Architecture Portfolio by Tanvi Savla

PORTFOLIO SELECTED WORKS 2016-2021

TANVI SAVLA

Tanvi Savla tanvisavla95@gmail.com (m): 9757244833 D.O.B: 05|07|1998

Work experience

Technical skills

Intern Architect

AutoCAD

Samira Rathod Design Associates (SRDA) 4/10/2019 - 7/05/2020 Learnings: -Participated in designing by making physical models of a large bungalow in Ahmedabad -Worked on different stages of interior designing of a bungalow, renderings etc. -Designing of furniture pieces. -Participated in process of competitions, making project books etc.

Junior Architect

Bricolage Bombay 12/08/2021 - 31/11/2021 Learnings: -Basic site co-ordination -Mockup drawings -Design of various parts of a building -Social media handle - Material selection and identification

Hand Drafting | Model Making

Education

Teamwork and Perseverance

Bachelor of Architecture

Creativity and Problem solving

School Of Environment And Architecture 2016-2021

Written and oral communication

Junior college Shri Tikamdas Puroshattam Bhatia (T.P.BHATIA) College of Science. 2014-2016

School Oxford Public School 2001-2014

Personal skills Presentation

Languages known English Hindi Marathi Gujarati Kutchhi

Book contributions- SEA Press 2016:

Devices to punish loved ones Devices that created experiences that makes one feel punished, without hurting them physically.

2017:

Mumbai neighbourhood studies, Matharpakhadi Documenting various typologies of buildings in Matharpakhadi,Mumbai and re-designing the bakery.

2017:

Material Sense Exploring techniques to use concrete and how other materials like wood, plastic etc. fuses with it.

2018:

Tectonics of Auroville Documentation of various buildings in Auroville, understanding the structural systems and working along with geography,resources, governance, planning and architectonics of the place.

2018:

Gaitore ki chhatriyaan, Jaipur portfolio Documentation of cenotaphs of Gaitore and designing an archive.

2018:

Post intensive landscape, Goa Documentation of pre, during and post mining landscape, flora and fauna, life of people and resources of an intense mining site, in Goa.

2019:

South Asian architecture poster, editor A compilation of South Asian architecture led by women.

2019:

Settlement studies, Coimbatore Compilation of new forms of architecture and programmes coming up in second tier cities in India.

Workshops 2016:

Hands-on brick arches and cob | Malak Singh

2016:

Concrete | Samir Raut, Milind Mahale Electives :

2016 2021

Film (Prajay) Art (Shrimanti Saha) Origami (Bobbie Vijaykar) Weaving furniture (Anu Tandon) Sculptures (Teja Gavankar) Comic making (online) Film appreciation (Avijit Mukul Kishore)

Contents: 01 Spatiality of publicness and new media 02 Inhabiting a web 03 Differences, the new questions 04 The cloud 05 Repair and retrofitting 06 Landscapes 07 Neighbourhood studies 08 Re-Interpretation of bakery with cafe, Matharpakhadi 09 Archive of measures as scales 10 What is a design school? 11 Interpretation of a library 12 Highrises 13 Architectural detailing 14 Work experience 15 Other works and interests

01 Spatiality of publicness and new media

New media has made the experience of public space simultaneous. We are in a physical space, but we also inhabit a virtual space simultaneously. The simultaneity that we experience dematerializes the experience of a particular space. The closed boundaries of a public space have thus become an infinite canvas to be explored. Neither the public space nor its edges are fixed. The ideas of community at the node, transactions in the market and leisure at the beach, that are all public spaces have been directed by these algorithm based devices. There is a constant reproduction of the experiences when one person enjoys a place physically and shares it to others through these devices. When multiple people can virtually be there at the same time, the need and form of physical space diminishes. The over-influence of new media is slowly

disintegrating the experience and the need of existence of a particular space for specific purposes. Any space can turn into anything and the function of space becomes dynamic and independent of the form. These spaces are ever changing, in terms of use, which makes it de-materialized. The multiplicity of these spaces is ever transforming with respect to the type of users at different times of the day. There has been an intense repurposing of the public spaces. There has been an intense amalgamation of algorithms with our cogitation that generate anxieties that directs our actions and thought processes. Thus our routines have been influenced by these technologies in terms of experiences and perceptions. We perceive a space as we see it through our screen, and not by its actual materiality, texture, smell

and other perceptions that makes it unique in nature. The experiences are like a pixel. We need to accept the fact that the media has become an integral part of most of our lives. It’s advancement is quite rapid to match the pace of. Newer generations will definitely be more technologically advanced and mediatised. The ways of living life are only to become easier. In such situations, there will be a sudden urge to get out of the normal, and experience the reality.

De-mate

Simultaneity Reproduction of the experiences

erialized Repurposing Pixel

02 Inhabiting a web

Location: Gandhi Nagar, Kandivali west, Mumbai The site is an open, unused space in the middle of dense informal settlement. The lack of space for everyday activities like play, gather, study etc. in the settlement makes it an opportunity to provide a system that can be appropriated for these daily activities.

Variation in densities and intensities were explored to make spaces to be a p p ro p r i a te d and to support fixed infrastructure.

A series of process models to understand the structure of the web, how it can be transformed to architecture and various methods of construction. There have been iterations to create spaces within and various strategies to cover these spaces using the web were explored.

A ramp was introduced to

navigate throughout the site.

At Places with higher densities of ropes, extension were added These extensions are supported with the ropes and also the roof takes form.

Diagram for generating the web

Zooming in the web

Aaj shaam ko yaha cinema dikhane wale he ( movie screening). Yahi pe thela latka deta hu. Cinema bhi dekh lunga aur log bhi zyada honge, toh sab samaan bik jayega.

I’ll go to the web to read the newspaper. I will find some space for myself there and also get to wave at people passing by. This old Age and loneliness is sometimes difficult.

Hey, what is the answer to question no 5. Thank god we are studying together here. All of us can solve each other’s doubts and problems.

Are bhabhi, aaj toh me itni thak gayi hu, subah se itna kaam tha. Aaj papad ka bhi oder tha. Acha hua yaha aap log mill gaye. Ye aaj kal ke bache, kya sunte rehte he poora din kaan me laga ke.

Chalo ye bandh ke aaj yahi pe stall laga dete he. Aaj Sunday hai, toh sab ghar pe hi hote he, aur fir yaha aate he shaamko, toh thoda kaam ho jaaye.

Yippee. I am so happy, I don’t have to wait for Papa to take me to the garden. I can myself put up a swing here, and enjoy whenever I wish to.

Chalo waha andar beth ke khelte he. Yaha pe wifi itna acha he, game khelne me maza aa jata he. Who is that new guy there, I have never seen him before. He also seems to be playing some interesting game. Arrey! Vo toh abhi 4-5 din pehle hi galli number 5 me rehne aye he, me janta hu usko.

It feels nice to be here. It is like a good exercise to walk from one place to the other, in here. I don’t know why I have been walking so straight all my life.

It is so relaxing to find a personal space for me. I like to read, lying down like this. If I was at home, chutki would have jumped on me thrice already.

Oh! My plants have grown so well. Glad I kept them here. Otherwise one month of my trip to native, would have killed all my plants. Here, there is always somebody to take care of them.

Hey, She that It’s the

My pet comes home only to eat, that too only sometimes. She has found so many new friends and they can literally jump in everywhere and play.

you know our school mate, Nandu. is getting married tomorrow. And Chhotu, he got a nice job in Andheri. so easy to gossip here, without fear of anybody listening to us.

V a r i o u s appropriations

Programmes such as Community (open) cinema/ theatre , Digital Library that consists of reading spaces, Storage , Discussion space, Repair and training of equipments, Digital Gaming area where one can play games in groups or alone, Charging stations and pods can be installed and a Media lending centre where devices can be procured from.

03 Differences, the new questions Mapping the retirement homes in Coimbatore

A n a n y a Nana Nani Phase 3 2015 Annex 1 2019 Annex 2On-going 16 acres

Serene Idigarai 2007-08 5.6 acres

Ananya Nana Nani Phase 4 2017 16 acres

Ananya Nana Nani Phase 2 2013 3.3 acres

Ananya Nana Nani Phase 1 2011 7.48 acres

Serene Rose On-going 5.76 acres

Ananya Nana Nani Phase 5 On-going 2.9 acres Saundaryam and Santosham 2004 9.2 acres

Covai Ultra 2013 3.75 acre

Vedanta Satsang On-going 9.6 acre

Serene Shenbagam 2009 6.5 acres

Nirmala Nilayam Phase 1 On-going 20 acres

Serene Indus Valley On-going 6.26 acres

Covai Care Vedaanta NNRC Columbia Pacific Ananya Nana Nani Homes

Retirement Homes in Coimbatore are majorly located away from the city. Climate in Coimbatore remains moderate throughout the year, which the body of an elderly can adapt easily. The city has beautiful views of the Nilgiris and Velliangiri mountains at the Periphery. Developers use this criteria of scenic beauty of Coimbatore to sell their retirement homes. These places being away from the congestion of the city, are pollutionfree. Surrounded by the greens, the air in these areas is pretty pure and fresh. This is beneficial for the elderly people in terms of their health. Large plots of land for these kind of projects that developers aspire are also available only at the periphery or outside the city. They usually built on agrarian lands that farmers sell them. Coimbatore offers the best medical services in all sectors. The availability of these medical facilities of various kinds in the city becomes a point of attraction for people to choose Coimbatore.

Integration: Of Old Age within the Community What is the architecture of the new emerging housing that is sensitive to the programmatic and spatial demands of Retirement Communities, and how can old age be integrated within it. The site of intervention chosen was the Lakshmi Mill colony, where majority of the population residing are elderly throughout the day, and younger population being out for work. The mill colony is being made pedestrian friendly considering the slowing speed of people with increasing age. The back lanes of houses have been cleared up to make pedestrian access routes that open up with smaller gathering spaces, whereas the front roads remain to be accessible by vehicles. The programs, along with old age friendly housing have been generated considering to keep people engaged throughout the day, not only within them, but with the community as well.

Pedestrian movement

Location Map

Existing

Proposed

Vehicular movement

Existing

Proposed 3

At a place where people visit daily

FROM ROAD THEATRE

STORE

DAY CARE CENTRE

GYM

2 5

ACCESSIBILITY

FROM SCHOOL

NURSING HOME

LIBRARY

CLINIC 10

Open Air Theatre

F R O M OLD AGE HOUSING

PARK MESS AND DINING

Walking Track

Play Area

Programme diagram

Seating Spaces 1 Clinic

6 Park

2 Nursing Homes

7 Day Care Centre

3 Gym 4 Children Play Area

8 Library 9 Community Kitchen

5 Mess/Dining

10 Theatre

04 The cloud Location: R-ward The city is seen as an accumulation of layers, layers of natural and man made systems and its gradual transformations through various human imaginations and interventions. These layers intermingle to disrupt and reconstitute themselves into new layers and ecotones over time. The three stratums are seen as an ecological landscape, the landscape of economic order and the stratum of digital technologies - The Cloud. The city as lived is going through a technological change. Futures were projected in categories like Natural systems, Economy and livelihood, Built environment, Unbuilt environment , Mobility and Infrastructure. For this a part of R-ward area was studied and mapped from the year 1672, using old maps and GIS data to analyze the information.

Natural

Built

Unbuilt

System

Map

Environment

Map

R-ward Map

Transport We, in groups, predicted futures of the changes that might occur in three stages,near future, by the year 2035 and 2050 based on various readings from experts like Elon Musk, Space X etc.

Master Plan

Sections as key to the plan

05 Repair and retrofitting Idea of self as a field became the driving force during the Pandemic. Designing our own lives, houses and inhabitation were the key elements of the project, where first we identified that how do we actually see our houses . The next step was to understand how do we want our houses to be, and thus how is it really possible to make it.

How I see my House?

How I want my House?

Existing building images

How I want my House?

06 Landscapes Location: Goa

Pre mining

Mapping the flora and fauna that has now emerged and what was the flora and fauna back before. From Birds, Animals, Trees, Plants, Machines.

Mining

Post- mining

07 Neighbourhood studies Loation: BIT chawl, Dongri

Built form: BIT chawl is a series of six chawl with a simple four storey rectilinear block perfectly aligned, internally separated by a central corridor. As the light source is only from the two edges of the corridor and windows in the kitchen, the corridor and living space of the chawl is quite dark. Every floor has a common room which sometime became a temple or a reading space. C i r c u l a t i o n : The chawl is serviced by one entrance from the main road and there is a small gap between two buildings that faces a small stream of nullah which when crossed can lead directly to the railway track. The main entrance from the street leads to a staircase which connects the central corridor from where there is an access to all rooms of the chawl.

08 Re-Interpretation of bakery with cafe, Matharpakhadi Site documentation Location: Matharpakhadi

Site Documentation: The site chosen for study was Mhatarpakhadi. Three important building sites, the Goan club, the bakery and the gym and dispensary were chosen to be studied. One layer of building around them was documented and the typology of buildings were analysed. The group documented 6 buildings around bakery. I was involved in documenting one of the chawls near the bakery. The functions of the space were understood and implemented in the design process.

Re-Interpretation of bakery with cafe, Matharpakhadi

Images of the existing bakery.

Re-Interpretation of bakery with cafe, Matharpakhadi

09 Archive of measures as scales Site documentation

Location: Gaitore ki Chhatriyaan, Jaipur

Gaitore ki Chhatriyaa are the royal cenotaphs of the king’s and their sons. These cenotaphs were documented and the history of Jaipur was studied. The cenotaphs are situated in a valley between the two forts of Nahargarh and Amer on the Jaipur - Amer road.

Archive of measures as scales The archive will not only consist of objects used for measuring, but also engage people in these activities, where they can experience the ways with which measures happened. The building itself also measures the topography of the site. Archive becomes a place where importance of measurements can be ascertained in everyday life of people. It also provokes us to think about how exchange values of goods are ascertained and on what principles were they based on. Various types of spaces were designed that measured various important aspects such as: Corridor of Ergonomics Space for Time Space for Weight Space for Height Space for Depth Different buildings were studied that were programmatically similar or had a similar form as the design. The essence of buildings that were studied was extracted.

10 What is a design school? -A living organism A journey. A journey that leads one to creations via the route of blunders and mishaps. This journey has various pauses, to come back, think and start again. Sometimes we get lost, but eventually find our own ways to get out of it. Every path on this journey has a different set of emotions to move with. The quality of space,light will define how one can move through these paths, and what kind of emotions are generated. The most important part of this journey is sharing. Sharing of experiences, ideas amongst all the people walking on these paths, in similar direction with similar aims becomes utmost important. One alone cannot pass through the hurdles and find solutions to all the difficulties. We need to walk along with all kind of people, over come each others problems and together find a solution. Sometimes the juniors have great ideas and seniors have great experiences. A common platform for everyone to come and talk about their views. Also, the people coming from outside, needs to be addressed and directed in your institution. We must not neglect their confusions who are a part of your journey, even though for a very short time. The quality of light many a times plays a role of directing our moods to a direction when in a particular space. A lit studio will develop an equal working efficiency amongst all the members, while varying lights in transitional spaces, make them the spaces to interact and have various different kinds of interactions, being formal discussions to private chats. Isn’t food one thing that blends everyone together? A canteen for all kinds of interactions with various spaces for groups to and individuals to celebrate their creations and self analyse their own insufficiency respectively.

Existing site conditions Existing studio space

Contour Mapping

The contours shows a depression near the site, which proves the existence of a pond on site in the past. Due to this, the ground water levels are very high.

THIRD FLOOR

FIRST FLOOR

THIRD FLOOR

FIRST FLOOR

THIRD FLOOR

JOURNEY WITHOUT CONFUSIONS

SHARING OF KNOWLEDGE IN THE JOURNEY

THIRD FLOOR

GROUND FLOOR

SECOND FLOOR GROUND FLOOR

SECOND FLOOR Trying to avoid confusion among visitors and at the same time allowing them to look at various activities happening in the campus

SECOND FLOOR SECOND FLOOR

JOURNEY WITHOUT CONFUSIONS

SHARING OF KNOWLEDGE IN THE JOURNEY

Trying to avoid confusion among visitors and at the same time allowing them to look at various activities happening in the campus

GROUND FLOOR

SECOND FLOOR

Ground floor

SECOND FLOOR

GROUND FLOOR

Second floor

SECOND FLOOR SECOND FLOOR

NORTH INTERNAL WALLS Remains open for the entire day.

Analysing the existing Site Conditions

SOUTH SPACES THAT REQUIRE VISUAL CONNECTION A)Remains open for the entire day. B) Closes from 12pm to 3pm

Analysing the existing Site Conditions Light Conditions:

The studio spaces experience non-uniform light throughout the day, which makes it difficult to work in natural light. Also, library does notA receive light due to Hence artificial lighting is required for the entire day, which the energy system and using more amount of electricity. Lightloads Conditions: The studio spaces experience non-uniform light throughout the day, EAST - Closes from 10am to 12pm which makes it difficult to work in natural light. Also, library does not WEST- Closes from 3pm to 5pm receive light due to Hence artificial lighting is required for the entire day, which loads the energy system and using more amount of electricity.

FIRST FLOOR FIRST FLOOR

THIRD FLOOR

FIRST FLOOR

Water and Wind:

FIRST FLOOR

NORTH INTERNAL WALLS Remains open for the entire day.

THIRD FLOOR

SOUTH SPACES THAT REQUIRE VISUAL CONNECTION A)Remains open for the entire day. B) Closes from 12pm to 3pm

Water and Wind:

EAST - Closes from 10am to 12pm WEST- Closes from 3pm to 5pm

FIRST FLOOR FIRST FLOOR

First floor

FIRST FLOOR

THIRD FLOOR

Third floor

FIRST FLOOR

THIRD FLOOR

Water entering the lockers.

Water entering the lift block

Common gutter shared by the two buildings

Neighbourhood building sharing the gutter

Water entering the lift block

Common gutter shared by the two buildings

Neighbourhood building sharing the gutter

Water entering the lockers.

11 Interpretation of a library Site Analysis

Location : Bandra

MONUMENTALITY EXPERIENTIAL

VISUAL

-WOMEN AND ARTISTS ZONE -STUDENTS ZONE -LAW OFFICIALS ZONE -LEISURE ZONE

-TRANSPARENT WATER FILTRATION SYSTEM

-GREAT SIZE -DIFFERENTIATED FROM OTHER -BUILT FOR A LOT OF PEOPLE -PUBLIC BUILDING -PROTECTOR OF : •MEMORY •KNOWLEDGE •REGION •RELIGION

Design Evolution Analogy of Human Percolation as water percolates through the tributaries of the rivers.

Overlay of Mithi River Map

Understanding HUMAN TRAILS and allowing connectivity from all sides

The building sits at the edge for protecting the wetland making it MONUMENTAL Looking at the GEOMETRY of how the buildings can be placed and access points as per the catchment areas.

Trapezoidal built form creating triangular intermediate spaces

Allowing CONNECTIVITY from all sides and concentrating the building at the centre. But only pathways does not attract people, hence again spreading the building at the edges

Allowing connection from the upper level also. This form of connection at the upper level created more shadows, thus may not allow growth of mangroves

EXTRACTING the Characteristics of the previous iterations

INTER-RELATING river tributary system and human trails to accommodate the programs

Connectivity as patterns of RIVER-TRIBUTARY system

Thus connecting it only at the EDGES to avoid shadows. The common central spaces were quite far and not equidistant. Thus people may not visit.

Bringing the structures together to ACT AS ONE but the idea of human percolation is lost and building acts as barrier between the site and Garden

PRIMARY TREATMENT

To the secondary sewage Raw Sewage Inflow

Solid Sewage Sludge

SECONDARY TREATMENT TRICKLING FILTER Creates bio-film of bacterias that removes organic matter TERTIARY TREATMENT -ACTIVATED CARBON FILTER -GRANULATED CARBON FILTER Removes Nitrogen, Phosphorous, Suspended solids etc.

DISINFECTION UV LIGHT- For bacteria and viruses Water Inlet Water Outlet

Airways

Inlet UV intensity monitor TERTIARY TREATMENT STAGE

Carbon Granules Gravel Peametal Comminutors and GrindersCounter-rotating Cylinders grind and shred materials

Water

filtration

block

SCREENING- Removes larger objects such as Rags, Paper, Plastics and Metal

GROWTH of Various fruits and Plants such as Papaya, Jackfruit that are edible and are grown from the water that is purified by the SOIL BIOTECHNOLOGY

SOIL BIOTECHNOLOGY- Uses soil micro-organisms, geophagus, earthworms and various

kinds of plants

ADDITIVE LAYER CULTURE SOIL MEDIUM

RAW WATER TANK

STORAGE TANK HDPE MEMBRANE

Developing monumentality by ONE DISTINCT dividing the building in parts as per programs.

FEATURE and

12 Highrises Understanding highrises Torre Velasca _ a case study Torre Velasca is an assembly building located in Milan, Italy designed by architects BBPR. It is a 106 m. high building with 26 floors. The building spans over 47 m * 51 m. The Velasca tower (1950–1958) experiments with the use of reinforced concrete in one of the very first tower buildings ever erected in Italy. The architects have tried to blend the design with traditional Gothic architecture of classical Milan but giving it a modern form with the use of new materials. The upper third of the building, which protrudes outward from the lower levels, was designed to resemble medieval watchtowers. Such defense towers were used in times of war to protect Italian castles from invasion. The building mimics some of the Gothic features of surrounding building in a simplified manner. In this building the columns have been crafted in a manner to be of Gothic style in a simplified manner. The architects have tried the method of crafting stone in RCC by not making any regular shaped columns and supports, but designed them as per the Classical Architecture of Milan

TERRACES Force Diagram-Section

Force Diagram- Plan

CIRCULATION

STRUCTURAL MEMBERS

Designing highrise with a transport hub Location: Borivali railway station

Structural

Cores

Plumbing

HVAC

Circulation

13 Architectural detailing A Performing Arts Centre was to be designed with a given set of programmes. The site for designing was located in Bandra, Mumbai. A working drawing portfolio for the same design was built. A

3000

11.40

2030

52467

D' 2100

7 TREADS 300 mm each

DOWN

2 WAY CAR RAMP

SLOPE- (1:10)

11100

STORM WATER DRAIN 1

230

3000

3855

3800

Up 2000

2000

SR.NO. DA

LIFT

2200

5142

23260

700

15000

LIFT

2200

9000

3600

AHU

ISSUED

1100

ALL DIME OTHERWI ALL THE W FOLLOWE DRAWING OTHER D P.C.C. IS I COARSE ALL LEVE ALL DECI NEED TO DO NOT S ALL DISC NOTICE T COMMEN RICHER C FOUNDAT THE SUPE SUGGEST THE STRU VERIFY F WITH THE PROCEED WORK WI SPECIFIE COMPLY CODES, R REQUIRE OCCUPAN PROJECT UNINTERR DURING T

15000 6000 6

6 W2

9000

50036

51317

135 m² 54 m²

9000

ENTRANCE LOBBY

RECEPTION

7 TREADS 300 mm each

6000 8

STORM WATER DRAIN

10 m WIDE ROAD 1

2000

430

SLOPE 1:100

2120 TOILET FOR PHYSICALLY CHALLENGED

3600 7830

965

18000

300 D1

URINALS

SLOPE 1:100

850

6000

TILE DROP

36 m²

SOUVENIR STORE

850

RAMP SLOPE- 1:12

2000

SLOPE 1:100

15 SLOPE 1:100

D5 DUCT

2850

850

1200

2775

LADIES TOILET

KITCHEN

1200

Up 2000

1715

SLOPE 1:100

2000

1445

6000

STORM WATER DRAIN

12000

TILE DROP

10 10000

1100

Up 30

230

15000

72 m²

SERVICE LIFT

2350 1200

2700

2000

12000

3000 2300

RESTAURANT

700

W1 10

2100

36 m²

STORM WATER DRAIN

12000

PERFOR AT BAN

TANVI S

ROLL NO | THIRD YEA 2018 - 2019

SCHOOL AND ARC

9400

9000

NORT

STORM WATER DRAIN

DRA 54298

PRO

45.20

3500

KALZIP ROOF

41.70

HOLLOW CONCRETE BLOCK WALL

6000

1500

PERFORMANCE HALL LIFT SHAFT FREE BOARD RECESSED WINDOW

1280

35.70

3000

150

METAL DECKING FLOOR -

STEEL CONNECTORS 800

6000

4500

EXHIBITION HALL 1 D2

ALL DIMENS OTHERWISE ALL THE WR FOLLOWED. DRAWINGS T OTHER DRA P.C.C. IS IN T COARSE AG ALL LEVELS ALL DECISIO NEED TO BE DO NOT SCA ALL DISCRE NOTICE TO T COMMENCE RICHER CON FOUNDATIO THE SUPER SUGGESTED THE STRUCT VERIFY FIEL WITH THE PR PROCEEDIN WORK WITH SPECIFIED I COMPLY WIT CODES, REG REQUIREME OCCUPANTS PROJECT AR UNINTERRU DURING THE

SR.NO. DATE

122

LANDING

150

28.20

900

ISSUED B

FIRE EXIT DOOR AT STAIRCASE LANDINGS MID-LANDING

23.70

MID- LANDING D2

D2 W2

STEEL HOLLOW BOX SECTION BEAM

LANDING

6000

REHERSAL ROOM 1 D2

SEA SIDE

900

METAL CIRCULAR SECTION RAILING 19.20 W1

PROP STORAGE 1 D2

4500

16.20

14.70

SMOOTH FINISHED EXT PLASTER

11.70

10.20

W2 W2

PERFOR AT BAND

3000

ADMIN 5.70

TANVI SA

4500

SCHOOL O AND ARCH 4200

GROUND LEVEL 3540

PLINTH LEVEL

0.00

4200

1.20

ROLL NO | A1 THIRD YEAR 2018 - 2019

RAFT FOUNDATION

NORTH

ISOLATED FOOTING FOUNDATION

230 150

250

BASEMENT LEVEL

150

-3.0

590 120

BOX WATERPROOFING

PCC BED RANDOM RUBBLE SOLING RAMMED EARTH LIFT PIT

DRAW

Architectural detailing

RCC BEAM

BRICK WALL

12 mm THK INT PLASTER

4500

18 mm THK EXT PLASTER

DUCT URINAL

FAUCET WASH BASIN

500

835

995

SR.NO. DAT

500

650

500

835

995

WALL HUNG WC

SKIRTING

ALL DIMEN OTHERWIS ALL THE W FOLLOWED DRAWINGS OTHER DR P.C.C. IS IN COARSE AG ALL LEVEL ALL DECISI NEED TO B DO NOT SC ALL DISCR NOTICE TO COMMENC RICHER CO FOUNDATIO THE SUPER SUGGESTE THE STRUC VERIFY FIE WITH THE P PROCEEDI WORK WIT SPECIFIED COMPLY W CODES, RE REQUIREM OCCUPANT PROJECT A UNINTERRU DURING TH

ISSUED

SECTION BB SCALE - 1:25

SECTION AA SCALE - 1:25

18MM THK EXT PLASTER SCREEDING 12mm

2775

SLOPE 1:100 SLOPE 1:100

TILE DROP

2180

850 GRANITE PATTI

1250

WHEEL CHAIR ACCESSIBLE DOOR

ALUMINIUM FRAME DOOR

DUCT

350

581

1200

900 430

TILE DROP

3500

100

CERAMIC TILE DADO

URINALS

2120 TOILET FOR PHYSICALLY CHALLENGED

3000 DUCT

LADIES TOILET

WESTERN WC 20 mm THK PARTITION WALL

1200

TILE DROP

NAHNI TRAP

SLOPE 1:100

D5 D5

NAHNI TRAP

SLOPE 1:100

850 LADIES TOILET

850

SLOPE 1:100

850 850 MENS TOILET

SLOPE 1:100

D5 D5 1200

SLOPE 1:100

BRICK WALL HANDLE

REINFORCED CEMENT CONCRETE

FAUCET WASH BASIN

SLOPE 1:100

MARBLE PARTITION URINAL

SLOPE 1:100

BRICK WALL

TILE DROP

2930

GRANITE PATTI ALUMINIUM FRAME DOOR

1000

PERFOR AT BAND

TANVI S

ROLL NO | A THIRD YEAR 2018 - 2019

SCHOOL O AND ARCH LAYOUT 1 SCALE - 1:25

LAYOUT 2 SCALE - 1:50

NORTH

DRAW

150 mm L-ANGLE

41.70 A

STEEL LINTEL 50 mm thk WINDOW FRAME

150

STEEL CONNECTOR

300* 500 mm RECESSED WINDOW

18 mm thk EXT PLASTER

6mm thk FIXED GLASS ALUMINIUM GLASS FRAME

12 mm thk INT PLASTER

300mm long STEEL CONNECTOR

800

HOLLOW CONCRETE BLOCK WALL

G -

120 thk HOLLOW CONCRETE BLOCK WALL

DETAIL@ A SCALE - 1:10

DETAIL@ B SCALE - 1:10

KALZIP STANDING SEAM SHEET

35.70

25 mm KALZIP INSULATION

KALZIP ROOFING

8 mm KALZIP VAPOUR CONTROL LAYER 150 mm HOLLOW STEEL BOX SECTION

KALZIP E CLIP TRAPEZOIDAL LINER SHEET

STEEL BOX SECTION BEAM 150☓ 150

ROOFING DETAILS @ 1:10

STEEL L- ANGLE 150☓ 150

ALL DIMENSIO OTHERWISE S ALL THE WRIT FOLLOWED. DRAWINGS TO OTHER DRAW P.C.C. IS IN TH COARSE AGG ALL LEVELS S ALL DECISION NEED TO BE T DO NOT SCAL ALL DISCREPA NOTICE TO TH COMMENCEM RICHER CONC FOUNDATION THE SUPER ST SUGGESTED, THE STRUCTU VERIFY FIELD WITH THE PRO PROCEEDING WORK WITHIN SPECIFIED IN COMPLY WITH CODES, REGU REQUIREMEN OCCUPANTS O PROJECT ARE UNINTERRUPT DURING THE C

SR.NO. DATE

NUT AND BOLT CONNECTORS WHITE GRP INSULATION RETAINER EXTRUDED ALUMINIUM OMEGA PROFILE ZIPPED IN POSITION

SEALANT (BUTYL TAPE) RECESSED WINDOW

FOLDED ALUMINIUM CARRIER

28.20

STEEL DECK FLOOR

SEALANT COMPRESSIBLE FOAM

5.5 mm SELF DRILLER FASTNER min 2 nos.

LIGHT WEIGHT CONCRETE

ISSUED BY

WHITE GRP INSULATION RETAINER DETAIL@ D SCALE - 1:1

6.3 mm SELF TAPER FASTNERS min. 2 in no.s DETAIL@ E SCALE - 1:2

23.70

800 mm long ANCHOR BOLTS

S 150 mm dia STEEL CIRCULAR COLUMN WITH RCC INSIDE 19.20

200 mm long STEEL PLATE STIFFNERS

50 mm thk STEEL BASE PLATE

PERFORM AT BANDR

TANVI SAV

ROLL NO | A16 THIRD YEAR B 2018 - 2019

RCC PEDESTAL 1.20

DETAIL@ C SCALE - 1:10

SCHOOL OF AND ARCHIT

0.00

NORTH RCC FOOTING WATERPROOFING WITH ALTERNATE LAYERS OF 15 mm SCREEDING AND 25 mm SHAHBAD STONE

ISOLATED FOOTING

-3.00

EWS 1 @ 1:50

ISOLATED FOUNDATION DETAIL SCALE - 1:20

150 thkPCC BED 230 thk RANDOM RUBBLE SOLING

DRAWIN

EXTERN

14 (A) Work Experience: Internship- SRDA Interior projects Experiments with Bone China to make Lamp Kekee Manzil Renders

Kekee Manzil is a two storeyed bungalow in Bandra, Mumbai. The project aimed at repair, retrofit and interiors of the bungalow.

Bathroom Floorings Align with Wall

Align with Wall

Align with Wall 600 [2']

600 [2']

START eq

972 [3'-3"]

600 [2'] 972 [3'-3"]

bal.

770 [2'-7"]

1200 [4']

791 [2'-8"]

Align with Wall bal.

PLAN

KEY LOT 1

LOT 2

LOT 3

LOT 6

LOT 7

LOT 8

LOT A

LOT B

LOT C

LOT E

LOT G

WHITE MARBLE

BLACK TERRAZO

Y:\Architectural Project\TUSHAR SHAH\02 PRESENTATION\FLOORING\TOILET FOLDERS\P_MASTER BATHROOM\LOT7_57.5X42_13no.jpg

LOT C

RENDER FOR REFERENCE ONLY

SR. NO.

1230 [4'-1"]

580 [1'-11"]

START

1200 [4']

1160 [3'-10"]

1200 [4']

Structural

Plumbing

Electrical

HVAC

PMC

PROJECT CODE: REVISION NO:

THIS DRAWING IS THE PROPERTY OF SRDA AND IS NOT TO BE REPRODUCED, COPIED OR HANDOVER TO A THIRD PARTY OR USE FOR ANY OTHER PURPOSE OTHER THAN FO WHICH IT IS MEANT

DATE:

SHEET SIZE: A3

14TH FEBRUARY 2020

SCALE:NTS

DRAWN BY: PRIYANKA

CHECKED BY: JAY

STAGE: WORKING DRAWING ARCHITECTURE DESIGN

STAMP & SIGN

310 [1']

605 [2']

600 [2']

1200 [4']

600 [2']

Indicates 600mm Sunk Slab

START

600 [2']

Indicates 450mm Sunk Slab

600 [2']

230 thk. masonry wall 115 thk. masonry wall

CONSULTANT

DRAWING TITLE: MASTER BATHROOM FLOORING PLAN

STATUS

Indicates 300mm Sunk Slab

150 thk. R.C.C. wall

SAMIRA RATHOD DESIGN ASSOCIATES

PROJECT: BHARUCH HOUSE

SUNK SLAB LEGEND

Align with Wall

ARCHITECTURAL CONSULTANTS

DESCRIPTION

OTHER CONSULTANTS

FOR STUDY

LEGEND WALL LEGEND

REVISION

DATE

SR. NO.

NOTE : PLEASE FOLLOW THE ALIGNMENTS AS SHOWN IN THE DRAWINGS AND PLEASE MAKE SURE THAT THE STONES ARE CUT EXACTLY AS SHOWN IN THE RENDERED DRAWINGS.

LOT 7

SAMPLE FOR CUT PIECES

LEGEND

NOTES THIS DEVELOPMENT HAVE BEEN CONCEIVED,DESIGNED AND DRAFTED ON THE BASIS OF THE FOLLOWING PARAMETERS: 1. ALL LEVELS ARE WITH REFERENCE FROM BENCH MARK LEVEL ± 0.00 M (MAIN ROAD) 2. ALL DIMENSIONS ARE IN MILLIMETERS UNLESS OTHERWISE SPECIFIED. 3. DRAWING NOT TO BE SCALED. ONLY WRITTEN DIMENSIONS ARE TO BE FOLLOWED. 4. DRAWING MUST BE READ IN CONJUNCTION WITH STRUCTURAL & MEP DRAWINGS ANY DISCREPANCY SHOULD BE BROUGHT TO THE NOTICE OF THE ARCHITECT IMMEDIATELY. 6. THE SIZES OF ALL THE STRUCTURAL MEMBERS TO BE REFEREED FROM DRAWINGS OF STRUCTURAL CONSULTANT. 7. ALL EXTERNAL WALLS 230 MM THICK BRICK WALLS EXCLUDING FINISHED - (NOTE: ON THE GROUND FLOOR EXTERNAL WALLS ARE 300 MM (AAC) BRICKS THICK 8.WALL DETAIL FOR OPENING SCHEDULE AS PER SEPARATE DETAIL. 9. ANY AMBIGUITY SHALL BE IMMEDIATELY CLARIFIED WITH THE ARCHITECT.

630 [2'-1"]

Align with Wall

755 [2'-6"]

625 [2'-1"]

1155 [3'-10"]

1200 [4']

600 [2']

1200 [4']

1015 [3'-5"]

1230 [4'-1"]

1200 [4']

600 [2']

1200 [4']

615 [2'-1"]

130 [5"]

675 [2'-3"]

525 [1'-9"]

730 [2'-5"]

Align with Wall

525 [1'-9"]

Align with Wall

910 [3']

475 [1'-7"]

900 [3']

630 [2'-1"]

Align with Wall

350 [1'-2"]

615 [2'-1"]

START 670 [2'-3"]

Align with Wall

LOT 1

LOT 2

LOT 3

LOT 6

LOT 7

LOT 8

LOT A

LOT B

LOT C

LOT E

LOT G

WHITE MARBLE

BLACK TERRAZO

LEGEND

NOTES

(MAIN ROAD) 2. ALL DIMENSIONS ARE IN MILLIMETERS UNLESS OTHERWISE SPECIFIED. 3. DRAWING NOT TO BE SCALED. ONLY WRITTEN DIMENSIONS ARE TO BE FOLLOWED. 4. DRAWING MUST BE READ IN CONJUNCTION WITH STRUCTURAL & MEP DRAWINGS ANY DISCREPANCY SHOULD BE BROUGHT TO THE NOTICE OF THE ARCHITECT IMMEDIATELY. 6. THE SIZES OF ALL THE STRUCTURAL MEMBERS TO BE REFEREED FROM DRAWINGS OF STRUCTURAL CONSULTANT. 7. ALL EXTERNAL WALLS 230 MM THICK BRICK WALLS EXCLUDING FINISHED - (NOTE: ON THE GROUND FLOOR EXTERNAL WALLS ARE 300 MM (AAC) BRICKS THICK 8.WALL DETAIL FOR OPENING SCHEDULE AS PER SEPARATE DETAIL. 9. ANY AMBIGUITY SHALL BE IMMEDIATELY CLARIFIED WITH THE ARCHITECT.

LEGEND WALL LEGEND

SUNK SLAB LEGEND 150 thk. R.C.C. wall 230 thk. masonry wall 115 thk. masonry wall

Indicates 300mm Sunk Slab Indicates 450mm Sunk Slab Indicates 600mm Sunk Slab

NOTE : PLEASE FOLLOW THE ALIGNMENTS AS SHOWN IN THE DRAWINGS AND PLEASE MAKE SURE THAT THE STONES ARE CUT EXACTLY AS SHOWN IN THE RENDERED DRAWINGS.

REVISION

DATE

SR. NO.

LOT E

ARCHITECTURAL CONSULTANTS

DESCRIPTION

SAMIRA RATHOD DESIGN ASSOCIATES

PROJECT: BHARUCH HOUSE OTHER CONSULTANTS

SR. NO.

CONSULTANT

Structural

Plumbing

Electrical

HVAC

PMC

DRAWING TITLE: KITCHEN AND UTILITIES FLOORING PLAN PROJECT CODE: REVISION NO:

LOT 1

THIS DRAWING IS THE PROPERTY OF SRDA AND IS NOT TO BE REPRODUCED, COPIED OR HANDOVER TO A THIRD PARTY OR USE FOR ANY OTHER PURPOSE OTHER THAN FO WHICH IT IS MEANT

DATE:

SHEET SIZE: A3

14TH FEBRUARY 2020

SCALE:NTS

DRAWN BY: PRIYANKA

N N

CHECKED BY: JAY

STAGE: WORKING DRAWING ARCHITECTURE DESIGN STATUS

LOT A

STAMP & SIGN

FOR STUDY

Photo Documentation

Tushar Shah

Internship: Making booklets Holding Water, Exhibition A set of 8 booklets was made for the exhibition held in Delhi describing the ideas and process of design.

Holding Water Water camouflages itself with its container. It is transparent and anomalous, finding its own balance. Water escapes us; it is ethereal, and yet an elixir for life. Water insulates; it is versatile. With depleting water resources, to hold water has become imperative. Holding water; in ways that it is natural and integral to our being; unresisting and innate. How does architecture, the built form, integrate water in design? The architectural experiment looks at water and its attributes as a building material, building houses and co m m u n i t i e s, b r i n g i n g water from the past into the future. Water being immortal. The installation is designed to ignite the senses and is a pause; to think of, “being water”- transparent and pure,when we are, as they say, made of water. -Samira Rathod

HRS Project book geography

The community centre places itself in the village of Bysandram, located in the Hosur taluka of Krishnagiri district in the state of Tamli Nadu. It is located on the road connecting Bangalore and Krishnagiri between the lush green landscape of the south India amidst stretches of agricultural fields and the rocky mounds of the deccan plateau.

Byrasandram Village

Kalavarapelli Reservoir

Byrasandram 11

architectural set

section cc’

archetectonics of the interstitial

Architecture of the elements and the interstitial. the bracket the stairs the ramp the bridge fenestrations

bracket

bridge

stair

window

ramp

scallops

the making

Designing furniture Furniture Design A number of iterations were made to see the material and colour of the bed back, side table and lamp. OPTION 2

The staircase lamp

The side table lamp

The bed

E a c h furniture has been carefully designed keeping in mind the needs of the user. In the bed below, the bed back c o m e s with a moving flap of f a b r i c inspired from a sail of the, to ensure correct lighting to read, relax and work. There are attached movable drawers at rhe side of the bed, coming out from a pole

14 (B) Work Experience: Bricolage Bombay Banyan tree, Khopoli Site Analysis and master planning We don’t want to propose yet another master plan. We wish to create a new ecosystem with minimal harm to the site and its natural surroundings “without the removal of any trees”. In fact the aim is to create an ecosystem based on water. Having a waterbody in the centre of the site will help create a very calming energy to all the programs around it. We also seek to investigate to create sustainable measures for organic farming to serve and suffice the food for the visitors .

Trees can be planted with the existing trees

INSECT REPELLENT TREES

Space for Amphitheatre

Insect repellent, fruit and flowering trees

17.16 ] [56'-4" Full patch beyond river can be used for plantation Tall and flowering trees

11 4

Trees can be planted near the existing trees

Full patch beyond paddy feild cann be used for plantation

Tall and flowering trees

Insect repellent, fruit and flowering trees

Paddy field

Trees can be planted near the existing trees

Insect repellent, fruit and flowering trees

Guest house

CAMPHOR TREE

PALASH TREE

T10

RAMPHAL/SITAPHAL TREE

T11

KAJU TREE

NEEM TREE

FRUIT TREES T11

KAJU TREE

JAMUN TREE

T10

RAMPHAL/SITAPHAL TREE

TAMARIND TREE

MANGO TREE

T12

Cassia fistula TREE

GULMOHAR TREE

TALL TREES T12

Cassia fistula TREE

GULMOHAR TREE

CAMPHOR TREE

TAMARIND TREE

18 [59'-1.25 0"]

12.01 [39'-5"]

PLANTATION PLAN- PHASE 1

The house

HALDI TREE

Tall and insect repellent trees

BANY AN T REE

Tall and insect repellent trees

20.34 [66'-9"]

[3 12.0 9'- 0 4" ]

Areas surrounding the guest house can be used for plantation

Between the entry points

MAHUA TREE

FLOWERING TREES

12 m disance from the road bend

12m from the road bend

· · · ·

NOTE: Plantation to be done prior to beginning of construction by developer. Please speak to us for any issues in understanding. Always print this drawing in color. Phase 2 plantation to be done with the recommendation of horticulturist Please maintain sufficient distance between the trees All structural demarcations are temporary and can be changed

2021 A06 BANYANTREE DESIGN DEVELOPMENT DRAWN BY: SEEN BY:

TANVI SAVLA VINIT NIKUMBH

- 14. 09. 21

Courtyard House, Chiplun

Courtyard House, Chiplun The wall design: The local material in Chiplun being laterite, the walls were designed with thee same. Various options and iterations were tried for as the material is has high porosity, due to which it was difficult to get the aspired size of laterite brick.

The door window design: The openings were to be designed taking in various factors such as extreme climatic condition of the region, the existence of insects and mosquitoes, the light intake and aesthetics of the building. Windows were designed in a manner that opens in 4 different parts as per the need, the climate and the time.

Poddar House, Nepal Elevation and outdoor design

Publication drawings

Branding and logo

Poster design

Social media handle

15 Other works and interests Brick

arches

Punishment

workshop

device

for

loved

ones

Art workshop

Making cob wall

Furniture weaving

Brick bonds

IMG_7764.HEIC

27/06/21, 6:10 PM

Other works and interests Concrete workshop

Origami workshop

Comic workshop

Food and art

Malai kofta

Food stalls

Blue tea

Litchi sabzi