PORTFOLIO
SUMANTHA NUAMTHANANG MAJOR IN ARCHITECTURE
SCHOOL OF ARCHITECTURE+DESIGN KING MONKUTS UNIVERSITY OF TECHNOLOGY THONBURI
PERSONAL STATEMENT My name is Sumantha Nuamthanang,I’m 24 years old student. this year I graduated from The School of Architecture and Design,King Mongkut’s University of Technology Thonburi [KMUTT] ,Bangkok.Thailand. with a degree in Architecture programe . My basic character are socially,good-humoured, determined,innovative and hard-working.I can work with all kinds of people and take initiative.I have great passion towards the process of designing and I find it very rewarding In my first year I have to do an working period .So i hope that i could do my work that obviously interest to me becuase they consistent interest are in the creative processes and experimentation in design. For me it has always So i enjoy the challenge of new situations and creating something from the new ways.
Sincerely, Sumantha Nuamthanang
CV Contract
email : tip.sumantha@gmail.com phone: 086-062-6911
Education
2008 - 2013 King Mongkut’s University of Technology, School of Architecture and Design[SoA+D] Faculty of architecture, Bangkok, Thailand 2002 - 2007 Santirat Vittayalai School, Bangkok, Thailand 1996 - 2002 Satit Suansunantha University, Bangkok, Thailand
Work Experience 2012 2011
2010
Spacetime architecture and Interior Design,Thailand [Trainee] · May 2012 to Aug 2012] Paticipate Panyi island workshop with S+PBA : December 2011 Participate Creative unfold with Supermachine machine Studio : October 2011 Paticipate 20th century musuam workshop with The architecture workshop with the Master's Program of Architectural Design, Kyoto Institute of Technology (KIT) : 25th,Aug - 14th, Sep 2011 Paticipate Arizona State University workshop : June 2011 SQ architect & Planner, Bangkok, Thailand [Trainee] · May 2011 to Jun 2011] UIA Forum 2010 and ASA 2010, [Coordinator with VIP guest official foreign visitor]
Language Skills Thai English
Native Good
Computer Skills AutoCAD, 3ds-Max, Adobe Illustrator CS5, Adobe Photoshop CS5, Microsorf Word, Microsorf Powerpoint
ACTIVITY SANGKLABURI TRIP
UIA FORUM
PARTICIPATE BKK100 WORKSHOP WITH David Mrugala,Joost Verstraete
CREATIVE UNFOLD WORKSHOP WITH SUPERMACHINE STUDIO
CREATIVE SPACE WORKSHOP WITH SITE-SPACIFIC
PARTICIPATE PANYII RESEACH WITH S+PBA
EDITOR THESIS EXHIBITION BOOK
CONTENT PLANTATION EXHIBITION KINDERGARTEN 824 HOUSE SATORN PIER
FUTURE LIVING : ACTIVE HOUSE MID-RISE LIVING BANGKOK THRESHOLD : MADMEE
MY THRESHOLD : EXPOSURE BANGKOK THRESHOLD : MADMEE 20th CENTURY MUSEUM : COMMUNICATION MAKKASAN HIGH SPEED TRAIN YAOWARAT:SUBMERGE CASE
THESIS JAPAN CERAMIC INSTITUTE
2008
instructor : Wirat Pantapatkul
2008 DESIGN FUNDAMENTAL
DESIGN FUNDAMENTAL CLASS TAUGHT ABOUT THINKING PROCESS AND MANY PROCESS THAT CAN USE TO APPROACH TO DESIGN OUTCOME
2009
instructor : Wirat Pantapatkul
2009 PROJECT 1 PLANTATION
EXHIBITION
Concept Elkhorn fern is spactacular fern with uniquely shaped frond will make an interesting an interesting and feel gap from it shape. instructor : Wirat Pantapatkul
2009 PROJECT 1
SHAPE NATURAL FORM
PLANTATION
EXHIBITION
GEOMETRY FORM
TRANSFORM
DEVIDE TO 2 PARTS
always originate gap
BASE FROND FERTILE FROND spreading widely at the tip
OVERLAPPING LAYERS
SIDE OF ELKHORN HORN FERN
ELEKHORN FERN
Platycerium are epiphytes, growing naturally on branches and trunks of trees in the tropical and subtropical jungles and rainforests of Southeast Asia, Philippines, Indonesia, Australia, New Guinea, Madagascar, Africa and South America (only one species, P. andinum that is native to Peru and Bolivia). There are popularly cultivated worldwide for their fascinating antler-like fronds.
< FRONT BACK >
LONGER THAN FRONT
instructor instructor: Wirat : WiratPantapatkul Pantapatkul
2009 PROJECT 1 PLANTATION
EXHIBITION
SPACE BETWEEN BASE F ROND AND FIRTILE FROND
instructor : Wirat Pantapatkul
2009 PROJECT 3 KINDERGARTEN
We are assigned to design Kindergarten for the user 3-6 years old. Project will start with the analysis of case study from the existing kindergarten from the list. The group work of 4 students will regenerate architectural drawings, model in scale 1:100, and analysis from the Kindergarten work of â&#x20AC;&#x153;Masterâ&#x20AC;? from the case study list.
Case study KIGA Kindergarten Location Austria Designer AllesWireGut Architektur ZT GmbH instructor : Pattra Samitthakorn
2009 PROJECT 3
Diagram Connection with outdoor space
KINDERGARTEN
parent support children
Group room
Educational Theory In order to understand the organization of the educational space, students require gaining knowledge from the organization of kindergartenâ&#x20AC;&#x2122;s educational curriculums. There are major 4 theories have been used as the base of the curriculum. Student will select only one from the lists below to be the main organization of the design. 1. Montessori Method 2. Waldorf Education 3. Reggio Emilia Approach 4. Theory of Multiple Intelligences
Some combination
INDIVIDUAL SPACE Intimate relationship
Child
Put nataral developement of children Diferent view support interest of kids
Comfortable for kids
Special activity Court
Cave
Public court not social
The Analysis of Reggio Emilia Approach Teacher
Build in relationship
Corner
Private couth
Architecture Space Analysis discovery in a supportive
Parent
respect 3rd teacher
based on the principles
responsibility
Classroom
enriching
Activity
community through exploration puts the natural development of children as well as the close relationships that they share with their environment at the center
Reggio emillia Approach
Teachers are encouraged to facilitate the child's learning by planning activities and lessons based on the child's interests
Administration Canteen Playground Paking area
Long-term projects as vehicles for learning environment based on the interests of the children through a self-guided curriculum.
Droff aff/Pick up zone
instructor : Pattra Samitthakorn
2009 PROJECT 3
Landscape and playground design
KINDERGARTEN
WHY PLAY =
LEARNING
Our children from their earliest years must take part in all the more lawful forms of play, for if they are not surrounded with such an atmosphere they can never grow up to be well conducted and virtuous citizens. --Plato, The Republic
Concept :
Playground is an outdoor area.Where Children can play , especialy at the kindergarten. instructor : Pattra Samitthakorn
2009 PROJECT 3 KINDERGARTEN
West Elevation
Longitudinal section
EVALUATION
In this project, I learn how to integrate The educational theories to make zoning and circulation and becom design concept for kindergarten,So it’s a public building so I learn how to analysis the user about human scale related to different types of major users and create ralationship of outdoor and indoor space.The human scale of kids is nice but the roof of canteen building slope of it very low.and a public space it’s not clear because it’s small space.
instructor : Pattra Samitthakorn
CONCEPT ^ ^ ^ ^
^
^ ^ 2 Direction of view
^
MR. MITCHELL
^
^
Normal small young french man Living alone Interest about Thailand cultures He love to learn new thing - Optimistic - Dreamer - Curiously - Creativity Map maker Taxi driver Easy going person Gentle man Good relationship Grateful Well-adjusted
^
CHARACTER ANALYSIS
Michell always to learn new thing ,so, the space should support the curious of Michell. Itâ&#x20AC;&#x2122;s could to be Corner for study and look something interesting around house. Iâ&#x20AC;&#x2122;m design house in twist shapebecause the study room can see view in two direction and longer view than basic shape.and twist shape make more dynamic in house
^
824 HOUSE
^
2009 PROJECT 2
instructor : Pattra Samitthakorn
2009 PROJECT 2 824 HOUSE
instructor : Pattra Samitthakorn
2009 PROJECT 2 824 HOUSE
CONCEPT Twist house to make the best corner to lead him to see outside in two direction and longer view then he have new idea from living sapce. Windows that provide views in various directions . Each of these interiors features a space with windows that provide visual connections in multiple directions and carefully edit the surrounding scenery, many window can lead michell to outside and enjoy green space around house.
instructor : Pattra Samitthakorn
2009 PROJECT 4
SATORN CENTRAL PIER The project learning objectives are to study the impact of site and human activities on architectural design; to understand quality and quantity of space for public uses; to analyze and translate the usersâ&#x20AC;&#x2122; behaviors into architectural design; and to study structure, details, and material uses related to program in architectural design. This Satorn pier is one of the important nodes of transportation on Chao Praya River. It is a central pier station which connects to the mass transit system, BTS at Taksin station, and is near by Silom area, a CBD of Bangkok. The Satorn pier has several types of passengers come to cross the Chao Praya River everyday. The pier has many existing programs that serve the passengers activities and needs such as small flee market, public motorcycle and rickshaw parking, small retail shops, and tourist information center. The pier design should be related to the programs and solve the problems resulting from the site surroundings. The site and environment setting must be concerned in the design. In addition, the design must address an appropriate structure to the functions
instructor : Chamnarn Tirapas
Micro climate
2009 PROJECT 4
SATORN CENTRAL PIER
SITE ANALYSIS Songtaew Circulation
Bus Circulation
Visual impact
Buildable area 8,560 sq.m.
Buildable area 8,560 sq.m. N
N
1,35,75.163,504,544,547 77 116
1256 Bangrak-St.louis 1271 Leadsin Pai-nyen Templa
instructor : Chamnarn Tirapas
2009 PROJECT 4
SATORN CENTRAL PIER
instructor : Chamnarn Tirapas
2009 PROJECT 4
User Foreigner
SATORN CENTRAL PIER
6.00-9.00AM
- go to hotel by hotel boat - travel on express boat - dinner on hotel boat
9.00-12.00AM Student
SITE ANALYSIS
- go to school
Transportation
Boat circulation
12.00-3.00PM
Office worker - come to work - have a lunch
3.00-9.00PM Buildable area 8,560 sq.m. N
Ferry boat Expess boat ,Tourist boat
local people - play the music - catch the fish - ride a bycicle
student foreigner
Hotel boat
instructor : Chamnarn Tirapas
2009 PROJECT 4
CONCEPT This project design Satorn pier at Satorn bridge they are several type of passenger come to this site,It â&#x20AC;&#x2DC;s very important spot of transportation on chaopraya river. Which is central pier. So we need to design space has many programe to serve the passenger activities
SATORN CENTRAL PIER
Architecture Space Analysis PIER
to create continuos shape make lingked line in this pier and make community mall for serve the user need.
SITE ANALYSIS User circulation
User Ploblem PIER
PIER
PIER
PIER
Pathway on the road
- less wide in pathway so people walk on the road PIER
Lost way goto Satorn road
- Foreigner confuse the way which should go to. The way is narrow and silence
Paking area
Waiting area
loading area
walkway
-Stair of Taksin bridge isnâ&#x20AC;&#x2122;t BTS stair
Drop off area
Bookstall
Coffee shop
Local museum
Pier area
Public toilet
Office worker , Student , Local people Office worker , Student Foreigner , Office worker , Student
-The shelter block the view
Foreigner , Office worker , Student Foreigner , Hotel Staff Foreigner , Hotel Staff
instructor : Chamnarn Tirapas
2009 PROJECT 4
SATORN CENTRAL PIER
CONCEPT Rhythm of wave and flow space “ to create continuos shape make lingked line in this pier and make community mall for serve the user need. ” instructor : Chamnarn Tirapas
2009 PROJECT 4
SATORN CENTRAL PIER
EVALUATION The pier is accord with concept .Structure and material as well. The pattern of building is alway link -age.Function not bad and from road direct to pier so good.This pier is interesting form and idea of design is good ,try to thing about pier roof cantiliver . from this project i learn about structure design a lot that very important for me .and i learn abouthow to analys site analysis and take the information about user problem , context ,circulation of people to solve design .This project is more challenge by many problem in site , and size of design is very big ,so it make me to active all time to solve a problem.
2010
instructor : Wirat Pantapatkul
2010 PROJECT 1 FUTURE
LIVING
In architectural history, the issue about ‘Future Living’ has always been one of the most familiar and widely‐taken subject for investigation, no matter where and when. The implication of ‘future’ architecture for many people may be something that is totally avant‐garde: Visionary architects in different periods were responding to the changing of social, technological as well as cultural context.
ACTIVE LIVING
Active is a systems of flexible, non-rigid matter. It’s mean lively and full of ideas. It’s having the power or quality of acting. So the active form should be the strong regular movement of itself like a Movement in musical time. The empty form act here as transformation that change our perception and sensation of interior space and exterior space. The object will be an explosion from starting point creating new space by shooting in every direction. The concept of empty form will eventually bring characteristic for active space represents a continuous path that is interconnected in it is different stages. There have different direction of movement negative and positive space, different scale and link from narrow space to biggest space to make more active feeling. The space considered to be one of encouragement for people in the community on the same surface, harmoniously and congruously.
PART 1: EMPTY FORM EXPERIMENTION Empty Form entails an entirely novel ethics and mode of architectural practice. It is more sustainable than sustainability. Sustainability only demands your design survive for the lifetime of the program and then decompose as quickly as possible. It promotes a life preoccupied with death. Empty Form is life preoccupied with afterlife. You must evaluate every present decision by considering how it will impact future users and future programs. It demands greater responsibility, imagination and accountability in your decisions about design, form, structure, and material. It also ensures that your design will aspire to architecture’s most historic pursuit: permanence.Because of such aspirations, we will ask you to think about what qualities matter to people generally, regardless of programmatic requirements. We provide you a list or a lexicon with some typical slogans that are used to describe contemporary living. instructor :Seadhar Jirawattnotai
2010 PROJECT 1
MICRO CLIMATE
FUTURE
Chareon
LIVING
Oriental spa
Mandarin Oriental
Watsuwan school
Charoen nako n road
Charoen nakon 9
. klung rd
SITE DESCRIPTION
Watsuwan pier
Chao Praya River Assumption college
Oriental pier
Peninsula Hotel
nk
Charoe
N
LANDUSE MAP
This site set on Soi charoen nakorn 9 near Watsuwan pier part of Thonburi is the area around the Klong San the district is easily reached via a cross-river ferry from the oriental Pier next to the Mandarin oriental hotel. The street leading away from the Watsuwan pier is filled with small house which is low density area along the road that Different from site surrounding because more of condominium or hotel that place is resident high density. The site is very interesting because the community in this site is low density and it’s will make people who live in this house have more active as riverside area it’s will movement around the clock. So it’s have interesting viewpoint around site support the shape of house it’s more scenic point and surrounding building is simple building that make the building is look active all the time .All area mostly designed to be multipurpose because I would like to let any activities happen and can changeable for new experience.
General commecial
Multiple family residential-High
Resident low density
Openspace
Resident medium density
River
Public (School) ORIENTATION - Sun Oriantation is across site . the east side for morning sun and go across to west in afternoon - Wind Orientation will come in 2 direction Northeast during November-Febuary (Winter) Southwest during May-October (Summer) and the mostly com from the river side so the low temperature is cover the site instructor :Seadhar Jirawattnotai
2010 PROJECT 1 FUTURE
LIVING
ACTIVE
Motivating people to begin and maintain an active way of life.Moving toward an Active lifestyle Motivating people to begin moving is indeed difficult, and keeping them moving
2010 PROJECT 1 FUTURE
LIVING Studio 08 05 10 Model study 1
The group of model come from inspiration from rhythm. first model from wave of movement that staring point creating different level of plane in order of rhythm.this form isn’t clear rhythm it’s could be more clear level by increase height level. the second model it’s develope from first model it’s same problem too because it dosen’t clear rhythm.and the third model it’s different concept I design empty form in different plane by create overhang plane. The shape will be sharp because it does will make the object have a movement.the third model it’s more interesting about overhang plane and have nice circulation in this model.
Studio 11 05 10 Model study 2 Second group of model come from process of first model by make clearly rhythm and in different plane by push the plane downwards and the lift the plane upward to make different level. And design in several form and different direction to provide the opportunity for a more dynamic experience through the space. the first model is very seperate it’s should be connecting all together.The second model is ok but plane in center look strange.And the third model very interesting about pattern of form it’s nice to push the plane down to the ground it’s very nice section in this form.
2010 PROJECT 1 FUTURE
LIVING
Studio 15 05 10 Model study 3 (pinup) the third developments, the concept will eventually bring characteristic for active space represents a continuous path that is interconnected in it is different stages. There have different direction of movement negative and positive space, different scale and link from narrow space to biggest space to make more active feeling. The space considered to be one of encouragement for people in the community on the same surface, harmoniously and congruously. this form have develope by change form from triangle to rectangle to be usefull space.
Studio 25 05 10 Model study 4 after pinup 1, i find site to set house and that i found site on soi charoen nakorn 9 near Watsuwan pier.The site is very interesting because the community in this site is low density and it’s will make people who live in this house have more active as riverside area it’s will movement around the clock. So it’s have interesting viewpoint around site support the shape of house it’s more scenic point and surrounding building is simple building that make the building is look active all the time and do the site model to see effect of building when set house. And the house it’s will come new shape of house for future living and i keep the empty form to play thy different plane in house to make the rythm so i make frame of form to open some space and to cleary what they will be.
2010 PROJECT 1 FUTURE
LIVING Studio 29 05 10 Model study 5 it’s will come new shape of house for future living and i keep the empty form to play thy different plane in house to make the rythm in house by movement of user when they walk up to secondfloor and walk down to fisrt floor and have different direction of void all around the house it’s lead user to see outside in different view .
Studio 02 06 10 Model study 6 this model changable from model 5 in material So model it’s look fit but they didn’t look active and it’s could manage the plan some of toilet it’s not private and after add green space in center of the house tt’s will interesting to linkage that will make the surrounding scenery, andhave to enjoygreen space in center of house.
Studio 29 05 10 Model study 7 (Pinup 2) About the form that represent active, it’s nice model the concept of building is interesting but some of drawing is can’t represent than model try to make weight of line dark or light that’s will make it’s clear about dept of surface. In plan it’s have very nice courtyard in center it’s will be better if I try to link in every room in house to one courtyard to see nice green space and will see the activity movement around house too.It’s hard to manage function in the house some requirement can’t manage in house. Because it forms of building have more void so that space can’t set to bathroom and toilet .Some of space that very closely. And didn’t concentrate about ventilation in house.
2010 PROJECT 1
FIRST FLOOR PLAN
FUTURE
LIVING
SECOND FLOOR PLAN
Maid room
Void Toilet
Toilet
Store
lamp
Store
Toilet
Living room
Void Bedroom
kitchen
Void
Bedroom
Void dinning room Void Home Theater
Bedroom
Bathroom
Active house follows by different volume to make corner to lead user to see outside in every corner of the house and will led user to move down and go up to do some activity so the make motivated for user to want to change position to do activity and hangout with some interest corner, So many window that provide view in various direction. Each of these interior feature a space with windows that provide visual connections in multiple direction and carefully edit the surrounding scenery, many window can lead user to see outside and enjoy viewpoint around house I learn how to integrate design concept of empty form and functional space for the house and learn about space meaning thoroughly. So the character of the house above mentioned present rhythm and dynamic in different plane different direction is very interesting and idea to led user to see viewpoint outside is suitable for active living but have problem on some angle that canâ&#x20AC;&#x2122;t usefully
Void
2010 PROJECT 1 FUTURE
LIVING
EVALUATION In this project ,I think the first part about empty form that very interest if you concentrate about empty form that will be space of building in second part sometime A problem has appeared after try to adjust zoning .I think empty form is nice way to design new shape but sometime it’s will hard to relate about function.some requirement can’t manage in house. Because it forms of building have more void so that space can’t set to bathroom and toilet. Some of space that very closely. And didn’t concentrate about ventilation in house.So The solution is try to make some model to increases work to understand about space. So if I make some model that link courtyard to relax zone it’s will be ventilation in house too. It’s will solve problem about gap of space and ventilation that all i learn about empty form to make future living. and try to thing model in section it’s will be nice space if you have nice section.it’s very nice experience about try to thing form before function it’s will be interesting form
instructor :Seadhar Jirawattnotai
2010 PROJECT 2
MID-RISE
LIVING
SITE DESCRIPTION Red Line Blue Line Yellow Line White Line
PROGRAME
= = = =
Area for Nirvana Condominium around 4 Rais Area for Nirvana 3 stories Townhouse around 6 Rais Shell – Gas Station Other People Land
Main Road = 12 m. (Use the same road between Condominium and 3 stories Townhouse)
TRANSPORTATION: - Near Airport link - Private car - Bus - Taxi
Disadvantage - More pollution from cars - Noise pollution
Advantage of site potential - Good of transportation, easy to entrance
Nowadays urban society is con nuously growing and expanding. Economic and social factors are imposing changes on the way of life of people living in the urban regions. The trends of design in the future can be concluded mainly in terms of the physical features ‐ and the loca on of the projects with more consider on on residents' health and energy savings. Furthermore, building process will be faster and more accurate due to new technology. By ad g conven onal architectural typology, a mid-rise condominium, as the studio’s specula ng ground; students are encouraged to RETHINK on the most elemental component that is the room and its interior spa al configur ons as well as how they are put together with suppor ng systems to form a building. In this studio, a building should be understood as a set of rel onships capable of referring to possible diagrams which are strategic tools intended to favor a more open
A FORM CONCEIVED MORE AS A SYSTEM THAN A COMPOSITION; OPEN SYSTEMS AS AGAINST CLOSED COMPOSITION.
Gas Station can be disadvantage of the site because of smell pollution and dangerous when it accident. but the other side the advanta transpotationge of gas station it’s convenient of car’s transportation.
Potential of site many trees around site, so it good to located the residential building face the building to take view.
correspondence between form and concept, reality and abstrac on.
- Good of ventilation and help to block bad view from the road and pollution from cars
instructor : Kisnapol Wattanawanyu
2010 PROJECT 2
AXONOMETRIC DIAGRAME
UNIT
4 TYPE
MID-RISE
LIVING
ASSEMBLAGE
TYPE A 35 Sq.M
T shape it have corner and can be private space it’s suitable for people they live alone because it’s very private and save cost.
TYPE B 35 Sq.M
Square shape design for people most privacy they want individual space.
UNIT TYPE
TYPE C
35 Sq.M
Z shape it have corner and can be private space and alway set in the corner of building It’s alway to see panoramic view.
TYPE D 60 Sq.M
L shape this duplex room locate at the corner of building so it will have the best sightseeing to get paranomic view can get sunlight through the glass wall it’s also continues space its have 2 bedroom and 2 shower room
NORTH ELEVATION
Nowadays people prefer to live in condominium than they live in their home. From the urban society is continuously growing and expanding they will change the way of life of people living in the urban region.The main customer is new generation they have stylist smart and sodicate.and the concept of unit design come from pattern of tetris game Tetris is a puzzle video game originally designed and programmed.The Tetris game is a popular use of tetrominoes, the four element special case of polyominoes.Polyominoes have been used in popular puzzles, and the name is given by the mathematician. instructor : Kisnapol Wattanawanyu
2010 PROJECT 2 MID-RISE
LIVING
instructor : Kisnapol Wattanawanyu
2010 PROJECT 2 MID-RISE
LIVING
instructor : Kisnapol Wattanawanyu
2010 PROJECT 2 MID-RISE
LIVING
instructor : Kisnapol Wattanawanyu
2010 PROJECT 2 MID-RISE
LIVING
The concept of condominium will come from the block ofTetris from 2 main supports. First is can be lock in hold one and second it does will represent about playful of user. They are Trendy newgen will more age of playful, funny in life.Tertis system is a rotation system broadly represents where and how tetrominoes spawn, how they rotate, and what wall kicks they may perform. Different rotation systems exist through a broad spectrum of games, some having their own unique system, others in a series may change only a little.The objective of the game is to manipulate these tetrominoes, by moving each one sideways and rotating it by 90 degree units,with the aim of creating a horizontal line of blocks without gaps. When such a line is created, itdisappears, and any block above the deleted line will fall. With every ten lines that are cleared,the game enters a new level. As the game progresses, each level causes the tetrominoes to fallfaster, and the game ends when the stack of tetrominoes reaches the top of the playing field and no new tetrominoes are able to enter. instructor : Kisnapol Wattanawanyu
2010 PROJECT 2 MID-RISE
LIVING
EVALUATION In this project ,I think in the future the trends of design in the future can be conclude mainly in term of the physical features and the location of the project with more consideration on residentsâ&#x20AC;&#x2122; hearth and energy savings,Futhermore, building process will be faster and more accurate due to new technology.Itâ&#x20AC;&#x2DC;s very usefull In real world if i have chance to design condominium. i have learns about the developement of unit type to be assemblage and will come to facade of building.and learn about system in residential building interm of water shap and electric shap .I think this project is nice to collaborative with nirvana developement.they teach about how to solve marketing howto manage space of planing efficiency.
instructor : Kisnapol Wattanawanyu
2010 PROJECT 3
KMUTT INNOPLEX
Written in KMUTT roadmap 2020, the university is aspiring to be one of the world class universities in the area of Science and Technology. Learning Innovation, Research Excellence and Humanization are the three fundamental goals the university determined to put for its Roadmap 2020. When discussing “new approach to learning”, the 4 “Ins” are mentioned; Interaction, Integration, Innovation and Intention. Interaction among students, faculty and KMUTT staffs is a way to share and gain more knowledge. Integration of information from different disciplines could lead to a more applicable knowledge for industries and commercial sectors. R esearch and learning would eventually leads to the third “In” that is Innovation. Last, but not least, Intention is the main driven force for human ambition in learning. With “Intention”, it is most likely that people will be successful in whatever they would like to do. For the second project of this semester, you are asked to design a new learning space and facilities for KMUTT main campus at Bangmod. In designing the new building, you do not only provide a shell to fit all the given programmatic requirements, although it is crucial to take into considerations KMUTT future vision that has written in KMUTT Roadmap 2020. Your task, as an architect, is to devise spaces that would facilitate, or instigate the 4 “Ins” to happen.
instructor : Waraluk Pansuwan
2010 PROJECT 3
KMUTT INNOPLEX
SITE DESCRIPTION
2010 PROJECT 3
KMUTT INNOPLEX
Studio 14 01 11 Model study 1 first group structure model that different concept first model is ACTIVE concept interesting in term of link visual perception it’s more scenic point in different direction to concentrate different view The concept of second model is linkage also linked by create continuous shape. The concept of third model is about DNA.
Studio 25 01 11 / 28 01 11 Model study 3-4 develope structure from truss structure to be cantiliver structure to support the active concept to decrese column in building and make building look like flo in to the air.
Studio 18 01 11 Model study 2 PINUP2 the model enough strong for water bottle that show the structure can be support for load. The first model is interesting in term of link visual perception it’s can see view point in two direction and longer view than basic shape and continuous form and the ideas about circulation inside building is nice but try to make floor on model to represent the ramp or step that include in structure. The second model is linkage also linked by create continuous shape make linked line in this site area and make continuous space to sharing experience. The concept of third model is about DNA the loop of architecture is stronger frame structure it’s doesn’t represent dynamic chain of DNA but its will nice if try to make rolling floor on model that will be DNA chain Now the model didn’t show about that represent DNA concept.the concept about active is nice to be revised and do it in detail example it’s will be nice instead of use column it’s will be better if use cantilevers structure So it’s will be active structure than .
Studio 8 02 11 Model study 6 Change the column to incline in different side to support load from roof instead straight column and adjust function inside building to support shape area froom upper floor.
2010 PROJECT 3
STRUCTURAL CONCEPT
KMUTT INNOPLEX - Roof - expand from border of building to make it’s look like plane to make float building.
Push – low privacy room or public space
- Divide the public zone out of service zone Specific area out of normal area - Ground floor it’s could be public zone. So it’s can be open space to feeling more comfortable People inside and outside.
2010 PROJECT 3
KMUTT INNOPLEX
STRUCTURAL DETAIL
2010 PROJECT 3
KMUTT INNOPLEX
STRUCTURAL DETAIL
2010 PROJECT 3
KMUTT INNOPLEX ELEVATION A
ELEVATION B
CROSS SECTION
2010 PROJECT 3
KMUTT INNOPLEX ELEVATION A
ELEVATION B
CROSS SECTION
2010 PROJECT 3
KMUTT INNOPLEX
STRUCTURE PLAN
FIRST FLOOR SCALE 1:250
2010 PROJECT 3
KMUTT INNOPLEX
NEW
SPACE TO LEANING KNOWLEDGE ACTIVE SPACE
Active space should to be a lot of window to lead student to outside and enjoy green space The surrounding building is simple building that make the building is look active all the time .All area mostly designed to be multipurpose because I would like to let any activities happen and can changeable for new experience.From the idea of active the KMUTT innoplex act here as transformation that change our perception and sensation of interior space and exterior space. The object will be an explosion from starting point creating new space by shooting in every direction in left and right and different plane by push the plane downwards and the lift the plane upward to make different level. So it’s have interesting viewpoint around site support the shape of building is very twist shape it’s more scenic point in different direction to concentrate different view for support approach of learning it’s can see view point in two direction and longer view than basic shape.
SECOND FLOOR
SCALE 1:250
2010 PROJECT 3
KMUTT INNOPLEX
EVALUATION In this project ,In many university around the world they also have learning center of university to be landmark of university and present about Identity of university.So I think in the future the KMUTT must have new building for new learning centerfrom KMUTT roadmap 2020 ,the university is aspiring to be one of the world class universities in term of Science and Technology.Learning Innovative,reserch excellence and humanization These goals of univesity. So The project led student to design in the future Learning center. i have learns about the developement of unit type to be assemblage and will come to facade of building.and learn about system in residential building interm of water shap and electric shap .I think this project is nice to collaborative with nirvana developement.they teach about how to solve marketing structure.and learn how to translation from to working function with help of a programe.
2011
instructor : Wirat Pantapatkul
URBAN THRESHOLD : BANGKOK GATEWAY
2011 PROJECT 1 MY THESHOLD
EXPOSURE ZONE 1
NOWADAY WHEN PEOPLE WANT TO RECORD SOME OF MOMENT. MOST OF THE PEOPLE SAID THE PHOTOGRAPHY IS THE ONE CHOICE TO RECORD THE MOMENT THAT HAS A ROLE TO RECORD THE EVENT OF THE HISTORY AS A PICTURE UNTIL THE WORLD COME TO THE EDGE OF THE DIGITAL.THAT EXPOSURE IS THE METHOD TO CAPTURE THE PICTURE BY CAMERA. THIS PROJECT IS PURPOSE THE THRESHOLD ABOUT THE EXPOSURE TO ADJUST THE AMOUNT OF LIGHT TO RELATE WHICH LIGHT. THERE ARE 2 WAYS TO CONTROL THE AMOUNT OF LIGHT FALLING ON THE FILM ONE IS VIA THE SIZE OF THE HOLE THE LIGHT GOES THROUGH THE APURETURE SECOND THE LENGTH OF TIME THE SHUTTER IS OPEN.FROM THE EXPERIMENT THAT SHOW THE THREE MAIN LAYER THAT COME FROM HE MOMENT IN EXPOSURE,ONE LAYER OF SOLID PEOPLE DIDN’T SEE ANYTHING ALSE LIKE FOREGROUND,SECOND IS BLUR LAYER PEOPLE CAN SEE THROUGHT THE OBJECT BUT DIDN’T CLEAR AND THE LAST LAYER ALSO KNOW IN TERM OF FOCUS POINT PEOPLE CAN SEETHE OBJECT VERY CLEARLY.SO THE RESULTS CAN BE CREATE INTERESTING THE VARIATION OF SPACE,FORM OF BUILDING AND THE LAYER OF WALL.
ENTRANCE : SMALL ENTRANCE
ZONE 2
ZONE 1 : SOLID ZONE SMALL SPACE TO LET PEOPLE GO INSIDE
ZONE 3
TRANSFORM
THE EXPERIMENT OF TRANSPARENCY SPACE
ZONE 2 : BLUR ZONE MEDIUM SPACE
EXPERIMENT
BLUR FOCUS POINT SOLID
SEPERATE EACH SPACE
FOCUS POINT
TRANSPARENT EACH SPACE
DECREASE TRANPARENTCY AND SEPERATING OF SPACE
LEVEL OF TRANSPARENCY SOLID FOCUS POINT SOLID FOCUS POINT
SOLID
ZONE 3 : FOCUS ZONE BIGGEST CENTER SPACE BLUR
BLUR
ZONE 3
ZONE 2
ZONE 1
VIEW FROM DIFFERENT ZONE
instructor :Ekawat Ophartpongsakorn
2011 PROJECT 1
ELEVATION A
MY THESHOLD
EXPOSURE ELEVATION B
SCALE 1:100
ELEVATION C
SCALE 1:100
ELEVATION D SCALE 1:100
instructor :Ekawat Ophartpongsakorn
2011 PROJECT 1 MY THESHOLD
EXPOSURE
FIRST FLOOR PLAN SCALE 1:100
SECOND FLOOR PLAN SCALE 1:100
THIRD FLOOR PLAN SCALE 1:100
instructor :Ekawat Ophartpongsakorn
2011 PROJECT 1
URBAN THRESHOLD : BANGKOK GATEWAY
MY THESHOLD
EXPOSURE
CROSS SECTION
SCALE 1:100
LONGTITUDE SECTION
SCALE 1:100
instructor :Ekawat Ophartpongsakorn
2011 PROJECT 2 BANGKOK
MUDMEE FABLIC PATTERN
THRESHOLD
THE CITY OF BANGKOK FULL OF SIMPLE BOX BUILDING LOOK LIKE ROBOT BUILDING, AND LOUISE XII TOWER SKELETON OF UNFINISHING CONSTRUCTION . BANGKOK HAVE VERTICLE CHARACTERS THAT ABOUT THE ONE TO SURVIVE THE BATTLE OF URBAN GROWTH AND MUTATION.
MEEKORTONG PATTERN
MEEKOMHA PATTERN NAKORNPRATOM
MEEKORWAN PATTERN
BUGJUB PATTERN
MEEKOMJED PATTERN
MEEDOKKEAW PATTERN
RIVER - VEHICLE BOAT MOVING PART TO CONTINUE LINE. ROAD - MANY TYPE OF VEHICLE USUALLY USE ROAD , CAR BUS VAN MOTORCYCLE TUK-TUK SONGTEAW ELEVETED HIGHWAYS ,SKYTRAIN, AIRPORT LINK - HAVE BIGGEST EFFECT ON THE LANDSCAPE.DISCONNECT FROM ENVIRONMENT PIPE AND TUBE - ROAD AND MRT [SUBWAY]
PHAYATHAI
MEEDOKKEAW PATTERN
MEEKONGNOIHA PATTERN
MEEKONGNOIJED PATTERN
RATCHAPRAROP
- TERMINAL STATION OF - CLOSE TO PRATUNAM MARKET - WHOLESALE PRICE FOR CLOTH EXPRESS LINE ,TEXTILE AND FASHION - CONNECT WITH BTS SKY TRIAN
MAKKASAN
- TERMINAL STATION OF EXPRESS LINE - INTERCHANGESTATION TO MRT[SUBWAY] AND BOAT PIAR [ASOKE PIER] - BUSINESS ZONE HIGHRISE BUILDING
RAMKAMHAENG
BUILDING AREA - RAMKHAMHANG UNIVERSITY - ASSUMPTION UNIVERSITY - RAJAMANGALA NATIONAL STADIUM
HUA MAK
BAN THAP CHANG
- KASEMBUNDIT UNIVERSITY - SMALL VILLAGE ZONE - BKK-CHONBURI MOTORWAY - SUBURBAN AREA HAS MANY DEVELOPED HOUSING AND REAL ESTATE
LAD KRABANG GREEN SPACE - KMITL UNIVERSITY - ROMKLAO ROAD - FUTURE PROJECT SRT EATERN LINE TO CHACHOENGSAO.
SUVARNABHUMI - TUNNEL STATION CLOSE VISUALIZE - ACCESSED TO SUVARNABHUMI AIR PORT BUILDING.
GOOD POSITION
MEEMAIPAI PATTERN
MEEKOR PATTERN
FOR HIGHRISE BUILDING BECAUSE ALL THE TRIAN WILL COME TO THIS STATION ANS DECRESE SPEED TO LOWER THEN ALL OF PASSENGER CAN SEE ELEMENT OF BANGKOK THRESHOLD
instructor :Ekawat Ophartpongsakorn
2011 PROJECT 2 BANGKOK
MUDMEE FABLIC PATTERN
THRESHOLD
VISUALIZATION
instructor :Ekawat Ophartpongsakorn
2011 PROJECT 3
OVERALL TIMELINE
THE 20TH CENTURY
MUSEUM COMMUNICATION
1794
1844
The telecommunications system is recognized that began when an optical telegraph between Paris (Paris) the city of Morelia (Lille), France
1865
Telecom officially launched the new era When Sam Anderson Morse (Samuel Morse).Public telegraphic message, the United States on May 24. Labeled as "God's work (What hath God wrought)".
1932
International Telecommunications Union or the establishment of IT. (International Telecommunication Union: ITU)
It is the definition of telecommunications for the first time that "Any communication, whether by telegraph or telephone. To send a text, audio and video signals by the radio transmission. Or other systems. The process of sending an electrical signal or to see the (tower) symbol between ".
OVERALL THAILAND COMMUNICATION
1876 Alexander Graham Bell Americans. The invention of the telephone was used for the first time
1881 Pitula HRH Princess Royal family, Prince Pimuk growth Sawangwong radiation. Applied science communication through the phone. Was used in the first Coinciding with the reign of King Rama V King Rama 5. .
1883
1937
1954
Cutting the number and activate the automatic telephone exchange was the first time. With the phone. The rotary dial has.
Telephone Organization of Thailand.
1886
The Telegraph Department of Thailand. Responsible for the postal and telephone services
The telegraph, the telephone service to the public in Bangkok or Bangkok and Thonburi in that time. There are approximately 60 tenants.
1981
1990
1996
• Free Long Distance Phone Service 088 (Toll Free Call: 088) in the National Capital Region. • mobile phone with 900 mega hertz frequency combs (Cellular 900 MHz). • provide a public telephone card (Card Phone). • Create a network of fiber optic cable along the railway.
To send information by fax for the first time.
2002
• On the telephone PIN (PIN Phone 108). • Create a West Coast submarine cable network.
• Open your Internet service provider. • 1900 MHz mobile phone service provider Hertz (1900 MHz THAI MOBILE).
.
2005 • fiber optic telecommunications services. • Metro LAN service to connect to a computer network (LAN) between the buildings together.
TELEGRAPH
THAILAND COMMUNICATION
ไ ท ย
After the industrial revolution, human being discovered many things that seem like to be age of civilization development.If we look through that particular development,we can never refused that the communication has become the procedure of that all developements. becuase there is an inevitably basic component that human being always use called Communication. Nowadays communication is very important element in life. To be universally acknowledged about the communication is very important to develop the economic and society.The communication is necessary for all kinds of living creature since the past communication can do in many ways , such as smoke ,body language ,sign ,graphic language, etc. and were develop continuous in the present time. Communication is the activity of conveying meaningful information. Communication requires a sender, a message, and an intended recipient, although the receiver need not be present or aware of the sender's intent to communicate at the time of communication; thus communication can occur across vast distances in time and space. Communication requires that the communicating parties share an area of communicative commonality. The communication process is complete once the receiver has understood the message of the sender.The history of communication dates back to prehistory.
MORSE CODE
1875
1883
The telegraph The first was started in implemented link between Thailand.
Bangkok and Sumutprakan. Morse code was used in order to modulate information through telegraph signal.
1907 Thailand has a transmitter for wireless telegraphy Marconi (Marconi) for the first time. For military service in the Navy.
1912
1953
1977
Thai version of teleprinter then was invented through the Bilingual of English and Thai model
Thai Morse code was founded and deployed by the post and telegraph department.
2008
The Communications Authority of Thailand has been providing telecommunications servicefrom the Post and Telegraph
telegraph in Thailand is terminated. T H A I MORSE CODE
INTERNET THAILAND COMMUNICATION 1937 The abacus (which is known as a digital computer) in Thailand. This era ended when the year 1937 due to the processing machinery table (Tabulating Machine) to use in Thailand.
1947 Ministry of Interior, the keypunch The rank and count cards.
1982
2000
Ministry of Science and the Association for the development process. U.S. combined with the Internet. Allowing the exchange of information on the Internet. There are approximately 17,000 members.
Government for public services. Government via the Internet.
2005 Universities in both government and private sector. Degree courses to be offered.This is called the Internet, distance education via the Internet. The era of e-learning.
instructor :Ekawat Ophartpongsakorn
2011 PROJECT 3 THE 20TH CENTURY
MUSEUM COMMUNICATION
CROSS SECTION
Khlong Phadung Krung Kasem
22 traffic circle
Hau lum pong railway station Debsirin school LONGTITUDE SECTION
Telegraph poles alway setting along the railway ,so this site it;s very important part in term of communication developement in thailand and also in develope in other subject. Hua Lamphong Grand Central Railway Station, officially known as the Bangkok Grand Central Terminal Railway Station, is the main railway station in Bangkok, Thailand. It is located in the center of the city in Pathum Wan District, and is operated by the State Railway of Thailand.The main station and the terminus of the Bangkok Metro line. Located right in the middle of downtown Bangkok, it is a huge and surprisingly nice station, built during the reign of King Rama VI and spared bombing in World War II at the request of the Free Thai underground.
LONGTITUDE SECTION
instructor :Ekawat Ophartpongsakorn
2011 PROJECT 3 THE 20TH CENTURY
MUSEUM COMMUNICATION
ELEVATION A SCALE 1:100
ELEVATION B SCALE 1:100
ELEVATION C
SCALE 1:100
ELEVATION D
SCALE 1:100
instructor :Ekawat Ophartpongsakorn
2011 PROJECT 3 THE 20TH CENTURY
MUSEUM COMMUNICATION
SPEAKER
MESSAGE
MESSAGE
AUDIENCE
SPEAKER AUDIENCE
TYPE OF COMMUNICATION
LEVEL 3 : WIRE SPACE RESTAURANT
LEVEL 4 : CLEAR SPACE // CLEAR VIEW POINT AGE OF LINKAGE PEOPLE AROUND THE WORLD NEW TECHNOLOGY
TELECOMUNICATION
SIGNAL SENDING ON OVER-GROUND LEVEL CABEL AND UNDERWATER CABLE ROLE OF COMPUTER IN COMMUNICATION
EXTRA LARGE//EXCITING FEELING CONNECTION OF EVERY TECHNOLOGY SLIDE MULTI- FUNCTION MODEL,INTERACTIVE BOARD
LEVEL 3 : WIRE SPACE AGE OF VERY IMPORTANT OF COMMUNICATION CHANGING FROM ANALOG TO DIGITAL
TELEGRAME TELEPHONE
MORSE CODE NETWORK OF TELEGRAME // TELEVISION TELEPHONE NETWORK
BLACK-WHITE SLIDE CODE BOARD MODEL REVEAL NETWORK OF TELEGRAME
EARLY COMMUNICATION
SMOKE // CANNON BALL SIGN
WHAT IS COMMUNICATION ? ROLE OF COMMUNICATION
DEFINATION OF COMMUNICATION
LEVEL 2 : BLUR SPACE RECTURE ROOM AGE OF COMMUNICATION BEGIN LEVEL 1 : CLOSE SPACE LOBBY // OFFICE GENERAL DATA OF INFORMATION
UPPER EXHIBITION SEE EXHIBITION FROM UPPER SIDE PROJECTURE //DIARAMA PICTURE // DIAGRAME PROJECTOR // DIORAMA
instructor :Ekawat Ophartpongsakorn
2011 PROJECT 3 THE 20TH CENTURY
MUSEUM COMMUNICATION
Open perception
3G/EDGE
Section
WIRELESS
TYPE OF COM MUNICATION
WIRE
Feel the different area,RATTANAKOSIN ISLAND and SILOM downtown
SMOKE EXHIBITION ZONE
instructor :Ekawat Ophartpongsakorn
2011 PROJECT 4 MAKKASAN
HIGH SPEED TRAIN STATION
CONCEPTUAL 1
MAKKASAN FACTORY
TIME FOR CHANGE EXHANCE THE POTENTIAL OF TRANSPORTATION WITH HIGH SPEED RAIL
BANGKOK - RAYONG LENGTH : 255 KM 1 HR 53 MIN PASSING 4 PROVINCES AND 5 STATIONS TRAVEL TIME 1HR./FARE :THB 350 FOR SUPPORT TOURIST INDUSTRY
MAKKASAN CHACHOENGSAO
Machanism Machanism loop
CHONBURI
PATTTAYA Machanism
RAYONG The plan was to develop effectively standardized and extensive transportation network that are uniguely accessible to passenger and businesses.Thailand is stepping up efforts to position itself as one of the main transport hub in the region.
Passage way User
Speed
Time
Destination
PASS
The Government expedited the high speed rail [HSR] Project and offered oppotunities for Public Private Participation [PPP] to concretize them as they require high investment and state-of-the-art technology that is not available in Thailand.Through the PPP schemes,
VISIT
OUTSIDE
rush pass
take a moment
Watching or observing an area of interest.
AWARE access throughout the area.
STATIC TRAIN
EXPLORE
based on urgency. Bangkok was selected as the main terminal for all routes because of its central context nature. All routes radiated from Bangkok to
MOVEMENT TRAIN
TIME
INSIDE
• the North (Chiang Mai), • the North East (Nong Khai and Ubon Ratchathani) • the East (Chanthaburi and Aranyaprathet) • the South (Padang Besar)
SCENERY
SCENERY
0 minute
5 minute
10 minute
15 minute
20 minute
THE TRAIN CAN GIVE THE PASSEENGER EXPERIENCE
PERCEPTION
TECHNOLOGY • Trackwork: UIC60 Standard Gauge (1.435 m) • Power Supply: 25kV Overhead Caternary System (OCS) • Full Automatic Train Protection (ATP) • Communication: Fiber Optic and Wireless Technologies (at least STM16 Level) • Fully Fencing with Pedestrian Bridge or Tunnel • No Level Crossing: road –rail intersections are replaced by grade-separation (road overpass)
Site potential -Historical place ,recreation and cultural activities area high density -Present,Exiting mass transit System. -Future,Extention Mass Transit System. -Place was meaningful in historical backgrounds -Site contained exiting activities for Bangkok. Site was self-contained urban community.
WINDOW OF TRAIN
WITH OTHER TRAIN
PASSENGER ZONE
TRAIN IN CIRCLE RAIL WAY
DRIVER ZONE
instructor : Ekawat Opartpongsakorn
2011 PROJECT 4 MAKKASAN
HIGH SPEED TRAIN STATION
Schematic1
Schematic 2
DINDANG COMMUNITY BMC CIVIC CENTER -THAI-JAPAN SPORT COMPLEX
integrated perception DRIVING FROM FLAT DINDANG WALKING FROM MAKKASAN COMMUNITY
WALKING FROM RATCHAPRAROP //ARL RATCHAPRAROP
SITE
DRIVING FROM ASOKE DINDANG WALKING FROM CAT//MRT//BTS TRANPORTATION SYSTEM -MRTA -RATCHADA RING ROAD
COMMECIAL DISTRICT HIGHT DENSITY COMMECIAL -PRATUNAM MARKET -INTRA COMMECIAL CENTER -BAIYOK TOWER -PANTIP TOWER
DRIVING FROM ASOKE DINDANG WALKING FROM CAT//MRT//BTS BUSINESS DISTRICT ACCOMMODATION -SUKUMVIT -SOI NANA
DRIVING FROM SOI NANA WALKING FROM NANA PIER
PASSENGER VISITOR
ACCESIBILITY TRAIN PASSENGER LINK BTS MRT
FOR MUSEUM GROUP / PERSONAL
Arrive at railway station -Enter terminal building
PROGRAME ANALYSIS
TYPE OF USER
BUSINESS DISTRICT -RACHADAPISEK -RAMA9 -ASOKE
TRAIN AIR PORT LINK CAR PUBLIC TRANSPORTATION
CAR PUBLIC TRANPORTATION
QUANTITY
STATION
STATION
MUSEUM//OFFICE
MUSEUM//OFFICE
INBETWEEN EXPERIENCE INSERT TO PROGRAM
INBETWEEN EXPERIENCE INSERT TO PROGRAM
Check train -What is the exact time -When is the meet train arrivind -How long have I got Do I have toruch
800
Purchase ticket -Chose ticket machine or window -Queue for ticket -Order and pay for ticket -Take ticket and show recipts etc.
Get to platform -Chk platform number -Go through ticket barrieres -Travel to platform -Chk next train and destination
Board train “Is there time before the train come? -Pick up a newpaper
Requirement
200
Door Method for dealing
Precise clock Live display of train arrival
Ticket machine/ window Queuing space
Live train platform display Easy-to-use ticket barrier Sign posted platforms Live train display on platform
on platform Also sell bookshelf
Train door
2011 PROJECT 4
High Speed Rail station. Designed for users in the existing system and meet the needs of those who used to travel to Rayong.Create an area suitable for the activities of those that come to the area as much as possible. The continuous motion fast in rush hour.From Path analysis the occurrence of each type of motion create integration of horizontal space it’s wide area of use. So,the high-speed train connections will create a three-dimensional space, as well as the related transition area and exhibition space.
MAKKASAN
HIGH SPEED TRAIN STATION
The Analysis of a Train rains consist of a combination of one or more locomotives and attached railroad cars, or a self-propelled multiple unit (or occasionally a single powered coach, called a railcar). A passenger train may consist of one or several locomotives, and one or more coaches. Alternatively, a train may consist entirely of passenger carrying coaches, some or all of which are powered as a “multiple unit“. Basically the structure is made out of metal partitions.The basic facilities that a passengers train has are the chairs, tables, toilets, air-condition, beds in overnight trips, bicycle attachments.
passer by
vendor/buyer
Food shop area
do activity before back home
visit/aware
Station
Ticket Booth
Main Entrance
waiting for an appointment.
explore
pernanent exhibition
Shop area
relax waiting
temporary exhibition
Waiting area
outdoor exhibition
Exhibition
?
passer by
ticket
fastfood
bookstall
passengers
waiting
chance event
spectators
The element of transition that inserted in between two realities in order to exclude certain elements and allowing the entrance of others. The support publicness and enclosure.Fragmentable pragramme.Divisible,subdivisible able to be re ordered inits interior.
EXPERIMENT WITH PERCEPTION
MOVING PICTURE
MOVING PICTURE
MOVING WINDOW
MOVING WINDOW
MOVING WINDOW + MOVING PICTURE
TWO TRAIN MOVING PASS
Make overlay wall
Make gap between each other
Create expand box
Space arond box
MOVING WINDOW + MOVING PICTURE
Speed line
MAIN ENTRANCE OFFICE
EXHIBITION
STATION
TWO TRAIN MOVING PASS
instructor : Ekawat Opartpongsakorn
2011 PROJECT 4 MAKKASAN
HIGH SPEED TRAIN STATION
instructor : Ekawat Opartpongsakorn
2011 PROJECT 4 MAKKASAN
HIGH SPEED TRAIN STATION
ELEVATION A SCALE 1:750
THIRD FLOOR PLAN SCALE 1:750
SIXTH FLOOR PLAN SCALE 1:750
ELEVATION B SCALE 1:750
SECOND FLOOR PLAN
FIFTH FLOOR PLAN
SCALE 1:750
SCALE 1:750
ELEVATION C SCALE 1:750
FOURTH FLOOR PLAN
FIRST FLOOR PLAN
SCALE 1:750
SCALE 1:750
ELEVATION D Sumantha Nuamthanang 51200046
Instructors : Ekawat Ophartpongsakorn
SCALE 1:750
ARC445 Architecture design V ll Urban threshold bangkok gateway
instructor : Ekawat Opartpongsakorn
2011 PROJECT 5
▲▼▲
MOD FAB LAB THE WORST CASE?
YAOWARAT
The worst case? Bangkok is sinking, sea water level is rising, Chaophraya river is overflowing, and heavy rain from North. in the long term,Bangkok would eventually be under water.The only question is when. MOD FAB LAB explores what the coastal metropolis, Bangkok might feel like in the future. The project investigates cultural,social and physical relations to simulate and illustate various characteristic environment in Bangkok with the objective to adapt to its [new] submerged condition, rather than resisting, rising waters. GiSTDA, Geo-Informatics and Space Technology Development Agency, www.gistda.or.th
instructor : David Mrugula
SAMPENG BE ON FIRE 3 TIME
B.E.2450
THE TROLLEY CONCESSION WAS CANCIE
YAOWARAT FINISH CONSTRUCTION
B.E.2443
B.E.2504
OCCUPY THE LAND THAT THE OWNER AT YAOWARAT
B.E.2441
YAOWARAT WAS BE DEVELOPEMENT
START TROLLY CONCESSION CHAROENKRUNG - THANON TOK
B.E.2436
B.E.2470
START BUILD YAOWARAT ROAD
B.E.2435-38
BUILD NEW METAL CONSTRUCTION BRIDGE
KLONG PRADUNGKRUNGKASEM FINISH
B.E.2397
唐 人 街
SAMPENG, CHINESE SETTLEMENT
YAOWARAT
B.E.2325
THE WORST CASE?
B.E.2438
MOD FAB LAB
CONSTRUCTION TRACK FOR TROLLEY
HISTORY
B.E.2430
2011 PROJECT 5
▲▼▲
FUTURE
NOWADAY UNDERSTAND
ORIENTATION
HISTORY
YAOWARAT
GET IN SEE
COMPARED TO THE REST OF THE CITY, THIS DISTRICT IS FAIRLY COMPACT IS FAIRLY COMPACT AND CAN BEST BE EXPLORED IN A FULL-DAY [AND NIGHT] WALKING TOUR. YOU’LL COME ACROSS STREET MARKETS, SHOP HOUSE ,GOLD SHOPS, BEUATIFUL REMNANTS OF COLONIAL-STYLE ARCHITECTURE AND SOME INTERESTING TEMPLES.
NORTH OF IT IS CHAROEN KRUNG ROAD SOUTH OF YAOWARAT IS SAMPENG LANE ANOTHER SMALL LANE CROSSING YAOWARAT ROAD IS SOI PHADUNG DAO PHAHURAT ROAD,WHICH STARTS IMMEDIATELY WEST OF SAMPENG LANE.
YAOWARAT IS ONE OF THE OLDEST CHINESE COMMUNITIES IN THAILAND. THE STORY OF THE CHINESE IN BANGKOK STARTS IN THE LATE 1700s, WHEN POOR PEASANTS FROM CHINA’S CHAOZHOU REGION [IN EASTERN GUANGDONG] MOVED TO GRAND PALACE AREA IN RATTANAKOSIN.
BY BOAT : SAMPANTAWONG AND SRI PHAYA PIER BY PUBLIC TRANSIT : HAULAMPONG STATION [METRO LINE] BY BUS : 25 SUKHUMVIT-YAOWARAT 56 FROM KHAOSARN RD.-SAMPENG RD. 4 SILOM-THONBURI BY TRAIN : HAULAMPONGB TRAIN STATION TEMPLE : WAT CHAKRAWAT, WAT MANGKON KAMALAWAT, WAT TRIMIT SHRINES : POH TECK TUNG FOUNDATION,THIEN FA FOUNDATION, KWONG SIEW FOUNDATION MUSEUMS AND MONUMENTS : KING's BIRTHDAY CELEBRATION ARCH @ ODEON CIRCLE : SAMPHANTHAWONG MUSEUM EUROPEAN-STYLE BUILDINGS : BANGKOK BUILDING, SIAM COMMERCIAL BANK BUILDING TALAT NOI BRANCH : TANG TO KANG GOLD SHOP CHINATOWN FOODIE WALK AND CULTURE TOUR, CHALERM KRUNG ROYAL THEATRE
DO
FESTIVAL : CHINESE NEW YEAR, VEGETARIAN FESTIVAL, MOONCAKE FESTIVAL.
BUY
STREET MARKETS, PHAHURAT, FLOWER, GOLD, MALL:
EAT
YAOWARAT : CHONG KEE,HONGKONG NOODLE,NAI EK,NAI SOW THAI CHAROEN,YEN TA FO JE HIEN CHINESE FOOD MARKETS:
TALAT KAO,TALAT MAI.
instructor : David Mrugula
2011 PROJECT 5 MOD FAB LAB THE WORST CASE?
YAOWARAT
▲▼▲
2011 PROJECT 5
MAPPING OF FIGURE GROUND TO SEE OPEN SPACE IN SAMPANTAWONG
SUBMERGED CASE
▲▼▲
PUBLIC TRANSPORT
MOD FAB LAB THE WORST CASE?
YAOWARAT
STREET TERITORY
TERITORY IN EACH HOUR DURING A DAY 06.00
18.00
ONE DAY [24 HOURS] OVERLAPPED TERITORY
21.00
12.00
24.00
15.00
03.00
COMMERCIAL GOVERNMENT WAREHOUSE EDUCATION PLACE RESIDENTIAL SEMI RESEDENT PUBLIC UTILITY RELIGIOUS PLACE
instructor : David Mrugula
2011 PROJECT 5
▲▼▲
MOD FAB LAB THE WORST CASE?
YAOWARAT
BELIEF - COLOR IN CHINESE CULTURE
PATTERN OF SIGN BOARD
COLOR IN CHINESE CULTURE REFERS TO THE VARIOUS COLORS THAT ARE CONSIDERED AUSPICIOUS (吉利) OR INAUSPICIOUS (不利). THE CHINESE CHARACTER FOR COLOR IS 顏色 (yánsè). IN ANCIENT CHINA, THE CHARACTER MORE ACCURATELY MEANT COLOR IN THE FACE. DURING THE TANG DYNASTY , yánsè BEGAN TO REFER TO ALL COLOR. THE CHINESE IDIOM “wǔ (five) yán liù (six) sè,” WHICH IS USED TO DESCRIBE MANY COLORS , MAY ALSO SUGGEST COLORS IS GENERAL.
WOOD
DR O AG N I TA L GOLD SHOP
RESTAURANT
WATER
OTHER COMMECIAL
FIRE
YAOWARAT ROAD IS THE DISTANCE FROM ODEON CIRCLE ROAD , WHICH IS THE HEAD OF THE DRAGON. THE ROAD ENDS AT AT THE STREET ELSE. CHAKKAPHET ROAD. THE TAIL OF THE DRAGON. IN THE MIDDLE OF THE ROAD AND CHINATOWN. THE BELLY AND A DRAGON. IT IS PREFECTLY SUITABLE FOR A FOOD BUSINESS IN THIS AREA IS ANOTHER IMPORTANT SOURCE OF FOOD,ONE OF BANGKOK.
DR
AG O
NT AIL
EARTH
METAL
CREATING NEUTRALISING
1.THE SUBTLE MOVEMENT TO DEMAND BETTER PAY ATTENTION TO WHAT WE ARE.STATIC BANNER ADS WITH FLASHING LIGHTS IS CHARACTERIZED BY THE SUBTLE MOVEMENT. WE WILL DO WELL IN A GROUP OR INDIVIDUALLY.IF SOMEONE IS STANDING TOGETTHER, WE WILL SEE SOME SUPPORT AT ITS TOP. TECHNIC 2.THE WIDTH OR LARGER. WE WILL CONTACT YOU IF WE HAVE A GOOD SIZE. MODERATE OR LARGE EXTENT. MY LEAST IF WE ARE TOO LIMITED. THE RESULTING EXPOSURE IS DIFFICULT. MANY ARE ATTRACTED TO LITTLE MORE THAN BILLBOARDS READ.
STO The dragon is an imaginary divine animal of ancient China. It is believed to with a beard at the mouth corners and a pearl under the forehead. In Chinese mythology, the dragon changes from time to time, controls the cloud and "descendants of the dragon", because they regard the dragon as a symbol of dignity. In ancient times, the dragon was not what they look today. Its image was gradually evolved with the long history. In the remote past, most natural phenomena seemed inexplicable to people. Therefore, an imaginary animal with the great power of wind, rain and thunder became the totem of a nation. The dragon was an animal in people's
MA CH
OF
DR
THEORY OF THE FIVE ELEMENTS
AG O
N
IN TRADITIONAL CHINESE ART AND CULTURE, BLACK , RED, BLUE-GREEN, WHITE AND YELLOW ARE VIEWED AS STANDARD COLORS.THESE COLORS CORRESPOND TO THE FIVE ELEMENT OF WATER, FIRE, WOOD, METAL AND EARTH,TAUGHT IN TRADITIONAL CHINESE PHYSICS.THROUGHOUT THE SHANG , TANG, ZHOU AND QIN DYNASTIES,CHINA’S EMPERORS USED THE THEORY OF THE FIVE ELEMENT TO SELECT COLORS.
STO
MA CH
OF
DR
N
COLOR
ELEMENT
DIRECTION
SEASON
of the dragon gradually took shape and it was regarded as the king of animals and a divine creature capable of doing anything. 3
FIRE NE/SW/CENTER
EARTH
TRANSITION
W/NW
METAL
HEAD
CROWN OF DRAGON [ODIEAN CIRCULAR-GATE OF CELEBRATE KING] DRAGON TAIL [BUSINESS AREA- PUSH DRAGON TO FLY]
4
AGON
STOMACH OF DRAGON [FOODSHOP AREA-PLENTIFUL]
3
OF DR
AGON
HEAD OF DRAGON [TRIMIT TEMPLE - BIGGEST GOLDEN BUDDHA]
2
AUTUMN
E/SE
RGB
CHILDREN & HELPFUL PEOPLE
OX
SPLEEN, PANCREAS, STOMACH
TOUCH
LUNG, COLON
SMELL
FAMILY& FORTUNATE BLESSING
DRAGON
99 100
C M Y K
C M Y K
LUCKY MARKET
LUCKY CORTH
GOLD RESTAURANT
HEALTH MARKET
BANK,TOURIST
DESTROY
GOLD
100
100
COMPANY&HOTEL
RESIDENTIAL
LUCKY COMPANY
LUCKY SHETHER
6
6
C M Y K
C M Y K
RESTAURANT
C M Y K
C M Y K
BANK,TOURIST
DESTROY INSTANT FOOD SHOP
HEALTH SHETHER
DESTROY
DESTROY
255 255 255
R G B
SNAKE
CMYK
99 100
255 255
R G B
TIGER
CMYK
RESTAURANT
255
PHOENIX
WATER
WOOD
SENSE TASTE
NORTH
CROWN OF DRAGON
TRADITIONAL : LOCATION
ORGANS HEART, TRIPLE HEATER
R G B
RELATIONSHIP & TAI-CHI &CONTEMPLA TION
JOURNEY HEAD
OF DR
1
ANIMAL
SUMMER
4
2
BA-GUA ILUMINATION & FAME
SOUTH
1
GOLD
BELIEF - CHINESE RELIGIOUS
AG O
KIDNEYS, REPRODUC TIVE SYSTEM
HEARING
LIVER, GALI BLADDER
SIGHT
255 88
R G B
88
77
C M Y K
77
C M Y K
COMPANY&HOTEL
255 100
R G B
DESTROY LUCKY COMPANY
100
63
63
C M Y K
C M Y K
RESIDENTIAL
DESTROY INSTANT FOOD SHOP
DESTROY
DESTROY
LUCKY SHETHER
HEALTH SHETHER DESTROY
HAPPY WALKWAY
HAPPY PIER
HAPPY PIER
SUBMERG SHETHER
DESTROY
instructor : David Mrugula
2011 PROJECT 5
▲▼▲
MOD FAB LAB THE WORST CASE?
YAOWARAT
DEVELOPEMENT OF IDEA
instructor : David Mrugula
2011 PROJECT 5 MOD FAB LAB THE WORST CASE?
YAOWARAT
NUMBER IN CHINESE CULTURE
2 8
In Chinese culture, certain numbers are believed by some to be auspicious (吉利) or inauspicious (不利) based on the Chinese word that the number name sounds similar to. However some Chinese people regard these beliefs to be superstitions. One of their main Chinese belief is that numbers contribute a lot to their good luck and their happiness in life. Their belief pertaining to a particular number and the luck it may bring affect their behavior and choices in life . Chinese beliefs and culture revolves around getting good vibes or good luck and the pursuit of happiness and long life. In this article, we are going to look at lucky and unlucky numbers in Chinese culture, and the certain meaning of a particular number.
LUCKY NUMBER
5
LUCKY NUMBER
9
A lucky number is a number which seems favourable to a person. The Chinese put their trust in them more than anyone else in the world. The number is chosen not only in accordance to numerology but also according to its sound which should rhyme with the good words of Chinese vocabulary. As such, the lucky number is not expected to bring good fortune or luck always but having it brings satisfaction to the person; the belief is that it will always put him at an edge over the others whenever his lucky number appears or is used by him as in money bills, phone numbers or bills, house/apartment numbers or vehicle number plates.
▲▼▲
7
6
UNLUCKY NUMBER Conversely, four (4) is a very unlucky number as in Chinese it sounds like the phonetic sound of 'death'. Thus Chinese adhering to the customs try to avoid the number four in, for example, car number plates, house addresses, etc.
UNLUCKY NUMBER
4
3
Seven (7) can also signify death, and Three 3, loneliness.
RESIDENTIAL
RESTAURANT
GOLD
RESIDENTIAL
COMPANY&HOTEL
LUCKY SHETHER
LUCKY CORTH GOLD
GOLD INSTANT FOOD SHOP
LUCKY MARKET RESTAURANT
GOLD
8
5
BLOCK
LUCKY NUMBER
2
EASY TO ACCESS AROUND SHOP One means loneliness, beginning, masculine. One has a thrusting energy that surges forth new growth and potential.
The number 2 also represents goodthings come in pair Two is considered a good number in Chinese culture because pairs are always good for them. They always use double things to emphasize things as well, like double happiness
BLOCK
LUCKY NUMBER
mean wellness it’s must be in restuarant Five -- this is a lucky number and is usually link to the five elements which are wood, earth eater fire earth and metal. This number is usually linked to the Emperor of China as well and the Tienanmen gate.
Eight -- This is their favorite number aside from nine and simply means prosperity. It is interesting to note that words and the number are similar - number eight and fortune
1
BLOCK
LUCKY NUMBER
sounds similar to the word which means "prosper" or "wealth In regional dialects the words for "eight" and "fortune" are also similar
BLOCK
LUCKY NUMBER
HAPPY PIER
COMPANY&HOTEL
GOLD COMPANY&HOTEL
9
BLOCK
LUCKY NUMBER
The number 9 also represents longlasting // journey Nine-- is the biggest of single numbers and it connotes the "Emperor of China" -- his robes are with nine dragons on it. Nine is a lucky number for Chinese because it connotes longevity, happiness and good luck.
COMPANY&HOTEL
RESIDENTIAL
RESTAURANT
LUCKY COMPANY GOLD
it’s will use tobe sign board
DESTROY
GOLD RESTAURANT
HEALTH SHETHER HEALTH MARKET
RESTAURANT
DESTROY
RESTAURANT
RESTAURANT
HAPPY WALKWAY
RESTAURANT it’s will use tobe sign board
8
BLOCK
LUCKY NUMBER
The number 8 also represents wealthness and will rich Eight -- This is their favorite number aside from nine and simply means prosperity. It is interesting to note that words and the number are similar - number eight and fortune
6
it’s will have open space for good helth
BLOCK
LUCKY NUMBER
The number 6 also represents happiness. In Cantonese, this number is a homophone for blessings Six -- The number six usually means fluidity -- blessings and it is good for business,
2
BLOCK
LUCKY NUMBER
5
9
BLOCK
BLOCK
LUCKY NUMBER
LUCKY NUMBER
The number 2 also represents goodthings come in pair
The number 5 also represents goodheath
Two is considered a good number in Chinese culture because pairs are always good for them. They always use double things to emphasize things as well, like double happiness
Five -- this is a lucky number and is usually link to the five elements which are wood, earth eater fire earth and metal. This number is usually linked to the Emperor of China as well and the Tienanmen gate.
COMPANY&HOTEL
The number 9 also represents longlasting // journey
Nine-- is the biggest of single numbers and it connotes the "Emperor of China" -- his robes are with nine dragons on it. Nine is a lucky number for Chinese because it connotes longevity, happiness and good luck.
instructor : David Mrugula
2011 PROJECT 5
▲▼▲ PHASE 2 that generate when they have main node they will create new function.So the block city will come more and more.
MOD FAB LAB THE WORST CASE?
YAOWARAT
▲▼▲
URBAN / ARCHITECTURAL SUGGESTIONS
PHASE 1 that generate from old market and new market that set to opposite site and the idea of design is try to linkage between two site to make new function. So, in this phase is will be lucky market and heathy markrt.
PHASE 3 Block city will provide into the Soi and the dynamic of city will come. and the variety of space will be. So,that will following to the concept of new function in between.
instructor : David Mrugula
2011 PROJECT 5
▲▼▲
MOD FAB LAB THE WORST CASE?
YAOWARAT
instructor : David Mrugula
2011 PROJECT 5
▲▼▲
MOD FAB LAB THE WORST CASE?
YAOWARAT
“
Chinatown Bangkok or Yaowarat was started when King Rama I decided in 1782 to establish the capital on the eastern bank of the Chao Phraya River. The Chinese immigrants who were originally settled in what is now the Grand Palace had to move out to a strip of land two km down the river.Over the years the settlement grew. Today Chinatown Bangkok or Yaowarat covers a square bounded by Phadung Krung Kasem Canal to the east, the Ong Ang Canal to the west, Luang Road to the north and the Chao Phraya River to the south, an area of about 2 sq km.The casual visitor to Chinatown would probably only have the time and energy to cover the main street Yaowarat Road where most of the activities are concentrated. The other road of interest is Rachawong Road which is off Yaowarat Road.Across the road from the train station is Traimit Road where the famous Wat Traimit or Temple of the Golden Buddha stands. This wat houses a 3 m high Buddha made of more than 5 tonnes of gold.Outside the main entrance of Wat Traimit is a traffic island on which stands a huge Chinese arched gate, the Odean Gate, built in 1999 to mark the 72nd birthday of King Bhumipol, the present king. This gate marks the start of Yaowarat Road and the walking tour of the rest of Chinatown. Yaowarat Road, the main street in Chinatown Bangkok, was built in the reign of King Rama V. The crowded street winds through the bustling heart of Chinatown like a mythical dragon rearing its head at the Odean Gate, an auspicious sign to the residents. Traveling to Chinatown became more convenient, business picked up rapidly and Yaowarat soon became the city's first commercial district. It still does brisk trade today.Shop signs in both Thai and Chinese give the visitor a clear indication that he's in Chinatown.The street is lined with ubiquitous goldsmith shops, sharksfin and birds nest restaurants, shops and vendors selling Chinese herbal medicine, dried mushrooms, salted fish, roast, Chinese calendars, almanacs and of course, lottery tickets. The avid bargain hunter would have a ball a time browsing through the shops and stalls.
”
In Submerged case, The whole town of Yaowarat sank into two meter plus deep water. Our vision is to place the new city in between the two side of Yaowarat road that will have many sign board.It’s will be the place that people can come to meet ,eat,share together.So when Yaowarat have been flood it’s will delete the boudary line of walkway and road it’s will be the waterscape instead.also the vendors selling it’s will gone.So,It’s will be the combine function with believe and activity together to make new city with belive in submerged case. ”
instructor : David Mrugula
2012 THESIS
THAI COMPANY IN JAPAN
FUKUOKA , JAPAN ACROS UMIMACHI KOGA MEINOHAMA NOMA
PREPERATION
NAGASAKI , JAPAN SASEBO KURUME NAKAMA
THAI COMPANY
[WANNA BE ]
JAPAN
OISHI GREEN TEA
PERSONAL EXCHANGE
2011
49,983
2010
47,251
2009
45,805
2008
44,114
2007
42,736
2000
21,154
1995
21,745
1990
14,289
1985
7,852
1980
6,424
1975
5,952
>> THAIS IN JAPAN
From Research and Statistics of the number of Japanese residents in Thailand
>> JAPANESE IN THAILAND
In the world in which we are living today, and it is rightly called â&#x20AC;&#x153;the global villageâ&#x20AC;?, we cannot imagine having unity without diversity. It is not only that people in different parts of the world are diverse, but also now we have a lot of diversity in our own cities, towns, indeed in our neighborhoods. People who live next door to us are often very diverse in colors, cultures and religions. Thailand and Japan were contact for a long time since World War II to the present. Thailand and Japan are the countries that have friendly relationship between economic, social and cultural cooperation has always been and will likely increase over time. Is the source of Japan cultural center and the objective is to provide a place to publish and exchange of information and culture, and technology. To the relationship and understanding between Thailand and Japan. At present, the Japanese culture in Thailand is visible everywhere and a variety of formats. The media plays and movies, games, music, dress, food, Japanese literature, Japanese imports are called almost every aspect of life. Japan's economic power to the power of culture. In addition to affecting the lives and also affect the value of a stream. That has led to the study of Japan and Japanese culture in a deeper and wider than ever interested in a particular success. Japan's economy. Continuation of the policy of encouraging foreign investment by the government. And driven by the Japanese. Satellite television and the visual reproduction. Free consumer culture. Proposed a technique of Japanese culture. The results are related to the spread of the cultural realm of sushi. And it seems that young people are faced with the power and even more so.
BANGKOK
It Brothel Business
35,935
CHONBURI 3,695
CHAING MAI 2,854
PRATUMTANI 1,023
AYUTTHAYA 889
instructor : Sunaree Lawanyawatana
2012 THESIS PREPERATION
Kirakira Kids International Kindergarten School
TOURIST >>
GENERAL DATA University School Institute of Japanese Studies
CULTURE >>
Sukumvit49 Bangkok
71,083
Thai - Japan Association School Rama 9 Bangkok
385
EDUCATION>>
Bangkok Grace International School
Sukumvit61 Bangkok
New Bambino International Kindergarten
Thai - Nichi Institute of Technology Suanluang Bangkok
Sukumvit49 Bangkok
Kobato International Kindergarten
Sukumvit38 Bangkok
Takenoko International Kindergarten
Sukumvit39 Bangkok
Seeh Pheenong International Kindergarten
Sukumvit49 Bangkok
Melodies International Kindergarten
Sukumvit38 Bangkok
OISCA International Kindergarten School
Wattana Bangkok
BUSINESS>>
INTERNATIONAL SCHOOL
2,723
2,500
113
319
JAPANESE LANGUAGE SCHOOL Japanese Language School Old japan studentâ&#x20AC;&#x2122;s association,kingdom of Thailand
ALL JAPAN ORGANIZATION WILL CONTROL BY EMBRASSY OF JAPAN IN THAILAND
Thai - Japan Association School Sriracha
Sriracha Chonburi
Oriental knowledge and language School Siam tower Bangkok
Mainichi Academic Group Siam tower Bangkok
Waseda International Cultural Center
Sriracha Chonburi School of language and culture Technology Promotion Association [ Thai-Japan]
j.a.t. language school
Japanese studies building
618 98
>> public university
>> Sriracha
j education center Silom Bangkok
Institute of East Asian Studies Thammasart university
Japanese studies center
Chaingmai University
instructor : Sunaree Lawanyawatana
2012 THESIS PREPERATION
INTERVIEW CONCLUSION
KUBOTA
SORNSRI PANTIBOON MORIYAMA
KONO TOMATA
?
What the relationship of the culture Thai and Japan, i find relationship by interview Japanese residence
This conclusion of interview most of interview are interest with art & craft and they always want to live with nature like zen theory.
instructor : Sunaree Lawanyawatana
2012 THESIS PREPERATION
MIDDLE INCOME
Around Chiangmai Sriracha
Soi Ari
JAPANESE HUSBAND
Around Chiangmai Sriracha
Soi Ari
Around ChiangmaiEXPAT Around Chiangmai Sriracha Sriracha
Soi Ari
+ THAI WIFE
THAI HUSBAND + JAPANESE WIFE
EXPAT
Sukhumvit Thaniya Sriracha Nimanhaemin Ping river
Sukhumvit Thaniya Sriracha Nimanhaemin Ping river
Sukhumvit Thaniya Sriracha Nimanhaemin Ping river
Soi Ari
Around Chiangmai Around Chonburi
FREELANCE
Sukhumvit Thaniya Sriracha Nimanhaemin Ping river
Khaosarn
RESERCHER STUDY Sukhumvit
Thaniya
Sriracha Nimanhaemin
Ping river
BIRTH SCHOOL AGE
WHAT THAY LIVING ??
WEDDING
ELDER
SICK
DEAD
Around Chiangmai Around Chiangmai Around Chonburi
Khaosarn
TRAVELER
ELDER
Sukhumvit
Sukhumvit
Thaniya
Sriracha Nimanhaemin
Ping river
Thaniya
Sriracha Nimanhaemin
Ping river
HIGH INCOME
instructor : Sunaree Lawanyawatana
2012 THESIS PREPERATION
TOP 3
JAPANESE RESIDENCE
BANGKOK
CHONBURI
2
1
1 BANGKOK 2 CHONBURI 3 CHIANGMAI 3
CHIANGMAI
instructor : Sunaree Lawanyawatana
2012 THESIS PREPERATION
BROKER REAL ESSTATE SIAM SILOM SUKUMVIT
-MINEGISHI -KOBAYASHI -KAOJU -KKS-HOUSING -STARTS-THAILAND
THONGLOR
PROVINCE LONG STAY(a) MAN
PERMANENT RESIDENCE(b)
WOMAN
MAN
BANGKOK 22,718 12,525
413
WOMAN
SUBTOTAL (c) (a + b)
MAN
WOMAN
TOTAL
279 23,131 12,804 35,935
The table shows a comparison of the organization of services for the people of Japan in Bangkok.
NEEDS BATH TUB WATER HEATER WASHLET ELECTRIC MACHINE
SONY,PANASONIC,SHARP,JVC,TOSHIBA
TYPE OF REAL ESTATE SERVICE APARTMENT
APARTMENT
CONDOMINIUM
instructor : Sunaree Lawanyawatana
2012 THESIS PREPERATION
Sriracha one of the major areas of the Eastern Seaboard Development Project. With the industry. Shipping port. Estates. Pop-up surrounded by many of the country's economic growth in the "water country" to become a center for people of all levels. Both Thai and foreign investors. People come to work and family. The majority of Japanese people who came to work as an extension of capital investment from Japan and will have many more. Until now "over" being called a "little Osaka" then.
- OFFICE NEAR ECONOMIC AREA, SRIRACHA -AFTER WORK THERE GO TO IZAKAYA or NOMIKAI -GOLF FEILD
FATHER//MAN
MOTHER//WOMAN
SRIRACHA
KOH LOY
- HOUSEWIFE HOBBYIST -ALWAY SHOPPING AT TOP SUPER MARKET,FRESH MARKET -CONVENIENT STORE THAT THEY LIKE IS CENTRAL CHONBURI CENTRAL PATTAYA
CHONBURI
LONG STAY(a)
PERMANENT RESIDENCE(b)
SUBTOTAL (c) (a + b) TOTAL
MAN
WOMAN
MAN
2,768
900
16
WOMAN
11
MAN
WOMAN
2,784
911
3,695
SRIRACHA NAKHON2
SRIRACHA NAKHON1
Service apartment sprung a mushroom.
“Sriracha Japan festival”
NIGHT SQUARE 3 ON MARKET AKH N HA RAC SRI
The number of Japanese people who live in Sriracha is not less than 5,000 people, and to the residents who travel to work and family. The most comfortable. As well as the safety of the residents. Most companies. So popular is giving these people stay in the same hotel apartments and serviced apartments.
SUKHUMVIT RD.
The Gulf of Thailand
SRIRACHA NAKHON 5
-THAI-JAPAN ASSOCIATION SCHOOL[SRIRACHA] -INTERNATIONAL SCHOOL [ENGLISH PROGRAME]
SRIRACHA NAKHON 4
CHILD//KIDS
PROVINCE
SURASAK2 RD.
JERMJOMPHON RD.
LITTLE OSAKA
SRIRACHA NAKHON8
THETSABAN1
This makes the support and service apartments. And some of which are open to people. Is the model for the Japanese people. The City Hotel Sriracha The purpose of the founding of the beginning. In addition to supporting the Japanese who came to work in the East. To make a living in the long run. Today, this is the appointment of a Japanese businessman. To meet and exchange ideas with each other. As a consortium of Japanese people working in Sriracha.
Today, many of the changes seen in Sriracha, Chonburi filled with businesses. Formed to serve the people of Japan to the image of the "little Osaka" Osaka is a city that has been dubbed the two would not be true.
SRIRACHA AREA
SURASAK1 RD.
instructor : Sunaree Lawanyawatana
2012 THESIS PREPERATION
SPORT PRACTICE RETIREMENT AGE GROUP 50 +
LONG STAY(a)
PERMANENT RESIDENCE(b)
SUBTOTAL (c) (a + b)
MAN
WOMAN
MAN
WOMAN
MAN
WOMAN
1,881
935
18
20
1,899
955
AROUNDCITY RD.
SUTHEP RD.
THAPAE RD.
TOTAL
LOIKHOR RD. 2,854
AROUNDCITY RD.
SRIDONCHAI RD.
PING RIVER
HUAIKAEW RD.
SUPER HIGHWAY
CHAINGMAI LAMPHUN
CHIANGMAI
STUDENT,RESERCH
THIPPANATE RD.
PROVINCE
TOURIST IN WINTER
MAHIDOL RD.
01 02 03 04
ART&CRAFT PROVINCE
NIMMANA HAEMINDA RD.
RANK
CHAROENPRATHET RD.
LONGSTAY
CHANGPHUEAK RD.
SOMPHOT CHAINGMAI 700 PI RD.
THAPAE RD.
MAHIDOL RD. SOMPHOT CHAINGMAI 700 PI RD. THIRD RING RD.
instructor : Sunaree Lawanyawatana
2012 THESIS PREPERATION
BANGKOK
35,935
CHONBURI 3,695
CHAING MAI
2,854
MORE ORGANIZATION TO SUPPORT JAPANESE RESIDENT ALWAY THINK ABOUT BUSINESS INDUSTRAIL CITY, THEY HAVE AREA THAT CALL JAPAN TOWN ALWAY THINK ABOUT BUSINESS
CULTURAL CITY & CREATIVE CITY RICH OF NATARAL NICE PEOPLE
instructor : Sunaree Lawanyawatana
2012 THESIS PREPERATION
Zen & the Japanese Arts. Spiritual Disciplines.
CRAFT
All Japanese art forms such as chado, ikebana, shodo there is a tradition of study in art not only for art's sake, but also for spiritual purposes. When practiced with Zen principles in mind, art can be a peaceful journey and a way of self-cultivation leading to calmness, serenity and concentration.
Zen Aesthetic or Wabi-sabi.
This Zen aesthetic concept is will call Wabi-sabi and it sees beauty in thing that are imperfect,impermanent and incomplete. In art, Wabi-sabi is manifested in modest, humble,simple and earthly art works.
侘び
寂び
WABI REFERS TO
SABI REFERS TO
- A WAY OF LIFE, A SPIRITUAL PATH - THE INWARD, THIS SUBJECTIVE - A PHILOSOPHICAL, CONSTRUCT -SPATIAL EVENTS
- MATERIAL OBJECTS, ART AND LITERATURE - THE OUTWARD, THIS OBJECTIVE - AN AESTHETIC IDEAL -TEMPORAL EVENTS
Harmony with Nature.
Japanese culture has a harmonious relationship of nature. Harmony with nature is an important value in Shintoism, the native religion of Japan, and thisvalue has been enhanced and givena deeper meaning by Zen Buddhism.
instructor : Sunaree Lawanyawatana
2012 THESIS PREPERATION
Bencharong appears, Thailand
World's earliest polished stone tools
Immigrants from Korea Chinese T'ang methods is a bring the pottery wheel, three-colour pottery, bronze and iron work in green, golden brown and pale yellow.
Large scale export of Kalong kilns founded Sawankhalok wares Sawankhalok Northern Thailand with underglaze iron Celedons decoration, north north central central Thailand Thailand
Shoji Hamada Kanjiro Kawai
The Mingei movement. Mingei means 'folk craft' it highlighted the beauty of ceramics made for ordinary people
Demise of Sawankhalok kilns, north central Thailand
民芸
MINGEI
Soetsu Yanagi 1300 Palaeolithic 10,000 BC
Joman
10,000 BC -300 BC
Yayoi
900BC -250AD
Kofun 250-538
Earliest pottery in the world
1468
1558
Nara
1735 Edo 1600-1868
710-794
1000 From the 5th Century, a lot of Koreans arrive. reated and manipulated deliberately by coating pots with wet wood ash before firing.
1351
Brown-glazed Khmer, Northern Thailand
1200
Sukhothai glazed wares in full production by this time, north central Thailand
Modern 1868-Now
Beyond beauty and ugliness
the Japanese folk art movement, was developed in the late 1920s and 1930s in Japan. Its founding father was Yanagi Sōetsu
Made by anonymous crafts people Produced by hand in quantity Inexpensive
1550
End of production at Kalong, northern Thailand
Hand-crafted art of ordinary people
The great fashion for tea ware from Rikyu's time, the elite gradually lost interest in these subtle,rustic items, and the great kilns responded accordingly.
Used by the masses Functional in daily life Representative of the regions in which they were produced.
AJ.Somluk Puntiboon
Founder Ban doidindang
instructor : Sunaree Lawanyawatana
2012 THESIS PREPERATION
INDEX FINGER
MIDDLE FINGER
+
NAIL THUMB
fingER tips ring finger
PALM
little finger brade
Natural material
[Soil,water,wood,wind,fire]
陶瓷的 CERAMIC
+
WRIST
Processed by hand
+ CULTURAL
Raku technique
+ Handicrafts
CERAMIC &
=
Ceramic Industries Development Center Lampang
CERAMIC
INDUSTRIALS
CERAMIC DESIGN
CERAMIC &
POTERRY ART MUSUEM
Raku techniques such as salt glazing and pit firing, primarily revolves around it's firing process although involvement with raku often goes much deeper into its philosophy, roots, and cultural significance. Traditional raku and our western version of raku are similar in many ways though there are some significant it mean
CERAMIC &
POTERRY ART INSTITUTE CERAMIC ENGINEERING
AUTOMOTIVE
EDUCATION
MILITARY
ORGANIZATION
ORGANIZATION
AEROSPACE
The ancient Kingdom of Lanna, whose capital was Chiang Mai, produced some of the finest ceramics ever to have been made during the golden years between 1350 A.D. – 1550A.D. Chiang Mai is the home – the hub – of celadon which is avidly bought by visitors and is exported all over the world. We should indeed be prouder of promoters of this fine art such as Mengrai Kilns.
‘sheathed in jade’
OBTICAL
ELECTRONIC BIOMEDIACAL
Celadon technique
What is celadon ? The products are emerald green, crackle glazed ceramic.
A natural wood-ash glaze containing iron fired in a reduction atmosphere at a temperature of 1260 degrees Celsius.The result is usually a green coloured, often crackled, stoneware. Whether the name celadon means ‘sheathed in jade’
POTERRY ART GALLARY Japan International Department of Cooretation Agenda Industrial Promotion
What is RAKU ?
a specific ceramic firing process that uses both fire and smoke to create unique patterns and designs
step one of this process is to put the piece into the raku kiln. This kiln will heat the piece up to 1800 degrees fahrenheit which melts the glazes. The process of raku is what determines the factors, and these factors determine how the piece looks in the end.
instructor : Sunaree Lawanyawatana
2012 THESIS PREPERATION
PROJECTION SCREEN
Handbuilding
CERAMIC
Experience Level: All Levels 3 hour/week 11 week
STUDY PLANNING CERAMIC CLASS
Glaze Testing Galore
Experience Level: All Levels 3 hour/week 11 week
Throwing for Beginners
Experience Level: All Levels 3 hour/week 11 week
HAND BUILDING/mold/Glaze testing ART TABLES
80 cm.
240cm.
70 cm.
The Clay Studio Sampler Experience Level: Intermediate Class 3hour/week 6 week
Handbuilding II
Experience Level: Intermediate 3 hour/week 11 week
Throwing Concentration I
Experience Level: Intermediate/ 3 hour/week 11 week
SINK
85 cm.
STORAGE
FROM : ART ROOM //NEUFERT ARCHITECT DATA
Throwing Concentration II
Experience Level: Intermediate 3 hour/week 11 week
SPECIAL PROJECT
105 cm. 170 cm.
SPACE FOR1 PEOPLE
SPACE FOR 1 or 2 PEOPLE
THROWING STORE
PREPARING SPACE
WORK TABLE SINK
WHEEL SETTING THIS SETTING IS WIRELY USED FOR ELECTRIC WHEELS. THE POTTER SITS CROSS-LEGGED ON A PLAT AANUTON CUSHION OR ON NOTHING. LIGHT USUALLY COMES FROM WINDOW IN FRONT OF OR AT THE SIDE OF THE WHEEL
ADVANCE CLASS
INTERMEDIATE CLASS ALL LEVELS
CLASS
Mold Making
Experience Level: All Levels 3 hour/week 11 week
THAI JAPAN
Throwing Concentration II
Experience Level: Advanced 3 hour/week 11 week
Advance Pottery
Experience Level: Advanced 3 hour/week 11 week
Ceramic Sculpture
Experience Level: Advanced 3 hour/week 11 week
METAL WATER POT
TOOLS
160 cm. 80 cm.
TEOKE
40 cm.
120 cm.
TURNING STICK
HANDWHEEL DRIVING BOARD
THIS BOARD IS REMOVABLE FOR CLEANING THE WHEEL BASE AREA
STORE KLIN
instructor : Sunaree Lawanyawatana
2012 THESIS PREPERATION
TOTAL AREA 5632 Sq.M. parking zone
administrative
PUBLIC FACILITY workshop zone
1170 SQ.M.
34%
learning zone
1466.179 sq.m.
FUNCTION
CERAMIC CLASS PREPARING CLASS HAND BUILDING CLASS
THROWING CLASS MOLD CLASS GLAZE TESTING CLASS
KLINN STORAGE GAS/EARTH STORAGE
TEACHER ROOM WC
TEA CEREMONY CHANGING ROOM TEA ROOM IKEBANA CLASS IKEBANA CLASS WC TOTAL TOILET CIRCULATION 30% TOTAL AREA
AREA/UNIT
AREA.REQ
NOTE
9 60
160
LR/VRA LR/VRA LR/VRA LR/VRA LR/VRA LR/VRA
70 70
LR/VRA LR/VRA
67.5 30
DATA DATA
2 2 2 2 1 2 1 1
60 100 80 80 50 80 70 70
120 200 160 160 50
9 1
7.5 0.5
20 5
1
0.5
20 40
1 1
0.5
10 7.83
DATA TATAMI
40
LR/VRA
DATA 20 1127.83 sq.m. 338.349 sq.m.
1466.179 sq.m.
PUBLIC FACILITY FUNCTION MAIN FOYER MAIN GALLERY
NO.OF PP. UNIT
AREA/UNIT
AREA.REQ
PROCESS OF MAKING
CANTEEN SHOP WC
200 200 100
TEMPORARY GALLERY
TOTAL
CIRCULATION 30%
TOTAL AREA
NO.OF PP. UNIT
AREA/UNIT
AREA.REQ
AUDITORIUM LIBRARY LECTURE ROOM WC TOTAL
200 80 20 50
1 1 4 1
0.9
180 99 120 25
30 0.5
CIRCULATION 30%
NOTE
FUNCTION
NO.OF PP. UNIT
ADMINISTRATIVE OPENING SPACE RECEPTION AREA
OFFICE
40
DIRECTOR ROOM
1 1 40
SECRETARY MEETING ROOM
1 1 1 1 1 1
AREA/UNIT
3
2.5
STORAGE PANTRY WC
NOTE LR/VRA LR/VRA LR/VRA LR/VRA LR/VRA LR/VRA LR/VRA LR/VRA 900 sq.m. 270 sq.m.
1170 sq.m.
DATA DATA DATA DATA 424 sq.m. 127.2 sq.m.
551.2 sq.m.
TOTAL AREA
AREA.REQ
100 15 120 16 10 100 9 6
10
0.5
20
TOTAL 50 100 150 40 80
CERAMIC GALLERY
FUNCTION LEARNING ZONE
20 30 30 20 20
12%
551 sq.m.
NO.OF PP. UNIT
606 sq.m.
482 sq.m.
27%
CIRCULATION 30%
TOTAL AREA
NOTE DATA DATA DATA DATA DATA DATA LR/VRA LR/VRA DATA 371 sq.m. 111.3 sq.m.
482.3 sq.m.
11% 3% 13%
THROWING
KLIN
CLASS
196.3 sq.m.
FUNCTION
NO.OF PP. UNIT
BUILDING SERVICE AHU ROOM
AREA/UNIT
30 30 30 20 2.5 3
GARBAGE ROOM
1 1 1 1 1 1 1 1
WC
10
0.5
WATER PUMP ROOM
M&E ROOM EQUIPMENT ROOM
CLEANING STAFF SECURITY GUARD
4 2
STORAGE
AREA.REQ
NOTE
30 30 30 20 10 3
DATA DATA DATA DATA DATA DATA LR/VRA LR/VRA
8 10
CIRCULATION 30%
FUNCTION
AREA/UNIT
TOILET
STORE
80 100
1 1
510.79 96
DATA DATA
40
606.79 Sq.m.
PP. CLASS
PP. CLASS
MEETING ROOM HEAD SECRE TARY
OFFICE
LEC. LEC.
WATER AHU M&E PUMP ROOM ROOM
TOILET
TEA
IKE BANA
EQIP ROOM MAID
LIBRARY
AUDI TORIUM
GUARD
LEARNING
CENTER COURT
CERAMIC GALLERY
SHOP
TOTAL BUILDING AREA 5632.571 SQ.M. TOTAL PARKING AREA 606.79 SQ.M.
SERVICE PARKING
GAR BAGE STORE
SERVICE
TOILET
MAIN GALLERY
TOILET
TOILET
PROCESS GALLERY TEMPORARY
GALLERY
PUBLIC
LOBBY
PARKING RECEPTION
ADMINISTRATIVE
PARKING ZONE
CAR PARKING BUS PARKING TOTAL
MOLD CLASS
WORKSHOP PANTRY
NOTE
GLASS TESTING CLASS
TEACHER ROOM
196.3 sq.m.
AREA.REQ
CLASS
HAND BD. CLASS
TOILET
5026.032 Sq.m. NO.OF PP. UNIT
THROWING
HAND BD. CLASS
TOILET
3866.179 Sq.m. 1159.853 Sq.m.
TOTAL AREA
ALL AREA CIRCULATION 30% TOTAL
CLAY STORE
DATA 151 sq.m. 45.3 sq.m.
20
TOTAL
MOLD CLASS
KLIN
LEC. LEC.
building service
OVER ALL TOTAL AREA 5632.571 SQ.M. DATA = LAW AND REGULATION ARCHITECT DATA LR = LITERATURE REVIEW VRA = VISIT REAL ACTIVITY TATAMI = TATAMI SIZE
STORE
OPENNING SPACE 10 Sq.m.
ACCESS TO PUBLIC AREA
ENTRANCE
instructor : Sunaree Lawanyawatana
2012 THESIS
JAPAN-THAI
Ceramic
institute ǶÔáÕ˧‹¡ÒÃ·Ó Ç¶ÔáÕ˧‹¡ÒÃ㪪ŒÇÕµÔ The way of making ,The way of living
instructor : Sunaree Lawanyawatana
detail
SUMANTHA NUAMTHANANG ID.51200046
2012 THESIS SITE ANALYSIS
CHIANGMAI
3RD RANKING
JAPANESE PEOPLE IN THAILAND
WHY JAPANESE WANT TO LIVE IN CHAINGMAI
cultural city
NATURAL RESORCE
creative city
GENESIS OF SOIL
NICE people TRADITIONAL LIVING
WHITE CLAY OR WHITE KAOLIN BLACK CLAY
HUB OF JAPANESE RESIDENT
CHAINGMAI WATER
TOILET
WOOD
CHIANGMAI
CREATIVE CITY
>
handmade chiangmai presents showcase of the rich history, variety and quality of the Chiangmai craft industry. Chiangmai is blessed with a rich community of designers and craft makers spanning over generations of heritage. Contemporary designers are evolvHere are some highlights from our community.
Chiang Mai Creative City (CMCC) is an initiative that proposes to develop and market Chiang Mai as a centre for creative industry. In-line with the Thai government’s vision, CMCC aims to build upon Chiang Mai’s existing strengths to develop Thailand’s creative economy as a whole. The success met by creative cities around the world proves that positioning and creativity make a city more attractive
FUNCTIONAL DESIGN
HANDICRAFT
URBAN AND SOCIAL DEVELOPEMENT
TOURISM
FOLK ARTS
FRONT OF CHIANGMAI UNIVERSITY
UMONG TEMPLE BACKFRONT OF CHIANGMAI UNIVERSITY OF CHIANGMAI UNIVERSITY
OLD CITY
THAPAE,CHANG MOI
HUAYKEAW,SANTITAM
NIMMANHEMIN
WAU LAI
WATGATE,RIMPING
instructor : Sunaree Lawanyawatana
2012 THESIS ELEVATION OF SITE
1 COMMUNITY MALL
ROAD SYSTEM
SUPERHIGHWAY RD. HUAYKEAW RD.
2 COMMUNITY MALL
TOILET
1 2
3
SITE 3 5
FRONT OF SITE
4
6
4 78m. 4,290 Sq.m. 55m.
KUNKLONG RD.
NIMMANHEMIN RD.
RESIDENTIAL ZONE
SUTHEP RD.
5 RESIDENTIAL ZONE , ELEVATION OF SITE
6 MAIN ROAD
SECONDARY ROAD
instructor : Sunaree Lawanyawatana
2012 THESIS
+ FORM MAKING
PROCESS OF MAKING BASE
The Cause of Crazing
CRAZING
is a network of fine cracks on the surface of a material.
uncontrollable Beauty
Crazing is a fault of glazed ceramic. Characterised as a spider web pattern of cracks penetrating the glaze it is caused by tensile stresses greater than the glaze is able to withstand.
Because the clay and glaze of a piece have different chemical compositions, they respond differently when heated in the fire of a kiln. Both clay and glaze will expand under heat, but they do so at different rates. They also contract when cooled, again, at different rates. If the rates of contraction are too different, and the glaze contracts more than the clay, the glaze will crack under the tension. Most crazing occurs after the final firing of a piece, when the piece has cooled. Some crazing occurs at other times, during thermal stress or if the pottery is left exposed to extremely cold weather.
MAIN FIBRIL
DRY CLAY
DRY clay
CRAZE
DRY CLAY
CROSS-TIE FIBRIL CRACK TIP
WET CLAY
Glaze Crazing AT PIRING TEMPERATURE
( a glaze defect ) can occur in the glaze and, if the characteristic is desirable, is referred to as "crackle" glaze.
WITHOUT BONDING
GLAZING BODY OF CLAY
BONDED
TENSION
WET CLAY
GLAZING TENSION//COE BODY OF CLAY
MULTIPLE CRAZING GLAZING TENSION//COE BODY OF CLAY
GLAZING TENSION//COE BODY OF CLAY
CONNECTING CHAINS
Celadon technique
The products are emerald green, crackle glazed ceramic.
Raku technique
a specific ceramic firing process that uses both fire and smoke to create unique patterns and designs
TENSION
instructor : Sunaree Lawanyawatana
2012 THESIS
+ MATERIAL
HANDMADE material
KNOWLEDGE TRANSFER AMONG GENERATION
cREATE AN EXPERIENCE
Handmade bricks are manufactured from pure loess clay and wooden forms.
CRAFTMAN
HANDMADE
Clay bricks are made from rectangle blocks of dried clay burning in high temperature clin. Clay bricks are wellknown construction materials, since they are cheap. They were used for many ancient buildings such as monasteries, pagodas, and stupas.
+ INSTRUCTIONS 1. Dig up clay soil with a shovel to use as the material to build the bricks. 2. Mix the ground clay soil with water to make a thick malleable paste. Traditionally, clay bricks were molded by hand or with wooden tools. 3. Leave the bricks out in the sun to dry, or dry them in an oven to remove the moisture.
KEYWORD
half brick full brick
SCREENING 30%
“IT PROVIDE A GREAT OPPORTUNITY TO EXPLORE SOMETHING NEW”
3.0x6.2x14.2 cm
3.0x6.0x14.5 cm
WINDOW 50% 6.0x6.0x14.5 cm
6.5x8.5x18.5 cm
TRADITIONAL BRICK SIZE
12
4 CLAY BRICK IS A MATERIAL FOR COMMON CULTURAL HERITAGE IN THAI SOCIETY ,THAT SIMPLIFIED FROM THE BRICK IS TRANSFORMED INTO A UNIVERSAL GEOMETRIC SPACE. IT GOES BOTH LIGHT AND WIND, WHICH SIMPLE AESTHETIC SENSE.IT IS AN EASY TO UNDERSTAND BUILDING ,WHERE THE BRICK WALL DOES NOT GIVE THE SURFACE HOMOGENEOUS OF SUNLIGHT.
WINDOW70%
DOOR70%
24
4`*12*24 cm
instructor : Sunaree Lawanyawatana
2012 THESIS + CONCEPT HARMONY WITH NATURE
Zen meditation
in Nature’s 4 Seasons a circle of life in which new born life begins in spring, thrives in summer, bears fruit in autumn, and withers away in winter toward death.Nature is not merely equiva lent to scenery; nature’s power, kindness, strength, gentleness, demands and gener osity forge the character of the Japanese people.
PURE AESTHETIC
meaning and respect in the rythm of each season.
TRADITIONAL CERAMIC &RELIGION
A Japanese Way of Life
Ceramics are not merely functional objects and tea is not merely a beverage to drink. Both have deep ties to spirituality in Japan and other asian countries that practice
All Japanese art forms such as chado, there is a tradition of study in art not only for art's sake, but also for spiritual purposes. When practiced with Zen principles in mind, art can be a peaceful journey and a way of self-cultivation leading to calmness ,serenity and concentration.
ZEN AESTHETIC OR WABI-SABI. This Zen aesthetic concept is will call Wabi-sabi and it sees beauty in thing that are imperfect,impermanent and incomplete. In art, Wabi-sabi is manifested in modest, humble,simple and earthly art works.
侘び
寂び
WABI REFERS TO
SABI REFERS TO
- A WAY OF LIFE, A SPIRITUAL PATH
- THE INWARD, THIS SUBJECTIVE - A PHILOSOPHICAL, CONSTRUCT -SPATIAL EVENTS
PRACTICE MAKe KNOWLEDGE
- MATERIAL OBJECTS, ART AND LITERATURE - THE OUTWARD, THIS OBJECTIVE - AN AESTHETIC IDEAL -TEMPORAL EVENTS
understand zen
ZEN LEARNING FOLK craft
Beyond beauty and ugliness the Japanese folk art movement, was developed in the late 1920s and 1930s in Japan. Its founding father was Yanagi Sōetsu Made by anonymous crafts people
民芸 MINGEI
ZEN
technical style
THE ART
oF POTTERY
Ideal Land
of living
REDUCE DETAIL for the essence of gardening
Produced by hand in quantity Inexpensive Used by the masses Functional in daily life Shoji Hamada Soetsu Yanagi AJ.Somluk Puntiboon Founder Ban doidindang
Representative of the regions in which they were produced.
ceremony.
focus on object, environment,natural discuss observe art ceremony
poet song story article CERAMIC painting
SEQUENCE LEARNING
ZEN DRY LANDSCAPE ROCK/GRAVEL/SAND black/white
ceramic
ZEN
Motion practice.
making tea dringing tea dringing tea
BASIC way to
Japanese THAI
HARMONY WITH NATURE.
Japanese culture has a harmonious relationship of nature. Harmony with nature is an important value in Shin-toism, the native religion of Japan, and thisvalue has been enhanced and givena deeper meaning by Zen Buddhism.
find problem & question that invalid dharma puzzle
Wabi sabi ceramics are based on the ede-old japanese zen philosophy of wabi sabi which represents a calm and rustic simplicity,freshness ,or quietness. these stoneware PIECES REFLECT ANATURAL AND ORGANIC BEUTY THAT APPEARS TO HAVE COME WITH AGE,AS EVIDENCED IN THIER TEXTURE,PATINA AND COLORING.DUE TO THE HANDMADE NATURE OF THESE PIECE,NO TWO WABI SABI PIECES WILL EVER LOOK EXACTLY THE
Hand-crafted art of ordinary people
focus internal mental
Sitting meditation.
movement body static body
"The way of zen cannot be taught , it can only be learned."
TEA GARDEN Organizing for the Spirit
Access to the garden will be to cleanse the soul.
ZEN HARMONY WITH NATURE
Every step is filled with consciousness. not to step on the delicate moss. Consider bamboo water downed.
A potter exploring buddhist philosophy through ceramic art Spirit of Meditation
Anything but Ordinary. Nature inspired handcrafted ceramic art of organic, Zen and earthy quality from sculptural forms to functional pottery.
concept of planning
relationship based understanding
ZEN
The Cycle of Life
Japanese Culture Responds to Nature’s Diversity.
meditation practice
Zen Buddhism has become linked to various arts and crafts practices, it will be useful to give a brief history and background of the history of Zen and its more purely philosophical and religious elements.
instructor : Sunaree Lawanyawatana
2012 THESIS
WAY OF ZEN SIMAplicity - space stillness- material purity- light naturalness-natural
OUTDOOR EXHIBITION
CULTURE
PLAZA
WORK SHOP
IDENTITY OF CHIANGMAI art&craft - material tradition-function culture-pattern
ROOT OF ZEN + IDENTITY OF CHIANGMAI = beauty of natural changed with new experiences
PP. CLASS
HAND BD. CLASS
LIBRARY
+ CONCEPT ARCHITECT FROM
“KaGE”
TRADITIONAL
JAPANESE ROOF
CREATE SHADOW
SHADOW
In making for ourselves a place to live,we first spread parasol to throw a shadow on the earth, and in the pale light of the shadow on the earth. that the beauty of a architecure depends on a variation of shadows, heavy shadows against light shadows.
LIGHT SHADE SHADOW
INSIDE of BUIDING
effect of SHADOW
INSIDE of BUIDING
SHADOW
SHADOW RECORDER
TEMPORARY
GALLERY
9.00
MOLD CLASS
CERAMIC GALLERY
HAND BD. CLASS
10.00
11.00
12.00
13.00
14.00
15.00
16.00
17.00
CERAMIC CAFE’
WESTERN SHADow
JAPANESE SHADE
WEST
7.30
THROWING CLASS
SHOP
THROWING
GLASS
EXITING TREE
EAST
8.00 LOBBY
CLAY STORE
MODERN ROOF can’t creat
NATURAL LIGHT A room should be brighter in summer A room shoUld be DIMMER in winter
TEA
APPROCH
ARTIFICIAL LIGHT A room should be dimmer in summer A room shoUld be brighter in winter
WORKSHOP AREA OUTDOOR GALLERY
21 JUNE 10.00
21 JUNE 12.00
21 JUNE 14.00
21 JUNE 16.00
21 JUNE
ี ี
ROUGHTY RECOGNIZE LEARN
WALKWAY
BLDG. WITH LANDSCAPE
LANDSCAPE
MAIN BUILDING
TESTING CLASS
PRACTICE *SECOND FLOOR IMPROVE SKILL
instructor : Sunaree Lawanyawatana
2012 THESIS 21 DEC 10.00
21 JUNE
@ CHAINGMAI
12.20
SUMMER
21 DECEMBER
@ CHAINGMAI
12.31
WINTER
21 DEC 12.00
SHADE FORM
21 DEC 14.00
21 JUNE
@ CHAINGMAI
12.20
SUMMER
21 DECEMBER
@ CHAINGMAI
12.31
WINTER
21 DEC 16.00
FUNCTION A
EAVE
21 DEC
FUNCTION B
SUPPORT
LOBBY/STAFF/WC
FUNCTION C
MAIN
instructor : Sunaree Lawanyawatana
2012 THESIS
instructor : Sunaree Lawanyawatana
2012 THESIS ELEVATION A
SCALE 1:100
ELEVATION B
SCALE 1:100
instructor : Sunaree Lawanyawatana
2012 THESIS 3 4
ELEVATION C
SCALE 1:100
5
2
1 1. CEARAMIC CEFE’ 2. CERAMIC GALLERY 3. TEACHER ROOM 4.THROWING CLASS 5.PARKING
SECTION A
SCALE 1:100
1
2
3
4
6
7
5
ELEVATION D
SEC TION B
SCALE 1:100
SCALE 1:100
1. ADMINISITRATION 2. MEETING ROOM 3. GLAZING TESTING CLASS 4.MOLDING CLASS 5.PARKING 6.TEA CEREMONY 7.CERAMIC SHOP
instructor : Sunaree Lawanyawatana
2012 THESIS
instructor : Sunaree Lawanyawatana
2012 THESIS
instructor : Sunaree Lawanyawatana
2012 THESIS
instructor : Sunaree Lawanyawatana
OTHER WORK KMUTT GREEN CAMPUS
instructor : Wirat Pantapatkul
OTHER WORK KMUTT GREEN CAMPUS
instructor : Wirat Pantapatkul
OTHER WORK APPLE SHOP LIGHTING DESIGN
instructor : Wirat Pantapatkul
OTHER WORK BANGKOK GATEWAY : MAKKASAN RESERCH
instructor : Wirat Pantapatkul
OTHER WORK BANGKOK GATEWAY : MAKKASAN RESERCH
MASTER PLAN
instructor : Wirat Pantapatkul