RICHARD FLEISCHNER
RICHARD FLEISCHNER
TAYLOE PIGGOTT GALLERY
img.092, 2019 Dye-sublimation print 44.75 x 32.5 inches
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img.092, 2019 Dye-sublimation print 44.75 x 32.5 inches
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img.659, ed 2/8, 2020 Dye-sublimation print 45 x 34 3/8 inches
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img.833, 2021 Archival pigment print on cold press, natural white matte paper Sheet: 20.17 x 17 inches
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img.496, 2020 Dye-sublimation print 38 x 35.8 inches
img.496, 2020 Dye-sublimation print 38 x 35.8 inches
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Untitled, 2018 Gouache on paper 13.25 x 14.6 inches
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Untitled, 2011-2012 Cast bronze 7h x 27.8w x 10.6d inches
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img.685, 2019-2020 Dye-sublimation print 46.2 x 35.8 inches
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img.871, 2021 Archival pigment print on cold press, natural white matte paper 22 x 17 inches
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img.805, 2021 Archival pigment print on cold press, natural white matte paper 19.39 x 17 inches
Untitled, 2018 Gouache on paper 13.25 x 13.75 inches
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img.030, 2019 Dye-sublimation print 44.25 x 36.8 inches
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Untitled, 1994 Gouache on paper 13.6 x 14.4 inches
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RICHARD FLEISCHNER “Fleischner’s experience of built form was established in the densely populated, highly determined environment of the Bronx, New York, where he spent his childhood. It was a place in which the unyielding planes of handball or basketball courts defined open, public space, where enclosures circumscribed by chain-link fences and brick walls became the stage for his imagination and first encounters with his own perspective on the world.” “Through the body’s proportions, he has mediated countless disparate contexts ranging in size from a football field to the palm of his hand, in scope from the public to the deeply personal, and in substance from his early land installations to freestanding sculptures, reliefs, photographs, and gouaches.” “Negotiating the world from his [...] perspective led to what he has identified as his sustained, greatest singular concern as an artist, ‘the definition of boundary of inside/outside,’ an inquiry that embraces sculpture and architecture and works to establish a place for the artist and the viewer to occupy.” [1]
[1] Quotes from Jennifer R. Gross, “A Recalibrated Approach,” in Richard Fleischner. Witness Mark, February 12-April 16, 2020, catalogue for an exhibition at the Helwaser Gallery, New York, 2020, p.8-10
Published on the occasion of the exhibition RICHARD FLEISCHNER © 2021 All Rights Reserved
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