next (World Tour and Coachella headline), Childish Gambino

Mark Van Hare (Sound Design) is a composer, sound designer, and audio engineer working in New York City. Selected credits include Oh My Sweet Land and Villa with The Play Company; Life Sucks at the Acorn Theatre; Brother Toad at Kansas City Repertory Theatre; Refuge Malja and Lost Boy Found in Whole Foods at Portland Stage Company (Portland, Maine); Las Meninas at Asolo Repertory Theatre (Sarasota, Florida); Paris! and Nutcracker Rouge! with COMPANY XIV at Irondale Theatre; Plano with Clubbed Thumb Theater Company at The Wild Project; and Men On Boats, The Wild Party, and Icarus with The Yale Dramatic Association. Mark assisted on the Eliza Tour of Hamilton; Skittles Commercial: The Broadway Mu-

A R T I S T I C S TA F F (Coachella Headline), Lady Gaga – Enigma (Las Vegas Park MGM). Broadway: Tina – The Tina Turner Musical (Lunt-Fontanne), JUNK (Lincoln Center), Ruben and Clay’s Christmas Show (Imperial Theatre). OffBroadway: Broadway Bounty Hunter (Greenwich House Theatre), The Stone Witch (Westside Theatre Upstairs). Regional: MTV Movie & TV Awards (Los Angeles), Billboard Music Awards 2019 (Las Vegas), How to Succeed… (Kennedy Center), A Perfect Harmony (Smithsonian Museum). Lisa is a graduate of the University of North Carolina School of the Arts and a proud member of USA Local 829. lisarenkeldesign.com

clude: A Most Wanted Man, Snowflower and the Secret Fan, Solitary Man, and Lady In The Water. She was the dialect coach for seasons one and two of Marvel/Netflix’s Daredevil, as well as episodes of CBS’s television shows Instinct, Blacklist, and Blue Bloods. Susan was granted a trademark by the US government for the Cameron Method of Accent Modification, which highlights her use of hand positions in syncing the articulators of speech. Her book/DVD/CDs Perfecting Your English Pronunciation, published by McGraw-Hill in 2012, has recently been released in a second edition, which includes a free app with twelve hours of streaming audio and an hour of streaming video. Susan’s television/radio appearances include interviews on Sinovision (China), NHK-TV (Japan), and NPR radio. She is also a published playwright/ award-winning screenwriter and holds an M.F.A. in acting from Yale School of Drama.

Susan Cameron (Dialect Coach) is a voice and speech teacher and professional dialect coach in theatre, television, and film. As an educator, she currently is adjunct associate professor at The New School for Drama. Former teaching positions include full-time professor of voice and speech at Columbia’s M.F.A. acting program, adjunct professor at New York University Tisch graduate acting program, and master teacher and chair of voice and speech at NYU Tisch School of the Arts undergraduate’s CAP21 program, among others. As a dialect coach, Susan has coached Lincoln Center’s The King and I, Roundabout Theatre’s national tour of Cabaret, many Off-Broadway and regional theatre productions at such companies as Primary Stages, Shakespeare and Company, TACT, and George Street Playhouse. Film credits in-

Sidikha Ashraf (Dramaturg) is a Tamil-American, Muslim comedian, actress, and writer. She’s written for a pre-school comedy television program in development with DreamWorks Animation. She has also written for a comedy in development with Wildseed Studios and Netflix. Her writing is featured in the award-winning Wellesley Magazine, and she read stage directions for several of The New Group and Colt Coeur’s 2020 virtual benefit readings. Sidikha was the ’19-’20 artistic fellow at The New Group, and

A R T I S T I C S TA F F a Young Playwrights fellow at the Atlanta Horizon Theater Company’s 2017 New South Young Playwrights Festival. Sidikha graduated May 2019 from Wellesley College with a degree in English and creative writing. In college, she was well known for her stand-up and for writing a mock late-night show for her creative writing thesis. Today, Sidikha continues to make people laugh, especially children. She’s a proud playground associate for the New York City Department of Parks and Recreation, where she provides schoolage child care and teaches drama and comedy. Sidikha is, in a nutshell, a storyteller, and so, she would like to thank Melissa Crespo for inviting her onto this team to help tell this story. She would also like to thank Dipika Guha for writing Yoga Play, and hopes that Dipika’s work will inspire you to fight for the humane treatment of laborers in the athleisure and fast fashion industries.

critically acclaimed Satori Group. She is an alum of The Drama League Directors Project and the Clubbed Thumb Directing Fellowship and a New Georges Affiliate Artist. Stuart Plymesser (Production Stage Manager) is in his 25th season at Syracuse Stage where he has stage managed over 100 plays, musicals, and special events, working with such talents as Jason Alexander, Olympia Dukakis, Frank Langella, Elizabeth Franz, and Phylicia Rashad. Stuart has worked at numerous regional theatres around the country and in Cape Town, South Africa, and has toured nationally. Locally, he has also stage managed events for Syracuse Fashion Week. In addition, Stuart is adjunct faculty for Syracuse University’s Department of Drama and has been a guest speaker/lecturer for Ithaca College, Wells College, SUNY Oswego, SUNY Fredonia, and the Zabalaza Festival in Cape Town. Outside of theatre, Stuart has trained at Aikido of Central New York for over a decade and holds the rank of Shodan (first degree black belt.) Stuart is a proud member of Actors’ Equity Association, the union of professional actors and stage managers.

Caitlin Sullivan (Associate Director) is a director and theatre maker based in New York City. Recent work includes Sanctuary City (Martyna Majok/NYTW), Ole White Sugah Daddy (Obehi Janice/WP Theater), Panopticon (Gracie Gardner/ Clubbed Thumb), and Cherie Dre (Sacha Yanow/Danspace). She is currently developing Ohio with The Bengsons, Nova with Obehi Janice, and United States vs Gupta with Deepali Gupta, as well as untitled new pieces by Sarah Einspanier and Martyna Majok. Caitlin was a co-founder and artistic director of Seattle’s

Bass/Valle Casting (Casting), formerly Harriet Bass Casting, is a leading NYC boutique casting office. To know more about their upcoming projects and casting philosophy please visit www.bassvallecasting.com. Harriet Bass has cast for ABC/TV, Fox Television Studios, The Public The-

A R T I S T I C S TA F F atre: NEW WORK NOW, The Minetta Lane Theatre, The Women’s Project, La MaMa E.T.C., New York Women in Film and Television, and The Jewish Repertory Theatre. She has cast the last three of the late August Wilson’s ten part play series: the original Radio Golf, Broadway Gem of the Ocean, and Off-Broadway Jitney. Harriet is also a leading educator in audition technique, side and monologue coaching, and the business of acting. She has taught at the nation’s top universities and professional training programs. Gama Valle is a director, playwright, screenwriter, children’s book author, and casting director. His casting credits include: The American Tradition, The Great Novel, Split Second, I Wanna Fuck Like Romeo and Juliet, among others. He is a proud member of New Light Theatre Ensemble and the re-

cipient of the Van Lier Directing Fellowship at Repertorio Español. Gama received the First Prize in playwriting from Puerto Rico’s Institute of Culture for his play Queishd&Dilit. Their regional casting credits include: Mark Taper Forum, Hartford Stage, Arena Stage, Trinity Rep, San Jose Rep, GeVa, Syracuse Stage, Pittsburgh Public, Merrimack Rep, Longwharf Theatre, Alliance Theatre, The Goodman Theatre, Kansas City Rep, Baltimore Center Stage, Huntington Theatre Company, Virginia Stage Company, Dallas Theatre Company, Berkeley Rep, Portland Center Stage, and Actors Theatre of Louisville. Feature films credits include: Pushing Hands directed by Ang Lee, Underheat, starring Lee Grant, First We Take Manhattan, produced by Golden Harvest Inc., and Graves End, directed by Sal Stabile.

P L AY W R I G H T Dipika Guha is an LA based, Calcutta - born playwright raised in Russia, India, and the United Kingdom. Her plays include Yoga Play (South Coast Rep, Gateway, Moxie Theatre, and SF Playhouse), The Art of Gaman (Theatre 503 London, Relentless Award semifinalist) and Unreliable (Kansas City Rep). Recent commissions include Azaan, a play for Oregon Symphony, In Braunau for Playwrights Horizons Theatre School, contributions to You Across From Me (Humana, Actors Theatre of Louisville), and Getting There for New Conservatory Theatre Center. She is a current Venturous Fellow with the

Lark for her play Passing, was a Hodder Fellow at the Lewis Center for the Arts at Princeton University and was the inaugural Shakespeare’s Sister Playwriting Fellow. Dipika is currently under commission from South Coast Rep, Manhattan Theatre Club and Barrington Stage. For television, she’s written for projects in development at AMC, the series Sneaky Pete, and currently writes for Black Monday on Showtime. She earned her undergraduate degree at University College London, won a Frank Knox Fellowship to Harvard University and has an M.F.A from the Yale School of Drama under Paula Vogel.

CO-PRODUCER Geva Theatre Center. Now in its 49th Season, Geva Theatre Center is a notfor-profit, professional theatre company dedicated to creating and producing professional theatre productions, programs and services of a national standard. As Rochester’s leading professional theatre, Geva Theatre Center is the most attended regional theatre in New York State, and one of the 25 most subscribed in the country, serving up to 160,000 patrons annually, including more than 16,000 students. The 516seat Elaine P. Wilson Stage is home to a wide variety of performances, from musicals to American and world clas-

sics. The 180-seat Ron & Donna Fielding Stage is home to Geva’s own series of contemporary drama, comedy and musical theatre; Geva’s New Play Reading Series and the Hornets’ Nest– an innovative play-reading series facilitating community-wide discussion on controversial topics. In addition, the Fielding Stage hosts visiting companies of both local and international renown. Geva Theatre Center offers a wide variety of educational, outreach and literary programs, nurturing audiences and artists alike. Since 1995, the organization has been under the artistic direction of Mark Cuddy.

D I R E C T O R / A S S O C I AT E A R T I S T I C D I R E C T O R Melissa Crespo is a director of new plays, musicals, and opera. Upcoming: world premiere of Justice, book by Lauren Gunderson, music by Bree Lowdermilk, and lyrics by Kait Kerrigan (Arizona Theatre Company). As a playwright, her play Egress, co-written with Sarah Saltwick, will receive an NNPN rolling world premiere at Salt Lake Acting Company. Fellowships

and residencies include: Time Warner Fellow (WP Theatre), Usual Suspect (NYTW), The Director’s Project (Drama League), Van Lier Directing Fellow (Second Stage Theatre), and the Allen Lee Hughes Directing Fellow (Arena Stage). Melissa received her M.F.A. in directing from The New School for Drama. She is a founding editor of 3Views on Theater and was featured in the 2020 Broadway Women’s Fund “Women to Watch on Broadway”.

ARTISTIC DIRECTOR Robert Hupp is in his sixth season as artistic director of Syracuse Stage. He recently directed Eureka Day, Annapurna, Talley’s Folly, Amadeus, Noises Off, Next to Normal, and The Three Musketeers for Stage. Prior to

coming to central New York, Robert spent seventeen seasons as the producing artistic director of Arkansas Repertory Theatre in Little Rock. He directed over 30 productions for Arkansas Rep ranging from Hamlet to Les Miserables to The Grapes of Wrath. In New York City, Robert 33

ARTISTIC DIRECTOR directed the American premieres of Glyn Maxwell’s The Lifeblood and Wolfpit for the Phoenix Theatre Ensemble. He also served for nine seasons as the artistic director of the Obie Award-winning Jean Cocteau Repertory. At the Cocteau, Robert’s directing credits include works by Buchner, Wilder, Cocteau, Shaw, Wedekind and the premieres of the Bentley/Milhaud version of Brecht’s Mother Courage and Her Children, Seamus Heaney’s The Cure at Troy, and Eduardo de Filippo’s Napoli Millionaria. He has held faculty positions at Pennsylvania’s Dickinson College and, in Arkansas, at the University of Arkansas at Little Rock and

Hendrix College. Robert served as vice president of the Board of Directors of the Theatre Communications Group and has served on funding panels for the New York State Council on the Arts, National Endowment for the Arts, the Theatre Communications Group, the New Jersey State Council of the Arts, and the New York City Department of Cultural Affairs. While in Arkansas, Robert was named both Non-Profit Executive of the Year by the Arkansas Business Publishing Group, and Individual Artist of the Year by the Arkansas Arts Council. He and his wife Clea ride herd over a blended family of five children, one dog, and two cats.

MANAGING DIRECTOR in Hiiumaa, Estonia. Previously, Jill spent five years in the production office at Washington, D.C.’s Arena Stage, after working as a stage manager in Minnesota, New Mexico, and Massachusetts. In addition to her work at Stage, Jill is an instructor in the Theater Management program of the Syracuse University Department of Drama, building on her work with high school and college students elsewhere, including at the Kennedy Center American College Theater Festival. Jill was recognized as part of the Central New York Business Journal’s “40 Under Forty” awards in 2017 and has served on numerous municipal and non-profit boards. Jill is delighted to call Central New York home, but will always be a proud cheesehead, originally hailing from Marshfield, Wisconsin.

Jill A. Anderson has served as managing director of Syracuse Stage since 2016. Jill is responsible for Stage’s nearly $6.5 million operating budget and has oversight of fundraising, marketing, and operational matters within the organization. Prior to joining Stage, Jill spent a decade as general manager at the Eugene O’Neill Theater Center in Waterford, CT. During her tenure, the O’Neill completed a $7 million capital campaign and campus expansion, doubled its operating budget, and was honored with a 2015 National Medal of Arts and the 2010 Regional Theatre Tony Award. Under the O’Neill’s aegis, Jill also developed the Baltic Playwrights Conference, an annual international new play development retreat held 34

R E S I D E N T P L AY W R I G H T Kyle Bass is the author of the play Possessing Harriet, commissioned by the Onondaga Historical Association, which premiered at Syracuse Stage in 2018, was subsequently produced at Franklin Stage Company, and will be produced at the East Lynn Theater Company and at SUNY Cortland in 2022. His new plays are salt/city/blues, which will have its premiere at Syracuse Stage in 2022, Citizen James, or The Young Man Without A Country, a one-man show on James Baldwin, commissioned by Syracuse Stage, which streamed in 2021, the libretto for Libba Cotton: Here This Day, a new opera based on the life of American folk music legend Libba Cotten, commissioned by The Society for New Music, and Wakeman & Toliver, commissioned by Franklin Stage Company. Kyle’s other full-length plays include Tender Rain, Bleecker Street, Baldwin vs. Buckley: The Faith of Our Fathers, which has been presented at Cornell University, Colgate University, the University of Delaware, and was presented at Syracuse University in September 2021, and Separated, a documentary theatre piece about the student military veterans at Syracuse University, which was presented at Syracuse Stage and the Paley Center in New York. With National Medal of Arts recipient Ping Chong, Kyle is the co-author of Cry for Peace: Voices from the Congo, which premiered at Syracuse Stage and was subsequently produced at La MaMa Experimental Theatre in New York. Kyle has also written for

Noh theatre under commission by Theatre Nohgaku. Kyle is the coauthor of the original screenplay for the film Day of Days (Broad Green Pictures, 2017), which stars awardwinning veteran actor Tom Skerritt, and the author of the screenplay Abundance, an adaptation of the novel Milk by Darcy Steinke. As dramaturg Kyle worked with acclaimed visual artist and MacArthur Fellow Carrie Mae Weems on her theatre piece Grace Notes: Reflections for Now, which premiered at the 2016 Spoleto Festival USA in Charleston, South Carolina, subsequently produced at Yale Rep and the Kennedy Center, and he was script consulted on Thoughts of a Colored Man, which premiered at Syracuse Stage in 2019 and opened on Broadway in 2021. Kyle’s plays and other writings have appeared in the journals Callaloo and Stone Canoe, among others, and in the essay anthology Alchemy of the Word: Writers Talk about Writing. Kyle is the founding curator of Syracuse Stage’s annual Cold Read Festival of New Plays, which has hosted some of the country’s mostproduced playwrights, including Larissa FastHorse and Kate Hamill. He has also served Syracuse Stage as literary manager and resident dramaturg and received the 2021 Impact Award as Artist as Manager, presented by the Arts Administration Program at Le Moyne College. After five seasons as associate artistic director at Syracuse Stage, in September 2021 Kyle was announced the theatre’s first-ever resident playwright. Kyle is assistant professor in the Department of Theater at Col35

R E S I D E N T P L AY W R I G H T gate University, where he previously served as the Burke Endowed Chair for Regional Studies. Previously, Kyle was faculty in the M.F.A. Creative Writing program at Goddard College from 2006 to 2018, taught playwriting in Syracuse University’s Department of Drama and at Hobart & William Smith Colleges, literature course in SU’s Department of African American Studies, and was the 2019/20 Susan P. Stroman

Visiting Playwright at the University of Delaware. A two-time recipient of the New York Foundation for the Arts (NYFA) Fellowship (for fiction in 1998, for playwriting in 2010), a finalist for the Princess Grace Playwriting Award, and Pushcart Prize nominee, Kyle holds an M.F.A. in playwriting from Goddard College, is a proud member of the Dramatists Guild of America and is represented by The Barbara Hogenson Agency.

WHO WE ARE Syracuse Stage is the non-profit, professional theatre company in residence at Syracuse University. We are nationally recognized for creating stimulating theatrical work that engages Central New York, and for our significant contribution to the artistic life of Syracuse University, where we are a vital partner in achieving the educational mission of the University’s Department of Drama.

OUR MISSION Syracuse Stage tells stories that engage, entertain, and inspire us to see life beyond our own experience.

OUR VISION Reimagining what's possible for regional theatre–through active inclusion, innovative outreach, and bold productions–Syracuse Stage shapes the culture and social vitality of Central New York, enriches the Syracuse University student experience, and fosters change in ourselves, our communities, and our world.

O U R C O R E VA L U E S People - Actively including diverse individuals, communities, ideas, and perspectives. Passion - Commitment to integrity, excellence, and enthusiasm in our work. Curiosity - Fostering an innovative and adaptive environment that elicits wonder.

A B O U T S Y R A C U S E S TA G E Originally constructed as the Regent Movie House in 1914, the physical space of Syracuse Stage has seen many films, musicians, actors, and artists pass through its doors over the course of the past century. The Syracuse Stage that exists today is a nonfor-profit professional theatre company founded in 1974, and a longstanding League of Resident Theatres (LORT) member. Since its inception, Stage has produced over 300 shows, both plays and musicals, within its walls. Now, Stage produces six to seven shows per season, while also offering educational programs to students, various pre- and post-show events, and fundraising events each year. Stage is Central New York’s only LORT theatre and one of the largest performing arts organizations in the area. Stage has a strong commitment to giving the community access to a range of high-quality productions; it is equally committed to bringing in actors, designers, and directors who are among the leading theatre professionals, both locally and across the nation.

ANTI-RACISM PLEDGE Syracuse Stage stands firmly against racism and discrimination. We pledge to stand with under-represented and oppressed communities and to advance antiracism in all aspects of our work, including the outward facing, public dimension of our creative endeavors and the less visible internal practices of the organization.

LAND ACKNOWLEDGEMENT Syracuse Stage respectfully acknowledges the Onondaga Nation, firekeepers of the Haudenosaunee, the indigenous people on whose ancestral lands we now stand.

IN THE COMMUNITY Stage has collaborated with a myriad of institutions in the Syracuse area. Community partners include 100 Black Men of Syracuse, AccessCNY, ARC of Onondaga, ARISE, ArtRage, CNY Reads, Interfaith Works of Central New York, La Casita, McMahon / Ryan Child Advocacy Center, Onondaga Historical Association, Rosamond Gifford Zoo at Burnet Park, SUNY Upstate Medical University, the VA Medical Center, and Vera House. Additionally, the educational department collaborates with many CNY schools.

THE

SYRACUSE STAGE

Surprise Gala! THANK YOU TO OUR BENEFACTORS P L AT I N U M

S I LV E R

Bousquet Holstein PLLC Jacki and Michael Goldberg The Hayner Hoyt Corporation The Dorothy and Marshall M. Reisman Foundation Syracuse University

Advance Media NY Bank of America Bond, Schoeneck and King Cathedral Candle Company Century Title Agency, Inc. Edward S. Green & Associates, LLC Excellus BlueCross BlueShield HUNT Mortgage Corporation Unio Capital LLC

GOLD Ashley McGraw Architects, DPC BPAS Nancy and Bill Byrne The Gifford Foundation Johnston National Grid

BRONZE George S. Bain Dan and Ann Lent Mackenzie Hughes LLP

As of June 1, 2021

ADVERTISE HERE The Syracuse Stage program is published six times a year. For advertising rates and information contact Joanna Penalva at 315.443.2636, or jlpenalv@syr.edu

We are proud to support the local theatre in Syracuse!

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S Y R A C U S E S TA G E B O A R D O F T R U S T E E S CHAIR

Nancy Green Managing Member Edward S. Green & Associates PRESIDENT

Herman R. Frazier* Senior Deputy Athletics Director Syracuse University CHAIR-ELECT/VICE CHAIR

Rocco Mangano Partner Mangano Law Office, PLLC TREASURER

Gwenn Judge* Interim Senior Vice President and Chief Financial Officer Syracuse University SECRETARY

Sharon Sullivan Community Volunteer AT-LARGE EXECUTIVE COMMITTEE MEMBER

Phil Turner Pastor Bethany Baptist Church Jill Anderson** Managing Director Syracuse Stage Janet Audunson Assistant General Counsel National Grid George S. Bain Freelance Editor and Writer Barbara Beckos Retired Syracuse Stage Nancy Byrne Community Volunteer Dr. Ruth Chen* Professor of Practice Syracuse University College of Engineering and Computer Science Robin Curtis NYS Lic. RE Asso. Broker Hunt Real Estate ERA Richard Driscoll Sr. Commercial Banking Relationship Manager Commercial Banking Division NBT Bank Denise Dyce* Director of Labor Relations Syracuse University Helene Gold Private Voice & Piano Instructor

Neil Gold Retired VP Gold Pure Food Products Jacki Goldberg Community Volunteer Bea González Retired - Vice President for Community Engagement Syracuse University Larry Harris EVP and CFO Saab, Inc. John Huhtala Relationship Manager Middle Market Commercial Banking Chase Robert Hupp** Artistic Director Syracuse Stage Cydney Johnson* Vice President for Community Engagement and Government Relations Syracuse University Rebecca Karpoff* Professor of Practice, Musical Theater/Coordinator of Vocal Instruction, Musical Theater Syracuse University Department of Drama Kathy Kelly Health Educator, PNP, retired Larry Leatherman Retired Bristol-Myers Squibb, MOST Dan Lent Vice President Citizens Bank Anthony Malavenda Retired - Duke’s Root Control Julia Martin Partner Bousquet Holstein Kevin R. McAuliffe Partner Barclay Damon Suzanne McAuliffe Retired Educator Rod McDonald Bond, Schoeneck & King Molly Mulvihill VP, Market Manager Enterprise Business & Community Engagement Bank of America

TeNesha Murphy Research and Communications Officer Office of the County Executive, Onondaga County Fran Nichols Mower, Inc. Retired Mona Paradis Stadium International Trucks Virginia Parker Retired Educator Molly Ryan Partner, Goldberg Segalla LLP Robert Sarason Retired Lawyer, Organizer, Fundraiser Rick Shirtz Chair Emeritus, Syracuse Stage Regional President NBT Bank L. John Steigerwald IV Marketing and Sales Representative Cathedral Candle Company Melvin T. Stith Dean Emeritus, Whitman School of Management Syracuse University Cora Thomas Radio Host and Office Manager, WAER Michael S. Tick* Dean, College of Visual and Performing Arts Syracuse University Dr. Amy Tucker Chief Medical Officer SUNY Upstate Medical University Mel Williams US Department of Transportation Ralph Zito** Chair Syracuse University Department of Drama Michael Zoanetti VP Senior Wealth Advisor Tompkins Financial Advisors *University Trustee **Ex-Officio

S Y R A C U S E S TA G E E M E R I T U S C I R C L E We are grateful to the following individuals who have served as Members of the Stage Board of Trustees and continue to support Syracuse Stage at the Circle level. Jim Breuer Mary Beth Carmen Joan Green

Elizabeth Hartnett Margaret Martin Eric Mower

Judy Mower Michael Shende Jack Webb

SYRACUSE STAGE EDUCATION ADVOCACY BOARD Sara Bambino

Elizabeth Defurio

Linda Ponza

CICERO-NORTH SYRACUSE

NOTTINGHAM HIGH SCHOOL

SOLVAY HIGH SCHOOL

David Fisselbrand

Jennifer Sabatino

AUBURN HIGH SCHOOL

CATO-MERIDIAN MIDDLE SCHOOL

HIGH SCHOOL

Todd Benware CHRISTIAN BROTHERS ACADEMY

Melissa Morgan

Jordan Berger

BAKER HIGH SCHOOL

JAMESVILLE-DEWITT HIGH SCHOOL

Matthew Phillips

Rhiannon Berry

JAMESVILLE-DEWITT HIGH SCHOOL

LIVERPOOL HIGH SCHOOL

Y O U N G A D U LT C O U N C I L Emily Ball

Jacob Garofalo

Sofiia Matiivuk

CHRISTIAN BROTHERS ACADEMY

CICERO NORTH SYRACUSE

BISHOP GRIMES

Lily Beckman

Brianna Hall

Nicole Meskos

ESM CENTRAL HIGH SCHOOL

CORCORAN HIGH SCHOOL

JAMESVILLE DEWITT HIGH SCHOOL

Sadie Broderick

Maresa Helu

Zinat Mohammadi

ESM CENTRAL HIGH SCHOOL

CORCORAN HIGH SCHOOL

ESM CENTRAL HIGH SCHOOL

Anka Chiorini

Gracie Henning

Sariyah Richards

JAMESVILLE DEWITT HIGH SCHOOL

LIVERPOOL HIGH SCHOOL

SYRACUSE ACADEMY OF SCIENCES

Rachel Colucci

Stephanie Kelly

Rachael Rowe

WESTHILL HIGH SCHOOL

CHRISTIAN BROTHERS ACADEMY

NORTH SYRACUSE JUNIOR HIGH SCHOOL

Ella Culligan

Margot Klein

LIVERPOOL HIGH SCHOOL

CW BAKER HIGH SCHOOL

Graziella Cullipher

Evan Kulczynski

BAKER HIGH SCHOOL

INSTITUTE OF TECHNOLOGY AT SYRACUSE CENTRAL (ITC)

Ava Schneider LIVERPOOL HIGH SCHOOL

Luke V. DeLorenzo CHRISTIAN BROTHERS ACADEMY

Francesca Smith BISHOP GRIMES

Kayla Lee

Sydney Wright

LIVERPOOL

CNS HIGH SCHOOL

SYRACUSE STAGE ANNUAL GIFTS Syracuse Stage depends on the generosity of contributions from individuals, corporations, businesses, foundations, and government agencies. It is with much gratitude that we recognize the following donors to our annual campaign. For information regarding levels of contribution and benefits of each please contact the Development office at 315-443-3931 or visit syracusestage.org.

CORPORATE, FOUNDATION, AND GOVERNMENT SPONSORS

Richard Mather Fund

CORPORATE, FOUNDATION, AND GOVERNMENT SPONSORS

Galaxy Media

Contributions listed above are current as of December 23, 2021 and reflect operating support of $5,000+ and in-kind donations of $10,000+.

SEASON SPONSOR

The Dorothy and Marshall M. Reisman Foundation is proud to be a sponsor of the arts in Central New York. We recognize the deep importance live theatre plays in shaping the cultural and social vitality of our community. In these challenging times, theatre brings us together to be inspired and celebrate the richness of the human experience. We are delighted to continue to support Syracuse Stage and this very special production of Yoga Play.

INDIVIDUAL, CORPORATE, FOUNDATION, & GOVERNMENT GIFTS New and increased gifts this season will be matched by The Richard Mather Fund. $100,000+ Syracuse University The Andrew W Mellon Foundation The Dorothy and Marshall M. Reisman Foundation $50,000 - $99,999 Advance Media New York The Shubert Foundation $20,000 - $49,999 George Bain Nancy & William Byrne Central New York Community Foundation iHeart Radio Richard Mather Fund M&T Bank National Endowment for the Arts NYSCA $10,000 - $19,999 Bank of America CNY Arts, Inc. Equitable Fred L. Emerson Foundation Inc. NBT Bank Sharon Sullivan & Paul Phillips The John Ben Snow Foundation & Memorial Trust The Estate of Jannie Woo $5,000 - $9,999 Jim & Juli Boeheim Foundation Richard Bunce Cathedral Candle Company Dr. Ruth Chen & Chancellor Kent Syverud Cumulus Radio Desnoyers Family Charitable Fund Lisa Desnoyers Charitable Fund Peggy & Dana Dudarchik William & Eva Fox Foundation

Helene & Neil Gold Jacki & Michael Goldberg Gail Hamner & Dan Bingham Sandra Hurd & Joel Potash JP Morgan Chase & Co Larry & Mary Leatherman Lockheed Martin Lockheed Martin Employees Federated Fund Rocco & Roberta Mangano Kevin & Suzanne McAuliffe Judy & Eric Mower Fran & Sally Lou Nichols Virginia Parker Selma Radin Syracuse Symposium: Conventions The Estate of Mary Louise Dunn Tompkins Trust Company Urban CNY WAER $3,500 - $4,999 Bousquet Holstein PLLC Sandra Brown Peter & Mary Beth Carmen Galaxy Communications Inner Harbor Nancy Green & Tony Marschall Melvin & Patricia Stith The Gladys Krieble Delmas Foundation Theatre Communications Group Theatre Development Fund, Inc. Darvin Varon & Elinor Spring-Mills Wegmans $1,800 - $3,499 Janet Audunson & David Youlen Barbara Beckos & Art McDonald as of December 23, 2021 49

Craig & Kathy Byrum Candace Campbell Jackson & Mark Jackson CNY Latino Jim Clark & Sharon Gordon Bob & Bobbie Constable Naomi & Roger DeMuth Richard & Therese Driscoll Melvin & Mildred Eggers Family Charitable Foundation Exelon Employee Engagement Program Sandra Fenske & Joe Silberlicht Barbara & Michael Flintrop Herman Fraizer Joan Green Peterson Guadagnolo Consulting Engineers Larry & Ann Harris Betsy Hartnett Brigitte & Peter Herzog David & Sally Hootnick John & Kimberly Huhtala Robert & Clea Hupp Richard & Margaret Ingraham Steven & Elaine Jacobs Helen Jacoby & Peter Cannavo J.M. McDonald Foundation Randy & Elizabeth Kalish Kathy Kelly & Len Weiner Nancy Kramer & Doug Sutherland Dan & Ann Lent Leslie Kohman & Jeffrey Smith Anthony Malavenda & Martine Burat Julia & Lee Martin Walter & Elizabeth Merriam Molly & Kevin Mulvihill Mona & John Paradis Rosemary Pooler Michael & Rissa Ratner Molly Ryan & Tim Byrnes

Robert Sarason & Jane Burkhead Sam & Carolyn Spalding David & Deirdre Stam Raymond & Linda Straub Cynthia Sutton The Estate of William Clark Jr Joshua & Andrea Waldman $1,200 - $1,799 James & Nancy Asher Kyle Bass Donald Blair & Nancy Dock Jim & Kathy Breuer Steven & Seanne Chase Joan Christy Robin Curtis Barbara Davis Edward & Susan Downing Fox 68 Frank & Frances Revoir Foundation Barbara Genton Bea Gonzalez & Michael Leonard Cydney Johnson Dan Jonas & Alex Epsilanty Andrew London & Alan E. Curle John McAllister & Laurel Moranz Rod & Jana McDonald YiWei Qi & Julie Yu David Rankert Michael & Elaine Shende Richard & Margaret Shirtz James Shults Michael & Cathy Tick Dr Amy Tucker Jack & Linda Webb Larry & Glenda Wetzel Michael & Laurie Zoanetti $600 - $1,199 Anaren Jeffrey & Kris Bogart Brenda Bousfield Carmelita Britton & Richard Probert Angel & Walter Broadnax Francine Boutet Timothy & Nancy Bunn Amy & Tom Clark Christopher, Cindy, & Sarah Devendorf

John Druke Ed & Carole Farfaglia Fidelity Charitable Allen & Anita Frank John Friedman & Polly Ann Heavenrich Dennis & Judith Hebert Andrea Graham David Heisig & Donna Mahar Harry Hood John & Maren King Douglas Kinnetz & Laura Livingston Bob & Pat Lebel Patricia Lehmann Harlan London Don & Margaret Martin Claire Myers-Usiatynski John & Joan Nicholson David & Susan Palen David & Janice Panasci Susan Perriello Francie Poole Walter & Nancy Shepard Margaret Knight Snowman Thelma Trotty-Selzer & Jon Selzer Dawn Stern & Stephan Wolfert Rita Soufleris Vanguard Charitable Anthony & Martha Viglietta Arnold & Miriam Winer Angela Winfield & Lance Lyons $300 - $599 Barbara Ahern Lynn Anderson Beatrice Angus Patricia Arcana & Thomas Dorr Mark & Ann Barlow Andrew & Margot Baxter James Beckman Peter & Kathy Belyea Patricia Bergman Carolyn Bernstein Ann Bersani Kathleen Bice William & Beatrice Blake Caitlyn Burns Andrea Calarco Malcolm Clark Sheila Clifford-Bova Thomas Coultry

In Tribute Contributions have been made to Syracuse Stage to honor someone, celebrate a special occasion, or offer an expression of sympathy in memory of a loved one.

Anonymous, in memory of Arlene Alpaugh. Anonymous, in memory of Randall Klein. Anonymous, in memory of Kathleen Wilson. James Aiello, in memory of Pamela Johnson. Robert Caswell, in memory of Pamela Caswell. CNY Rugby Inc., in recognition of Michael King and in memory of his father, Barret Taylor King. Molly & Travis Corley, in honor of Fran Nichols. Judith Dannible, in memory of Anthony F. Dannible. Barbara DiPasquale, in honor of board member Molly Ryan. Susan Dorn, in memory of Phillip K. Dorn. Bernice Gottshalk, in memory of Michael J Sarette. Andrea Graham, in honor of Ana Diaz and her new adventure with Syracuse Stage! Teresa Kepertis, in memory of Marianne Collins. Suzanne & Kevin McAuliffe, in memory of my mother, Anna Head.

Elizabeth Cowan Robert & Amy Currier George Curry Linda Czerkies Rosemary Czerniak Mildred D'Antonio Peter & Margaret Darby Sue Ellen Deion William Delavan Constance DeRosia Kenneth & Alyssa Derr Carol Dexter Stephen & Emily DiMarco Barbara DiPasquale Alan Dolmatch William Dowling Kimberly Dryden Lewis & Elaine Dubroff Jonathan & Rosanne Ecker William & Elizabeth Elkins Richard Ernst Elizabeth Etoll Thomas Fazzio Mary Ann Finn Daniel & Karen Fuleihan Steve & Carol Garraffo Brandon Genalo Hetty Gingold Ernest & Lynne Giraud Travis Graham & Patrick Riley Winnie Greenberg Ruth Hancock David Hardy David & Ellen Hardy Joyce Hould Kathleen J. Howard Mackenzie Hughes LLP Audrey Hummel Jose & Margaret Iribarne Charmaine Jones Paul & Matt Kardjian Claudia Kosty Michael Labulis Marjorie Laidman Matthew & Carrie Lantzy Kristen Link-Logan George & Roseann Lorefice Anne K Louise Marsha E Love & Dennis Reedy Patricia Lynn-Ford Peg MacMullen Margaret Martin Susan Martineau

Michael & Marilyn McCabe Donyce & Kenneth McCluskey Nancy McCracken Mary Ellen McDonald Michael & Patricia McGrath Michael Meath Ben & Julie Merchant Margaret Millert Stephanie Miner Justin Moshaty Dr Lawrence Myers NBT Bancorp Inc Doren Norfleet Sally O'Herin Orion Power NY Barbara Patterson Michael & Susan Petrosillo Matthew & Amanda Phillips Susan Pieczonka Hugh & Jane Pinchin Howard & Ann Port Gordon & Judy Prosser Kathy & Dan Rabuzzi Jeanne Race Andrew & Sherie Ramsgard Teresa Reller Renaissance Charitable Foundation, Inc. Jennifer Roberts Diane Rogers Anne Russ Elaine Russell Anthony & Ellen Rusyniak Michael Hungerford & Margaret Ryniker Richard & Jill Sargent Roberta Savage Edward & Lois Schroeder Ann Searles Gracia Sears Scott & Nancy Sellers Robert & Cheryl Shallish Margaret Silky Jane Slabowski Gale Smith George & Helene Starr Paul Steiner Irene Stern Susan Straub Cora Thomas David & Eileen Thompson

In Tribute (Continued)

Paul D. Kessler & Elizabeth Nichols, in memory of Ken Strempel. Lynne King, in honor of Emily King. Eric Leeb, in memory of Rev. John D. Roock. Gelene Lewis, in memory of Ann Melvin. Melvin & Melvin, PLLC, in memory of Ann Melvin. Dr. Lawrence Myers Jr., in memory of Betty Jane Myers. Judy Oplinger, with gratitude for Tracey White. Celia and Gary Palmer, in honor of Professor Rodney Hudson. Patricia A Parker, in honor of Virginia Parker. Virginia Parker, in honor and memory of Fritz Parker. Sue Rydelek, in memory of Marianne Collins. Holly Thuma, in memory of Genevieve and Theodore Thuma. Paul Steiner, in honor and memory of Fritz Parker. Mark Washburn & Bernadette Mroz, in memory of Paw McCord. Mark & Gay Yonkers, in honor of our daughter Kate who works her wonderful magic in the costume shop each day. We are so proud of you Kate! Betty Zulauf, in memory of Ann Melvin.

Joseph & Carole Valesky Marcia Walsh Howard Weinstein Douglas Wickman Janet Williams Alexander & Lola Winter John & Mitzi Wolf Warren & Betsy Young $150 - $299 George & Sandra Abbott Jerrold & Harriet Abraham David & Cheryl Abrams Peggy Adams Ellen Agnew Peter Agnew James Aiello Edward & Christine Alencewicz Peter & Sherry Allen Korie Allen Eric Allyn & Meg O'Connell Herbert Alpert American Food & Vending Kristi Andersen Robert & Jeanne Anderson Douglas & Maureen Anderson John Andrake Randy Andrews Anthony Anello & Alicia Mooney Patricia Antenucci Kenel & Judy Antoine Dianne Apter Mary Arnold Chris Arnold Marina Artuso Stephanie Atkins James Atkinson Curlene Autrey Francine Babikian Bruce M Baehr Daniel Bailey Holmes & Sarah M Bailey Casey Baker Rosemary Baker & Stuart Spiegel Scott & Kristin Baker Stacey Balduf Joanne Balfour Robert & Mary Ball Rosanne Barbaglia Dennis & Theresa Bardenett Sandra Bargainnier

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PLANNED GIVING A planned gift is a way to make a significant and lasting gift to Syracuse Stage. By making a bequest to the theatre, you are assuring that Syracuse Stage will continue to inspire, stimulate, and entertain Central New York audiences for generations to come, as well as maintain its high artistic standards that are recognized locally, and nationally. Mary Louise Dunn Fund Dr. William J. Clark, Jr. Fund The Estate of Rosemary Curtis

In Honor and Memory of Sheldon P. Peterfreund and Josephine A Peterfreund

The J. ZimmeisterYarwood Estate

Matching Gift Program Many companies will match gifts of their employees, retirees, and spouses with a gift of their own to Syracuse Stage. Ask your personnel office for a matching gift form, send the completed form with your gift – and we’ll do the rest!

S Y R A C U S E S TA G E S TA F F

Artistic Director.............................................................................................................Robert Hupp Managing Director.....................................................................................................Jill A. Anderson Associate Artistic Director............................................................................................Melissa Crespo Resident Playwright..............................................................................................................Kyle Bass P R O D U C T I O N S TA F F

Director of Production Operations...........................................................................Don Buschmann Associate Director of Production Operations..........................................................Dianna Angell Company Manager and Production Management Associate......................................Brian Crotty Events Manager and Production Management Assistant......................................Audrey Flynn Technical Director..................................................................................................Randall Steffen Assistant Technical Director............................................................................Rebecca Schuetz Scene Shop Foreman...........................................................................................Michael King Carpenters........................Matt Crossman, John Gamble, Bennet Goldberg, Brian McBurney Student Assistant...................................................................................................Ian Borowik Scenic Charge Artist...................................................................................................Emily Holm Scenic Artist........................................................................................................Riley Mankin Scenic Painter....................................................................................................Jessica Culligan Student Employee................................................................................................Allison Turllo Props Supervisor............................................................................................................Mara Rich Student Employee...........................................................................................Kristina Fosmire Student Assistant...................................................................................Marshall Hayes Breaux Costume Shop Manager..........................................................................Gretchen Darrow-Crotty Assistant Costume Shop Manager.....................................................................Amanda Moore Cutter-Drapers.................................................................Catherine Hennessy, Kathryn Rauch First Hand.........................................................................................................Victoria Lillich Stitchers.......................................................................................Emily King, Katelyn Yonkers Craftsperson/Shopper.........................................................................................Sandra Knapp Wardrobe Supervisor............................................................................................Michael King Student Assistant........................................................................................Christina Forestiere Lighting and Projection Supervisor..................................................................David M. Bowman Electrician...............................................................................................................Jed Daniels Electricians/Board Operators......................................................Brian C. Jordan, Susan Pipolo Resident Sound Designer/Audio Engineer......................................................Jacqueline R Herter

Audio Engineer...............................................................................................Kevin O’Connor

Sound Engineer/Operator.....................................................................................Dan McLain Production Stage Manager....................................................................................Stuart Plymesser Stage Manager..............................................................................................Laura Jane Collins Production Assistants.........................................................................Erin C Brett, Em Piraino

S Y R A C U S E S TA G E S TA F F

A D M I N I S T R AT I V E S TA F F

General Manager....................................................................................................Michael McCurdy Comptroller..............................................................................................Mary Kennett Morreale Human Resources Manager/Business Associate.......................................................Kathy Zappala Director of Information Management & Technology...................................Garrett Wheeler-Diaz Box Office Manager.....................................................................................Courtney Richardson Assistant Box Office Manager.............................................................................Jordan McKey Audience Services Manager/COVID-19 Safety Officer..............................................Jacob Ellison House Managers......................................................Pat Condello, Ella Lafontant, Adam Secor Bartenders.....................................................................Michelle Cannizzo, Meg Pusey-Anthis Audience Services Intern...........................................................................Megan Julia Cooper Assistant House Managers...........................................................Ashley Collado, Eli Schwartz Front of House Associates..................Hope Allen, Sally Jewell, Chris Marzulla, Caleb Sheedy, Wesley Tipton, Malaika Wanjiku, Ada Wennstrom Director of Development.............................................................................................Ana Diaz-Diez Assistant Director of Development.....................................................................Stefania Ianno Development Assistant................................................................................Candice Bermudez Development Intern........................................................................................Olivia Wernecke Director of Community Engagement and Education.....................................................Joann Yarrow Associate Director of Education.............................................................................Kate Laissle Community Engagement and Education Coordinator....................................Theorri London Community Engagement and Education Interns...........................Liam Bierley, Mia Crisafulli Director of Marketing and Communications..............................................................Joseph Whelan Group/Corporate Sales Manager..........................................................................Tracey White Assistant Director of Marketing and Communications......................................Joanna Penalva Patron Campaign Specialist.........................................................................Nori Gartner-Baca Senior Designer, Creative Content....................................................................Brenna Merritt Graphic Designer............................................................................................Jonathan Hudak Marketing Interns..................................................................................Grace Byrd, Emily Ref Executive Assistant.........................................................................................................Cynthia Reid Sign Language Interpreters.....................................................................Brenda Brown, Sue Freeman Open Captioning...................................................................................................Michael McCurdy Audio Description...................................................................................Kate Laissle, Joseph Whelan Community Services Officers.......................................................Stacey Emmons, Joseph O'Connor Custodians.......................................................................Dave Hall, Tony Rogers, Candance Velario

Yoga Play Program

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Cast & Artistic Staff Bios

Dramaturgical

Letter from the Artistic Director

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