SUMANTHA NUAMTHANANG

PORTFOLIO

SUMANTHA NUAMTHANANG MAJOR IN ARCHITECTURE

SCHOOL OF ARCHITECTURE+DESIGN KING MONKUTS UNIVERSITY OF TECHNOLOGY THONBURI

PERSONAL STATEMENT My name is Sumantha Nuamthanang,I’m 24 years old student. this year I graduated from The School of Architecture and Design,King Mongkut’s University of Technology Thonburi [KMUTT] ,Bangkok.Thailand. with a degree in Architecture programe .

My basic character are socially,good-humoured, determined,innovative and hard-working.I can work with all kinds of people and take initiative.I have great passion towards the process of designing and I find it very rewarding In my first year I have to do an working period .So i hope that i could do my work that obviously interest to me becuase they consistent interest are in the creative processes and experimentation in design. For me it has always So i enjoy the challenge of new situations and creating something from the new ways.

Sincerely, Sumantha Nuamthanang

CV Contract

email : tip.sumantha@gmail.com phone: 086-062-6911

Education

2008 - 2013 King Mongkut’s University of Technology, School of Architecture and Design[SoA+D] Faculty of architecture, Bangkok, Thailand 2002 - 2007 Santirat Vittayalai School, Bangkok, Thailand 1996 - 2002 Satit Suansunantha University, Bangkok, Thailand

Work Experience 2012 2011

2010

Spacetime architecture and Interior Design,Thailand [Trainee] · May 2012 to Aug 2012] Paticipate Panyi island workshop with S+PBA : December 2011 Participate Creative unfold with Supermachine machine Studio : October 2011 Paticipate 20th century musuam workshop with The architecture workshop with the Master's Program of Architectural Design, Kyoto Institute of Technology (KIT) : 25th,Aug - 14th, Sep 2011 Paticipate Arizona State University workshop : June 2011 SQ architect & Planner, Bangkok, Thailand [Trainee] · May 2011 to Jun 2011] UIA Forum 2010 and ASA 2010, [Coordinator with VIP guest official foreign visitor]

Language Skills Thai English

Native Good

Computer Skills AutoCAD, 3ds-Max, Adobe Illustrator CS5, Adobe Photoshop CS5, Microsorf Word, Microsorf Powerpoint

ACTIVITY SANGKLABURI TRIP

UIA FORUM

PARTICIPATE BKK100 WORKSHOP WITH David Mrugala,Joost Verstraete

CREATIVE UNFOLD WORKSHOP WITH SUPERMACHINE STUDIO

CREATIVE SPACE WORKSHOP WITH SITE-SPACIFIC

PARTICIPATE PANYII RESEACH WITH S+PBA

EDITOR THESIS EXHIBITION BOOK

CONTENT PLANTATION EXHIBITION KINDERGARTEN 824 HOUSE SATORN PIER

FUTURE LIVING : ACTIVE HOUSE MID-RISE LIVING BANGKOK THRESHOLD : MADMEE

MY THRESHOLD : EXPOSURE BANGKOK THRESHOLD : MADMEE 20th CENTURY MUSEUM : COMMUNICATION MAKKASAN HIGH SPEED TRAIN YAOWARAT:SUBMERGE CASE

THESIS JAPAN CERAMIC INSTITUTE

2008

instructor : Wirat Pantapatkul

2008 DESIGN FUNDAMENTAL

DESIGN FUNDAMENTAL CLASS TAUGHT ABOUT THINKING PROCESS AND MANY PROCESS THAT CAN USE TO APPROACH TO DESIGN OUTCOME

2009

instructor : Wirat Pantapatkul

2009 PROJECT 1 PLANTATION

EXHIBITION

Concept Elkhorn fern is spactacular fern with uniquely shaped frond will make an interesting an interesting and feel gap from it shape. instructor : Wirat Pantapatkul

2009 PROJECT 1

SHAPE NATURAL FORM

PLANTATION

EXHIBITION

GEOMETRY FORM

TRANSFORM

DEVIDE TO 2 PARTS

always originate gap

BASE FROND FERTILE FROND spreading widely at the tip

OVERLAPPING LAYERS

SIDE OF ELKHORN HORN FERN

ELEKHORN FERN

Platycerium are epiphytes, growing naturally on branches and trunks of trees in the tropical and subtropical jungles and rainforests of Southeast Asia, Philippines, Indonesia, Australia, New Guinea, Madagascar, Africa and South America (only one species, P. andinum that is native to Peru and Bolivia). There are popularly cultivated worldwide for their fascinating antler-like fronds.

< FRONT BACK >

LONGER THAN FRONT

instructor instructor: Wirat : WiratPantapatkul Pantapatkul

2009 PROJECT 1 PLANTATION

EXHIBITION

SPACE BETWEEN BASE F ROND AND FIRTILE FROND

instructor : Wirat Pantapatkul

2009 PROJECT 3 KINDERGARTEN

We are assigned to design Kindergarten for the user 3-6 years old. Project will start with the analysis of case study from the existing kindergarten from the list. The group work of 4 students will regenerate architectural drawings, model in scale 1:100, and analysis from the Kindergarten work of â&#x20AC;&#x153;Masterâ&#x20AC;? from the case study list.

Case study KIGA Kindergarten Location Austria Designer AllesWireGut Architektur ZT GmbH instructor : Pattra Samitthakorn

2009 PROJECT 3

Diagram Connection with outdoor space

KINDERGARTEN

parent support children

Group room

Educational Theory In order to understand the organization of the educational space, students require gaining knowledge from the organization of kindergartenâ&#x20AC;&#x2122;s educational curriculums. There are major 4 theories have been used as the base of the curriculum. Student will select only one from the lists below to be the main organization of the design.

1. Montessori Method 2. Waldorf Education 3. Reggio Emilia Approach 4. Theory of Multiple Intelligences

Some combination

INDIVIDUAL SPACE Intimate relationship

Child

Put nataral developement of children Diferent view support interest of kids

Comfortable for kids

Special activity Court

Cave

Public court not social

The Analysis of Reggio Emilia Approach Teacher

Build in relationship

Corner

Private couth

Architecture Space Analysis discovery in a supportive

Parent

respect 3rd teacher

based on the principles

responsibility

Classroom

enriching

Activity

community through exploration puts the natural development of children as well as the close relationships that they share with their environment at the center

Reggio emillia Approach

Teachers are encouraged to facilitate the child's learning by planning activities and lessons based on the child's interests

Administration Canteen Playground Paking area

Long-term projects as vehicles for learning environment based on the interests of the children through a self-guided curriculum.

Droff aff/Pick up zone

instructor : Pattra Samitthakorn

2009 PROJECT 3

Landscape and playground design

KINDERGARTEN

WHY PLAY =

LEARNING

Our children from their earliest years must take part in all the more lawful forms of play, for if they are not surrounded with such an atmosphere they can never grow up to be well conducted and virtuous citizens.

--Plato, The Republic

Concept :

Playground is an outdoor area.Where Children can play , especialy at the kindergarten. instructor : Pattra Samitthakorn

2009 PROJECT 3 KINDERGARTEN

West Elevation

Longitudinal section

EVALUATION

In this project, I learn how to integrate The educational theories to make zoning and circulation and becom design concept for kindergarten,So it’s a public building so I learn how to analysis the user about human scale related to different types of major users and create ralationship of outdoor and indoor space.The human scale of kids is nice but the roof of canteen building slope of it very low.and a public space it’s not clear because it’s small space.

instructor : Pattra Samitthakorn

CONCEPT ^ ^ ^ ^

^

^ ^ 2 Direction of view

^

MR. MITCHELL

^

^

Normal small young french man Living alone Interest about Thailand cultures He love to learn new thing - Optimistic - Dreamer - Curiously - Creativity Map maker Taxi driver Easy going person Gentle man Good relationship Grateful Well-adjusted

^

CHARACTER ANALYSIS

Michell always to learn new thing ,so, the space should support the curious of Michell. Itâ&#x20AC;&#x2122;s could to be Corner for study and look something interesting around house. Iâ&#x20AC;&#x2122;m design house in twist shapebecause the study room can see view in two direction and longer view than basic shape.and twist shape make more dynamic in house

^

824 HOUSE

^

2009 PROJECT 2

instructor : Pattra Samitthakorn

2009 PROJECT 2 824 HOUSE

instructor : Pattra Samitthakorn

2009 PROJECT 2 824 HOUSE

CONCEPT Twist house to make the best corner to lead him to see outside in two direction and longer view then he have new idea from living sapce.

Windows that provide views in various directions .

Each of these interiors features a space with windows that provide visual connections in multiple directions and carefully edit the surrounding scenery, many window can lead michell to outside and enjoy green space around house.

instructor : Pattra Samitthakorn

2009 PROJECT 4

SATORN CENTRAL PIER The project learning objectives are to study the impact of site and human activities on architectural design; to understand quality and quantity of space for public uses; to analyze and translate the usersâ&#x20AC;&#x2122; behaviors into architectural design; and to study structure, details, and material uses related to program in architectural design.

This Satorn pier is one of the important nodes of transportation on Chao Praya River. It is a central pier station which connects to the mass transit system, BTS at Taksin station, and is near by Silom area, a CBD of Bangkok. The Satorn pier has several types of passengers come to cross the Chao Praya River everyday. The pier has many existing programs that serve the passengers activities and needs such as small flee market, public motorcycle and rickshaw parking, small retail shops, and tourist information center.

The pier design should be related to the programs and solve the problems resulting from the site surroundings. The site and environment setting must be concerned in the design. In addition, the design must address an appropriate structure to the functions

instructor : Chamnarn Tirapas

Micro climate

2009 PROJECT 4

SATORN CENTRAL PIER

SITE ANALYSIS Songtaew Circulation

Bus Circulation

Visual impact

Buildable area 8,560 sq.m.

Buildable area 8,560 sq.m.

N

N

1,35,75.163,504,544,547 77 116

1256 Bangrak-St.louis 1271 Leadsin Pai-nyen Templa

instructor : Chamnarn Tirapas

2009 PROJECT 4

SATORN CENTRAL PIER

instructor : Chamnarn Tirapas

2009 PROJECT 4

User Foreigner

SATORN CENTRAL PIER

6.00-9.00AM

- go to hotel by hotel boat - travel on express boat - dinner on hotel boat

9.00-12.00AM Student

SITE ANALYSIS

- go to school

Transportation

Boat circulation

12.00-3.00PM

Office worker - come to work - have a lunch

3.00-9.00PM Buildable area 8,560 sq.m.

N

Ferry boat Expess boat ,Tourist boat

local people - play the music - catch the fish - ride a bycicle

student foreigner

Hotel boat

instructor : Chamnarn Tirapas

2009 PROJECT 4

CONCEPT This project design Satorn pier at Satorn bridge they are several type of passenger come to this site,It â&#x20AC;&#x2DC;s very important spot of transportation on chaopraya river. Which is central pier. So we need to design space has many programe to serve the passenger activities

SATORN CENTRAL PIER

Architecture Space Analysis PIER

to create continuos shape make lingked line in this pier and make community mall for serve the user need.

SITE ANALYSIS User circulation

User Ploblem PIER

PIER

PIER

PIER

Pathway on the road

- less wide in pathway so people walk on the road PIER

Lost way goto Satorn road

- Foreigner confuse the way which should go to. The way is narrow and silence

Paking area

Waiting area

loading area

walkway

-Stair of Taksin bridge isnâ&#x20AC;&#x2122;t BTS stair

Drop off area

Bookstall

Coffee shop

Local museum

Pier area

Public toilet

Office worker , Student , Local people Office worker , Student Foreigner , Office worker , Student

-The shelter block the view

Foreigner , Office worker , Student Foreigner , Hotel Staff Foreigner , Hotel Staff

instructor : Chamnarn Tirapas

2009 PROJECT 4

SATORN CENTRAL PIER

CONCEPT Rhythm of wave and flow space “ to create continuos shape make lingked line in this pier and make community mall for serve the user need. ” instructor : Chamnarn Tirapas

2009 PROJECT 4

SATORN CENTRAL PIER

EVALUATION The pier is accord with concept .Structure and material as well. The pattern of building is alway link -age.Function not bad and from road direct to pier so good.This pier is interesting form and idea of design is good ,try to thing about pier roof cantiliver . from this project i learn about structure design a lot that very important for me .and i learn abouthow to analys site analysis and take the information about user problem , context ,circulation of people to solve design .This project is more challenge by many problem in site , and size of design is very big ,so it make me to active all time to solve a problem.

2010

instructor : Wirat Pantapatkul

2010 PROJECT 1 FUTURE

LIVING

In architectural history, the issue about ‘Future Living’ has always been one of the most familiar and widely‐taken subject for investigation, no matter where and when. The implication of ‘future’ architecture for many people may be something that is totally avant‐garde: Visionary architects in different periods were responding to the changing of social, technological as well as cultural context.

ACTIVE LIVING

Active is a systems of flexible, non-rigid matter. It’s mean lively and full of ideas. It’s having the power or quality of acting. So the active form should be the strong regular movement of itself like a Movement in musical time. The empty form act here as transformation that change our perception and sensation of interior space and exterior space. The object will be an explosion from starting point creating new space by shooting in every direction. The concept of empty form will eventually bring characteristic for active space represents a continuous path that is interconnected in it is different stages. There have different direction of movement negative and positive space, different scale and link from narrow space to biggest space to make more active feeling. The space considered to be one of encouragement for people in the community on the same surface, harmoniously and congruously.

PART 1: EMPTY FORM EXPERIMENTION Empty Form entails an entirely novel ethics and mode of architectural practice. It is more sustainable than sustainability. Sustainability only demands your design survive for the lifetime of the program and then decompose as quickly as possible. It promotes a life preoccupied with death. Empty Form is life preoccupied with afterlife. You must evaluate every present decision by considering how it will impact future users and future programs. It demands greater responsibility, imagination and accountability in your decisions about design, form, structure, and material. It also ensures that your design will aspire to architecture’s most historic pursuit: permanence.Because of such aspirations, we will ask you to think about what qualities matter to people generally, regardless of programmatic requirements. We provide you a list or a lexicon with some typical slogans that are used to describe contemporary living. instructor :Seadhar Jirawattnotai

2010 PROJECT 1

MICRO CLIMATE

FUTURE

Chareon

LIVING

Oriental spa

Mandarin Oriental

Watsuwan school

Charoen nako n road

Charoen nakon 9

. klung rd

SITE DESCRIPTION

Watsuwan pier

Chao Praya River Assumption college

Oriental pier

Peninsula Hotel

nk

Charoe

N

LANDUSE MAP

This site set on Soi charoen nakorn 9 near Watsuwan pier part of Thonburi is the area around the Klong San the district is easily reached via a cross-river ferry from the oriental Pier next to the Mandarin oriental hotel. The street leading away from the Watsuwan pier is filled with small house which is low density area along the road that Different from site surrounding because more of condominium or hotel that place is resident high density. The site is very interesting because the community in this site is low density and it’s will make people who live in this house have more active as riverside area it’s will movement around the clock. So it’s have interesting viewpoint around site support the shape of house it’s more scenic point and surrounding building is simple building that make the building is look active all the time .All area mostly designed to be multipurpose because I would like to let any activities happen and can changeable for new experience.

General commecial

Multiple family residential-High

Resident low density

Openspace

Resident medium density

River

Public (School) ORIENTATION - Sun Oriantation is across site . the east side for morning sun and go across to west in afternoon - Wind Orientation will come in 2 direction Northeast during November-Febuary (Winter) Southwest during May-October (Summer) and the mostly com from the river side so the low temperature is cover the site instructor :Seadhar Jirawattnotai

2010 PROJECT 1 FUTURE

LIVING

ACTIVE

Motivating people to begin and maintain an active way of life.Moving toward an Active lifestyle Motivating people to begin moving is indeed difficult, and keeping them moving

2010 PROJECT 1 FUTURE

LIVING Studio 08 05 10 Model study 1

The group of model come from inspiration from rhythm. first model from wave of movement that staring point creating different level of plane in order of rhythm.this form isn’t clear rhythm it’s could be more clear level by increase height level. the second model it’s develope from first model it’s same problem too because it dosen’t clear rhythm.and the third model it’s different concept I design empty form in different plane by create overhang plane.

The shape will be sharp because it does will make the object have a movement.the third model it’s more interesting about overhang plane and have nice circulation in this model.

Studio 11 05 10 Model study 2 Second group of model come from process of first model by make clearly rhythm and in different plane by push the plane downwards and the lift the plane upward to make different level.

And design in several form and different direction to provide the opportunity for a more dynamic experience through the space. the first model is very seperate it’s should be connecting all together.The second model is ok but plane in center look strange.And the third model very interesting about pattern of form it’s nice to push the plane down to the ground it’s very nice section in this form.

2010 PROJECT 1 FUTURE

LIVING

Studio 15 05 10 Model study 3 (pinup) the third developments, the concept will eventually bring characteristic for active space represents a continuous path that is interconnected in it is different stages. There have different direction of movement negative and positive space, different scale and link from narrow space to biggest space to make more active feeling. The space considered to be one of encouragement for people in the community on the same surface, harmoniously and congruously. this form have develope by change form from triangle to rectangle to be usefull space.

Studio 25 05 10 Model study 4 after pinup 1, i find site to set house and that i found site on soi charoen nakorn 9 near Watsuwan pier.The site is very interesting because the community in this site is low density and it’s will make people who live in this house have more active as riverside area it’s will movement around the clock. So it’s have interesting viewpoint around site support the shape of house it’s more scenic point and surrounding building is simple building that make the building is look active all the time and do the site model to see effect of building when set house. And the house it’s will come new shape of house for future living and i keep the empty form to play thy different plane in house to make the rythm so i make frame of form to open some space and to cleary what they will be.

2010 PROJECT 1 FUTURE

LIVING Studio 29 05 10 Model study 5 it’s will come new shape of house for future living and i keep the empty form to play thy different plane in house to make the rythm in house by movement of user when they walk up to secondfloor and walk down to fisrt floor and have different direction of void all around the house it’s lead user to see outside in different view .

Studio 02 06 10 Model study 6 this model changable from model 5 in material So model it’s look fit but they didn’t look active and it’s could manage the plan some of toilet it’s not private and after add green space in center of the house tt’s will interesting to linkage that will make the surrounding scenery, andhave to enjoygreen space in center of house.

Studio 29 05 10 Model study 7 (Pinup 2) About the form that represent active, it’s nice model the concept of building is interesting but some of drawing is can’t represent than model try to make weight of line dark or light that’s will make it’s clear about dept of surface. In plan it’s have very nice courtyard in center it’s will be better if I try to link in every room in house to one courtyard to see nice green space and will see the activity movement around house too.It’s hard to manage function in the house some requirement can’t manage in house. Because it forms of building have more void so that space can’t set to bathroom and toilet .Some of space that very closely. And didn’t concentrate about ventilation in house.

2010 PROJECT 1

FIRST FLOOR PLAN

FUTURE

LIVING

SECOND FLOOR PLAN

Maid room

Void Toilet

Toilet

Store

lamp

Store

Toilet

Living room

Void Bedroom

kitchen

Void

Bedroom

Void dinning room Void Home Theater

Bedroom

Bathroom

Active house follows by different volume to make corner to lead user to see outside in every corner of the house and will led user to move down and go up to do some activity so the make motivated for user to want to change position to do activity and hangout with some interest corner, So many window that provide view in various direction. Each of these interior feature a space with windows that provide visual connections in multiple direction and carefully edit the surrounding scenery, many window can lead user to see outside and enjoy viewpoint around house I learn how to integrate design concept of empty form and functional space for the house and learn about space meaning thoroughly. So the character of the house above mentioned present rhythm and dynamic in different plane different direction is very interesting and idea to led user to see viewpoint outside is suitable for active living but have problem on some angle that canâ&#x20AC;&#x2122;t usefully

Void

2010 PROJECT 1 FUTURE

LIVING

EVALUATION In this project ,I think the first part about empty form that very interest if you concentrate about empty form that will be space of building in second part sometime A problem has appeared after try to adjust zoning .I think empty form is nice way to design new shape but sometime it’s will hard to relate about function.some requirement can’t manage in house.

Because it forms of building have more void so that space can’t set to bathroom and toilet.

Some of space that very closely. And didn’t concentrate about ventilation in house.So The solution is try to make some model to increases work to understand about space. So if I make some model that link courtyard to relax zone it’s will be ventilation in house too. It’s will solve problem about gap of space and ventilation that all i learn about empty form to make future living. and try to thing model in section it’s will be nice space if you have nice section.it’s very nice experience about try to thing form before function it’s will be interesting form

instructor :Seadhar Jirawattnotai

2010 PROJECT 2

MID-RISE

LIVING

SITE DESCRIPTION Red Line Blue Line Yellow Line White Line

PROGRAME

= = = =

Area for Nirvana Condominium around 4 Rais Area for Nirvana 3 stories Townhouse around 6 Rais Shell – Gas Station Other People Land

Main Road = 12 m.

(Use the same road between Condominium and 3 stories Townhouse)

TRANSPORTATION: - Near Airport link - Private car - Bus - Taxi

Disadvantage - More pollution from cars - Noise pollution

Advantage of site potential - Good of transportation, easy to entrance

Nowadays urban society is con nuously growing and expanding. Economic and social factors are imposing changes on the way of life of people living in the urban regions. The trends of design in the future can be concluded mainly in terms of the physical features ‐ and the loca on of the projects with more consider on on residents' health and energy savings. Furthermore, building process will be faster and more accurate due to new technology.

By ad g conven onal architectural typology, a mid-rise condominium, as the studio’s specula ng ground; students are encouraged to RETHINK on the most elemental component that is the room and its interior spa al configur ons as well as how they are put together with suppor ng systems to form a building.

In this studio, a building should be understood as a set of rel onships capable of referring to possible diagrams which are strategic tools intended to favor a more open

A FORM CONCEIVED MORE AS A SYSTEM THAN A COMPOSITION; OPEN SYSTEMS AS AGAINST CLOSED COMPOSITION.

Gas Station can be disadvantage of the site because of smell pollution and dangerous when it accident. but the other side the advanta transpotationge of gas station it’s convenient of car’s transportation.

Potential of site many trees around site, so it good to located the residential building face the building to take view.

correspondence between form and concept, reality and abstrac on.

- Good of ventilation and help to block bad view from the road and pollution from cars

instructor : Kisnapol Wattanawanyu

2010 PROJECT 2

AXONOMETRIC DIAGRAME

UNIT

4 TYPE

MID-RISE

LIVING

ASSEMBLAGE

TYPE A 35 Sq.M

T shape it have corner and can be private space it’s suitable for people they live alone because it’s very private and save cost.

TYPE B 35 Sq.M

Square shape design for people most privacy they want individual space.

UNIT TYPE

TYPE C

35 Sq.M

Z shape it have corner and can be private space and alway set in the corner of building It’s alway to see panoramic view.

TYPE D 60 Sq.M

L shape this duplex room locate at the corner of building so it will have the best sightseeing to get paranomic view can get sunlight through the glass wall it’s also continues space its have 2 bedroom and 2 shower room

NORTH ELEVATION

Nowadays people prefer to live in condominium than they live in their home. From the urban society is continuously growing and expanding they will change the way of life of people living in the urban region.The main customer is new generation they have stylist smart and sodicate.and the concept of unit design come from pattern of tetris game Tetris is a puzzle video game originally designed and programmed.The Tetris game is a popular use of tetrominoes, the four element special case of polyominoes.Polyominoes have been used in popular puzzles, and the name is given by the mathematician. instructor : Kisnapol Wattanawanyu

2010 PROJECT 2 MID-RISE

LIVING

instructor : Kisnapol Wattanawanyu

2010 PROJECT 2 MID-RISE

LIVING

instructor : Kisnapol Wattanawanyu

2010 PROJECT 2 MID-RISE

LIVING

instructor : Kisnapol Wattanawanyu

2010 PROJECT 2 MID-RISE

LIVING

The concept of condominium will come from the block ofTetris from 2 main supports. First is can be lock in hold one and second it does will represent about playful of user. They are Trendy newgen will more age of playful, funny in life.Tertis system is a rotation system broadly represents where and how tetrominoes spawn, how they rotate, and what wall kicks they may perform. Different rotation systems exist through a broad spectrum of games, some having their own unique system, others in a series may change only a little.The objective of the game is to manipulate these tetrominoes, by moving each one sideways and rotating it by 90 degree units,with the aim of creating a horizontal line of blocks without gaps. When such a line is created, itdisappears, and any block above the deleted line will fall. With every ten lines that are cleared,the game enters a new level. As the game progresses, each level causes the tetrominoes to fallfaster, and the game ends when the stack of tetrominoes reaches the top of the playing field and no new tetrominoes are able to enter. instructor : Kisnapol Wattanawanyu

2010 PROJECT 2 MID-RISE

LIVING

EVALUATION In this project ,I think in the future the trends of design in the future can be conclude mainly in term of the physical features and the location of the project with more consideration on residentsâ&#x20AC;&#x2122; hearth and energy savings,Futhermore, building process will be faster and more accurate due to new technology.Itâ&#x20AC;&#x2DC;s very usefull In real world if i have chance to design condominium. i have learns about the developement of unit type to be assemblage and will come to facade of building.and learn about system in residential building interm of water shap and electric shap .I think this project is nice to collaborative with nirvana developement.they teach about how to solve marketing howto manage space of planing efficiency.

instructor : Kisnapol Wattanawanyu

2010 PROJECT 3

KMUTT INNOPLEX

Written in KMUTT roadmap 2020, the university is aspiring to be one of the world class universities in the area of Science and Technology. Learning Innovation, Research Excellence and Humanization are the three fundamental goals the university determined to put for its Roadmap 2020.

When discussing “new approach to learning”, the 4 “Ins” are mentioned; Interaction, Integration, Innovation and Intention. Interaction among students, faculty and KMUTT staffs is a way to share and gain more knowledge. Integration of information from different disciplines could lead to a more applicable knowledge for industries and commercial sectors. R esearch and learning would eventually leads to the third “In” that is Innovation. Last, but not least, Intention is the main driven force for human ambition in learning. With “Intention”, it is most likely that people will be successful in whatever they would like to do.

For the second project of this semester, you are asked to design a new learning space and facilities for KMUTT main campus at Bangmod. In designing the new building, you do not only provide a shell to fit all the given programmatic requirements, although it is crucial to take into considerations KMUTT future vision that has written in KMUTT Roadmap 2020. Your task, as an architect, is to devise spaces that would facilitate, or instigate the 4 “Ins” to happen.

instructor : Waraluk Pansuwan

2010 PROJECT 3

KMUTT INNOPLEX

SITE DESCRIPTION

2010 PROJECT 3

KMUTT INNOPLEX

Studio 14 01 11 Model study 1 first group structure model that different concept first model is ACTIVE concept interesting in term of link visual perception it’s more scenic point in different direction to concentrate different view The concept of second model is linkage also linked by create continuous shape. The concept of third model is about DNA.

Studio 25 01 11 / 28 01 11 Model study 3-4 develope structure from truss structure to be cantiliver structure to support the active concept to decrese column in building and make building look like flo in to the air.

Studio 18 01 11 Model study 2 PINUP2 the model enough strong for water bottle that show the structure can be support for load. The first model is interesting in term of link visual perception it’s can see view point in two direction and longer view than basic shape and continuous form and the ideas about circulation inside building is nice but try to make floor on model to represent the ramp or step that include in structure. The second model is linkage also linked by create continuous shape make linked line in this site area and make continuous space to sharing experience. The concept of third model is about DNA the loop of architecture is stronger frame structure it’s doesn’t represent dynamic chain of DNA but its will nice if try to make rolling floor on model that will be DNA chain Now the model didn’t show about that represent DNA concept.the concept about active is nice to be revised and do it in detail example it’s will be nice instead of use column it’s will be better if use cantilevers structure So it’s will be active structure than .

Studio 8 02 11 Model study 6 Change the column to incline in different side to support load from roof instead straight column and adjust function inside building to support shape area froom upper floor.

2010 PROJECT 3

STRUCTURAL CONCEPT

KMUTT INNOPLEX - Roof - expand from border of building to make it’s look like plane to make float building.

Push – low privacy room or public space

- Divide the public zone out of service zone Specific area out of normal area - Ground floor it’s could be public zone. So it’s can be open space to feeling more comfortable People inside and outside.

2010 PROJECT 3

KMUTT INNOPLEX

STRUCTURAL DETAIL

2010 PROJECT 3

KMUTT INNOPLEX

STRUCTURAL DETAIL

2010 PROJECT 3

KMUTT INNOPLEX ELEVATION A

ELEVATION B

CROSS SECTION

2010 PROJECT 3

KMUTT INNOPLEX ELEVATION A

ELEVATION B

CROSS SECTION

2010 PROJECT 3

KMUTT INNOPLEX

STRUCTURE PLAN

FIRST FLOOR SCALE 1:250

2010 PROJECT 3

KMUTT INNOPLEX

NEW

SPACE TO LEANING KNOWLEDGE ACTIVE SPACE

Active space should to be a lot of window to lead student to outside and enjoy green space The surrounding building is simple building that make the building is look active all the time .All area mostly designed to be multipurpose because I would like to let any activities happen and can changeable for new experience.From the idea of active the KMUTT innoplex act here as transformation that change our perception and sensation of interior space and exterior space. The object will be an explosion from starting point creating new space by shooting in every direction in left and right and different plane by push the plane downwards and the lift the plane upward to make different level. So it’s have interesting viewpoint around site support the shape of building is very twist shape it’s more scenic point in different direction to concentrate different view for support approach of learning it’s can see view point in two direction and longer view than basic shape.

SECOND FLOOR

SCALE 1:250

2010 PROJECT 3

KMUTT INNOPLEX

EVALUATION In this project ,In many university around the world they also have learning center of university to be landmark of university and present about Identity of university.So I think in the future the KMUTT must have new building for new learning centerfrom KMUTT roadmap 2020 ,the university is aspiring to be one of the world class universities in term of Science and Technology.Learning Innovative,reserch excellence and humanization These goals of univesity. So The project led student to design in the future Learning center. i have learns about the developement of unit type to be assemblage and will come to facade of building.and learn about system in residential building interm of water shap and electric shap .I think this project is nice to collaborative with nirvana developement.they teach about how to solve marketing structure.and learn how to translation from to working function with help of a programe.

2011

instructor : Wirat Pantapatkul

URBAN THRESHOLD : BANGKOK GATEWAY

2011 PROJECT 1 MY THESHOLD

EXPOSURE ZONE 1

NOWADAY WHEN PEOPLE WANT TO RECORD SOME OF MOMENT. MOST OF THE PEOPLE SAID THE PHOTOGRAPHY IS THE ONE CHOICE TO RECORD THE MOMENT THAT HAS A ROLE TO RECORD THE EVENT OF THE HISTORY AS A PICTURE UNTIL THE WORLD COME TO THE EDGE OF THE DIGITAL.THAT EXPOSURE IS THE METHOD TO CAPTURE THE PICTURE BY CAMERA. THIS PROJECT IS PURPOSE THE THRESHOLD ABOUT THE EXPOSURE TO ADJUST THE AMOUNT OF LIGHT TO RELATE WHICH LIGHT. THERE ARE 2 WAYS TO CONTROL THE AMOUNT OF LIGHT FALLING ON THE FILM ONE IS VIA THE SIZE OF THE HOLE THE LIGHT GOES THROUGH THE APURETURE SECOND THE LENGTH OF TIME THE SHUTTER IS OPEN.FROM THE EXPERIMENT THAT SHOW THE THREE MAIN LAYER THAT COME FROM HE MOMENT IN EXPOSURE,ONE LAYER OF SOLID PEOPLE DIDN’T SEE ANYTHING ALSE LIKE FOREGROUND,SECOND IS BLUR LAYER PEOPLE CAN SEE THROUGHT THE OBJECT BUT DIDN’T CLEAR AND THE LAST LAYER ALSO KNOW IN TERM OF FOCUS POINT PEOPLE CAN SEETHE OBJECT VERY CLEARLY.SO THE RESULTS CAN BE CREATE INTERESTING THE VARIATION OF SPACE,FORM OF BUILDING AND THE LAYER OF WALL.

ENTRANCE : SMALL ENTRANCE

ZONE 2

ZONE 1 : SOLID ZONE SMALL SPACE TO LET PEOPLE GO INSIDE

ZONE 3

TRANSFORM

THE EXPERIMENT OF TRANSPARENCY SPACE

ZONE 2 : BLUR ZONE MEDIUM SPACE

EXPERIMENT

BLUR FOCUS POINT SOLID

SEPERATE EACH SPACE

FOCUS POINT

TRANSPARENT EACH SPACE

DECREASE TRANPARENTCY AND SEPERATING OF SPACE

LEVEL OF TRANSPARENCY SOLID FOCUS POINT SOLID FOCUS POINT

SOLID

ZONE 3 : FOCUS ZONE BIGGEST CENTER SPACE BLUR

BLUR

ZONE 3

ZONE 2

ZONE 1

VIEW FROM DIFFERENT ZONE

instructor :Ekawat Ophartpongsakorn

2011 PROJECT 1

ELEVATION A

MY THESHOLD

EXPOSURE ELEVATION B

SCALE 1:100

ELEVATION C

SCALE 1:100

ELEVATION D SCALE 1:100

instructor :Ekawat Ophartpongsakorn

2011 PROJECT 1 MY THESHOLD

EXPOSURE

FIRST FLOOR PLAN SCALE 1:100

SECOND FLOOR PLAN SCALE 1:100

THIRD FLOOR PLAN SCALE 1:100

instructor :Ekawat Ophartpongsakorn

2011 PROJECT 1

URBAN THRESHOLD : BANGKOK GATEWAY

MY THESHOLD

EXPOSURE

CROSS SECTION

SCALE 1:100

LONGTITUDE SECTION

SCALE 1:100

instructor :Ekawat Ophartpongsakorn

2011 PROJECT 2 BANGKOK

MUDMEE FABLIC PATTERN

THRESHOLD

THE CITY OF BANGKOK FULL OF SIMPLE BOX BUILDING LOOK LIKE ROBOT BUILDING, AND LOUISE XII TOWER SKELETON OF UNFINISHING CONSTRUCTION . BANGKOK HAVE VERTICLE CHARACTERS THAT ABOUT THE ONE TO SURVIVE THE BATTLE OF URBAN GROWTH AND MUTATION.

MEEKORTONG PATTERN

MEEKOMHA PATTERN NAKORNPRATOM

MEEKORWAN PATTERN

BUGJUB PATTERN

MEEKOMJED PATTERN

MEEDOKKEAW PATTERN

RIVER - VEHICLE BOAT MOVING PART TO CONTINUE LINE. ROAD - MANY TYPE OF VEHICLE USUALLY USE ROAD , CAR BUS VAN MOTORCYCLE TUK-TUK SONGTEAW ELEVETED HIGHWAYS ,SKYTRAIN, AIRPORT LINK - HAVE BIGGEST EFFECT ON THE LANDSCAPE.DISCONNECT FROM ENVIRONMENT PIPE AND TUBE - ROAD AND MRT [SUBWAY]

PHAYATHAI

MEEDOKKEAW PATTERN

MEEKONGNOIHA PATTERN

MEEKONGNOIJED PATTERN

RATCHAPRAROP

- TERMINAL STATION OF - CLOSE TO PRATUNAM MARKET - WHOLESALE PRICE FOR CLOTH EXPRESS LINE ,TEXTILE AND FASHION - CONNECT WITH BTS SKY TRIAN

MAKKASAN

- TERMINAL STATION OF EXPRESS LINE - INTERCHANGESTATION TO MRT[SUBWAY] AND BOAT PIAR [ASOKE PIER] - BUSINESS ZONE HIGHRISE BUILDING

RAMKAMHAENG

BUILDING AREA - RAMKHAMHANG UNIVERSITY - ASSUMPTION UNIVERSITY - RAJAMANGALA NATIONAL STADIUM

HUA MAK

BAN THAP CHANG

- KASEMBUNDIT UNIVERSITY - SMALL VILLAGE ZONE - BKK-CHONBURI MOTORWAY - SUBURBAN AREA HAS MANY DEVELOPED HOUSING AND REAL ESTATE

LAD KRABANG GREEN SPACE - KMITL UNIVERSITY - ROMKLAO ROAD - FUTURE PROJECT SRT EATERN LINE TO CHACHOENGSAO.

SUVARNABHUMI - TUNNEL STATION CLOSE VISUALIZE - ACCESSED TO SUVARNABHUMI AIR PORT BUILDING.

GOOD POSITION

MEEMAIPAI PATTERN

MEEKOR PATTERN

FOR HIGHRISE BUILDING BECAUSE ALL THE TRIAN WILL COME TO THIS STATION ANS DECRESE SPEED TO LOWER THEN ALL OF PASSENGER CAN SEE ELEMENT OF BANGKOK THRESHOLD

instructor :Ekawat Ophartpongsakorn

2011 PROJECT 2 BANGKOK

MUDMEE FABLIC PATTERN

THRESHOLD

VISUALIZATION

instructor :Ekawat Ophartpongsakorn

2011 PROJECT 3

OVERALL TIMELINE

THE 20TH CENTURY

MUSEUM COMMUNICATION

1794

1844

The telecommunications system is recognized that began when an optical telegraph between Paris (Paris) the city of Morelia (Lille), France

1865

Telecom officially launched the new era When Sam Anderson Morse (Samuel Morse).Public telegraphic message, the United States on May 24. Labeled as "God's work (What hath God wrought)".

1932

International Telecommunications Union or the establishment of IT. (International Telecommunication Union: ITU)

It is the definition of telecommunications for the first time that "Any communication, whether by telegraph or telephone.

To send a text, audio and video signals by the radio transmission. Or other systems. The process of sending an electrical signal or to see the (tower) symbol between ".

OVERALL THAILAND COMMUNICATION

1876 Alexander Graham Bell Americans. The invention of the telephone was used for the first time

1881 Pitula HRH Princess Royal family, Prince Pimuk growth Sawangwong radiation.

Applied science communication through the phone.

Was used in the first Coinciding with the reign of King Rama V King Rama 5. .

1883

1937

1954

Cutting the number and activate the automatic telephone exchange was the first time. With the phone. The rotary dial has.

Telephone Organization of Thailand.

1886

The Telegraph Department of Thailand. Responsible for the postal and telephone services

The telegraph, the telephone service to the public in Bangkok or Bangkok and Thonburi in that time.

There are approximately 60 tenants.

1981

1990

1996

• Free Long Distance Phone Service 088 (Toll Free Call: 088) in the National Capital Region.

• mobile phone with 900 mega hertz frequency combs (Cellular 900 MHz).

• provide a public telephone card (Card Phone).

• Create a network of fiber optic cable along the railway.

To send information by fax for the first time.

2002

• On the telephone PIN (PIN Phone 108).

• Create a West Coast submarine cable network.

• Open your Internet service provider.

• 1900 MHz mobile phone service provider Hertz (1900 MHz THAI MOBILE).

.

2005 • fiber optic telecommunications services.

• Metro LAN service to connect to a computer network (LAN) between the buildings together.

TELEGRAPH

THAILAND COMMUNICATION

ไ ท ย

After the industrial revolution, human being discovered many things that seem like to be age of civilization development.If we look through that particular development,we can never refused that the communication has become the procedure of that all developements. becuase there is an inevitably basic component that human being always use called Communication. Nowadays communication is very important element in life. To be universally acknowledged about the communication is very important to develop the economic and society.The communication is necessary for all kinds of living creature since the past communication can do in many ways , such as smoke ,body language ,sign ,graphic language, etc. and were develop continuous in the present time. Communication is the activity of conveying meaningful information. Communication requires a sender, a message, and an intended recipient, although the receiver need not be present or aware of the sender's intent to communicate at the time of communication; thus communication can occur across vast distances in time and space. Communication requires that the communicating parties share an area of communicative commonality.

The communication process is complete once the receiver has understood the message of the sender.The history of communication dates back to prehistory.

MORSE CODE

1875

1883

The telegraph The first was started in implemented link between Thailand.

Bangkok and Sumutprakan.

Morse code was used in order to modulate information through telegraph signal.

1907 Thailand has a transmitter for wireless telegraphy Marconi (Marconi) for the first time.

For military service in the Navy.

1912

1953

1977

Thai version of teleprinter then was invented through the Bilingual of English and Thai model

Thai Morse code was founded and deployed by the post and telegraph department.

2008

The Communications Authority of Thailand has been providing telecommunications servicefrom the Post and Telegraph

telegraph in Thailand is terminated.

T H A I MORSE CODE

INTERNET THAILAND COMMUNICATION 1937 The abacus (which is known as a digital computer) in Thailand. This era ended when the year 1937 due to the processing machinery table (Tabulating Machine) to use in Thailand.

1947 Ministry of Interior, the keypunch The rank and count cards.

1982

2000

Ministry of Science and the Association for the development process. U.S. combined with the Internet.

Allowing the exchange of information on the Internet.

There are approximately 17,000 members.

Government for public services. Government via the Internet.

2005 Universities in both government and private sector. Degree courses to be offered.This is called the Internet, distance education via the Internet. The era of e-learning.

instructor :Ekawat Ophartpongsakorn

2011 PROJECT 3 THE 20TH CENTURY

MUSEUM COMMUNICATION

CROSS SECTION

Khlong Phadung Krung Kasem

22 traffic circle

Hau lum pong railway station Debsirin school LONGTITUDE SECTION

Telegraph poles alway setting along the railway ,so this site it;s very important part in term of communication developement in thailand and also in develope in other subject. Hua Lamphong Grand Central Railway Station, officially known as the Bangkok Grand Central Terminal Railway Station, is the main railway station in Bangkok, Thailand. It is located in the center of the city in Pathum Wan District, and is operated by the State Railway of Thailand.The main station and the terminus of the Bangkok Metro line. Located right in the middle of downtown Bangkok, it is a huge and surprisingly nice station, built during the reign of King Rama VI and spared bombing in World War II at the request of the Free Thai underground.

LONGTITUDE SECTION

instructor :Ekawat Ophartpongsakorn

2011 PROJECT 3 THE 20TH CENTURY

MUSEUM COMMUNICATION

ELEVATION A SCALE 1:100

ELEVATION B SCALE 1:100

ELEVATION C

SCALE 1:100

ELEVATION D

SCALE 1:100

instructor :Ekawat Ophartpongsakorn

2011 PROJECT 3 THE 20TH CENTURY

MUSEUM COMMUNICATION

SPEAKER

MESSAGE

MESSAGE

AUDIENCE

SPEAKER AUDIENCE

TYPE OF COMMUNICATION

LEVEL 3 : WIRE SPACE RESTAURANT

LEVEL 4 : CLEAR SPACE // CLEAR VIEW POINT AGE OF LINKAGE PEOPLE AROUND THE WORLD NEW TECHNOLOGY

TELECOMUNICATION

SIGNAL SENDING ON OVER-GROUND LEVEL CABEL AND UNDERWATER CABLE ROLE OF COMPUTER IN COMMUNICATION

EXTRA LARGE//EXCITING FEELING CONNECTION OF EVERY TECHNOLOGY SLIDE MULTI- FUNCTION MODEL,INTERACTIVE BOARD

LEVEL 3 : WIRE SPACE AGE OF VERY IMPORTANT OF COMMUNICATION CHANGING FROM ANALOG TO DIGITAL

TELEGRAME TELEPHONE

MORSE CODE NETWORK OF TELEGRAME // TELEVISION TELEPHONE NETWORK

BLACK-WHITE SLIDE CODE BOARD MODEL REVEAL NETWORK OF TELEGRAME

EARLY COMMUNICATION

SMOKE // CANNON BALL SIGN

WHAT IS COMMUNICATION ?

ROLE OF COMMUNICATION

DEFINATION OF COMMUNICATION

LEVEL 2 : BLUR SPACE RECTURE ROOM AGE OF COMMUNICATION BEGIN LEVEL 1 : CLOSE SPACE LOBBY // OFFICE GENERAL DATA OF INFORMATION

UPPER EXHIBITION SEE EXHIBITION FROM UPPER SIDE PROJECTURE //DIARAMA PICTURE // DIAGRAME PROJECTOR // DIORAMA

instructor :Ekawat Ophartpongsakorn

2011 PROJECT 3 THE 20TH CENTURY

MUSEUM COMMUNICATION

Open perception

3G/EDGE

Section

WIRELESS

TYPE OF COM MUNICATION

WIRE

Feel the different area,RATTANAKOSIN ISLAND and SILOM downtown

SMOKE EXHIBITION ZONE

instructor :Ekawat Ophartpongsakorn

2011 PROJECT 4 MAKKASAN

HIGH SPEED TRAIN STATION

CONCEPTUAL 1

MAKKASAN FACTORY

TIME FOR CHANGE EXHANCE THE POTENTIAL OF TRANSPORTATION WITH HIGH SPEED RAIL

BANGKOK - RAYONG LENGTH : 255 KM 1 HR 53 MIN PASSING 4 PROVINCES AND 5 STATIONS TRAVEL TIME 1HR./FARE :THB 350 FOR SUPPORT TOURIST INDUSTRY

MAKKASAN CHACHOENGSAO

Machanism Machanism loop

CHONBURI

PATTTAYA Machanism

RAYONG The plan was to develop effectively standardized and extensive transportation network that are uniguely accessible to passenger and businesses.Thailand is stepping up efforts to position itself as one of the main transport hub in the region.

Passage way User

Speed

Time

Destination

PASS

The Government expedited the high speed rail [HSR] Project and offered oppotunities for Public Private Participation [PPP] to concretize them as they require high investment and state-of-the-art technology that is not available in Thailand.Through the PPP schemes,

VISIT

OUTSIDE

rush pass

take a moment

Watching or observing an area of interest.

AWARE access throughout the area.

STATIC TRAIN

EXPLORE

based on urgency.

Bangkok was selected as the main terminal for all routes because of its central context nature. All routes radiated from Bangkok to

MOVEMENT TRAIN

TIME

INSIDE

• the North (Chiang Mai), • the North East (Nong Khai and Ubon Ratchathani) • the East (Chanthaburi and Aranyaprathet) • the South (Padang Besar)

SCENERY

SCENERY

0 minute

5 minute

10 minute

15 minute

20 minute

THE TRAIN CAN GIVE THE PASSEENGER EXPERIENCE

PERCEPTION

TECHNOLOGY • Trackwork: UIC60 Standard Gauge (1.435 m) • Power Supply: 25kV Overhead Caternary System (OCS) • Full Automatic Train Protection (ATP) • Communication: Fiber Optic and Wireless Technologies (at least STM16 Level) • Fully Fencing with Pedestrian Bridge or Tunnel • No Level Crossing: road –rail intersections are replaced by grade-separation (road overpass)

Site potential -Historical place ,recreation and cultural activities area high density -Present,Exiting mass transit System.

-Future,Extention Mass Transit System.

-Place was meaningful in historical backgrounds -Site contained exiting activities for Bangkok.

Site was self-contained urban community.

WINDOW OF TRAIN

WITH OTHER TRAIN

PASSENGER ZONE

TRAIN IN CIRCLE RAIL WAY

DRIVER ZONE

instructor : Ekawat Opartpongsakorn

2011 PROJECT 4 MAKKASAN

HIGH SPEED TRAIN STATION

Schematic1

Schematic 2

DINDANG COMMUNITY BMC CIVIC CENTER -THAI-JAPAN SPORT COMPLEX

integrated perception DRIVING FROM FLAT DINDANG WALKING FROM MAKKASAN COMMUNITY

WALKING FROM RATCHAPRAROP //ARL RATCHAPRAROP

SITE

DRIVING FROM ASOKE DINDANG WALKING FROM CAT//MRT//BTS TRANPORTATION SYSTEM -MRTA -RATCHADA RING ROAD

COMMECIAL DISTRICT HIGHT DENSITY COMMECIAL -PRATUNAM MARKET -INTRA COMMECIAL CENTER -BAIYOK TOWER -PANTIP TOWER

DRIVING FROM ASOKE DINDANG WALKING FROM CAT//MRT//BTS BUSINESS DISTRICT ACCOMMODATION -SUKUMVIT -SOI NANA

DRIVING FROM SOI NANA WALKING FROM NANA PIER

PASSENGER VISITOR

ACCESIBILITY TRAIN PASSENGER LINK BTS MRT

FOR MUSEUM GROUP / PERSONAL

Arrive at railway station -Enter terminal building

PROGRAME ANALYSIS

TYPE OF USER

BUSINESS DISTRICT -RACHADAPISEK -RAMA9 -ASOKE

TRAIN AIR PORT LINK CAR PUBLIC TRANSPORTATION

CAR PUBLIC TRANPORTATION

QUANTITY

STATION

STATION

MUSEUM//OFFICE

MUSEUM//OFFICE

INBETWEEN EXPERIENCE INSERT TO PROGRAM

INBETWEEN EXPERIENCE INSERT TO PROGRAM

Check train -What is the exact time -When is the meet train arrivind -How long have I got Do I have toruch

800

Purchase ticket -Chose ticket machine or window -Queue for ticket -Order and pay for ticket -Take ticket and show recipts etc.

Get to platform -Chk platform number -Go through ticket barrieres -Travel to platform -Chk next train and destination

Board train “Is there time before the train come?

-Pick up a newpaper

Requirement

200

Door Method for dealing

Precise clock Live display of train arrival

Ticket machine/ window Queuing space

Live train platform display Easy-to-use ticket barrier Sign posted platforms Live train display on platform

on platform Also sell bookshelf

Train door

2011 PROJECT 4

High Speed Rail station. Designed for users in the existing system and meet the needs of those who used to travel to Rayong.Create an area suitable for the activities of those that come to the area as much as possible. The continuous motion fast in rush hour.From Path analysis the occurrence of each type of motion create integration of horizontal space it’s wide area of use. So,the high-speed train connections will create a three-dimensional space, as well as the related transition area and exhibition space.

MAKKASAN

HIGH SPEED TRAIN STATION

The Analysis of a Train rains consist of a combination of one or more locomotives and attached railroad cars, or a self-propelled multiple unit (or occasionally a single powered coach, called a railcar). A passenger train may consist of one or several locomotives, and one or more coaches.

Alternatively, a train may consist entirely of passenger carrying coaches, some or all of which are powered as a “multiple unit“.

Basically the structure is made out of metal partitions.The basic facilities that a passengers train has are the chairs, tables, toilets, air-condition, beds in overnight trips, bicycle attachments.

passer by

vendor/buyer

Food shop area

do activity before back home

visit/aware

Station

Ticket Booth

Main Entrance

waiting for an appointment.

explore

pernanent exhibition

Shop area

relax waiting

temporary exhibition

Waiting area

outdoor exhibition

Exhibition

?

passer by

ticket

fastfood

bookstall

passengers

waiting

chance event

spectators

The element of transition that inserted in between two realities in order to exclude certain elements and allowing the entrance of others. The support publicness and enclosure.Fragmentable pragramme.Divisible,subdivisible able to be re ordered inits interior.

EXPERIMENT WITH PERCEPTION

MOVING PICTURE

MOVING PICTURE

MOVING WINDOW

MOVING WINDOW

MOVING WINDOW + MOVING PICTURE

TWO TRAIN MOVING PASS

Make overlay wall

Make gap between each other

Create expand box

Space arond box

MOVING WINDOW + MOVING PICTURE

Speed line

MAIN ENTRANCE OFFICE

EXHIBITION

STATION

TWO TRAIN MOVING PASS

instructor : Ekawat Opartpongsakorn

2011 PROJECT 4 MAKKASAN

HIGH SPEED TRAIN STATION

instructor : Ekawat Opartpongsakorn

2011 PROJECT 4 MAKKASAN

HIGH SPEED TRAIN STATION

ELEVATION A SCALE 1:750

THIRD FLOOR PLAN SCALE 1:750

SIXTH FLOOR PLAN SCALE 1:750

ELEVATION B SCALE 1:750

SECOND FLOOR PLAN

FIFTH FLOOR PLAN

SCALE 1:750

SCALE 1:750

ELEVATION C SCALE 1:750

FOURTH FLOOR PLAN

FIRST FLOOR PLAN

SCALE 1:750

SCALE 1:750

ELEVATION D Sumantha Nuamthanang 51200046

Instructors : Ekawat Ophartpongsakorn

SCALE 1:750

ARC445 Architecture design V ll Urban threshold bangkok gateway

instructor : Ekawat Opartpongsakorn

2011 PROJECT 5

▲▼▲

MOD FAB LAB THE WORST CASE?

YAOWARAT

The worst case?

Bangkok is sinking, sea water level is rising, Chaophraya river is overflowing, and heavy rain from North. in the long term,Bangkok would eventually be under water.The only question is when. MOD FAB LAB explores what the coastal metropolis, Bangkok might feel like in the future. The project investigates cultural,social and physical relations to simulate and illustate various characteristic environment in Bangkok with the objective to adapt to its [new] submerged condition, rather than resisting, rising waters.

GiSTDA, Geo-Informatics and Space Technology Development Agency, www.gistda.or.th

instructor : David Mrugula

SAMPENG BE ON FIRE 3 TIME

B.E.2450

THE TROLLEY CONCESSION WAS CANCIE

YAOWARAT FINISH CONSTRUCTION

B.E.2443

B.E.2504

OCCUPY THE LAND THAT THE OWNER AT YAOWARAT

B.E.2441

YAOWARAT WAS BE DEVELOPEMENT

START TROLLY CONCESSION CHAROENKRUNG - THANON TOK

B.E.2436

B.E.2470

START BUILD YAOWARAT ROAD

B.E.2435-38

BUILD NEW METAL CONSTRUCTION BRIDGE

KLONG PRADUNGKRUNGKASEM FINISH

B.E.2397

唐 人 街

SAMPENG, CHINESE SETTLEMENT

YAOWARAT

B.E.2325

THE WORST CASE?

B.E.2438

MOD FAB LAB

CONSTRUCTION TRACK FOR TROLLEY

HISTORY

B.E.2430

2011 PROJECT 5

▲▼▲

FUTURE

NOWADAY UNDERSTAND

ORIENTATION

HISTORY

YAOWARAT

GET IN SEE

COMPARED TO THE REST OF THE CITY, THIS DISTRICT IS FAIRLY COMPACT IS FAIRLY COMPACT AND CAN BEST BE EXPLORED IN A FULL-DAY [AND NIGHT] WALKING TOUR. YOU’LL COME ACROSS STREET MARKETS, SHOP HOUSE ,GOLD SHOPS, BEUATIFUL REMNANTS OF COLONIAL-STYLE ARCHITECTURE AND SOME INTERESTING TEMPLES.

NORTH OF IT IS CHAROEN KRUNG ROAD SOUTH OF YAOWARAT IS SAMPENG LANE ANOTHER SMALL LANE CROSSING YAOWARAT ROAD IS SOI PHADUNG DAO PHAHURAT ROAD,WHICH STARTS IMMEDIATELY WEST OF SAMPENG LANE.

YAOWARAT IS ONE OF THE OLDEST CHINESE COMMUNITIES IN THAILAND. THE STORY OF THE CHINESE IN BANGKOK STARTS IN THE LATE 1700s, WHEN POOR PEASANTS FROM CHINA’S CHAOZHOU REGION [IN EASTERN GUANGDONG] MOVED TO GRAND PALACE AREA IN RATTANAKOSIN.

BY BOAT : SAMPANTAWONG AND SRI PHAYA PIER

BY PUBLIC TRANSIT : HAULAMPONG STATION [METRO LINE]

BY BUS : 25 SUKHUMVIT-YAOWARAT 56 FROM KHAOSARN RD.-SAMPENG RD. 4 SILOM-THONBURI

BY TRAIN : HAULAMPONGB TRAIN STATION TEMPLE : WAT CHAKRAWAT, WAT MANGKON KAMALAWAT, WAT TRIMIT SHRINES : POH TECK TUNG FOUNDATION,THIEN FA FOUNDATION, KWONG SIEW FOUNDATION MUSEUMS AND MONUMENTS : KING's BIRTHDAY CELEBRATION ARCH @ ODEON CIRCLE : SAMPHANTHAWONG MUSEUM EUROPEAN-STYLE BUILDINGS : BANGKOK BUILDING, SIAM COMMERCIAL BANK BUILDING TALAT NOI BRANCH : TANG TO KANG GOLD SHOP CHINATOWN FOODIE WALK AND CULTURE TOUR, CHALERM KRUNG ROYAL THEATRE

DO

FESTIVAL : CHINESE NEW YEAR, VEGETARIAN FESTIVAL, MOONCAKE FESTIVAL.

BUY

STREET MARKETS, PHAHURAT, FLOWER, GOLD, MALL:

EAT

YAOWARAT : CHONG KEE,HONGKONG NOODLE,NAI EK,NAI SOW THAI CHAROEN,YEN TA FO JE HIEN CHINESE FOOD MARKETS:

TALAT KAO,TALAT MAI.

instructor : David Mrugula

2011 PROJECT 5 MOD FAB LAB THE WORST CASE?

YAOWARAT

▲▼▲

2011 PROJECT 5

MAPPING OF FIGURE GROUND TO SEE OPEN SPACE IN SAMPANTAWONG

SUBMERGED CASE

▲▼▲

PUBLIC TRANSPORT

MOD FAB LAB THE WORST CASE?

YAOWARAT

STREET TERITORY

TERITORY IN EACH HOUR DURING A DAY 06.00

18.00

ONE DAY [24 HOURS] OVERLAPPED TERITORY

21.00

12.00

24.00

15.00

03.00

COMMERCIAL GOVERNMENT WAREHOUSE EDUCATION PLACE RESIDENTIAL SEMI RESEDENT PUBLIC UTILITY RELIGIOUS PLACE

instructor : David Mrugula

2011 PROJECT 5

▲▼▲

MOD FAB LAB THE WORST CASE?

YAOWARAT

BELIEF - COLOR IN CHINESE CULTURE

PATTERN OF SIGN BOARD

COLOR IN CHINESE CULTURE REFERS TO THE VARIOUS COLORS THAT ARE CONSIDERED AUSPICIOUS (吉利) OR INAUSPICIOUS (不利). THE CHINESE CHARACTER FOR COLOR IS 顏色 (yánsè). IN ANCIENT CHINA, THE CHARACTER MORE ACCURATELY MEANT COLOR IN THE FACE. DURING THE TANG DYNASTY , yánsè BEGAN TO REFER TO ALL COLOR. THE CHINESE IDIOM “wǔ (five) yán liù (six) sè,” WHICH IS USED TO DESCRIBE MANY COLORS , MAY ALSO SUGGEST COLORS IS GENERAL.

WOOD

DR O AG N I TA L GOLD SHOP

RESTAURANT

WATER

OTHER COMMECIAL

FIRE

YAOWARAT ROAD IS THE DISTANCE FROM ODEON CIRCLE ROAD , WHICH IS THE HEAD OF THE DRAGON. THE ROAD ENDS AT AT THE STREET ELSE. CHAKKAPHET ROAD. THE TAIL OF THE DRAGON. IN THE MIDDLE OF THE ROAD AND CHINATOWN. THE BELLY AND A DRAGON. IT IS PREFECTLY SUITABLE FOR A FOOD BUSINESS IN THIS AREA IS ANOTHER IMPORTANT SOURCE OF FOOD,ONE OF BANGKOK.

DR

AG O

NT AIL

EARTH

METAL

CREATING NEUTRALISING

1.THE SUBTLE MOVEMENT TO DEMAND BETTER PAY ATTENTION TO WHAT WE ARE.STATIC BANNER ADS WITH FLASHING LIGHTS IS CHARACTERIZED BY THE SUBTLE MOVEMENT. WE WILL DO WELL IN A GROUP OR INDIVIDUALLY.IF SOMEONE IS STANDING TOGETTHER, WE WILL SEE SOME SUPPORT AT ITS TOP. TECHNIC 2.THE WIDTH OR LARGER. WE WILL CONTACT YOU IF WE HAVE A GOOD SIZE. MODERATE OR LARGE EXTENT. MY LEAST IF WE ARE TOO LIMITED. THE RESULTING EXPOSURE IS DIFFICULT. MANY ARE ATTRACTED TO LITTLE MORE THAN BILLBOARDS READ.

STO The dragon is an imaginary divine animal of ancient China. It is believed to with a beard at the mouth corners and a pearl under the forehead. In Chinese mythology, the dragon changes from time to time, controls the cloud and "descendants of the dragon", because they regard the dragon as a symbol of dignity. In ancient times, the dragon was not what they look today. Its image was gradually evolved with the long history.

In the remote past, most natural phenomena seemed inexplicable to people.

Therefore, an imaginary animal with the great power of wind, rain and thunder became the totem of a nation. The dragon was an animal in people's

MA CH

OF

DR

THEORY OF THE FIVE ELEMENTS

AG O

N

IN TRADITIONAL CHINESE ART AND CULTURE, BLACK , RED, BLUE-GREEN, WHITE AND YELLOW ARE VIEWED AS STANDARD COLORS.THESE COLORS CORRESPOND TO THE FIVE ELEMENT OF WATER, FIRE, WOOD, METAL AND EARTH,TAUGHT IN TRADITIONAL CHINESE PHYSICS.THROUGHOUT THE SHANG , TANG, ZHOU AND QIN DYNASTIES,CHINA’S EMPERORS USED THE THEORY OF THE FIVE ELEMENT TO SELECT COLORS.

STO

MA CH

OF

DR

N

COLOR

ELEMENT

DIRECTION

SEASON

of the dragon gradually took shape and it was regarded as the king of animals and a divine creature capable of doing anything.

3

FIRE NE/SW/CENTER

EARTH

TRANSITION

W/NW

METAL

HEAD

CROWN OF DRAGON [ODIEAN CIRCULAR-GATE OF CELEBRATE KING] DRAGON TAIL [BUSINESS AREA- PUSH DRAGON TO FLY]

4

AGON

STOMACH OF DRAGON [FOODSHOP AREA-PLENTIFUL]

3

OF DR

AGON

HEAD OF DRAGON [TRIMIT TEMPLE - BIGGEST GOLDEN BUDDHA]

2

AUTUMN

E/SE

RGB

CHILDREN & HELPFUL PEOPLE

OX

SPLEEN, PANCREAS, STOMACH

TOUCH

LUNG, COLON

SMELL

FAMILY& FORTUNATE BLESSING

DRAGON

99 100

C M Y K

C M Y K

LUCKY MARKET

LUCKY CORTH

GOLD RESTAURANT

HEALTH MARKET

BANK,TOURIST

DESTROY

GOLD

100

100

COMPANY&HOTEL

RESIDENTIAL

LUCKY COMPANY

LUCKY SHETHER

6

6

C M Y K

C M Y K

RESTAURANT

C M Y K

C M Y K

BANK,TOURIST

DESTROY INSTANT FOOD SHOP

HEALTH SHETHER

DESTROY

DESTROY

255 255 255

R G B

SNAKE

CMYK

99 100

255 255

R G B

TIGER

CMYK

RESTAURANT

255

PHOENIX

WATER

WOOD

SENSE TASTE

NORTH

CROWN OF DRAGON

TRADITIONAL : LOCATION

ORGANS HEART, TRIPLE HEATER

R G B

RELATIONSHIP & TAI-CHI &CONTEMPLA TION

JOURNEY HEAD

OF DR

1

ANIMAL

SUMMER

4

2

BA-GUA ILUMINATION & FAME

SOUTH

1

GOLD

BELIEF - CHINESE RELIGIOUS

AG O

KIDNEYS, REPRODUC TIVE SYSTEM

HEARING

LIVER, GALI BLADDER

SIGHT

255 88

R G B

88

77

C M Y K

77

C M Y K

COMPANY&HOTEL

255 100

R G B

DESTROY LUCKY COMPANY

100

63

63

C M Y K

C M Y K

RESIDENTIAL

DESTROY INSTANT FOOD SHOP

DESTROY

DESTROY

LUCKY SHETHER

HEALTH SHETHER DESTROY

HAPPY WALKWAY

HAPPY PIER

HAPPY PIER

SUBMERG SHETHER

DESTROY

instructor : David Mrugula

2011 PROJECT 5

▲▼▲

MOD FAB LAB THE WORST CASE?

YAOWARAT

DEVELOPEMENT OF IDEA

instructor : David Mrugula

2011 PROJECT 5 MOD FAB LAB THE WORST CASE?

YAOWARAT

NUMBER IN CHINESE CULTURE

2 8

In Chinese culture, certain numbers are believed by some to be auspicious (吉利) or inauspicious (不利) based on the Chinese word that the number name sounds similar to. However some Chinese people regard these beliefs to be superstitions.

One of their main Chinese belief is that numbers contribute a lot to their good luck and their happiness in life. Their belief pertaining to a particular number and the luck it may bring affect their behavior and choices in life . Chinese beliefs and culture revolves around getting good vibes or good luck and the pursuit of happiness and long life. In this article, we are going to look at lucky and unlucky numbers in Chinese culture, and the certain meaning of a particular number.

LUCKY NUMBER

5

LUCKY NUMBER

9

A lucky number is a number which seems favourable to a person. The Chinese put their trust in them more than anyone else in the world. The number is chosen not only in accordance to numerology but also according to its sound which should rhyme with the good words of Chinese vocabulary.

As such, the lucky number is not expected to bring good fortune or luck always but having it brings satisfaction to the person; the belief is that it will always put him at an edge over the others whenever his lucky number appears or is used by him as in money bills, phone numbers or bills, house/apartment numbers or vehicle number plates.

▲▼▲

7

6

UNLUCKY NUMBER Conversely, four (4) is a very unlucky number as in Chinese it sounds like the phonetic sound of 'death'. Thus Chinese adhering to the customs try to avoid the number four in, for example, car number plates, house addresses, etc.

UNLUCKY NUMBER

4

3

Seven (7) can also signify death, and Three 3, loneliness.

RESIDENTIAL

RESTAURANT

GOLD

RESIDENTIAL

COMPANY&HOTEL

LUCKY SHETHER

LUCKY CORTH GOLD

GOLD INSTANT FOOD SHOP

LUCKY MARKET RESTAURANT

GOLD

8

5

BLOCK

LUCKY NUMBER

2

EASY TO ACCESS AROUND SHOP One means loneliness, beginning, masculine. One has a thrusting energy that surges forth new growth and potential.

The number 2 also represents goodthings come in pair Two is considered a good number in Chinese culture because pairs are always good for them. They always use double things to emphasize things as well, like double happiness

BLOCK

LUCKY NUMBER

mean wellness it’s must be in restuarant Five -- this is a lucky number and is usually link to the five elements which are wood, earth eater fire earth and metal. This number is usually linked to the Emperor of China as well and the Tienanmen gate.

Eight -- This is their favorite number aside from nine and simply means prosperity. It is interesting to note that words and the number are similar - number eight and fortune

1

BLOCK

LUCKY NUMBER

sounds similar to the word which means "prosper" or "wealth In regional dialects the words for "eight" and "fortune" are also similar

BLOCK

LUCKY NUMBER

HAPPY PIER

COMPANY&HOTEL

GOLD COMPANY&HOTEL

9

BLOCK

LUCKY NUMBER

The number 9 also represents longlasting // journey Nine-- is the biggest of single numbers and it connotes the "Emperor of China" -- his robes are with nine dragons on it. Nine is a lucky number for Chinese because it connotes longevity, happiness and good luck.

COMPANY&HOTEL

RESIDENTIAL

RESTAURANT

LUCKY COMPANY GOLD

it’s will use tobe sign board

DESTROY

GOLD RESTAURANT

HEALTH SHETHER HEALTH MARKET

RESTAURANT

DESTROY

RESTAURANT

RESTAURANT

HAPPY WALKWAY

RESTAURANT it’s will use tobe sign board

8

BLOCK

LUCKY NUMBER

The number 8 also represents wealthness and will rich Eight -- This is their favorite number aside from nine and simply means prosperity. It is interesting to note that words and the number are similar - number eight and fortune

6

it’s will have open space for good helth

BLOCK

LUCKY NUMBER

The number 6 also represents happiness. In Cantonese, this number is a homophone for blessings Six -- The number six usually means fluidity -- blessings and it is good for business,

2

BLOCK

LUCKY NUMBER

5

9

BLOCK

BLOCK

LUCKY NUMBER

LUCKY NUMBER

The number 2 also represents goodthings come in pair

The number 5 also represents goodheath

Two is considered a good number in Chinese culture because pairs are always good for them. They always use double things to emphasize things as well, like double happiness

Five -- this is a lucky number and is usually link to the five elements which are wood, earth eater fire earth and metal. This number is usually linked to the Emperor of China as well and the Tienanmen gate.

COMPANY&HOTEL

The number 9 also represents longlasting // journey

Nine-- is the biggest of single numbers and it connotes the "Emperor of China" -- his robes are with nine dragons on it. Nine is a lucky number for Chinese because it connotes longevity, happiness and good luck.

instructor : David Mrugula

2011 PROJECT 5

▲▼▲ PHASE 2 that generate when they have main node they will create new function.So the block city will come more and more.

MOD FAB LAB THE WORST CASE?

YAOWARAT

▲▼▲

URBAN / ARCHITECTURAL SUGGESTIONS

PHASE 1 that generate from old market and new market that set to opposite site and the idea of design is try to linkage between two site to make new function.

So, in this phase is will be lucky market and heathy markrt.

PHASE 3 Block city will provide into the Soi and the dynamic of city will come. and the variety of space will be.

So,that will following to the concept of new function in between.

instructor : David Mrugula

2011 PROJECT 5

▲▼▲

MOD FAB LAB THE WORST CASE?

YAOWARAT

instructor : David Mrugula

2011 PROJECT 5

▲▼▲

MOD FAB LAB THE WORST CASE?

YAOWARAT

“

Chinatown Bangkok or Yaowarat was started when King Rama I decided in 1782 to establish the capital on the eastern bank of the Chao Phraya River. The Chinese immigrants who were originally settled in what is now the Grand Palace had to move out to a strip of land two km down the river.Over the years the settlement grew. Today Chinatown Bangkok or Yaowarat covers a square bounded by Phadung Krung Kasem Canal to the east, the Ong Ang Canal to the west, Luang Road to the north and the Chao Phraya River to the south, an area of about 2 sq km.The casual visitor to Chinatown would probably only have the time and energy to cover the main street Yaowarat Road where most of the activities are concentrated. The other road of interest is Rachawong Road which is off Yaowarat Road.Across the road from the train station is Traimit Road where the famous Wat Traimit or Temple of the Golden Buddha stands. This wat houses a 3 m high Buddha made of more than 5 tonnes of gold.Outside the main entrance of Wat Traimit is a traffic island on which stands a huge Chinese arched gate, the Odean Gate, built in 1999 to mark the 72nd birthday of King Bhumipol, the present king. This gate marks the start of Yaowarat Road and the walking tour of the rest of Chinatown.

Yaowarat Road, the main street in Chinatown Bangkok, was built in the reign of King Rama V. The crowded street winds through the bustling heart of Chinatown like a mythical dragon rearing its head at the Odean Gate, an auspicious sign to the residents. Traveling to Chinatown became more convenient, business picked up rapidly and Yaowarat soon became the city's first commercial district. It still does brisk trade today.Shop signs in both Thai and Chinese give the visitor a clear indication that he's in Chinatown.The street is lined with ubiquitous goldsmith shops, sharksfin and birds nest restaurants, shops and vendors selling Chinese herbal medicine, dried mushrooms, salted fish, roast, Chinese calendars, almanacs and of course, lottery tickets. The avid bargain hunter would have a ball a time browsing through the shops and stalls.

”

In Submerged case, The whole town of Yaowarat sank into two meter plus deep water. Our vision is to place the new city in between the two side of Yaowarat road that will have many sign board.It’s will be the place that people can come to meet ,eat,share together.So when Yaowarat have been flood it’s will delete the boudary line of walkway and road it’s will be the waterscape instead.also the vendors selling it’s will gone.So,It’s will be the combine function with believe and activity together to make new city with belive in submerged case. ”

instructor : David Mrugula

2012 THESIS

THAI COMPANY IN JAPAN

FUKUOKA , JAPAN ACROS UMIMACHI KOGA MEINOHAMA NOMA

PREPERATION

NAGASAKI , JAPAN SASEBO KURUME NAKAMA

THAI COMPANY

[WANNA BE ]

JAPAN

OISHI GREEN TEA

PERSONAL EXCHANGE

2011

49,983

2010

47,251

2009

45,805

2008

44,114

2007

42,736

2000

21,154

1995

21,745

1990

14,289

1985

7,852

1980

6,424

1975

5,952

>> THAIS IN JAPAN

From Research and Statistics of the number of Japanese residents in Thailand

>> JAPANESE IN THAILAND

In the world in which we are living today, and it is rightly called â&#x20AC;&#x153;the global villageâ&#x20AC;?, we cannot imagine having unity without diversity. It is not only that people in different parts of the world are diverse, but also now we have a lot of diversity in our own cities, towns, indeed in our neighborhoods. People who live next door to us are often very diverse in colors, cultures and religions.

Thailand and Japan were contact for a long time since World War II to the present. Thailand and Japan are the countries that have friendly relationship between economic, social and cultural cooperation has always been and will likely increase over time. Is the source of Japan cultural center and the objective is to provide a place to publish and exchange of information and culture, and technology. To the relationship and understanding between Thailand and Japan.

At present, the Japanese culture in Thailand is visible everywhere and a variety of formats. The media plays and movies, games, music, dress, food, Japanese literature, Japanese imports are called almost every aspect of life. Japan's economic power to the power of culture. In addition to affecting the lives and also affect the value of a stream. That has led to the study of Japan and Japanese culture in a deeper and wider than ever interested in a particular success. Japan's economy.

Continuation of the policy of encouraging foreign investment by the government. And driven by the Japanese. Satellite television and the visual reproduction. Free consumer culture. Proposed a technique of Japanese culture. The results are related to the spread of the cultural realm of sushi. And it seems that young people are faced with the power and even more so.

BANGKOK

It Brothel Business

35,935

CHONBURI 3,695

CHAING MAI 2,854

PRATUMTANI 1,023

AYUTTHAYA 889

instructor : Sunaree Lawanyawatana

2012 THESIS PREPERATION

Kirakira Kids International Kindergarten School

TOURIST >>

GENERAL DATA University School Institute of Japanese Studies

CULTURE >>

Sukumvit49 Bangkok

71,083

Thai - Japan Association School Rama 9 Bangkok

385

EDUCATION>>

Bangkok Grace International School

Sukumvit61 Bangkok

New Bambino International Kindergarten

Thai - Nichi Institute of Technology Suanluang Bangkok

Sukumvit49 Bangkok

Kobato International Kindergarten

Sukumvit38 Bangkok

Takenoko International Kindergarten

Sukumvit39 Bangkok

Seeh Pheenong International Kindergarten

Sukumvit49 Bangkok

Melodies International Kindergarten

Sukumvit38 Bangkok

OISCA International Kindergarten School

Wattana Bangkok

BUSINESS>>

INTERNATIONAL SCHOOL

2,723

2,500

113

319

JAPANESE LANGUAGE SCHOOL Japanese Language School Old japan studentâ&#x20AC;&#x2122;s association,kingdom of Thailand

ALL JAPAN ORGANIZATION WILL CONTROL BY EMBRASSY OF JAPAN IN THAILAND

Thai - Japan Association School Sriracha

Sriracha Chonburi

Oriental knowledge and language School Siam tower Bangkok

Mainichi Academic Group Siam tower Bangkok

Waseda International Cultural Center

Sriracha Chonburi School of language and culture Technology Promotion Association [ Thai-Japan]

j.a.t. language school

Japanese studies building

618 98

>> public university

>> Sriracha

j education center Silom Bangkok

Institute of East Asian Studies Thammasart university

Japanese studies center

Chaingmai University

instructor : Sunaree Lawanyawatana

2012 THESIS PREPERATION

INTERVIEW CONCLUSION

KUBOTA

SORNSRI PANTIBOON MORIYAMA

KONO TOMATA

?

What the relationship of the culture Thai and Japan, i find relationship by interview Japanese residence

This conclusion of interview most of interview are interest with art & craft and they always want to live with nature like zen theory.

instructor : Sunaree Lawanyawatana

2012 THESIS PREPERATION

MIDDLE INCOME

Around Chiangmai Sriracha

Soi Ari

JAPANESE HUSBAND

Around Chiangmai Sriracha

Soi Ari

Around ChiangmaiEXPAT Around Chiangmai Sriracha Sriracha

Soi Ari

+ THAI WIFE

THAI HUSBAND + JAPANESE WIFE

EXPAT

Sukhumvit Thaniya Sriracha Nimanhaemin Ping river

Sukhumvit Thaniya Sriracha Nimanhaemin Ping river

Sukhumvit Thaniya Sriracha Nimanhaemin Ping river

Soi Ari

Around Chiangmai Around Chonburi

FREELANCE

Sukhumvit Thaniya Sriracha Nimanhaemin Ping river

Khaosarn

RESERCHER STUDY Sukhumvit

Thaniya

Sriracha Nimanhaemin

Ping river

BIRTH SCHOOL AGE

WHAT THAY LIVING ??

WEDDING

ELDER

SICK

DEAD

Around Chiangmai Around Chiangmai Around Chonburi

Khaosarn

TRAVELER

ELDER

Sukhumvit

Sukhumvit

Thaniya

Sriracha Nimanhaemin

Ping river

Thaniya

Sriracha Nimanhaemin

Ping river

HIGH INCOME

instructor : Sunaree Lawanyawatana

2012 THESIS PREPERATION

TOP 3

JAPANESE RESIDENCE

BANGKOK

CHONBURI

2

1

1 BANGKOK 2 CHONBURI 3 CHIANGMAI 3

CHIANGMAI

instructor : Sunaree Lawanyawatana

2012 THESIS PREPERATION

BROKER REAL ESSTATE SIAM SILOM SUKUMVIT

-MINEGISHI -KOBAYASHI -KAOJU -KKS-HOUSING -STARTS-THAILAND

THONGLOR

PROVINCE LONG STAY(a) MAN

PERMANENT RESIDENCE(b)

WOMAN

MAN

BANGKOK 22,718 12,525

413

WOMAN

SUBTOTAL (c) (a + b)

MAN

WOMAN

TOTAL

279 23,131 12,804 35,935

The table shows a comparison of the organization of services for the people of Japan in Bangkok.

NEEDS BATH TUB WATER HEATER WASHLET ELECTRIC MACHINE

SONY,PANASONIC,SHARP,JVC,TOSHIBA

TYPE OF REAL ESTATE SERVICE APARTMENT

APARTMENT

CONDOMINIUM

instructor : Sunaree Lawanyawatana

2012 THESIS PREPERATION

Sriracha one of the major areas of the Eastern Seaboard Development Project. With the industry. Shipping port. Estates. Pop-up surrounded by many of the country's economic growth in the "water country" to become a center for people of all levels. Both Thai and foreign investors. People come to work and family. The majority of Japanese people who came to work as an extension of capital investment from Japan and will have many more. Until now "over" being called a "little Osaka" then.

- OFFICE NEAR ECONOMIC AREA, SRIRACHA -AFTER WORK THERE GO TO IZAKAYA or NOMIKAI -GOLF FEILD

FATHER//MAN

MOTHER//WOMAN

SRIRACHA

KOH LOY

- HOUSEWIFE HOBBYIST -ALWAY SHOPPING AT TOP SUPER MARKET,FRESH MARKET -CONVENIENT STORE THAT THEY LIKE IS CENTRAL CHONBURI CENTRAL PATTAYA

CHONBURI

LONG STAY(a)

PERMANENT RESIDENCE(b)

SUBTOTAL (c) (a + b) TOTAL

MAN

WOMAN

MAN

2,768

900

16

WOMAN

11

MAN

WOMAN

2,784

911

3,695

SRIRACHA NAKHON2

SRIRACHA NAKHON1

Service apartment sprung a mushroom.

“Sriracha Japan festival”

NIGHT SQUARE 3 ON MARKET AKH N HA RAC SRI

The number of Japanese people who live in Sriracha is not less than 5,000 people, and to the residents who travel to work and family. The most comfortable. As well as the safety of the residents. Most companies. So popular is giving these people stay in the same hotel apartments and serviced apartments.

SUKHUMVIT RD.

The Gulf of Thailand

SRIRACHA NAKHON 5

-THAI-JAPAN ASSOCIATION SCHOOL[SRIRACHA] -INTERNATIONAL SCHOOL [ENGLISH PROGRAME]

SRIRACHA NAKHON 4

CHILD//KIDS

PROVINCE

SURASAK2 RD.

JERMJOMPHON RD.

LITTLE OSAKA

SRIRACHA NAKHON8

THETSABAN1

This makes the support and service apartments. And some of which are open to people. Is the model for the Japanese people.

The City Hotel Sriracha The purpose of the founding of the beginning. In addition to supporting the Japanese who came to work in the East. To make a living in the long run. Today, this is the appointment of a Japanese businessman. To meet and exchange ideas with each other. As a consortium of Japanese people working in Sriracha.

Today, many of the changes seen in Sriracha, Chonburi filled with businesses.

Formed to serve the people of Japan to the image of the "little Osaka" Osaka is a city that has been dubbed the two would not be true.

SRIRACHA AREA

SURASAK1 RD.

instructor : Sunaree Lawanyawatana

2012 THESIS PREPERATION

SPORT PRACTICE RETIREMENT AGE GROUP 50 +

LONG STAY(a)

PERMANENT RESIDENCE(b)

SUBTOTAL (c) (a + b)

MAN

WOMAN

MAN

WOMAN

MAN

WOMAN

1,881

935

18

20

1,899

955

AROUNDCITY RD.

SUTHEP RD.

THAPAE RD.

TOTAL

LOIKHOR RD. 2,854

AROUNDCITY RD.

SRIDONCHAI RD.

PING RIVER

HUAIKAEW RD.

SUPER HIGHWAY

CHAINGMAI LAMPHUN

CHIANGMAI

STUDENT,RESERCH

THIPPANATE RD.

PROVINCE

TOURIST IN WINTER

MAHIDOL RD.

01 02 03 04

ART&CRAFT PROVINCE

NIMMANA HAEMINDA RD.

RANK

CHAROENPRATHET RD.

LONGSTAY

CHANGPHUEAK RD.

SOMPHOT CHAINGMAI 700 PI RD.

THAPAE RD.

MAHIDOL RD. SOMPHOT CHAINGMAI 700 PI RD. THIRD RING RD.

instructor : Sunaree Lawanyawatana

2012 THESIS PREPERATION

BANGKOK

35,935

CHONBURI 3,695

CHAING MAI

2,854

MORE ORGANIZATION TO SUPPORT JAPANESE RESIDENT ALWAY THINK ABOUT BUSINESS INDUSTRAIL CITY, THEY HAVE AREA THAT CALL JAPAN TOWN ALWAY THINK ABOUT BUSINESS

CULTURAL CITY & CREATIVE CITY RICH OF NATARAL NICE PEOPLE

instructor : Sunaree Lawanyawatana

2012 THESIS PREPERATION

Zen & the Japanese Arts.

Spiritual Disciplines.

CRAFT

All Japanese art forms such as chado, ikebana, shodo there is a tradition of study in art not only for art's sake, but also for spiritual purposes. When practiced with Zen principles in mind, art can be a peaceful journey and a way of self-cultivation leading to calmness, serenity and concentration.

Zen Aesthetic or Wabi-sabi.

This Zen aesthetic concept is will call Wabi-sabi and it sees beauty in thing that are imperfect,impermanent and incomplete. In art, Wabi-sabi is manifested in modest, humble,simple and earthly art works.

侘び

寂び

WABI REFERS TO

SABI REFERS TO

- A WAY OF LIFE, A SPIRITUAL PATH - THE INWARD, THIS SUBJECTIVE - A PHILOSOPHICAL, CONSTRUCT -SPATIAL EVENTS

- MATERIAL OBJECTS, ART AND LITERATURE - THE OUTWARD, THIS OBJECTIVE - AN AESTHETIC IDEAL -TEMPORAL EVENTS

Harmony with Nature.

Japanese culture has a harmonious relationship of nature. Harmony with nature is an important value in Shintoism, the native religion of Japan, and thisvalue has been enhanced and givena deeper meaning by Zen Buddhism.

instructor : Sunaree Lawanyawatana

2012 THESIS PREPERATION

Bencharong appears, Thailand

World's earliest polished stone tools

Immigrants from Korea Chinese T'ang methods is a bring the pottery wheel, three-colour pottery, bronze and iron work in green, golden brown and pale yellow.

Large scale export of Kalong kilns founded Sawankhalok wares Sawankhalok Northern Thailand with underglaze iron Celedons decoration, north north central central Thailand Thailand

Shoji Hamada Kanjiro Kawai

The Mingei movement.

Mingei means 'folk craft' it highlighted the beauty of ceramics made for ordinary people

Demise of Sawankhalok kilns, north central Thailand

民芸

MINGEI

Soetsu Yanagi 1300 Palaeolithic 10,000 BC

Joman

10,000 BC -300 BC

Yayoi

900BC -250AD

Kofun 250-538

Earliest pottery in the world

1468

1558

Nara

1735 Edo 1600-1868

710-794

1000 From the 5th Century, a lot of Koreans arrive. reated and manipulated deliberately by coating pots with wet wood ash before firing.

1351

Brown-glazed Khmer, Northern Thailand

1200

Sukhothai glazed wares in full production by this time, north central Thailand

Modern 1868-Now

Beyond beauty and ugliness

the Japanese folk art movement, was developed in the late 1920s and 1930s in Japan. Its founding father was Yanagi Sōetsu

Made by anonymous crafts people Produced by hand in quantity Inexpensive

1550

End of production at Kalong, northern Thailand

Hand-crafted art of ordinary people

The great fashion for tea ware from Rikyu's time, the elite gradually lost interest in these subtle,rustic items, and the great kilns responded accordingly.

Used by the masses Functional in daily life Representative of the regions in which they were produced.

AJ.Somluk Puntiboon

Founder Ban doidindang

instructor : Sunaree Lawanyawatana

2012 THESIS PREPERATION

INDEX FINGER

MIDDLE FINGER

+

NAIL THUMB

fingER tips ring finger

PALM

little finger brade

Natural material

[Soil,water,wood,wind,fire]

陶瓷的 CERAMIC

+

WRIST

Processed by hand

+ CULTURAL

Raku technique

+ Handicrafts

CERAMIC &

=

Ceramic Industries Development Center Lampang

CERAMIC

INDUSTRIALS

CERAMIC DESIGN

CERAMIC &

POTERRY ART MUSUEM

Raku techniques such as salt glazing and pit firing, primarily revolves around it's firing process although involvement with raku often goes much deeper into its philosophy, roots, and cultural significance.

Traditional raku and our western version of raku are similar in many ways though there are some significant it mean

CERAMIC &

POTERRY ART INSTITUTE CERAMIC ENGINEERING

AUTOMOTIVE

EDUCATION

MILITARY

ORGANIZATION

ORGANIZATION

AEROSPACE

The ancient Kingdom of Lanna, whose capital was Chiang Mai, produced some of the finest ceramics ever to have been made during the golden years between 1350 A.D. – 1550A.D. Chiang Mai is the home – the hub – of celadon which is avidly bought by visitors and is exported all over the world. We should indeed be prouder of promoters of this fine art such as Mengrai Kilns.

‘sheathed in jade’

OBTICAL

ELECTRONIC BIOMEDIACAL

Celadon technique

What is celadon ?

The products are emerald green, crackle glazed ceramic.

A natural wood-ash glaze containing iron fired in a reduction atmosphere at a temperature of 1260 degrees Celsius.The result is usually a green coloured, often crackled, stoneware. Whether the name celadon means ‘sheathed in jade’

POTERRY ART GALLARY Japan International Department of Cooretation Agenda Industrial Promotion

What is RAKU ?

a specific ceramic firing process that uses both fire and smoke to create unique patterns and designs

step one of this process is to put the piece into the raku kiln. This kiln will heat the piece up to 1800 degrees fahrenheit which melts the glazes.

The process of raku is what determines the factors, and these factors determine how the piece looks in the end.

instructor : Sunaree Lawanyawatana

2012 THESIS PREPERATION

PROJECTION SCREEN

Handbuilding

CERAMIC

Experience Level: All Levels 3 hour/week 11 week

STUDY PLANNING CERAMIC CLASS

Glaze Testing Galore

Experience Level: All Levels 3 hour/week 11 week

Throwing for Beginners

Experience Level: All Levels 3 hour/week 11 week

HAND BUILDING/mold/Glaze testing ART TABLES

80 cm.

240cm.

70 cm.

The Clay Studio Sampler Experience Level: Intermediate Class 3hour/week 6 week

Handbuilding II

Experience Level: Intermediate 3 hour/week 11 week

Throwing Concentration I

Experience Level: Intermediate/ 3 hour/week 11 week

SINK

85 cm.

STORAGE

FROM : ART ROOM //NEUFERT ARCHITECT DATA

Throwing Concentration II

Experience Level: Intermediate 3 hour/week 11 week

SPECIAL PROJECT

105 cm.

170 cm.

SPACE FOR1 PEOPLE

SPACE FOR 1 or 2 PEOPLE

THROWING STORE

PREPARING SPACE

WORK TABLE SINK

WHEEL SETTING THIS SETTING IS WIRELY USED FOR ELECTRIC WHEELS. THE POTTER SITS CROSS-LEGGED ON A PLAT AANUTON CUSHION OR ON NOTHING. LIGHT USUALLY COMES FROM WINDOW IN FRONT OF OR AT THE SIDE OF THE WHEEL

ADVANCE CLASS

INTERMEDIATE CLASS ALL LEVELS

CLASS

Mold Making

Experience Level: All Levels 3 hour/week 11 week

THAI JAPAN

Throwing Concentration II

Experience Level: Advanced 3 hour/week 11 week

Advance Pottery

Experience Level: Advanced 3 hour/week 11 week

Ceramic Sculpture

Experience Level: Advanced 3 hour/week 11 week

METAL WATER POT

TOOLS

160 cm.

80 cm.

TEOKE

40 cm.

120 cm.

TURNING STICK

HANDWHEEL DRIVING BOARD

THIS BOARD IS REMOVABLE FOR CLEANING THE WHEEL BASE AREA

STORE KLIN

instructor : Sunaree Lawanyawatana

2012 THESIS PREPERATION

TOTAL AREA 5632 Sq.M. parking zone

administrative

PUBLIC FACILITY workshop zone

1170 SQ.M.

34%

learning zone

1466.179 sq.m.

FUNCTION

CERAMIC CLASS PREPARING CLASS HAND BUILDING CLASS

THROWING CLASS MOLD CLASS GLAZE TESTING CLASS

KLINN STORAGE GAS/EARTH STORAGE

TEACHER ROOM WC

TEA CEREMONY CHANGING ROOM TEA ROOM IKEBANA CLASS IKEBANA CLASS WC TOTAL TOILET CIRCULATION 30% TOTAL AREA

AREA/UNIT

AREA.REQ

NOTE

9 60

160

LR/VRA LR/VRA LR/VRA LR/VRA LR/VRA LR/VRA

70 70

LR/VRA LR/VRA

67.5 30

DATA DATA

2 2 2 2 1 2 1 1

60 100 80 80 50 80 70 70

120 200 160 160 50

9 1

7.5 0.5

20 5

1

0.5

20 40

1 1

0.5

10 7.83

DATA TATAMI

40

LR/VRA

DATA 20 1127.83 sq.m.

338.349 sq.m.

1466.179 sq.m.

PUBLIC FACILITY FUNCTION MAIN FOYER MAIN GALLERY

NO.OF PP. UNIT

AREA/UNIT

AREA.REQ

PROCESS OF MAKING

CANTEEN SHOP WC

200 200 100

TEMPORARY GALLERY

TOTAL

CIRCULATION 30%

TOTAL AREA

NO.OF PP. UNIT

AREA/UNIT

AREA.REQ

AUDITORIUM LIBRARY LECTURE ROOM WC TOTAL

200 80 20 50

1 1 4 1

0.9

180 99 120 25

30 0.5

CIRCULATION 30%

NOTE

FUNCTION

NO.OF PP. UNIT

ADMINISTRATIVE OPENING SPACE RECEPTION AREA

OFFICE

40

DIRECTOR ROOM

1 1 40

SECRETARY MEETING ROOM

1 1 1 1 1 1

AREA/UNIT

3

2.5

STORAGE PANTRY WC

NOTE LR/VRA LR/VRA LR/VRA LR/VRA LR/VRA LR/VRA LR/VRA LR/VRA 900 sq.m.

270 sq.m.

1170 sq.m.

DATA DATA DATA DATA 424 sq.m.

127.2 sq.m.

551.2 sq.m.

TOTAL AREA

AREA.REQ

100 15 120 16 10 100 9 6

10

0.5

20

TOTAL 50 100 150 40 80

CERAMIC GALLERY

FUNCTION LEARNING ZONE

20 30 30 20 20

12%

551 sq.m.

NO.OF PP. UNIT

606 sq.m.

482 sq.m.

27%

CIRCULATION 30%

TOTAL AREA

NOTE DATA DATA DATA DATA DATA DATA LR/VRA LR/VRA DATA 371 sq.m.

111.3 sq.m.

482.3 sq.m.

11% 3% 13%

THROWING

KLIN

CLASS

196.3 sq.m.

FUNCTION

NO.OF PP. UNIT

BUILDING SERVICE AHU ROOM

AREA/UNIT

30 30 30 20 2.5 3

GARBAGE ROOM

1 1 1 1 1 1 1 1

WC

10

0.5

WATER PUMP ROOM

M&E ROOM EQUIPMENT ROOM

CLEANING STAFF SECURITY GUARD

4 2

STORAGE

AREA.REQ

NOTE

30 30 30 20 10 3

DATA DATA DATA DATA DATA DATA LR/VRA LR/VRA

8 10

CIRCULATION 30%

FUNCTION

AREA/UNIT

TOILET

STORE

80 100

1 1

510.79 96

DATA DATA

40

606.79 Sq.m.

PP. CLASS

PP. CLASS

MEETING ROOM HEAD SECRE TARY

OFFICE

LEC. LEC.

WATER AHU M&E PUMP ROOM ROOM

TOILET

TEA

IKE BANA

EQIP ROOM MAID

LIBRARY

AUDI TORIUM

GUARD

LEARNING

CENTER COURT

CERAMIC GALLERY

SHOP

TOTAL BUILDING AREA 5632.571 SQ.M. TOTAL PARKING AREA 606.79 SQ.M.

SERVICE PARKING

GAR BAGE STORE

SERVICE

TOILET

MAIN GALLERY

TOILET

TOILET

PROCESS GALLERY TEMPORARY

GALLERY

PUBLIC

LOBBY

PARKING RECEPTION

ADMINISTRATIVE

PARKING ZONE

CAR PARKING BUS PARKING TOTAL

MOLD CLASS

WORKSHOP PANTRY

NOTE

GLASS TESTING CLASS

TEACHER ROOM

196.3 sq.m.

AREA.REQ

CLASS

HAND BD. CLASS

TOILET

5026.032 Sq.m.

NO.OF PP. UNIT

THROWING

HAND BD. CLASS

TOILET

3866.179 Sq.m.

1159.853 Sq.m.

TOTAL AREA

ALL AREA CIRCULATION 30% TOTAL

CLAY STORE

DATA 151 sq.m.

45.3 sq.m.

20

TOTAL

MOLD CLASS

KLIN

LEC. LEC.

building service

OVER ALL TOTAL AREA 5632.571 SQ.M. DATA = LAW AND REGULATION ARCHITECT DATA LR = LITERATURE REVIEW VRA = VISIT REAL ACTIVITY TATAMI = TATAMI SIZE

STORE

OPENNING SPACE 10 Sq.m.

ACCESS TO PUBLIC AREA

ENTRANCE

instructor : Sunaree Lawanyawatana

2012 THESIS

JAPAN-THAI

Ceramic

institute ǶÔáÕ˧‹¡ÒÃ·Ó Ç¶ÔáÕ˧‹¡ÒÃ㪪ŒÇÕµÔ The way of making ,The way of living

instructor : Sunaree Lawanyawatana

detail

SUMANTHA NUAMTHANANG ID.51200046

2012 THESIS SITE ANALYSIS

CHIANGMAI

3RD RANKING

JAPANESE PEOPLE IN THAILAND

WHY JAPANESE WANT TO LIVE IN CHAINGMAI

cultural city

NATURAL RESORCE

creative city

GENESIS OF SOIL

NICE people TRADITIONAL LIVING

WHITE CLAY OR WHITE KAOLIN BLACK CLAY

HUB OF JAPANESE RESIDENT

CHAINGMAI WATER

TOILET

WOOD

CHIANGMAI

CREATIVE CITY

>

handmade chiangmai presents showcase of the rich history, variety and quality of the Chiangmai craft industry.

Chiangmai is blessed with a rich community of designers and craft makers spanning over generations of heritage. Contemporary designers are evolvHere are some highlights from our community.

Chiang Mai Creative City (CMCC) is an initiative that proposes to develop and market Chiang Mai as a centre for creative industry. In-line with the Thai government’s vision, CMCC aims to build upon Chiang Mai’s existing strengths to develop Thailand’s creative economy as a whole. The success met by creative cities around the world proves that positioning and creativity make a city more attractive

FUNCTIONAL DESIGN

HANDICRAFT

URBAN AND SOCIAL DEVELOPEMENT

TOURISM

FOLK ARTS

FRONT OF CHIANGMAI UNIVERSITY

UMONG TEMPLE BACKFRONT OF CHIANGMAI UNIVERSITY OF CHIANGMAI UNIVERSITY

OLD CITY

THAPAE,CHANG MOI

HUAYKEAW,SANTITAM

NIMMANHEMIN

WAU LAI

WATGATE,RIMPING

instructor : Sunaree Lawanyawatana

2012 THESIS ELEVATION OF SITE

1 COMMUNITY MALL

ROAD SYSTEM

SUPERHIGHWAY RD. HUAYKEAW RD.

2 COMMUNITY MALL

TOILET

1 2

3

SITE 3 5

FRONT OF SITE

4

6

4 78m.

4,290 Sq.m.

55m.

KUNKLONG RD.

NIMMANHEMIN RD.

RESIDENTIAL ZONE

SUTHEP RD.

5 RESIDENTIAL ZONE , ELEVATION OF SITE

6 MAIN ROAD

SECONDARY ROAD

instructor : Sunaree Lawanyawatana

2012 THESIS

+ FORM MAKING

PROCESS OF MAKING BASE

The Cause of Crazing

CRAZING

is a network of fine cracks on the surface of a material.

uncontrollable Beauty

Crazing is a fault of glazed ceramic. Characterised as a spider web pattern of cracks penetrating the glaze it is caused by tensile stresses greater than the glaze is able to withstand.

Because the clay and glaze of a piece have different chemical compositions, they respond differently when heated in the fire of a kiln. Both clay and glaze will expand under heat, but they do so at different rates. They also contract when cooled, again, at different rates. If the rates of contraction are too different, and the glaze contracts more than the clay, the glaze will crack under the tension. Most crazing occurs after the final firing of a piece, when the piece has cooled. Some crazing occurs at other times, during thermal stress or if the pottery is left exposed to extremely cold weather.

MAIN FIBRIL

DRY CLAY

DRY clay

CRAZE

DRY CLAY

CROSS-TIE FIBRIL CRACK TIP

WET CLAY

Glaze Crazing AT PIRING TEMPERATURE

( a glaze defect ) can occur in the glaze and, if the characteristic is desirable, is referred to as "crackle" glaze.

WITHOUT BONDING

GLAZING BODY OF CLAY

BONDED

TENSION

WET CLAY

GLAZING TENSION//COE BODY OF CLAY

MULTIPLE CRAZING GLAZING TENSION//COE BODY OF CLAY

GLAZING TENSION//COE BODY OF CLAY

CONNECTING CHAINS

Celadon technique

The products are emerald green, crackle glazed ceramic.

Raku technique

a specific ceramic firing process that uses both fire and smoke to create unique patterns and designs

TENSION

instructor : Sunaree Lawanyawatana

2012 THESIS

+ MATERIAL

HANDMADE material

KNOWLEDGE TRANSFER AMONG GENERATION

cREATE AN EXPERIENCE

Handmade bricks are manufactured from pure loess clay and wooden forms.

CRAFTMAN

HANDMADE

Clay bricks are made from rectangle blocks of dried clay burning in high temperature clin. Clay bricks are wellknown construction materials, since they are cheap. They were used for many ancient buildings such as monasteries, pagodas, and stupas.

+ INSTRUCTIONS 1. Dig up clay soil with a shovel to use as the material to build the bricks.

2. Mix the ground clay soil with water to make a thick malleable paste. Traditionally, clay bricks were molded by hand or with wooden tools.

3. Leave the bricks out in the sun to dry, or dry them in an oven to remove the moisture.

KEYWORD

half brick full brick

SCREENING 30%

“IT PROVIDE A GREAT OPPORTUNITY TO EXPLORE SOMETHING NEW”

3.0x6.2x14.2 cm

3.0x6.0x14.5 cm

WINDOW 50% 6.0x6.0x14.5 cm

6.5x8.5x18.5 cm

TRADITIONAL BRICK SIZE

12

4 CLAY BRICK IS A MATERIAL FOR COMMON CULTURAL HERITAGE IN THAI SOCIETY ,THAT SIMPLIFIED FROM THE BRICK IS TRANSFORMED INTO A UNIVERSAL GEOMETRIC SPACE. IT GOES BOTH LIGHT AND WIND, WHICH SIMPLE AESTHETIC SENSE.IT IS AN EASY TO UNDERSTAND BUILDING ,WHERE THE BRICK WALL DOES NOT GIVE THE SURFACE HOMOGENEOUS OF SUNLIGHT.

WINDOW70%

DOOR70%

24

4`*12*24 cm

instructor : Sunaree Lawanyawatana

2012 THESIS + CONCEPT HARMONY WITH NATURE

Zen meditation

in Nature’s 4 Seasons a circle of life in which new born life begins in spring, thrives in summer, bears fruit in autumn, and withers away in winter toward death.Nature is not merely equiva lent to scenery; nature’s power, kindness, strength, gentleness, demands and gener osity forge the character of the Japanese people.

PURE AESTHETIC

meaning and respect in the rythm of each season.

TRADITIONAL CERAMIC &RELIGION

A Japanese Way of Life

Ceramics are not merely functional objects and tea is not merely a beverage to drink.

Both have deep ties to spirituality in Japan and other asian countries that practice

All Japanese art forms such as chado, there is a tradition of study in art not only for art's sake, but also for spiritual purposes.

When practiced with Zen principles in mind, art can be a peaceful journey and a way of self-cultivation leading to calmness ,serenity and concentration.

ZEN AESTHETIC OR WABI-SABI. This Zen aesthetic concept is will call Wabi-sabi and it sees beauty in thing that are imperfect,impermanent and incomplete. In art, Wabi-sabi is manifested in modest, humble,simple and earthly art works.

侘び

寂び

WABI REFERS TO

SABI REFERS TO

- A WAY OF LIFE, A SPIRITUAL PATH

- THE INWARD, THIS SUBJECTIVE - A PHILOSOPHICAL, CONSTRUCT -SPATIAL EVENTS

PRACTICE MAKe KNOWLEDGE

- MATERIAL OBJECTS, ART AND LITERATURE - THE OUTWARD, THIS OBJECTIVE - AN AESTHETIC IDEAL -TEMPORAL EVENTS

understand zen

ZEN LEARNING FOLK craft

Beyond beauty and ugliness the Japanese folk art movement, was developed in the late 1920s and 1930s in Japan. Its founding father was Yanagi Sōetsu Made by anonymous crafts people

民芸 MINGEI

ZEN

technical style

THE ART

oF POTTERY

Ideal Land

of living

REDUCE DETAIL for the essence of gardening

Produced by hand in quantity Inexpensive Used by the masses Functional in daily life Shoji Hamada Soetsu Yanagi AJ.Somluk Puntiboon Founder Ban doidindang

Representative of the regions in which they were produced.

ceremony.

focus on object, environment,natural discuss observe art ceremony

poet song story article CERAMIC painting

SEQUENCE LEARNING

ZEN DRY LANDSCAPE ROCK/GRAVEL/SAND black/white

ceramic

ZEN

Motion practice.

making tea dringing tea dringing tea

BASIC way to

Japanese THAI

HARMONY WITH NATURE.

Japanese culture has a harmonious relationship of nature. Harmony with nature is an important value in Shin-toism, the native religion of Japan, and thisvalue has been enhanced and givena deeper meaning by Zen Buddhism.

find problem & question that invalid dharma puzzle

Wabi sabi ceramics are based on the ede-old japanese zen philosophy of wabi sabi which represents a calm and rustic simplicity,freshness ,or quietness. these stoneware PIECES REFLECT ANATURAL AND ORGANIC BEUTY THAT APPEARS TO HAVE COME WITH AGE,AS EVIDENCED IN THIER TEXTURE,PATINA AND COLORING.DUE TO THE HANDMADE NATURE OF THESE PIECE,NO TWO WABI SABI PIECES WILL EVER LOOK EXACTLY THE

Hand-crafted art of ordinary people

focus internal mental

Sitting meditation.

movement body static body

"The way of zen cannot be taught , it can only be learned."

TEA GARDEN Organizing for the Spirit

Access to the garden will be to cleanse the soul.

ZEN HARMONY WITH NATURE

Every step is filled with consciousness. not to step on the delicate moss.

Consider bamboo water downed.

A potter exploring buddhist philosophy through ceramic art Spirit of Meditation

Anything but Ordinary. Nature inspired handcrafted ceramic art of organic, Zen and earthy quality from sculptural forms to functional pottery.

concept of planning

relationship based understanding

ZEN

The Cycle of Life

Japanese Culture Responds to Nature’s Diversity.

meditation practice

Zen Buddhism has become linked to various arts and crafts practices, it will be useful to give a brief history and background of the history of Zen and its more purely philosophical and religious elements.

instructor : Sunaree Lawanyawatana

2012 THESIS

WAY OF ZEN SIMAplicity - space stillness- material purity- light naturalness-natural

OUTDOOR EXHIBITION

CULTURE

PLAZA

WORK SHOP

IDENTITY OF CHIANGMAI art&craft - material tradition-function culture-pattern

ROOT OF ZEN + IDENTITY OF CHIANGMAI = beauty of natural changed with new experiences

PP. CLASS

HAND BD. CLASS

LIBRARY

+ CONCEPT ARCHITECT FROM

“KaGE”

TRADITIONAL

JAPANESE ROOF

CREATE SHADOW

SHADOW

In making for ourselves a place to live,we first spread parasol to throw a shadow on the earth, and in the pale light of the shadow on the earth. that the beauty of a architecure depends on a variation of shadows, heavy shadows against light shadows.

LIGHT SHADE SHADOW

INSIDE of BUIDING

effect of SHADOW

INSIDE of BUIDING

SHADOW

SHADOW RECORDER

TEMPORARY

GALLERY

9.00

MOLD CLASS

CERAMIC GALLERY

HAND BD. CLASS

10.00

11.00

12.00

13.00

14.00

15.00

16.00

17.00

CERAMIC CAFE’

WESTERN SHADow

JAPANESE SHADE

WEST

7.30

THROWING CLASS

SHOP

THROWING

GLASS

EXITING TREE

EAST

8.00 LOBBY

CLAY STORE

MODERN ROOF can’t creat

NATURAL LIGHT A room should be brighter in summer A room shoUld be DIMMER in winter

TEA

APPROCH

ARTIFICIAL LIGHT A room should be dimmer in summer A room shoUld be brighter in winter

WORKSHOP AREA OUTDOOR GALLERY

21 JUNE 10.00

21 JUNE 12.00

21 JUNE 14.00

21 JUNE 16.00

21 JUNE

ี ี

ROUGHTY RECOGNIZE LEARN

WALKWAY

BLDG. WITH LANDSCAPE

LANDSCAPE

MAIN BUILDING

TESTING CLASS

PRACTICE *SECOND FLOOR IMPROVE SKILL

instructor : Sunaree Lawanyawatana

2012 THESIS 21 DEC 10.00

21 JUNE

@ CHAINGMAI

12.20

SUMMER

21 DECEMBER

@ CHAINGMAI

12.31

WINTER

21 DEC 12.00

SHADE FORM

21 DEC 14.00

21 JUNE

@ CHAINGMAI

12.20

SUMMER

21 DECEMBER

@ CHAINGMAI

12.31

WINTER

21 DEC 16.00

FUNCTION A

EAVE

21 DEC

FUNCTION B

SUPPORT

LOBBY/STAFF/WC

FUNCTION C

MAIN

instructor : Sunaree Lawanyawatana

2012 THESIS

instructor : Sunaree Lawanyawatana

2012 THESIS ELEVATION A

SCALE 1:100

ELEVATION B

SCALE 1:100

instructor : Sunaree Lawanyawatana

2012 THESIS 3 4

ELEVATION C

SCALE 1:100

5

2

1 1. CEARAMIC CEFE’ 2. CERAMIC GALLERY 3. TEACHER ROOM 4.THROWING CLASS 5.PARKING

SECTION A

SCALE 1:100

1

2

3

4

6

7

5

ELEVATION D

SEC TION B

SCALE 1:100

SCALE 1:100

1. ADMINISITRATION 2. MEETING ROOM 3. GLAZING TESTING CLASS 4.MOLDING CLASS 5.PARKING 6.TEA CEREMONY 7.CERAMIC SHOP

instructor : Sunaree Lawanyawatana

2012 THESIS

instructor : Sunaree Lawanyawatana

2012 THESIS

instructor : Sunaree Lawanyawatana

2012 THESIS

instructor : Sunaree Lawanyawatana

OTHER WORK KMUTT GREEN CAMPUS

instructor : Wirat Pantapatkul

OTHER WORK KMUTT GREEN CAMPUS

instructor : Wirat Pantapatkul

OTHER WORK APPLE SHOP LIGHTING DESIGN

instructor : Wirat Pantapatkul

OTHER WORK BANGKOK GATEWAY : MAKKASAN RESERCH

instructor : Wirat Pantapatkul

OTHER WORK BANGKOK GATEWAY : MAKKASAN RESERCH

MASTER PLAN

instructor : Wirat Pantapatkul