"A wood manifesto and the search for bois-brut" Master degree project Architecture KTH

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A manifesto for wood & the search for bois-brut

Tess Pähn e-mail: tesspahn@outlook.com web: issuu.com/tesspahn



A manifesto for wood & the search for bois-brut

Wood is o en perceived as a flawed material. When painted, technologically treated or sealed, in a pursuit to make it more predictable and durable, some of its most important quali es are mislaid. This project explores the aesthe c, material and construc onal possibili es of wood, and suggests the possibility of a wood brutalism architecture. The project includes a wri en manifesto for the benefits of wood in the human habitat, which proposes a CO₂ based economic strategy for our built environment and promotes massive wood buildings as our carbon savings account. To find out what a wood brutalism of today might be, the project also includes an analysis of the rela onship between the material concrete, Betón-brut and the zeitgeist of the 60´s /70´s. In the applica on of the manifesto and Bois-brut on a case study housing project in Stockholm, The Trellick tower has acted as a brutalist mirror reference. Vernacular mber buildings have provided clues in the search for the essence of wood.

Tess Pähn Master Thesis / 2018 KTH School of Architecture Supervisors: Sara Grahn & Rumi Kubokawa / Studio 8 .


WOOD IN THE HUMAN HABITAT Research shows that the tac le and visual quali es of wooden surfaces has a stress reducing effect and improve wellbeing and mental health, in a similar way as closeness to nature as a whole does. Wood is recognizable as a natural element because the pa erns in the wood grain have natural shapes and forms, knots and a colour spectrum. (1) The wood surface is perceived in a posi ve way, especially when it is smooth and uncoated. The low rate of heat flow in wood makes it feel warmer than materials with higher conduc bility, and its ability to store heat also adds to the thermal comfort. The perceived warmth of a wooden surface can save energy as it feels warmer at a lower temperature than mineral based materials. (2) The hygroscopic wood ssue has the ability to hold and release moisture and can be used to our advantage in living spaces as it evens out varia ons in rela ve air humidity. Maintaining a constant level of humidity increases the living comfort and makes us less ill and prevents allergies. (3) The hygrothermal performance of massive wood can have a cooling effect during the hot season, as the evapora on of water in the wood consumes heat energy, an effect comparable to swea ng. So by using a large amount of unsealed wood ssue within a housing unit, the material may func on as a passive climate control system that regulates the indoor climate naturally which may lower the energy demand for hea ng, cooling and air condi oning. The hygroscopic effect is highest in sapwood, especially in the cross cut surface. (4)


HUMANS & MATTER The perceived separa on between humans and nature may have implica ons for environmental values, a tudes, and behavior. A descrip on of ”civiliza on” includes ”separa on from and domina on over the natural environment”. (5) The idea of human separa on from nature came with the development of western civiliza on. Indigenous cultures had lived resiliently, for thousands of years, as members of nature rather than its master. Their materials were obtained and returned to the circular ma er flow, while leaving li le trace. Ma er was regarded a loan from future genera ons. A er dismissing these cultures as primi ve, forcibly pushing them away from their land, western civiliza on, claimed ownership of ma er and started exploi ng resources for economic gain. Today it is apparent that this is an unsustainable way of life and that future genera ons will pay the price for our wasteful way of living. (6)

Timeline for Sami culture & industrialized culture of Kiruna 1890

1000BC

0

1000AD Peak oil 2006


ADAPT THE SYSTEM The building industries' preference for materials that are easily mastered, predictable and permanent relates to the assump on of human domina on over nature. Wood have long been shunned for not performing as well as modern materials when it comes to: durability, predictability, form stability, strength, fire resistance, moisture resistance and cost efficiency. (7) A empts to alter the performance of wood to make it more suitable in the ra onal building-systems usually include ecologically ques onable use of chemicals, heavy metals and energy-consuming processing. There are sustainable ways of using wood that address the lower performance of the material. It does, however require knowledge about the material, and an adjustment to the produc on systems and may not be economically ra onal in a shorter perspec ve. However, by not insis ng on pushing wood into being an acceptable member of the assembly line, we may benefit from some of the unique aspects of wood that are beneficial to the environment and to create healthy living environments for ourselves. When it comes to durability, there is an assump on that the permanent, is the ideal norm. But the system, in which that norm exists, is flawed. It is, to current date, not possible to make a permanent material that do not result in an overuse of resources. Instead of adap ng wood to func on in a flawed system, we need to adapt the system and norm to the prerequisites of wood.


FORESTRY FOR QUALITY Wood was the most common building material in Sweden for thousands of years and houses lasted for many genera ons by smart building techniques and maintenance. We should humbly search for vernacular knowledge to find clever wood building strategies. Just as the windmill has been resurrected to replace fossil energy, we should resurrect methods of vernacular wood building to replace energy consuming and toxic methods of the building industry today. When wood building became industrialized, less effort was put into selec ng specified wood ssue. Trees were harvested earlier, before they developed enough heartwood. To compensate for the lower quality, the industry impregnated the sapwood with toxic substances to make it more durable. (8) Producers of massive wood products generally use ssue from both mature and adolescent trees. The lack of dis nc on between the proper es of ssue quali es is wasteful. A mature tree has more narrow growth rings and a higher por on of heartwood which could be u lized for weather exposed facades and windows. The climate beneficial harves ng of ssue from younger trees, can be used for the structure, indoor paneling and massive wood elements. To u lize the full poten al of wood we should make forestry more par cular in what type of ssue is grown, and focus on taking advantage of their intrinsic quali es and specific proper es. cross-cut oss-cut surrface

Heartwood

Sapwood

R di l Radial cut surface tangen al cut surface

The anatomy of a tree trunk


FORESTRY FOR CARBON Globally averaged concentra on of CO in the atmosphere reached the symbolic milestone of 400 parts per million in 2015. (9) The safe level is 350 parts per million. To return to safe levels we must immediately transi on from fossil fuels into renewable energy, energy efficiency, and sustainable land use.(10) Sustainable forestry can help mi gate the high CO₂ levels. When trees grow, they remove CO₂ from the atmosphere and store large quan es of carbon in their ssues. The carbon stored in wood is kept there throughout its life, un l it is either burned or biodegraded. It is therefore par cularly advantageous to use wood for large and long-lived products, such as massive wood buildings. The buildings are our carbon savings account. (11) Young trees have high growth rates, and high carbon sequestra on rates. From a climate perspec ve, it is therefore be er to harvest the tree when it has reached its peak in carbon sequestra on, use the ssue in buildings and plant a new tree.

Increases in concentra ons of CO2 (ppm) in the atmosphere over the last 2000 years industrialization i

400

CO₂ (ppm)

350

300

250

0

500

1000 year

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2000


The subs tu on eect (12) carbon stored in buildings

carbon per hectare forest in ton

carbon per hectare forest in ton

carbon stored in trees

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harvested forest

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100

0

50

100

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300 years

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300 years

forest left alone

80 60 40 20 0

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CARBON & ECONOMICS In addi on to emi ng less CO₂ during its lifecycle than concrete buildings, massive wood buildings also provides a long term storage of 9 tons of CO₂ per m³³ of wood ssue. This effect is not included in the current life cycle analysis (LCA) which would be desirable from a climate perspec ve. (13) The building industry is responsible for 20% of the total CO₂ emissions, which comes quite close to the 30% of the transport sector. (15,16) The Swedish carbon tax on fuels has gained recogni on because it has lowered the CO₂ emissions of the transpor ng sector. The carbon dioxide tax in 2015 was 1.12kr per kg CO₂. This is based on an es mate of how much long-term emissions will cost society. However, determining the level of the carbon tax that would correspond to the cost of future damage caused by the long-term impact of emissions is difficult. Economists have found different values of the cost up to 12kr per kilo of CO₂. The cost is largely dependent on the valua on model used, for example, if you include all costs of major natural disasters and how you value loss of life. (17)

Climate impact of housing (first 50 years): Strandparken (massive wood) Blå Jungfrun (concrete) in KgCO₂ per m Atemp (excl. carbon storage in wood) (14)

800

end-of-life 600

Operating energy (excl. household electricity)

400

maintenance 200

building process (excl. site preparations)

0

strandparken

blå jungfrun


If we apply this modestly set cost related taxa on of 1,12kr per kg CO₂ on two eight story buildings, one in concrete and one in wood, including emissions from a lifecycle analysis and carbon storage in wood we get this result:

The concrete building has a taxa on cost of 1,3 million kr. The massive wood building gets a subsidy of 1,1 million kr.

This model would create a financial incen ve for bringing down emissions in the building industry. It would also make it economically viable to use thick massive wood walls as they store more carbon than wood based insula on of the same volume. It is necessary to ensure sustainable forestry, so the short-term ou ake of wood does not affect the long-term supply of wood. We also need a sustainable strategy for land use and find ways for forestry to coexist with food and energy produc on.

Emissions from an eight story building, incl. building process in tons of CO₂ (incl. carbon storage in wood) (18) concrete 1000 500 0 -500 -1000

wood


BÉTON BRUT

CONCRETE Brutalism of the 60´s/70´s

The atomic fear of the cold war era and the space-age technology is manifested in the possibili es of concrete as a building material.

The dis nc ve modernism subtype ”Brutalism” was the reac on of the younger genera ons modernists towards the steel - skeleton - and - glass - skin buildings of profit-oriented modernism. It offered depth and social awareness instead of the lightness and frivolity of the post-war version of the ”Interna onal style”.


BOIS BRUT

WOOD Brutalism of the future

The fear of climate change manifests in new green technology, and in the use of wood as a carbon sink and renewable building material.

Bois-brût is a reac on to the applica on of wood as a cosme c way of eco-branding, while insufficiently addressing the ecological crisis by using carbon intense materials and methods. The benefits of wood as a carbon sink is manifested in the massive, solid wood volume.


Buildings where powerful monuments, of the future through the essence of concrete. Brutalist buildings where honest in expression and in its unapologe c claiming of physical space. The design showed the technical possibili es of the future. Service systems and mechanical systems where thought into the design. Ra onal, geometric, stripped of ornamenta on, and predominantly composed of concrete. The expression of materials was clear, crea ng meaning through careful detailing. Repe on of form in the mechanical sense, made room for experience of perspec ve and light. The brutalist utopian drive to build for a be er world is connected to the essence of concrete through what it represents; its plas city, durability and strength enables these visions.

Trellick Tower ErnĂś GoldďŹ nger North Kensington London 1972


The environmental beneficial use of wood mo vates a frivolous use of the material. The biogradability of wood encourages temporary building solu ons, allowing ever changing spaces adjus ng to the needs of the user. The design is informed by vernacular knowledge of wood building. Eco systems and human par cipa on in them are thought into the design. The graceful aging of wood and the collec ng of wear, is encouraged by the design. Clarity in how pieces are fit together, promo ng repair instead of replace, replace pieces instead of complete removal. The ambi on is to celebrate the circular ma er flow of the material. The recogni on of the strengths and weaknesses of wood informs the design and are used to benefit humans and the ecosystem.

Strandparken Wingårdhs Sundbyberg Stockholm 2014


Believes in the control of nature and human superiority. People adapt to machines, and the home is ”a machine for living in”.

Building methods are ra onal and the materials produced are predictable and effec ve.

Geometric organiza on of form, with sharp, precise and definite shapes and edges. Manmade materials that needs to be well-maintained. Purity and flawlessness makes its expression richer. An inten onal strive for economic and social jus ce is sought by the architects. Distribu on of wealth enables personal consump on of products. Durable, heavy and non renewable: claims space in a long-term linear me manner.

Palace of Assembly Chandigarh India 1950s Le Corbusier


Believes in the fundamental uncontrollability of nature and that humans are a part of it. People adapt to nature and their homes are a part if it. Building methods are adjusted to the prerequisites of the material, the forest and the ecosystem to ensure a sustainable, resilient and toxin free built environment. Organic organiza on of form, with so , vague shapes and edges. Natural materials that accommodates to degrada on and a ri on. Corrosion and contamina on makes its expression richer. A strive for material jus ce between genera ons is sought by the architects. Consump on mainly of services. Products and u li es are shared and reused. Short durability, light and renewable: de-/recomposes in a cyclical me manner.

Dovetail joints


APPLYING MANIFESTO ON WALLCONSTRUCTION

Three layer mber wall By using 200 mm wide square mber in three layers, the 600mm deep wall has a U-value around 0,22 W/m2°C. The volumetric heat capacity of wood is said to reduce the energy consump on by up to 15%. The mber is assembled on site and the layers are sealed with a loose tongue. Wood ssue will expand in the winter and shrink in the summer which must be adressed in the design of other building parts.

Interior mber wall Stacked mber blocks with the end grain facing the room, regulates humidity and heat and has comfort and health benefits. Different depth and shape creates visual effects, through pa erns and light. It diffuses sound and may create built in spaces for sea ng and storage. With a flexible moun ng system the wall can be moved, change with me and user.


Dowelled mberwall element Element u lizing the hygroscopic, thermal and health beneďŹ ts of wood. Interior side: the crosscut sapwood -high hygroscopic capacity- regulates humidity and heat. Exterior side: radial cut heartwood -repels moisture and skews less. Internally: solid and perforated layers for increased insula on. By replacing glue with dowels, there is a for movement tolerance within the element, making it less sensi ve to moisture and free from toxic chemicals. (19)

waterresistant heartwood radial cut old trees slow growth

insula ng (air holes)

loadbearing

living environment sapwood cross cut young trees fast growth


IN

SEARCH

OF

BOIS BRUT

In the search of Bois-brut, The Trellick tower has acted as a brutalist mirror reference. Trellick tower, designed by Ernő Goldfinger, is a 31-storey social housing tower in North Kensington / London. The concrete tower, with its characteris c silhoue e of the separated communica on tower, was designed according to the aesthe cs and ethics of the New Brutalist movement. Vernacular mber buildings, by necessity adjusted to the prerequisite of the mber log, have informed the design and the applica on of the wood manifesto.

Lo bod ”Olalo et", Dalarna dated 1630


Trellick Tower by Ernő Goldfinger, London 1972


APPLYING

MANIFESTO

ON

HOUSING

A load bearing glulam post and beam structure carries housing units in solid mber logs from each level in the glulam structure. The floor separa on allow movement within the mber structure and prevents flanking transmission. The walls are held together with mber frame joints, and are sealed with a lose wooden tongue in grooves between the horizontal layers. One wall contains storage, ver cal installa ons and glulam columns and the other wall is built up with mber blocks with the cross cut surface facing the room to enhance the hygrothermal effect of the wood. Exterior corridor and balcony are hollow concrete planter boxes, hung by rope wire from top layers in the mber structure to weigh down the mber layers to seal it, mimicking the heavy sedum roofs of the tradi onal mber house. The exterior corridor makes maintenance easier. The soil on the exterior corridor and balcony and the massive mber walls compensates the lightness of the wood, to stabilize the structure against wind loads. Braces and side staircases stabilize the structure and the concrete founda on is an anchor for the building. Railings, openings and walking paths on exterior corridor are made from fla ened expanded weathering steel mesh.







The interior wood surfaces may be painted in color types such as egg tempera or distemper, which lets the surface of the wood shine through and does not eect the diusion nega vely. Wallpaper is not recommended as the movement in the mber wall will make it crack. If the wood surface needs to be refurbished, the surface can be planed or sanded down.



Kitchen and bathroom installa ons are placed under the stair, behind the metal mesh, including the kitchen extrac on fan. The metal mesh behind the kitchen counter top holds movable brackets/shelves. The toilet and sink is built into a steel bathroom pod, making it easy to clean and recycle.



The bath is placed in the middle of the space, with wood shingle shower walls. The humidity from the shower is absorbed by the wood ssue in the unit, especially the cross cut surface, regula ng humidity and heat. The bath is made of steel to transfer the heat from the water into the living space.



b

a

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Entrance level 1:75


Lo level 1:75



Sec on a-a 1:75

Sec on b-b 1:75


Södermalm

Årstab Årst aberg aber g G mars Gull rsplan p Årsta Årst a ceentr ntrum

Johannes Joha nneshov nnes h hov Års afäl Årst År afältet ett Öss rga Östberga g

E ede Ensk d

Urban context 1:30000

Östberga

hill

road

site

tram

Årstafältet

Site 1:2000






N

Ground floor 1:200



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Second floor 1:200






Sources (1)h p://www.treteknisk.no/resources/filer/publikasjoner/rapporter/R apport-88.pdf (2)h ps://aaltodoc.aalto.fi/handle/123456789/21531 (3)h p://makeitwood.org/documents/doc-1501-wood---nature-inspire d-design-report-final.pdf (4)h p://www.wood2new.org/wp-content/uploads/2015/08/hygroter misk-masse-kris ne-nore.pdf (5)h p://apjh.humanecologyreview.org/pas ssues/her151/viningetal. pdf (6)h p://scholarship.claremont.edu/cgi/viewcontent.cgi?ar cle=1006 &context=cclura_2014 (7)h p://www.diva-portal.org/smash/record.jsf?pid=diva2%3A102105 7&dswid=-2364 (8)h p://forestsweden.se/vad-ar-lagsta-avverkningsalder-for-tallskog (9)h ps://public.wmo.int/en/media/press-release/globally-averaged-c o2-levels-reach-400-parts-million-2015 (10)h ps://en.wikipedia.org/wiki/Carbon_dioxide_in_Earth's_atmosph ere (11)h p://www.svensk ra.se/anvand-tra/byggande/varfor-tra/bygg-kl imatsmart/ (12)h ps://www.holmen.com/sv/hallbarhet/klimat/skogen-produktern a-och-klimatarbetet/skogens-koldioxidupptag/ (13)h ps://www.traguiden.se/om-tra/miljo/miljoeffekter/miljoeffekter /traprodukter-lagrar-kol/ (14)h ps://publika oner.sverigesbyggindustrier.se/Userfiles/Info/1129 /Fristaende_sammanfa ning_Strandparken_20160629.pdf (15)h ps://www.boverket.se/sv/byggande/hallbart-byggande-och-forv altning/miljoindikatorer---aktuell-status/vaxthusgaser/ (16)h p://www.naturvardsverket.se/Miljoarbete-i-samhallet/Miljoarb ete-i-Sverige/Uppdelat-e er-omrade/Transporter-och-trafik/ Vagtrafik/Vagtrafikens-miljopaverkan/ (17)h ps://sv.wikipedia.org/wiki/Koldioxidska (18)h ps://www.iva.se/publicerat/nu-vaxer-trahusen-pa-hojden/ (19)h p://www.holz100canada.com/ The Upcycle: Beyond Sustainability--Designing for Abundance by William McDonough and Michael Braungart, 2013 The New brutalism by Reyner Banham Wabi-Sabi for Ar sts, Designers, Poets and Designers by Leonard Koren, 2008 Stora boken om livet förr bilder och minnen från svenska folkets liv i vardag och fest by Jane Fredlund, 1991 h p://folkhem.se/ h p://www.skelle ea.se/Bygg%20och%20miljokontoret/Innehallssidor /Bifogat/Tr%C3%A4byggnaddstrategin%20sk%C3%A4rm.pdf



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