Tatiana Poggi - English Portfolio by Poggi Tatiana

<01> about

<02>

research <03>

teaching 3

<04>

construction + design <05>

creative direction <06> photography + film

about cv

personal information

Tatiana Sabrina Poggi Architect birth: March, 28, 1988. Buenos Aires, Argentina contact: C/Verónicas 8, Murcia 30004 Spain email: tatianasabrinapoggi@gmail.com skype: tatiana.poggi telf: + 34 699 43 77 79 linkedin: Tatiana Poggi instagram: @tatianapoggi + @huachaferias education University of Alicante, Spain. 2007-2016 Graduate Cum Laude in Architecture - Master`s equivalent Awarded with high honors for her final thesis project La Mujer Digital software skills

Acad/Photoshop/Indesign/Illustrator/Premiere/Rhinoceros/Vray/ Microsoft Office languagues

Spanish (native)/English (fluent)/ Français (basic) professional references

Andrés Jaque, Doctor of Architecture / Juan Antonio Sánchez Morales, Doctor of Architecture/ Miguel Mesa del Castillo, Doctor of Architecture / Nerea Calvillo , Doctor of Architecture / Jose María Torres Nadal, Doctor of Architecture

Born in 1988 in the city of Buenos Aires, she has lived in Spain for 28 years. She has developed her architectural studies at the Architecture School of Alicante, Spain. Graduated in January 2016, with high honors in her final thesis project La Mujer Digital. Since the beginning of her degree she has kept several interdisciplinary lines of work inside and outside of the architectural field, as well as her relationship with the worlds of art, culture and teaching.ia. Her work has been exhibited in MoMA New York (2015), ARCO 2015 Madrid (2015), cultural spaces such as the Alicante Council (2011), the art gallery The Building (Alicante, 2011), the Culture Alicante Institute Juan Gil Albert (2011) and published in editorials such as -La innovación es un eco de nosotros mismos- “The innovation is an eco of ourselves” (2011), “Exploring the public city” (2011), or the editions “Teaching Program Architectonic Projects” (2010) of the Architecture School of Alicante (AeA). She has collaborated in articles for Bartlebooth Mag (2015 and 2016) and she has participated asguest scholar for dissertation juries in the Architecture School of Alicante (2014 and 2015) and as lecturer for the workshop “Learning from the PopUp Urbanisms” (2015) in the Escuela Técnica Superior de Arquitectura de Madrid ETSAM, directed by Pedro Pitarch. She has collaborated as a teacher in charge of the design studio class Proyectos Zero at the Architecture School of Alicante 2015-2016. She is a co-founder of the venture Fuzzy office (2015) together with architects Joaquín García Vicente and Ana Melgarejo, a virtual office of architecture that works with the elements of culture, art and technology. The group components were interviewed in ARCO 2015, inside the interviews series of the “Máster de Proyectos Arquitectónicos Avanzados” of the ETSAM, directed by the architect Federico Soriano.

Regardingher researching fields, she has taken part in the Petracos Project (2010) for the Alicante Council, directed by Jose María Torres Nadal and Teresa Lanceta Aragonés, in charge of the project “The neohouse: state dwelling, colony dwelling and satellite dwelling” inside the work frame of social and technological innovation. At the same time, she has collaborated in architecture studios such as Andrés Jaque Arquitectos Office for Political Innovation, Ad-hoc> Arquitectura y Territorio and PLAYstudio. In October 2015 she was one of the leading architectsfor the project Umbrales, in which five female architects made art installations in shops of the city of Murcia. This initiative makes part of a platform that aims to make professional architect women visible. this was a pilot for the encounters “Espacios para Aquitectas” curated by Ariadna Cantis and Marta Thorne in Roca Gallery, Madrid. She is co-founder of Sunset Openhouse, with the architect Joaquín García Vicente, an exaltation space where art, culture, gastronomical, architecture and new practices coexist, which is also her home. Published work in AD España web (Architectural Digest web version), Harper’s Bazaar web, Elle Decor. The works she develops revolve around the exhaustive analysis of reality, the politization of architecture and its technological introduction from a social basis. She is interested in new communication dynamics, visual expression, development and innovation of new interaction languages, as well as in lectures and development of physical and digital work.

In January 2015 she took part in the project COSMO, winner of the contest for the MoMA PS1 by Andrés Jaque Arquitectos, conceiving and building its models and prototypes. These prototypes have been exhibited from June to September 2015 in the MoMA of New York, and are now part of the permanent archive of the museum. Within the team directed by Andrés Jaque Arquitectos (Office for Political Innovation) she travelled to New York in June 2015 for the exhibition of both the model and the actual installation.

PROFFESIONAL EXPERIENCE [July - September 2009] Internship in Adhoc>Arquitectura y Territorio [June 2009 - June 2010] “Petracos” Researcher for Deputy office of Alicante. Published work “La innovación es un eco de nosotros mismos“. Public exhibition at Instituto Juan Gil Albert (December 2010) and public exhibition at Deputy office of Alicante (March 2011). [July - September 2011] Internship in Adhoc>Arquitectura y Territorio [January - July2013]Internship in PLAYstudio [2014 - 2015] Junior architect in Adhoc>Arquitectura y Territorio [January - June 2015] Collaboration for Andrés Jaque Arquitectos- Office for Political Innovation in the project COSMO, winner of the Young Architects Program contest for the MoMA PS. Models exhibition at MoMa NY June-September 2015. [October 2015] Pricipal architect at “Umbrales” design project for Plataforma de ArquitectAs-Women Architects Platform. Published work in Proyecto Contract from Arquitectura Viva magazine. [January - July 2016] Teacher in charge of the design studio class Proyectos Zero at the Architecture School of Alicante

[2016 - act] Architect in Adhoc>Arquitectura y Territorio + freelance architect

WORKSHOPS [February 2008 –May 2009] University of Alicante (AeA) >La abstracción geométrica en el arte del siglo XX , directed by Teresa Lanceta. [October2008 - March 2009] University of Alicante (AeA), Delft University of Technology (TU Delsft), Technische Fachochschule Berlin, Cracow University of Technology (CUT), Copenhagen Technical Academy (CTA), Amsterdam University of Applied Science (HVA) > Exploring the public city. Strategic public spaces for sustainable new town development. International intensive pogram. [January 2009] University of Alicante (AeA), Universidad de Sevilla (US) > Mapping Gaza. Architecture, urbanism and technology in the Israel-Palestine conflict. Directed by José Pérez de Lama and Pablo de Soto (hackitectura.net) Curator Regine Debatty. [March 2010] University of Alicante (AeA), PLAYstudio , Espace CAMON > Entornos futuros, Generaciones futuras. Participatory and collaborative experience pilot among children and young elementary students of architecture in relation to architecture and the digital world, developed in Alicante CAMON space. [August 2010 - March 2011] University of Alicante (AeA), Diputación de Alicante > Petracos. “Petracos” Research Project for Diputación de Alicante-Deputy office of Alicante, directed by Jose María Torres Nadal and Teresa Lanceta. Published work “La innovación es un eco de nosotros mismos“. Public exhibition at Instituto Juan Gil Albert (December 2010) and public exhibition at Deputy office of Alicante (March 2011).

[April 2011] University of Alicante (AeA), Cracow University of Technology (CUT) > Flooding emergency housing international workshop. Directed by Robert Marcinkowski fromCracow University of Technology with University of Alicante. [February2012] University of Alicante (AeA), Departamento de Composición arquitectónica (acCA) > Maneras de vivir. Workshop with the architects Lola Alonso and Enrique Abad Monllor. Directed by Andrés Martínez Medina. Organizado por Departamento de Composición arquitectónica (acCA) y Departamento de Expresión Gráfica (Degraf.). [April 2014] University of Alicante (AeA) Área de Proyectos Arquitectónicos EPS, Fan Riots Research Project from Iván López Munuera sponsored by Music Festival SOS 4.8. > Use protection! The imaginary of coastal landscapes in Southeast Spain, through real estate speculation, nudist beaches, protected foodstuffs, and military zones. Directed by Cooking Sections: Daniel Fernández Pascual and Alon Schwabe.

EXHIBITIONS [June 2009] Deputy office of Alicante. FAST & FAT CITY project with Joaquín García Vicente. Drawing + Digital illustration. A0 over cardboard 841x1189 mm.

[March 2011] Deputy office of Alicante. “EL NEOHOGAR:VIVIENDA ESTADO, VIVIENDA COLONIA Y VIVIENDA SATÉLITE”-The neohome: state housing, colony housing and satellite housing” project with Joaquín García Vicente, from “Petracos” Research Project for Diputación de Alicante-Deputy office of Alicante, directed by Jose María Torres Nadal and Teresa Lanceta. Videoinstallation. [June 2011] The Building Gallery, Alicante. HACKLAB PALACE project, a digital exchange space in the port of Barcelona. Drawing + Digital illustration. A0 over cardboard 841x1189 mm. [January 2013] Museum of the University of Alicante UNA RED TOPOLÓGICA DE PERSONAS QUE HABITAN Y TRABAJAN EL CAMPO DE ELCHE - A topological network of people who live and work the field of Elche. Model + installation. Net on wood panel 2000x1200x1200 mm. [June 2013] Espacio L’escorxador, Elche. VUELVE, CULTIVA Y TRANSMITE! Project, tpurist and residential soft network garden in the El Hondo and outcome of the Vinalopó river. Drawing + Digital illustration. Three A1 over cardboard 604x841 mm. [September 2014] Vista Alegre art gallery, Alicante. Selected photo for MOWO- III Photography congress in Torrevieja, Alicante. Photos 30x30cm. [June-September 2015] MoMA Museum of Modern Art, New York. Model and prototypes made by Miguel Mesa+ Joaquín García + Ana Melgarejo+ Tatiana Poggi, for Andrés Jaque - Office for political Innovation. Exhibited at MoMA NY from June to September 2015.

[December 2010] Instituto alicantino de cultura Juan Gil Albert “EL NEOHOGAR:VIVIENDA ESTADO, VIVIENDA COLONIA Y VIVIENDA SATÉLITE”-The neohome: state housing, colony housing and satellite housing” project with Joaquín García Vicente, from “Petracos” Research Project for Diputación de AlicanteDeputy office of Alicante, directed by Jose María Torres Nadal and Teresa Lanceta. Installation : Drawing + digital Illustration digital over metal magnets hung metal supports.

PUBLICATIONS [2009] Exploring The Public City, Ed. Galiano Garrigós, A, Koehler, M, De Bonth, L, Ivorra Morell, G, Alicante, Universidad de Alicante (AeA). [2010] Programa docente Proyectos Arquitectónicos 2010-2011, design project class II, published Fast & Fat City work from year 2009-2010. Edited by Universidad de Alicante, Departamento de Proyectos Arquitectónicos. [2011] La innovación es un eco de nosotros mismos -Innovation is an echo of ourselves-, research project published “El neohogar: vivienda estado, vivienda colonia y vivienda satélite” -The neohome: state housing, colony housing and satellite housing- Edited by Diputación de Alicante-Deputy office of Alicante, directed by Jose María Torres Nadal and Teresa Lanceta. [2013] Editing and layout of Ivan Capdevila doctoral thesis , Dibujando un Nuevo Paradigma: de Golden Lane (1952) a A Journey from A to B (1972) -Drawing a New Paradigm: Golden Lane (1952) to A Journey from A to B (1972)-. [2015] Arquitectura murciana en jaque, Article written in collaboration with Itziar Hernández Rodilla for El Viajero, El País. Article published on April 8, 2015.

[2015] Todxs somos mujeres digitales -We are all digital women- published by Las Virtudes, Bartlebooth Mag. Article written for architecture and culture magazine. April 2015 [2016] Hackenado a La Mujer digital para La producción: cuatro estrategias menores Bartlebooth Mag. Article written for architecture and culture magazine. June 2016 [2016] Ampliando el marco de trabajo -Broadening the framework- published by Mapeo 15: Especies de Espacios magazine. Article on my experience as young teacher, written for the magazine promoted by the University of Architecture of Uruguay and the Superior Technical School of Architecture of Madrid ETSAM. July 2016

AWARDS >Milano Architettura Design Edilizia, InstantHouse Social Club para Feria Milano 2011 sponsored by Federlegno Arredo s.r.l para MADEexpo en conjunción con el Politécnico de Milán. Internacional [Finalista] >Reebok Short Film, Video contest in 15 seconds promoted by Reebok Spain brand. National [Finalist] >Mango Catalogue, Photography contest .National [1st prize] >LAMONOmagazine & Standbikeme, Photography contest promoted by cultural upheaval magazine LAMONOmagazine and bycicle brand Standbikeme. Nacional. [1er premio] >VSCOGrid TM., Photography selectioned published at photography USA brand VSCOTM.

LECTURES [Febrero 2015] Instagram as a polictics construction tool, Lecture for Design Studio class Proyectos Zero directed by Joaquín García Vicente y Ana Melgarejo Architecture Degree at University of Alicante (AeA). [Febrero 2015] Fuzzy Office’s interview at ARCO 2015–Ana Melgarejo, Joaquín García Vicente, Tatiana Poggi- . Madrid. Interview by Los Caprichos: students from Máster en Proyectos Arquitectónicos Avanzados (MPAA) -Master advanced design studio class directed by Federico Soriano from Superior Technical School of Architecture of Madrid ETSAM. [Febrero 2015] Lecture at I Carnaval de Experiencias arquitectónicas en el reciclaje y al Industrialización. - I Carnival of architectural experiences in recycling and Industrialization- at Colegio de Arquitectos de Murcia (COAMU) -Association of Architects of Murcia-. [Mayo 2015] “Erot-, horter-, digital- y otros –ismos” lecture for The Dark Side Of The Party, a part for symposum Art and Voices from music festival SOS 4.8 2015, commissioned by Iván López Munuera. TEACHING [Enero 2013] Young visiting teacher at final review Proyectos II - design project class II directed by Miguel Mesa de Castillo and Nerea Calvillo. Architecture Degree at University of Alicante (AeA). [Junio 2013] Young visiting teacher at final review Proyectos II - design project class II directed by Miguel Mesa de Castillo and Nerea Calvillo. Architecture Degree at University of Alicante (AeA).

[Enero-Julio 2016] Honorífic collaborator teacher - First year Teaching Proyectos Zero -design project studio Zero- of Architecture Degree at University of Alicante (AeA), during the school year 2015/2016. [Julio 2016] Visiting teacher to the final review of Guardamar Summer School workshop, from University of California, Berkeley, directed by Alejandro Salazar, in Alicante (Spain).

[Julio 2015] Young visiting teacher at “Learning from Pop-Up urbanism” workshop , directed by Pedro Pitarch at Superior Technical School of Architecture of Madrid ETSAM.

research investigaciรณn

final thesis project Complete work: https://archivoproyectosarquitectonicos.ua.es/index.php/12-la-mujer-digital-tatiana-poggi

la mujer digital Final thesis project of the Architecture degree and master of University of Alicante, directed by Miguel Mesa del Castillo during 2014/2015 and 2015/2016, completed in January 2016 obtaining a score of 10 and High Honors Award. LA MUJER DIGITAL, The Digital Woman, is a propositional research that explores the domesticity and politic condition of a woman in the contemporary city. This project is based upon several works and texts such as “Pao for the Tokyo Nomad Girl” extracted from Toyo Ito’s Writings, “Un cuarto propio conectado” by Remedios Zafra, “A Cyborg Manifesto” by Donna Haraway, “Politics of Nature” by Bruno Latour or “Spheres” by Peter Sloterdijk. The texts this project is based on deal with issues like women, bodies, cyborgs, appropriated rooms and connected spaces, atmospheres, habitable spheres, territories, systemic agents, space domestication, identities, digitalization…This compiled information and our own analysis of everyday reality are used to build an architectonic proposal that becomes close to the social, cultural and politic matters of contemporary individuals and their relation with architecture and territory via the digital world.

The architectures proposed in this project include the territorial scale -or a globalone, in which a new world map is proposed, the domestic scale -traditionally associated with architecture in which a new model or action protocol are proposed for space, and the object scale –in which a series of technoaffective objects are designed and built. Such architectures relate our Digital Woman with the rest of the human, technological and natural agents (Latour’s reference), through live performances. The final tesis project is divided in four sections and one annex which they’re the name of four books; Mapas de la imaginación-Maps of the imagination, La domesticidad en guerraDomesticty at war, El cuerpo improipio-Improper body and La digitalización toma el mando and one annex that is a timeline, like a tow years diary. Please, check complete work here: https://archivoproyectosarquitectonicos.ua.es/index.php/12-la-mujer-digital-tatianapoggi

University of Alicante

research

2014 - 2016

The Digital Woman

is a propositional research that explores the domesticity and politic condition of a woman in the contemporary city.In 1985

Toyo Ito, the Japanese architect, elaborated an ephemeral dwelling project, sponsored by a Shibuya shopping centre. This housing consists of a light structure suspended by cables, in the shape of a chrysalis and a translucent plastic cover. This dwelling model is addressed to whom he considers the greatest exponent of urban enjoyment in the city of Tokyoâ&#x20AC;&#x201C; the nomad girl. This archetype is described as a young, single woman, with a stable professional position. In this sense, he displays the transformation of the Tokyo dwelling models from the 80â&#x20AC;&#x2122;s, but, who is this woman after thirty years? The contemporary nomad woman is not nomad anymore. She does not wander through the city taking advantage of the features offered everywhere around he, because she is everywhere at the same time. She is a digital being: a digital woman. The city disintegration, the globalization and the degree of technologization that our dwelling has reached, among others, act as stimulation agents for a physically disperse life, but at the same time virtually focused. Why would one eat in the city restaurants if one can do so in

Rome or Barcelona? The living room that became city clubs and theatres, now becomes Ibiza or Bangkok, the garden is Marrakech and the Maldives. The digital woman sleeps in hotels that host her and domesticates b&b apartments; her professional and academic environment

She does not need pre-furniture for the styling, the snack or the intelligence because she has a smartphone, a tablet and a laptop. She carries with herself everything is located around London and New York.

she needs, in her costume and in her suitcase; her tecnoaffective objects.

Autogeography

is a new world

map. A unipersonal world map. Useful for an

agent. The digital woman. A new terrestrial plani-

sphere with a geographic projection of the sphere; edited, muted, transformed. This mutation is not defined by Earth’s crusts. The traditional territorial boundaries are now senseless. They are not geographic, neither topographic, neither geologic anymore and they now become territorial boundaries configured by: ring roads that link airports with urban centres, high speed lines, high-power lines, telephony and internet lines, wifi waves, 3g nets…These state-cities become

product-cities, urban musts, composed by airports, rolling-food stands, weight loss centers, b&b apartments, shopphing centers, artists’ ateliers, bio-cosmetics centres, universities, cafes with loads of cats, art galleries, library-shops, vintage markets, clubs, museum shops, museums, photocalls, urban selfie-backgrounds…In

Archigram’s Magazine umber 9, 1970, there is a picture where a man is sitting on the country side, fishing and watching a film on his portable television. A new urbanism concep-

tion was already being proposed at that time. Urbanism was not the city anymore in order to become the daily actions that were occurring

Now all those analogic affairs are also digital.

in it.

Contrageography

is a hidden world map. A catalogue of territories inherent for the autography. the background. the dark room. It is about a cartography that aims to unveil the territories of the anti-establishment with whom the digital woman does not relate physically, but of whom she takes advantage. Where is the technology she consumes produced? And her clothes?And the chemical substances? In this map a new world map is created through a series of territories related with the previous: Inditex factories in Arteixo, Bangladesh, Sao Paulo or Tanger; places where laboratories of narcotics production concentrate, such as the Region of VRAEM, Tonala MĂŠxico or strategically hidden thanks to their difficult access like the Cardamom Mountains. or Bangalore, Vinh Phuc or Schenzen, technology leading producers territories exported to countries of the first world, which consumes Digital Women, or artificially enlarged islands, as Bolifushi Island in the Maldives. Through a new multi-scale geography operating as a negative of autogeography, a junction of preexisting territories has been outlined in order to endow the facts that result as a consequence of the Western individual with visibility such as evincing the 68-hour week of a Bangladeshi teenager woman earning 1.3 euros per day who cannot state that she lacks labour rights; or the builders of iPhone devices for foxconn in Schenzen city (the city with more mobile technology producers in the globe) whose many suicides have been concealed; or the massive forest clearance in Cambodia jungles, in order to produce the ecstasy sold in Ibiza.

shared domesticity

is a new domestic model, a result of both the transformation of contemporary ways of living and the crisis of belonging A way of life digitally concentrated, but physically disperse. Somehow, economic, social and political explo-

sion and the consequent social pressure has led young people to undervalue the idea of owning their own space and increased travel by necessity.Within this continuous transformation of the feeling of belonging to a place in this society of advanced capitalism, this research suggests that the individual is increasingly identified with the objects owned, which carries with it; their clothes and their most precious belongings, because with them is able to feel himself in a space that is not its own place. The autogeography places that The Digital Woman inhabiting are domestic spaces that are not her own: hotels, airbandb apartments, openhouses, etc. These places provide her with the basic functions

of an architectural space: thermal comfort, hygiene, place to rest and micr- temporarily store your belongings. Through affective objects that exist in these spaces, the Digital Woman acquires a first degree of membership. These objects make her feel belonging the place, the house, the neighborhood, or the city. She identifies with them because they are recurring own. That is why, we can say

that this new way of living in cities across shared-housing web platforms, means that we all have a home in every city in the world (map caption right) . A practice that needs the digital support to exist, but is inherent to the physical experience of architectural space. In this drawing, a new domestic fiction is proposed, an architectural space resulting from the union of real homes extracted from web platforms, which correspond to the cities of the autogeography. What builds these

spaces are the technoaffective objects from owners who live there, are these objects that provide feelings of belonging when The Digital Womanâ&#x20AC;&#x2122;s occupies. She is the main character of cartography.

technoaffective devices

to ac-

quire the place belonging. In Foucalt`s philosophy,

a device is a set of strategies which determine certain types of learning and that both are conditioned by it. It is a cross of

power relations and relations of knowledge. According to the French dictionaries of the time, a device had a legal,military and technological meaning. But it is the Giorgio Agamben analysis and proposal draws from Foucaltâ&#x20AC;&#x2122;s theory on devices that interests me. Agamben proposes a general partition that exists in two kinds of living beings (which I call humans) and devices (in which encompass technologies and natures), approaching in this way the proposals of another philosopher: Bruno Latour. As Agamben proposes Iâ&#x20AC;&#x2122;ll call device literally anything that somehow has the ability to capture, direct, determine, intercept, modeling, control and secure the gestures, behaviors, opinions and discourses of living beings. So, I propose that the device is the natural or tech thing that is able to intercede between man and the environment, creating new relations of power and knowledge between humans and their environment. The device is an enabler architecture. And what enables the device as an architectural object? The acquisition of a first degree of belonging to a space, a place, a house that is not own us. The Digital Woman temporarily inhabits these shared domesticities, full of affective devices. In these places the digital woman is a guest, she is a occupies, a refugee. How can she stop being? When we reached an airbandb or similar apartment, we begin to deposit our belongings in it, to perform daily activities such as cooking, putting on makeup, showering or cleaning. It is through the implementation of these activities and the relationship we started keeping with these technoaffective objects that there are (also also begin to intermingle with our own objects) and the digital woman begins a process of appropriation of space, so significant in the sense of composition of architecture. It is for this reason that these objects are, inevitably, architectural objects.

hostship ceremony for the acquisi-

tion of belonging a place. In the process of domestication not own spaces occupied by the digital woman, we have seen that a first degree of belonging is obtained through interaction with techno-affective devices that exist in these spaces and the objects themselves that digital woman carries in her suitcase. Upon arriving to occupy the new space,

will be generated new relationships to perform daily activities such as showering, makeup, reading, relaxing, or practicing yoga. However, when she invites others to this

space, it becomes a master of ceremonies, and so the space really belong her. This second degree of belonging, or ability to feel â&#x20AC;&#x153;at homeâ&#x20AC;? completely, is acquired through a ceremony or event that she holds in places that stay. These ceremonies are directly related to daily activities that are usually performed in groups in the own space. It is proposed that through the party ceremony, the dinner ceremony and the relax ceremony, is achieved generate a full sense of belonging in any city in the world.

To do this, a number of protocols are designed, along with a garment and scenery, which make up the complexity of the event giving rise to a festive architecture.

performative architecture

With the intention to pursue this proposal with an approach to architectural reality, and self-production or self-construction of the project proposal for myself, at this time, I decide to make a performance that emulates the ceremonies that were proposed for the domestication of space. Thus, a performance, La ceremonia-ceremony-, El traje -costume- and a series of necessary devices that the digital woman needs to perform this life experience are designed. El traje -costume- comprises three superposed layers or tissues. I have designed and made by hand, and I added about it to carry out the ceremony objects.. These homes range from the closest to the skin, dermatologic suit, to a layer as a blanket, through the middle layer, equipped with utensils. The Manto-Mantel-Manta -suit- is an element that relates natures, technologies and human, with the digital woman. The garden of microchips raised by Toyo Ito, an enhancer of urban space, the suit is conceived as a digital garden. La Mujer Digital -The Digital Woman- is a new flow in the city, and mantle bearing is designed as an extension of the Toyo Itoâ&#x20AC;&#x2122;s propose, being common relations between the urban and the microchip: fluidity, multiplicity of layers and phenomenality , features also of the garment.La Ceremonia, The ceremony

consists of four distinct parts and is intended to give voice to all those represented. The ceremony is designed in all its breadth, leading to as performance practice, conducted in a public event on January 23, 2015.

The Manto-Mantel-Manta “suit” is an architecture designed for relate our Digital Woman with the rest of the human, technological and natural agents, through a designed live performance. It arises like a digital garden: the microchips garden from Toyo Ito, an enhancer of urban space. The Digital Woman is a new flow in the city, and the Manto-mantel-manta “dress” that she wears have being designed like an extension of Toyo Ito’s proposal. Being the common relations between the urban and the microchip: the fluidity la fluidez, the multiplicity of layers and phenomenality, features also of the garment.

final thesis project

The CO2 measuring jewel is a technoaffective device designed to communicate with the Digital Women and notify the time when air pollution is dangerous, when suspended particles PM2,5(diameters less than 2,5um) exceed 300 micrograms per cubic meter (limit on the value of danger begins). The device is made of a ring with a CO2 sensor connected to an Arduino circuit. That circuit, connected to a screen, has been scheduled to reach this limit when it appears in a written message and a sound emergency. The ring is a 3D designed and printed device, in a sbs plastic.This is a gem in a double ring which engages several pieces with details and pearl applications, with an arduino sensor.

University of Alicante

37 Research, design and photography: Tatiana Poggi

teaching docencia

professor at Design Studio ProyectosZero 2015/2016

el espectador emancipado “El espectador emancipado, a propósito del ritual” (The emancipated spectator, in purpose of the ritual) is the title of the course imparted in Project Zero subject of the Architecture Degree in the University of Alicante during the school year 20152016. Jacques Rancier’s text “Le spectateur émancipé” is our starting point for the pedagogy of the course, intending to place the student as a spectator to whom provide the capacity of final emancipation, of a spectator who feels himself as an actor, able to generate a critical thought about what surrounds him, reconsidering the pre-established. A ritual is an action protocol conducted for its symbolic value. We can consider ancestral actions, based in any religious belief, but they can also be linked to secular acts as contemporary as consumerism, politics, sport, traditions or a community’s historical memory. In this course a series of rituals and existing ceremonies are analysed. Action protocols as examples of architectures that create new relationships between human and no-human agents

through the processes. This would be about the student being able to identify the tangible and intangible aspects of these actions, through the connection with the objects and the space, but with the memories, the sounds and the smells as well. These ceremonies will be religious ancestral rites such as the Wayu dance from Colombia, the Jewish circumcision, the naked man Haraka Matsuri festival or a gipsy wedding; together with rituals that came up in the contemporaneity such as the Black Friday, the world championship of the virtual game League of Legends, or the United States Prom. The selected rituals must consist of three specific parts, as generators of their own identity, for their analysis: 1. The scenography, as the physical environment described in the form of measurable agents, quantifiable. 2. The clothing, as the specific attire necessary for the ceremony development. 3. The protocol action, as the temporary process, able to be divided in x parts that define the action.

University of Alicante

teaching

2016

professor at Design Studio ProyectosZero 2015/2016

After analyzing a series of ceremonies that students chosen, the course toward the production and design of a sectarian community or neighborhood community regarding what has been studied. First the students filmed a fake documentary, based on the work of Joan Fontcuberta, and they designed the community based on the three principles, through a large model made by couples that it were transformed as the project progressed. Photos from final jury class, June 2016.

University of Alicante

2016

construction + design diseĂąo y construcciĂłn

collaboration with Andrés Jaque Office for political Innovation

cosmo COSMO is the winning project of the MoMA PS1 Young Architect Program, proposed by Andrés Jaque Arquitectos and his Office for Political Innovation and inaugurated in June 2015. Together with the architects Joaquín García Vicente, Ana Melgarejo and Miguel Mesa del Castillo, we were in charge of creating the prototypes and models for the contest, that turning out to be the winner, this model was exhibited in the MoMA of New York from June to September 2015, while the built piece could be contemplated in the patio of the MoMA PS1 in Queens, NY. The prototypes have become part of the MoMA’s archive. “The way of treating water cannot only be hedonist or celebrative, but it is necessary thinking about how architecture can create a discussion around water, how architecture not really focuses on little problems but on the construction of great discussions and the big problems.”

“COSMO is a machine that makes visible the engineering through which we deal with water. It is a kind of taking the pipes out of the experts space and installing them on the place where they can be discussed by different publics. COSMO is a machine that processes 3000 gallons of water in a few hours and that mainly makes this by making water circulate through a series of ecosystems, each of them designed to have a very specific effect about water. At the moment, here we have some water that the Environmental Protection department brought us, which is contaminated and in a few days we will achieve that this water gets purified and edible for humans.” After being an Andres’ student in several academic courses, having the possibility of being part of this multidisciplinary group in this project was a great personal and professional experience.

New York

construction+design

2015

Fotography: Imagen Subliminal

collaboration with AndrĂŠs Jaque Office for political Innovation

The model was made of welded iron tubular structure on which we incorporated other elements of the system: an a clear acrylic structure, silk thread by way of pipes carrying contaminated water, test tubes and spheres made of polyester resin with plastic plants for aquariums.

New York

Photography in Murcia: Pedro Cano

construction+design

49 Photography: Tatiana Poggi

2015

at MoMA, 11 W 53rd St, New York NY 10019

The model was exhibited at MoMa, Manhattan, from June to September 2015. The constructed installation was exhibited at courtyard MoMA PS1 courtyard in Queens, NY. Prototypes have become part of MoMA files. In addition part of our work was to make the web platforms that supported the installation, as the website and mobile application.

Photography: Tatiana Poggi

yellow affaire Restoration of an industrial building in La Estrella industrial estate, Molina del Segura (Murcia), together with the architect Antonio Rabadรกn. The intervention proposes a new identity for the physical space, as well as a digital identity. For this reason, the space, together with the branding and the brand idea are all designed. It is about a commercial space open to public with hardware, phyto-sanitary, household, hunting and fishing products. The intervention centres around the idea of creating a yellow cannon along the building, designing a shell that receives the visitor and includes him in a space in a bigger scale compared to the user of a usual industrial building. This shell is closed with a black polygonal. The rest of the necessary elements that are spread on the yellow surface are highlighted in black colour as public attractors, where the products will be exhibited.

The intervention is resolved with different kinds of paintings in the two chromatic tones characteristic of the brand we have created, and a series of pieces of metallic structure. A big light structure that makes the counter area and some furniture pieces stand out. The layout is an open distribution with a modular volume raised over the space and centred in the store, holding the offices. In the ground floor, products are distributed in areas distinguished by the furniture that holds them. In the background, a an area divided for the animals has been designed, being able to be enlarged and subdivided in order to gain space.

Murcia

construction+design

2016

The elements that are not part of the continuous surface rising or have remarked painting themselves black. All the furniture has been re-used, both the shelves and fridges, and an antique bathtub and sink large, painted yellow to be bonded with other elements on the wall. It has designed a metal tubular structure in the sales area for hanging products and plants.

FotografĂas: David Frutos

Murcia

construction+design

2016

The project posed a branding corporate image, logo, business cards, packaging design, messaging, etc- that was relate to the built design. On the trade front the logo, corporate colors and information of commercial products is attached.

Murcia

construction+design

57 FotografĂa: David Frutos

2016

casa para una tribu Casa para una tribu- A house for a tribe. Semi-detached house restoration with three floors in Churra (Murcia) The family that is going to live in this house is composed of two girl, 2 and 5 years old, three boys, 9, 11, and 12 years old, and two adults, shaping a beautiful tribe that looks for a new lair in order enjoy each other. Three children and two adults will permanently live and, semi-permanently, the seven of them. This peculiarity makes us consider a house that will have to adapt itself to these temporary situations and to the future, accompanying the children upbringing with a space able to change together with them. The ground floor intervention –La arena de la manada- (the herd’s arena) proposes an expansion of the the minimal height by the removal of false ceilings and making the house installations visible. The configuration of a living room, in a lower height than the kitchen-dining room ground, creating a continuous piece that has a variable height as a recreational seat.

The first floor –La cabaña de los cachorros- (the cubs’ cabin) has been designed as a “children house”, an only open space that can be divided in three folding doors that hide themselves within the partitions. A stripe in each side of the layout acts as a sleeping and wardrobes area, and in the other one the humid rooms have been set, counting with a shower in each of the rooms and two bathrooms in the central area, which can be reached by the natural light when the space is totally open. Furthermore, this central area holds an empty space as a playing area and some furniture pieces that are toys and parliamentary small furniture pieces at the same time, in which the children group can work, discuss, but also lay down and watch a film or video-game projection. The second floor, with sloping ceiling, consists of a suite room with a dressing area that takes advantage of the decreasing height in order to distribute the furniture elements that will be less necessary and those thought for storing.

Murcia

construction+design

2016

La arena de la manada Ground floor

La cabaĂąa de los cachorros First floor

La choza de los jefes Second floor

Murcia

construction+design

2016

sunset An old office space restoration in VerĂłnicas street (Murcia) in order to adapt it both to be my own house and an open multicultural space open to the public in certain occasions, together with the architect JoaquĂn GarcĂa Vicente. Sunset Openhouse is a cultural exaltation space where art, gastronomy, architecture and new practices live together. It is also a house. In March 2015 and with a less than 2000 euros budget, we resolved to restore a 180 m2 house, built in 1920. The house, third and top floor of a historic building catalogued by the city of Murcia, had been the warehouse of a hardware store in the ground floor and paintings and other products store in a certain period of the 20th century. After being acquired by a property developer, who set part of his technical office in this third floor, the building was foreclosed and entered an abandonment state. In those years, in the beginning of 2000, the building was ransacked and lost part of its value.

As architects, we resolved to turn it into our house through very basic transformations, thinking from the beginning in the possibility of opening it to the public. Our role was nearly the role of an archaeologist: rediscovering the hidden under layers of previous interventions, apart from the transformation of the main space where the rooms are now presented continuously, allowing a contemporary domestic life and, at the same time, enjoying a public character. We believe that culture must be far from the centralising model in which the prestige is built through the power structures. We think that much more interesting things occur in the peripheral, far from those hegemonic practices that feed from each other. The space is designed in a way that any of the spaces can be used both in a domestic way and with an expository vocation, as the house gallery transformed into an art gallery. Furthermore, the kitchen-island that we have designed has been proposed in a way that a cooking lesson can be imparted opposite the dining space, or the dining-room, with light furniture that can be quickly transformed into a stage where small microtheatre pieces can be made or private concerts with the living room as the audience seating area.

Murcia

construction+design

2016

From the start the housing project was designed with the possibility of forming a cultural space that could be opened to the public. The kitchen-dining-living room were located connected so that from the kitchen island could be given a culinary class or the dining room could function mini-stage closing curtains and allow the public to sit in the living. In addition, the gallery surrounding the courtyard illuminated with natural light, is used as an exhibition space and art gallery in which every three months, exhibitions by emerging local artists alternate.

Murcia

construction+design

2016

Murcia

construction+design

2016

contest with Adhoc Architecture + Sergio Ramos

parada de argonautas Proposal made with the architectural firm Adhoc>Architectura y territorio + Sergio Ramos, for the HABITAR contest, held by the College of Architects of Valencia in September 2016. The project report is divided in fie strategies or variables key for the ideation and development of itself: 1. providing continuity to the naturalism, 2. it is also a gender matter, 3. about canes and mud, 4. with ecosystemic extension, and 5. two in one.

2. Our tree-mushroom, therefore, set in the public space must also be offered as an element that gets activated and will have to be: lamp post, pergola, pavilion or aviary; but, especially, it must be a dispositive able to materialise with clarity the unfolding of a new affectivity, or the affectivity itself, aimed to those that are, maybe as a more significant piece of information, the ones that suffer a greater deficit.

1. In this way, in the nature itself where we will seek the genealogy of the architectonic element that, temporary and punctually, would offer the possibility of accommodation of “the homeless”. And among lots of examples that nature offers as shelter, as life and as spontaneity, we find that two of them provide cues, clear and certain, so that the new architecture that is intended is able to have a “naturalist” basis: the tree and the mushroom. Our project will never be able to be neither a tree, that wonderful technology, neither a mushroom, that enigmatic morphology that precisely usually grows spontaneously in the shadow of those, but that will do everything possible in order to apprehend something from them, in order to take ownership, although childish and innocently, of some of the constituent principles.

3. As a result, the affective tree-mushroom-lamp-pergola can also be included to its conceptual structure at least a part of the architectural popular tradition, the one that can be found in the typology which we denominate “barraca”. 4. The sensitive and affective tree-mushroom-lamp-pergolacabin-barraca, does not include yet the vision which the ecosystemic claims, that only attends a strict human deterministic demand, for which reason it will have to start extending its look, looking for that insect in danger, that plant that does not get pollinated as it should, or a public agenda that could be able to finish turning down the agonistic pluralism.

Valencia

2016

contest with Adhoc Architecture + Sergio Ramos

Valencia

2016

pam pam Detached building proposal for a foodservices-“chiringuito” business in Cala Reona, Cartagena, together with the architects Antonio Rabadán and Joaquín García Vicente. The client claimed the need of being able to create “a restaurant that seemed a chiringuito”, a centre of summer attraction that held all kinds of clients, with daily and nightly opening, and for this reason the space had to be able to transform itself according to the timetable and the needs enabling different activities. The project proposes based on a legislative, normative and commercial study, a parallelepiped piece for the kitchen and bathrooms residual area, and following this last one, a polygonal deployment on site, in a way that the counter’s length grows.

Our aim is to create an imaginary of beach and party, transport the visitor to a magical world, related with the summer night, the sea, the sun and the gastronomy. Through this graphical documentation, both the physical space proposal and the furniture proposal were developed, and even Ikea catering material, sticking to the client’s initial budget, and in addition to the project a graphic image designed by the team. The project is situated in a small hill in the lateral of a big cove next to the Mediterranean, and furthermore, we studied the design of an organic and permeable access, keeping the autochthonous species from the area without invading the protected spaces so characteristic of the site.

Murcia

construction+design

2016

Murcia

construction+design

2016

collaboration with Adhoc Architecture

ag centro de estĂŠtica Interior restoration for beauty center, in collaboration with Adhoc> Architecture and territory studio, in the center of Murcia and completed in January 2015. The client needs to get a program consisting of three single cabins, two with shower and sinks, a VIP area, a waiting area and a possible area hairdresser, who would eventually become a multipurpose space which have art exhibitions, performances and recordings of films. The project proposes the three cabins in a â&#x20AC;&#x153;snailâ&#x20AC;?form and a light and sinuous metal structure that accompanies cabins and runs around the perimeter of the room, forming a new spatial geometry, hiding the original and creating in the viewer a labyrinthine feel.

Because of the tight budget and the large area local (180m2), materials and details have been conducted result of a rethink basic needs and how to resolve them according to particular materials. In addition, the covering of soil with polished concrete and painting walls, the cabins have been performed with anchored to floor metal structure and ceiling covering with FINSA fluted pressboard for possible curvature. The serpeteante structure that forms the perimeter and is secured to ceiling is complete with a fabric silver satin curtain.

Murcia

construction+design

2015

collaboration with Adhoc Architecture

The project also accompanied by a sense of corporate branding and graphic design necessary for the company. In addition, with curatorial character, we have done various activities related to cultural and artistic (performances) and specific art installations at place.

FotografĂas: Tatiana Poggi

Murcia

construction+design

2015

collaboration with Adhoc Architecture

Murcia

construction+design

2015

collaboration with Adhoc Architecture

Murcia

construction+design

2015

installation for Umbrales Plataforma de ArquitectAs

http://umbralesymujeres.org

bubbles & pipes UMBRALES is a project curated by Amparo Martínez Vidal, with the participation of 5 young woman architects: Mireia Luzagarra, Maria José Marcos, Maria José Climent, Reus and Tatiana Patricia Poggi. The proposal aims to give visibility to the professional work of young woman architects and projects carried out in the historic town of Murcia are window dressing installations in five selected areas.

been hung from the ceiling and installation of pipes through which the air hangs down to the mezzanine where is placed a soundproof compressor.

My design, Bubbles & Pipes, aims to give a museum image of jewel-shoes, so named by the owner and designer, lifting the ground plane (as they were in the beginning) and placing only three of its models, as space strategy to achieve a final image as museum pieces.

Proyect brief: http://umbralesymujeres.org/wp-content/uploads/2016/02/presentacionumbrales.compressed-1.pdf

Published project in Proyecto Contract Magazine from Arquitectura Viva, in Metalocus.com blog and Plataformaarquitectura.com

The design consists of three bubbles or incubators built with transparent plastic polyethylene, connected to an installation of plastic tubes that introduces air into them to keep them inflated. Plastic bubbles stitched and glued, supported by a twinned substructure ellipses with curved hand tube. The bubbles have

Murcia

construction+design

2015

installation for Umbrales Plataforma de ArquitectAs

Published project in Proyecto Contract Magazine from Arquitectura Viva, in Metalocus.com blog and Plataformaarquitectura.com Proyect brief: http://umbralesymujeres.org/ wp-content/uploads/2016/02/presentacionumbrales.compressed-1.pdf

Murcia

construction+design

2015

Photography: David Frutos

contest with Adhoc Architecture + M.Peñalver + David Jiménez

Guggenheim Helsinki Guggenheim’s Museum Helsinki contest proposal, with Adhoc>Arquitectura y Territorio and architects MÁngeles Peñalver + David Jiménez Iniesta, 2014. Each Guggenheim work has become an architectural fact that time settles as an unquestionable cultural reference of its era. Whereas New York remains as a symbol of definite modernity, Bilbao successfully integrates the tucks of the most controversial post-modernity. Consequently, there is no doubt that Helsinki comes up as an architectonic opportunity forced to enlighten the slow start of the 21st Century. Then, what is featuring this era? How should the innovative architecture be added to the already consolidated path? In the ongoing and more open than ever debate, if we follow Byung-Chul Han analysis, there are two possible concepts to consider: tiredness and transparency. It is in fact a time of new statements, declarations, but not a time of cries, of abandoning narcissism, nihilism or exhibitionism trends,it is time to lower the voice and talk to each other offering a new dialogue, things that fit successfully in each environment, those that give and receive, those that exchange and determine. An integration that certainly must be technically precise and settled, but it should also pursue new emotional ties.

No doubt transparency is the slogan that controls the public side; nowadays transparency is mandatory. However, insisting too much in transparency ends up exhausting and denying the basic privacy, while it does not really lead to the useful knowledge.So we are up to transparency but to an inherent transparency, also structural, infrastructural and energetic, as well as systemic; the one whose information builds formation reformed into mediation as in the meaning stated by Bruno Latour. Helsinki as a system or as an entity, is an obvious example of urban interpretation of one of these basic principles, a network that brings in a basic order within the complexity of nature, looking for coexistence and integration while spreading or influencing the elements that form nature and the citizens who live in it. A timeless, structural order, that only an excessive pride would break. Inexorably, architecture also claims a commitment with materiality, just like materiality inevitably consolidates the architectural identity. Now the country, its voice, will be the one to be heard and there is no doubt that wood, accepted as a challenge and as an opportunity, reclaims an undeniable importance. As wood is the main element in the construction of the social connection, or the distinguishing factor of its economic activity, wood, in its diversity and versatility, can suggest to be a permanently investigated and applied resource.

Helsinki

construction+design

2014

Helsinki

collaboration with Playstudio

Lervig park Project design collaboration with Playstudio architecture studio from Alicante,Spain. Park to be built as winning project Europan 7 Stavanger, Norway. Proposal developed in collaboration with an internship period of 9 months. First, the design seeks to integrate two different views on the concept of urban park:1_Park as something mainly GREEN that “evokes” a natural environment. 2_Park as a public space where URBAN LIFE is celebrated collectively. To articulate both views, we make use of two characteristic features of the local identity: the industrial past linked to canned fish and the sea as a dominant element in the collective imaginary.

Within this topographic system, large wooded parkland invade the periphery of the park acting as a “buffer” while the gray (made of concrete) areas constitute a promenade bathed by the sea with multiple levels. This is where a response to the identity of the Norwegian relationship with the sea occurs: the multiple levels of the different platforms are designed so that the dry landscape changes depending on the tides throughout the day, month, year, every lustrum or every half century. The design understands that this changing and surprising situation may reinforce this sense of belonging. From a social point of view, setting these concrete platforms at different levels allows very different situations: jumping into the water, kayaking, fishing comfortably, picnics, concerts, etc.

Therefore, the final design builds a multilevel landscape using the circle as the main geometric pattern in order to establish a direct relationship with its industrial past and cans of fish.

Stavanger

construction+design

2014

collaboration with Playstudio

Desde un punto de vista social, la configuración de estas plataformas de hormigón en distintos niveles permite situaciones de vida urbana y marítima muy diferentes: saltar al agua desde una altura de 2m, acceder al mar en kayak, pescar cómodamente, mojar los pies, pic-nics, conciertos, etc.

Stavanger

construction+design

2014

contest with Playstudio

europan 12 Project not awarded (fourth finalist) collaboration with Playstudio architecture studio for Europan 12 contest, in Kragan , Viena, Austria. With David Gil, Ana Fernández y Javier Campoy. Therefore, according to how Kagran has built its rural environment over time, we propose a similar system of growth for this new urban environment: a system that is open enough to be able to integrate UNCERTAINTY as a POSITIVE VALUE. The only urban parameters we propose to define are those of plotlike phase divisions, footprint of diverse public spaces and building types percentages. Strategic Site For “Gewerbepark Kagran” this system will allow a progressive occupation of the big malls area within the new urban pattern. Inside this patchwork the old MOBIL’s oil factory will be integrated, becoming the area’s new “green core” -by means of phytodepuration techniques- and establishing a connection to Deponie Rautenweg’s landfill.

Although we have said this system does not define its form but its structure, this is not the case of a very first phase. The need of SYMBOLIZING A PLACE (to attract potential inhabitants) in such an inhospitable place and the fact that this must be capable of PENETRATING INTO THE COLLECTIVE PSYCHOLOGY makes us conceive the first phase as a clear OPPORTUNITY TO CLAIM FOR ITS URBAN CONDITION. If we also take into consideration the great visibility this very first phase has along the East boundary and from the S2 highway, we will easily understand that the new buildings will act as a landmark for thousands of drivers both entering and leaving Vienna. For this reason, we do think this mere fact can become a collective celebration by intentionally manipulating the different typologies organization and buildings disposition: we can FORM THE WORD “WIEN”. Those first phase buildings in the Eastern side will not only act as an Urban Advertisement but they will constructively work as an enormous noise barrier. The arrangement of specific housing parts along this side as well as a double façade will contribute to strengthen this barrier.

Wien

construction+design

2014

contest with Playstudio

100

We propose 3 clearly differentiated ways of living according to their relationship with the outside: 1_living stuck to the ground: the one or two-story house - with garden. 2_living in the heights: the panoramic apartment - with terrace. 3_living by the street: the urban flat - with a patio. All of them are also differentiated by the outer space that builds the interface between the house and its environment. The multiplication of these typologies generate the different building groupings: tower, block and townhouses. And these, equally, generate around them the different public space types: forest, piazza, square, garden, urban farm, children playground...

Wien

construction+design

101

2014

102

contest

instanthouse social club Instant House proposal for the competition promoted by the City of Milan, Italy, in March 2013, as part of the MADEexpo Archittetura Design Edilizia Milano in Rho Milano Fair, promoted by Federlegno Arredo S.r.l and the Polytechnic of Milan. It is creating some complex urbanity through a pavilion piece that allows multiple applications called for in the bases in relation to the seasons and the ability to perform the same activities both indoors and outdoors is proposed and the use of the possibilities offered by the lake next to the chosen plot.

Milano

construction+design

103

2013

104

design studio class Andrés Jaque + Miguel Mesa

drive&bark resort Design project proposed with Joaquín García for design studio class Proyectos IV directed by Andrés Jaqueand Miguel Mesa del Castillo, at 2011/2012 Degree of Architecture, University of Alicante. At this year we are asked to choose and interview someone close of a certain age who had had a “singular life” to extract their welness and happiness life projects. We know Etienne and Jeanne, a pair of Belgian citizens settled between Torrevieja and Catral, in the Spanish Levant, from the eighties. He had been chief engineer of the first Honda factory in Europe, she also an engineer, had participated with its own team in national racing championships. Retired and living in Spain, they lived on a sailboat in Torrevieja and later moved to the last house on the film in Catral, where, for entertainment, they are engaged to training dogs Malinois, and are part of the Spanish Federation Mondioring.

We understood as welness projects those parts of his life that had allowed their happiness projects were carried out. We include work in Honda and buying homes in welness projects and related to the automolistic team and retirement in Spain, happiness projects.

Film 1 Joaquín García Vicente + Tatiana Poggi. https://vimeo.com/32465483 Film 2 Joaquín García Vicente + Tatiana Poggi. https://vimeo.com/42880796

University of Alicante

design studio project

105

2012

106

design studio class Andrés Jaque + Miguel Mesa

Etienne and Jeanne, are a pair of Belgian citizens settled between Torrevieja and Catral, in the Spanish Levant, from the eighties. He had been chief engineer of the first Honda factory in Europe and she also an engineer, had participated with its own team in national racing championships. Retired and living in Spain, they lived on a sailboat in Torrevieja and later moved to the last house on the film in Catral, where, for entertainment, they are engaged to training dogs Malinois, and are part of the Spanish Federation Mondioring.

Film 1: Joaquín García Vicente + Tatiana Poggi. https://vimeo.com/32465483

University of Alicante

design studio project

107

2012

108

design studio class AndrĂŠs Jaque + Miguel Mesa

University of Alicante

design studio project

109

2012

110

design studio class AndrĂŠs Jaque + Miguel Mesa

In the second part of the academic year, teachers proposed the transformation of two residential towers located in a holiday complex in the Alicante coast. Drive & Bark Resort is a community of neighbors which have been implemented risk&show realities as a vehicle for income (wellness project). To achieve this they have had to get agreements between the two major groups: dog trainers and 24hours racing riders. Associationism has been what has allowed them to reach the necessary building typologies.

University of Alicante

design studio project

111

2012

112

design studio class Andrés Jaque + Miguel Mesa

The last exercise of academic course asked to make a movie filmed in the 1:40 scale model of the project. We decided to do a remake of the script of Shakespeare: Romeo and Juliet, based on the citizens of our designed community, The Capiloto and Mondiesco families. Film 2 by Joaquín García Vicente + Tatiana Poggi. https://vimeo.com/42880796

University of Alicante

design studio project

113

2012

114

design studio class Andrés Jaque + Iván Capdevila

fast & fat city Design project proposed with Joaquín García for design studio class Proyectos II directed by Andrés Jaque and Iván Capdevila, at 2009/2010 Degree of Architecture, University of Alicante. After a thorough analysis of performance, design, construction, history and techniques of a particular supermarket (Mercadona in San Vicente del Raspeig), teachers proposed us to design a 40,000 people city based on this research. This is an artifact-city for 40,000 people whose purpose is consumption associated with the practice of social activities. The city is divided into: platforms; valley area (where programmable activities are carried out); Strip; area of communication and transportation; housing-parking (where people-consumers rest); warehouse and product distributor; and screen and advertising media, whose function is to attract more people. Assimilating the city as a franchise, we have patented the optimum location for placement. It is attach the city (1) to another of about 60,000 inhabitants, which in turn

It is close (less than seven kilometers) and related to a large city (2); with a core of interceptions between large communications that cross the provinces and force the passage of all that road traffic within our city. Platforms form a reticle (98) that adapts to the shape of the structure. In the central area we have established activities: beach (99), open-air disco (100) music festival (101) and lounge bars (102). In the intermediate zone we have established activities: athletics through the woods (103) ski (104), cotton mountain cabins for sexual the activities (105) and tropical forest (106). In the outer zone we have set the programmable situations or events: trip to Amsterdam (107) trip to Paris (108), travel to New York (109), Hill with risk sports (110), and travel to the Moon (111 ) ... Check complete work here: https://issuu.com/jgv_arq/docs/fast___fat_issuu https://issuu.com/jgv_arq/docs/fast___fat2

University of Alicante

design studio project

115

2010

Desire creation: In a supermarket are products to buy, but these simple products have to be adorned by others in advertising; advertising creates in viewers a bonded feels that the product that really does not. These sensations help sell a product. And so a coke is not a drink, itâ&#x20AC;&#x2122;s the feeling of being young, flirting, being holiday, have a great time, travel around the world. A perfume is a scent, it is the feeling of luxury, gold on your skin, sex in a skyscraper in New York. Even the satisfaction of needs becomes a pleasure. This creation of desire usually happens outside the supermarket but are inseparable. In a supermarket-city this creation of desire should be extended to the whole city, all parts of the city should be situations where the consumption of products is optimal, where there was not a better place to consume these products. We live in ads. We inquire into the world of dreams and desires. The store should not be visible, just the products are advertised where necessary.

116

Some endpoints were used to access the products, they were everywhere, roamed throughout the city, you could see all the products go, like a Japanese restaurant with its huge mechanized bar showing their products. The warehouse was located in the skin of the city and connected via these terminals throughout the city.

117

118

design studio class AndrĂŠs Jaque + IvĂĄn Capdevila

We realized that there were two types of architecture in the city: one, showing the product, which is evident where the activities take place; another, which wants to disappear, wants to make himself invisible without subtracting the minimal importance to publicity events; the Strip was part of the latter group.We needed a means to allow movements to other areas of the city. The properties of this new means of transport should be the speed and maximum visibility of the city. Las Vegas Strip is a wide avenue that allows a broad prospects for observing numerous casinos from the same place. We think of a transparent Metro-Strip about the area of activities. As in the city activities and events are continuously updated, the strip must satisfy the need to travel to new areas designated. To do think of a structure that was growing and connecting to the previous infrastructure. This allows a very fast connection between areas.

University of Alicante

design studio project

119

2010

120

design studio class Andrés Jaque + Iván Capdevila

University of Alicante

design studio project

In this picture we see an exploded drawing of the structural layers and enclosure of the city. The form responds to accommodate a large space visible from all points of the city. Closed ample space to program climate and environment. The inlet (6) is carried by the upper Strip (7) thus part you can see the entire plane of the activities of configurable Valley (8) forming the inner skin (9) where in the upper (10 ) images are recreated. Room-parking (11) are located on the Strip not to interfere with the display because its use is a zero consumption. The store (12) is at the boundary of the city because must remain hidden from view of customers, and is connected with the valley through ducts that carry the products. Hence the shape of the city have to be curved to allow continuous ducts. An outer skin overlying (13) which insulates the outside city. Finally a skin of screens (14) allows you to project large multimedia ads across the region due to the high altitude of the artifact-city.

2010

121

A work phase was to create a document-patent from supermarket-city for 40,000 people as a royal patent. We publish a 50-page book explaining in simple black and white drawing design and operation of our city.

122

123

creative direction direcciรณn creativa

124

event designer at Sunset Openhouse

sunset openhouse Sunset Openhouse is a cultural exaltation space where art, gastronomy, architecture and new practices live together. It is also my house. An open house, open to the people and open to the culture. A cultural exaltation space in which, as hosts, we decided to share this space from the beginning of the 20th century so that a multitude of events could emerge in it, both started by us or by others. As architects, we resolved to turn it into our house through very basic transformations, thinking from the beginning in the possibility of opening it to the public. Our role was nearly the role of an archaeologist: rediscovering the hidden under layers of previous interventions, apart from the transformation of the main space where the rooms are now presented continuously, allowing a contemporary domestic life and, at the same time, enjoying a public character.

The space is designed in a way that any of the spaces can be used both in a domestic way and with an expository vocation, as the house gallery transformed into an art gallery. Furthermore, the kitchen-island that we have designed has been proposed in a way that a cooking lesson can be imparted opposite the dining space, or the dining-room, with light furniture that can be quickly transformed into a stage where small microtheatre pieces can be made or private concerts with the living room as the audience seating area. On the one hand, we organise own projects that centre on the idea of fostering the culture: micro-theatre, small concerts, reading club and photographic exhibitions by emerging artists that we place in the central gallery of Sunset. On the other hand, the events by third parties can also take place, people that want to impart a workshop, showroom space or pop-ups.

We believe that culture must be far from the centralising model in which the prestige is built through the power structures. We think that much more interesting things occur in the peripheral, far from those hegemonic practices that feed from each other.

Murcia

creative direction

125

2010

Photography + creative direction: Tatiana Poggi

126

127 Photography + creative direction: Tatiana Poggi

128

event designer at Sunset Openhouse

This time, Joaquin and I organized a series of events called Homefood with chef and culinary researcher Juan Carlos Ruiz, through dining experiences delved into homemade food from countries that this chef has visited with his partner, beginning with Vietnam. We organized a workshop with vietnamese rolls and a dinner+showcooking for ten diners. The gastronomic event was accompanied in the gallery of the house by collage exhibitio from Murcia`s artist Greta Bungle.

Murcia

129

130

131 Photography + creative direction: Tatiana Poggi

132

event designer at Sunset Openhouse

In Sunset Openhouse I have held various cultural events such as this in March 2015, three consecutive nights of gastronomic dinner by Chef Amor Gonzalez, accompanied by a popup furniture exhibition and a performance by sound artist Jazznoise. At this time we opened photograph exhibition from Pati Gagarin. Such exhibitions have a duration of approximately three months and are renewed through Open calls we make through social networks.

Murcia

creative direction

133

2016

Photography: Pati Gagarin

134

installation designer

ag installations After finishing the construction and reform of local AG, it was decided, with curatorial character, perform in this space various activities related to cultural and artistic (performances) and specific art installations in the windows on a temporary basis. All of them have revolved around ideas or concerns that the client proposed to us, as the concepts of beauty, nature, longevity, technology, body, woman, etc. Each usually has a duration of two to three months and in this case, this image may be a facility that I made to visualize the concept of nature in cosmetics and body worship and how media technologies are increasingly seen more aware with a consumption of natural, sustainable, organic origin and of course not tested on animals cosmetics. The installation consists of six spheres of methacrylate hanging nets, which keep pieces of natural bamboo that was growing and interspersing their leaves with the network that protected it as time passed.

Murcia

creative direction

135

2016

136

137

photography + film fotografĂa + film

shortfilm + photography production https://vimeo.com/123329405

138

equinoidea Shortfilm realizado como encargo por el estudio Adhoc>Arquitectura y Territorio para promocionar el proyecto de la Piscina Municipal de Alguazas,Murcia, en Marzo de 2015. El vídeo trata de contar de una forma visual y temporal, los ritmos, las secuencias y el espacio que conforma esta arquitectura, a través del movimiviento de dos mujeres que lo recorren y descubren a su paso.

Can movement build a space? And sequences? Or flowing water? How does a body interacts with space? Can it be seen? Can it be felt? In our bubble , bodies move , disappear and everything returns to its initial state. Water. Filmed on a project by Ad-hoc > Arquitectura y Territorio. https://vimeo.com/123329405

Vídeo realizado para Adhoc > Arquitectura y Territorio https://vimeo.com/123329405

Murcia

photography + film

139

2015

Photography: Tatiana Poggi

140

shortfilm + photography production

Photography: Tatiana Poggi

Murcia

photography + film

141

2015

142

shortfilm

ploure Shortfilm made for the subject Urbanism IV of the degree of Architecture at year 2011/2012, with a rating of 10. This is a video that explores the contemporary situation of Elche orchard in the province of Alicante, Spain. “Field, no garden, they clarify us. Not all lands are being cultivated; we see. Could we associate the decline of agriculture with the loss of rootedness of new generations? How much land is currently cultivated and how much has been neglected? Has this work been in the hands of older generations, or if young people are also interested in? What has happened to all cooperatives founded decades ago by those who worked this land? How new types of agricultural varieties arise? Do people who work the garden are those that inhabit it? “

Our intention with this urban study is to find out what factors together and relate the field of Elche with its inhabitants are. What has happened in recent decades in the field of Elche? “Antonio, the president. Manolo, the gardener. Daniel, the fruit bowl. Irene, the manager of the cooperative. We are headed toward a cluster of situations that link us to the place. The water, which makes it all possible, planting, harvesting, manufacturing, production, sale. The Association of Ranchers and Farmers Field of Elche, El progreso de los cuatro pilares -The Progress of the four pillars- , L’ort of l’Arrinconá, L’Almassera, Coopelche, the field of artichokes, fields of Daniel, selling ... Learn L’Úrsula ultimately, of unknown places. Measure this learning, diagnose the situation and to spread it is our intention, it started with this little project. “

Univeristy of Alicante

photography + film

143

2012

Photography: Tatiana Poggi

144

shortfilm

â&#x20AC;&#x153;Field, no garden, they clarify us. Not all lands are being cultivated; we see. Could we associate the decline of agriculture with the loss of rootedness of new generations? How much land is currently cultivated and how much has been neglected? Has this work been in the hands of older generations, or if young people are also interested in? What has happened to all cooperatives founded decades ago by those who worked this land? How new types of agricultural varieties arise? Do people who work the garden are those that inhabit it? â&#x20AC;&#x153; Text I wrote to describe the film PLOURE.

Photography: Tatiana Poggi

University of Alicante

photography + film

145

2012

146

photography

saltmine Proyecto de fotografía personal, grabado en las Salinas de Torrevieja, Alicante, Septiembre2014.

Personal photography project, made in las Salinas de Torrevieja, Alicante, September 2014.

“El cuerpo, rendido, acepta, o desea, el desahucio, él ya no se ve capaz de cargar con la responsabilidad de la imagen, y será la mente, a través, de un artificioso dispositivo la que puede determinar su proyección desde una libertad condicional. Porque en efecto el cuerpo se libera de esa histórica responsabilidad, pero para ello tiene que aceptar el aislamiento de la cabina, una clausura monacal más radical conforme la ficción posible que se proyecta se aleje de la realidad física que se oculta. De otra parte no parece exagerada la posibilidad de que la imagen pública pudiera convertirse en un fin último en una sociedad dominada por una presencia hegemónica de medios de comunicación completamente tecnologizados. El individuo solitario atrapado en esta exigencia de cuerpos perfectos ya solo es capaz de proyectar ficciones de si mismo a un espacio público digital que absorbe toda la energía.”

“The body, rendered, accepts, or want, eviction, he no longer is able to bear the responsibility of the image, and will be the mind through of an artificial device which can determine its projection from a freedom conditional. In fact, the body is released from the historical responsibility, but it has to accept the isolation of the cabin, a more radical monastic close as possible fiction is projected away from the physical hidden reality. On the other hand it doesn’t seem exaggerated the possibility that the public image could become a final order in a society dominated by a hegemonic presence of means of communication completely technologized society. The lone individual caught in this requirement of perfect bodies is just as capable of projecting fictions of himself to a digital public space that absorbs all energy. “

Extracto del texto “Arquitectura sin órganos” de la tesis “Interacciones (critica y personal) entre arquitectura y filosfía” de Juan Antonio Sanchez Morales, doctor en Arquitectura.

Frame abstract “Architecture without organs” thesis “Interactions (criticism and personal) between architecture and philosophy” Juan Antonio Sanchez Morales, doctor in architecture.

Alicante

photography + film

147

2014

Photography: Tatiana Poggi

148

149

150

151

contact TATIANA POGGI email: tatianasabrinapoggi@gmail.com skype: tatiana.poggi telf: + 34 699 43 77 79 linkedin: Tatiana Poggi instagram: @tatianapoggi + @huachaferias adress: C/Verรณnicas 8, Murcia 30004 Spain