Portfolio - Syuan-Cih Li by SyuanCih

AR CH PORTFOLIO

S Y U A N C I H L I

SYUAN-CIH LI ABOUT ME

EXPERIENCE

NAME SYUAN-CIH LI / 李軒慈 NATIONALITY TAIWAN DATE OF BIRTH 25 MAR, 1993 EMAIL cs60329@gmail.com

A Better Sign Pty. Ltd. MELBOURNE,AU Draftperson / Graphic Art Design Jun. 2017 - Present. 2019 Draw up plans showing the detail of signage Message schedules and design intent documentation Design, develope, and implement of the graphic BBG Property & Business Group MELBOURNE,AU Graphic Designer (Freelancer) Jun. 2017 - Aug. 2017 CORNUS MELBOURNE,AU Graphic Designer (Freelancer) Nov. 2016 - Feb. 2017 Design property brochure Design grapics to client's precise requirements and brief J.A.Chen Architects & Associates TAIPEI,TAIWAN Architectural Assistant Jan. 2015 - Sep. 2015 Make 3D view in lumion, vray and other related softwares Draft design base on architect's sketch Draft architecture diagram and drawing

EDUCATION My name is Syuan-Cih Li from Taiwan. I have obtained my bachelor degree qualification for Architecture Design in my country; the focus of this degree was on learning the core skills required of an architect or architectural designer and the course greatly developed my design and communication skills. Du r i ng my u n d e r gr a d ua te stud y , I concentrated on the field of Design, achieving a top rank for Thesis Design, which is the most important presentation and outcome in the last year of a Bachelor Degree for this course. After graduation, I had attended some competitions of Thesis Design, competing against people from many countries, such as Taiwan, China, India, Japan, and Spain and won several awards. 'Architecture IS About Human Connection'-Thom Mayne, I strongly believed Architecture is the closest thing to a human being that something can be. In my view, the necessary responsibility of architect is how to connect the human mind through the space, and Reconnecting People with environment through Architecture and Design, even futher to some Intangible system and concept.

National Taipei University of Technology Bachelor Degree In Architecture Song Shan C&E Vacational High School Diploma of Advertising & Design

SKILLS AutoCAD SketchUP Rhinoceros Lumion V-ray Revit Photoshop Illustrator Indesign CoalDraw Powerpoint Word Excel Photography Modelmaking Sketch Handdrafting

AWARDS TAIWAN 2010 Cyber-island Photography Contest- Finalist 2015 NTUT X TKU Collaborative Design Presentation- Merit Award 2016 NTUT Thesis Project Award- 1st Prize 2016 Advance Developers Association for Student- Excellence Award 2016 NTUT X MCU Thesis Presentation- Representative for NTUT 2016 Student Design Competition (Kaohsiung Architects Association) - 2nd Prize 2016 AILUS Competition (Taipei Architects Association) - Honorable Mention 2016 The National Golden Award Architecture For Student - Honorable Mention CHINA 2016 TEAM20 Competition and Symposium Urban Planning - Representative for NTUT JAPAN 2016 NTUT X KYUSHU University workshop - Representative for NTUT INDIA 2017 Delhi Architecture Festival Awards Urban Design- 3rd Prize SPAIN 2016 ISARCH Awards for Architecture Students - Contestants for Project Gallery

CONT E NT REFERENCES

DESIGN STUDIO

01 02 03

SKIP GARDEN

Thesis Design 01

THE HOTSPOT

Yea r 3 Design 09 11

URBEN GALLERY Yea r 3 Design 10 12

BETWEEN THE LINES Yea r 1 Design 11 13

TRANSFORM

Yea r 1 Design 12 14

Arch

ABOUT WORK

GRAPHIC ARTWORK

Postgrad uate 13 15

WORK IN AUSTRALIA

Postg rad uate 15 19

1.01

Skip Garden

Heterogeneous Landscape

Thesis Design 1.02

Supposing that old town need to be eliminated by urban development and time consuming, the original brothels became underground and disappeared gradually because of the urban renewal and the government policy. And it is doubtful that these dilapidated spaces can be retained, metabolized or even redefined.

and chat. The erotic industry is hidden in the innermost corner.

As a Skip Garden Ground in urban texture, which release and blur the border between space and life. I try to find out a balance in this distinctive space, and also try to create a possibility of coexistence

1.05 Tourists and prostitutes - The erotic industry will not completely disappear in this site, and there are still some buried in the field. However, the texture and history here will not be forgotten after the urbanization, and the space will be reused. A museum records the stories of these people.

The site is located at the area of Wanhua Longshan temple. In this area there are four force living in here, which is tourists, residents, homeless people and prostitutes. Because of the culture and the types of space, the life style and the neighborhood are totally different from each other, also, they develop such a interesting coexistence life style.

1.04

My goal is input a new strategy, reuse the dilapidated spaces, changing the relationship of these groups, breakthrough the border, so the activities start to have a connection again. 1.01 Design Panorama - Continue the texture of the old city and create a utopia in which four groups coexist 1.02 Tourists and homelessness - A social welfare center hidden in the skip garden, homelessness shuttles in this field to clean up the environment, sell BIG ISSUE magazines and collect garbage to earn income

1.05

1.03 Tourists, residents and prostitutes - The hospitable residents open the living room, add a platform, and connect the neighbors. The tourists inadvertently walk into or touch the residentsâ&#x20AC;&#x2122; small tea

1.04 Tourists, residents and homelessness - In the skip garden, each group has a variety of activities, and each other interacts with each other through activities and spaces, breaking the barriers of class and creating a coexisting place.

1.06 Current site with group analysis - Approache and observed throguh my own perspective to analyze the space, interaction and texture of the four groups.

ARCH Portfolio of Syuan-Cih Li

1.03

Student: Syuan-Cih Li Director: Chia-Hao Tsai B+P Architects / MArch In Bartlett, UCL

1.07 Related case studies - Study three similar fields: Hong Kong Kowloon Walled City, Shanghai longtang and the Amsterdam Red Light District, analyzing spatial composition and elements, making collage in my own view. 1.08 Spatial model research - found the spatial elements of the three cases, synthesize and design the exclusive space belonging to the coexistence of groups 1.09 Base possibility - Apply the space model to the base to find the design pattern suitable for the base texture

25°02'12.3"N 25°02'10.0"N

25°02'10.2"N

BSc Architecture Thesis Design

Ⲗ 㱢

121°29'53.4"E

䋊䩿墝㦾槪⯳ᾙ㘎墝䄋

命呀䦏㝔䧠≺Ṿ〔

⥭⹓㖇㕵⊺楩椰䊺

121°29'54.2"E

Ṛ㲅㩤䦏䧠

25°02'12.3"N

121°29'60.0"E

䋊䩿墝㦾 ) 楀楹˚.79 ) ỵ㙤䫋旤

[遊民]

䛎⥺朗㖴嚦

崾 ⎫

Ⲗ 㱢㮝副㶌⌦

25°02'10.5"N

槪⯳ 悛⯳ ᾙ㘎➁漯

劜劋䛕剙䜬㚀⿯劜劋㺀剄濞Ⳃⱋṑ⺇熂曹咨㯈⑃䛍Ⲧ剄䑏Ἓ熂濞Ⳃⱋ ⹃㉡䄋劜劋䛕Ṿ〔熂䑏㴒濞Ⳃⱋ槪䂼潟䜬熂℠又噾䵖䈙⎑ṑ㩴ἶ⯨㖪䄋Ṿ〔寤▗Ⰷ剘㘠俵㖏ⱕ䌑䛍Ⲧ熂⑝㚓ἵⱋ⊞䛕⼴ⸯ墨寛㉡⑁⍨⹓潟䜬䛕娑↚⌦丫˛ 恪⢛䋊㯛㘠俵䛕傫咎⢅⠰䛕ᾠ⯖㪰兎㝚䵖䈙⎑Ⲗ㊑˚⥭⹓Ⲗ㊑剘悛㱢刻廼㶒⌦Ⲗ㊑剘ṑ剽ᾠ▗㹈⑙Ⲗ㊑熂㰠ṑ⁜慎㚀䎹䋊䛕⮩❹˛

崛ἥ⹓

䊺崘朗㖴➁

墨␜⥭㚫ὢダ嚦䛎⥺朗㖴嚦

種行業，在街廓到尺度極小的巷巷口拉客，這塊香腸攤，其實他

[遊客]

基地上充斥著許多茶仔店特種行業，在街廓旜㖏的最外圍為一般的商家，進到尺度極小的巷 ⎛旜㖏弄內會有一些站壁的小姐在巷口拉客，這塊 ⎛朂Ⱇ 朂Ⱇ 場域中的巷子口都會有一攤香腸攤，其實他們都是通風報信的據點。 4

121°29'57.5"E

ARCH Portfolio of Syuan-Cih Li

ⱜ 匄 ⯳ 懣

傫朗˚⑔楀˚⸶ᾭ

㖢䀰墝䄋 Ṿ⎙ ᾙ㘎墝䄋

㖢䀰墝䄋㚫旤 ᾙ㘎墝䄋

俵傫傛⥺

傫朗˚傛⥺崾⎫˚䦏䧠㪰㨜˚㊤⸶㋏捳˚俵欥㵨㿲

走在這場域裡頭，每個場景都像是劇場般，空間像是樹狀層層蔓延，擁擠的單元式空間垂直水平的有機發展，造就這場域中迷人有趣的空間。

➁䜵へ

崾⯳

㝚⸶ᾭ

墨␜ 㺉䩌

䅲⸶ᾭ

↽❣墨桾嘮Ἃ㮝副㶌⌦ 濞Ⳃⱋᾙ㘎

㝚Ⰷ⑀㯉

䦏䧠㪰㨜䮚 Ἔ ↶

⥸ ⥭⹓⊺椰

槪⯳ 悛⯳ 劜劋↽❣墨␜剘Ⓓ悾䛕昭–ⰗṞ⑀≗熂✱濞Ⳃⱋ剘⥭⹓偝㘶㘶傫朗熂墨 ␜ ✱䵖䈙⎑偝䕳䕰䊺ἶ梯傫⿨⊁嫞⑀熂␙❹㮵➁䕳䕰媂⥫Ⲗᾠ墝䄋˛ 劜劋䛕剙䜬㚀⿯劜劋㺀剄濞Ⳃⱋṑ⺇熂曹咨㯈⑃䛍Ⲧ剄䑏Ἓ熂濞Ⳃⱋ

⹃㉡䄋劜劋䛕Ṿ〔熂䑏㴒濞Ⳃⱋ槪䂼潟䜬熂℠又噾䵖䈙⎑ṑ㩴ἶ⯨㖪䄋Ṿ〔寤▗Ⰷ剘㘠俵㖏ⱕ䌑䛍Ⲧ熂⑝㚓ἵⱋ⊞䛕⼴ⸯ墨寛㉡⑁⍨⹓潟䜬䛕娑↚⌦丫˛

命呀剛悛⼤䫋旤⟜㆜䄋䖂⥧❞䛕▗㦾⎑⿻⻠㾉悃䛕⊁㝑Ⱡ⹈↸䛕䵖䈙 ⎑熂⿈⧓ṛ㷈⽕⡓剽恡㾉朂Ⱇ䛕桩⠰ⲵ䵫˛

⻅ἴ楃憣厇⯵墨

呀姐墨⥭⹓✱憣㩤剙巈

䋊勃Ⱡ⑔✱䋊䩿墝㦾偝巈

⼴ⸯ墨⥭⹓夲枳䛕楃憣⻨偒墨⿯㘶㔫㚓ἴ䛕嘮⧤憣㩤徚㉡厇⯵˚楃憣楡⽄熂㉡䄋⡋ⲵ䖈へ䛕ὢ旣⢅˛ ❧䄋Ⱡ⨡旑␴㌚⯳

朳䤍桾怢熂㉡䄋⸶ Ἃ咎凄嚦熂⪍˚憣㩤䮚䝉仍旜⾆熂Ằ ⺇⌦巈暕怢Ⱡ⑔㦾偖䛕傫朗熂✱㮵呀姐墨⥭⹓Ⲃ❹䗇㚓恡㾉㉡⾳˛

✱枱怢ⱜ匄⯳Ⱇ朗 ẜ➁熂≋䑏媂⥫ἶ 㰣⥀曎䄋嚰␽䛕團⻨˚沚⻨˛呀姐墨恪⻏⻅Ἃ㾿挄㹬熂 Ẍ姒㚀␨⊁⼳⪍˚ ㏈悜旜恫⿂桐

這舊城區充滿著許多傳統住寓，一樓的店面，二樓的住區的居民數是相當少的，因日治時代就留下的兩層樓磚紅磚舊瓦加上違建，變成現人們避而遠之，卻還有些許種行業共存。

⯫Ⲗ

䦏䧠㪰㨜

桩⠰ⲵ䵫 ▗㦾墝䄋 ǈ 㖴㶒渀槪凉㕵 ǈ ⎲▷ 2. ⻨˚楀楹 ǈ 䨒⪍ⰿ

⪍ ⧤

㴲厇▂㮝

旈偖

⥭⹓⊺椰

䯲䑗┲㹖㵨↽❣

劜劋↽❣

都像是劇場般，擠的單元式空間這場域中迷人有

萬華的繁盛隨著淡水河而來，也隨淡水河而去，先民在此經商、生活，留下許多當時的住宅、廟宇等，現況以龍山寺為中心帶動周遭的發展，東至剝皮寮歷史街區，西至廣州華西街夜市，北至貴陽街，南至大理服飾商圈與萬華車站，但在西南方的紅燈區卻是遊客會迴避的角落，那是個封閉、被遺忘的場域。

121°29'53.4"E

䵖䈙⎑⑝梯ㅰ

在深入進去，窄窄的巷弄充斥著燈紅酒綠的招牌，茶室女郎穿著艷麗的坐在店門口攬客，偶爾經過我身旁的是拉客談價的媽媽桑，茶室裡面有些是開放型的卡啦OK，有些是包廂式的，越深入進去，看到的就越私密，大廳的神桌與置物櫃，在紅紅的燈光下顯得特別。

[遊客]

䑗

䵖墨

Ⲗ

25°02'10.5"N

斥著燈紅酒綠的坐在店門口攬客談價的媽媽桑，啦OK，有些是包的就越私密，大的燈光下顯得特

㱢

彔

䄋

䵥

䈙

⥭ ⎑

Ⲗ

㱢

㊇

䴊

₠

⹓

ᾠ

Ɫ

⯖

㪰

兎

彔

䄋

奘

札

[居民] ṑ嚰≋␴剘濞Ⳃⱋ昭– ṑ嚰≋␴剘濞Ⳃⱋ昭– ≮ῗ濞Ⳃⱋ䛕悛⯳⥸⥫慎㝔䷤䖂㏈悜ṑ嚰≋␴恫墝 ✱枱怢濞 Ⳃⱋ䛕≋␴姒䷤悟奘札䛕➁Ṝ墨

熂悛⯳㝔㴐咨⥧❞悛巁惐旜 ≮ῗ濞Ⳃⱋ䛕悛⯳⥸⥫慎㝔䷤䖂㏈悜ṑ嚰≋␴恫墝 ✱枱怢濞悛㱢⦘䋊⢅⠰ Ⳃⱋ䛕≋␴姒䷤悟奘札䛕➁Ṝ墨熂悛⯳㝔㴐咨⥧❞悛巁惐旜悛㱢⦘䋊⢅⠰

㶒渀啤⽇剄劜劋↽❣ 㶒渀啤⽇剄劜劋↽❣ ✱↽❣暵ỗ墨␜⥧熂Ằ㝚Ử⻅旈偖˚崾⯳熂ἧ⁢✱↽❣㘠俵䛕傫朗熂❹㘠俵ỵ㝔➁⺇模䖪˛ ✱↽❣暵ỗ墨␜⥧熂Ằ㝚Ử⻅旈偖˚崾⯳熂ἧ⁢✱↽❣㘠俵䛕傫朗熂❹㘠俵ỵ㝔➁⺇模䖪˛ 㼈札䛕㊇⥧⥸⟜崾⢅ 㼈札䛕㊇⥧⥸⟜崾⢅ 㰠⥺⎙㚓悟⿝熂↾⑙⾺䶕桾⁢䵬䵬ἶ䵪䰂⡗䗛巈ṑ⁜␙ṑ⁜䛕㰠⥺⎙㚓悟⿝熂↾⑙⾺䶕桾⁢䵬䵬ἶ䵪䰂⡗䗛巈ṑ⁜␙ṑ⁜䛕䲎崾㢝熂㰠⾆㢝惛慎❩❩❞㽐ỗἋ熂㗉䛏䲎崾ⓝ䝜崾䛕Ἃ㕩✈ 䲎崾㢝熂㰠⾆㢝惛慎❩❩❞㽐ỗἋ熂㗉䛏䲎崾ⓝ䝜崾䛕Ἃ㕩✈ 䈂歸䛕⢅枳䆯㚀⥀娑熂ῐ⿨劜劋↽❣⻏ẟ㉡ỗṑ⻸㊇⥧⥸⟜崾䈂歸䛕⢅枳䆯㚀⥀娑熂ῐ⿨劜劋↽❣⻏ẟ㉡ỗṑ⻸㊇⥧⥸⟜崾 ⢅˛ ⢅˛

這舊城區充滿著許多傳統住商混合步登公寓，一樓的店面，二樓的住家，但在紅燈區的居民數是相當少的，因為那裏有許多日治時代就留下的兩層樓磚造老私娼寮，紅磚舊瓦加上違建，變成現在的紅燈區，人們避而遠之，卻還有些許居民繼續跟特種行業共存。

Ử媂ᾠ⯖

◿ᾞ

旈

↹

䃁勃➁⺇

53 僃勃⢅㊑

3.5

5.5 30

䵖䈙⎑䋊㯛▗Ⰷ昭– ⼴ⸯ墨˚呀姐墨⥭⹓暵ỗṑ剽⥭⹓▗Ⰷ⥧熂Ằ⑀䝜⊁ṑỬ 勃ㄖ⿂䊘峺崴⻨˚ㄖ巴䕹┒⻨␛沚團䮚⥀曎䋊㯛䛕▗Ⰷ˛

墨␜˚悛㱢˚崾⯳䜵幯↽❣ 墨␜˚悛㱢˚崾⯳䜵幯↽❣

悛⯳剘⪍⧤䛕ỵ朗⺇ Ử媂⥭⹓▗Ⰷ啤⽇剄䵖䈙⎑熂ἶ剅悛⯳㝔❹恪夲㶌⌦熂㝚 ỬⱠ⨡㝔❹恪⁜ỵ朗嚦㌚⯳熂⾳㉡ṑ⁜䋊㯛⢅㛀˛

⡈㦾䫋旤䶕⑙剘㪰兎

1.06

[居民]

厇ἥ⯵䛕䫋旤⥸⥫䄋⥸Ⱡ⍖⼓䛕曥旤熂偝曥旤夲枳⃪㝚㳪䛍˚⎲㌚熥熡熂㝚Ử↺ⲵ㩤⽋䰚䛕僃勃⢅㊑熂Ṝ枳㚀⎲▷ 熥熡␛楀楹熂ờ㩤⏄䄋へỵ㙤⢅㊑˛ Ⲗ㱢剘憣⧄䛕䃁勃➁⺇ ❹恪⎑⠰ờ㩤⏄䄋䃁勃➁⺇熂❹僃勃⢅㊑Ⱇ朗嚦熂Ⲗ㱢㊇㗉巛Ɫ˛

↺㘠俵ỵ㝔嚦䋊䩿墝㦾 Ⲗ㱢 ▗㦾墝䄋悛⯳槪⯳⌦丫䵖䈙⎑⌦丫

偒Ἃ˚悛㱢˚崾⯳ ɜɜ恪Ṛ⥸㘠俵䛕偒Ἃ˚悛㱢˚崾⯳ ɜ ɜ 恪 Ṛ ⥸ 㘠䜵幯熂ῐ⿨劜劋↽ 俵䛕 ❣㉡䄋枯ᾗ娑↚⯳ 䜵幯熂ῐ⿨劜劋↽ 㖽偝悱ẜ熂⏄ῐ❹ ❣㉡䄋枯ᾗ娑↚⯳ ➁Ⲗ㱢⥸慎Ằ␻悛㖽偝悱ẜ熂⏄ῐ❹ 巁❹⇇⥧❞䛕⦘䋊 ➁Ⲗ㱢⥸慎Ằ␻悛 ⢅⠰˛ 巁❹⇇⥧❞䛕⦘䋊 ⢅⠰˛

↽❣⼴⢅墨桾嘮Ἃ㮝副㶌⌦ ↽❣⼴⢅墨桾嘮Ἃ㮝副㶌⌦

ṑ⊁ụ㏲㌎䲵⊇熂 ↾ 㘶 Ṝ ⎙ 㚫 ṑ⊁ụ㏲㌎䲵⊇熂 ṛ ↾ 㘶 Ṝ ⎙ 㚫䛗㝚㮝副 ṛ 䛗㝚墹㽥熂剘≶䛕➁㘊㮝副 Ṟ⑝䛕㚀娑䞏⥸愹墹㽥熂剘≶䛕➁㘊 ≗㚀偒Ἃ剘悛㱢熂 Ṟ⑝䛕㚀娑䞏⥸愹桩㝚䊝䆸䛕嘮Ἃ㊞ ≗㚀偒Ἃ剘悛㱢熂兎❹㮵墹㽥˛ 桩㝚䊝䆸䛕嘮Ἃ㊞兎❹㮵墹㽥˛

ⱋ⼰剘墨␜䛕昭– ⱋ⼰剘墨␜䛕昭–

刻␵ἶῗⱋ⼰剘ắ ṡⲂ㝚ⰗṞ⑀≗䛕刻␵ἶῗⱋ⼰剘ắ 昭–熂⽇剄䑏ἴ墨 ṡⲂ㝚ⰗṞ⑀≗䛕 ␜剘濞Ⳃⱋ䛕昭昭–熂⽇剄䑏ἴ墨 –熂劜劋↽❣寛䝉 ␜剘濞Ⳃ ⱋ䛕昭寛㉡ỗṑ䩿ⱋ⼰㖇 –熂劜劋↽❣寛䝉 Ⰺ悛㱢䛕⢅㊑熂䝉寛㉡ỗṑ䩿ⱋ⼰㖇曥咨ṑ㣮幀˛ Ⰺ悛㱢䛕⢅㊑熂䝉曥咨ṑ㣮幀˛

1.08

1.07

1.09

BSc Architecture Thesis Design

1.10 Spatial study collage - Study the spatial scale and combination of the three cases 1.11 Sharing corner - Creating a new strategy, Four groups share the space with mutually beneficial relationships 1.12 10 years urbanization hypothesis - Changes in texture and the placement of new strategies and spatial forms in the base within ten years 1.13 Skip garden vision map - Introducing tourists and being homeless, this red light district is no longer a closed field, creating new mechanisms after urbanization, creating a non-discriminatory utopia.

ARCH Portfolio of Syuan-Cih Li

1.14 Render view - The relationship between the frame and the unified space is then allocated and linked, and conforms to the urban texture of the old city.

1.16 Skip garden vision model - In the complex old area, creating a new system that boldly challenges the current conservative society, there will be many different criticisms and opportunities, but it also means that people’s discrimination against diversity groups will gradually disappear in the future. I hope to change this by architectural design futher to create ane extend the new system in society. 1.17 Skip garden lifestyle section Through the section vision map, we can see that the living system in the future garden is full of connections. Compared with those formal and cold buildings, I prefer the connection between people in space, so it makes space lively and genuine.

1.15 Render View - The disappearance of old buildings has created new entrances, breaking closed walls

1.10

Shared CornerCorner Sharing ⇂Ỽ娣咎 ❹⡋➁ṛ⋆恱ṑ䩿㝚巴䛕㪰⊇熂恪㪰⊇❹䫋旤ṛ寤⥸Ⰷ⑀ἶ㊤䢅⠟䊗剽䛕䖝丫熂 Creating a new strategy, Four groups share the space with mutually beneficial relationships. ❹曟䵫ṛ⑀ἶ✱㮵悥㉡ợ埞␛巖巛ⲵ䵫剘⿍㮵帮朳䛕嘺䲽˛ Ⲗ 㱢 Residents Ⱜ㯸㈺敲⮉⻚

Ⱜ㯸㈺敲⮉⻚ Residents open living room

Ⱜ㯸凑⮝⻁㈦ Ⱜ㯸凑⮝棆⟩ Residents kitchen and dining room

Ⱜ㯸⢅⻡䙫⯶晤⏗ Residents balcony add-on

STEP 1

STEP 2

STEP 3

Around the location has gradually urban develope,current situation still retains many 2nd floor of old brick houses

The original brothels became underground and disappeared gradually because of the urban renewal and the government policy

These dilapidated spaces can be retained, metabolized or even redefined.

Ⱜ㯸⢅⻡䙫⯶⤥ⱋ Residents space add-on

娼妓逐漸消逝及地下化

Gentrification Gentrification 建築物的閒置到拆除的過程閒置空間街友、地主與閒雜人的出入

ạ˚ ạ 例偁7<3( The tourists 2-5 5-10 gather type

䋊䩿墝㦾 Prostitutes

䔏ᷴ∗䙫䉐岮 Unwanted stuffs Leftover ⻁棿

Taiwan Red-light district ⍈㊰2.䲥䥅棆⟩

Prostitutes ㊰⮉⯶⦷

Rubbish ❪✥

Recycle ⛅㔝

Tout in alley 䫀⢨⽳劘⛹

墨 ␜ Homeless People

1.11

㍹晱柿ᾦ䕝˚䉐岮 Receive supplies

旃㇞㛴⋀ 㔸㿆棆⟩ Social Welfare Center 䛌㳾˚㔝⮠㈧

%,* ,668( BIGISSUE ẋ暭嘼岐峊 Seller

䉐岮❪✥暭㕊 Litter picking ✗ᾂ怱㯸⛅㔝 recycle

參徙 Pig Fertilizer Rubbish 棱屓㈝䤥䥶Ḕ⾪ farmers truck 怲忨䉐岮

㏂⎽ἶ⮦⎱峡按 Exchange room and money

1.12

2025 2030

Current CurrentSituation Situation

2020 2025

2015 2015

悛 ⯳ Tourists

The ⤁ạ例偁䙫⻊⠛凮塏㻻 tourists gathered together in square

STEP 4

Input a new strategy, reuse the dilapidated spaces, changing the relationship of these groups

Feture Vision Feture Vision Space Transfer Space Transfer 特殊體驗城市行旅混居旅店二手交換市集

1.13

原有的花街在隱密的牆後，彷彿後花園般

1.17

錯層裡的小攤販總在固定的時間出來叫賣，人群聚集著品嘗風味。

我走著走著走到了王伯的家，他熱情的邀請我坐下喝茶，談天說地。

邊品嘗著夜市裡帶來的美食，邊聽著廣場上復古的歌聲，在這裡，很愜意。

我在平台上休息，卻意外看到鄰家女孩在曬衣服，好漂亮啊

隱沒在仕紳化舊城區裡的公共地景之園

THE BIG ISSUE

1.14

1.15

1.16

The Hotspot

Meeting Point of Internet & Reality Year 3

Student: Syuan-Cih Li. Director: Wan-Yu Liu PM in Ando Project Office / M.Arch TU Delft The Internet is an invisible world where people meet in a virtual world, in reality The world is gathering, and the emerging netizen are gradually falling into the historical block, which is about to happen. A new imaginary of an unknown event. The residents of this area interact through space in this place,

ARCH Portfolio of Syuan-Cih Li

The residents, in each space and space, through the corridor and the vertical line, Disperse and spatially overlap, create interactive behaviors that relate to each other.

Newness in the historical area. life-style and the neighborhood are totally different from each other, also, they develop such a interesting coexistence life style.

2.01

2.01 Activities GF plan The atrium becomes the stage of the event, and the vendors corridor. 2.02 Future Vision - Netizens create links in this place, breaking the gap between reality and the Internet 2.03 Final Modeling - The place of the network event is connected in a vertical and horizontal way, full of interesting space imagination.

2.02

2.03

Urban Gallery Community Centre Year 3

Student: Syuan-Cih Li. Director: Jang-An Chen J.A. Chen Architects / M.Arch in UPenn

In the over-developed busy city, we find the only breathing space, and local residents and citizens need a community-connected place. Create exclusive urban galleries, with a semiopen space to connect the outside crowds, so that they can create different activities and imaginations in the new space, and the world can achieve the purpose of urban rest.

3.01 Vision Art events are held in this large urban gallery 2.02 User analysis and space need - Let each other create a link in space by research

ARCH Portfolio of Syuan-Cih Li

2.03 Site group analysis - the base is located around the General Post Office and is surrounded by hostels and educational institutions. Different groups find places to relax here.

3.02

HEAVY THROUGH TRAFFIC Conflicts between motor traffic and pedestrians are one of the major problems in cities today. In many cities traffic has steadily increased. As a result there are frequent conflicts between pedestrians and motortraffic.

PUBLIC ART AND VICTORIA SQUARE

3.01

3.03 ATTRACTIVE STREET FRONTAGES

The good facades.Attractive street frontages create a friendly streetscape with many entrances and transparent facades which provide a good contact between indoors and outdoors. In these precincts there is generally a good mix of different units / shops, not too large units etc. When the streetscape is perceived as an inviting and friendly place one or two bad units cannot distort this experience.

Between The Lines

Year 1

Student: Syuan-Cih Li. Director: Shi-Yen Wu D&A Lab / Visiting scholar in UCL and AA

Art is hidden in the details, and the vitality of space is transformed from another vital image - Through the image of Chinese calligraphy to study space scripts, create artwork to convey the power of calligraphy, and create a museum Lobby of Chinese characters with vitality and artistry.

4.01 Lobby model Standing in the museum hall and feeling the cultivation of Chinese calligraphy culture

Transformation

-sided view

Year 1

Student: Syuan-Cih Li. Director: Shi-Yen Wu D&A Lab / Visiting scholar in UCL and AA

期中交流會四個星期操作

Trying to collage the vibes from a MV, taking six views 期中交流會四個星期操作 (30X30) 5.01 Model Linkage device made from the views of collage create a three-dimensional transformed 2012/11/2 model. Finally to to find the developable element from the mod- of composite material to create multiple el to combine and create a new linkage system, which can be vibes of architurtural moved and unfolded. space.

神秘 / Mesery

2012/11/2

尺寸 : 2K

六面視圖 / Six-sided view

期中交流會四個星期操作 2012/11/2

el elng

六面視圖 / Six-sided view

期中交流會四個星期操作 2012/11/2

概念 / Concept 概念 / Concept 拼貼元素為一個房間被螫蔽，營造整體神秘。

拼貼元素為一個房間被螫蔽，營造整體神秘。

Graphic Artwork

ARCH Portfolio of Syuan-Cih Li

A display of some of my finished projects

ARCH Portfolio of Syuan-Cih Li

Work in Australia I came to Australia in October 2016 on a working holiday visa. I initially lived in the Melbourne CBD and worked as a freelancer on a small number of graphic design projects, before moving to regional Victoria, where I worked in a packing position in meat factory for three months. In May 2017, I returned to Melbourne to continue graphic design work. I take great pride in having a strong work ethic, an eye for detail and a respect for efficiency- but I also value innovative thinking and creative solutions. I thoroughly enjoy working with people, and in an environment that is conducive to innovative work, creative ideas and productive relationships. Start My Design Career Working as freelance graphic designer in a property development company, I completed projects for real estate brochures in Kew, Hughesdale, Camberwell and number of other suburbs in southeast Melbourne. These were the first projects I designed in Australia. From this work I have gained a

better understanding of the lifestyle and attitudes of Australians and an appreciation of marketing strategies for real estate promotion from a graphical design perspective. Meat Factory Life To meet the conditions of an Australian working holiday visa, if the applicant wants to apply for the second year of extension, they are required to go to a regional area such as a farm or a meat factory for three months. As such, I worked in a meat factory in Warrnambool for three months, doing packaging work every day. I found the country lifestyle was more relaxed and laid back and although I was busy working, down time was often spent on more simple pursuits such as having a barbeque. I enjoy this kind of coziness in a country lifestyle and I gained an increased knowledge and understanding of the food industry system. Back to City After I ended my three-month rural life,

After I ended my three-month rural life, I returned to Taiwan for two months and then returned to Melbourne. Since then I have had further design work experience, largely producing real estate property brochures. I was also able to find some freelance jobs which has seen me produce graphic artworks, and perform work in photoshop and render in processing Work in Signage Company I commenced my career in an advertising signage company. Our clients include various businesses such as Moreland City Council, Sushi hub, Sandwich chef, Tattslotto and many other businesses. I have three main responsibilities - Design artwork from customerâ&#x20AC;&#x2122;s requirements, confirm the size and details before production, and operate the printer and CNC etc. - Design artwork from clientâ&#x20AC;&#x2122;s requirements Clients are categorised into large, medium and small businesses. Large business projects, which are generally managed by the

project manager, as part of the process, we will receive drawings from the architects, and I perform duties drafting the details of the sign, and finally send it to the project manager for final approval. For medium and small businesses, itâ&#x20AC;&#x2122;s common to design artwork, such as restaurant menus, club banners, company logos and corporate branding. - Confirm size and detail before production This is the most important procedure and its vital to ensure that all aspects of the design meet the requirements of the customer. - Operation of production machine Large-scale projects are produced overseas. We produce our own products for medium to small projects. In the process of production, we use printers, lasers, carpentry, vinyl cutting or CNC.