DAVID ABBOTT
14 JUNE —
28 JULY 2024
DAVID ABBOTT
BRIGHTER FIELDS
MAYA FRODEMAN GALLERY
BRIGHTER FIELDS
David Abbott works primarily from personal experience, melding visions of the present with his own hazy recollections in order to explore ideas of memory, history, loss, and home. Using landscape as his medium, Abbott is drawn to the cyclical flux of the natural world as an allegory for our own mutable lives. His landscapes at times assert themselves confidently, while at other times appear to be disappearing before our eyes. In a time of massive pressure on the natural world, his landscapes seem to submit both to internal and external forces.
Abbott’s work blends elements of Impressionism and Fauvism with early abstract and modernist approaches, focusing on atmosphere, mood, and simplified forms to create quiet and contemplative landscapes in tonal pastel hues. With loose and fluid strokes, Abbott reduces the trees, hills, and fields which inspire him down to more basic forms and patches of soft color, as seen in Blessingcurse
(2024). These elements almost melt together as Abbott employs broad strokes and subtle gradients to create a gentle, almost ethereal quality, often creating a sense of mist or haze, suggesting a specific time of day or weather condition. In doing so, he deftly captures the transient effects of light and atmosphere.
"Thereisalsothequitedistinctfeeling that we are permanently screened off from things by the limitations of our perceptions and that we shall onlyknowthemasmemories."
-FromTheUnquietLandscape byChristopherNeve
Abbott’s compositions each have a rhythmic flow, like the rolling hills he so often portrays, with curved lines and overlapping forms that create a sense of depth and movement. Though most of his
2
works focus on the abstraction of landscape, some are concerned with more formal qualities and are far more abstracted. In these works, like Up on Trencrom (2023), he navigates color and form to create dynamic tension. Paired with his use of bold, sweeping strokes, we are left with quietly spirited works that hold a sense of vivacity and movement.
"The past is a field over which the searchlightsofourvisioncontinually playinordertoextractdifferentpossibilities for our future."
- William Barrett
Throughout his oeuvre, Abbott demonstrates a mastery of color, using it both to convey different times of day and atmospheric conditions and as an expressive element. The layering of colors and the interplay between the darker and lighter areas create a sense of texture and complexity, as tactfully demonstrated in W hat We Know and What We Don't (2022). These works, which hark back to the landscapes of André Derain, use color to create a
nostalgic mood, with palettes often akin to that of film photography, evoking emotion and memory. Abbott's work awakens real and imagined pasts, while drawing inspiration from time spent outside with birds, woods, and fields that echo with human and wild history, old songs, stories, lives lived, and lost. These are deep, ever-changing landscapes that flicker between recognition and unknowing –composite visions of place, memory, and myth that go beyond the senses.
David Abbott was born in 1981 and grew up in Hertfordshire, UK, before moving to Virginia as a teenager, where he attended high school and university. He received his BA in Fine Art from James Madison University in 2004. He then returned to the UK and received his MA in Multidisciplinary Printmaking at the University of the West of England in 2007. Abbott worked as a graphic designer until 2021 when he took up painting fulltime. He has shown widely in the UK, Europe, and North America. Abbott lives and works in Bristol.
5
19 3/4 x 31 1/2 inches
8
BLESSINGCURSE, 2024
Oil on canvas
IN THE END, 2024
14 1/4 x 22 inches
12
Oil on canvas
WHAT WE KNOW AND WHAT WE DON'T, 2022
16
Oil on canvas
14 x 20 inches
WHEN AT LAST, 2023
18
Oil on canvas
12 x 16 inches
Oil on panel
12 x 16 inches
22
THE WEARY WIND BEGAN TO RISE, 2024
THE WHOLENESS THAT POURS IN, 2024
Oil on panel
12 x 16 inches
24
TONGUE TO THE WARNING BELL,
x 15 3/4 inches
26
2024
Oil on canvas
10
28
CLOTHED ALL IN GREEN, O, 2024
Oil on canvas
10 x 15 3/4 inches
WHAT STRANGE COUNTRY, 2024
10 x 15 3/4 inches
30
Oil on canvas
THE SHINING LEVELS, 2024
10 x 16 inches
32
Oil on canvas
CALL AND ANSWER, 2023
34
Oil on canvas
10 x 14 inches
36
BY AND BY, 2023
Oil on canvas
10 x 14 inches
CASTLE OF MEMORIES, 2023
40
Oil on canvas
10 x 14 inches
HOLYFIELDS, 2023
10 x 14 inches
44
Oil on canvas
Oil on panel
10 x 14 inches
46
HIGHWATER, 2024
MESSAGE ON THE WIND, 2024
Oil on panel
10 x 14 inches
48
THE BRIGHTER FIELDS OF MEMORY, 2024
52
Oil on canvas
10 x 14 inches
SEE HOW IT GATHERS ROUND, 2023
56
Oil on canvas
14 x 10 inches
9 x 11 3/4 inches
60
CLOSE HARMONY, 2022
Acrylic on panel
UP ON TRENCROM, 2023
Oil on panel
6 x 8 inches
62
DAVID ABBOTT
British artist, born in Hertfordshire, UK in 1981
Lives and works in Bristol, UK
EDUCATION
BA Fine Art, James Madison University, 2004
MA Multidisciplinary Printmaking, University of the West of England, 2007
SELECTED SOLO EXHIBITIONS
2024 Brighter Fields, Maya Frodeman Gallery, Jackson Hole, Wyoming, USA
2023 By and By, Nationale 8, Brussels, Belgium
2022 A Certain Day, That Art Gallery, Bristol, UK
2017 One May Morning, The Forge, Bristol, UK
SELECTED GROUP EXHIBITIONS
2024 Uncarved Block, Unbleached Silk, 30 Tottenham Street, London, UK, curated by Matilda Liu
South by South West, Gurr Johns, London, UK
curated by Lewis Dalton Gilbert and Emily Andrew
2023 Novus, Bark Berlin, Germany
We Share The Same Sky, Vortic, curated by Lewis Dalton Gilbert, digital exhibition
Staged Nature, Glyndebourne, Lewes, UK
Things Seen, Make Room, Los Angeles, California, USA, curated by Patrick Zapien
2022 Evermore, Nationale 8, Brussels, Belgium
Time, Being, Irving Contemporary, Oxford, UK
2021 Winter Group Show, Linden Hall Studio, Deal, Kent, UK
It's a Small World, Circle Contemporary, Cornwall, UK
A Tiny Bit of Fire, Warbling Collective, Fitzrovia Gallery, London, UK
2009 Originals 09, Mall Galleries, London, UK
This catalog complements David Abbott's Exhibition BRIGHTER FIELDS 14 JUNE - 28 JULY 2024 | Maya Frodeman Gallery | © 2024 All Rights Reserved
66 SOUTH GLENWOOD STREET JACKSON HOLE, WYOMING TEL 307 733 0555 MAYAFRODEMANGALLERY.COM MAYA FRODEMAN GALLERY