Transcendent
Transcendent by Jamy Yang Evoking science, art and physics, Transcendent nods to multidimensional worlds where forces transform, distort and fracture light or matter in dramatic patterns. The Tai Ping artisans interpreted Jamy Yang’s ambitious ideas into a series of luscious, luxurious rugs. “The slender, vertical yarns were woven into a stunning picturelike magic,” says Yang, of his visit to Tai Ping Xiamen Artisan Workshop. “At the same time, the horizontally stretched lines behind the carpet also intrigued me. These unfinished, raw threads showed a deeper meaning, which made me think about time and space. I was attracted by the exquisite skills of the artisans.” The set of designs has a precise, technical beauty that seems fluid in form — inspired by the Theory of Relativity and hyperspace. The theme is expressed in marbled patterns and dimension bending linear stretches showing Tai Ping’s mastery of the craft. These luxurious hand tufted carpets make for mesmerising interior pieces. Evident is the painstaking workmanship behind this daring new collaboration with multiple award-winning designer and collector. Yang founded YANG DESIGN (the design studio) in 2005, then YANG DESIGN Museum and later Yang House (a contemporary Chinese high-end lifestyle brand). Yang’s aesthetic merges strict German precision, resulted in holistic and humanistic Chinese inspirations that shaped the veteran’s distinctive iconic style today.
Taramsa II
Transcendent by Jamy Yang Evoking science, art and physics, Transcendent nods to multidimensional worlds where forces transform, distort and fracture light or matter in dramatic patterns. The Tai Ping artisans interpreted Jamy Yang’s ambitious ideas into a series of luscious, luxurious rugs. “The slender, vertical yarns were woven into a stunning picturelike magic,” says Yang, of his visit to Tai Ping Xiamen Artisan Workshop. “At the same time, the horizontally stretched lines behind the carpet also intrigued me. These unfinished, raw threads showed a deeper meaning, which made me think about time and space. I was attracted by the exquisite skills of the artisans.” The set of designs has a precise, technical beauty that seems fluid in form — inspired by the Theory of Relativity and hyperspace. The theme is expressed in marbled patterns and dimension bending linear stretches showing Tai Ping’s mastery of the craft. These luxurious hand tufted carpets make for mesmerising interior pieces. Evident is the painstaking workmanship behind this daring new collaboration with multiple award-winning designer and collector. Yang founded YANG DESIGN (the design studio) in 2005, then YANG DESIGN Museum and later Yang House (a contemporary Chinese high-end lifestyle brand). Yang’s aesthetic merges strict German precision, resulted in holistic and humanistic Chinese inspirations that shaped the veteran’s distinctive iconic style today.
Taramsa II
4 Aura I
5
4 Aura I
5
6 AV Aura I
7
6 AV Aura I
7
AV Aura I
8
Wool & Dull Silk
9
AV Aura I
8
Wool & Dull Silk
9
10 Eon I
11
10 Eon I
11
Hov III
AV Eon I
12
Wool & Dull Silk
13
Hov III
AV Eon I
12
Wool & Dull Silk
13
14 Forge I
15
14 Forge I
15
AV Forge I
16
Wool & Dull Silk
17
AV Forge I
16
Wool & Dull Silk
17
18 Element AV Hov III
19
18 Element AV Hov III
19
AV Element I
20
Wool & Dull SIlk
21
AV Element I
20
Wool & Dull SIlk
21
14 Forge I
15
14 Forge I
15
22 Ionic I
23
22 Ionic I
23
AV Ionic I
24
Wool & Dull Silk
25
AV Ionic I
24
Wool & Dull Silk
25
26 Nova I
27
26 Nova I
27
AV Nova I
28
Wool & Dull Silk
29
AV Nova I
28
Wool & Dull Silk
29
30 AV Vapour I
31
30 AV Vapour I
31
AV Vapour I
32 Vapour I
Wool & Dull Silk
33
AV Vapour I
32 Vapour I
Wool & Dull Silk
33
34 AV Vortex I
35
34 AV Vortex I
35
AV Vortex I
36 Vortex I
Wool & Dull Silk
37
AV Vortex I
36 Vortex I
Wool & Dull Silk
37
Samples
AV Aura I
p. 12
AV Forge I
AV Element I
p. 17
p. 21
AV Ionic I
AV Nova I
p. 27
p. 30
AV Vapour I p. 35
38
AV Eon I
p. 8
AV Vortex I
p.39
Samples
AV Aura I
p. 12
AV Forge I
AV Element I
p. 17
p. 21
AV Ionic I
AV Nova I
p. 27
p. 30
AV Vapour I p. 35
38
AV Eon I
p. 8
AV Vortex I
p.39
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