Dialogue Transformantion study was based on a previous study of a mass, void, and volme dialogue manipulation. The overall design of the original 3�x3� wooden model showed an implosion of the wooden blocks towards the center adding great depth since you can view the space from one side to the other. The design of the wooden model demonstrated the concept of hierarchy while at the same time it pushed the limits of the cube in which it strayed from the faces of the outer cube to create an implosion. The dialogue tranformation began with the addition of a column, contrasting the original cube. The original cube demonstrates implosion while the additional column demonstrates expansion. Adhering to the outer walls of the model acting very much like a frame for the original cube. The additional column creates large pockets of space by using larger cubes and planes and by adhering to the outer walls of the space. The original cube, in contrast, has many small pockets of space. The design of the column acts as a contrast of the original cube by demonstrating expansion as oppose to implosion.
The task for waterworks was to apply everything learned relating to composition, documntation, and craft while providing a solution to meet program requirements. The overall scheme of waterworks has a system of interlocking planes and masses that relate to one another. For example the wall over the planting field directly relates to the form and use of the initial water source. The forms are orthogonal and angular, a stark contrast between the flowing and organic nature of water. Waterworks, in its preliminary stages was excavated to challenge the original slope. Then horizontal planes were added, and then vertical masses were added to balance the planes. The horizontal planes interlock with these vertical masses throughout the site. The pool interlocks with the initial water source and a second wall. This wall in turn also interlocks with the planting field.
The Cliff Dwelling was a proposed solution for a shelter for three friends, a sculptor, carpenter, and a weaver. The Site is located on the New Jersey Palisades, north of the Washington Bridge. The maximum buildable area was 36’ with a maximum height of 24’ above grade. The maximum cantilever extension from the cliff was 12’. The material palette consists of wood framing, stone, and a thin membrane/planar material. Each of the artisans required a space aligned with their craft, and communal spaces must imbue them with tectonic qualities of each. The sculptor called for areas with strong mass and cavities. An articulated frame and clear structure for the carpenter. The weaver dislikes confinement and prefers tented enclosures using textile membranes. Light and ventilation was also provided through passive means.