Sumantha port

Page 1

ARCHITECTURE PORTFOLIO

SUMANTHA NUAMTHANANG 2008-2017


SUMANTHA nuamthanang

Born ON 24 February 1989 in Thailand [28 year old] General Information Nationality : THAI ID No : 1-1020-01104-224 Gender : feMale Height : 155 cm. Weight : 40 kg. Marital Status : SINGLE line id architip E-mail tip.sumantha@gmail.com Mobile 086 062 6911

Education 2016-now study in master degree Real Estate Business at Thammasat university 2008-2013 Bachelor of architecture degree [international programe] School of architecture and design, king mongkut university Of technology thonburi [KMUTT], bangkok Cumulative Grade Point Average: 2.98 PROFESSIONAL LICENSE Associate Architect No.16870 MEMBERSHIP Member of Association of Siamese Architects (ASA) under the Royal Patronage Work experience 2013 - 2017 design 103 international limited,Thailand [architect] 2012 space time architecture & interior design,Thailand [trainee] - may 2012 to aug 2012 2011 participate panyi island workshop with S+pba : December 2011 participate creative unfold by TCDC with Supermachine studio : October 2011 participate 20th century museum workshop with Master's program of architectural design,Kyoto institute of technology [kit] participate workshop with Arizona state university : July 2011 sq architect & planner ,Thailand [trainee] - may 2011-june 2011 2010 uia forum 2010 and asa 2010 : [co-ordinated with vip guest official foreign visitor] honor and award 2014 Jury's selection architecture, degree show 2013, art4d magazine 2014 Jury's selection , 3 style 3 design 3 home , scg 2011 1st prize , 20th century museum workshop with Master's program of architectural design,Kyoto institute of technology [kit]

Digital skills autocad sketchup v-ray 3dsmax Adobe illustrator Adobe Photoshop REVIT microsoft office suite Language skill English native French FAIR [delf a1]


personal statement My name is Sumantha Nuamthanang. I am from bangkok, Thailand. I graduate in the year 2013 from School Of Architecture and Design, King Mongkut’s University of Technology Thonburi [KMUTT]. With Bechelor Degree in Architecture programe [International] My passion in life is travelling. It has always been my dream to visit every country on this earth at least once. I love to discover and learn about a wide variety of things. Even as a small child I was always asking questions and trying to learn as much as I could. I know that no matter where my travels take me, I am always going to be learning new and exciting things. I learned to never give up your dream and be successful in life. Life is so short and we must make good of it every minute of the day. When i was young i travel to many places with my family but since I further my study to higher institution, the schedule is getting tighter and busy. I really hope that I can find free time and fulfill my dream to travel all around the world in the future. I just love to travel because it makes me realize that life is so beautiful and there is so much to admire and treasure in this world. It also gives me chance to explore new places and learn different cultures and traditions while meet new people that were born and live in different ways than mine. Furthermore, it does not only increase my knowledge but also help me feel relax with my family and forget all the problems that I have. Each travel experience teaches me something new and made me become a better person. Although I do not get the opportunity to travel overseas too often now, but I am still grateful that at least I have been to many beautiful and great places in Japan, Singapore, Lao, and Malaysia which I will reminisce the memories for the rest of my life. One of the most memorable places that I have visited is Japan. I went there with my friend. It was a wonderful place and I really enjoyed traveling in Tokyo, Kyoto and Osaka somuch. I wish I will backto Japan soon, but this time I will go to urban zone instead.The latest place that I have visited is Singapore which I went with my friend last month. This tiny island nation, Singapore is the definition of highly urbanized city. It’s clean and orderly.The city-state is home to an incredibly diverse population mostly consisting of Chinese, Malays and Indians. With this diversity comes a delicious and unique food option.I can eat where the locals eat. I take the hawkers, stalls and small restaurants along the streets for granted to taste authentic Singaporean cuisine. They have the best food, in my opinion. Nasi-limak is a must-order!I think good thing of Singapore is transportation systems are so organized, well-maintained and easy to understand! Bangkok should take a cue from Singapore.I think an architect must travel, see the world. This is what I believe. Whenever I travel, I’m not just looking at interesting places to go but I also observe the environment. How people behave, how the city developed, why things happen and much more. As an architect, we are not only building beautiful buildings.we are creating an environment, a place for people to live in. The more I travel, i became more concern to my surrounding, to the buildings that I create. So I wish one day I will be a travel writer with Architecture sketch and Architecture photo like architecture journal.

Sincerely, Sumantha Nuamthanang


CONTENTs Professional work 00 Mixed Use Complex, Riyadh,Saudi Arabia 00 Batu Kawan Master plan, Penang, Malaysia 00 YANGON TRIPLE MIXED USE PROJECT, Yangon, Myanmar 00 Riverside Condominium, Yangon, Myanmar 00 Project Unique Float , PORTMOREBY , Papua New Guinea 00 Dembel city Phase 1,Ethiopia 00 Inya Lake Hotel, Yangon, Myanmar 00 Suvarnabhumi Airport City, Samutprakarn, Thailand 00 Yentrung lake masterplan, vietnam 00 penang exhibition center , penang, malaysia 00 BANDAR CASSAI masterplan, MALAYSIA

Bachelor’s degree (2008-2013) 01 - 12 THESIS - ART4D JURY’s SELECTION

Architecture Portfolio


2013-now

13–now

PROFESSIONAL WORK


2014

competition

COMPETITION 3style 3design 3home SCG

JULY’s SELECTION

DESIGN HOME FOR CELEBRITY THAT I SELECT FROM BRIEF I SELECT FASHIONISTA CELEBRITY [PLOY HORWANG] cONCEPT OF THIS HOUSE IS COME FROM MINIMAL BUT ALSO HAVE GIMMICK IN DESIGN by uSEING ELEMENT FROM SHAPE AND REPRESENTATIVE BY FORM THAT FUN /ACTIVE/ USEFUL


2014

work experience

Mixed Use Complex Riyadh Saudi Arabia

design concept stage

The mix use development comprises 3 main components, a hotel, condominium and a Shopping mall, in one structure. Especially the shopping mall will be family orientated with a French flavor to both the external Architecture and Interior design Consists of 3 storey of retail podium that will focus on Kidzania,legoland and 10 storey condominiums.

PROFESSIONAL WORK, DESIGN103


2015

work experience

Aspen Vision City Batu Kawan Master plan, Penang MALAYSIA

SCHEMATIC DESIGN - CONCEPTUAL DEVELOPEMENT

Schematic and Conceptual development of a surface area of 2,411,000 Sq.m. (245 Acre) to be used for IKEA, Hotel and conference, Condominium living, shopping mall sector, Commercial area ,office buildings, International school. And iconic Central parks were also part of the design; Penang, Malaysia

PROFESSIONAL WORK, DESIGN103


2014

work experience

Inya Lake Hotel Yangon Myanmar

248 key 3 star business hotel using the Ibis design as a basis for the design parameters for the hotel. Located on the busy Pyay Road opposite the International Business Centre and Inya lake. The location north of the city centre and convenient to the airport to appeal to the business traveller not wanting to get caught up in the increasing congestion of the downtown area. The GFA for the hotel is approximately 9,400Sq/M on a building plot of 1,400Sq/M.

SCHEMATIC DESIGN - DESIGN DEVELOPEMENT

PROFESSIONAL WORK, DESIGN103


2015

work experience

Riverside Condominium Yangon Myanmar

A High rise tower of 33 stories, 292 units for apartment resident with concept of a prime location next to the bridge crossing into Dagon Township, in Yangon, Myanmar.

SCHEMATIC DESIGN - DESIGN DEVELOPEMENT

PROFESSIONAL WORK, DESIGN103


2014

work experience

Suvarnabhumi Airport City Samutprakarn Thailand

SCHEMATIC DESIGN

A proposed Airport City in Suvarnabhumi Airport, Bangkok, Thailand, in 1000 RAI (400 Acre) site within the Airport’s property, consists of International Sport Stadiums, commercial complex, convention center, hotels, offices, cargo buildings and International race track.

PROFESSIONAL WORK, DESIGN103


2015

work experience

BATU KAWaN SHOPHOUSE penang MALAYSIA

SCHEMATIC DESIGN-design development

Schematic and Conceptual development of a surface area of 2,411,000 Sq.m. (245 Acre) to be used for IKEA, Hotel and conference, Condominium living, shopping mall sector, Commercial area ,office buildings, International school. And iconic Central parks were also part of the design; Penang, Malaysia


2015

work experience

Dembel city Phase 1,Ethiopia Ethiopia

design development - construction

The mix use development comprises three main components, a hotel, a serviced apartment tower and a commercial mall, in one structure. Consists of 5 storey retail podium and 22 storey condominium located in Africa Ave, with the best connections to Bole international airport in Addis Ababa, Ethiopia.

PROFESSIONAL WORK, DESIGN103


2016

work experience

yangon triple mixed use yangon myanmar

SCHEMATIC DESIGN-design development

The mix use development comprises three main components, a hotel, apartment and office, Consists of 3 storey retail podiuam and 15 stories apartment with 140 KEYS hotel under radisson standard.


2016

work experience

BAngkok sport and learning center rama 2 thailand

SCHEMATIC DESIGN-design development

The bangkok sport and learning center comprises three main components, a sport complex music school, primary schol and 2 dormitory


2017

work experience

yen trung lake master plan viatnam

SCHEMATIC DESIGN-concept design

a project concept is developed. The master plan covering over 400 hectares around the lake is envisioned to be a harmony of the existing nature, engagement of the locals farmers, and passing religious tourists, it is summarized into three main concepts of: Farming, Resort, and Tourism on themes of meditation, serenity, and local preservation.


2015

work experience

BANDAR CASSAI masterplan penang MALAYSIA

SCHEMATIC DESIGN-concept design

290 acres Mixed development with plot ratio 3, inclusive of development as below : commercial development (to include retail shop, SOHO,hotel, shopping mall) residential development (to include a super link, terraced houses, semi-detached houses, bungalows and condominium)AND super link, terraced houses, semi-detached houses, Remaining as condominium with green park AND Miscellaneous/Infrastructure


2016

work experience

sule wharf masterplan yangon myanmar

SCHEMATIC DESIGN-design development

Integrate the wharf redevelopment & the Heritage buildings by Boulevard, walking plaza, 8 lane road, tree lined thoroughfare.


2016

work experience

penang exhibition centre penang MALAYSIA

SCHEMATIC DESIGN-design development

a project concept is Faรงade Conceptual Design 8 stories of parking building and consist with lobby ballroom, exhibition center in malaysia


2018-2013

08–13

BACHELOR’S DEGREE


01–12

thesis preperation advisor : Sunaree Lawanyawatna

+ CONCEPT HARMONY WITH NATURE

Zen meditation

relationship based understanding

a circle of life in which new born life begins in spring, thrives in summer, bears fruit in autumn, and withers away in winter toward death.Nature is not merely equiva lent to scenery; nature’s power, kindness, strength, gentleness, demands and gener osity forge the character of the Japanese people.

PURE AESTHETIC

A Japanese Way aay of Life

Ceramics are not merely functional objects and tea is not merely a beverage to drink. Both have deep ties to spirituality in Japan and other asian countries that practice

All Japanese art forms such as chado, there is a tradition of study in art not only for art's sake, but also for spiritual purposes. When practiced with Zen principles in mind, art can be a peaceful journey and a way of self-cultivation leading to calmness ,serenity and concentration.

ZEN AESTHETIC OR WABI-SABI. This Zen aesthetic concept is will call Wabi-sabi and it sees beauty in thing that are imperfect,impermanent and incomplete. In art, Wabi-sabi is manifested in modest, humble,simple and earthly art works.

侘び

寂び

WABI REFERS TO W

SABI REFERS TO

- A WAY OF LIFE, A SPIRITUAL PATH

- THE INWARD, THIS SUBJECTIVE - A PHILOSOPHICAL, CONSTRUCT -SPATIAL EVENTS

PRACTICE MAKe KNOWLEDGE

in Nature’s 4 Seasons

meaning and respect in the rythm of each season.

TRADITIONAL CERAMIC &RELIGION

ZEN

The Cycle of Life

Japanese Culture Responds to Nature’s Diversity.

- MATERIAL OBJECTS, ART AND LITERATURE - THE OUTWARD, THIS OBJECTIVE - AN AESTHETIC IDEAL -TEMPORAL EVENTS

the Japanese folk art movement, was developed in the late 1920s and 1930s in Japan. Its founding father was Yanagi Sōetsu Made by anonymous crafts people

HARMONY WITH NATURE.

Japanese culture has a harmonious relationship of nature. Harmony with nature is an important value in Shin-toism, the native religion of Japan, and thisvalue has been enhanced and givena deeper meaning by Zen Buddhism.

understand zen

ZEN LEARNING FOLK craft

民芸 MINGEI

ZEN ZEN

oF POTTERY

Ideal Land

of living

REDUCE DETAIL for the essence of gardening

Produced by hand in quantity Inexpensive Used by the masses Functional in daily life Shoji Hamada Soetsu Yanagi AJ.Somluk Puntiboon Founder Ban doidindang

Representative of the regions in which they were produced.

ceremony.

focus on object, environment,natural discuss observe art ceremony

poet song story article CERAMIC painting

SEQUENCE LEARNING

ZEN DRY LANDSCAPE ROCK/GRAVEL/SAND black/white

technical style

ceramic

THE ART

Motion practice.

making tea dringing tea dringing tea

BASIC way to

Japanese THAI Beyond beauty and ugliness

focus internal mental find problem & question that invalid dharma puzzle

Wabi sabi ceramics are based on the ede-old japanese zen philosophy of wabi sabi which represents a calm and rustic simplicity,freshness ,or quietness. these stoneware PIECES REFLECT ANATURAL AND ORGANIC BEUTY THAT APPEARS TO HAVE COME WITH AGE,AS EVIDENCED IN THIER TEXTURE,PATINA AND COLORING.DUE TO THE HANDMADE NATURE OF THESE PIECE,NO TWO WABI SABI PIECES WILL EVER LOOK EXACTLY THE

Hand-crafted art of ordinary people

meditation practice

ZEN HARMONY WITH NATURE

Sitting meditation.

movement body static body

"The way of zen cannot be taught , it can only be learned."

TEA GARDEN Organizing for the Spirit

Access to the garden will be to cleanse the soul.

Every step is filled with consciousness. not to step on the delicate moss. Consider bamboo water downed.

A potter exploring buddhist philosophy through ceramic art Spirit of Meditation

Anything but Ordinary. Nature inspired handcrafted ceramic art of organic, Zen and earthy quality from sculptural forms to functional pottery.

concept of planning

2012

Zen Buddhism has become linked to various arts and crafts practices, it will be useful to give a brief history and background of the history of Zen and its more purely philosophical and religious elements.

Bachelor’s degree, KMUTT


2012

01–12

thesis preperation advisor : Sunaree Lawanyawatna

SITE ANALY L SIS LY

CHIANGMAI

3RD RANKING

JAPANESE PEOPLE IN THAILAND

WHY JAPANESE WANT TO LIVE IN CHAINGMAI

cultural city

NATURAL RESORCE

creative city

GENESIS OF SOIL

NICE people TRADITIONAL LIVING

WHITE CLAY OR WHITE KAOLIN BLACK CLAY

HUB OF JAPANESE RESIDENT

CHAINGMAI WATER

TOILET

WOOD

CHIANGMAI

CREATIVE CITY

>

Chiang Mai Creative City (CMCC) is an initiative that proposes to develop and market Chiang Mai as a centre for creative industry. In-line with the Thai government’s vision, CMCC aims to build upon Chiang Mai’s existing strengths to develop Thailand’s creative economy as a whole. The success met by creative cities around the world proves that positioning and creativity make a city more attractive

FUNCTIONAL DESIGN

HANDICRAFT

URBAN AND SOCIAL DEVELOPEMENT

TOURISM

FOLK ARTS

FRONT OF CHIANGMAI UNIVERSITY

UMONG TEMPLE BACKFRONT OF CHIANGMAI UNIVERSITY OF CHIANGMAI UNIVERSITY

OLD CITY

THAPAE,CHANG MOI

HUAYKEAW,SANTITAM

NIMMANHEMIN

WAU LAI

WATGATE,RIMPING

Bachelor’s degree, KMUTT


2012

01–12

thesis preparetion advisor : Sunaree Lawanyawatna

+ FORM MAKING

PROCESS OF MAKING BASE

The Cause of Crazing

CRAZING uncontrollable Beauty

Crazing is a fault of glazed ceramic. Characterised as a spider web pattern of cracks penetrating the glaze it is caused by tensile stresses greater than the glaze is able to withstand.

Because the clay and glaze of a piece have different chemical compositions, they respond differently when heated in the fire of a kiln. Both clay and glaze will expand under heat, but they do so at different rates. They also contract when cooled, again, at different rates. If the rates of contraction are too different, and the glaze contracts more than the clay, the glaze will crack under the tension. Most crazing occurs after the final firing of a piece, when the piece has cooled. Some crazing occurs at other times, during thermal stress or if the pottery is left exposed to extremely cold weather.

MAIN FIBRIL

DRY CLAY

DRY clay

CRAZE

DRY CLAY

CROSS-TIE FIBRIL CRACK TIP

WET CLAY

Glaze Crazing AT PIRING TEMPERATURE

( a glaze defect ) can occur in the glaze and, if the characteristic is desirable, is referred to as "crackle" glaze.

WITHOUT BONDING

GLAZING BODY OF CLAY

BONDED

TENSION

WET CLAY

GLAZING TENSION//COE BODY OF CLAY

MULTIPLE CRAZING GLAZING TENSION//COE BODY OF CLAY

GLAZING TENSION//COE BODY OF CLAY

CONNECTING CHAINS

Celadon technique The products are emerald green, crackle glazed ceramic.

Raku technique

a specific ceramic firing process that uses both fire and smoke to create unique patterns and designs

TENSION

Bachelor’s degree, KMUTT


2012

01–12

thesis preparetion advisor : Sunaree Lawanyawatna

+ MATERIAL

HANDMADE material

KNOWLEDGE TRANSFER AMONG GENERATION

cREATE AN EXPERIENCE

Handmade bricks are manufactured from pure loess clay and wooden forms.

CRAFTMAN

HANDMADE

Clay bricks are made from rectangle blocks of dried clay burning in high temperature clin. Clay bricks are wellknown construction materials, since they are cheap. They were used for many ancient buildings such as monasteries, pagodas, and stupas.

+ INSTRUCTIONS 1. Dig up clay soil with a shovel to use as the material to build the bricks. 2. Mix the ground clay soil with water to make a thick malleable paste. Traditionally, clay bricks were molded by hand or with wooden tools. 3. Leave the bricks out in the sun to dry, or dry them in an oven to remove the moisture.

KEYWORD

half brick full brick

SCREENING 30%

“IT PROVIDE A GREAT OPPORTUNITY TO EXPLORE SOMETHING NEW”

WINDOW 50% 3.0x6.2x14.2 cm

3.0x6.0x14.5 cm

6.0x6.0x14.5 cm

6.5x8.5x18.5 cm TRADITIONAL BRICK SIZE

CLAY BRICK IS A MATERIAL FOR COMMON CULTURAL HERITAGE IN THAI SOCIETY ,THAT SIMPLIFIED FROM THE BRICK IS TRANSFORMED INTO A UNIVERSAL GEOMETRIC SPACE. IT GOES BOTH LIGHT AND WIND, WHICH SIMPLE AESTHETIC SENSE.IT IS AN EASY TO UNDERSTAND BUILDING ,WHERE THE BRICK WALL DOES NOT GIVE THE SURFACE HOMOGENEOUS OF SUNLIGHT.

12

4

WINDOW70%

DOOR70%

24

4`*12*24 cm

Bachelor’s degree, KMUTT


2012

01–12

thesis preperation advisor : Sunaree Lawanyawatna

the way of Making , the way of living In the world in which we are living today, and it is rightly called “the global village”, we cannot imagine having unity without diversity. It is not only that people in different parts of the world are diverse, but also now we have a lot of diversity in our own cities, towns, indeed in our neighborhoods. People who live next door to us are often very diverse in colors, cultures and religions. Thailand and Japan were contact for a long time since World War II to the present. Thailand and Japan are the countries that have friendly relationship between economic, social and cultural cooperation has always been and will likely increase over time. Is the source of Japan cultural center and the objective is to provide a place to publish and exchange of information and culture, and technology. To the relationship and understanding between Thailand and Japan. At present, the Japanese culture in Thailand is visible everywhere and a variety of formats. The media plays and movies, games, music, dress, food, Japanese literature, Japanese imports are called almost every aspect of life. Japan's economic power to the power of culture. In addition to affecting the lives and also affect the value of a stream. That has led to the study of Japan and Japanese culture in a deeper and wider than ever interested in a particular success. Japan's economy. Continuation of the policy of encouraging foreign investment by the government. And driven by the Japanese. Satellite television and the visual reproduction. Free consumer culture. Proposed a technique of Japanese culture. The results are related to the spread of the cultural realm of sushi. And it seems that young people are faced with the power and even more so.

?

What theAirports relationship of the Thai and Japan, i find relationship by interview Japanese residence AOT Regional Master plan,culture Thailand

Bachelor’s degree, KMUTT


2012

01–12

thesis preperation advisor : Sunaree Lawanyawatna

JAPPAN JAPAN JA AN--THAI

Ceramic

institute Ç¶Ô áÕ Ë§‹ ¡ÒÃ·Ó ·Ó ÇÇÔ¶Ô áÕ Ë§‹ ¡ÒÃã Ã㪪ŒªŒªÕÇÇÔÕ µÔ The way of making ,The way of living

the way of Making , the way of living.

Bachelor’s degree, KMUTT


2012

01–12

thesis preparetion advisor : Sunaree Lawanyawatna

+

SHADOW RECORDER

ARCHITECT FROM

EAST

cONCLUTION FROM ANALYSIS

SHADOW

In making for ourselves a place to live,we first spread parasol to throw a shadow on the earth, and in the pale light of the shadow on the earth. that the beauty of a architecure depends on a variation of shadows, heavy shadows against light shadows.

9.00

10.00

11.00

12.00

13.00

14.00

15.00

16.00

17.00

8.00

WEST

7.30

WESTERN SHADow

JAPANESE SHADE

NATURAL LIGHT A room should be brighter in summer A room shoUld be DIMMER in winter ARTIFICIAL LIGHT A room should be dimmer in summer A room shoUld be brighter in winter

21 JUNE 10.00

21 JUNE 12.00

21 JUNE 14.00

21 JUNE 16.00

21 JUNE

Bachelor’s degree, KMUTT


2012

01–12

thesis advisor : Sunaree Lawanyawatna 1. CERAMIC CEFE’ 2. CERAMIC GALLERY 3. TEACHER ROOM 4.THROWING CLASS 5.PARKING

1

3 4

1

5

2

SECTION A 1

2

3

4

5

6

7

1. ADMINISITRATION 2. MEETING ROOM 3. GLAZING TESTING CLASS 4.MOLDING CLASS 5.PARKING 6.TEA CEREMONY 7.CERAMIC SHOP

SECTION B

Bachelor’s degree, KMUTT


2012

01–12

thesis advisor : Sunaree Lawanyawatna

SMART TRUSS

ROOF + SMART TRUSS

STEEL TRUSS WITH CERAMIC TILE [AIYARA]

SECOND FLOOR BARING WALL

COLUMN

wind pass through abrick screen,to be cooled by the shaded corridor before classroom

FIRST FLOOR BARING WALL masonry patition with openning windows for natural lighting and cross ventilation

masonry brick screen with the internal face painted white to increase lighting levels through reflectivity

PAKING BARING WALL+COLUMN

BRICK PATTERN

BRICK SCREENING FACADE

3.0x6.2x14.2 cm

3.0x6.0x14.5 cm

6.0x6.0x14.5 cm

6.5x8.5x18.5 cm

BRICK WALL WITH DOOR

BRICK WALL WITH WINDOW DETAIL SCALE 1:25

Bachelor’s degree, KMUTT


2012

01–12

thesis advisor : Sunaree Lawanyawatna

ARCHITECTURE MODEL

Bachelor’s degree, KMUTT


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