Nagakura Kenichi

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NAGAKURA KENICHI



NAGAKURA KENICHI has defined his sculpture and relationship to bamboo as an artistic medium outside the boundaries of the material and the traditional Japanese bamboo art world. When he was young, Nagakura searched for an area through which he could express himself artistically, including studying kimono dyeing. Finding none of those processes fulfilling, Nagakura began to learn basic bamboo splitting and plaiting techniques from his grandfather, a traditional bamboo artisan. During those few years, Nagakura found a deep connection to bamboo and discovered the perfect vehicle for his creativity. Nagakura’s careful studies of sunlight on a stream’s surface or its shimmer on a forest floor through the leafy canopy are expressed in his sculptural explorations. His approach to bamboo shows the thinking of one not confined by the material. As some painters focus on draftsmanship, others use the paint as a material by working with heavy impasto —not focusing on representation alone but on paint as a visual and physical experience. In much the same way, Nagakura does not create artwork focusing on technique, but on expression and emotion. In a fluid treatment of texture and surface, Nagakura uses strips of different widths that are built up in layers and shaped becoming both line and texture on the exterior of his sculptures. This surface plays with visual perceptions of space and is enhanced by Nagakura’s distinctive patina created by combining areas of matte finish with an application of clay combined with various other materials and gloss finishes through

Cover & Left: Sound of Wooden Kabuki Clappers 2011, 12 1/2 x 7 x 15 1/2 inches

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light touches of lacquer. The effect is that of a painter using warm and cool colors to pull objects forward or push them into the distance of a painting. His sculpture has a feel relating to artists like Anselm Kiefer or Jess Collins, whose surfaces enrich the viewer’s experience of an artwork. Stacking (Back Cover) and Mist Hanging Over a Valley (Page 21) are two pieces where the play of surface and light change the perception of space well beyond the physical volume of the sculpture. Nagakura’s artwork stands with a presence and beauty outside of the history of Japanese bamboo art. His aggressive pursuit of his own aesthetic vision has pushed his sculpture into an artistic style uniquely his own for over thirty years. Everett Cole, July 2011

Bow 2011, 15 1/2 x 8 x 22 1/2 inches

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ARTIST STATEMENT In a gentle wind, the bamboo moves freely. It twists and turns and draws an arc in the sky. The sense of life is intertwined like the silk of a spider’s web. As a thin feeler reaching to receive heavenly revelation, The bamboo tries to capture the form it seeks. The shapes of bamboo tell me what road I shall take. I follow it for a time, not knowing where it will lead, To a place where I did not expect to go. It is unclear whether or not I will find new possibilities there. Still I cannot avoid being drawn to this unknown realm. The bamboo bounces off something trying to suppress it, Enjoying a moment of change like fireworks shooting into the sky, Being reborn through my hands. Nagakura Kenichi

Singing the Praises 2011,13 x 5 x 14 1/4 inches (left)

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Ray of Light Across A Jagged Peak 2011, 25 x 10 x 26 inches (above) Illusion 2011, 15 x 14 x 11 inches (right)

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Light Reflected on Running Water 2011, 29 1/2 x 19 x 16 3/4 inches

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Intersecting Lights 2011, 33 1/2 x 7 1/2 x 50 1/2 inches (left) Drifting in the Air 2011, 26 x 23 x 13 inches (below)

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Water Moving Uphill 2011, 26 x 9 x 10 1/2 inches


Split Bamboo 2011 6 x 4 3/4 x 20 inches Split Bamboo II 2011 5 1/2 x 2 3/4 x 39 inches (right)

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A Far Away Place 2011,17 x 6 x 13 inches

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Large Vessel with Rope Handle 2011, 24 x 12 x 28 inches


Colorful Clouds 2011, 7 3/4 x 4 1/2 x 12 inches (above) Mist Hanging Over a Valley 2011,16 x 5 3/4 x 49 3/4 inches (right)

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NAGAKURA KENICHI 1952

Born in Shizuoka City, Japan

1975

Studied under Grandfather

1982

Solo Exhibition: Gallery Takei, Numazu

1985

Solo Exhibition: Shin - Gifu Department Store

1986

Solo Exhibitions: Gallery Takei, Numazu and Shizuoka Gas Salon

1988

Solo Exhibitions: Sapoa People, Tokyo and MOA Gallery, Nagoya

1990

Solo Exhibition: Umeda Hankyu Department Store, Osaka

1991

Solo Exhibition: La Richipel Surle, Bourgogne, France

Solo Exhibition: Gallery Kouki, Paris, France Solo Exhibitions: Gallery Kukan, Shizuoka and Shoumeido Hall, Tokyo 1992

Solo Exhibition: Gallery Space Ten, Tokyo Group Exhibitions: Gallery Yummy, Hamamatsu and Studio Com, Kyoto

1993

Solo Exhibitions: Shoumeido Hall, Gallery F, Gifu Gallery Space Ten and Hokushin Gallery, Tokyo

1994

Solo Exhibitions: Studio Com, Kyoto, Gallery Kukan, Shizuoka and Matsuya Department Store, Tokyo

1995

Solo Exhibitions: Akasaka Yu Gallery, Tokyo, Fujii, Numazu and Shin - Gifu Department Store

1996

Solo Exhibitions: Isetan Department Store, Shizuoka and Kanazawa Department Store Two - Person Exhibition: Ishigami - no - Oka Open Air Museum, Iwate

1997

Solo Exhibitions: Gallery Kasumi and Axis Sapoa People, Tokyo Exhibition, German Culture Center, Tokyo

1998

Solo Exhibitions: Kura Gallery, Gifu and Axis Sapoa People, Tokyo

1999

Solo Exhibition: TAI Gallery, Santa Fe, New Mexico

2000

“Bamboo Masterworks,” Asia Society, New York City

2001

Winner of Cotsen Bamboo Prize 2000

Group Exhibition: Kodaira Shomei Hall, Tokyo

“Bamboo Masterworks,” Asian Art Museum, San Francisco, California Solo Exhibition: TAI Gallery, Santa Fe, New Mexico “Bamboo Masterworks,” Honolulu Academy of Art, Hawaii “Bamboo Fantasies,” TAI Gallery, Santa Fe, New Mexico 2002

“The Next Generation,” University of Arkansas, Little Rock Group Exhibition: Tigerman Himmel Gallery, Chicago, Illinois


2003

“Three Views of Bamboo: Fujinuma, Nagakura, Shono,”

2004

Group Exhibition: Hand Workshop Art Center, Richmond, Virginia

2005

Solo Exhibition: TAI Gallery, Santa Fe, New Mexico

Kansas City Jewish Museum, Overland Park, Kansas

Exhibited at the Arnot Art Museum, Elmira, New York 2006

“Power & Delicacy,” TAI Gallery, Santa Fe, New Mexico “Hin: The Quiet Beauty of Japanese Art,” Grinnell College, Iowa “Hin: The Quiet Beauty of Japanese Art,” Chicago Cultural Center, Illinois Group Exhibition: Museum of Fine Arts, Boston, Massachusetts Collaboration with Daniel Ost, Nocturne, Brussels, Belgium

2007

Solo Exhibition: TAI Gallery, Santa Fe, New Mexico “Intertwined: Contemporary Baskets from the Sara and David Lieberman Collection,” Arizona State University Art Museum, Tempe “Listening to Bamboo: Japanese Baskets from the Collection of Rita Lou and Robert Harris,” Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York

2008

“New Bamboo: Contemporary Japanese Masters,” The Japan Society, New York City Solo Exhibition: Susan Sheehan Gallery, New York City

2009

“Intertwined: Contemporary Baskets from the Sara and David Lieberman Collection,” The New Mexico Museum of Art, Santa Fe “New Bamboo,” Clark Center for Japanese Art, Hanford, California Solo Exhibition: TAI Gallery, Santa Fe, New Mexico

2010

“Intertwined Bamboo and Stem,” Japanese American Cultural & Community Center, Los Angeles “Intertwined: Contemporary Baskets from the Sara and David Lieberman Collection,” Museum of Art and Design, New York City

2011

Solo Exhibition: TAI Gallery, Santa Fe, New Mexico

Museum Collections: Asian Art Museum, San Francisco, California Clark Center for Japanese Art & Culture, Hanford, California Mint Museum of Craft + Design, Charlotte, North Carolina Herbert F. Johnson Museum of Art, Cornell University Back Cover: Stacking 2011, 18 x 12 1/4 x 14 1/4 inches


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