Volume Volume11, 13,No. No.1 4 %PH (POF *U
December September2006 2004ISSUE ISSUE••13 5
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Distinctly Diverse
" -JODPMO $POUJOFOUBM IJU B MJUUMF CMBDL EPH BT * ESPWF Submission Guidelines and Disclaimer donors to TASI. Send typed works to: PO UIF SPBE ISSUE ISSUE solicits and publishes the work of UPEBZ 720 Franklin, Beaumont, TX 77701 local authors. Poetry, short fiction, scholarly or e-mail: works and opinion pieces may be submitted for BOE IF EBODFE artstudio@artstudio.org review. All works must be typed or submitted on a OFBS UIF NJEEMF disk (using approved word processing software), or may be sent to TASI by e-mail. All works are Authors must submit a daytime telephone PG UIF CSPLFO subject for review by our editor, and may be rejectnumber along with all submissions. Pen names XIJUF ed or edited on the basis of grammar, spelling or are acceptable, but authors must supply real MJOF content. names for verification. All submitted works The piece consists of an automatic tennis serve the balls hit the wall and bounce randomly away as aor exans have their “Twang,� the disThe opinions expressed in “Thoughtcrime� become property of TASI, and whether rejected JO B QBJO machine that fires a series of balls (each labeled museum guard them. Thistoviewing tinctive vocal style that distindo not necessarily reflect the opinions of TASI, its chased accepted,after are not returned the author. ISSUE GVMMZ of Directors, staff, ora sense doesof not“play,� notify of with rejection mail or telephone. “Joey�) against a wall on which Board is a large ArgyleISSUE’s pat- editorial emphasized thebymachine, like guishes them from people from GVOOZ XBZ a rambunctious child, teasing its reluctant “playother states. “Twang� also refers to tern that may or may not be a net. The machine is labeled “Playmate� and the balls are fired with mate.� the guitar sounds of Texas R&B )F CJU monotonous regularity, with the gallery walls echoThe same piece, but two games and, therefore, and country. BU UIF TQJU ing a repetitive thud thud thud, like the Dada sound- $BVTF BOE &GGFDU two different pieces. At the Art Museum of 8IFO 4IF 8BT #BE PG TPNF PWFSMZ tracks of Kurt Schwitters. Even though the “Playmate� is inanimate, Southeast Texas, “Twang� is a FYDJUFE HMBOE The “Joey� of the title refers to Joey Powers has created a performance piece reminiscent group show of contemporary /P MJOFBS BSHVNFOUBUJPO )PU GMFTI QSFTTFE BHBJOTU DPME UJMF GMPPS BOE LJDLFE Mussacchio, a childhood friend of the artist who is of the 1960s Fluxus group, whose creations existed in Texas sculpture featuring work by SPBE LJMM EPFTO U KVTU NBOJGFTU 5IF NFNPSZ JT WJWJE now dead. the reactions of the viewer. a dozen artists. XJUI B USJDL TPNFUIJOH MJWJOH NVTU JOGFDU MJLF B GJSFGMZ USBQQFE JO B HMBTT KBS Powers plays with our emotions and delicately Does the lifeless “Playmate� long for someone Texas is both Western and MJLF UIF NBKPS QMBZ XJUI GMBTICBDLT balances the the joys of childhood with the loss of Southern, cotton and cowboys, and with whom to play? It seems to connect with the -FHT JOUFSUXJOFE PO B DPVOUFS JO B NBSDIJOH CBOE ZPV SF OPU OFDFTTBSJMZ MPPLJOH BU UJNF innocence. quintessentially American past-time — a simple a multitude of clashing cultures. If TIPSUOFTT PG CSFBUI BOE TPGU NPBOT 8JUI B VMVMV TIPX DBVTBMJUZ game of catch. Another piece that demands viewer participathere is one thing that defines GVNCMJOH PG UIVNCT BOE GJOHFST SFNPUF PS DPOUSJCVUPSZ IJT MJGF XBT UISPVHI tion is Justin Kidd’s “In and Out Box.� Visitors to the opening witnessed the balls Texas, it is its indefinability. CVUUPOT BOE [JQQFST QVMMFE MPPTF JNNFEJBUF QSPYJNJUZ Consisting of a crudely constructed mailbox “Twang,� like the state that bouncing off two walls and back into the machine, * XFOU IPNF GSBOUJD XIJTQFST hanging on the wall, visitors to the exhibit are invitcompleting a never-ending solitary game of catch. links these artists, incorporates a TUBJSTUFQQJOH TFRVFODF BOE XBTIFE " MPOH ESJWF BOE UIFO B CFE ed to “mail� a postcard from the Czech Republic plethora of styles and forms. The piece had a melancholy quality that reflected MVDLJMZ CMJOEw NZ CJDZDMF Among the strongest pieces on display isUIF EBODF CFHJOT BOFX “Love- both the loss of a childhood friend and of childhood HJWF NF DIBJOT PG WJPMFODF -JQT BOE UPOHVFT TFUUJOH PVU PO B KPVSOFZ Joey,� a study of friendship, loneliness and loss by itself. XJUIPVU SFNPSTF +FTTF %PJSPO However, visitors at a later date may have seen Michael Powers. See TWANG on page 11 B MPOH USJQ UP UIF TPVUI B CVSTU PG MJHIU BOE MJRVJE 3ZBO 'PSTZUIF BOE UIFO CMBDLOFTT Among the works featured in 5IF NPSOJOH DBNF UPP TPPO “TWANG: 8BUDIJOH 'MPXFST (SPX #FUXFFO "XBLF BOE 4MFFQ Contemporary +FGG %JYPO Sculpture from
DIFFERENT APPROACHES U NITE ‘TEXAS TWO DOZEN’ THE ARTS MAGAZINE OF THE ART STUDIO, INC.
APRIL 2005
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Texas,�JU T IBSE 4PNFUJNFT on display UP XBUDI UIF GMPXFST HSPX through Sept. 26 UP XBUDI UIFN XFBUIFS at the Art UIF IBSTI SBJO PO UIF TPJM Museum of UIF MPOH EBZT QVTIJOH BHBJOTU Southeast Texas, are, clockwise UIF EJSU UIBU DPWFS UIFN from left, UIFO TFF UIFN TUSFUDIJOH “E.B.� by GPS UIF TVO Erick Swenson, UXJTUJOH UISPVHI UIF TIBEPXT “Museum Bench� PG UIPTF TP NVDI MBSHFS by Chris Sauter, “Two Paintings )PX PGUFO * IBWF XBOUFE on UP SFBDI PVU XJUI CFTU JOUFOUJPOT a Rock� UP QVMM UIFN VQ by Bill Davenport CVU LOPXJOH JU XPVME POMZ and “Sell Me TUSBJO UIF SPPUT Something Brown� 4P * EP OPUIJOH by Franco CVU XBUDI BOE XBJU Mondini-Ruiz. BT UIF GSBJM CVET EBJMZ NPWF DMPTFS UP UIF TLZ BOE CVSTU GPSUI JO CMPPNT TUFNT TUSPOH JO UIF FMFNFOUT UIBU MFBWF UIF XBUDIFST Review and CSFBUIMFTT JO XPOEFS photos by BU UIFJS CFBVUZ
Andy Coughlan
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MAKING AN EXHIBITION OF THEMSELVES PAGE 7
INSIDE: LISA REINAUER: JUDGE AND JURY, HOT PIG, AND MORE
