Urban Manifesto 2
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Museum of Digital Art
Beltline Community Park
Shodo Island Project Monongah Memorial
Kyoto Archtiecture School [Team Work]
Taira Tsukioka 月岡 平
tairyroll@gmail.com
+81(0)50-5586-1466
Kinki University, Japan, 2015
*Cover picture was taken by Taira Tsukioka. The picture was taken in shodo island and it was used for mattern study indicated in page 28.
01
THE MUSEUM OF DIGITAL ART Kinki University 3rd year studio, May 2014 to July 2014 After World War II, the north end of the famous Osaka castle had been seen as an unattractive brown field since an arms factory occupied that area during the war. Decades later, in 1982, Japan’s booming economy assists the local city government to redevelop the area as a new business-commercial core of the city. Multiple skyscrapers have been built on the outskirts of the castle. However, in
the1990's, Japan’s bubble economy burst and the ensuing financial crisis put citizenry’s images of this kind of development as “ policy without software”. At present, the current outlook isn't much different from that of the 90's; in fact, Japan’s long recession may be even worse in the minds of the people. Since manufacturing based industries have been declining, tourism industries are
becoming proportionally bigger than ever. With the rich context of history from the from 5th century, new architecture built there must be iconic, showing the 21st century and challenging the current situation. In the 3rd year studio I proposed a museum for rising digital installations on this site. The main focus of the project was on the cultural aspect, branding the area and
bringing people together through physical perspective. People must know it is not just the architectural sculpture but also meaningful and with purpose.
Looking up the building from north side across river, the reection of building is giving the sense of calmness at night. It is able to connect contradictory sense of solemness and transparent. In another word it is gallant however still opened and welcoming pedestrian experience. There is less feeling of gravity than the solid buildings surroundings.
Inside the steel frame, structures are plain and industrial, almost looking like it is still under construction. Jumbotrons and billboards are representing the
contents of each exhibition room inside. They are book covers of architectural and cultural adventures that visitors are going to experience.
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open spaces, billboards, entrance alignment
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Osaka Business Park Business District
Project Site
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Flood Increased
N a t u r a l / Ris k s
functional
Osaka Castle (17th Century)
plaza
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st ry
0 ism 202 y with T r g ou er
vert ising Local
Prefectural Government
Business
Great Bailout (2014
Rati o of
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Minami Morimachi Commercial/Business The building may be described as a sponge. It has certain shape with extruded by the outline of site boundary, yet structure is not solid. There are mainly vast open space with have dierent sense of collectives.
Plateau
Ar ea
Kyobashi Commercial/Residential
Uemachi
O ly m pi c
theatre
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Sp ot
accumulative use of billboards contemporary
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Econom ical F act or
erc ial F acto rs
Hoenzaka Remain (5th Century)
Uemachi Plateau
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Tanimachi Commercial/Business
Diagram of Site Context
Business District Daini Neyagawa River
Concert Hall
DESIGN PROCESSING OďŹƒce Workers 1. The ďŹ gure represents existing site
Cyclists / Runners
elements such as skyscrapers, forest, and river.
2. Replacing forest with concrete structure while still keeping the
Cyclists / Runners
proportion of forest line.
Locals
Neyagawa River
Tourists The Museum of Digital Art
3. Sublime skyline and forest line are not integrated in proportion. Giving
the impression of skyscrapers are too Massive.
Sightseeing Boats
4. Installing steel structure which is not
solid structure thus the sense of mass are
weakened on the site. It makes integration on skyline.
5. Placing electric billboards which explain the building is not just a sculpture but has a practical purpose.
drawing The drawing indicated right is representing the spacial relation and accessibility from surrounding environment: river, roads, building and spectacular Osaka castle.
Residential Area
Osaka Castle Park
Storage, Management, Others
Zoning Temporary Exhibition
Long-Term Exhibition
Restaurant, Gift Shop
Auditorium
Circulation Decking, Air Corridor
Elevator
Stairs
Theater
Parking System
Billboard
Extention of Fun
Structure Concrete Structure
Steel Frame
statement
Creating Skyline.
Osaka castle is incredibly strong eye catch on the skyline despite its size. Vast surrounding park with forest gives castle representation of huge centralization power from feudal era. Osaka business park next the castle was designed as in the context the representation of 80's city’ s growth and prosper however that context no longer exist since the city is depressed in economically. The structure I proposed is not simple to be
Kyobashi Area
The Museum of Digital Art
The Skyline Impact
interpreted, its layered by multiple elevations, mix of completely different materials, intricate sense of solidness. The site is on the confluence therefore building there would be inevitably very iconic as it is like the head pin of bowling. The building is standing as iconic landmark with complicated but revealing programs, without being the figurehead of 20th century.
Osaka Castle
Joto Area
flow line delineation Lines upper are indicating the flow lines of visitor movement. Unlike conventional museum, the design of museum offer people to select visiting exibition room in their own order or radomly.
Section 01
Section D
Section 12
Section 22
Section 13
Section 23
Section F
Open Space Boundary
Section E
Open Space Boundary
Section G
Section 05
Section 15
Section 25
Section H
Section Q
Building
Section 24
Section P
st to the
Section 14
Section O
ore Intere
Section 04
Section N
Diminish ing Open Space: M
Section 21
Fluctuating Open Space: Unexpectable Pedistrian Experience
Widning Open Space: More Interest to the Sky
Section 03
Theather
Section 11
Parking System
Section 02
Inflexible Open Space: Sense of Publicity
Entrance Point
Section R
Open Space Boundary
Section 06
Section 16
Section 07
Section 17
Theather
Section 26
Section I
Section 27
Section J
Section S
Theather
Section T
Parking System Entrance Point
Section 08
Section 18
n io
Inflexible Open Space: Sense of Publicity
ct Se 11 n
io
ct
Se 12 Section 19
n
tio
c Se
Section 09
13
n
tio
c Se
14 ct Se n io 15
n
io
ct Se
Section 10
Section K
Section U
Section B
Section L
Section V
Section C
Section M
Section A
Section 20
16
n
io
ct Se
Grouped by type of Open Space
Section W
Grouped by type of Open Space
ct Se
Continuity
n
io 18 ct Se n
io Se
19
If section drawings, cross section of arbitrate lines of shapes are lined up which evenly cut through the model, it will show fluctuate of volumes and void. Since the design of steel frame is followed by the characteristic shape of the site, fluctuation will be unpredictable and types of sections will be varied in wide range. The sense of elevation, relationship
nA ctio n B ctio n C Se ctio n D Se ctio n E Se ctio n F Se ctio n G Se ctio n H
Se
01 n 02 io 3 ct ion 0 4 Se ect tion n 0 5 S ec tio n 0 6 S ec tio n 0 7 0 S c o Se cti on 08 Se ecti tion 09 0 S ec tion n 1 1 1 2 S c io Se ect tion n 1 1 S ec tio S ec on S ecti ti S ec S
17
50 sections
Parking System
When it fails. As an architect, or a salesperson of a building, it seems contradictory, even pessimistic, to indicate that the future of a building’s programs will fail. However, I am a realist and skeptical enough about present-day conventional systemssuch as museums.In fact, it is likely museums will not be the major supplier of art for future generations. The structure of the building will last for more than 50 years. In this regard, it is always good to predict future scenarios.Perhaps this museum will be closed and the structure will become a massive car park with neon and billboard signs labeling it as failure of planning.
2
Fairmont, a major West Virginia industrial city is the seat of Marion County and commercial center of the Fairmont Field, a rich bituminous coal mining region of north-central West Virginia. Famous for its picturesque and hilly topography, Fairmont occupies a series of steep, rugged hills near the confluence of the Tygarts Valley and West Fork Rivers. The Monongahela divides the city into East and West sections. Within most areas of the city, including the commercial core, streets possess steep grades and many sidewalks rise to the street above in a terrace effect. A number of commercial buildings in the downtown, especially along Cleveland and Washington streets, feature low two or three-story front elevations and rear sections that may descend a number of stories to the grade below. (Quotes from 1990 City Hall Document)
Beltline Community Project
West Virginia University, Course LA351, Professor Charles B. Yuill, 2015, Spring The project took place in small community called Beltline south-side of the downtown of Fairmont, WV. Project contains comprehensive inventory, analysis and design proposal. Design was exhibited to local people.
Master Plan
Master Plan master plan
The plan of the park is associate with : ①geographical features, ②social conditions. On the rugged terrain, repetitive road patterns are placed and the design of the park is absorbing this mechanism not just as a presentation of the condition but as a modifier of the relationship between community, vernacular identity and the natural system we live in. >historical >suburban >contemporary core
>natural >urban >gregarious core
recreations
park as shopping mall
core
shops
core
multi cores shopping mall
In the design of the park, a typical two-core shopping mall was used as a reference. In order to provide intelligible recreation and let people stay longer, two contrasting cores were created. Thus a scattered recreational designed was createdwith looping circulation that fluctuates.
sections and archetypes
N
300ft
gathering
ramp stage
path aligned with 15% slope border
nity g
rocks plaza terrace
detention basin
deck swale
mu
com
nity
mu
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meadow
geometric
ard e
gar den
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nit
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meadowsolemn
yg
preservation
C-C’
ruled urban plaza
vast forest rugged ramp preservation forest meadow hilly tree garden flower sequential rural scattered picturesque
com
screening
n
still
forest
ard e
B-B’
connection path
n
A-A’
simplified geographic characters
n
Sections are exposure of terrain’s layered elevation. Archetypes are the terrain’s or structure's feature which exaggerated or converted intelligibly.
)derorriM( gnitsixE
Fairmont Analysis
Tales of Suburbanismforest gath
downtown
On the map indicated left, represents layers of 5ft contours, roads and structures. By overlaying contours and street path, grid pattern on our project site (around buildings indicated in red) is highly defined based on 2 dimensions X and Y. It almost stands for there is no slopes, yet the site is highly elevated. Monongah river filled with black is lying calmly down east slope of our site. The slope between them are mostly inhibited by deciduous tree planted in early 20’s century. Residential area and this natural feature such as river and surrounding swale are separated by bus depot, salvage yard and ruins of Fairmont coal company building that indicated in red.
Fairmont in the Present
Bus Depot and Warehouse
1913
Construction of High Gate House
mead
Map
Wal-mart
Ruins of Helmic Coal Company Building
vast
flow
Fairmont in 90's
City Decentralization = ?
The map below indicates how the city's core has changed in terms of both the social aspect as well as the business operation. Grey rectangles stand for range of map shown left, black lines indicate major roads, and black filled shapesshow the commercial core of the city. Until the 90's, the downtown was the heart of the city. However, since the opening of a strip mall in the suburban area 3 miles south of downtown,the downtown areais now just the image of core, radiating identity of city, but not the place of gathering for the community. 15% slope border
1861
Italian Immigration
1990 Walmart Grand Opening
2014
Demolition of Helmick Building
1907
Monongah Mine Disaster
1927
Pepperoni Roll Invention Residential 0
Commercial 500ft
Institutional 1,000ft
Green N
-50ft
com
wer
2
50ft
100ft
detention basin
Terracing
deck swalepe borde
mu
dow
terrace
nity
forest
r
g ar den
stage
rocks
Block
plaza
N
hering
0ft
r
%
15
Section.A Rugged
slo
Block1 Archtypes
Main Entrance
150ft
On the rugged terrain there are rocks scattered. Terracing with tables and chairs are placed stair likely between the rocks.
200ft
250ft
F 350ft
Detention Basin
Community Garden
400ft
U t n
o
ia rm
300ft
in v.
Dow
550ft
ntow
n
Block01
Bioswale
As a main entrance point of the park, block1 nature featured recreation spaces. It is the closest block to the downtown of Fairmont thus space needed to offer recreation for an amount of people in simple and direct way.
▲
Peak Discharge Chart
⑦
The watershed indicated left(calculated by DEM) highlights structural drainage problem in our site.
Modified Rational Method: Peak Discharge=Acres*APF* Coefficients*Intensity APF=Antecedent Precipitation Factor Peak Discharge Calculation APF (CA) C/Runoff Area Acres 5years 100years Coefficients 1 11.87 1.00 1.25 0.67 2 9.85 1.00 1.25 0.52 3 7.45 1.00 1.25 0.43 4 17.56 1.00 1.25 0.59 5 17.95 1.00 1.25 0.63 6 32.33 1.00 1.25 0.59 7 21.24 1.00 1.25 0.57 Ave. 19.94 1.00 1.25 0.58
Base Coefficients Business 0.85 Residential 0.6 Apartment 0.7 Forest 0.4 Runoff Intensity(1h) 5years 100years 1.50 3.00 1.50 3.00 1.50 3.00 1.50 3.00 1.50 3.00 1.50 3.00 1.50 3.00 1.50 3.00
Peak Discharge(ft3/s) 5years 100years 11.93 29.82 7.61 19.03 4.80 12.01 15.54 38.85 16.96 42.41 28.61 71.53 18.16 45.41 17.81 44.53
Section.B Swale ⑥
⑤
④
Placing Bioswale in the middle of section is beneficial both in terms of controlling runoff and producing recreation spaces.
① ② ③
watershed, flowdirection and water concentration area
Runoff Coefficients Calculation Land Use Proportion Area Business Residential Apartment Forest C 1 40% 45% 0% 15% 0.67 2 10% 35% 0% 55% 0.52 3 0% 15% 0% 85% 0.43 4 10% 65% 5% 20% 0.59 5 20% 55% 10% 15% 0.63 6 20% 50% 0% 30% 0.59 7 20% 40% 0% 40% 0.57 Ave. 18% 49% 2% 32% 0.58
Landscape: swale and rocks
larger gatherings like for still concerts. forest
installing theatre
15% slope border
forest
use of existing topo
en
ramp stage
pe border
15% slope bord
er
Theatre
nity
mu
com
meadow 15% slo
geometric
Block2 Archtypes
Block2
Meadow
Section.B Neighborly
One large meadow space is set for families and friends picnic/strolls.
Block1 Archtypes
slope analysis
highly suitable
suitable
moderate
challenging
limited
Section.C Bloom
unsuitable
Flowers are blooming in the Gardens placed in geometric forms.
In the 400ft sequence of visual fun, it
5%+
10%+
Block02 ▲
15%+
20%+
brings strollers to proxy blocks.
25% +
N
0% + slopes path road structure
slope orientation N cool slopes neutral slopes W warm slopes
The block is intended to lager gathering therefore
E neutral slopes S
very open to the sky by not placing so many trees and structures. Spaces are defined as gregarious
with theatre and neighborly with extent meadow in
other. The theatre is installed along already existing 15ft depressed terrain so that it is achievable without destructive earthworks.
warm slope / cool slope (>4%) climate slopes
gregarious, space for gathering
%
15
400ft meadow 550ft
15% slope border
Bridge Cafe
Flower Garden
ro
connection pa
gathering
mu nity
mu
c om
meadowsolemn
mu
ni t yg
preservation
5ft existing contour
com
Bridge to Block3
250ft
ruled urban plaza
deten forest vast ramp rugged ramp preservation 300ft deck forest meadow hilly 350ft garden tree flower sequential rural scattered sequential picturesque
ni t yg
screening
t
connection path
gar d
200f the section. Place accommodate
gar den
150ftheatre Grass terraced is a core of t
simplified geographic characters
ard en
Section.A Gregarious
Maple Forest
lowest
elevated path
100ft
ard en
Community Garden
50ft
c om
highest
Block3
-150f
t
N ruled urban plaza
gar de
ard en
ath
nity
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tree rural scattered
forest
mu
com mu nit yg
%
er
ord
b pe
slo
ramp
preservation vast
ntion basin
p
t
n
ocks
-100f
15% slope border
Block3 Archtypes
garden
Community Garden
B0lfot ck4 -5
Section.A Urban 0ft
Bus Depot
50ft
Geometricaly placed green
Plaza 100ft
ash trees are shading tiled
surface of the section. Space
150ft
geometric
15% slope border
Walkpath
brownfield
is composed by limited
elements: trees, benches,
200ft street light. 250ft
300ft
Block2 400ft
Benches & Tables Meadow
institional /industorial
550ft
600ft
zoning
350ft
650ft
commercial
Section.C Rural
As a contrast of urban
section across the depot, it
represents raw nostalgia of hilly aparachian landscape.
Block03 ▲
On precisely middle part of the park, preservation of
exisitng depot is definite eye catch. Fencing are enclosing
Section.B Depot
Walk path inside the fencing are
residential
floating, bending in sharp angles and giving realistic image of
“midiocre and derivative” suburban streetscape.
institional /industorial
commercial
bus depot with actual buses and keep it intact. Paths are cutting through the fensing preseved area and gives are defined as contrasting gap of urban and rural. The depot stands as mediater.
residential
historical
umkemt
structure
people a sense of contempolarity. Across the depot, spaces
200ftWooden Ramp 250ft
interpretaited in various ways of
Bridge
fun such as climping , sitting,
still
300ft
forest
screening
350ft
sunbathing, etc. Activities are
Winding Slope preservation
meadowsolemn 400ft
15% slope border
exposed on honest material
connection path
450ft
rugged ramp pr hilly sequential ru picturesque
meadow er 500ft
Forest
Meadow
Block3 Archtypes
Section.B Lawn
Integrating two blocks, the biggest meadow is creating a picturastic landscape as foreground with
wooden ramp and townhouses
seen above it. As function, sports
Block04
activities and recreation perposes are mainly considered.
Vista
▲
In this massive strip of highly elevated park, make
use of view is important in order to give sense of
380ft2
8,263ft2
3,709ft2 1,303ft
2
integration with landscape to the visiters. According
▲
to viewshed analysis, wooden ramps placed in
section.A is able to provide all over view to east
fairmont area cross the Mononga river. From the
meadow in the middle, wooden ramps are stands as mountains looking down the city.
3,262ft2
pedestrian experience
15
15% slope bord
Block4 Archtypes
texture with sense of lively.
Community Garden
com mu nit yg ard
scenery, wooden ramp is
150ft
simplified geographic characters
en
Resemble of rugged landscape
Block5
100ft
com mu nit yg ard
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50ft
550f
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ural
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dea thsentenceforanarchitecture Block05 â–˛
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-200ft
-150ft
existing condition -100ft
-50ft
Old Segment
0ft
Section.A Screening
Ginkgo Forest 50ft
100ft
good old days
’
150ft
200ft
250ft
Ruins of Coal Company Building
Block05
Section.B Untouchable
300ft
350ft
400ft
Block4
450ft
Walk Path Meadow
▲
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meadowsolemn 15% slope border
mu nit
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A Island, Patterns, Narratives Architectural Competition, July 2015
In the small island located in western Japan, people’slives are strongly tied with nature. On Shodo Island, I proposed 2-story housing in the dense and traditional residential district. The client is an elderly couple trying to renovate their storage area into auxiliary housing. The essential keys for my design proposal are the natural features and cultural traditions of the small isolated island. For example, patterns seen in the terraced rice patty fields in the central part of island are the result of the
peoples’ rustic lifestyle combined withMother Nature’s topology. The relationship between these patterns and topology was also confirmed in my review of a famous novel based on the island called “24 Eyes”. The story was written by Sakae Tsuboi, who spent most of her childhood on the island. While the touching and emotive story of a teacher’s life is chronicled with its students, the character’s emotions are described with specific “places” along
with unique emotions and expressions. The winding path going down to the cape is used to express the teacher’s unconditional happiness, commuting to school to meet the students. In the story, an abandoned village close to the cape is a personification of unhappiness. The figure shown above is an extraction of the various subplots within the novel, along with plot lines expressingthe various emotions seen in the island story.
“24 Eyes” Original Book(1952)
“24 Eyes” Movie Poster(1954)
concept
legacy
The structure of the city, intricate like maze and having various faces are legacy inherited for few hundreds years. Buildings are constructed in generations and generations with its own style of facades, elevations and materials. It sounds random yet there is certain rhythm created by sequence of traditional Ibushi-Kawara Style roofs and honest expressions of solid wood are abstracting the sequence.
Corridor
Living Room
Bed Room
Entrance Shared Hallway
Storage
section
drawing
fatalist
There is a narrative which could be terned into golden novel grabbed nation’s heart, inserting geometric facade building into the sequence of streestscape comprehensively express it. The design is not trying to modify things. It’s dedicating to tell the story of town and island in modest and fatalistic way.
From the view of pedestrian, hallway cutting through the facade is will become frame for the life pictured in there.
It’ s weird someone has car here
Let’ s take a look
The conserved tiled roof is resonant with neighbors skyline in terms of height and material.
Do not get lost!
You are
Feels like I’ m in maze
Can we get in here?
It is called the house of maze. It is founded by local artists for encouraging tourism. Inside, there is maze with art like painting, sculpture and installations. On the holiday season many tourists are stopped in front of it.
On the entrance of the building, people are intersecting in various ways. May be postman chatting with a resident, perhaps tourists asking stroller taking picture of them with the building.
Sequential Elevation
Alley is not just used by people commuting for work and school, tourist and shortcut for bigger road. So that it is enclosing various traffic.
This building was used to be orthopedics, however now there is no business and it is used by local company as storage and also functioning as place for town meeting.
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Living Room
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component Since the site is in dense traditional neighborhood, it is hard to develop area with big machines. Thus I picked to renovate the house with maximizing its existing structure and surface materials that beautifully desaturated in relentless natural environment.
Bed Room
Living Room
Ⅲ. Region
3.
concept
As a proposal for memorial of the mining disaster, whole design of the site is associating with historical contexts. Picture shown left indicates the geographical relationship between the historical site and our project site. Axial path radiating from the center of the site is precisely placed along the red plot lines shown. The shape of loop decking has proportion with distane to each historical sites. These axis will give visiter not only geographical connection with the historical sites but also helps capturing the incident as explicit image.
Site 2.
500ft
4.
1000ft
1. No.8 Mine
2. Cemetary
3. No.6 Mine
4.Downtown
Ⅰ. Downtown 3000ft
1.
Ⅱ. Neigborhood
04
Monongah Mine Disaster Memorial
West Virginia University, Course LA351, Professor Charles B. Yuill, 2015, Spring The site is located in a neigborhood called Monongah; 4 miles west from downtown of Farimont, famously, the biggest American coal mining tragedy was taken place 100 years ago. The community is facing problems that luck of recreation facilities and culture activies. In this design, the process was impremented by associating with hisotrical narrative and photomontage inorder to define and examine abstracuted ecological and both cultural concept. The core of design is a memorial of the mining disaster which conposed by the radial axis cut through mounds. Pedistrian circula-
tion is placed along the axis connecting historical site and project site. Objects along path are not stairs but acutually sleeper implicating coal railway.
Note: It was originally a group project, however, everything put on here is completely done by myself including all inventories and designs.
Entrance
Entrance
Deck
Entrance
The picture above is photomontage with three poems created for orienting ecological concept for design. Through out study, I found it profound and strong that landscape of a straight mine roadway cutting through ground and going downword under ground surface.
Entrance
TEAM: 喜田昌子 西野真伍 福留裕香 亀田翔太 小濱文悟 樽本光弘 東野多容 辻陽平 藤野
真由 前芝優也 田靡圭吾 湯之上純 向井一貴 藤田拓 中野智香子 佐藤由基 松本悠作 大 岡小夏 児玉成弘 月岡平