MA Modern and Contemporary Art
Cultural Theory
Critical Studies
issue #4 2015
C#15
C#
i
ii
SUPERVISOR’S NOTE It is a long established fact that a reader will be distracted by the readable content of a page when looking at its layout. The point of using Lorem Ipsum is that it has a more-or-less normal distribution of letters, as opposed to using ‘Content here, content here’, making it look like readable English. Many desktop publishing packages and web page editors now use Lorem Ipsum as their default model text, and a search for ‘lorem ipsum’ will uncover many web sites still in their infancy. Various versions have evolved over the years, sometimes by accident, sometimes on purpose (injected humour and the like). John Dow, curator of MA course
iii
CONTENTS Kelsey Zalimeni
6
Guy on the wall
Lizzie Atkinson
8
Pierre Huyghe: Generating Antagonism Through Appropriation of Public Space
Ed Sheldrick
10
Postmodern Vision and Beyond: The Gaze, Desire and Perversion
Kelsey Zalimeni
13
Guy on the wall
Lizzie Atkinson
16
Pierre Huyghe: Generating Antagonism Through Appropriation of Public Space
Ed Sheldrick
18
Postmodern Vision and Beyond: The Gaze, Desire and Perversion
Kelsey Zalimeni
24
Guy on the wall
Lizzie Atkinson
27
Pierre Huyghe: Generating Antagonism Through Appropriation of Public Space
6
Guy on the wall
8
Pierre Huyghe: Generating Antagonism Through Appropriation of Public Space
Lizzie Atkinson
10
Postmodern Vision and Beyond: The Gaze, Desire and Perversion
Ed Sheldrick
13
Guy on the wall
16
Pierre Huyghe: Generating Antagonism Through Appropriation of Public Space
18
Postmodern Vision and Beyond: The Gaze, Desire and Perversion
Ed Sheldrick
Kelsey Zalimeni
Kelsey Zalimeni Lizzie Atkinson
CONTENTS Guy on the wall
6
Kelsey Zalimeni
Pierre Huyghe: Generating Antagonism Through Appropriation of Public Space
8
Lizzie Atkinson
Postmodern Vision and Beyond: The Gaze, Desire and Perversion
10
Ed Sheldrick
Guy on the wall
13
Kelsey Zalimeni
Pierre Huyghe: Generating Antagonism Through Appropriation of Public Space
16
Lizzie Atkinson
Postmodern Vision and Beyond: The Gaze, Desire and Perversion
18
Ed Sheldrick
Guy on the wall
24
Kelsey Zalimeni
Pierre Huyghe: Generating Antagonism Through Appropriation of Public Space
27
Lizzie Atkinson
Guy on the wall
6
Ed Sheldrick
Pierre Huyghe: Generating Antagonism Through Appropriation of Public Space
8
Kelsey Zalimeni
Postmodern Vision and Beyond: The Gaze, Desire and Perversion
10
Lizzie Atkinson
Guy on the wall
13
Ed Sheldrick
Pierre Huyghe: Generating Antagonism Through Appropriation of Public Space
16
Postmodern Vision and Beyond: The Gaze, Desire and Perversion
18
Kelsey Zalimeni Lizzie Atkinson
iv
v
C#15
vi