Urban Design Sense of Distance and Proximity in Tokyo

Page 1

Dissertation Year 5 MArch Architecture (ARB/ RIBA Part2)

Takuma Kiyama



Sense of Distance and Proximity in Tokyo

This essay is the result of my own work and includes nothing which is the outcome RI ZRUN GRQH LQ FROODERUDWLRQ H[FHSW ZKHUH VSHFL¿FDOO\ LQGLFDWHG LQ WKH WH[W

Takuma Kiyama U1424042 Date: 6 March, 2017 MA Urban Design Tutor: Christoph Hadrys



Abstract

This dissertation examines the principles of distance and proximity in the city of Tokyo, -DSDQ ,Q -DSDQHVH VRFLHW\ WKHUH DUH LQWHUHVWLQJ GLYLVLRQV DQG ERUGHU OLQHV WKDW DUH DOWHUQDWLYHO\ DPELJXRXV RU LQYLVLEOH ,Q GHQVHO\ SRSXODWHG DUHDV VXFK DV FLWLHV SHRSOH are more aware of protecting this distance and proximity in an attempt to maintain a FRPIRUWDEOH OLIH 3UHVHQWO\ LQ VXFK DUHDV DQG HVSHFLDOO\ LQ 7RN\R DQ LPSRUWDQW GLVWLQFWLRQ LV PDGH EHWZHHQ SULYDWH DQG SXEOLF VSDFHV ZLWK WKLV SURWHFWLQJ ERWK SHUVRQDO DUHDV DQG WKH IXQGDPHQWDO IRXQGDWLRQV RI OLYLQJ 7KLV VHQVH RI GLVWDQFH DQG SUR[LPLW\ LV URRWHG LQ historic Japanese traditions and culture and has had an indelible impact upon the design RI 7RN\R 7KLV FDQ EH VHHQ IRU H[DPSOH LQ KRZ D WUDGLWLRQDO -DSDQHVH KRXVH FRQVLVWV RI XQLTXH HOHPHQWV WKDW GLYLGH WKH LQGRRU DQG WKH RXWGRRU WKXV SURGXFLQJ DQ LQWHUVWLWLDO VSDFH EHWZHHQ RQH¶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in Tokyo, noting how people mentally create such unique distances among and within the city’s buildings, how this works for people and, finally, how this distance and proximity PDQLIHVWV LQ UHODWLRQ WR XUEDQ OLYLQJ



Contents

Introduction

6

Chapter One: The General Principles of Distance and Proximity in Japanese Culture and in Japanese Thinking

10

- Japanese culture in relation to distance and proximity between people - The relationship between companies, individuals and the public (Wa and Ko) - Compromises given towards personal space in public

Chapter Two: 'LVWDQFH DQG 3UR[LPLW\ LQ 7RN\R +RXVHV ± $V 5HÀHFWHG LQ %RWK Japanese Society and Culture - Sense of smallness and thinness in Japan $ VWHS DQG ÀRRU DV D ZDOO 7KH KRPH EX௺HU ]RQH ³'RPD´ - Ambiguous spaces in the traditional Japanese house - Small spaces used to make neighbours physically and mentally close - Modern Japanese houses

&KDSWHU 7KUHH 8UEDQ 'LVWDQFH DQG 3UR[LPLW\ LQ 7RN\R 7KH 5HODWLRQVKLS %HWZHHQ %XLOGLQJV 2SHQ 6SDFHV DQG 3HRSOH - Urban structure in Tokyo - The distinction of disordering the city structure - The distinctive emergence of depth and gap in Tokyo - Scenery opened out from the city 7KH GLVWLQFWLYH VHQVH RI GHSWK ³2NX´ DQG LWV FRQWULEXWLRQ WR XUEDQ OLIH - The narrow alleyways between houses in Tokyo 2SHQ VSDFHV LQ 7RN\R - Urban life and community in Tokyo :DVWHG ODUJH DUWL¿FLDO ODQGV 7RN\R %D\

Conclusion

52

References

54

5


Introduction

The distance and proximity between buildings, open spaces and people are important and FRQVWUXFWLYH IDFWRUV LQ -DSDQHVH VRFLHW\ +LVWRULFDOO\ WKH\ KDYH EHHQ EHQH¿FLDO WR SHRSOH¶V OLYHV DQG FRQWLQXH WR DႇHFW WKH XUEDQ VWUXFWXUH LQ WKH SUHVHQW GD\ 7KHVH HOHPHQWV KRZHYHU SURGXFH ERWK LQYLVLEOH DQG YDJXH GLYLVLRQV ZLWKLQ VRFLHW\ 7KH QHHG WR EDODQFH GLVWDQFH DQG SUR[LPLW\ ZKHQ OLYLQJ WRJHWKHU ZKLOVW VLPXOWDQHRXVO\ PDLQWDLQLQJ SHUVRQDO IUHHGRP > @ 3 *HRUJ 6LPPHO City

LV D FRUH FRQFHUQ IRU XUEDQ FLWL]HQV 8OWLPDWHO\ ZKDW HPHUJHV LV DQ DZNZDUG EDODQFH > @

Life $PVWHUGDP -DQ YDQ (\FN

$V VXFK WKH V\QFKURQLFLW\ RI XUEDQ OLYLQJ DQG XUEDQ IUHHGRP FDQ EH GH¿QHG WKURXJK WKH

$NDGHPLH

JDLQLQJ RI DQ XQGHUVWDQGLQJ RI GLVWDQFH 0RVW SHRSOH KDYH D IXQGDPHQWDO VHQVH RI GLVWDQFH ZLWK WKLV RIWHQ GLႇHULQJ DFFRUGLQJ WR FXOWXUH DQG UHOLJLRQ )RU H[DPSOH VRPH SHRSOH VHHN WR NHHS WKHLU GLVWDQFH IURP VWUDQJHUV 0RUHRYHU ZKLOH VRPH SHRSOH SUHIHU WR VWD\ LQ FRQ¿QHG DQG LVRODWLQJ VSDFHV RWKHUV SUHIHU YDVW DQG RSHQ RQHV -DSDQHVH SHRSOH DUH VWURQJO\ DZDUH RI WKLV VHQVH RI GLVWDQFH DQG SUR[LPLW\ DV VXFK FRQFHSWV FRQWULEXWH KHDYLO\ WR WKHLU OLYHV HVSHFLDOO\ LQ FURZGHG SODFHV 7KLV LV URRWHG LQ -DSDQHVH WUDGLWLRQ DQG FXOWXUH DQG KDV LQWHUDFWHG ZLWK WKH GHYHORSPHQW RI WKH -DSDQHVH FLW\ ,Q IDFW XQLTXH VSDFHV SURGXFWV and contemporary culture in Japan has arisen in light of this awareness as to distance and SUR[LPLW\ )RU LQVWDQFH VRPH KRXVHV KDYH D VSDWLDO URRP FDOOHG ³'RPD´ ZLWK WKLV GLYLGLQJ the indoor and the outdoor parts and thus acts as an interstitial space between one’s SULYDWH OLIH DQG WKH ZLGHU VRFLHW\ ,Q -DSDQ WKHUH DUH PDQ\ W\SHV RI DPELJXRXV VSDFHV DQG GLVWDQFHV DOO RI ZKLFK QHHG WR EH DGGUHVVHG 8OWLPDWHO\ ZKDW ZLOO EH VKRZQ LQ WKLV HVVD\ LV WKDW -DSDQHVH SHRSOH XWLOLVH VPDOO VSDFHV VXFK DV YDFDQW VORWV RI ODQG HႈFLHQWO\ ZLWK YDULRXV DVSHFWV XVHG LQ WUDGLWLRQDO -DSDQHVH KRXVHV QRZ EHLQJ URRWHG LQ DQG VXSSRUWLQJ WKH PRGHUQ XUEDQ OLIH 7KHVH VSDFHV VKRXOG EH FRQVLGHUHG DW OHDVW WR D JUHDWHU H[WHQW WKDQ WKH\ DUH QRZ WR VROYH WKH LVVXHV WKDW XUEDQ OLYLQJ LQ FRQWHPSRUDU\ -DSDQ IDFH 7KRVH GRPDLQV KDYH FUHDWHG WKH IRXQGDWLRQV RI -DSDQHVH VRFLHW\ )RU LQVWDQFH UHVLGHQWV RI Tokyo seem particularly well-adept at dealing with distance and proximity due to the city EHLQJ WKH PRVW FRPSOH[ DQG GHQVHO\ SRSXODWHG FLW\ LQ -DSDQ ,Q IDFW 7RN\R LV RQH RI WKH > @ 7RN\R 0HWURSROLWDQ *RYHUQPHQW KWWS ZZZ PHWUR WRN\R MS 352),/( PDSBWR KWP >$FFHVVHG 0DUFK @

largest cities in Japan and, as of 2015, had a population of 13,507,347 within its 2,190,90 VTXDUH NLORPHWUHV > @ 7KLV KDV PDGH 7RN\R WKH PRVW GHQVHO\ SRSXODWHG FLW\ LQ WKH ZRUOG Traditionally, rural migration to Japan’s cities has occurred, especially by the younger generation, owing to the greater employment opportunities, higher education standards DQG FRQYHQLHQFH RI WKH QXPHURXV FRPPHUFLDO EXLOGLQJV 5HFHQWO\ WKLV SKHQRPHQRQ KDV accelerated and has created a unique Japanese sense of distance and proximity – both LQ SHRSOH¶V WKLQNLQJ DV ZHOO DV LQ XUEDQ OLIH 7KLV LV EHFDXVH LQ GHQVHO\ SRSXODWHG DUHDV FDUHIXO XWLOLVDWLRQ RI VPDOO VSDFHV LV D NH\ WR VXUYLYDO +HUH WKH GLVWLQFWLRQ EHWZHHQ SULYDWH DQG SXEOLF DUHDV LV HVVHQWLDO LQ PDLQWDLQLQJ PHQWDO DQG SK\VLFDO KHDOWK

6


)LJ 7RN\R &LW\VFDSH K W W S Z Z Z W U L S P H E O R J Z S F R Q W H Q W X S ORDGV 7RN\R VN\OLQH MSJ >$FFHVVHG

0DUFK @

7


The principles of urban fabric and society in Tokyo were created in the 16th Century in IRUPHU 7RN\R ³(GR &LW\´ 7KH FLW\ VWUXFWXUH RI 7RN\R KDV VLJQL¿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¶V SULYDWH OLIH LV SULRULWLVHG PRUH WKDQ RQH¶V FRPPXQDO OLIH $V D UHVXOW PDQ\ W\SHV RI XQLTXH SULYDWH VSDFHV KDYH GHYHORSHG WKURXJK WKLV FRQFHSW 7KHVH DUH FRPPRQO\ VHHQ LQ RSHQ DUHDV VXFK DV UHVWDXUDQWV VLQFH -DSDQHVH SHRSOH XQFRQVFLRXVO\ \HW FRQVLVWHQWO\ SULRULWLVH WKHLU SULYDWH OLIH )XUWKHUPRUH WKH HႇHFWLYH XVH RI VPDOO RSHQ VSDFHV FDQ RIWHQ EH VHHQ LQ FHQWUDO 7RN\R where a few tiny open green spaces contrast strongly with the city’s tall buildings, frenetic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¶V GZHOOHUV )RU LQVWDQFH +LURVKL 2WD > @ 3 0DULHOXLVH -RQDV +HLNH 5DKPDQQ Tokyo Void %HUOLQ MRYLV 9HUODJ *PE+

WKH IRXQGLQJ PHPEHU RI WKH 7RN\R 3LFQLF &OXE QRWHV WKDW ³LI DQ\RQH LQYLWHV KLV IULHQG WR JR WR D SDUN LW ZLOO EH UHJDUGHG DV D VLJQ WKDW KH PXVW KDYH D YHU\ VHULRXV FRQIHVVLRQ RU KH PLJKW ZDQW WR WU\ D GXHO´ > @ :KLOVW WKH GDLO\ IDEULF RI PRVW SHRSOH¶V OLYHV L H IRRG RXWOHWV FRPPHUFH DQG SODFHV RI HPSOR\PHQW DUH VLWXDWHG ZLWKLQ WKH SUR[LPLW\ IURP HDFK RWKHU DQG DUH IUHTXHQWO\ XVHG RIWHQ E\ SHRSOH LQ JURXSV VXFK DV ZLWK WKHLU IDPLO\ RU JURXS RI IULHQGV This is the reason why parks stand out here as they are not considered usable spaces if XVHG DV LQWHQGHG 7KXV WKH JHQHUDOO\ 3DUNV DUH IDU IURP WKH KHDUWV RI SHRSOH LQ 7RN\R 7KLV GLVVHUWDWLRQ H[SORUHV KRZ VXFK VPDOO VSDFHV LQ -DSDQ DUH XWLOLVHG HႈFLHQWO\ DFKLHYHG E\ DQDO\VLQJ WKH XQLTXH -DSDQHVH VHQVH RI GLVWDQFH DQG SUR[LPLW\ 7KHVH GLVFXVVLRQV ZLOO WKHQ VXEVHTXHQWO\ LQIRUP WKH FRQVLGHUDWLRQV JLYHQ WR XUEDQ GHVLJQ VWUDWHJLHV ,Q &KDSWHU 2QH WKH SULQFLSOHV RI GLVWDQFH DQG SUR[LPLW\ LQ -DSDQHVH FXOWXUH DQG SHRSOH¶V ZD\ RI WKLQNLQJ WRZDUGV WKHVH FRQFHSWV ZLOO EH GHWDLOHG ,Q &KDSWHU 7ZR DQDO\VLV ZLOO EH JLYHQ DV to how this sense of distance and proximity creates unique spaces in Japanese society, XQGHUWDNHQ E\ ORRNLQJ DW KRXVHV DQG RWKHU EXLOGLQJV LQ 7RN\R )LQDOO\ LQ &KDSWHU 7KUHH WKH HVVD\ ZLOO LQYHVWLJDWH XUEDQ GLVWDQFH DQG SUR[LPLW\ LQ 7RN\R QRWDEO\ LQ WHUPV RI WKH UHODWLRQVKLS EHWZHHQ EXLOGLQJV RSHQ VSDFHV DQG SHRSOH 0RUHRYHU WKLV FKDSWHU ZLOO VKRZ KRZ WKRVH VSDFHV ZRUN IRU SHRSOH LQ UHVSHFW RI XUEDQ OLYLQJ 2YHUDOO WKLV GLVVHUWDWLRQ H[DPLQHV WKH SULQFLSOHV RI GLVWDQFH DQG SUR[LPLW\ LQ WKH FLW\ RI 7RN\R -DSDQ DQG LGHQWL¿HV how those factors respond to the mega-city, its population and Japanese society in a wider VHQVH

8


)LJ 7RN\R FLW\VFDSH DW QLJKW KWWS WHNLQLFR IUHH IU SLFV E WRN\R E\ QLJKW O MSJ

>$FFHVVHG 0DUFK @

9


Chapter One: The General Principles of Distance and Proximity in Japanese Culture and in Japanese Thinking Japanese culture in relation to distance and proximity between people

3HUVRQDO GLVWDQFH DV ZHOO DV LQGLYLGXDOLW\ LV UHVSHFWHG LQ -DSDQHVH FXOWXUH 7KLV GLVWDQFH ¹ XQGHUVWRRG DV PHQWDO GLVWDQFH ¹ GLႇHUV LQ DFFRUGDQFH ZLWK RQHœV FXOWXUH RU VXUURXQGLQJV :KLOVW $PHULFDQ VRFLDO DQWKURSRORJLVW (GZDUG 7 +DOO DUJXHG WKDW IRU SHRSOH LQWLPDWH > @ 3 ( G Z D U G 7 Hall, 7KH +LGGHQ 'LPHQVLRQ,

distance is 15-45cm, personal distance is 45-120cm, social distance is 120-360cm and

/RQGRQ 7KH %RGOH\ +HDG /WG

SXEOLF GLVWDQFH LV PRUH WKDQ FP> @ WKH -DSDQHVH DUFKLWHFWXUDO VFLHQWLVW 1LVKLGH KDV

asserted that the comfortable distance for communication is 50-150cm and personal space LV OHVV WKDQ FP > @ (YLGHQWO\ WKH -DSDQHVH VHQVH RI GLVWDQFH LV GLႇHUHQW IURP WKDW IRXQG LQ RWKHU FXOWXUHV 7KH UHDVRQ IRU WKLV FRXOG GHULYH IURP WKH -DSDQHVH FXOWXUH RI UHVSHFW DV LV JLYHQ WR RWKHUV )RU H[DPSOH LQ -DSDQ ZKHQ SHRSOH DUH RQ D WUDLQ RU LQ FRQJHVWHG

> @ 3 .D]XKLNR 1LVKLGH Kentikusi-to-jitumu 7RN\R 2XPX VK\D 3XEOLVKLQJ

DUHDV VXFK DV LQ VKRSSLQJ FHQWHUV LQGLYLGXDOV WHQG WR SURWHFW WKHLU SHUVRQDO WHUULWRU\ VR DV WR DYRLG PDNLQJ WKHPVHOYHV XQFRPIRUWDEOH $W WKH VDPH WLPH VXFK FLWL]HQV DOVR VHHN WR HQVXUH WKDW WKH\ PDLQWDLQ UHVSHFW IRU WKRVH VXUURXQGLQJ WKHP ,I WKLV WHUULWRU\ LV LQYDGHG E\ RWKHUV WKH LQGLYLGXDO ZLOO DWWHPSW WR HVFDSH IURP WKH VLWXDWLRQ 7KLV FXOWXUDO VHQVH RI GLVWDQFH LV GLIIHUHQW IURP IDPLOLDO UHODWLRQVKLSV RU ZKHQ DPRQJVW IULHQGV $V UHODWLRQVKLSV becomes more meaningful and intimate, people tend to tolerate infringements upon their personal space to a greater degree, potentially as a result of the cultural norm of politeness Âą SROLWHQHVV WKDW LV GLFWDWHG E\ KLHUDUFKLHV RI DJH DQG UHODWLRQVKLS )RU H[DPSOH LQ SDWWHUQV RI VSHHFK -DSDQHVH SHRSOH QRUPDOO\ SODFH WKH ZRUG ÂłSanâ€? after the name of someone they GR QRW NQRZ RU ZKR LV ROGHU 2Q WKH RWKHU KDQG \RXQJHU SHRSOH KDYH WKHLU QDPH Dႈ[HG ZLWK WKH WHUP ÂłKun´ 7KHVH IRUPV RI GLႇHUHQWLDWLRQ DQG UHVSHFW KDYH WKH SRWHQWLDO WR FUHDWH GLႇHUHQW W\SHV RI PHQWDO GLVWDQFH

Public distance 360cm~ Social distance 120-360cm personal space 45-120cm

,QWLPDWH GLVWDQFH 15-45cm

)LJ 0HQWDO GLVWDQFH E\ (GZDUG 7 +DOO Š Takuma Kiyama

10


)LJ 7KH PRVW FURZGHG ORFDWLRQ LQ 7RN\R Shybuya KWWSV SL[DED\ FRP VWDWLF XSORDGV SKRWR MDSDQ B B MSJ

>$FFHVVHG 0DUFK @

11


0RUHRYHU WKH -DSDQHVH ODQJXDJH PD\ DOVR FRQWULEXWH PRUH ZLGHO\ WR WKH QRWLRQ RI PHQWDO GLVWDQFH LQ -DSDQ )RU LQVWDQFH RQH FDQ VHH DQ LQWLPDWH UHODWLRQVKLS EHWZHHQ WKLV > @ 3 0DULHOXLVH -RQDV +HLNH 5DKPDQQ Tokyo Void %HUOLQ MRYLV 9HUODJ *PE+

VHQVH DQG WKH WHUPV ³Wabi-sabi´ DQG ³Ma´ Wabi-sabi refers to calmness as well as to LPSHUIHFWLRQ LQ D JLYHQ VSDFH > @ 2Q WKH RWKHU KDQG 0D UHIHUV WR WKDW ZKLFK H[LVWV EHWZHHQ VSDFH DQG HPSWLQHVV Ma, in particular, has a great number of meanings, many of which GLႇHU DFFRUGLQJ WR WKH JLYHQ VLWXDWLRQ RU ¿HOG )RU LQVWDQFH LQ WKH ¿HOG RI DUFKLWHFWXUH Ma PHDQV RQH URRP ,Q -DSDQ WKLV WUDGLWLRQDOO\ FRPSULVHV WKH IORRU PDWHULDO ³Tatami´ )LJ 0RUHRYHU Ma LV DOVR D -DSDQHVH PHDVXUHPHQW RI OHQJWK LQ WKH SDVW KDYLQJ EHHQ XVHG ZKHQ GHVLJQLQJ D -DSDQHVH KRXVH )LJ ,Q DGGLWLRQ WKLV ZRUG DOVR UHIHUV WR DQ LQ EHWZHHQ VSDFH DQ HPSWLQHVV )LJ 7KLV VSDFH FRQVLVWV RI WKHUH EHLQJ QRWKLQJ LQ WKH URRP EXW UDWKHU LW HQDEOHV SHRSOH WR KDYH D EUHDN RU SUHSDUH IRU WKH QH[W VSDFH WKH\ DUH WR HQWHU 7KLV IRUP RI VSDFH LV VHHQ LQ -DSDQHVH KRXVHV PRUH WKDQ LQ RWKHU W\SH RI KRXVHV ,Q FRQWUDVW LQ WKH ¿HOG RI PXVLF RU VSHDNLQJ RWKHU IRUPV RI DPELJXRXV VSDFHV PD\ DULVH LQ WKLV VHQVH )RU H[DPSOH LW PD\ LQWHQWLRQDOO\ EH SODFHG LQ WKH PLGGOH RI PXVLF DFWLRQV VSHHFK RU FRQYHUVDWLRQ LQ RUGHU WR SURYLGH WLPH IRU SUHSDUDWLRQ ± SUHSDULQJ ZKDW LV WR FRPH QH[W DQG WR DYRLG VHDPOHVV SDWWHUQV ,Q WKRVH ¿HOGV Ma PHDQV ³QRWKLQJ´ :LWK VRXQGV WKLV PHDQV VLOHQFH :LWK DFWLRQV LW PD\ UHIHU WR WDNLQJ SDXVHV HYHQ LI RQO\ IRU D IHZ VHFRQGV 6XFK VSDFHV DUH YDJXH DQG LQYLVLEOH EXW WKLV LV D PDMRU SDUW RI -DSDQHVH WKLQNLQJ DQG LW DOVR FRQWLQXHV WR FRQWULEXWH WR KRZ -DSDQHVH WKLQNLQJ GHYHORSV ,Q DGGLWLRQ -DSDQHVH SHRSOH SUHIHU WR WDNH LQGLUHFW UDWKHU WKDQ GLUHFW DFWLRQ 7KLV LV EHFDXVH GLUHFW DFWLRQV PD\ EH considered rude in this culture, with Ma WKXV DULVLQJ LQ UHODWLRQ WR WKLV GLVWLQFWLYH GLVWDQFH ,W LV WKHUHIRUH EHOLHYHG WKDW WKHVH PHQWDO GLVWDQFHV UHODWH WR WKH WUDGLWLRQ RI UHVSHFWLQJ RWKHUV

12


P P

)LJ 0HDVXUHPHQW RI D Ma OHQJWK © Takuma Kiyama

)LJ 5HSUHVHQWDWLYH LPDJH RI D RQH Ma URRP KWWS ZZZ SODOD RU MS PDVDR KD\DNDZD ZRUN KDVVKRNDQ MSJ >$FFHVVHG 0DUFK @

)LJ (PSW\ URRP GHVLJQHG ZLWK Ma KWWSV FGQ VXYDFR MS URRPV O %4%ZE6[ MSJ >$FFHVVHG 0DUFK @

13


The relationship between companies, individuals and the public (Wa and Ko)

7KH QRWLRQ RI PHQWDO GLVWDQFH DV GLVFXVVHG DERYH DULVHV GLVWLQFWO\ DW WKH ERUGHU RI VRFLDO DQG LQGLYLGXDO DUHDV WKXV LQYRNLQJ LGHDV RI ³Wa´ DQG ³Ko´ ,Q -DSDQHVH Wa refers to both EXLOGLQJ DQG PDLQWDLQLQJ D IXQ UHODWLRQVKLS ZLWK RWKHUV Ko, on the other hand, represents LQGLYLGXDOLW\ RU RQH¶V SULYDWH OLIH 7KH GLVWLQFWLRQ EHWZHHQ WKH WZR PLUURUV -DSDQHVH HWKLFV %RWK QRWLRQV Wa and Ko DUH LQWLPDWHO\ UHODWHG WR HDFK RWKHU 5HFHQWO\ KRZHYHU WKH meaning of Ko KDV EHFRPH PRUH UHVSHFWHG DQG KDV PDGH -DSDQHVH VRFLHW\ VPDOOHU ± L H PRUH SULYDWH WKDQ VRFLDEOH 3HRSOH DUH WKHUHIRUH PRUH OLNHO\ WR VHHN SHUVRQDO DQG SULYDWH VSDFHV ZKHUH WKH\ FDQ DFW DORQH 7RGD\ PDQ\ XQLTXH VSDFHV DQG LQYHQWLRQV LQ -DSDQHVH society and culture respond to this preference for personal areas – for instance, Japanese UHVWDXUDQWV DQG EDUV DOPRVW DOZD\V KDYH SULYDWH VSDFHV IHQFHG Rႇ RU REVWUXFWHG IURP WKH YLHZ RI RWKHUV )LJ +HUH FXVWRPHUV FDQ IHHO PRUH DW KRPH PRUH SURWHFWHG 7KLV SUHYHQWV WKHP IURP ZRUU\LQJ DERXW WKH YLHZ RI RWKHUV DQG IURP ZKDW WKRVH RWKHU SHRSOH PD\ EH WKLQNLQJ DERXW WKHP 3HRSOH DSSUHFLDWH VXFK SHUVRQDO \HW SXEOLF VSDFHV EHFDXVH in Japanese society, people tend to strongly care about the opinions others hold towards WKHP )XUWKHUPRUH D URRP LQ ZKLFK RQH FDQ VLQJ LQ -DSDQ ³.DUDRNH´ LV GLVWLQFWO\ GLႇHUHQW IURP WKH NDUDRNH VSDFHV IRXQG LQ RWKHU FRXQWULHV GHVSLWH WKH IRUP KDYLQJ EHHQ LQYHQWHG LQ -DSDQ DQG LW KDYLQJ EHHQ DGRSWHG E\ RWKHU FXOWXUHV .DUDRNH LQ -DSDQ JHQHUDOO\ FRQVLVWV RI D VPDOO URRP LQ ZKLFK SHRSOH HQMR\ VLQJLQJ ZLWK RQO\ IULHQGV SUHVHQW )LJ ,Q FRQWUDVW NDUDRNH LQ RWKHU FRXQWULHV RFFXUV LQ PRUH RSHQ VSDFHV ZKHUH SHRSOH VLQJ DQG KDYH IXQ ZLWK RWKHU SHRSOH HYHQ LI WKH\ GR QRW NQRZ WKHP FORVHO\ )LJ ,W LV FOHDU WKHQ WKDW RQH¶V mental distance is mediated strongly by one’s culture and is reflected in the approaches JLYHQ WRZDUGV VSDFHV ,Q SDUWLFXODU WKLV WUDGLWLRQ KDV EHFRPH URRWHG LQ D QHZ JHQHUDWLRQ LQ -DSDQ RQH WKDW KDV EHFRPH LQFUHDVLQJO\ YLVLEOH

Society

Wa )DPLO\

Ko Personal area

)LJ &RQFHSW RI Wa and Ko © Takuma Kiyama

14

)ULHQGV


)LJ 0DLQVWUHDP -DSDQHVH UHVWDXUDQW

)LJ -DSDQHVH EDU FDOOHG ³,]DND\D´

KWWS LPJIS KRWS MS ,0*+ 3 3 B MSJ

KWWSV J FKDRR MS LPJGE JBWHQSR MSJ >$FFHVVHG 0DUFK @

>$FFHVVHG 0DUFK @

)LJ .DUDRNH LQ -DSDQ

)LJ .DUDRNH LQ WKH 8.

KWWS XGV JQVW MS UHVW LPJ DNHJ VB [

KWWSV HQ ZLNLSHGLD RUJ ZLNL .DUDRNH PHGLD )LOH .DUDRNH

MSJ"W >$FFHVVHG 0DUFK @

LULVK SXE MSJ >$FFHVVHG 0DUFK @

15


Compromises given towards personal space in public

8UEDQ OLIH LQ -DSDQ UHTXLUHV SHRSOH WR GHYHORS SRVVHVV DQG XWLOLVH SDWLHQFH SULPDULO\ DV -DSDQHVH FLWLHV DUH VR GHQVHO\ SRSXODWHG 7KH FDSLWDO FLW\ RI -DSDQ 7RN\R LV RYHUFURZGHG ZLWK SHUVRQDO VSDFH WKXV EHLQJ KLJKO\ OLPLWHG 7KLV FDQ EH VHHQ PRVW VWDUNO\ GXULQJ UXVK KRXU ZKHQ WKH 7RN\R WUDLQV EHFRPH RYHUFURZGHG ZLWK FRPPXWHUV D UHVXOW RI PRVW HPSOR\HHV DQG VWXGHQWV FRPPXWLQJ IURP WKH VXEXUEV RI WKH FLW\ WR WKH FHQWHU 7KLV RYHUFURZGLQJ RFFXUV GHVSLWH 7RN\R¶V UDLO OLQHV KDYLQJ ZLWQHVVHG VWURQJ GHYHORSPHQW DQG RUJDQLVDWLRQ LQ UHFHQW \HDUV )RU WKHVH FRPPXWHUV WUDLQV DUH PRUH XVHIXO WKDQ SULYDWH FDUV +RZHYHU WKLV RYHUFURZGLQJ FDXVHV PDMRU SUREOHPV LQ UHODWLRQ WR WKH -DSDQHVH VHQVH RI PHQWDO GLVWDQFH ,Q WKH PRUQLQJ HVSHFLDOO\ ZKHUHXSRQ SHRSOH WUDYHO WR ZRUN RU VFKRRO RQ WKH WUDLQ WKH\ KDYH WR FRPSURPLVH WKHLU SHUVRQDO VSDFH 7KLV FDQ RQ RFFDVLRQ FDXVH DFFLGHQWV )RU WKRVH ZKR are unable to adapt to this situation and deal with the enforced close proximity to strangers DQG WKH RYHUDOO LQDELOLW\ WR SURWHFW RQH¶V SHUVRQDO VSDFH GXULQJ WKLV SHULRG WKH\ DUH OLNHO\ WR SDVV RXW RQ WKH WUDLQ RU KDYH D QXPEHU RI RWKHU QHJDWLYH SK\VLRORJLFDO H[SHULHQFHV VXFK DV > @ 3 .LMXUR <DKDJL Kuukan Kentiku Shinntai 7RN\R .DEXVLNLNDLV\D (NXVXQDMML

EUHDNLQJ LQWR FROG VZHDWV 0DQ\ SHRSOH KRZHYHU FDQ DGRSW WR VXFK FRQGLWLRQV DQG QDWXUDOO\ FRPSURPLVH E\ UHGXFLQJ WKH SHUVRQDO GLVWDQFH WKH\ QHHG RU WHPSRUDULO\ HOLPLQDWLQJ LW FRPSOHWHO\ ,QGHHG PRVW SHRSOH LQ 7RN\R KDYH WKLV DELOLW\ > @ 7KLV LQGLFDWHV WKDW ZKLOVW this specific requirement for mental distance is fundamentally an inherited characteristic IRU WKH -DSDQHVH GHQVLW\ SURGXFHV ÀH[LELOLW\ LQ WKLV UHJDUG 0RUHRYHU VKRXOG DQ LQGLYLGXDO encounter a group of people obstructing their pathway, they would prefer to seek an indirect ZD\ RI UHDFKLQJ WKHLU GHVWLQDWLRQ UDWKHU WKDQ DVNLQJ WKHP WR PRYH DVLGH 7KLV ZRXOG EH XQGHUWDNHQ LQ RUGHU WR SURWHFW RQH¶V GLVWDQFH DQG DYRLG FRPPXQLFDWLQJ ZLWK VWUDQJHUV 7KLV GLVWLQFWLYH GLVWDQFH PLJKW VRPHWLPHV SUHYHQW SHRSOH IURP VRFLDOLVLQJ ZLWK RWKHUV DQG IXUWKHUPRUH PD\ PDNH SHRSOH VXVFHSWLEOH ZKHQ LQ FORVH SUR[LPLW\ WR VWUDQJHUV ,W FRXOG EH concluded that the Japanese sense of distance and proximity is a hindrance rather than a KHOS

)LJ $GMXVWPHQW RI PHQWDO GLVWDQFH RQ D WUDLQ 3 .LMXUR <DKDJL Kuukan Kentiku Shinntai 7RN\R .DEXVLNLNDLV\D (NXVXQDMML

16


)LJ 3ODWIRUP DW $NLEDKDUD 7UDLQ VWDWLRQ 7RN\R KWWS \RVKLNL XS Q VHHVDD QHW \RVKLNL LPDJH ( %$ ( $ ( %%%( %% $ MSJ"G D >$FFHVVHG 0DUFK @

)LJ 5XVK KRXU RQ WKH &KXR /LQH 7RN\R KWWS PDPD KDFN FRP ZS FRQWHQW XSORDGV IG D F E E E G MSJ >$FFHVVHG 0DUFK @

)LJ 3HRSOH RQ WKH WUDLQ GXULQJ UXVK KRXU KWWS EORJV F \LPJ MS UHV EORJ I D ISG[Z IROGHU LPJB >$FFHVVHG 0DUFK @

17


&KDSWHU 7ZR 'LVWDQFH DQG 3UR[LPLW\ LQ 7RN\R +RXVHV ± $V 5HÀHFWHG LQ %RWK Japanese Society and Culture Sense of smallness and thinness in Japan

The utilisation of small spaces and thin walls are important cultural factors that support SHRSOH¶V FLW\ GZHOOLQJ LQ -DSDQ 7KLV LGHD LV URRWHG LQ SDVW JHQHUDWLRQV DQG VXFK IDFWRUV GHOLJKW WKRVH ZKR OLYH ZLWKLQ WKH FLW\ VSDFH 7KH QRWLRQ RI XVLQJ VPDOO VSDFHV FDQ EH ZLWQHVVHG DV DQ H[DPSOH LQ ROG -DSDQHVH WHD KRXVHV 7KHVH EXLOGLQJV PDLQO\ FRQVLVW RI WKUHH GLVWLQFWLYH HOHPHQWV VSHFLDO PDWV D VOLGLQJ GRRU DQG D WUDGLWLRQDO -DSDQHVH JDUGHQ > @ 3 .DML 1D\D chyadouno-genryu 7RN\R 7DQQNRXV\D

+HUH WKH VSDFH FDQ EH GHVFULEHG DV VXFK µ,Q WKH URRP RQO\ RU VSHFLDO PDWV µTatami’ DUH SODFHG DV D ÀRRU DQG WKH URRP LV QRUPDOO\ WLQ\ DQG VLPSOH ¶> @ 2Q WKH RWKHU KDQG WKH sliding door, ‘Shyouji¶ LV D WKLQ SDUWLWLRQ IDFLQJ WKH JDUGHQ WKDW GLYLGHV WKH RXWVLGH DQG WKH LQVLGH VSDFH ,W LV D VFUHHQ PDGH IURP D VLPSOH SDSHU ZKLFK FRYHUV D WLPEHU WKDW IXQFWLRQV DV HLWKHU D ZDOO RU D ZLQGRZ ZKLFK JOLGHV DV D GLYLVLRQ IURP WKH LQVLGH WR WKH RXWVLGH YLHZ yet still allowing natural light to get in – a concept that will explored in more detail in the IROORZLQJ FKDSWHU :LWKLQ WKLV URRP D KRVW DQG WKHLU JXHVW V FDQ HQMR\ WHD ZKLOVW ORRNLQJ DW WKH JDUGHQ 6XFK VSDFHV DUH GHVLJQHG WR EH VPDOO LQ RUGHU WR DOORZ LWV XVHUV WR IRFXV RQ

> @ 3 ) X P L K L N R 0 D N L Miegakuresuru-Toshi, (LJKWHHQWK (GLWLRQ 7RN\R .DMLPD SXEOLFDWLRQ

YLHZLQJ WKH EHDXWLIXO JDUGHQ 7KH WKLQ SDUWLWLRQ LV WKXV SUHPHGLWDWHG DQG XVHG IRU D ZLGH YDULHW\ RI RFFDVLRQV LQ PRGHUQ VRFLHW\ SULPDULO\ DV µD WKLQ ZDOO LV PRUH ÀH[LEOH WR EXLOG XS LQ RUGHU WR HQFORVHG D VSDFH¶ RU WR SURGXFH µD WHPSRUDU\ EXLOGLQJ ¶> @ 7KH GLYLVLRQ RI VXFK spaces is able to create both mental and physical distance in a unique way – for instance, it DOORZV SHRSOH LQVLGH RU RXWVLGH WR H[SHULHQFH WKH OLJKW DQG VRXQGV RI WKHLU VXUURXQGLQJV ,Q WKH SDVW SHRSOH HQMR\HG REVHUYLQJ WKH FKDQJLQJ VHDVRQV IURP LQVLGH RI D KRXVH WKURXJK D ‘Shyouji¶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ႇHUHQW W\SHV RI VSDFH DQG D VHQVH RI GLVWDQFH IRU WKRVH OLYLQJ RU XWLOLVLQJ EXLOGLQJV ZLWKLQ WKH FLW\

18


)LJ 7UDGLWLRQDO -DSDQHVH 7HD +RXVH

)LJ 9LHZ IURP WUDGLWLRQDO -DSDQHVH 7HD +RXVH

.DML 1D\D chyadou-no-genryu 7RN\R 7DQQN-

.DML 1D\D chyadou-no-genryu 7RN\R 7DQQNRXV\D

RXV\D

)LJ 7KLQH SDUWDWLRQ

)LJ 7KLQH SDUWDWLRQ

)XPLKLNR 0DNL Miegakuresuru-Toshi, (LJKWHHQWK

)XPLKLNR 0DNL Miegakuresuru-Toshi, (LJKWHHQWK

(GLWLRQ 7RN\R .DMLPD SXEOLFDWLRQ

(GLWLRQ 7RN\R .DMLPD SXEOLFDWLRQ

19


$ VWHS DQG ÀRRU DV D ZDOO

-DSDQHVH WUDGLWLRQ KROGV WKDW WKH IXQFWLRQ RI D URRP LV GLVWLQJXLVKHG E\ WKH ÀRRU DQG WKH VWHSV UDWKHU WKDQ D ZDOO 6WHSV FUHDWH D PRUH DPELJXRXV UHJLRQ ZLWK WKLV EHLQJ FRPPRQO\ VHHQ LQ -DSDQHVH KRXVHV )RU LQVWDQFH WKHUH PD\ EH D VWHS DW WKH HQWUDQFH RI D KRXVH ZKHUHLQ VKRHV DUH WDNHQ Rႇ )XUWKHUPRUH WKH GHPDUFDWLRQ RI RWKHU URRPV ± IRU H[DPSOH D NLWFKHQ RU D EDWKURRP ± PD\ DOVR EH DFKLHYHG WKURXJK WKH SUHVHQFH RI VWHSV 7KLV architectural form is commonly found in old Japanese houses or is employed to produce a PRGHUQ YHUVLRQ RI D WHD URRP LQ FRQWHPSRUDU\ KRXVHV 0RUHRYHU ZLWKLQ VXFK GHVLJQV D -DSDQHVH ÀRRU PDW Tatami, is placed on the step so as to emphasise its importance and significance, thereby drawing the users attention to the differences between the rooms DQG WKXV KHLJKWHQ WKH HQMR\PHQW RI WKH Tatami URRP ,Q WUDGLWLRQDO -DSDQHVH DUFKLWHFWXUH WKH ÀRRU ZDV SODFHG WZR RU WKUHH VWHSV KLJKHU WKDQ WKH JURXQG ZLWK ERWK WKH ÀRRU DQG URRI XVXDOO\ EHLQJ ELJJHU WKDQ WKH IRRWSULQW RI WKH EXLOGLQJ ,Q GRLQJ VR WKH ÀRRU ZDV HPSKDVLVHG RYHU RWKHU DUFKLWHFWXUDO HOHPHQWV ,W FDQ WKHUHIRUH EH DVVHUWHG WKDW ZKLOH RWKHU FRXQWULHV KDYH WUDGLWLRQDOO\ XWLOLVHG ZDOOV WR GHPDUFDWH WKH GLYLVLRQ RI URRPV D VWHS KDV WUDGLWLRQDOO\ EHHQ XVHG LQ -DSDQ ZKHQ VHHNLQJ WR GH¿QH D VSDFH 2YHUDOO WKLV FRXOG EH KHOG WR LQGLFDWH WKDW WKH VHQVH RI ZKDW FRQVWLWXWHV D ERUGHU PLJKW EH XQGHUVWRRG GLႇHUHQWO\ LQ -DSDQ WKDQ LQ RWKHU QDWLRQV

20


)LJ 6WHS DV ERXQGDU\ LQ -DSDQ

)LJ :DOO DV ERXQGDU\

%DUULH 6KHOWRQ Learning from the Japanese

%DUULH 6KHOWRQ Learning from the Japanese

city 1HZ <RUN %DUULH 6KHOWRQ

city 1HZ <RUN %DUULH 6KHOWRQ

)LJ -DSDQHVH 5RRP KWWS QDNDNHQ LQIR ZRUGSUHVV ZS FRQWHQW XSORDGV . $ D MSJ >$FFHVVHG -DQXDU\ @

21


7KH KRPH EX௺HU ]RQH ³'RPD´

,Q -DSDQ EXIIHU ]RQHV RU EXIIHU URRPV DUH FRPPRQO\ VHHQ DV VSDFHV WKDW FDQ GLYLGH LQWHUQDO DQG H[WHUQDO VSDFHV 7KLV DOVR DVVLVWV LQ GLႇHUHQWLDWLQJ RQH¶V SULYDWH DQG VRFLDO OLIH ZLWK WKLV EHLQJ LPSRUWDQW GXH WR WKH VWURQJ DZDUHQHVV RI GLVWDQFH DQG SUR[LPLW\ LQ -DSDQ VHH &KDSWHU 2QH 7KHVH EXႇHU DUHDV DUH D IRXQGDWLRQ RI -DSDQHVH OLIH 2QH SDUWLFXODU URRP LQ WKLV UHJDUG ³'RPD´ LV WKHUHIRUH FRQVWLWXWHG DV D VSDFH WKDW FUHDWHV D EXႇHU IRU LWV XVHUV ERWK PHQWDOO\ DQG SK\VLFDOO\ 7RGD\ D 'RPD is a place in which the user can enter without WDNLQJ Rႇ WKHLU VKRHV 7KH VSDFH WUDGLWLRQDOO\ FRQVLVWV RI EDUH JURXQG RU D WLOH ÀRRU ZLWK WKH DLP EHLQJ WR HQVXUH FRQWLQXLW\ IURP WKH RXWVLGH RI WKH KRXVH ,Q WKLV URRP XVHUV ZLOO WDNH Rႇ WKHLU VKRHV EHIRUH HQWHULQJ LQWR WKH LQVLGH RI WKH KRXVH ,W LV WKRXJKW WKDW 'RPD is designed WR PDLQWDLQ WKH FOHDQOLQHVV RI WKH UHVW RI WKH KRXVH¶V URRPV ,Q DGGLWLRQ WR WKLV KRZHYHU LW DOVR DFWV DV D EXႇHU EHWZHHQ RQH¶V SHUVRQDO ZRUOG DQG RQH¶V VRFLDO ZRUOG WKLV EHLQJ D IRUP RI VHFXULW\ 7KH FRQFHSW RI 'RPD ¿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s such, entering someone else’s home has the potential to result in hesitation and feelings RI EHLQJ XQFRPIRUWDEOH 'RPD therefore used to be a place for communication, a space in ZKLFK SHRSOH FRQYHUVHG GUDQN WHD DQG DWH IRRG ZLWK JXHVWV +RZHYHU WRGD\ WKH PHDQLQJ of 'RPD KDV FKDQJHG HVSHFLDOO\ VLQFH FRQVWUXFWLRQ LQ WKH FLW\ KDV EHFRPH PRUH YHUWLFDO WKDQ KRUL]RQWDO $V D UHVXOW OHVV FRPPXQLFDWLRQ DQG PRUH VXSHUILFLDO UHODWLRQVKLSV KDYH GHYHORSHG DPRQJVW QHLJKERXUV DQ RFFXUUHQFH H[DFHUEDWHG E\ WKH GRPLQDQFH RI WDOO EXLOGLQJV DQG DSDUWPHQWV LQ XUEDQ DUHDV VXFK DV LQ 7RN\R :KLOVW XUEDQ OLIH LV PRUH VHFXUH LW QRQHWKHOHVV UHTXLUHV SHRSOH WR OLYH LQ PRUH UHVWULFWLYH VSDFHV 'RPD has thus most often EHFRPH VLPSO\ D VPDOO HQWUDQFH ZKHUH XVHUV WDNH Rႇ WKHLU VKRHV )LJ ,Q FRQWUDVW VRPH contemporary Japanese houses now attempt to introduce a modern type of 'RPD, one designed to enrich the user’s lifestyle, especially in terms of their relationship with others )LJ 'RPD RU D URRP GHVLJQDWHG WR SUHSDUH WKH XVHU WR HQWHU WKH LQVLGH RI WKH JLYHQ house, therefore indicates the physical production of distance being produced between RQH¶V SULYDWH DQG VRFLDO OLIH ,Q DFWXDOLW\ KRZHYHU LW DOVR KDV WKH PHQWDO HႇHFW RI FUHDWLQJ DQ HQYLURQPHQW ZLWKLQ WKH KRXVH RQH WKDW H[LVWV DV D EXႇHU ]RQH WKHUHE\ HQDEOLQJ SHRSOH WR EXLOG IXQ UHODWLRQVKLSV ZLWK RWKHUV

22


)LJ 'RPD LQ D PRGHUQ KRXVH

)LJ 0RGHUQ IRUP RI 'RPD

KWWSV VVO VWDW DPHEDPH FRP SXE FRQWHQW XVHU DUWLFOH I GGG H G G E G GI E FDFKHG MSJ"RSWLRQ FURS ZLGWK >$FFHVVHG 0DUFK @

KWWS ZZZ NDWDVH FRP ZS FRQWHQW XSORDGV LQWHULRU MSJ >$FFHVVHG 0DUFK @

)LJ 'RPD XVHG DV DQ DUHD IRU FRPPXQLFDWLRQ KWWS ERVRVW\OH VDNXUD QH MS FKLED\DPD LPJ FKLED HQGRX MSJ >$FFHVVHG 0DUFK @

23


Ambiguous spaces in the traditional Japanese house

The creation and utilisation of an intermediate region between the outside and inside has the DELOLW\ WR HQULFK SHRSOH¶V OLYHV -DSDQHVH WUDGLWLRQDO KRXVHV RIWHQ KDYH D XQLTXH DUFKLWHFWXUDO IRUP EHVW GHVFULEHG DV D YHUDQGD NQRZQ LQ -DSDQHVH DV DQ ³Engawa´ 7KLV LV QRUPDOO\ positioned between a room and the garden and is commonly surrounded by a fence beyond WKH JDUGHQ 8QGHU WKH Engawa XVHUV FDQ HQMR\ HDWLQJ IRRGV GHGLFDWH WKHPVHOYHV WR WKHLU KREELHV RU UHOD[ DQG FRQYHUVH ZLWK WKHLU IDPLO\ 7KLV LQ WXUQ JHQHUDWHV PDQ\ DFWLYLWLHV > @ 3 % D U U L H 6 K H O W R Q

ZLWKLQ WKH KRXVH DV ZHOO 7KLV LV EHFDXVH WKH ERUGHU EHWZHHQ WKH LQVLGH DQG RXWVLGH FDQQRW

Learning from the Japanese city 1HZ <RUN %DUULH 6KHOWRQ

be distinguished since, when utilising the space of the Engawa SHRSOH VWLOO IHHO VHFXUH

Here, they feel as if they were inside of the house but they are nonetheless physically on WKH RXWVLGH > @ 7KLV VSDFH LV WKHUHIRUH RSHQ WR VRFLHW\ RU WKH FRPPXQLW\ 7KH GLVWLQFWLYH VSDFH RI WKH YHUDQGD LV DOVR FRPSRVHG RI RWKHU HOHPHQWV ± IRU H[DPSOH WKH -DSDQHVH JDUGHQ HQKDQFHV WKH HQYLURQPHQW SURYLGHG E\ WKH Engawa ,Q DGGLWLRQ WKH VOLGLQJ SDUWLWLRQ beside the Engawa, the Shyouji FRQWULEXWHV WR HQKDQFLQJ WKH XVHUV¶ OLYHV WKH VXUURXQGLQJV DQG WKH RYHUDOO DWPRVSKHUH RI WKH VSDFH DFKLHYHG E\ EULQJLQJ SHRSOH EH WKH\ IDPLO\

> @ 3 % D U U L H 6 K H O W R Q Learning from the Japanese

PHPEHUV IULHQGV RU QHLJKERXUV FORVHU WRJHWKHU 7KH SDUWLWLRQ LV D VLPSOH SDSHU VFUHHQ

city 1HZ <RUN %DUULH 6KHOWRQ

FRYHULQJ D WLPEHU IUDPH WKHUHE\ EHLQJ XVHDEOH DV ERWK D ZDOO DQG DV D ZLQGRZ ,Q WKLV

sense, the sliding partition can allow natural light to enter into the room whilst simultaneously REVWUXFWLQJ WKH YLHZ IURP RXWVLGH > @ )XUWKHUPRUH LQ WHUPV RI YHQWLODWLRQ WKLV SDSHU LV DOVR DEOH WR DEVRUE KXPLGLW\ GXULQJ VHDVRQV ZKHUH WKLV LV SUHYDOHQW 'HVSLWH DFWLQJ DV D VFUHHQ the Shyouji often instigates a sense of community being formed – for instance, if, in the room FORVHG Rႇ E\ WKH Shyouji D IDPLO\ ZHUH WR KDYH D FRQYHUVDWLRQ RU DXGLEOH IXQ QHLJKERXUV RU SDVVHUVE\V ZRXOG EH DEOH WR KHDU WKHLU ODXJKWHU RU RWKHUZLVH VHQVH WKH IXQ DWPRVSKHUH ,W LV FOHDU WKHQ WKDW WUDGLWLRQDO -DSDQHVH VOLGLQJ GRRUV FRQWULEXWH WRZDUGV WKH FUHDWLRQ RI D FRPPXQLW\ DQG FDQ LQVWLJDWH PHQWDO FORVHQHVV DPRQJVW SHRSOH ,Q IDFW LW LV RIWHQ DUJXHG WKDW LQ WKH SDVW SURSHU DQG FRQGXFLYH FRPPXQLFDWLRQ GLG LQGHHG H[LVW ZLWK QHLJKERXUV as arose through the materials used in traditional Japanese houses, thus producing an LQLPLWDEOH VHQVH RI GLVWDQFH DQG SUR[LPLW\ LQ -DSDQHVH VRFLHW\ ,Q FRQWUDVW LQ PRGHUQ -DSDQHVH VRFLHW\ FRPPXQLFDWLRQ ZLWK QHLJKERXUV UDUHO\ RFFXUV ± D UHVXOW RI WKH SUHYLRXVO\ GLVFXVVHG YHUWLFDO FLW\ OLYLQJ DQG FRQFUHWH IRFXVHG FRQVWUXFWLRQ PHWKRGV

24


)LJ Engawa. KWWSV V PHGLD FDFKH DN SLQLPJ FRP RULJLQDOV D DHD HF D GF F I MSJ >$FFHVVHG 0DUFK @

25


Small spaces used to make neighbours physically and mentally close

7KH LGHD RI XVLQJ VPDOO VSDFHV KDV EHHQ FXOWLYDWHG IURP WKH PLGGOH DJHV (GR 3HULRG $W this time, there were many tiny houses called ‘Nagaya’ DV ZRXOG OLQH QDUURZ FLW\ DOOH\ZD\V 6XFK GZHOOLQJV ZHUH QRUPDOO\ RQH VWRULHG KRXVH URZHG DQG IDFLQJ WKH VWUHHW HGJH Nagaya were a form of social housing and commonly consisted of one storey and a tiny garden, one URRP PDGH E\ IRXU DQG D KDOI 7DWDPL PDWV ; VTXDUH PHWHU DQRWKHU VPDOOHU URRP > @ 3 % D U U L H 6 K H O W R Q

DQG >D@ VPDOO WRLOHW DQG NLWFKHQ > @ 2QO\ QHFHVVDU\ VSDFHV ZHUH LQVWDOOHG ,QWHUHVWLQJO\

Learning from the Japanese city 1HZ <RUN %DUULH 6KHOWRQ

sometimes one house owned only 5 square meters, and often shared one column with

RWKHU KRXVHV > @ +RZHYHU GHVSLWH WKH SRRU OLYLQJ FRQGLWLRQV WKHVH VSDFHV ZRXOG nonetheless enrich the relationships the dwellers had with their neighbours – for instance, ZKHQ WKH\ ZHQW RXW JUHHWLQJV DQG FRQYHUVDWLRQV ZRXOG DULVH ERWK QDWXUDOO\ DQG UHJXODUO\ DPRQJ QHLJKERXUV &RQVHTXHQWO\ SHRSOH NQHZ WKHLU QHLJKERXUV EHWWHU 7KLV PHDQV WKDW

> @ 3 )XPLKLNR 0DNL

WKH -DSDQHVH EHOLHYH WKDW WKH HOHPHQW RI VPDOOQHVV FDQ QDUURZ PHQWDO GLVWDQFHV +RZHYHU

Miegakuresuru-Toshi, (LJK-

FRQWHPSRUDU\ VRFLDO KRXVLQJ LV SURGXFHG ZLWK DQ HPSKDVLV RQ PDLQWDLQLQJ WKH SULYDWH

WHHQWK (GLWLRQ 7RN\R .DMLPD

UDWKHU WKDQ WKH FRPPXQLW\ 0HDQLQJIXO UHODWLRQVKLSV DPRQJ QHLJKERXUV LV WKHUHIRUH OLNHO\ WR

SXEOLFDWLRQ

ZLWQHVV D VLJQL¿FDQW GHFOLQH HVSHFLDOO\ DV YHUWLFDO Nagayas EHFRPH PRUH FRPPRQ ,Q VRPH cases, the idea of Nagayas KDV GHYHORSHG LQ DQ DGMXVWPHQW WR PRGHUQ OLIHVW\OHV ZKHUHE\ D KLJKHU SULRULW\ LV JLYHQ WR RQH¶V IDPLO\ RU WKH SULYDWH UHDOP RI RQH¶V OLIH $Q H[DPSOH RI WKLV FDQ EH VHHQ LQ WKH IDPRXV DUFKLWHFWXUH RI 7RN\R¶V µ7RZHU +RXVH¶ DV ZDV EXLOW LQ 7KLV VWUXFWXUH KDV VWRULHV ZLWK QHLWKHU SDUWLWLRQV RU GRRUV LQVLGH :KLOVW WKH EXLOGLQJ LV EXLOW RI concrete in a highly-dense space, and from the outside the house looks closed to society, it nonetheless creates a greater sense of freedom for its users, this being despite the footprint RI WKH KRXVH EHLQJ MXVW VTXDUH PHWHUV 7RGD\ LW LV FOHDU WKDW SHRSOH VHHN WR PD[LPLVH WKH potential of small spaces and respond to the traditional distance that exists between one’s IDPLO\ RU QHLJKERXUV 7KLV PLJKW PHDQ WKDW VPDOO VSDFHV DQG WKH OLYLQJ LQ FORVH SUR[LPLW\ WR RWKHUV HQULFKHV XUEDQ OLIH PRUH WKDQ ELJ RSHQ VSDFHV GR

26


Plan

Section

)LJ 1DJD\D

)LJ 1DJD\D 3ODQ DQG 6HFWLRQ

P125, Jinnai Hidenobu, Tokyo: A Spatial Anthropology,

%DUULH 6KHOWRQ Learning from the Japanese city

/RV $QJHOHV 8QLYHUVLW\ RI &DOLIRUQLD 3UHVV

1HZ <RUN %DUULH 6KHOWRQ

&KLOGUHQ 5RRP

Terrace

%HG 5RRP

%DWK 5RRP Toilet

/LYLQJ 5RRP (QWUDQFH

(QWUDQFH

Car Parking

)LJ )ORRU 3ODQ 7RZHU +RXVH E\ Takamitu Azuma,

)LJ 7RZHU +RXVH E\ 7DNDPLWX Azuma,

KWWS ZZZ WRWR FR MS WVXVKLQ BVXPPHU SGI IHDWXUH B SGI

KWWS OLYHGRRU EORJLPJ MS QXPEHUBQLQHB LPJV I I D

>$FFHVVHG -DQXDU\ @

JPG >$FFHVVHG 0DUFK @

27


Modern Japanese houses

8UEDQ OLIH RIWHQ GHPDQGV WKDW UHVLGHQWV XWLOLVH VPDOO VSDFHV LQ WKHLU KRPH ,Q 7RN\R VXFK VSDFHV DUH HYHQ PRUH OLPLWHG ,QGHHG LQ FRQWHPSRUDU\ XUEDQ DUHDV PRVW SHRSOH GR QRW RZQ ODQG $FFRUGLQJ WR 7RN\R¶V 0HWURSROLWDQ *RYHUQPHQW %XUHDX RI 8UEDQ 'HYHORSPHQW WKH > @ 7R N \ R 0 H W U R S R O L W D Q To s h i s e i b i , * R Y H U Q P H Q W KWWS ZZZ WRVKLVHLEL PHWUR WRN\R MS MXXWDNXBNFV VKLU\RXB K B B SGI >$FFHVVHG 0DUFK @

DYHUDJH ÀRRU VSDFH RZQHG E\ 7RN\R UHVLGHQWV ZDV VTXDUH PHWHUV ZLWK WKLV GHFUHDVLQJ WR VTXDUH PHWHUV LQ UHQWDO KRXVHV > @ 7KLV LQGLFDWHV WKDW WRGD\ PRVW SHRSOH OLYH LQ TXLWH VPDOO VSDFHV HVSHFLDOO\ ZKHQ FRPSDUHG WR SUHYLRXV JHQHUDWLRQV DV OLYHG LQ WUDGLWLRQDO -DSDQHVH KRXVHV 7KLV LV EHFDXVH RI WKH UDSLG XUEDQLVDWLRQ RI WKH FLW\ HVSHFLDOO\ GXULQJ WKH HFRQRPLF EXEEOH H[SHULHQFHG E\ -DSDQ IURP WR 0RGHUQ VRFLHW\ KDV ZLWQHVVHG D WHQGHQF\ IRU SHRSOH WR KLGH WKHLU SULYDWH OLYHV IURP WKH SXEOLF ZLWK WKLV DႇHFWLQJ WKH GHVLJQ RI -DSDQHVH KRXVHV ,W FDQ EH VDLG WKDW WKH GHVLJQ RI VXFK KRXVHV KDV EHFRPH VLPSOHU ZKHUHE\ FRQWHPSRUDU\ -DSDQHVH KRXVHV DUH FRPSRVHG RI FHUWDLQ ZDOOV À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±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as Shyouji 7KH LQFUHDVLQJ SULYDWLVDWLRQ RI RQH¶V OLIH KDV EHHQ XQGHUWDNHQ LQ RUGHU WR DYRLG one’s life being exposed to the public, with people essentially being crammed into small ER[HV LQ RUGHU WR DFKLHYH WKLV

28


)LJ 7\SLFDO -DSDQHVH DSDUWPHQW EXLOGLQJ KWWS XUNRGDQ XS VHHVDD QHW LPDJH XUBWDNL\DPD MSJ

>$FFHVVHG 0DUFK @

%HG 5RRP

%HG 5RRP

/LYLQJ 'LQLQJ 5RRP .LWFKHQ

7DWDPL 5RRP

)LJ )ORRU SODQ IRU W\SLFDO IDPLO\ DSDUWPHQW KWWS ZZZ UHQRPDPD MS WRSLFV DUHNRUH XVHG WRSLFV SKS

>$FFHVVHG 0DUFK @

29


Chapter Three: Urban Distance and Proximity in Tokyo – The Relationship %HWZHHQ %XLOGLQJV 2SHQ 6SDFHV DQG 3HRSOH Urban structure in Tokyo

8QOLNH .\RWR DQG (XURSH FRXQWULHV WKH VWUHHWV DQG ERXQGDULHV ZHUH KLVWRULFDOO\ VXEGLYLGHG LQ D UDQGRP ZD\ 7KLV FRQWH[W KDV FUHDWHG D FRPSOH[ \HW LQWHUHVWLQJ FLW\ VWUXFWXUH 7KLV LV HVSHFLDOO\ WUXH LQ UHODWLRQ WR WKH HFRQRPLF SROLWLFDO DQG HQYLURQPHQWDO VLWXDWLRQV RI HDFK JHQHUDWLRQ DQG KRZ WKHVH VKLIWV KDYH FRQWULEXWHG WR WKH FRPSOH[ FLW\ VWUXFWXUH 7KLV EHLQJ > @ 3 )XPLKLNR 0DNL Miegakuresuru-Toshi, (LJKWHHQWK (GLWLRQ 7RN\R .DMLPD SXEOLFDWLRQ

VDLG FKDQJHV WR WKH FLW\ VSDFH KDYH DOVR RFFXUUHG YLD QHJRWLDWLRQV EHLQJ XQGHUWDNHQ LQ UHJDUGV WR SULYDWH DQG SXEOLF ODQG XVDJH WKH SURYLVLRQ RI RSHQ VSDFHV DQG WKH JHRJUDSKLFDO FRQGLWLRQV RI WRSRORJLFDO IHDWXUHV VXFK DV FOLႇV RU ULYHUV $OWKRXJK WKH 7RN\R PHWURSROLV ZDV IRUPHG LQ WKH FLW\ VWUXFWXUH KDV GHYHORSHG DQG ZLWQHVVHG FKDQJHV WR LWV VWUXFWXUH VLQFH WKH IRUPHU 7RN\R ¶(GR¶ ZDV HVWDEOLVKHG LQ /DQG XVDJH KDV EHHQ JXLGHG LQ WKLV VHQVH E\ DQ DZDUHQHVV RI WKH WHUUDLQ )RU LQVWDQFH WKH YDOOH\ RI 7RN\R KDV VWUXFWXUHG WKH

> @ 3 )XPLKLNR 0DNL Miegakuresuru-Toshi, (LJKWHHQWK (GLWLRQ 7RN\R .DMLPD SXEOLFDWLRQ

UHJLRQDO ERXQGDULHV ZLWK WKH VWUHHWV EHLQJ VXEGLYLGHG LQ UHODWLRQ WR WKHVH ERXQGDULHV > @ )XUWKHUPRUH WKH PDQ\ KLOOV IRXQG LQ WKH FLW\ KDYH SOD\HG D PDMRU UROH HYHQ VLQFH WKH (GR Period, whereby the name of the hills are often included in the name of the towns – a result RI WKH WRZQV QRW KDYLQJ D ORW QXPEHU GXULQJ WKLV WLPH > @ 7KH KLOOV ZHUH WKXV XVHG WR LGHQWLI\ D ORFDWLRQ 7KH UHVSRQGLQJ WR WKH QDWXUDO FRQGLWLRQV RI WKH WHUUDLQ KDV WKHUHE\ FRQWULEXWHG WR

> @ 3 -LQQDL +LGHQREX

PDNLQJ WKH XUEDQ IDEULF RI 7RN\R GLVWLQFWLYH 7KH GHYHORSPHQW RI FLW\ VWUXFWXUH ZDV LQLWLDOO\

Tokyo: A Spatial Anthropology,

UHODWHG WR WKH VRFLDO FODVVHV IRXQG LQ WKH (GR 3HULRG ZKHUHE\ WKH FLW\ ZDV RFFXSLHG E\

/RV $QJHOHV 8QLYHUVLW\ RI

UHVLGHQWLDO DUHDV HPDQDWLQJ IURP (GR &DVWOH )LUVWO\ KLJK FODVV SHRSOH VXFK DV JRYHUQRUV

&DOLIRUQLD 3UHVV

DQG EDURQV ZHUH VLWXDWHG RQ WKH XSODQGV ZKHUHXSRQ WKH\ JDLQHG EHQH¿WV LQ WHUPV RI EHLQJ DEOH WR GHIHQG WKHPVHOYHV DJDLQVW WKHLU HQHPLHV RZQLQJ D JDUGHQ IRU WKHLU HQMR\PHQW DQG SRVVHVVLQJ D JUHDW YLHZ WRZDUGV WKH FLW\ 2Q WKH RWKHU KDQG WKH PLGGOH DQG ORZHU UDQNLQJ > @ 3 -LQQDL +LGHQREX Tokyo: A Spatial Anthropology, /RV $QJHOHV 8QLYHUVLW\ RI &DOLIRUQLD 3UHVV

SHRSOH OLYHG LQ WKH ORZ FLW\ DQG UHFODPDWLRQ DUHDV > @ 0RUH LPSRUWDQWO\ WKH UHVLGHQWLDO DUHDV GHVLJQDWHG IRU FRPPRQHUV FRPSULVHG RI GLVWLQFWLYH QDUURZ DOOH\ZD\V EHWZHHQ WKH EXLOGLQJV ± DUHDV WKDW WRGD\ DUH D GLVWLQFWLYH IHDWXUH RI 7RN\R DV LV GLVFXVVHG ODWHU LQ WKLV HVVD\ %\ WKH PLG WR ODWH (GR 3HULRG WKH FLW\ KDG DOUHDG\ EHFRPH RQH RI WKH PRVW FURZGHG XUEDQ VSDFHV LQ WKH ZRUOG 1HZ UHVLGHQWLDO JURXSV ZHUH FRQVHTXHQWO\ UHTXLUHG WR VHWWOH LQ

> @ 3 -LQQDL +LGHQREX Tokyo: A Spatial Anthropology, /RV $QJHOHV 8QLYHUVLW\ RI &DOLIRUQLD 3UHVV

YDFDQW DUHDV VXFK DV WKRVH VLWXDWHG RQ VWHHS VORSHV > @ ,QWHUHVWLQJO\ WKRVH VXE GLYLGHG VWUHHWV FDQ EH VHHQ LQ FHQWUDO 7RN\R WRGD\ DQG KDYH EHHQ XVHG WR DGG IXUWKHU OD\HUV WR WKH FLW\¶V VWUXFWXUH > @ 7KH FLW\ VWUXFWXUH LV PDGH RI PDQ\ OD\HUV DQG FRQWH[WV DOO RI ZKLFK FRPELQH WR PDNH WKH PHWURSROLV ERWK FRPSOH[ DQG DWWUDFWLYH

30


)LJ 7KH VXEGLYLVLRQ RI &LW\ 6WUXFWXUH LQ 7RN\R

)LJ 7KH VXEGLYLVLRQ RI &LW\ 6WUXFWXUH LQ .\RWR

3 )XPLKLNR 0DNL Miegakuresuru-Toshi, (LJKWHHQWK (GL-

© Takuma Kiyama

WLRQ 7RN\R .DMLPD SXEOLFDWLRQ

)LJ The regional boundaries based of geography )XPLKLNR 0DNL Miegakuresuru-Toshi, (LJKWHHQWK (GLWLRQ 7RN\R .DMLPD SXEOLFDWLRQ

31


(GR &LW\ DOVR VDZ WKH ZDWHUIURQW DQG EULGJHV DVVXPH DQ LPSRUWDQW UROH IRU WKH VRFLHW\ +HUH EXVLQHVV DQG FRPPHUFH GUDPDWLFDOO\ GHYHORSHG DORQJ WKH ULYHUVLGH LQ GLVWULFWV ZLWKLQ WKH ORZ FLW\ DV ZDV SRSXODWHG E\ FRPPRQHUV ZKLOH KLJK FODVV SHRSOH GHYHORSHG D FDVWOH > @ 3 -LQQDL +LGHQREX Tokyo: A Spatial Anthropology, /RV $QJHOHV 8QLYHUVLW\ RI &DOLIRUQLD 3UHVV

WRZQ LQ WKH KLJK FLW\ LQ GRLQJ VR FUHDWLQJ D JUHHQ FLW\ DURXQG KLOOV DQG YDOOH\V > @ )LUVWO\ WKH ZDWHUIURQW ZDV GHYHORSHG IRU WUDQVSRUWDWLRQ SXUSRVHV DQG FRPPHUFLDO DFWLYLWLHV LQFOXGLQJ D ¿VK PDUNHW DQG ZDUHKRXVLQJ )XUWKHUPRUH LQ UHODWLRQ WR WKH GHYHORSPHQW RI WKH ZDWHUIURQW EULGJHV ZHUH RIWHQ XVHG DV SXEOLF VSDFHV ± IRU H[DPSOH WKH EULGJH QDPHG 1LKRQ%DVKL ZDV EXLOW DV D FRPPXQLFDWLQJ PHGLXP EHWZHHQ WKH FRPPRQHUV DQG WKH JRYHUQPHQW DQG FRQVHTXHQWO\ DFWHG DV D SODFH IRU WKH FRPPXQLW\ SDUWLDOO\ D UHVXOW RI WKHUH EHLQJ QR SXEOLF

> @ 3 -LQQDL +LGHQREX Tokyo: A Spatial Anthropology, /RV $QJHOHV 8QLYHUVLW\ RI &DOLIRUQLD 3UHVV

VTXDUHV VXFK DV WKRVH IRXQG FRPPRQO\ LQ (XURSH > @ 0RUHRYHU IROORZLQJ WKH GHYHORSPHQW RI WKH FRPPHUFLDO DUHDV DORQJ WKH ULYHUVLGH µWKH ZDWHUIURQW ZDV DOVR XVHG IRU DPXVHPHQW SODFHV DQG HQWHUWDLQPHQW VXFK DV ¿UHZRUN¶> @ 7KHVH GHYHORSPHQWV FDQ VWLOO EH ZLWQHVVHG WRGD\ ,QGHHG LQ VXPPHU LPSRUWDQW FXOWXUDO HYHQWV FRQWLQXH WR EH UHJXODUO\ KHOG WKXV LQGLFDWLQJ WKDW EULGJHV ZHUH DQG DUH UHJDUGHG DV SXEOLF DQG IUHH VSDFHV ZKHUH SHRSOH FDQ FRPPXQLFDWH DQG SDUWDNH LQ IUHH DFWLYLWLHV ,Q RWKHU ZRUGV VXFK DVSHFWV KDYH IRUPHG WKH

> @ 3 -LQQDL +LGHQREX Tokyo: A Spatial Anthropology, /RV $QJHOHV 8QLYHUVLW\ RI &DOLIRUQLD 3UHVV

32

EDVH RI WKH XUEDQ IDEULF RI 7RN\R


)LJ 'HYHORSPHQW RI ZDWHUIURQW Jinnai Hidenobu,Tokyo: A Spatial Anthropology, /RV $QJHOHV 8QLYHUVLW\ RI &DOLIRUQLD 3UHVV

)LJ %ULGJH DV SXEOLF VSDFH Jinnai Hidenobu,Tokyo: A Spatial Anthropology, /RV $QJHOHV 8QLYHUVLW\ RI &DOLIRUQLD 3UHVV

33


The distinction of disordering the city structure

7RN\R LV ERWK D VXFFHVVIXO DQG FRPSOH[ FLW\ WKDW FRQWLQXHV WR DWWUDFW UHVLGHQWV DQG YLVLWRUV 2YHU WKH \HDUV WKH FLW\¶V WUDIILF LQIUDVWUXFWXUH VXFK DV LWV UDLOZD\V DQG KLJKZD\V KDV GHYHORSHG DW D VLJQLILFDQW UDWH LQ GRLQJ VR UHSODFLQJ YDFDQW ODQG RU ROG EXLOGLQJV 6XFK GHYHORSPHQW LV UHTXLUHG LQ RUGHU WR DFFRPPRGDWH WKH HYHU LQFUHDVLQJ QXPEHU RI UHVLGHQWV DQG YLVLWRUV WR 7RN\R 7KLV KDV WKH FRQVHTXHQFH RI WKH FLW\ LQHYLWDEO\ EHFRPLQJ PRUH FRPSOH[ DQG GLIILFXOW WR XQGHUVWDQG 8QOLNH .\RWR DQG 1DUD &LW\ KLVWRULFDOO\ 7RN\R KDV EHHQ VWUXFWXUHG UDQGRPO\ ± D UHVXOW RI (GR &LW\ KDYLQJ GHYHORSHG ZLWKRXW D ORQJ WHUP SODQ Kyoto, in contrast, was established in 794 and has simply followed a grid system in its > @ 3 + L U D W D . D ] X N L Nihonn-no-rekishi 7RN\R $VDKL 6KLQQEXQV\D

GHVLJQ ,W LV WKRXJKW WKDW WKLV V\VWHP SHUWDLQV WR D KLVWRULFDO &KLQHVH FLW\ VWUXFWXUH > @ DQG LV DSSURSULDWH LQ IDFLOLWDWLQJ FLWL]HQV GHIHQGLQJ WKH JRYHUQPHQW SDODFH DQG SURWHFWLQJ EXLOGLQJV IURP ¿UH .\RWR LV WKHUHIRUH GH¿QHG E\ FOHDU KRUL]RQWDO DQG YHUWLFDO OLQHV WKDW HQDEOH SHRSOH WR VHH JUHDW GLVWDQFHV :KLOH LQ WKH LQWHUYHQLQJ \HDUV PRUH VWUHHWV QDUURZ DOOH\ZD\V DQG EXLOGLQJV KDYH EHHQ DGGHG WKH WUDGLWLRQDO JULG FLW\ VWUXFWXUH KDV EHHQ PDLQWDLQHG An important factor for Japanese society is the employment of narrow alleyways, as often VXSSRUWV SHRSOH¶V XUEDQ OLIH %RWK 7RN\R DQG .\RWR KDYH QDUURZ DOOH\ZD\V GHVSLWH WKHVH ORFDOLWLHV KDYLQJ ZLWQHVVHG GLႇHUHQW SULQFLSOHV DQG FRQWH[WV LQ UHJDUGV WR KRZ HDFK FLW\ KDV GHYHORSHG 1RQHWKHOHVV WKHVH DUHDV GR GLIIHU EHWZHHQ WKH FLWLHV :KLOH .\RWR¶V QDUURZ DOOH\ZD\V DUH PRUH RUJDQLVHG DQG SURGXFH FOHDU ERUGHUV EHWZHHQ SULYDWH DQG SXEOLF VSDFHV due to the buildings being built around grid lines, Tokyo appears more chaotic and fails to FRQVWLWXWH ERXQGDULHV EHWZHHQ SULYDWH DQG SXEOLF DUHDV 0RUHRYHU LQ 7RN\R WKH OLIHVW\OH RI LWV UHVLGHQWV DUH PRUH YLVLEOH IURP SXEOLF VWUHHWV ,Q FRQFOXVLRQ ZKLOH ERWK 7RN\R DQG .\RWR ZLWQHVV VLPLODU HOHPHQWV LQ UHJDUGV WR WKHLU DSSHDUDQFH WKH\ QHYHUWKHOHVV KDYH GLVWLQFW FKDUDFWHULVWLFV 7KH -DSDQHVH DUFKLWHFW )XPLKLNR 0DNL KDV PHQWLRQHG KRZ LQGLYLGXDOV ZLOO KROG GLIIHUHQW YLHZV DV WR ZKLFK FLW\ WKH\ SUHIHU EXW FOHDU FLW\ VWUXFWXUHV VXFK DV .\RWR

> @ 3 ) X P L K L N R 0 D N L Miegakuresuru-Toshi, (LJKWHHQWK (GLWLRQ 7RN\R .DMLPD SXEOLFDWLRQ

PLJKW OHDG SHRSOH WR VWRS WKLQNLQJ DERXW WKH KLGGHQ FRQWH[W RI WKH FLW\ > @ +HUH SHRSOH PLJKW RQO\ VHH WKH VXSHU¿FLDO DVSHFWV RI D FLW\ UHJDUGOHVV RI WKH FRQWH[W DQG KLVWRU\ RI WKH VSDFH 7KLV PD\ LQGLFDWH WKDW WKRVH OLYLQJ LQ .\RWR PD\ SRVVHVV D GLႇHUHQW VHQVH RI GLVWDQFH DQG SUR[LPLW\ WKDQ WKH UHVLGHQWV RI 7RN\R DQG IXUWKHUPRUH FRXOG EH VDLG WR KDYH D FOHDUHU YLVLRQ WKDQ WKDW SRVVHVVHG E\ WKRVH OLYLQJ LQ 7RN\R 2Q WKH RWKHU KDQG SHRSOH LQ 7RN\R FRXOG EH VDLG WR KDYH D ZLGHU VHQVH RI GLVWDQFH DQG SUR[LPLW\ ERWK PHQWDOO\ DQG SK\VLFDOO\ (YHQ LQ WKH VDPH FRXQW\ FLW\ VWUXFWXUHV FDQ GLႇHU ZLWK WKH VHQVH RI GLVWDQFH DQG SUR[LPLW\ GLYHUJLQJ LQ UHODWLRQ WR ERWK XUEDQ DQG KXPDQ DVSHFWV

34


)LJ 2ULJLQDO FLW\ VWUXFWXUH LQ .\RWR Hirata Kazuki, Nihonn-no-rekishi 7RN\R $VDKL 6KLQQEXQV\D

)LJ 1DUURZ VWUHHW LQ 7RN\R

)LJ 1DUURZ VWUHHW LQ .\R\R

KWWSV IDUP VWDWLFÀLFNU FRP B ID HF EBF MSJ

KWWS LPJ \DSORJ MS LPJ SF H P M HPMS MSJ

>$FFHVVHG -DQXDU\ @

>$FFHVVHG -DQXDU\ @

35


The distinctive emergence of depth and gap in Tokyo

,Q -DSDQHVH VRFLHW\ WKHUH LV D VSHFLDO GHSWK DQG JDS SUHVHQW WKDW DUH UHJDUGHG DV D -DSDQHVH LGHQWLW\ DV ZHOO DV D GLVWLQFWLYH FXOWXUDO WUDLW 7KHVH IDFWRUV RIWHQ VXSSRUW XUEDQ OLIH DQG WKHUHE\ HQDEOH SHRSOH WR VXUYLYH LQ VXFK DQ RYHUFURZGHG FLW\ 6XFK DVSHFWV DUH VHHQ especially in Tokyo due to the city structure being more complex and designed in accordance ZLWK WKH JHRJUDSKLFDO WRSRORJLFDO DQG KLVWRULFDO IHDWXUHV RI WKH FLW\ $V DIRUHPHQWLRQHG LQ 7RN\R WKH FLW\ VWUHHW VWUXFWXUH KDV GHYHORSHG DQG EHFRPH RUJDQLFDOO\ VWUXFWXUHG IRU FHQWXULHV 7KHUHIRUH WKH H[LVWLQJ QDUURZ DOOH\ZD\V DQG VWUHHWV DUH EDVHG RQ WKH VWUXFWXUH RI (GR &LW\ DV ZHUH ERWK FRPSOH[ DQG PD]H OLNH 7KLV LV EHFDXVH XQOLNH WKH XQL¿HG JULGGHG XUEDQ VWUXFWXUH VHHQ LQ (XURSH DQG .\RWR WKHUH LV IXQGDPHQWDOO\ QR FLW\ ZLGH VWUHHW SDWWHUQ > @ 3 ) X P L K L N R 0 D N L Miegakuresuru-Toshi, (LJKWHHQWK (GLWLRQ 7RN\R .DMLPD SXEOLFDWLRQ

RU QR VLPSOH JULG OD\RXW > @ 7KHVH QDUURZ DOOH\ZD\V WKHUHE\ PDNH WKH FLW\ GHVLJQ PRUH FRPSOH[ 6LQFH WKH VWUHHWV KDYH EHHQ GHYHORSHG E\ SHRSOH FXOWLYDWLQJ DQG GHYHORSLQJ WKH ODQG DURXQG WKHP $FFRUGLQJO\ QR FRPSUHKHQVLYH FLW\ SODQQLQJ KDV KLVWRULFDOO\ EHHQ XQGHUWDNHQ +RZHYHU WKRVH ZKR LQYDGHG WKH DUHD KDG WR DYRLG SODFLQJ WKHLU EXLOGLQJV RQ GLႈFXOW ORFDWLRQV VXFK DV EXLOGLQJ RQ D FOLႇ ,Q IDFW WRGD\ WKHUH DUH PDQ\ VORSLQJ URDGV OHIW LQ 7RN\R DQG WKRVH VWUHHW VWUXFWXUHV KDYH FKDQJHG YHU\ OLWWOH IURP WKH (GR 3HULRG

> @ 3 ) X P L K L N R 0 D N L Miegakuresuru-Toshi, (LJK-

GHVSLWH PDQ\ RI WKH EXLOGLQJV KDYLQJ EHHQ EXLOW DIWHU LW EHFDPH 7RN\R > @ )URP WKLV JDSV

WHHQWK (GLWLRQ 7RN\R .DMLPD

KDYH EHHQ FUHDWHG DQG OHIW EHWZHHQ WKRVH GLႈFXOW ORFDWLRQV D FRQVHTXHQFH RI ZKLFK LV WKH

SXEOLFDWLRQ

SUHVHQFH RI FOHDU YLVWDV LQ WKH FURZGHG FLW\ ,QGHHG WKLV KDV FRQWULEXWHG WR SHRSOH EHLQJ VXUURXQGHG E\ FRQFUHWH EXLOGLQJV DQG RWKHU SHRSOH \HW ZLWK DFFHVV WR QDWXUH DQG YLVXDOO\ RSHQ VSDFHV 7KLV PHDQV WKDW LQ 7RN\R HYHQ WKRXJK SHRSOH OLYH LQ FUDPSHG FRQ¿QHV WKH JDSV WKDW ZHUH XQLQWHQWLRQDOO\ FUHDWHG PD\ LQ IDFW HQULFK WKH SRSXODWLRQ¶V XUEDQ OLIH The lack of open spaces in Japanese cities, as contrasts with those areas witnessed in WKH VR FDOOHG SXEOLF VSDFHV RI (XURSH FRXOG DႇHFW WKH VHQVH RI GLVWDQFH KHOG E\ WKH ORFDO SRSXODWLRQ ,Q (XURSH RSHQ VSDFHV KDYH KDG D VWURQJ LPSDFW XSRQ FLWLHV ,Q IDFW PDQ\ VXFFHVVIXO SXEOLF VSDFHV KDYH EHHQ SURGXFHG WKHUH VXFK DV WKH 6SDQLVK 6WHSV DQG 3LD]]D GHO &DPSR ORFDWLRQV DQG YLVWDV DUWLILFLDOO\ DQG SXUSRVHO\ EXLOW 7KLV LV GLIIHUHQW LQ -DSDQ DV FRQVLGHUHG VWUHHWV DQG VPDOO JDUGHQV DV RSHQ VSDFHV LQ WKH (GR 3HULRG KDV FUHDWHG D VLPLODU HႇHFW WR WKH (XURSHDQ VW\OHV RI RSHQ VSDFH EXW KDV DULVHQ QDWXUDOO\ > @ 3HRSOH PD\

> @ 3 )XPLKLNR 0DNL Kenntikukara-Toshi-o Toshikarakenntiku-o, (LJKWHHQWK (GLWLRQ 7RN\R ,ZDQDPL VK\RWHQQ

36

WKXV XWLOLVH VPDOO VSDFHV HႈFLHQWO\ GXH WR WKLV KLVWRULFDO OLQHDJH 2EYLRXVO\ WKLV KDV DႇHFWHG WKH VHQVH RI GLVWDQFH LQ ERWK -DSDQHVH WKLQNLQJ DQG FXOWXUH


)LJ 'HYHORSPHQW RI 6WUHHWV LQ 7RN\R )XPLKLNR 0DNL Miegakuresuru-Toshi, (LJKWHHQWK (GLWLRQ 7RN\R .DMLPD SXEOLFDWLRQ

37


Scenery opened out from the city

7KH VFHQHU\ RI 0RXQW )XML LV RIWHQ UHSUHVHQWHG LQ -DSDQHVH FXOWXUH 7KLV FRXOG EH considered to be an expression of the artistic trait of the people rather than the mountain VLPSO\ EHLQJ D V\PERO RI WKH FRXQWU\ 6XFK SLFWXUHV ZHUH DOZD\V SURGXFHG ZLWK 0RXQW )XML EHLQJ WKH EDFNJURXQG LPDJH RU WKLV WRSRORJLFDO IHDWXUH EHLQJ DV IDU DV WKH H\H FDQ VHH ZKHQ WKH FLW\ VWUHHWV LQ WKH (GR 3HULRG DUH UHSUHVHQWHG )LJ ZLWK WKHVH LPDJHV > @ 3 )XPLKLNR 0DNL Miegakuresuru-Toshi, (LJKWHHQWK (GLWLRQ 7RN\R .DMLPD SXEOLFDWLRQ

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ႇHUHQW FKDUDFWHULVWLFV RI WKH PRXQWDLQ DV DUH H[KLELWHG DFURVV WKH YDULRXV VHDVRQV 7KLV FRXOG EH D VRXUFH RI HQMR\PHQW DV ZHOO DV DQ LPSRUWDQW DVSHFW IRU WKH SHRSOH WKHUH VLQFH (GR &LW\ LV EHOLHYHG WR KDYH EHHQ RQH RI WKH PRVW FURZGHG FLWLHV DW WKDW SHULRG 6LQFH WKHQ SHRSOH KDYH DWWHPSWHG WR PDLQWDLQ WKLV TXDOLW\ RI WKH FLW\ DQG KDYH VRXJKW WR SUHVHUYH DQG SULRULWLVH WKLV YLHZ 2Q the other hand, in the city of Tokyo, there is a sense of the mountains being symbolic rather

> @ 3 .HQ ,FKL 6DVDNL ‘For :KRP LV &LW\ 'HVLJQ 7DFWLOLW\ versus visuality’ ,Q 7KH &LW\ &XOWXUHV 5HDGHU HG E\ 0DOFROP 0LOHV 7LP +DOO DQG ,DLQ %RUGHQ /RQGRQ 5RXWOHJGH

WKDQ VLPSO\ EHLQJ YLVXDOO\ SOHDVXUDEOH ,Q IDFW ZKLOH PRVW RI WKH SLFWXUHV GUDZQ LQ WKH (GR Period represent the mountain in the city, from the centre of the city, the mountain could RIWHQ QRW EH VHHQ 1HYHUWKHOHVV IURP ROG -DSDQHVH WUDGLWLRQV µWKHUH LV DQ LGHD RI ERUURZLQJ WKH VFHQHU\ IURP WKH RXWVLGH IRU >WKHLU@ RZQ JDUGHQ ¶> @ 7KLV PHDQV WKDW WKH VFHQHU\ RI WKH FLW\ VXFK DV PRXQWDLQV ZDV XVHG IRU WKH EDFNJURXQG RI WKH FLW\ UHVLGHQWV¶ SULYDWH JDUGHQV The concept has therefore expanded the mountain in people’s mind and the mountain is WKXV UHJDUGHG DV D ODQGPDUN LQ 7RN\R HYHQ WKRXJK 0RXQW )XML DQG 0RXQW 7XNXED DUH DFWXDOO\ QRW ORFDWHG LQ 7RN\R ,W LV EHOLHYHG WKDW ERWK SK\VLFDO GLVWDQFH DQG SUR[LPLW\ DQG PHQWDO GLVWDQFH FRQWULEXWHV WR WKH SULQFLSOH RI WKH FLW\ VWUXFWXUH ,Q RWKHU ZRUGV WKH FLW\ VWUXFWXUH FDQ DOZD\V EH OLQNHG WR WKH VHQVH RI GLVWDQFH DQG SUR[LPLW\ WKDW SHRSOH SRVVHVV

+RZHYHU LW LV WUXH WKDW LQ PRGHUQ WLPHV WKH YLVXDO DQG PHQWDO UHVSRQVHV WKDW 7RN\R¶V > @ 3 -LQQDL +LGHQREX

FLWL]HQV KDYH WRZDUGV QDWXUDO IHDWXUHV KDYH FKDQJHG HYHQ LI RQO\ VOLJKWO\ 7KH FLW\ KDV LQ

Tokyo: A Spatial Anthropology,

PRGHUQ \HDUV VRPHWLPHV EHHQ GHSULYHG RI LWV YLHZ RI QDWXUH GXH WR WKH GHYHORSPHQW RI

/RV $QJHOHV 8QLYHUVLW\ RI &DOLIRUQLD 3UHVV

WKH FLW\¶V LQIUDVWUXFWXUH VXFK DV LWV KLJKZD\V HYHQ WKRXJK (GR &LW\ SURGXFHG DQ LQWLPDWH UHODWLRQVKLS EHWZHHQ WKH OLYHV RI SHRSOH DQG WKHLU YLHZV RI QDWXUH VXFK DV PRXQWDLQV DQG ZDWHU > @ ,Q WKH FHQWUDO SDUW RI 7RN\R HVSHFLDOO\ PDQ\ VN\VFUDSHUV DQG KLJKZD\V QRZ REVFXUH YLHZV RI QDWXUH DQG LW LV EHFRPLQJ LQFUHDVLQJO\ GLႈFXOW WR VHH JUHDW GLVWDQFHV DZD\ 1HYHUWKHOHVV WKHUH DUH PDQ\ H[LVWLQJ VWUHHWV WKDW PDLQWDLQ WKHLU YLVWD RI QDWXUDO IHDWXUHV GHVSLWH WKH JURZLQJ LQIUDVWUXFWXUH DQG ODUJH EXLOGLQJ SURMHFWV WKUHDWHQLQJ WKLV DYDLODELOLW\ 7KLV PLJKW PHDQ WKDW SHRSOH LQ 7RN\R KDYH PDLQWDLQHG WKRVH VWUHHWV DQG YLVWDV FDUHIXOO\ HYHQ LI WKH\ KDYH GRQH VR XQFRQVFLRXVO\ 7RGD\ WKLV KHOSV SHRSOH WR UHOHDVH SUHVVXUH IURP WKHLU FURZGHG DQG FRQ¿QHG FRQGLWLRQV ,Q WKLV VHQVH VXFK DWWHPSWV WR PDLQWDLQ WKLV EDODQFH

38

LV DQ LPSRUWDQW DVSHFW LQ PDNLQJ D FLW\ ZRUN LQ -DSDQ


)LJ 0RXQW )XML DV H\H VWRS LQ WKH FLW\ KWWS ZZZ WUDQVLW ZHE FRP LVVXH VKLQELM\XWVX LPDJHV IXMLB MSJ

)LJ +LJKZD\ ZKLFK GHSULYHG RI VRPH YLHZ KWWS FRQHWD MS ZS FRQWHQW XSORDGV ,0*B [ MSJ >$FFHVVHG -DQXDU\ @

39


7KH GLVWLQFWLYH VHQVH RI GHSWK ³2NX´ DQG LWV FRQWULEXWLRQ WR XUEDQ OLIH

The Japanese sense of depth is one of the most important factors supporting Japanese VRFLHW\ HVSHFLDOO\ LQ WKH XUEDQ OLIH RI 7RN\R 7KLV VHQVH LV FDOOHG 2NX and is related to GLVWDQFH DQG SUR[LPLW\ ,W FDQ EH DVVHUWHG WKDW WKLV GLVWLQFWLYH GHSWK PDNHV XUEDQ OLIH LQ 7RN\R ZRUN 2NX has another meaning in relation to Japanese people’s thinking, one of LQZDUGQHVV +HUH LW PHDQV WKDW VRPHWKLQJ LV GHHSO\ IHOW DQG FHUWDLQO\ WUXH ,Q UHODWLRQ WR distance and proximity, this unique depth is commonly found in the traditional Japanese KRXVHV PHQWLRQHG DERYH VHH &KDSWHU 7ZR 7KLV LV DWWULEXWHG WR WKH FRPSOH[ OD\HUV RI URRPV DQG HOHPHQWV ± VXFK DV WKH -DSDQHVH VOLGLQJ GRRU Shouji YHUDQGD Engawa DQG JDUGHQ 0RUHRYHU WKH FRPSRVLWLRQ RI D KRXVH¶V URRPV LV DOVR D SURIRXQG IDFWRU LQ WKLV > @ 3 )XPLKLNR 0DNL

UHJDUG 7KLV LV EHFDXVH URRPV ZHUH ODLG RXW GLDJRQDOO\ QRW KRUL]RQWDOO\ RU YHUWLFDOO\ )LJ

Miegakuresuru-Toshi, (LJK-

7KHUHIRUH GLVWLQFWLYH GHSWK ZDV VRXJKW LQ WKH FUHDWLRQ RI WUDGLWLRQDO -DSDQHVH

WHHQWK (GLWLRQ 7RN\R .DMLPD SXEOLFDWLRQ

KRXVHV > @ ,Q DGGLWLRQ LQ VXFK KRXVHV VWHSV DUH XVHG WR GLVWLQJXLVK HDFK DUHD VXFK DV WKH HQWUDQFH NLWFKHQ FRUULGRU DQG JDUGHQ 6LPLODUO\ RQH URRP DOVR FRQVLVWV RI VRPH VWHSV IRU WKH VKHOYHV XSRQ ZKLFK WUDGLWLRQDO -DSDQHVH FXOWXUDO LWHPV FDQ EH GLVSOD\HG )LJ 7KHVH HOHPHQWV DUH GLVWLQFWLYH IURP RWKHU FRXQWULHV )URP DQ XUEDQ SRLQW RI YLHZ 2NX is seen in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¿QHG VSDFHV 7KH VHQVH RI -DSDQHVH GHSWK 2NX KDV FRQWLQXHG WR GHYHORS DQG KDV EHHQ SDVVHG IURP JHQHUDWLRQ WR JHQHUDWLRQ WKXV VSUHDGLQJ WKURXJKRXW -DSDQHVH VRFLHW\ DQG LQWR -DSDQHVH WKLQNLQJ 7RN\R LV XQGRXEWHGO\ D FRPELQDWLRQ RI WUDGLWLRQDO DQG XUEDQ OLIHVW\OHV ,Q RWKHU ZRUGV WKH QHZ JHQHUDWLRQ KDV QRW GHVWUR\HG WKH SUHYLRXV JHQHUDWLRQ¶V GHYHORSPHQWV LQVWHDG LW KDV PHUHO\ DGGHG QHZ OD\HUV WR WKLV XQLTXHQHVV DQG WKHUHE\ FUHDWHG D GHSWK LQ WKH JXOI EHWZHHQ ROG DQG QHZ WLPHV 7KXV GHVSLWH 7RN\R QRW KDYLQJ PDQ\ KXJH SDUNV WKLV GHSWK QRQHWKHOHVV FRQWULEXWHV WR PDNLQJ XUEDQ OLIH ZRUN HYHQ LQ WKH RYHUFURZGHG QDWXUH RI WKH FLW\ 7KLV PLJKW EH RQH RI WKH UHDVRQV DV WR ZK\ 7RN\R FRQWLQXHV WR DWWUDFW ERWK QHZ UHVLGHQWV DQG YLVLWRUV

40


Kitchen %HG 5RRP

Garden

(QWUDQFH +DOO

)LJ )ORRU SODQ LQ ZKLFK WKH URRPV DUH ODLG RXW GLDJRQDOO\ 3 )XPLKLNR 0DNL Miegakuresuru-Toshi, (LJKWHHQWK (GLWLRQ 7RN\R .DMLPD SXEOLFDWLRQ

)LJ 5RRPV ODLG RXW GLDJRQDOO\ KWWS PX]D FKDQ QHW DM SR]H ZHEORJ LVKLED KRXVH LQWHULRU KLURVDNL ELJ MSJ >$FFHVVHG 0DUFK @

)LJ 6KHOYHV LQ D WUDGLWLRQDO -DSDQHVH KRXVH KWWS ZZZ MDSDQ JXLGH FRP J B D MSJ >$FFHVVHG 0DUFK @

41


The narrow alleyways between houses in Tokyo

0DQ\ -DSDQHVH FLWLHV DQG WRZQV KDYH QDUURZ DOOH\ZD\V EHWZHHQ WKHLU EXLOGLQJV NQRZQ as Roji 6XFK DOOH\ZD\V DUH FRPPRQO\ VHHQ WR UHSUHVHQW WKH LGHQWLW\ RI WKH JLYHQ ODQG DV ZHOO DV WKH ORFDO DUHD ,Q DGGLWLRQ WKHVH VSDFHV DOVR KDYH WKH SRWHQWLDO WR JHQHUDWH > @ 3 ) X P L K L N R 0 D N L Miegakuresuru-Toshi, (LJK-

DFWLYLWLHV WKDW ORFDO UHVLGHQWV FDQ SDUWLFLSDWH LQ 7KHVH DOOH\ZD\V ZHUH LQWHQWLRQDOO\ SURGXFHG

WHHQWK (GLWLRQ 7RN\R .DMLPD

E\ DQ HQFDPSPHQW JDPH ZKHUHE\ WKH ODQG ZDV UDQGRPO\ RZQHG E\ SHRSOH > @ +HUH

SXEOLFDWLRQ

UHVLGHQWLDO DUHDV L H WKH DOOH\ZD\V IRU FRPPRQHUV ZHUH FUHDWHG EDVHG RQ WKHLU SUR[LPLW\ WR WKH OLQHG ORZ KRXVHV LQ WKH (GR 3HULRG 6HH &KDSWHU 7ZR 7KH TXDOLWLHV GHVFULEHG KHUH KDYH EHHQ VWURQJO\ PDLQWDLQHG ZLWK RQO\ VOLJKW FKDQJHV EHLQJ ZLWQHVVHG LQ UHJDUGV WR WKH KHLJKW DQG VL]H RI WKH KRXVHV 7KH QDUURZ DOOH\ZD\V KDYH KLVWRULFDOO\ EHHQ XVHG as a playground for children and also as a space for communication among neighbours

> @ 3 -LQQDL +LGHQREX Tokyo: A Spatial Anthropology,

DV WKH NLWFKHQV RI WKH KRXVHV WUDGLWLRQDOO\ IDFHG WKH DOOH\V > @ 7KHUHIRUH WKH GDLO\ OLYHV

/RV $QJHOHV 8QLYHUVLW\ RI

of the local residents were often connected to the alleyways, with this helping people

&DOLIRUQLD 3UHVV

WKHUH WR EXLOG PHDQLQJIXO UHODWLRQVKLSV ZLWK WKHLU QHLJKERXUV 2QH FDQ FRPSDUH FRPPRQ Japanese houses to American houses in this sense, identifying that the composition of the UHVSHFWLYH KRXVHV DUH GLIIHUHQW > @ 7R LOOXVWUDWH WZR VWRUH\ EXLOGLQJV IDFLQJ LQZDUGV LQ D > @ 3 % D U U L H 6 K H O W R Q Learning from the Japanese

FORVH ZD\ PDNH WKH VWUHHWV VXUURXQGLQJ WKHP PDQLIHVW LQ D VSHFLILF IRUP 7KLV SURGXFHV D FRPIRUWDEOH HQYLURQPHQW IRU ORFDO UHVLGHQWV DV WKH DUFKLWHFWXUH LV FRPSRVHG RI KXPDQ

city 1HZ <RUN %DUULH 6KHOWRQ

VFDOH EXLOGLQJV 7KH DOOH\ZD\V EHWZHHQ WKHVH KRXVHV FDQ EH VOLJKWO\ FKDRWLF DQG FRPSOH[ GXH WR VRPH SHRSOH SODFLQJ WKHLU SHUVRQDO EHORQJLQJV RQ WKH VWUHHW $V D UHVXOW RI WKLV YLVLWRUV KDYH KLVWRULFDOO\ EHHQ FRQIXVHG DV WR ZKDW ZHUH SULYDWH DQG ZKDW ZHUH SXEOLF DUHDV FRQVHTXHQWO\ IHHOLQJ DV LI WKH\ ZHUH RQ WKH SUHPLVHV RI DQRWKHU SHUVRQ¶V KRXVH > @ 7RGD\

> @ 3 )XPLKLNR 0DNL Miegakuresuru-Toshi, (LJK-

VRPH ORFDO DUHDV LQ 7RN\R KDYH PDQDJHG WR PDLQWDLQ WKHVH GLVWLQFWLYH QDUURZ VWUHHWV DQG

WHHQWK (GLWLRQ 7RN\R .DMLPD

ZLWQHVV WKH FRQWLQXHG FUHDWLRQ RI D ORFDO FRPPXQLW\ DQG LGHQWLW\ 7KH KRXVHV DORQJ WKHVH

SXEOLFDWLRQ

narrow alleyways somehow continue to manifest as public spaces and connect the other KRXVHV WKLV EHLQJ UDUHO\ IRXQG QRZDGD\V GXH WR FKDQJHV LQ DUFKLWHFWXUDO ODZ -DSDQHVH DUFKLWHFW 6RX )XMLPRWR KDV DOVR QRWHG WKDW WKHVH KRXVHV PDQLIHVW DV LI WKH\ FDQ H[SDQG DQG GUDJ WKH UHVLGHQWV RXW RI WKH KRXVH DQG LQWR WKH FLW\ > @ :LWK WKHVH DOOH\ZD\V SHRSOH FDQ KHDU WKH VRXQGV RI WKH VXUURXQGLQJ UHVLGHQWV¶ OLYHV WKLV PDNLQJ WKH UHVLGHQWV PHQWDOO\

> @ 3 (/FURTXLV HGLWLRQDO Sou Fujimoto 0DGULG (/FUR-

FORVHU 7RGD\ WUDGLWLRQDO KRXVHV DQG PRGHUQ KRXVHV DUH PL[HG EXW WKRVH KRXVHV VWLOO KDYH

TXLV HGLWLRQDO

D VLPLODU HႇHFW LQ QDUURZ VWUHHWV 7KH ORFDO FRPPXQLW\ DQG WKH H[LVWHQFH RI IXQ UHODWLRQVKLSV DULVLQJ EHWZHHQ UHVLGHQWV FRQWLQXHV WR RFFXU )RU H[DPSOH LQ WKH WRZQ RI .RXHQML DV LV ORFDWHG QHDU WKH FHQWHU RI 7RN\R WKLV DWPRVSKHUH FDQ VWLOO EH IRXQG )LJ 3HRSOH WKHUH VHHP WR SUHIHU VRFLDOLVLQJ ZLWK RWKHUV ZLWK UHVLGHQWV RIWHQ KROGLQJ ORFDO HYHQWV 0RUHRYHU LQ .RXHQML DIWHU R¶FORFN LQ WKH DIWHUQRRQ EXVLQHVVPHQ DQG ZRPHQ JR LQWR WKH VPDOO -DSDQHVH EDUV DQG GULQN ZLWK ORFDO SHRSOH EHIRUH JRLQJ KRPH 7KH FRPPXQLW\ KHUH DOVR ZHOFRPHV RWKHU UHVLGHQWV 7KHVH HႇHFWV FDQ EH DWWULEXWHG WR WKH VPDOO DUHD DQG WKH QDUURZ DOOH\ZD\V DV WKRVH HOHPHQWV DUH KXPDQ VFDOH 7KHUH LV QR GRXEW WKDW ROG EXLOGLQJV which are human-scale generate communication amongst the residents, with this potentially LQGLFDWLQJ WKDW FLW\ RU WRZQ DUHDV WKDW FRQVLVW RI QDUURZ VWUHHWV DQG MXPEOHG VPDOO EXLOGLQJV DUH FRPIRUWDEOH IRU SHRSOH

42


)LJ )HDWXUH RI Roji SDWWHUQV 3 )XPLKLNR 0DNL Miegakuresuru-Toshi, (LJKWHHQWK (GLWLRQ 7RN\R .DMLPD SXEOLFDWLRQ

)LJ 7UDGLWLRQDO DOOH\ZD\ Roji LQ 7RN\R 3 )XPLKLNR 0DNL Miegakuresuru-Toshi, (LJKWHHQWK (GLWLRQ 7RN\R .DMLPD SXEOLFDWLRQ

)LJ 7KH H[LVWLQJ WUDGLWLRQDO Roji.

)LJ $OOH\ZD\ LQ WKH WRZQ RI .RXHQML

)LJ $OOH\ZD\ PL[HG ZLWK UHVLGHQWLDO DQG FRPPHUFLDO DVSHFWV LQ .RXHQML

KWWS OLYHGRRU EORJLPJ MS DOOBQDWLRQV LPJV H H FE MSJ >$FFHVVHG 0DUFK @

KWWS I VW KDWHQD FRP LPDJHV IRWROLIH P PDW RQB MSJ >$FFHVVHG 0DUFK @

KWWS MPVHXO FRFRORJ QLIW\ FRP MLML LPDJHV NRHQMLBEDFNBDOOH\ MSJ >$FFHVVHG 0DUFK @

43


2SHQ VSDFHV LQ 7RN\R

,Q WKH PRVW GHQVHO\ SRSXODWHG FLW\ RI -DSDQ 7RN\R RSHQ VSDFHV LQFOXGLQJ YDFDQW ODQGV DUH LPSRUWDQW WR UHVLGHQWV 7RN\R LV VTNP DQG GRHV KDYH VRPH ODUJH JUHHQ VSDFHV KRZHYHU PRVW DUH RZHG E\ SULYDWH LPSHULDO SDUWLHV RU WKH JRYHUQPHQW ,Q IDFW ³RQO\ > @ 3 0DULHOXLVH -RQDV +HLNH 5DKPDQQ Tokyo Void %HUOLQ MRYLV 9HUODJ *PE+

SHUFHQW RI 7RN\R¶V XUEDQ DUHD LV FODVVL¿HG DV RSHQ VSDFH ZKLFK LQFOXGHV SDUNV JDUGHQV DQG SOD]DV 7KLV WUDQVODWHV LQWR D PHUH WKUHH VTXDUH PHWHUV RI RSHQ VSDFH SHU SHUVRQ´ > @ 7KLV LV VLJQL¿FDQWO\ ORZHU WKDQ RWKHU PHJD FLWLHV ± IRU H[DPSOH 1HZ <RUN KDV WZHQW\ VHYHQ VTXDUH PHWHUV SHU SHUVRQ > @ :KLOVW WKHUH DUH D IHZ ODUJH SXEOLF SDUNV IRU H[DPSOH <R\RJL 3DUN WKHVH DUH RIWHQ FORVHG DURXQG SP 0RUHRYHU DQRWKHU ODUJH SXEOLF SDUN

> @ 3 0DULHOXLVH -RQDV +HLNH 5DKPDQQ Tokyo Void %HUOLQ MRYLV 9HUODJ *PE+

6KLQMXNX *\RHQ GLVDSSRLQWLQJO\ FKDUJHV DQ HQWUDQFH IHH &RQVHTXHQWO\ LQ 7RN\R WKH PHDQLQJ RI RSHQ VSDFHV LV GLႇ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ႇHUHG WR LQVWDOO SOD\ HTXLSPHQW LQ WKHVH DUHDV > @ 8UEDQ GHYHORSPHQW LQFOXGLQJ WKH FRQVWUXFWLRQ RI WDOO EXLOGLQJV DURXQG VXFK SDUNV

> @ 3 0DULHOXLVH -RQDV +HLNH 5DKPDQQ Tokyo Void

KDV UHVXOWHG LQ WKHVH DUHDV EHFRPLQJ PRUH DQG PRUH DEDQGRQHG 7RGD\ PRVW SDVV WKURXJK

%HUOLQ MRYLV 9HUODJ *PE+

WKH SDUNV UDWKHU WKDQ VSHQGLQJ DQ\ PHDQLQJIXO WLPH ZLWKLQ WKH VSDFH 7KH JDS EHWZHHQ WKH

scale of the parks and the tall buildings can be understood to produce an uncomfortable VFHQH DQG DWPRVSKHUH IRU SRWHQWLDO XVHUV )XUWKHUPRUH DV WKHVH WDOO EXLOGLQJV DUH FORVH WR WKH SDUN WKH\ DOVR REVWUXFW WKH YLHZV IURP WKH SDUNV 7KH EXLOGLQJV PDNH SHRSOH IHHO RSSUHVVHG DQG DUH WKXV DQ XQVXLWDEOH VFDOH IRU UHVLGHQWV 0RUHRYHU SHRSOH GR QRW KDYH D UDQJH RI RSWLRQV DV WR SRVVLEOH DFWLYLWLHV WR XQGHUWDNH LQ VXFK DUHDV ,Q RWKHU ZRUGV WKHVH SDUNV LQ HVVHQFH IDLO WR EH VXFFHVVIXO LQ WKHLU DLP RI SURYLGLQJ SXEOLF RULHQWDWHG VSDFHV

44


)LJ *UHHQ DUHDV LQ 7RN\R *RRJOH 0DS >$FFHVVHG 0DUFK @

)LJ 8QVXFFHVVIXO XUEDQ SDUN LQ 7RN\R KWWS ES EORJVSRW FRP : $$ M( M $ 9%MR 8E.Y , $$$$$$$$M3, =$:M\J5¿Q0 V RWD B MSJ >$FFHVVHG 0DUFK @

45


Urban life and community in Tokyo

,Q 7RN\R WKHUH DUH PXOWLSOH SORWV RI HPSW\ ODQG EHWZHHQ EXLOGLQJV 7KRVH VSDFHV DUH VRPHWLPHV XQNHPSW DQG GLႈFXOW WR PDLQWDLQ +RZHYHU VRPH XVDEOH DQG PRUH LPSRUWDQWO\ YDFDQW VSDFHV UHPDLQ EHWZHHQ WKHVH EXLOGLQJV \HW WKH\ DUH RIWHQ UHQWHG RU XVHG IRU SULYDWH FDU SDUNLQJ ,Q 7RN\R XQLTXH HPSW\ VSDFHV DUH RIWHQ IRXQG EHWZHHQ EXLOGLQJV DQG WKRVH VSDFHV DUH XVHG HႇHFWLYHO\ E\ UHVLGHQWV :KLOVW WKHVH VSDFHV DUH LQDSSURSULDWH IRU SODFLQJ buildings within due to their tiny space, today these lots can be an integral element of what PDNHV WKH FLW\ ZRUN 2YHUDOO LW FDQ EH FRQFOXGHG WKDW VXFK ORFDWLRQV KDYH UHVXOWHG IURP DUFKLWHFWXUDO UHJXODWLRQV WKDW KDYH EHHQ HQIRUFHG LQ -DSDQ ± IRU H[DPSOH LQ FHQWUDO 7RN\R HVSHFLDOO\ EHVLGH WDOO EXLOGLQJV D VPDOO HPSW\ VSDFH KDV WR EH HVWDEOLVKHG 0RUHRYHU EXLOGLQJV FDQQRW EH EXLOW RQ WKH ERUGHU EHWZHHQ DGMDFHQW ODQGV 2WKHU JDSV DULVH LQ UHJDUGV > @ 3 .DLMLPD 0RPR\R .XURGD -\XQ]RX 7XNDPRWR Takaharu, Made in Tokyo 7R-

to geographical and infrastructural aspects of Tokyo, with these also creating special spaces IRU WKH FLW\ 7KHUH DUH WKXV PDQ\ VXFK SRFNHW VSDFHV LQ 7RN\R DQG WKHVH DUH XVHG IRU VPDOO

N\R .DMLPD ,QVWLWXWH 3XEOLVKLQJ

IXQFWLRQV VXFK DV WKH SODFLQJ RI YHQGLQJ PDFKLQHV FDU SDUNLQJ PDFKLQHV DQG GHVLJQERDUGV

IRU VKRSV ZLWK WKH VL]HV RI WKHVH SURYLVLRQV EHLQJ GLFWDWHG E\ WKH VL]H RI WKH VSDFH ,W LV EHOLHYHG WKDW VXFK H[DPSOHV KDYH EHHQ XWLOLVHG LQ RUGHU WR ¿OO WKH JDSV FUHDWHG E\ -DSDQHVH DUFKLWHFWXUDO UHJXODWLRQV > @ 6LPLODU VPDOO VSDFHV DUH UDUHO\ IRXQG LQ RWKHU FRXQWULHV DV WKH\

> @ 3 .DLMLPD 0RPR\R .XURGD -\XQ]RX 7XNDPRWR

DႇHFW WKH VHFXULW\ RI WKH FLW\ EXW LW LV DUJXDEOH WKDW WKH VHQVH RI VFDOH H[KLELWHG KHUH KDV

Takaharu, Made in Tokyo 7R-

D ORQJ KLVWRULFDO OLQHDJH LQ -DSDQ > @ 7KLV DOVR LQGLFDWHV WKDW LQ 7RN\R ZKHQ IDFHG ZLWK

N\R .DMLPD ,QVWLWXWH 3XEOLVKLQJ

VPDOOQHVV SHRSOH EHFRPH FUHDWLYH DQG SURႇHU GLႇHUHQW YLVLRQV RI GLVWDQFH DQG SUR[LPLW\ 1RQHWKHOHVV WKLV FUHDWHV D FKDRWLF FLW\ VWUXFWXUH \HW OD\HUV WKH FLW\ LQ D SRVLWLYH ZD\

)LJ Pocket space in a city KWWS ¿OH YHQGLQJPDFKLQH EORJ VKLQREL MS ,0*B MSJ

>$FFHVVHG -DQXDU\ @

46


)LJ 9DULRXV VL]H RI YDFDQW ODQGV

47


)XUWKHUPRUH HPSW\ VSDFHV LQ UHVLGHQWLDO DUHDV DUH XWLOLVHG DV FRPPXQLW\ VSDFHV XVHG VSHFL¿FDOO\ E\ ORFDO SHRSOH ZKHUHE\ IDPLOLHV ZLOO LQYLWH WKHLU QHLJKERXUV RU IULHQGV WR SDUWDNH > @ 3 0DULHOXLVH -RQDV

LQ DFWLYLWLHV WRJHWKHU VXFK DV HDWLQJ IRRG FRPPXQDOO\ 6RPHWLPHV ORFDO SHRSOH ZLOO KROG

+HLNH 5DKPDQQ Tokyo Void

D VPDOO RSHQ PDUNHW LQ VXFK YDFDQW VSDFHV ZKHUHLQ VHFRQG KDQG FORWKHV RU IRRG LV VROG

%HUOLQ MRYLV 9HUODJ *PE+

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

> @ 3 0DULHOXLVH -RQDV +HLNH 5DKPDQQ Tokyo Void

ZLWK WKH RWKHU SDUWLFLSDQWV ,Q DGGLWLRQ LQ WKHVH YDFDQW EXW QRQHWKHOHVV UHVLGHQWLDO DUHDV

%HUOLQ MRYLV 9HUODJ *PE+

GXULQJ VXPPHU WUDGLWLRQDO RU FXOWXUDO ORFDO IHVWLYDOV FRPPRQO\ RFFXU 7KLV GHPRQVWUDWHV

WKH SRWHQWLDO RI WKHVH YDFDQW SORWV RI XUEDQ ODQG $QRWKHU H[DPSOH FDQ EH IRXQG LQ WKH H[SHQVLYH DUHD RI *LQ]D +HUH µ VTXDUH PHWHU>V RI@ YDFDQW ODQG LV XVHG IRU IDUPLQJ ULFH WR VKRZ WUDGLWLRQDO IDUPLQJ SUDFWLFH DQG WR RႇHU FRPPXQLW\ VSDFHV ¶> @ 7RGD\ VXFK LGHDV KDYH VSUHDG WKURXJKRXW 7RN\R .HQ\D +DUD WKH GHVLJQHU DQG DUW GLUHFWRU RI 0XML DUJXHV

> @ 3 0DULHOXLVH -RQDV +HLNH 5DKPDQQ Tokyo Void %HUOLQ MRYLV 9HUODJ *PE+

WKDW HPSWLQHVV GRHV QRW LPSO\ VLPSOLFLW\ DQG WKDW LQVWHDG LW FDQ SURYLGH D VSDFH LQ ZKLFK SHRSOH FDQ UXQ DQG H[SORUH IUHHO\ > @ )RU WKH SRSXODWLRQ RI 7RN\R PRGHUDWH QDUURZ VSDFHV FDQ LQVWLJDWH FRPPXQLFDWLRQ DQG WKH XQGHUWDNLQJ RI IXQ DFWLYLWLHV ZLWK RWKHUV ,Q RWKHU ZRUGV LQ 7RN\R VPDOO YDFDQW SORWV RI ODQG FDQ EH D SRVLWLYH DVSHFW RI XUEDQ OLIH

Tokyo 23 Ward Area Tokyo 233,946.4 Ward Area ha Park: Parks: 3,946.4 ha 6.0 % 6.0 % Unused Land:1,958.5 ha 4.0 % Unused Land: 1,958.5 ha 4.0 %

Total Green Space

Total Unused Land

Total Area

)LJ 0DS RI YDFDQW ODQGV LQ 7RN\R 3 0DULHOXLVH -RQDV +HLNH 5DKPDQQ Tokyo Void %HUOLQ MRYLV 9HUODJ *PE+

48


)LJ 9DFDQW VSDFH

)LJ 9DFDQW VSDFHV

KWWS PHGLD WXPEOU FRP H FDGE HEF EG D HG E D I WXPEOUBP[OT VDPMF VWDUK R B MSJ

KWWS IXGRXVDQ NDWVX\R FRP ZS ZS FRQWHQW XSORDGV ( $ %$ ( ' ( & % MSJ

>$FFHVVHG 0DUFK @

>$FFHVVHG 0DUFK @

)LJ 0DUNHW RUJDQLVHG E\ ORFDO SHRSOH LQ DQ HPSW\ VSDFH KWWS OLYHGRRU EORJLPJ MS ELRQOLQH LPJV D DDG H MSJ >$FFHVVHG 0DUFK @

49


:DVWHG ODUJH DUWL¿FLDO ODQGV 7RN\R %D\

7KHUH LV KXJH RSHQ ODQG¿OO ORFDWHG LQ 7RN\R %D\ $UWL¿FLDO SODQQHG ODQG FDQ EH PRUH XVHOHVV DQG XQDWWUDFWLYH WKDQ D VPDOO DUHD VXUURXQGHG E\ EXLOGLQJV HYHQ WKRXJK LW LV RSHQ ODQG 7KLV UHFODPDWLRQ VLWH KDV EHHQ SODQQHG VLQFH WKH (GR 3HULRG :KHQ WKLV SODQ ZDV LPSOHPHQWHG > @ 3 0DULHOXLVH -RQDV +HLNH 5DKPDQQ Tokyo Void %HUOLQ MRYLV 9HUODJ *PE+

the aim was to accommodate people and to dispose of waste, thereby dealing with the SRSXODWLRQ JURZWK RI WKH FLW\ > @ 6XFK DQ DWWHPSW ZDV H[SHFWHG WR VROYH WKH XUEDQ LVVXHV IDFHG E\ WKH FLW\ DW WKH WLPH KRZHYHU QRW HYHU\RQH DJUHHV DV WR WKH VXFFHVV RI WKH SURMHFW ,Q DIWHU WKH HFRQRPLF EXEEOH EXUVW 7RN\R IDFHG JUHDW GLႈFXOW\ LQ JDLQLQJ WKH UHTXLVLWH IXQGV IRU WKH SURMHFW DQG WRGD\ D ODUJH YDFDQW DUHD RI ODQG FDQ VWLOO EH IRXQG 1RQHWKHOHVV LW LV VDLG WR VWLOO EH LQ WKH SURFHVV RI GHYHORSPHQW DQG D IHZ UHVLGHQWLDO DUHDV DQG IDFLOLWLHV KDYH VSUXQJ XS 'HVSLWH WKLV SHRSOH DUH RIWHQ UHVLVWDQW WR YLVLWLQJ RU UHVLGLQJ LQ WKH DUHD FLWLQJ FRQFHUQV DV WR WKH WUDQVSRUW OLQNV EHLQJ LQFRQYHQLHQW DQG WKH ORFDWLRQ EHLQJ WRR IDU IURP WKH FHQWUH RI WKH FLW\ 0RUHRYHU SHRSOH VHHP WR EH XQDSSUHFLDWLYH RI WKH VLWH 7KLV might be due to the fact that it is too open and huge and is not surrounded by any buildings, SXEOLF VSDFHV RU FRPPHUFLDO DUHDV WKDW FDQ JHQHUDWH DFWLYLWLHV DPRQJVW UHVLGHQWV RU YLVLWRUV ± WKLV EHLQJ D UHFXUUHQW SUREOHP LQ ODUJH RSHQ VSDFHV 7KLV PD\ LPSO\ WKDW WKH VHQVH RI GLVWDQFH DQG SUR[LPLW\ LQ -DSDQ FDQ EH PRUH GHYHORSHG DQG ZLWQHVVHV JUHDWHU HႇHFWLYHQHVV LQ VPDOO DUHDV

)LJ 5HFODPDWLRQ VLWH LQ 7RN\R %D\ 0DULHOXLVH -RQDV +HLNH 5DKPDQQ Tokyo Void %HUOLQ MRYLV 9HUODJ *PE+

50


)LJ 5HFODPDWLRQ VLWH LQ 7RN\R ED\ 0DULHOXLVH -RQDV +HLNH 5DKPDQQ Tokyo Void %HUOLQ MRYLV 9HUODJ *PE+

51


Coclusion

> @ 3 ) X P L K L N R 0 D N L Miegakuresuru-Toshi, (LJK-

,Q JHQHUDO XUEDQ OLIH KDV EHHQ FUHDWHG E\ D JURXS RI LQGLYLGXDOV DWWHPSWLQJ WR PDLQWDLQ

WHHQWK (GLWLRQ 7RN\R .DMLPD

FUHDWH DQG PDQLSXODWH WKH PDQQHUV FXOWXUHV DQG WUDGLWLRQV RI -DSDQ > @ ,Q RWKHU ZRUGV

SXEOLFDWLRQ

OLYLQJ LQ DQ XUEDQ DUHD PHDQV NHHSLQJ WKH ROG FXOWXUH DORQJVLGH DGRSWLQJ QHZ RQHV ,Q -DSDQHVH XUEDQ OLIH WKLV UHTXLUHV WKH PDLQWDLQLQJ RI GLVWLQFWLYH VSDFHV ± Ma and 2NX – as

> @ 3 )XPLKLNR 0DNL Miegakuresuru-Toshi, (LJK-

ZHOO DV HPEUDFLQJ DQG LQYHQWLQJ WKH QHZ > @ ,Q PRGHUQ -DSDQHVH VRFLHW\ WKH VHQVH RI

WHHQWK (GLWLRQ 7RN\R .DMLPD

GLVWDQFH DQG SUR[LPLW\ DUH IXQGDPHQWDOO\ UHODWHG WR WKH WUDGLWLRQV DQG FXOWXUH RI WKH FRXQWU\

SXEOLFDWLRQ

7RN\R DQG LWV UHVLGHQWV KDYH VKRZQ WR DQ H[WUDRUGLQDU\ GHJUHH KRZ WKH FLW\ DQG XUEDQ GZHOOHUV KDYH DGDSWHG WKH XQLTXH FKDUDFWHULVWLFV RI GLVWDQFH DQG SUR[LPLW\ DV IRXQG LQ -DSDQHVH FXOWXUH 7KLV LV D GLUHFW UHVXOW RI WKH FRQWH[W RI WKH FLW\ 7KHUHIRUH PHQWDO GLVWDQFH LV VLJQL¿FDQWO\ GLႇHUHQW IURP WKDW IRXQG LQ RWKHU GHPRFUDWLF FRXQWULHV 7KH EDVLV RI WKH FLW\ structure was created by the people’s will and the city’s geographical features rather than D FLW\ SODQ ZLWK WKLV KDYLQJ FRQVWUXFWHG WKH XQLTXH FRQWH[W LQ WKH FLW\ DQG LWV VRFLHW\ ,Q UHODWLRQ WR WKH JHRJUDSK\ RI 7RN\R QDWXUDO ODQGPDUNV VXFK DV PRXQWDLQV KDYH FRQWULEXWHG significantly to the building of a sense of distance and proximity in people’s minds, both KLVWRULFDOO\ DQG SUHVHQWO\ 0RUHRYHU WKH FXOWXUH RI DGPLUDWLRQ EHLQJ JLYHQ WRZDUGV WKRVH FRQVLGHUHG VHQLRU SURGXFHV LQYLVLEOH OLQHV ZLWK WKLV EHLQJ OLNHO\ WR FKDQJH EHKDYLRXU DQG WKH IRUPDWLRQ RI UHODWLRQVKLSV ,Q WKLV UHJDUG WKH -DSDQHVH ODQJXDJH DOVR LQYRNHV IRUPV of mental distance – seen, for example, in relation to Ma +RZHYHU WKLV GLVWDQFH LV YHU\ DPELJXRXV DQG KDV QR GHILQLWLRQ DV LW FRPHV IURP ODQJXDJH 1HYHUWKHOHVV LQ PRGHUQ VRFLHW\ SHRSOH DUH PRUH FRQVFLRXV RI WKHLU RZQ SULYDWH OLYHV WKLV KDYLQJ DULVHQ DV D UHVXOW RI SRSXODWLRQ JURZWK DQG WKH VWUHVVIXO XUEDQ HQYLURQPHQW $Q H[DPSOH RI VXFK RXWFRPHV FDQ EH VHHQ VWURQJO\ LQ WKH FDVH RI 7RN\R¶V FURZGHG WUDLQV +HUH SHRSOH V VHQVLWLYLW\ WRZDUGV WKHLU SUR[LPLW\ WR RWKHUV LV UHGXFHG ,W FDQ DOVR EH VHHQ LQ WKH EXIIHU ]RQHV WKDW KDYH KLVWRULFDOO\ EHHQ LQFRUSRUDWHG LQWR WUDGLWLRQDO -DSDQHVH KRXVHV ± WKH VSHFLDO HQWUDQFH 'RPD YHUDQGD Engawa DQG VOLGLQJ SDUWLWLRQ Shyouji ± WKURXJK WKH FUHDWLRQ RI LQWHUVWLWLDO VSDFHV WKDW GLYLGH WKH SXEOLF DQG WKH SULYDWH 7KHVH HOHPHQWV DUH FRQQHFWHG WRJHWKHU DQG create the Japanese notion of depth, 2NX 6XFK DUHDV KHOS SHRSOH WR UHOHDVH WKH SUHVVXUH WKDW EXLOGV XS IURP WKH RYHUFURZGHG FRQGLWLRQV RI WKH XUEDQ ODQGVFDSH ZKLOVW DOVR SURYLGLQJ a space in which families and neighbours can build meaningful relationships with each RWKHU 7KXV LW FDQ EH VDLG WKDW WUDGLWLRQDO -DSDQHVH KRXVHV DFW DV D FRUQHUVWRQH RI XUEDQ OLIH 7UDGLWLRQDO -DSDQHVH KRXVHV IURP DQ XUEDQ SRLQW RI YLHZ SURYLGH WKH LGHQWLW\ RI D JLYHQ DUHD ± IRU LQVWDQFH LQ WKH QDUURZ DOOH\ZD\V WKDW DUH FUHDWHG EHWZHHQ WKH KRXVHV 6SDFHV OLNH WKLV GH¿QH WKH SULQFLSOHV RI 7RN\R¶V VWUHHWV ZLWK VPDOO XUEDQ YRLGV EHLQJ PRUH VXFFHVVIXO WKDQ ODUJH SXEOLF SDUNV ,Q WKLV UHJDUG SXEOLF SDUNV LQ 7RN\R RIWHQ VHHP WR IDLO the purposes for which they are designed as they are not accessible or appropriate for UHFUHDWLRQ 7KH HPSW\ ODQG GLVFXVVHG LQ WKLV HVVD\ DV LV RIWHQ UHQWHG VXSSRUWV WKH XUEDQ OLYHV RI WKH FLW\¶V UHVLGHQWV DQG KDV VWURQJ SRWHQWLDO IRU JHQHUDWLQJ DFWLYLWLHV DQG D ZLGHU LGHQWLI\ IRU WKDW JLYHQ DUHD

52


As such, although Tokyo is a densely populated city and, furthermore, has no large parks WKDW DUH ILW IRU SXUSRVH XUEDQ OLYHV DUH UHODWLYHO\ VWDEOH ,QGHHG VXFK D OLIHVW\OH DSSHDUV WR EH DWWUDFWLYH WR D VLJQL¿FDQW QXPEHU RI SHRSOH 7KLV LV DWWULEXWHG WR WKH GLVWLQFWLYH VFHQH created by 2NX 8UEDQ OLIH WKHUHIRUH ZRUNV DQG SURGXFHV PRPHQWV DQG VSDFHV LQ ZKLFK people can stay calm and release stress, often in the form of narrow and small areas being utilised – notably Roji DOOH\ZD\V 7KH KXPDQ VFDOH RI WKHVH VSDFHV LQ WKH FLW\ DOORZV JUHDW RSSRUWXQLWLHV WR DULVH LQ UHJDUGV WR UHJHQHUDWLQJ WKH OLYHV RI UHVLGHQWV IRU WKH EHWWHU 7KHUHIRUH WKH XWLOLVLQJ RI YDFDQW ODQG DQG WKH KXPDQ VFDOH RI WKHVH VSDFHV VKRXOG EH UHFRQVLGHUHG

53


Reference

English Source %DUULH 6KHOWRQ /HDUQLQJ IURP WKH -DSDQHVH &LW\ /RRNLQJ (DVW LQ 8UEDQ 'HVLJQ Second edition 2[IRUGVKLUH 5RXWOHGJH

(GZDUG 7 +DOO 7KH +LGGHQ 'LPHQVLRQ /RQGRQ 7KH %RGOH\ +HDG /WG

(/FURTXLV HGLWLRQDO Sou Fujimoto 0DGULG (/FURTXLV HGLWLRQDO +HLQ] 3DHW]ROG WKH DXWKRUV City Life: Essays on Urban Culture $PVWHUGDP -DQ YDQ (\FN $NDGHPLH

Jinnai Hidenobu, Tokyo: A Spatial Anthropology /RV $QJHOHV 8QLYHUVLW\ RI &DOLIRUQLD 3UHVV

.HQ ,FKL 6DVDNL µ)RU :KRP LV &LW\ 'HVLJQ 7DFWLOLW\ YHUVXV YLVXDOLW\¶ ,Q 7KH &LW\ &XOWXUHV 5HDGHU HG E\ 0DOFROP 0LOHV 7LP +DOO DQG ,DLQ %RUGHQ /RQGRQ 5RXWOHJGH

0DULHOXLVH -RQDV +HLNH 5DKPDQQ Tokyo Void: Possibilities in Absence %HUOLQ MRYLV 9HUODJ *PE+

Japanese Source )XPLKLNR 0DNL .HQQWLNXNDUD 7RVKL R 7RVKLNDUD NHQQWLNX R (LJKWHHQWK (GLWLRQ 7RN\R ,ZDQDPL VK\RWHQQ

)XPLKLNR 0DNL Miegakuresuru-Toshi (Hidden City) (LJKWHHQWK (GLWLRQ 7RN\R .DMLPD SXEOLFDWLRQ

+LUDWD .D]XNL 1LKRQQ QR UHNLVKL 7RN\R $VDKL 6KLQQEXQV\D

.DLMLPD 0RPR\R .XURGD -\XQ]RX 7XNDPRWR 7DNDKDUX Made in Tokyo 7RN\R .DMLPD ,QVWLWXWH 3XEOLVKLQJ

.DML 1D\D FK\DGRX QR JHQU\X 7RN\R 7DQQNRXV\D

.D]XKLNR 1LVKLGH Kentikusi-to-jitumu (Architect and Practice) 7RN\R 2XPX VK\D 3XEOLVKLQJ

.LMXUR <DKDJL .XXNDQ .HQWLNX 6KLQQWDL 6SDFH $UFKLWHFWXUH DQG +XPDQ %RG\ 7RN\R .DEXVLNLNDLV\D (NXVXQDMML

7RN\R 0HWURSROLWDQ *RYHUQPHQW KWWS ZZZ PHWUR WRN\R MS 352),/( PDSBWR KWP >$FFHVVHG 0DUFK @ 7RN\R 0HWURSROLWDQ 7RVKLVHLEL *RYHUQPHQW KWWS ZZZ WRVKLVHLEL PHWUR WRN\R MS MXXWDNXBNFV VKLU\RXB K B B SGI >$FFHVVHG 0DUFK @

54


Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.