G u e s t
VOL
01
C h a i r s
tangram interiors
two thousand eighteen
G u e s t
C h a i r s
OUR LOCATIONS
SANTA FE SPRINGS 9200 Sorensen Avenue
INTRODUCTION NEWPORT BEACH 1375 Dove Street, Suite 300
BAKERSFIELD 7415 Meany Avenue
DTLA 527 West 7th Street, Suite 1204
FRESNO 677 West Palmdon Drive, Suite 101
RIVERSIDE 1650 Spruce Street, Suite 302
Tangram is an innovator in the design and execution of highly creative interior environments and workspaces. The firm collaborates with clients as a creative partner to create and manage environments that enhance the client’s brand and culture through the expert integration of technology, furniture, floor coverings and service solutions. It creates extraordinary value by providing a remarkable experience throughout each customer’s life cycle of needs. A flagship dealer for Steelcase, Tangram also represents hundreds of other well-known, leading brands.
OUR MISSION The foundation for our work is a very simple idea: The more true value for the user, the more true value for the business. And true value for the user can only be achieved through great experiences. This is the core of our approach – taking products and services from a relevant idea and usable solution to build a desirable product and prodigious experience. That is what we do.
CONTACT US Headquarters
Contact
9200 Sorensen Avenue Santa Fe Springs, CA 90670
P : 562.365.5000 W : tangraminteriors.com
L e t t e r
F r o m
Given all of the global research we do, and the customer base that we have all over the world, we believe that we are in the midst of an office renaissance. After years of reading articles about how work will change because of technology, and that we will all be able to work from home or from a coffee shop and therefore don’t need offices, the very opposite is true. It’s true that we can work from anywhere, but the reality is that the workplace matters more than ever. Our customers everywhere in the world are telling us so. The reason is something that we have always known, but more and more organizational leaders are realizing – that place shapes behavior and behavior over time is culture. Building the right culture has never been more important than it is now in this global, mobile 24/7 world. But here’s the tension that we see around the world. The most recent Gallup survey showed that employees who are most engaged choose to spend the majority of their time working at home, which is problematic when their employers want them to be engaged and to be with each other. Organizations want their people to come together to collaborate, innovate, build culture and drive business forward. In recent months and years, major corporations like IBM and Yahoo have told their people to return to the office. Most organizations recognize that innovation and ingenuity stem from teamwork. Collaboration energizes people. By working together, employees come up with new and better ideas and discover how to streamline processes and improve
M a r k e t i n g
output. But to create strong teams, people have to know and trust their coworkers. It is time to redefine what the office means and create workplaces that inspire and that people want to work in. Over the course of the next year, Tangram will be releasing six different publications affectionately named ‘Puzzle’ that will showcase some of our favorite products for the workplace. We hope they inspire, motivate and activate you the way they do us, to help reinvent the workplace, and redefine what it means to be there. Sincerely,
Paul Randall Smith Chief Marketing Officer
Andreu World NUEZ CHAIR BY PATRICIA URQUILA
It is an enveloping, suggestive, warm, and at the same time, technological seat. It is born from the idea of creating a modulating seat as if it were a sheet of paper. The collection consists of armchairs with thermoplastic shell available in several colors. Its interior is presented in thermoplastic or upholstered with options of fixed seat and backrest cushion or seat cushion. It is offered in four versions of bases - four wooden legs, aluminum four-star, five casters or cantilever.
NUB BY PATRICIA URQUIOLA
FLEX BY PIERGIORGIO CAZZANIGA
Andreu World Andreu World’s growth and evolution has been predcated on the conviction that their philosophy, attention to detail, excellence and good design is the fundamental guide to continue being who they are now and in the future. At the core of Andreu World is wood. There is no other material as unique and warm. Woodworking is a philosophy unto itself, it is a way of relating to the world. Over time, they have sought to maintain these qualities in all of their designs, regardless of the materials and technology employed. Wood, in their work, is synonymous with the woodworker, they have retained the same expert hands that have learned their craft over years of experience.
Puzzle : Guest Chairs
CATIFA 46 BY LIEVORE ALTHERR
DUNA 02 BY LIEVORE ALTHERR
Arper Arper creates chairs, tables and furnishings for community, work and home. They’re motivated by relationships: between products and spaces, spaces and people, people and their networks. They frame everything—their soft, essential design sensibility, their direct and personalized service, their organizational and corporate policies, their global brand identity—in terms of human values. Tangram Lookbook : Guest Chairs Puzzle : Guest Chairs
Arper CILA BY LIEVORE ALTHERR A simple gesture, a sensuous feel. The fluid form of Cila was inspired by the image of layers of cloth enveloping the body. Its silhouette of smooth lines retains a graphic character from its distinctive curve––the most essential symbol of shelter. Like being protected, like being held.
Moroso
MATHILDA BY PATRICIA URQUIOLA An everyday object, an easily recognized shape from our collective memory, that is why it feels familiar, there is something of a resemblance. Mathilda is a modern design in the architectural sense, in the proportions between the whole and the detail. The concept is simple, perfect for its intended use: two trestles, which give solidity and affinity, hold the seat and act as a support for the backrest while also making the chairs stackable. Considered, careful intuition brings the design bang up-to-date to create a seating system which is coherent, practical and instantly recognizable.
CLARISSA BY PATRICIA URQUIOLA
TROPICALIA BY PATRICIA URQUIOLA
Moroso Moroso has been working in close collaboration with some of the world’s most talented designers to produce luxury sofas and seating since 1952. Today the company is headed by the second generation of the Moroso family- Roberto, the CEO, and Patrizia, the Art Director,w- and is an example of how a small Italian artisan-owner company has evolved since it was run until the nineties by Agostino Moroso. The company has always been open to new ideas, from its origins in post-war Italy where there was a culture of ‘doing things and doing them well’, Moroso has been farsighted, daring and certain of the advantage of combining craftsmanship and tailoring with industrial processing techniques to create unique products and by drawing on the worlds of industrial design, contemporary art and fashion.
Puzzle : Guest Chairs
Does Your Work Environment Reflect Your Brand? Engaged, motivated, happy workers are an organization’s best brand advocates.
The Internet and our fast-paced, highly digital lifestyles have changed the exposure level of organizations. Everything we do is visible, talked about and reviewed. Every employee is a spokesperson. Every interviewee is a potential reviewer. Every customer is a potential referral. But instead of being scared by that idea, we need to embrace the concept of culture, community and communication to create modern organizations that celebrate these new levels of transparency. A brand is now more than a calculated strategic process. It’s an organic reflection of the organization’s beliefs, actions and partnerships. Employee posts to social media are a greater reflection of identity than simply the color of the logo. It is essential that business leaders start looking holistically at key attributes of an organization’s lifecycle, not just for customer and client engagement, but also for the employee or potential recruit as well. Not to get too philosophical here, but these concepts are based on the anthropological ideas of ethos and meaning that form a shared culture. And our cultures have become our brands.
Beyond Bean Bags And Ping Pong A new realization of the importance of the work environment isn’t limited to the world of high-tech anymore. It’s permeating organizations in every market segment. And yes, it’s especially attractive to younger employees, Gen Y and Millennials, for whom the boundaries between the personal and professional are more fluid than for previous generations. They expect to be inspired, to have fun and to collaborate. Moreover, they expect the work environment to be flexible and customizable to reflect their personality and style. But don’t we all?
The first question to ask is: What is the “brand personality” that should be embraced? Fun? Quirky? Professional? Creative? But in addition to reflecting the nature or “form” of the brand, a careful consideration of function is also essential to create an environment that allows employees to work at their highest rate of efficiency, whether they’re in headsdown, small or large collaboration, or presentation mode. It’s no longer enough to simply distribute internal communications describing the organization’s vision, mission, values and so on. That’s a given. But it’s basically a topdown strategy. The transformation that’s occurring in the modern workspace is having that brand spirit saturate the environment in which people work every day. It’s where topdown and bottom-up merge for a seamless experience of the brand culture by both internal groups like staff members and external groups like customers. Engaged, motivated, happy workers are an organization’s best brand advocates. This is an exciting and invigorating time to bring the working environment in alignment with the overall brand. And who should be at the center of it all? Do you really have to ask?
Written by: Paul Randall Smith Chief Marketing Officer Tangram Interiors First Appeared on CMO.com
Progressive organizations have come to realize that interior workspaces ought to look and feel like the brand culture the company wants to project. Space is no longer just something you work in; it’s something you interact with.
Puzzle : Guest Chairs
BINDU BY BRIAN KANE
CAPA BY EOOS
Coalesse Coalesse was born from a passionate belief that great spaces inspire great work. They envision workplaces around the world that build better social connections and empower creative collaboration, while caring for your focus and rejuvenation throughout each day. They instill spaces with a natural warmth and soul— destinations, both indoors and out, that enliven your wellbeing and always welcome your return. Tangram Lookbook : Guest Chairs Puzzle : Guest Chairs
Coalesse
CH44 LADDERBACK CHAIR BY HANS WENGER Immensely strong and well-built, the Ladderback Chair offers exceptional back support and an accommodating seat of woven paper yarn. Optional button-fastened leather cushions for the back and seat make it a lush easy chair. Traditional and graceful, yet with rock-solid durability.
Moooi
LOVE CHAIR BY MARCEL WANDERS
CARBON BY BERTJAN POT
SHIFT BY JONAS FORSMAN
Moooi In addition to Marcel Wanders’ designs, the Moooi portfolio contains a range of work from other nationally and internationally recognized designers. These include, amongst others, Arihiro Miyake, Bertjan Pot, Maarten Baas, Umut Yamac, Edward van Vliet, Joost van Bleiswijk, Studio Job and Nika Zupanc. The collection’s style is exclusive, daring, playful, exquisite and based on the belief that design is a question of love. Moooi does not tell designers what to do, but listens to what designers want to make, and tries to realize their dreams. Eclectic and always on the edge of commercial reality and cultural interest. To trigger, and to create conversation pieces which make your environment more special. To create an extra ‘O’ in terms of value and beauty!
Puzzle : Guest Chairs
ABOUT NORMANN COPENHAGEN Normann Copenhagen is a Danish design company with the mission to create original and innovative products in a simple and contemporary design that withstands the test of time. Or in other words, to challenge conventional thinking and make the ordinary extraordinary through great design. Established in 1999 by Jan Andersen and Poul Madsen, the Normann Copenhagen brand encompasses a wide and continuously growing collection of furniture, lighting, textiles and home accessories. The products are sold in more than 80 countries throughout the world and have collected more than 80 design awards along the way.
Tangram Lookbook : Guest Chairs Puzzle : Guest Chairs
Normann Copenhagen FORM BY SIMON LEGALD Form is a series that combines function, aesthetic and a simple design. The Form chairs are crafted combining a wood or steel frame with an upholstered plastic seat. The different materials meet in an elegant way and help to accentuate the high quality craftsmanship, leaving the furniture with a clean and simple expression.
Every Space Can Be Used In Various Ways. Patricia Urquiola, born in Spain, runs her studio for design and architecture in Milan. She has worked for numerous international companies and has been art director of Italian furniture company Cassina since 2015.
Designing is not so much about making a table anymore, says Patricia Urquiola. It’s more about the way spaces evolve, how they are crossed by time. We talked with the Italy-based, Spanish designer and architect about what today’s changes in lifestyles mean for her work, and about her new task as art director of Italian top level product company Cassina.
Puzzle : Guest Chairs
Mrs. Urquiola, you work as architect and as designer. What does it mean for you to be involved in both disciplines? Design and architecture are two different professions. During my studies in Italy, in that historical period, there was a kind of melting between them. At the architecture faculty, architects were also teaching design; and the approach to a project for them was more or less the same. But there is a difference in the process. In design, it is not simpler, but you focus in another way, you have to solve other kinds of problems, the dialogues are others. For me, both are fantastic and it has been quite natural to jump from one to the other. The way we work in the studio, one profession fits to the other one, and a kind of parenthesis is created.
For more than a year, you have been the art director of Cassina. Can you tell us more about your experience? For a long time, when thinking about a step like this, I wasn’t quite sure. I thought I could lose some freedom. And I am very proud and happy of what is happening now. It is a truly dual relation, which is something very generous, very open-minded. It’s not so much about the commercial side. Yes, you have to deal with everything, but it’s more about understanding the cultural level of the company – at the moment and how it could develop, via little movements. It is important that you can do a lot of big things by moving bit by bit. It’s a continuous process: checking if we see a problem correctly, understanding what the obstacles are and what the path should be. With a lot of enthusiasm and being very critical. This leads to not only some specific design processes, but to a bigger process which is very fascinating.
Amidst all these functions you are also involved in the Contract Business. What are the main trends here? For me it’s very difficult to use the word ‘trends’. This word is logical rather in a marketing approach or in a journalistic approach. The important argument in our work is: we understand that we are evolving more and more into a kind of network sociability. This involves different levels of mobility. It is not just about the movements we do every day in the city, to our home, our studio, a public space, a hotel, or that we work during our way to these places. All those physical mobilities are connected to the digital network, which creates another kind of mobility. All these aspects are linked. We have to understand and evaluate the concept of domesticity in our home, in the places where we live and work. For me, there is a landscape inbetween all these places. At some moments you are in a more public sphere, at others in a more private one. But this can happen in the lobby of a hotel or in your studio, in an airport or in many other places.
What would that mean for the task of designing? Many of the spaces in which we live have to give us more answers. Different kinds of cultures are melting more and more. Every space can be used in various ways within one day. It’s not so much a question anymore of making a chair or a table, it’s more about these processes of spaces and how spaces are crossed by time. The aspect of time has become a very important element and gives life to any kind of architectural formation. I think we are at the beginning of a period that asks for complex projects, which is very interesting. We need objects that are open for a dialogue with other objects, and spaces that are open to evolve.
First Appeared on IMM-Cologne.com
Puzzle : Guest Chairs
West Elm Workspace MID-CENTURY CHAIR
A wide seat and sloping back make the Mid-Century Guest Chair comfortable enough for long meetings and durable enough to withstand the daily demands of workplace wear-and-tear.
SLOPE CHAIR
DANE CHAIR
West Elm Workspace Born in Brooklyn in 2002, West Elm is a purposedriven lifestyle brand, helping its customers express their personal style at home, work + away. West Elm is a division of the Williams-Sonoma, Inc. portfolio of brands.
Puzzle : Guest Chairs
Davis
GINKGO BY JEHS + LAUB The Ginkgo Chair is an elegant yet durable bent plywood chair with an organic aesthetic that is both instantly recognizable and utterly unforgettable. The expanding Ginkgo family is offered with a variety of options: with arm or armless models, differing bases, and a variety of upholstery treatments.
RHOMBUS BY MARKUS DORNER
A-CHAIR BY JEHS + LAUB
Davis Danny Davis, the current President of Davis Furniture Industries, best explains this new philosophy: “We have a saying here at Davis, ‘It’s all about the product, and the product is about design.’ At Davis, with every product we bring to the drawing table, the focus is always about design: the aesthetics of the design, the function of the design and the value of the design. This is what our customers look to Davis to offer them.”
Puzzle : Guest Chairs
ABOUT BUZZISPACE BuzziSpace is relentless in its pursuit of bettering the world through design. It started with acoustics. From there, the mission grew. Driven by an unbounded passion for solving modern design challenges, BuzziSpace continuously reimagines furnishings to be more functional and more fun. The brand provides new ways of working, living and being sustainable.
Tangram Lookbook : Guest Chairs Puzzle : Guest Chairs
Buzzispace BUZZIFLOAT BY ALAIN GILLES
BuzziFloat is an intentionally simple design that blends into its surroundings. This transparent chair is engineered to feel spacious and airy and has a strong graphic personality. BuzziFloat is offered in multiple finishes: non-upholstered or upholstered with an elegantly cushioned seat and backrest.
The Co-Designed Workspace Bringing a Shared Vision to Life...
“Co-designing” a workspace signifies a close collaboration between a client (and others, like an architect) and an industrial designer, to create a space that fits the client’s vision, represents their brand and embodies their culture. To be successful, a co-design project requires a client who wants to be actively engaged and a contributor to the process. For those who are excited about being on the team as well as those with ideas about what they’re looking for, yet open to collaboration, the co-design process typically starts with the designer asking questions to discover client’s vision, brand, culture, short-term and longterm needs, planned use of the space, practical requirements, and so forth.
Tangram Lookbook : Guest Chairs
Why Has Co-Design Taken Off? There are several drivers behind this trend and why it can be so effective in developing innovative workspaces.
Technology The worlds of information and manufacturing have seen dramatic change due to advances in technology for efficiency and logistics. Moreover, as consumers, we have increased access to products made specifically for us as individuals. The expectation of a customized experience is powerful and becoming ever more pervasive.
represents in terms of brand and culture. Access to information and new technologies has made it possible for the average person anywhere to collaborate and be part of that exciting process. The trend to co-design has forever changed the office environment. Clients and designers have the ability to push design further to come up with a distinctive solution. Plus, there can be less project risk if the client is part of the team and a co-creator. Offices are less generic, more curated and tailored these days because of this process. When a client is engaged, every aspect of the project can become unique and specific to who they are.
What Are Some Best Practices? Do It Yourself There is an ongoing DIY movement reflecting a desire for involvement in the design process as portrayed in all forms of media including television, YouTube, the Internet and magazines. This exposure has filtered into the commercial sector with a desire on the part of clients to engage and be part of the process of creating innovative office workspaces as well.
Educated Buyers In the “old” days before the Internet, an average client relied on a commercial interiors provider to select the finishes from a set of samples and create a design. That restriction is now out the window, with thousands of options for finding what you love to make your project unique.
At Tangram, we have excelled at the co-design process because we see a project as not just selling a product. We don’t bring out a catalog of items to select from and hope the client likes one. What we have developed over time is a well-honed process that in the end creates beautifully furnished and highly functional workspaces for people. Starting from scratch on every project ensures that critical input from both client and designer comes together to deliver a successful outcome. About seven years ago, we did a study of our co-design clients to identify who they are, what markets they’re in, office sizes, locations, etc. The common thread was that every project had someone from the client and design firm who wanted to create something special and be part of the process. That approach holds true today and has resulted in some extraordinary workspace environments.
Is The Co-Design Approach Widespread? Driven by these three factors, workspace codesign is a movement happening throughout the United States and around the world. If we peruse any design-oriented magazine, we’ll see spaces that have been designed in partnership with the user. It’s human nature to want to express who we are as individuals as well as what our organization
Puzzle : Guest Chairs
Viccarbe
MAARTEN CHAIR BY VICTOR CARRASCO Swivel chair for the home and for public facilities. Its powder coated steel tube structure and its carefully made, elegant, upholstered seat recall the classics of the’70s.
ACE BY JEAN MARIE MASSAUD
Puzzle : Guest Chairs
ALETA BY JAIME HAYON
Viccarbe Viccarbe is located in Valencia, a marvelous Mediterranean city where inhabitants enjoy more than 300 days of sun a year. This light has a great influence on Viccarbe’s feeling for colors, warmth of materials and attention to detail.
Puzzle : Guest Chairs
Bernhardt VEN CHAIR BY CLAUDIA + HARRY WASHINGTON
CHANTAL BY NOE DUCHAUFOUR-LAWRANCE
AVANT BY JANG WON YOON
Bernhardt The year 2014 marked the 125th anniversary of Bernhardt Furniture. For Bernhardt, this milestone was not only a time to celebrate, but also a time to reaffirm the values that have enabled the company to endure. Foremost among those values: creating quality furniture, and a deep commitment to people and relationships.
Puzzle : Guest Chairs
OFS
MADRID CHAIR The Madrid Seating Collection was designed to complement a variety of table heights and types including conference, occasional and desk applications. The Madrid family of seating now allows you to create a cohesive aesthetic statement while addressing the different types of conference environments within a facility.
CHANTAL BY NOE DUCHAUFOUR-LAWRANCE
Puzzle : Guest Chairs
AVANT BY JANG WON YOON
OFS OFS furniture is designed for the modern business that aspires to create a culture of success and innovation. Paying equal attention to utility and beauty drives their design selection and product development. As part of the OFS Brands family, they benefit from a deep commitment to environmentally sustainable practices and over 75 years of furniture making experience.
Puzzle : Guest Chairs
LULEA BY PIERO LISSONI
NUB BY PATRICIA URQUIOLA
Living Divani Perfect, harmonious proportions and a feeling of understated luxury are the distinguishing features of Living Divani, the dynamic and vibrant familyowned company that has made its trademark of upholstery. Since the early 1970s, the company has followed a clear path, maintaining an intensive dialogue with the contemporary world and becoming one of the landmarks in the design landscape. Strategic is the alliance with Piero Lissoni who, since 1988 has led the firm’s unique style in his dual role as art director and designer. “When I design, I interact with the company seeking to express at best, with my own language, its necessity,” says the architect who for Living Divani has combined its distinctive style made of discretion and formal neutrality, lightness and dynamism, with a calibrated, essential design, which merges purity of lines and shapes with ergonomics and comfort.
Puzzle : Guest Chairs
Living Divani CONFIDENT “RATTAN” BY PIERO LISSONI Natural materials, tactile sensations, a return to the hand-made: Living Divani gives to a classic product of its catalogue a new look with an elegant rattan cover: the rounded embrace of the Confident armchair.
Puzzle : Guest Chairs
Mater
SHELL CHAIR BY MICHAEL W. DREEBEN A simple gesture, a sensuous feel. The fluid form of Cila was inspired by the image of layers of cloth enveloping the body. Its silhouette of smooth lines retains a graphic character from its distinctive curve––the most essential symbol of shelter. Like being protected, like being held.
SHELL BY MICHAEL W. DREEBEN
Puzzle : Guest Chairs
LEGACY ARMCHAIR BY PEDERJESSEN
Andreu World
NUEZ CHAIR BY PATRICIA URQUILA
It is an enveloping, suggestive, warm, and at the same time, technological seat. It is born from the idea of creating a modulating seat as if it were a sheet of paper. The collection consists of armchairs with thermoplastic shell available in several colors. Its interior is presented in thermoplastic or upholstered with options of fixed seat and backrest cushion or seat cushion. It is offered in four versions of bases - four wooden legs, aluminum four-star, five casters orcantilever.
Mater Founded in 2006 by Henrik Marstrand, Mater is a conscious and ethical design brand with a strong design philosophy and great craftsmanship. Through collaborations with an external base of established and fresh design talent, Mater combines exclusive high-end furniture and lighting, with working methods that support people, local craft traditions and the environment.
Puzzle : Guest Chairs
EMBRACE CHAIR BY EOOS
FAABORG CHAIR BY KAARE KLINT
Carl Hansen As a driving force behind ‘Danish Modern’, Hans J. Wegner helped change the general public’s view of furniture in the 1950s and 1960s. His passion for designing chairs, more than 500 of them, is recognized worldwide and reflected in his title ‘the Master of the Chair.’ He is famous for integrating perfectly executed joints with exquisite shapes and combining them with a constant curiosity for materials and deep respect for wood and its natural characteristics. His designs furnish minimalism with organic and natural softness. Tangram Lookbook : Guest Chairs Puzzle : Guest Chairs
Carl Hansen CH20 BY HANS J. WENGER
An attractive and simple stackable dining chair. The low back and horizontal seat also mean that it makes an excellent desk chair. Hans J. Wegner experimented with new materials such as moulded veneer, and the chair’s seat is made from 11 layers of this material - giving it perfect stability. The seat is available upholstered in fabric or leather. Designed by Hans J. Wegner in 1956, the chair was first introduced in 2005.
Blu Dot REAL GOOD CHAIR
Thin is in. Powder-coated steel ships flat and folds along lasercut lines to create a dynamic and comfortable chair. As skinny as a supermodel yet far more sturdy.
Blu Dot It started in college with two friends who shared a passion for art, architecture and design. After school, they went looking for modern design to furnish their first homes, but the things they could afford they didn’t like, and the things they liked they couldn’t afford. They figured they weren’t alone. So, along with their friend Charlie Lazor, the three of them - two architects and a sculptor - started Blu Dot in 1997. They’ve been designing things they love in their Minneapolis studio every day since.
Puzzle : Guest Chairs
WICKET CHAIR
CLUTCH CHAIR
Puzzle : Guest Chairs
DANDY BY INDUSTRY WEST
DUTCH BY INDUSTRY WEST
JIMMY COOPER BY INDUSTRY WEST
ADA BY MITCHELL GOLD + BOB WILLIAMS
CLAIR BY MITCHELL GOLD + BOB WILLIAMS
CROSBY BY MITCHELL GOLD + BOB WILLIAMS
CAPTAIN BY BEND GOODS
LUCY BY BEND GOODS
Puzzle : Guest Chairs
JOI TWENTY FOUR BY INDUSTRY WEST
PROUVE STANDARD BY INDUSTRY WEST
LECTURE BY GUS MODERN
GAGE BY MITCHELL GOLD + BOB WILLIAMS
SIDNEY BY MITCHELL GOLD + BOB WILLIAMS
REMY BY MITCHELL GOLD + BOB WILLIAMS
Best of the Rest 2017
Puzzle : Guest Chairs
Tangram was founded in 1963. Today, we are the leading interiors solutions provider in Los Angeles with offices in Orange County, Downtown LA, Fresno and Bakersfield. Over the years, we have nurtured a collaborative and people-focused culture because we believe people fuel innovation. That culture has led to the organic growth of five business units which complement our core furniture offering: flooring, fabrication, custom furniture, move management and communications technology.