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TATIANA ZOUMPOULAKI PORTFOLIO _ 06.2021
“Créer des lieux où “le possible” peu prendre son élan” De Certeau, L’invention du quotidien, 1990
PORTFOLIO
TATIANA ZOUMPOULAKI ARCHITECT ENGINEER [MA] · URBANIST [DSA] 06.2021
PORTFOLIO 2021 TATIANA ZOUMPOULAKI
TATIANA ZOUMPOULAKI Architect Engineer [MA] / Urbanist [DSA] Contact tatiana.zoumpoulaki@gmail.com · +33 631322021 Place of birth · Date of birth · Nationality Kavala, Greece · 19.12.1994 · Greek
PROFESSIONAL EXPERIENCE Sept ‘20 - Today 11 months | Paris, FR
Freelance Architect, Illustrator Missions (Project Manager) : Interior Design for offices, Participatory Wokshops (March 2021 ongoing @Nightline France) · Mural for Mental Health (Sept 2020 @Nightline France)
Sept ‘20 - Feb ‘21
Intern, Project & Communication Assistant @ Bellastock
6 months | Paris, FR bellastock.com
Mise en situation Professionelle @ ENSAPB
Nov ‘19 - July ‘20
Conceptual Design for internal communication, Interior Design Architect @ Nightline Paris
9 months | Paris, FR nightline-paris.fr
Mar - Apr ’18 2 months | Athens, GR
Oct ‘17 - Feb ‘18 5 months | Rotterdam, NL architectsforurbanity.com
June - Sept ‘17 4 months | Athens, GR nationalopera.gr
Oct ‘14 - Mar ‘15 6 months | South Pelion, GR 5a.arch.ntua.gr/project/5296
Civil Service Contract
Architect Consultant, Building Analysis for Reuse of Industrial Space Building Reuse for an Immigrants’ Theater Group
Intern @ Architects for Urbanity Assistance to competition projects · Erasmus+ scolarship
Visual team, Music Theatre educational lab: Transmedia Labworks: ρους @ Alternative Stage, Greek National Opera Interactive installation through analog and digital tools. Introduction to Processing coding language · Instructors : Anna Laskari, Tasos Kanelos
Apprenticeship, Systematical Analysis of Vernacular Buildings and Settlements @ NTUA Analysis of Traditional Buildings in Milies Settlement · EU funding (ESIF)
EDUCATION Sept 2019 - Feb 2021 paris-belleville.archi.fr Paris, FR
Oct 2012- June 2019 arch.ntua.gr Athens, GR
Sept ‘06 - July ‘12 2
Volos, GR
DSA, Architecture et projet urbain/ mention: Architecture et Territoires @ Ecole Nationale Supérieure d’Architecture de Paris-Belleville (ENSAPB) 90 ECTS, Grade PFE : B+/A
Integrated Master (Diploma) in Architectural Engineering @ National Technical University of Athens (NTUA) 300 ECTS, Grade : 8.33/10.00
Music Highschool of Volos Technological Orientation, High school diploma
CURRICULUM VITAE
PUBLICATIONS/ RESEARCH 26-29 July ‘21 Nexus International Conference Kaiserslautern, GER
June ‘19 NTUA Athens, GR
Dec ‘18 Non-Architecture competitions
Speaker, Co-author @ NEXUS 20/21 : “Design Systemization through Applications of Space Syntax” Relationships Between Architecture and Mathematics, Session: Design Theory & Analysis/ Co-authors: G. Kokkalis, N. Sidirourgou
Author @ NTUA : “Emergent qualities in common frameworks of improvisational practices” Dissertation / Supervising Prof. Giorgos Parmenidis https://dspace.lib.ntua.gr/xmlui/handle/123456789/49310
Finalists: @Non-architecture : “2094; The question is not where, but when” (Co-author) Non-Architecture Publications - DANCING - Alternative design for clubs/ https://www. nonarchitecture.eu/portfolio/2094/
Oct ‘18 NTUA Athens,Gr
Co-author @ NTUA [Honourable Mention @ gradreview] / “Alrededor: A participatory programm for spatial analysis & design” Master Thesis (Diploma) / Team: G. Kokkalis., N. Sidirourgou/ Supervising Prof. Giorgos Parmenidis, Consulting Prof. Panagiotis Vassilatos http://dspace.lib.ntua.gr/xmlui/handle/123456789/48090
WORKSHOPS Oct ‘20 / May ‘21 Bellastock, Recoltes et Semailles, Piscop, FR
March ‘18 Romantso Cultural Centre, Athens, GR
Straw-bale & Light-earth building construction Participation at two phases for the construction of a small edifice for a farm. Organisatoin : Bellastock
Creating Visuals with MAX/MSP Video art and digital post production workshop / Spektrum / Instructor : Federico Foderaro
VOLUNTEERING Nov ‘19 - Feb ‘20
Listening Volunteer, English Line
Nightline, Paris, FR
Free listening service for psychological support for students
24-27 May ‘18 Megaron Music Hall, Athens, GR
LANGUAGES SOFTWARE
Assistant Art Guide 14TH Athens Digital Art Festival, #Singularity Now
Greek [native speaker] English [fluent speaker - Cambridge Proficiency] French [fluent speaker - Sorbonne C2] ••• Autocad, Rhinoceros, Photoshop, Illustrator, InDesign, Office •• Sketchup, After Effects, QGis, V Ray • Grasshopper, Processing
MUSIC STUDIES 2013-2015 Atheneaum Conservatorium, Athens, GR
2004-2011 Volos Municipal Conservatorium,Volos, GR
Jazz piano, Theory & Ensemble Instructor: Spyros Manesis
Diploma Classical Theory & Composition/ Classical Piano Instructors: Andreas Mimeos (theory), Sevi Mazera (piano)
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PORTFOLIO 2021 TATIANA ZOUMPOULAKI
FOREWORD
Space manifests a vast array of material and immaterial qualities that are superposed and changing through time. The analysis of space - through the spectrum of systematic thought - has proven to be an asset to comprehend and correlate the component that make the urban fabric. Through my works and research, I’m drawn towards an interdisciplinary way of approaching a problematic. Looking at a subject through different backrounds (whether it is from the technical, social, artistic or philoshopical realm) helps gain a more global perspective. Throughout my studies and my professional experiences, I’ve been interested in ways you can communicate a project to the public, not only to promote it, but mainly to invite others to contribute on the creative process. This co-creation, in academical, professional or personal level, invites a powerful inter-transmission of knowledge that can be a key aspect in spatial and strategic conception. My focus concerns: - experimenting with representational methods in spatial design (no matter the scale) - researching the improvisational patterns that make the city and the open and closed structures that exist within - de-codifying the means and ends of the systematic genesis of form
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CONTENTS - FOREWORD
CONTENTS URBANISM_ DESIGN · ANALYSIS
2 PARTS
OPEN PLANING TO ANTICIPATE CHANGE
DURABLE ORDINARY PATERNS
LANDSCAPE LOOPS
TYPE : Urban Design Methodology
TYPE : Field Analysis, Strategic
TYPE : Structuring landscape
Northen Region of
LOC :
Planning for an Eco-Town
LOC :
Bordeaux, FR
Diploma
Project
Design Atelier 1st semestre, DSA: Architecture
ENSAPB · Paris, France · Feb ‘21
ENSAPB · Paris, France · June ‘20
ENSAPB · Paris, France · Jan ‘20
p. 6-11
p. 12-23
p. 24- 29
SPACE SYNTAX
ILLUSTRATION
SCENOGRAPHY
ALREDEDOR
VISUALISING ARCHITECTURE
TRANSMEDIA LABWORKS: ρους
TYPE : An application for spatial
TYPE : Research Project
TYPE : Audiovisual interactive
POST : Project & Communication
POST : Visual Team Member -
Projet
DSA:
Creil, FR
Architecture et Projet Urbain ·
et
·
interventions
LOC :
Design Atelier 2nd semestre · DSA:
Architecture
(PFE)
Chúc Sơn, Vietnam
Urbain
·
LOC :
Projet
Urbain
·
installation
analysis & design ∞
et
Assistant (MSP)
Architect (Workshop)
Master Diploma Project · Architectural
@Bellastock · Paris, FR · Sept ‘20 - Feb
@Greek National Opera · Athens, GR ·
Engineering · NTUA · Athens, Greece ·
‘21
June - Sept ‘18
p. 36-43
p.42-47
Oct ‘18
p. 30-35
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CA US A LM AP
HOUSING LANDSCAPE ACTIVITIES
US CA
E AL ECT F FE
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STRUCTURING THE IN-BETWEEN ... to create complementarity between monofucntional and disarticulated regions
OPEN PLANNING TO ANTICIPATE CHANGE TYPE : Urban Design Methodology Northen Region of Bordeaux, FR LOC : PROF : André Lortie, Patrick Henry
Diploma Project (PFE) · DSA: Architecture et Projet Urbain · ENSAPB · Paris, France · Feb ‘21
A conceptual framework for the application of an open urban planning strategy to meet the new challenges created by linear strategies. The example of the Bordeaux-Nord sector. The linear nature of large-scale planning strategies often proposes axes of transformation that are little followed during their realisation. This often
LINEAR APPROACH
leads to a saturated territory, poorly appropriated by the inhabitants. EFFECT
The application of such strategies to the area of Bordeaux-Nord, which is a territory in full transformation since 2009, has already shown its limits, CAUSE
despite the efforts of the actors involved in the operations. Instead of a connected and lively territory, we notice a strong disarticulation between
TIME
residential, economic and natural areas (p.8). This presents a negative impact on the quality of life of the inhabitants, and on the overall connection
CAUSE = EFFECT
of the region with the historical city centre. The need for a revised strategy is supported on several occasions by the inhabitants that argue for the intensification of natural elements, for the re-articulation of the new and the
OPEN APPROACH
old, and for the diversification of the character of their city. An open planning strategy, aims to anticipate -by it’s structue- several
EFFECT
interpretations and is specified on a small scale. By following a series of operations at the in-between of the elements that are currently in conflict, we can envision a a shared and sustainable territory project (p.6). To visualise the possibilities of this model, new shared places are
EFFECT
EFFECT CAUSE CAUSE
CAUSE CAUSE CAUSE
imagined, by mobilising local actors and thus a retroactive collaboration between the inhabitants and the professionals of the area (p.10). The
CAUSE
EFFECT
EFFECT
spatialization possibilities of this strategy is supported by a toolbox (p.9) of complementary and versatile facilities and infrastructures that allow us to
CAUSE = DIFFERENT EFFECTS
imagine how these new shared places can establish a fluid evolution of the area (p.11). 7
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DEVELOPMENT ZONES FOR 2030
NEW HOUSING PROJECTS
REINFORCEMENT OF THE ECONOMIC ZONE
Metropolis of Bordeaux, Gironde
7 to 13 000 housing apt - 120 à 150 apt/ha
32% / 176 ha: Economic land occupied by less than 14% of the land unit
É
ORC ESPACE ÉCONOMIQUE RENF
ILÉGIÉ
PRIV DÉVELOPPEMENT URBAIN
1km New development zones
High Intensity mobility nodes
Emblematique buildings
Land (0-14% density)
Public space
Zone of economic activity
Interest of National Heritage
VISION FOR 2030
REALITY 2021
Developpment axis for durability 2009 -2030
A sector of antitheses whose resources must be rethought.
(Ref : study by A’urba, 2016) 8
PROJECT : OPEN PLANNING TO ANTICIPATE CHANGE
For the building unit
Parasitic Extensions/ Grid
Expand greenery
Temporary Occupation
For the PLOT
Diversify common spaces
Extend pedestrian & green zones
Diversify use on low density plots
Life under the bridge
Create dynamic interchanges
Use large mobility axes as public space
ARCHITECTURE MOBILE
Ephemeral structures to accompany future transformations
< TOOLKIT APPLICATION EFFECTS : ex. Typology of Collective Housing
THE TOOLBOX Transposable interventions on the building unit and the city’s infrastructure, aiming to inspire and accompany the appropriation of space by its inhabitants 9
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mobilise local ACTORS for the SIMULATION of causes [ Events - Temporary Installations Training Centres ] for the IMPLEMENTATION of intentions [ Collaboration and Support Centres ] to support EVOLUTION [ Research and Observation Centres ] 10
PROJECT : OPEN PLANNING TO ANTICIPATE CHANGE
LEVEL OF INTERVENTION ADD
OUTSIDE
INSIDE
CONTEXT
SIMULATION ACTORS
CONTENT
EVOLUTION ACTORS SUBTRACT
TIME 0
TIME 1
IMPLEMENTENTATION ACTORS
TIME 2
TOWARDS A FLUID INTERCHANGE OF FUNCTION Conceptual framework that analyses the ways different actors use and organise their ressources at different scales.
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*1 The urban grid is develloped more according to a reticular system rather than a reguralised one
VISION HUPI
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REALITY
PART 1/2 : INITIAL FIELD ANALYSIS
DURABLE ORDINARY PATTERNS TYPE : LOC : PROF : TEAM :
Terrain Analysis - Territorial/ Urban Scale Chuc Son, Vietnam Yvan Okotnikoff, Cyril Ross/ Advisors : Patrick Henry, Charles Rives, Andre Lortie ANTOUN Eli, BRIZIOU Paul, OLANO KLEMM Roma, PALERO Lola
Workshop 2nd semester · DSA: Architecture et Projet Urbain · ENSAPB · Paris, France · Feb ‘20
An analytical view on the predominant typological properties of rurality in Vietnam to set a common conceptual framework for sustainable design. The subject of the future Eco-town of Chuc Son raises various questions on how to integrate a durable model of sustainability while reassuring a co-existence with the present settlements. The project, consisted of an on-site and research analysis - so as to de-codify the structural elements of the territory- followed by a proposal for an alternative master plan within the scopes of the Atelier (see next project). Durability is here approached as an articulation of modular reticular systems that are blended with agricultural aereas. These areas, aim to act as a link between the present settlements and the future ones as well as to reassure the sustenance of the exisitng viillages. The analysis has lead to an experimentation with representational techniques and raised questions concerning the ways that it impacts the different phases of conception. What begun as a critique for the homogenous zoning of the master plan proposed by the Hanoi Urban Planing Institute (HUPI) is now challenging the ways we understand the complexity of the territory. By incorporating that complexity in the design process we are able to better understand the functions and schemas of the existing, so as to fascilitate a more functioning transition with the future urbanised areas.
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*2 The territory is seen as a network of multipolar and multifunctionnal systems and intensities
URBAN FORM SCHEMATIC REPRESENTATION OF TYPES
RELAY LANDSCAPE
PROSPECTIVE EXPANSION
CORRESPONDACE WITH EXISTING URBAN FORM
1. COMPOSITE SYSTEM 1A. SEQUENTIAL
1B. ISLAND
2. COMPACT SYSTEM 2A. LINEAR
2B. AXIAL
2C. CENTER
Each system is developed in accordance with a road axis and has a different rapport towards the relay landscapes. The systems convey with each other in various patterns. 14
PROJECT : DURABLE ORDINARY PATTERNS
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*3 The Structure of the village allows for a visual continuity between the elements of the terrritory
* Density map DENSE
The built territory is represented in a nuanced way to define several states of density that correspond to a different pixel colour (size 10x10m). This is a first
DISPARATE
step to demonstrate the morphologic complexity of the existing formations. Site analysis has proven that the urban
RELAY LANDSCAPE
form cannot be defined accurately via homogeneous patterns, as represented in HUPI’s master plan (light green in the image on the right).
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PROJECT : DURABLE ORDINARY PATTERNS
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SD HUPI
Guide Plan Hydro
Functional Diversity (Local > Supralocal)
Individual Housing (<2 Floors)
Agriculture (colour by typology)
Academic Institutions
Collective Housing (<5 Floors)
Vegetation (colour by species)
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Collective Housing (>5 Floors)
PART 2/2 : IN DEPTH RESEARCH & PROJECT
DURABLE ORDINARY PATTERNS TYPE : Strategic Planning for an Eco-Town Chúc Sơn, Vietnam LOC : PROF : Yvan Okotnikoff, Cyril Ross
Design Atelier 2nd semestre · DSA: Architecture et Projet Urbain · ENSAPB · Paris, France · June ‘20
The know-how of the existing is transformed into design tools to draw the future eco-town of Chúc Sơn. Chúc Sơn is located in a territory rich in spatial patterns that play a structuring role for its morphology. The site on which the project is located is at the centre of a constellation of villages, which have different structures and densities while still framing nature and culture at the centre of their form. The project is based on certain motifs that unite these villages, in order to reintroduce them to the construction of the city of tomorrow. The site visits revealed a series of archetypal situations throughout the territory. In their variations, these types of treatment -often informal- of its space, form the common language of the ordinary in Chuc Son. These motifs are formative ways of the already there that exist in several dimensions and scales. Among them are the principles of co-visibility between settlements, the multi-functionality of the common space, the microtopographies and use of cultivable land as well as the relationship between the built space and its natural surroundings (image 1, 3). The analysis of these motifs allows us to set up a panel of tools that define the characteristics of an intervention grid extended to the territory. This grid is intended to act as a base which will allow the free evolution of the city and the preservation of the villages. In concrete terms, based on spatial traces and the treatment of its surroundings, a guide plan is defined that leads to the improvisation of tomorrow (image 2). Then this grid is adjusted to the two case studies (CE) to test the limits of such an approach (image 4-6). Based on this system of traces and patterns, I would like to highlight the new eco-town as a living place that reflects the territory, on which it develops. Even if we can never know everything about a place, an in-depth analysis of the existing know-how can help us to clarify the dynamics that are present. In this way, we can imagine a new city which is specific to the site, and which through its structuring allows the organic evolution of these formative elements. 19
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DENSITY & USE OF LAND Existing Plot
20
SUCCESIVE DENSIFICATION TOWARDS THE New City Plots
RELAY LANDSCAPE
PROJECT : DURABLE ORDINARY PATTERNS
Agricultural Plateau
Linear City
Micro-topographies for flooding protection
Transition Agricltural Plateau toward village
Disparate City
Biodiversity at different scales
Water at the center of everyday life
Morphological & Functional Diversity
Relation with nature
ORDINARY PATTERNS ANALYSIS Following a mapping of the types of local urban and rural systems, one could identify situations that form a common language. The situations are then studied to understand the link between the components of the territory (cultivated areas, biodiversity, urban forms, social entities, etc.) and the effect in space. One of the most recurrent situations was the density levels and the treatment of interstitial spaces. These places still serve as reserves for the extension of the village, but also as productive places on several scales. 21
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IMA GE
OR
GA
OF
NIC
TH
ME
EN
SH
EW
OF
CIT
Y
LAN
DSC
APE
ELE
ME
NTS
Case Study (CS)1
LAYOUT PRINCIPLES The future districts are designed to ensure ecological continuity between the elements of biodiversity (culture, vegetation, hydrography) while recreating the sustainable qualities that have been noted (functional and morphological mix and relationship with the existing). The grid is conceived here as a well-regulated support structured by principles of ground treatment (the plots drawn from the agricultural plot traces, the mobility axes) and of layout. 22
PROJECT : DURABLE ORDINARY PATTERNS
COMPOSITION
IMPROVISATION
Relation to existing grid
Morphological Diversity
Relation to landscape
Functional Diversity
Ordinary patterns become planning tools. The new town reflects the complexity of the existing
CS1
CS1
CS2
CS2
BETWEEN IMPROVISATION AND COMPOSITION The guide plan aims to give an image of the new town that is in constant communication with its surroundings. The planning principles evoke the complexity of the territory on which it is based to promote a sensitive approach to building environmentally and socially sustainable forms. 23
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FORM FOLLOWS TERRITORY The network wants to redifine the main spatial ruptures found in the territory while linking the green surfaces of the periphery (woods and farmland), the central water elements (rivers, banks, marshes) and the 24
interstitial aereas .
LANDSCAPE LOOPS TYPE : Structuring landscape interventions Creil, FR LOC : PROF : Patrick Henry, Charles Rives
Atelier Desin 1st semestre · DSA: Architecture et Projet Urbain · ENSAPB · Paris, France · Jan ‘20
A strategic orientation project that works as structuring tool for the Creilloise agglomeration The proposal is situated 67 km south of Paris, in the Oise department of the Picardie region, in the neighbouring communes of Creil, Nogent-sur-Oise, Villiers-saint Paul, Montataire and Verneuil-en-Halatte. This project regards a network of open spaces and natural ressources that acts as an intermunicipal link whlie assuring a functionnal and visual continuity between the structurral elements of the territory. The main research question was
Open Spaces
to clarify the typologies of intermediate spaces between those elements. These spaces concern the aereas between the built and the infrastructre and incorporate a big ammount of every-day life on a personal and a collective level. The term intermediate is seen also in it’s temporal sense, seeking terrains that are in-between uses with no specified utilities. The goal was to better compehend their inherent complexity, and to classify them according to their current state and use. We found 4 main typologies ; 1. Open spaces (parks, squares, family gardens and sports facilities) ; 2. Public facilities in the case that they include open
Public facilities
spaces while displaying large levels of flow ; 3. Future development projects that are introducing a range of structured green areas & 4. Undefined or Abandoned terrains , that can be considered as intermediate zones*, and can serve as land for new development projects. They display a varied identity between large, often disconnected sites, on the edge of the urban fabric, and smaller urbanised sites. The loops aim to form a new structure of public and private spaces on the scale
Future Projects
of the agglomeration, integrating part of the neglected spaces according to their spatial and functional characteristics. The intention is to create a varied urban ecosystem through transversal micro-projects, micro-projects, that is blended within the the urban tissue at an intermunicipal scale. The loops also serve as an extension of the existing flows. According to their use, state, location, and their adjoining volumes they are being diversified so that their structure corresponds to the degree of animation needed for each case.
Undefined or Abandoned terrains
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Collective Housing
Residential
Industry/ Commerce
Mixed Use (Center)
TYPOLOGY OF BUILT FORM These four types of predominant typologies present a morphological homogeneity and tend to create closed islands of mono-functional zones. 26
PROJECT : LANDSCAPE LOOPS
Mixed Use Industry/ Commerce Residential Collective Housing Public Existing Soft Mobility Axe Banalised site Allotment garden
A NEW SHARED NETWORK The loops serve as an extension of the existing flows. According to the typologies they traverse, they are being diversified so that their structure corresponds to the degree of animation needed for each case. 27
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Soft mobility Axes Intervention area Public Mixed Use Industry
CASE STUDIES In each case, the loops take the form of green corridors with the incorporation of vegetation and a network of soft mobility axes. 28
PROJECT : OPEN PLANIFICATION TO ANTICIPATE
MICRO PROJECTS In a smaller scale the projects are carried out so as to intensify the connection between the structured and the unstructured that make the city. 29
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A COMMON POLYVALENT MATRIX Our method provides us with three design tools : the Medial axis, the visual polygon and the Blobs. These tools are considered as the initial shapes that form a common open matrix for analysis and design. This matrix, when used in 30
different ways, can allow for infinite typological possibilities to answer the requirements of each intervention.
ALREDEDOR TYPE : LOC : PROF : TEAM :
An application for spatial analysis & design ∞ Giorgos Parmenidis/ Advisor : Panagiotis Vassilatos Giorgos Kokkalis, Nickie Sidirourgou
Master Diploma Project · Architectural Engineering · NTUA · Athens, Greece · Oct ‘18
A design application that integrates socially driven spatial analysis, inspired by space syntax, with participatory design methods. Alrededor was the honorable mention of the national competiition for master’s project in February 2019. Since then, it has been an inspiration for continuous research concerning spatial analysis, algorithmic design and space syntax and has lead to the related publication for Nexus 2020; Mathematics and Architecture, organized by TU Kaiserlautern. Alrededor is a design application, that reads and analyzes natural formations and proposes architectural interventions according to the user’s functional inten- tions. Our goal was to create a computational design methodology that integrates socially driven spatial analysis, inspired by Space Syntax, with participatory design methods and propose distinct architectural types according to the results of these processes. The results of these processes are a series of geometric defini- tions, that we correlated with configurational aspects of typologies and
PARTY (5,35)
combined them in different ways, in order to form our own typological syntax. The application is composed in two parts; the digital, that icludes the analysis, the user intention and the original defintion of the typological syntax, and finally the manual part, that complements and refines the outcome of the digital pro-
WATCH (4,1)
cess according to a a set of predefined rules. The outcome of the digital application, is not the finished plan but a draft of the final volumes and con- figuration.Instead of treating this inability, to further parametrize these design systems, as a problem, we decided to treat it as an asset and solve this prob- lem manually. The geometrical algorithmic logic of the
EXERCISE (3,12) CREATE (3,08)
RELAX (2,47) READ (2,0) SLEEP (1,8)
definition made it possible to explain these design systems even to participants with no knowledge of parametric design or programming. The strict rules, defined boundaries for our personal taste and radical decisions, setting the design process as we would follow it manually, but in the strictly logical environment of parametric design. 31
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FIELD ANALYSIS
The proposed methodology is set via a clear alternance of steps, created to decodify some spatial attributes of the terrain. The Medial Axis sets the “backbone” of the available surface whereas the Isovist Graph Analysis qualifies the visual interconnectivity in space according to a color spectrum. These graphs are then used to determine the levels of privacy and density of the spatial experience, features that are directly related to the localisation of future functions.
* COMMON PRESENCE
Common presence (CP) is a concept to help us frame design intentions. By correlating the color spectrum of the isovist Area graph to different levels of CP, we could decide for a set of activities regarding these different levels. To decide the exact position of each activity on the CP spectrum, we released a questionnaire asking to put into order a set of verbs (potential activities) according to the desired level of privacy [results show on spectrum on pg.31]. 32
PROJECT : ALREDEDOR
DESIGN SYSTEMS
We produced three distinct design systems, freeform, orthonormal and cubic, each one referring to a different architectural typology. Those systems are articulated as sets of abstract shape rules that apply to the initial shapes. These rules are abstract, meaning they allow further modification and appropriation by the user. Such systemisation processes aim to produce an open syntax that produces space specific forms through the geometry of space. 33
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34
MANUALLY DIGITAL The geometrical algorithmic logic of the definition made it possible to explain these design systems even to participants with no knowledge of parametric design or programming. The strict rules, defined boundaries for our personal taste and helped us take radical decisions, setting the design process as we would follow it manually, but in the strictly logical environment of parametric design.
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VISUALISING ARCHITECTURE TYPE : DIR :
Research Project Quentin Chansavang
Master Diploma Project · Architectural Engineering · NTUA · Athens, Greece · Oct ‘18
The visual medium is one of the primary way of communicating the architectural vision. Here shown are some images produced while working on projects that deal with the notions of REUSE, CONSTRUCTION & INSERTION.
During my time with Bellastock, I worked as a project and communication assistant and in parallel, I was asked to structure a visualisation strategy for the notions dealt by the structure. The construction of this methodology had as its main goal to demonstrate the limits and possibilities of image production at a professional environment and to produce a database of images on a series of ongoing and realised projects. The images shown here are part of this assignement and aim to answer different interrogations while illustrating differrent projects. The visual medium is seen here as a universal language aimed to communicate a project to the public as well as organise the conceptualisation process. With architecture being a technical and creative field, drawing has always been a fundamental part of a design proposal and can take different forms. Experimenting with the ways we represent the world can potentially lead to changing the ways we see and act on it, thus giving way to new sustainable methods that are sensitive to the environment they are treating. As it was said very eloquently by Bernard Tschumi : “ To question what architecture is, one must simultaneously question its mode of representation ”
(right) Poster for the project ATELIERS MEDICHILL at Clichy-sous-bois. Type : Development of public space with reused materials
Q: What elements to emphasize when we illustrate a circular economy project?
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Récoltes et Semailles at Piscop Type : Straw Construction
Q: How to represent the articulation of structural elements ?
(up) Construction Details _ Récoltes et Semailles (right) Poster - Reuse possibilities_ SNCF Réseau
PROJECT : ALREDEDOR
SNCF Réseau Type : Solutions for reusing products removed from the rail network
Q: How to communicate the possibilities of re-employment?
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Construction Details _ SNCF Réseau
SNCF Réseau Type : Solutions for reusing products removed from the rail network
Q: How to communicate the possibilities of re-employment?
Construction Details _ SNCF Réseau
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Landscape Insertion_ SNCF Reseau
SNCF Réseau Type : Solutions for reusing products removed from the rail network
Q: How to communicate the possibilities of re-employment?
Landscape Insertion_ SNCF Reseau
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test
build
map
experiment
project
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TRANSMEDIA LABWORKS : ΡΟΥΣ TYPE : LOC : PROF : TEAM :
Workshop, Music Theatre Lab edu. programm Alternative Greek Stage. Stavros Niarhos Foundation, Athens, GR (visual team) Laskari A., Kanelos T. (audio team) Gasparatos S. Aivatzidis G, Apostolaki E., Giakoumatou I., Diakaki ZZ., Zahos D., Iliopoulou D., Kotsanou M., Lekkou L., Manousiakis D., Papadopoulou V., Politaki AL., Pouli A., Tousa D., Tsirepa E., Zoumpoulaki T. (audio team) Antoniades M., Giagkoulis S., Gkousios P., Damvounelli A., Iliopoulos P., Kavouki E., Lazarou P., Bousbouras A., Papakonstantinou T., Spanoudakis M., Tsiggos P., Tsiouni D., Fousekis S., Chanos G, Green N., Seixas S. Direction: (visual team) Laskari A., Kanelos T. (audio team) Gasparatos S. Project video: https://vimeo.com/235724562
@Greek National Opera · Athens, GR · June - Sept ‘18
The project “Transmedia Labworks: ρους” (ρους (gr)=flow) is an interactive audiovisual installation. It was presented in September 2017 at the Alternative Stage of the Greek National Opera (GNO), at the Stavros Niarchos Foundation Cultural Centre (SNFCC).
The Lab’s purpose was to investigate new possibilities of expressiveness and performativity in the field of music theatre through the introduction of digital technology. To that end, the Lab aimed at producing a unified, audiovisual piece that incorporates performative and interactive elements, designed by the participants for the Alternative Stage of the GNO . The audio and visual teams collaborated by dynamically exchanging digital information in order to produce an immersive and altering audiovisual landscape, which visitors can experience spatially and shape collectively.
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PORTFOLIO 2021 TATIANA ZOUMPOULAKI
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tatiana.zoumpoulaki@gmail.com · +33 631322021