Jesse Monkman
Nocturnal Dance for solo marimba
Nocturnal Dance by Jesse Monkman Š 2005 Tapspace Publications, LLC (ASCAP). Portland, OR. All rights reserved. International copyright secured. Printed in USA. www.tapspace.com Notice of Liability: Any duplication, adaptation, or arrangement of this composition requires the written consent of the copyright owner. No part of this composition may be photocopied or reproduced in any way without permission. Unauthorized uses are an infringement of the U.S. Copyright Act and are punishable by law. TSPCS-03
Program Notes One summer night I awoke form a vivid dream and the idea for Nocturnal Dance was born. As with most dreams, the specifics are forgotten but the ideas and feelings were left. It was my challenge to attempt to bring this to life through music in a way that would convey the contrast and ambiguity that comes with such experiences, ergo the musical contrast between sections in this piece. When trying to determine the way I would approach such an experience, two things came to mind. One, impressionism. And two, to forgo approaching the piece from a technical standpoint, but rather to rely heavily on the imagination. To do my subconscious justice, it is my hope that both the performer and listener can experience it this way.
Performance Notes As you can see, there is a lot of direction telling you to be expressive. The most important thing for you to emote is a sense of ownership. Tell your own story, create your own sense of direction, and give your performance an element of individuality. That being said, adhere musically to what has been outlined. Each section has its own distinct emotional content. I leave this ambiguous just as the dream which has inspired its development. Make it your 1 2 3 4 own, as I made it my own from its conception. From a more technical point, be sure to use a mallet that can adhere to both the edgy and the emotionally tranquil sound qualities. Sticking recommendations are found in various spots L.H. R.H. using this illustrated convention. I hope your audience enjoys your performance of Nocturnal Dance. Have fun! - Jesse Monkman
Jesse Monkman Born in 1975 in Syracuse, New York, Jesse Monkman began his percussion studies with Jeff Grubbs at age eleven. In Jesse’s high school years he played with the Syracuse Symphony Youth Orchestra, and attended the Saratoga Orchestral Music Festival for several seasons. Jesse has since received Bachelor’s and Master’s degrees at the New England Conservatory of Music studying with Frank Epstein and Will Hudgins of the Boston Symphony Orchestra. During his studies at the New England Conservatory, Jesse attended the Tanglewood Music Festival, Pacific Music Festival, and the Spoleto Festival. Currently, Jesse plays with the Portland Symphony Orchestra of Maine, Boston Modern Orchestra, as well as other performance venues in the Boston area. Monkman has performed well at several noteworthy contract auditions including earning the runner-up principal position for the Hong Kong Philharmonic, and making the finals for the symphony orchestras of Atlanta, Detroit, Rhode Island, and San Antonio. As well as playing, Monkman teaches at the Powers Music School in Belmont, and has played many of his works throughout the New England area.
Level: Advanced Approximate playing time: 6’30”
Dedicated to Marie von Kampen
Nocturnal Dance for solo marimba
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© 2005 Tapspace Publications, LLC, Portland, OR. (ASCAP) International copyright secured. All rights reserved.
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