Design.Dance in Public Spaces

Page 1

design.dance in public spaces an invigorating way to see dance


project description core values

Collaboration

Public Space

Education

Community


DiPS class class structure

Being familiar with the environment

Talking about the art installation

Interacting with the piece

Reflecting your understand through movement


level of participation

Fig.1: Prospective Austin dance community

Fig. 2: Level of participation


Phase 1 research


survey & focus group Research focus:

Method 1: focus group interview

To understand public interest in DiPS and young dancers from college if they may be DiPS’s potential members/active audiences.

( 4 dance students from Texas State University— TSU & Austin Community College — ACC) » A majority of dance students at TSU (80%) aren’t introduced to Dancing in Public Spaces because it is not a apart of the curriculum. » They aren’t aware that dance can make an impact on the community. » Dance in public spaces is more popular at ACC. » Dance graduates are struggling in pursuing professional careers related to dance. » Dancers work at unfulfilled jobs. Method 1 takeaway: Should Dance Waterloo become an outlet for young dancers to keep them involved in the art? If yes, how so?


survey & focus group Method 2: Survey

Do you always come to this trail/park? yes

no

What days & time do you usually come here? M 6–12

T

W 12–5

R

F S after 5

S

Have you noticed any art installation on the trail? yes no

(from hikers, bikers and local residents) » Top 3 favorite dance styles: modern / contemporary, hiphop, partnering

Would you stop by to check it out? yes

no

Have you heard of Design & Dance for Social Practice? yes no What is your reaction when you see an art performance such as dance by an art installation? ignore

curious

appreciative

Would you watch/dance with them if you were invited? watch

dance

probably not

» 80% are interested in watching a public art performance (passive audiences) while 19% intents to participate (potential active audiences) » 98% agrees that pubic dancing fosters community connection.

What type of dance do you like to watch or try? hiphop

jazz

modern/contemporary

cutural partnering

Does public dancing foster community connection? yes

no

male

female

age:

DANCE IN DESIGN & DANCE PUBLIC SPACES

FOR SOCIAL PRACTICE

Method 2 takeaway » Has public art performance always been accessible to the community? » Which ways can public dancing transform passive participants into active participants?


Phase 2 research


community participatory workshop Research focus:

Method:

» To understand the public interest/how dance is portrait in the public eye

» Activity card set

» Focus group: community members / passive audiences who may or may not have contact with dance before.

» Since the number of DIPS participants is very low, community mem­­­bers are invited to the event. Flyer/ bookmark are distributed by library staff and hung on the door knobs of some houses in the area.

Community participatory survey


community participatory workshop

Outcome 3 company members 0 community member Library users showed interest but didn’t stay to watch.


audiences

Dance Waterloo


organizational participatory workshop Method: Using human-centered design toolkit (IDEO) » refocus on their mission and practices but bringing in audiences’ perspectives » understand their strengths, weaknesses and challenges » define their short-term and long-term goals in order to come up with an appropriate and effective solutions


organizational participatory workshop Outcome » defining Dance Waterloo’s brand position among other non-profit organizations and professional dance groups through social media and other unconventional platforms. » engaging surrounding community and having 5 consistent DiPS participants in the next year » improve the quality and quantity of their process final work and in order to connect with the national dance network and to apply for funding.


brand position

engage the community in the creative process


parameter for success


journey map

Fig. 5: Journey map

CURRENT OBJECTIVE Establish Dance Waterloo’s cultural and social identities in public places Why does it matter?


recap Dance Waterloo's missions Âť How might we involve the community through collaboration (Dance for the community vs dance with the community) Âť How might we utilize public spaces to change the way audiences see and interact with dance


solution evaluation Accessibility: being accessible for different groups of audiences. Pedestrians include adults, kids and senior citizens. Affordability: fitting in the designer's & the organization's budget— the cheaper the better Usability: fulfilling the needs of the community and the organization » refer to stage 1 of journey map (seeing—understanding) » portable, lightweight and reusable Feasibility: being able to execute in a short amount of time — in-house studio


solution


evironmental graphic — signage

Fig. 6: Comps for signage that are sprayed on the ground.



poster signage




viewfinder



changing the way‌ we interact with the environment, the people allows us to see things that we could not see, to understand what we have not understood, & to find connection with absolute anything.


THANK YOU


Q&A




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