CNC Fabrications Handbook

Page 1

HAND CNC Modelling Documentation Andrea W L Sze
AUTOMATIC

INDEX

Iterations Documentation

Iteration 1

Test: Angular Joinery (Fail)

-Concept

-Joinery -Design

-CNC Modelling

Final Prototype 4

Test: Installation Sitting on Frame

-Concept

-Used Tools

-Stepover as Pattern

-CNC Modelling

-Prototype on Site

Iteration 2

Test: Joinery & Patterning

-Concept

-Used Tools

-CNC Modelling

-Hooke Park Workshop

-Assembled Piece

Iteration 3

Test: Stepover as Pattern

-Test Agenda

-CNC Modelling

Final Design

Installation piece assembled on site

-Concept

-Tool Paths Round 1

-Tool Paths Round 2

-Installation on Site

-Self Evaluation

Iteration 5

Tolerance Test

Tolerance Test for future joinery profile offset adjustment

AUTOMATIC HAND / Andrea Sze / Timber Collage

Concept

Whenever the Lecture Hall is being used, there will be a sign sitting outside stopping people from entering. However the sign do little in stopping people from entering the lecture hall abruptly. The installation is therefore, aimed to raise awareness of people before they rush into the room.

In order to achieve this, the installation would act as a coat/umbrella rack , like a frame it will slot onto the existing door frame of lecture hall. And whenever the lecture is being used, people will hang their coats and umbrella outside on the frame and therefore letting people know it is being occupied before their entry.

AUTOMATIC HAND / Andrea Sze / Timber Collage
1
Site: Lecture Hall Main Entrance Initial Sketch

ITERATION 1

Traditional Joinery

Aiming to achieve the installation economically I am aiming to do it out of scrap, and thus it is aimed to be assembled with timber itself.

I was looking for joinery which requires the minimal effort which doesn’t require another material, hence I started looking at Japanese Joinery.

AUTOMATIC HAND / Andrea Sze / Timber Collage
Through Dovetails on Carcase Work Flushed Dovetail Puzzle Lap-dovetailing for Drawers Dovetails for Boxes A Single Through Dovetail Machine-made Drawer Front and Side, Apart The Parts Together Position when Machined

ITERATION 1 Design

The design is comprises of 5 standardised element with sophisticated wood joints. CNC would provide the precision in making of these components. Which is important for assembling the installation.

My next step would be making a few pieces to see if they can be assembled perfectly.

AUTOMATIC HAND / Andrea Sze / Timber Collage × 1 pc × 5 pc × 2 pc × 4 pc × 2 pc

ITERATION 1 CNC Modelling

The design of the connection is made so the joint would be part of the hooke for hanging coat , but after the first attempt with the CNC machine it is realised that angular corner of the inner side of the profile is hard to achieve.

Secondly, the way to achieve an extended joint as hooke result in waste of materials so it may be unpractical for the current form.

Tool Setting:

Failure:

1. It is discovered that due to the round nature of all tools, it would be impossible for CNC to archive any sharp angle in the inner perimeter of the piece.

AUTOMATIC HAND / Andrea Sze / Timber Collage
4 2 4 2
Inner Corner Wasted Material 1. 2D Clearance - 6mm End Mill 2. 2D Clearance-6mm End Mill 2. There are often too much waste materials in making the piece.

Concept

The second prototype continues to explore joinery but in a more 2D form. I also change from angular inner corner to round edge for the profile of joinery as it seems more practical for the CNC machine.

I then explored with other tool from the workshop and together the CNC prototype I made a coat rack.

I also want to achieve the piece with different pieces that can slot together as I aimed to used collected scraps to make the piece.

AUTOMATIC HAND / Andrea Sze / Timber Collage
2
Reference Images Design Sketch

ITERATION 2

Used Tools

AUTOMATIC HAND /
/
Andrea Sze
Timber Collage

ITERATION 2 CNC Modelling

First the profile is cut around the panel until 1mm above ground so that the pieces can be plug out easily when done,.

Then 2D excavation is done twice according to the different thickness of panels, by removing materials from above until the right thickness is reached. At last there is engraving done on the surface,

Tool Setting:

AUTOMATIC HAND / Andrea Sze / Timber Collage
1. 2D Profile Line cutting - 6mm 2. 2D Profile Line cutting - 5mm from the bottom 3. 2D Profile Line cutting - 10mm from the bottom 4. 2D Line tracing - 3mm & 8mm from the bottom respectively

ITERATION 2

Hooke Park Workshop

AUTOMATIC HAND /
Andrea Sze / Timber Collage

ITERATION 2

Hooke Park Workshop

For the CNC parts, a lots of sanding took place in order to be able to put the pieces together, it is perhaps the offset is too little or the way the CNC cut it wasn’t right.

For the other parts of the coat rack I explored other different tool at Hooke Park Workshop.

AUTOMATIC HAND / Andrea Sze / Timber Collage

ITERATION 2

Assembled Piece

This happen to be the first time I made any furniture and it is quite rewarding to achieve the piece with both traditional wood craft method and CNC at the same time.

It is essentially an assembly of all sort of experiment I did in Hooke Park Workshop. From The CNC puzzle joinery to the traditional lap joint. And different way to treat the wood piece such as painting it and or leave it as it is ,etc.

Overall, I am quite happy how the piece turn out aesthetically and practically as a usable furniture.

AUTOMATIC HAND /
/
Andrea Sze
Timber Collage

After the iteration 2, I wish to explore how patterning can be done with the CNC tool itself.

Prototype 3.1 & 3.2

An attempt to explore other texture possibility with CNC

3.1

Simple form but planning on doing only fine roughing and find out how aesthetic it can be.

3.2

Explore CNC in a slightly complicated form to experience the logistic in setting up to do this small scale of curvature.

The outcome will help me to make comparison with previous way of doing pattern and hence inform me which technique I will employ for later design.

AUTOMATIC HAND / Andrea Sze / Timber Collage
3.1
3.2 3 Test Agenda

ITERATION 2

CNC Modelling

1. Roughing 6mm End Mill

* (Roughing area is a 8mm offset from the actual model so there is space for tool to go down during finishing)

2a. Finishing 6mm Ball Nose - Stepover 2mm

2b. Finishing 6mm Ball Nose - Stepover

Failure: When the Wood is too wet it is very difficult to do perfect finishing on both side.

Success: It is possible to do pattern by manipulating the stepover for finishing. (Right hand side)

3a. Roughing 6mm End Mill

3b. Finishing 6mm End Mill-Stepover 0.5mm

AUTOMATIC HAND / Andrea Sze / Timber Collage
2a 2b

Final Prototype

Each dimension of piece is determined by the scraps’ size I collect. The angular and pointy geometry is meant to raise awareness to people as an installation- to rethink if the lecture hall is empty before entering.

Installation will sit on the frame and Part A should weight more than B so the installation can support itself sitting on the frame without addition reinforcement.

The pointy element will also act as hook for users of lecture hall to hang their coat or umbrella before entering the lecture hall. The inhabitants therefore in a way contribute in how the installation will look.

AUTOMATIC HAND / Andrea Sze / Timber Collage
4

ITERATION 4

Tool Used

AUTOMATIC HAND / Andrea Sze /
Timber Collage
1. Wood plate to locate wood piece 2. Finished CNC wood ready to be cut out
1 2 2 3
3. Bosom wood slot to locate the wood pieces on the wood plate

ITERATION 4

Stepover as Pattern

In this piece various of pattern is made by changing the stepover value ranging from 0.5mm to 8mm to create finishing such as strips , coarse and smooth surface.

Stepover 0.5mm (Smooth Finishing)

Stepover 8mm (Clear Pattern, but deeper than 6mm)

Stepover 4mm (Still Smooth)

Stepover 6mm (Clear Pattern)

Stepover 2mm (Clear Pattern)

AUTOMATIC HAND / Andrea Sze / Timber Collage

ITERATION 4 CNC Modelling

Round 1

1a. Set up a timber plate under wood piece (Total height do not exceed 70 mm)

1b. Drill holes of diameter of 6.4mm with 6mm End Mill, for the depth of wood piece as well as wooden plate . (Holes are in symmetry)

3. Remove pieces and turn upside down, there are marks on both wood piece and wood plate

4. Set up the location of the wood piece by slotting in bosom wood (6mm) so it would be at the same location as before but up-side down.

AUTOMATIC HAND / Andrea Sze / Timber Collage
Round 2 2. Roughing 6mm End Mill (Depth of 10mm) 5. Roughing 6mm End Mill (Depth of 10mm) 6. Finishing Manipulation 6mm Ball Nose (Stepover of 0.5mm, 4mm, 6mm & 8mm respectively)

ITERATION 4 Prototype on Site

In terms of scale it will probably look nicer if it is bigger

AUTOMATIC HAND /
/
Andrea Sze
Timber Collage

Tolerance Test

Since the installation relies a lot on joinery putting pieces together,but that it has been difficult to assemble two pieces of CNC component together, I have decide to find out the reasons of that.

Given the general tolerance offset is 0.3mm, I have tested a several variable base on that, which is 0.3mm, 0.5mm, 1.3mm, 1.5mm respectively.

I also wondered why the previous model didn’t work despite that I gave it a 0.3mm tolerance. Turns out if it is a raster cut it will increase in precision of the profile and will result in difficulties in assembly.

The right way to do it is to use profile cut. Which give a better precision on the components’ profile.

Tolerance: 1.5 mm Too Loose

Tolerance: 1.3 mm Loose Fit

Tolerance: 0.5 mm Comfortably Fit

Tolerance: 0.3 mm Tight Fit

AUTOMATIC HAND / Andrea Sze / Timber Collage
5
Raster Cut Offset Cut

Final Design

Whenever the Lecture Hall is being used, there will be a sign sitting outside stopping people from entering. However the sign do little in stopping people from entering the lecture hall abruptly. The installation is therefore, aimed to raise awareness of people before they rush into the room.

In order to achieve this, the installation would act as a coat/umbrella rack , like a frame it will slot onto the existing door frame of lecture hall. And whenever the lecture is being used, people will hang their coats and umbrella outside on the frame and therefore letting people know it is being occupied.

The pointy geometry simulate the appearance of spikes which are meant to be slightly intimidating so that it will raise people’s awareness.

AUTOMATIC HAND / Andrea Sze / Timber Collage 6
Installation when lecture hall is not in use Installation when lecture hall is in use

FINAL DESIGN

Tool paths - Round 1

6mm Up Cut Ninja End Mill

Note:

F22- Measure Tools Height

F55- XY ---> SET

Wood Location on Bed

2D Area Clearance

6mm Up Cut Ninja End Mill

AUTOMATIC HAND / Andrea Sze / Timber Collage

FINAL DESIGN

Tool paths - Round 1

2D Area Clearance

6mm Up Cut Ninja End Mill

AUTOMATIC HAND / Andrea Sze / Timber Collage

FINAL DESIGN

Tool paths - Round 1

3D Roughing

6mm Up Cut Ninja End Mill

AUTOMATIC HAND / Andrea Sze / Timber Collage

FINAL DESIGN

Tool paths - Round 1

Roughing (Raster)

6mm Up Cut Ninja End Mill

Finishing (Offset)

6mm Up Ball Nose 3F

AUTOMATIC HAND / Andrea Sze / Timber Collage

FINAL DESIGN

Tool paths - Round 1

Finishing (Stepover 8mm)

6mm Up Ball Nose 3F

AUTOMATIC HAND / Andrea Sze / Timber Collage

FINAL DESIGN

Tool paths - Round 1

Smooth Finishing (Stepover 0.6mm)

6mm Up Ball Nose 3F

AUTOMATIC HAND / Andrea Sze / Timber Collage

FINAL DESIGN

Tool paths - Round 2

3D Roughing

6mm Up Cut Ninja End Mill

AUTOMATIC HAND / Andrea Sze / Timber Collage

FINAL DESIGN

Tool paths - Round 2

3D Roughing (Stepover 4mm) 6mm Up Cut Ninja End Mill

AUTOMATIC HAND / Andrea Sze / Timber Collage

FINAL DESIGN

Installation on Site

HAND
AUTOMATIC
/ Andrea Sze / Timber Collage

FINAL DESIGN

Installation on Site

AUTOMATIC HAND / Andrea Sze / Timber Collage

FINAL DESIGN

Installation on Site

AUTOMATIC HAND / Andrea Sze / Timber Collage

FINAL DESIGN

Installation on Site

AUTOMATIC HAND /
Andrea Sze / Timber Collage

FINAL DESIGN

Installation on Site

AUTOMATIC HAND /
Andrea Sze / Timber Collage

FINAL DESIGN Self-Evaluation

Overall, it has been a good exercise to learn the tool and achieve an installation. For it is common for us to practice design but not so much in realizing our design, and being able to do that help me understand more the logistic issues in bringing the design into reality in which it informs the ultimate design too.

It was extremely difficult for me to master the use of CNC, mainly due to my piece has a lots of conjunction where precision is required. I realise in order to do something really perfect, I need to be really precise myself, from 3D modelling to setting up the jig and the wood piece preparation itself.

It was also relatively more difficult as I am modelling with scraps, which are not prepared for CNC so I need to prepared them by removing the wood knots and adjust my 3D so it the CNC will avoid area where the existing screws are. Another challenge is that, when I am trying to do double sided CNC I need to put an extra bed to locate them, hence I need to screw them onto the bed, as the machine cannot vacuum the pieces. And since I am trying to maximise the size of each component I have to get the location of screws carefully. As an outcome, I managed to cut the scraps avoiding all the screws and maximise each piece without destroying any tool. However, it was still extremely risky and I would not recommend anyone to try the same method...

The joinery are then machined out to put the piece together, and despite some sanding still required, it is much more manageable than previous ones. The tolerance I used was 0.5mm.

AUTOMATIC HAND / Andrea Sze / Timber Collage

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