tf selected works
thais de freitas
Rua Antonio Cezarino 581, Apto 42 Cambui 13015-291 Campinas Brazil
thaisdefreitas_5@outlook.com +55 16 99706-1872 www.linkedin.com/in/thaisdefreitas
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light as memory territory-line of citizenship escola-classe moving point tenancingo-square mediascape stk pavillion 3
Memorial to the Victims of Kiss Nightclub | Light As Memory National Architecture Competition - Institute of Brazilian Architects (IAB) Santa Maria | RS | Brazil
“Weight is taken. Air enters. There is light. Light that will remain lit in the silence of the sweet memory.�
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Memorial to the Victims of Kiss Nightclub | Light As Memory National Architecture Competition - Institute of Brazilian Architects (IAB) Santa Maria | RS | Brazil
2018
with: Aline Borba, Gustavo Tenca, Giuliano Pelaio, Inácio Cardona, Nicolas Meireles, Juliana Leanza and Victor Buzin.
Santa Maria | RS | Brazil
From the lights that were kept on at dawn in Santa Maria, how many still remain? Notes that were left waiting for someone, a favorite book left on the table and locks that remained in silence. The unsustainable weight of silence. Silence anchored in the pain of remembrance and a sweet memory. It is a open wound in a city that seeks to be rebuild through memory. Those are stories and memories that are now materialized to be never forgotten. Therefore, the project is outlined in three acts: The inicial act is a mark on the territory. Fall the walls of the existing building. Take off weight and air get in. Nothing is timely. The point becomes the scar line left at Santa Maria, which will now remain forever. An open space is created for the cut on the floor through corten steel sheets, representing dreams and broken lives that can now grow old along with the appearance of the material. In an already marked ground, it is water that flows and purifies it. Element without form, as well as emptiness. It’s not possible to
design it, but it’s possible to draw it’s boundaries. Drawing marked by tons of steel. The second act materializes in the absence of a part. Two hundred and forty-two parts taken away from those who waited for a return. Two hundred and forty-two stems at the same high of each one that remains deep in memory. Each stem is also a custodian of live, retaining a object that was once left waiting. Each object represents the vestige of the human presence that now remain stored within each stem. Every part is the relationship with other and together they give meaning to the project. The pieces are also 242 lights that rip the night away from darkness. The lights of the rooms can now go out, because now there are no more walls, everyone sees, from everywhere. 242 lights that will light at 3:20 in the morning, every day, because every day is 27th. The third act is the reception. It is the shelter for those who
have waited without return, who feel the weight and pain of emptiness. For that, two volumes are designed underground as bases of the project, serving as a place of meeting and refuge. Then a square is born at street level, in an already purified soil. From pain, remains the scar. From absence, the part, and the altogether, remains the light that now spreads through the streets of the city without asking for permission. The memorial in this context is about the new connections that take place in that territory. It is an act of resignification. It is the relief that comforts against the tragedy. Weight is taken. Air enters. There is light. Light that will remain lit in the silence of the sweet memory.
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2018 | National Architecture Competition | Memorial to the Victims of Kiss Nightclub Fire | Light As Memory
A
A
os
Rua d
adas Andr
B
B
B
B
Number
The Kiss nightclub fire started between 2:00 and 2:30 (BRST) on 27 January 2013 in the city of Santa Maria, Rio Grande do Sul, Brazil, resulting in 242 deaths and injuring at least 630 others. It is considered the second mostdevastating fire disaster in the history of Brazil. The “Memorial to the Victims of Kiss Nightclub Fire” will be located at the same site were the nighclub was built.
1st level - plaza
Number 1
76.85 sq.m
2
Multi-propose room
64.53 sq.m
3
Store
25.22 sq.m
4
Meeting room
15.75 sq.m
5
Administration room
28.53 sq.m
6
File storage room
15.64 sq.m
7
Restrooms
8
Pantry
9
Monument hall
10
Auditorium
11
Auditorium support room
12
Accessible toilet
Area
Number
76.85 sq.m
13
Men Toilet
Name Entrance
11.71 sq.m 2.63 sq.m
undeground level
81.40 sq.m
161.80 sq.m
4.75 sq.m
2.52 sq.m
Multi-propose room
64.53 sq.m
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Women toilet
Store
25.22 sq.m
15
Cleaning materials storage
4
Meeting room
15.75 sq.m
16
Warehouse Corten steel plates
Administration room
28.53 sq.m
17
6
File storage room
15.64 sq.m
18
Square entrance
7
Restrooms
11.71 sq.m
19
Garden
8
Pantry
9
Monument hall
10
Auditorium
-
128 sq.m
2.63 sq.m
20
Drainage floor
21
Water mirror with 242 stems
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Bleachers
23
Square
Auditorium support room
4.47 sq.m 4.75 sq.m
Number
-
187.30 sq.m
81.40 sq.m
Accessible toilet
Name
7.50 sq.m 19.06 sq.m
161.80 sq.m
12
Area 3.03 sq.m
3
11
4.47 sq.m
Name
2
5
Area
Entrance
A
A
site location
Name
1
199.50 sq.m 29.56 sq.m 563 sq.m
Area
13
Men Toilet
3.03 sq.m
14
Women toilet
2.52 sq.m
15
Cleaning materials storage
16
Warehouse
17
Corten steel plates
18
Square entrance
19
Garden
20
Drainage floor
21
Water mirror with 242 stems
22
Bleachers
23
Square
7.50 sq.m 19.06 sq.m 187.30 sq.m 128 sq.m 199.50 sq.m 29.56 sq.m 563 sq.m
1
1
6
View from Rua dos Andradas
2018 | National Architecture Competition | Memorial to the Victims of Kiss Nightclub | Light As Memory
Corten steel plates representing the scar left on the site. The order of events on the 27th, starting at 11:30pm, is written on the plates, setting a route to the square 242 illuminated stems representing the victims.
Section BB
Square with bleachers for events and water mirror, promoting permanence through the protection brought by the landscaping
Det. 1
Auditorium and Monument Room Headquarters of the Association of Relatives of Victims and Survivors of the Tragedy of Santa Maria (AVTSM) Section AA
Isometric
LED lamp aluminum structure fastening screws
stem heigh = height of the person represented
acrylic closure
“memory dopository� (storage for belongings and memories of the victim) Stem perspective
Plaza illuminated stems
water mirror ribbed slab draining floor opening for ventilation and illumination storage
Entrance
Detail 1 - Section
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Reside: Mumbai Mixed Housing | Territory-Line of Citizenship International Architecture Competition | Mumbai | India 2nd Prize Winner
“Respect the empty space is an act of resistance.�
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Reside: Mumbai Mixed Housing | Territory-Line of Citizenship International Architecture Competition | Mumbai | India 2nd Prize Winner
2018
with: Djuly Duarte, Marina Violin, Leticia Sitta and Raissa Gattera
Koliwada | Mumbai | India
A city traced by the design of unequal income distribution and built over the struggle to the right of adequate housing for all people. Two worlds, two realities given by differences of opportunity and space. Each part of this dual city has its own urban logic and dynamics, whose access to the infrastructures comes from a historical process of uneven distribution of rights and opportunities. Between them, an emptiness that, through its permanence, is transformed into a design tool to conquer the right to the space and citizenship, reinforcing the idea of vitality, diversity and urban plurality in the land regularization process, transforming the city into a place for social interaction. Respecting the empty space is an act of resistance.
In this way, the project places architecture as a capable device of perceiving the urban social potential in unused places, as a dream practice and construction capable of seeing in the empty a condition of sociability and reveals, in a paradigm shift, the use of the bottom of the bridge for life programs, transforming ‘the life under the bridge’ - a city’s infrastructure-line - into an expandable place of citizenship experience. The bridge, a monofunctional element over the sea, achieves multiple habitability power. The urgency through the appropriation of residual spaces aims to respond the city’s vocation to exist in a plentiful and plural way. Just like the fishermen who see the sea as life support, the project includes water in the whole program, not only as an infrastructure, but as a habitable culture.
This is the foundation of the systemic and expandable line of shelters that, vertically, connects people to collective passenger transport over the bridge and to small boats over the water. Next to them, empty at multiple scales, from the small courtyard of houses that receive collective clothes lines in a direct connection to the vernacular architecture, to the small squares creating nodal points of conviviality, providing a comfortable and familiar living environment. In its roofs, between the bridge and the air that circulates between the houses and the small local trades among the structure of wood and iron, is a large free park, as a ceiling that unites through the observation of life the desire to form a city’s trace in a multiple and infinity line, free and alive, festive and pulsating, as a call that incites reflection and action in a search for a fair and equitable world for all.
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2018 | International Architecture Competition | Reside: Mumbai Mixed Housing | Territory-Line of Citizenship
Koliwada region - Built / not-built area
Site Analysis - Plan 48m
30m
Section AA
bus stop in baia proposed in the space between the two roads
common use associated with vertical circulation
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large public square at the rooftop of residential modules
circulation core for access to residences
Floor Plan- 48x30m Structural Module
prefabricated walls (0,75x2,60m) made by local residents for fast construction and low cost
new public transport routes with stops above the housing
main structure in wood beans and metal rods
48x30m main truss structure supported by the bridge’s pillars
2018 | International Architecture Competition | Reside: Mumbai Mixed Housing | Territory-Line of Citizenship
Masterplan - Plan
Project Expansion - Peninsula
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Escola Classe – Bairro Crixá National Architecture Competition promoted by Companhia de Desenvolvimento Habitacional do Distrito Federal (CODHAB/DF) São Sebastião | DF | Brazil
“The flight cannot be taught. It can only be encouraged.” Rubem Alves (Brazil)
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Escola Classe – Bairro Crixá National Architecture Competition promoted by Companhia de Desenvolvimento Habitacional do Distrito Federal (CODHAB/DF) São Sebastião | DF | Brazil
2018
with: Aline Borba, Gustavo Tenca, Giuliano Pelaio, Inácio Cardona, Nicolas Meireles, Juliana Leanza and Victor Buzin.
São Sebastião | DF | Brazil
“Some schools are cages and some schools are wings. Schools that are cages make the birds forget how to fly. Caged birds are under control. Caged birds can be taken anywhere. Caged birds always have an owner. Caged birds are not birds anymore. Because they lost the essence of being a bird: they forgot how to fly. Schools that are wings do not love caged birds. They love the birds when they are flying. Those schools encourage the birds to fly. They cannot teach them how to fly because this happens inside the birds when they are born. The flight cannot be taught. It can only be encouraged.” (ALVES, R.) The human being is enchanted to see the flight of the birds not because he wants to be a bird but because he wants to fly like one. Therefore, how to design schools that do not teach how to flight, but give birds the courage to fly? Answering this question, the project presents itself as an act transformed into passage, encounter and exchange. The design expands the boundaries
between education and school, betting on the concept of spaces that extend the relationship between buildings and its contexts, understanding all environment as a base for discussion and learning. According to the american architect Louis Kahn, “Schools began with a man under a tree, who did not know he was a teacher, discussing his realizations with a few others, who did not know they were students”. Today, however, the broad system of education invested in institutions has moved away from the spirit of the man under the tree and has approached to a system of mass production, forgetting the idea of a minimum shelter that refers to the essentiality of things. Therefore, the project unsderstands “space” and “school” as an entrepreneurial force, both on the scale of the environment and on the scale of human interactions. It is a seam between belonging and flow, stop and arrival, where interior and exterior are constantly changing
places. The brazilian educator Paulo Freire teaches that “ if it was clear for us that it was learning that we have learned that it was possible to teach, we would have easily understood the importance of informal experiences in streets, in public spaces, in work, in classrooms, in playgrounds, where gestures of students, administrative and teaching staff, cross each other full of meaning.”. There is a unquestionable in space materiality. Thus, it´s necessary to understand a school as a place of meeting, such as mental as physical, where birds from where birds come from and not where they stay. It is an environment full of “spaces”, a world within a world. It is a place of total inspiration, where the civic nature of education embraces the concept that learning is about creating connections, stimulating chindren to transform their vision about the inhabited environment. It is an ever-changing place through “a few” who come and go from there.
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2018 | National Architecture Competition | Escola Classe – Bairro Crixå
1m
5m
Section BB
26 27 28 29
2 1
3 6
4 7
5
8 9
10
11
14
12
13
15
16
A
A
B
17
30 31 32
18
33 34
19 20 25D
35
25E
25A
21
B
B
48
22
25A
23
49
50
61
59
25E
48
51
52
58
24
53
53
54
55
56
57
B
60
25B 25D
25C
25B
25B
37 38
62
40 41 42 43
44 45 46 47
Ground Level - Plan
1m 5m
A
A
1m 5m
First Level - Plan
courtyard - 1st to 5th grade
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2018 | National Architecture Competition | Escola Classe – Bairro Crixá
1m
Section AA
5m
01. Waiting Room of the Secretriat 47. Sports Equipment 02 .Secretary Storage 03. Archive 48. Reinforcement Room 04. Learning Support Room 49. Multimedia Room 05. S.O.E. 50. Music room 06. Coordinator’s Room 51. Computer lab 07. Supervisor Room 52. Science lab 08. E.E.A.A. Room 53. Laboratory Deposit 09. Administration Restroom 54. Laboratory Deposit 10. Meeting room 55. Female Rest. - Children 11. Reprography 56. Male Rest. - Children 12. Servants Room 57. Female Rest. - Adult 13. Teacher´s room 58. Male Restroom - Adult 14. Board of Directors 59. Reading room 15. Pantry 60. Arts Room 16. Board of Appeal 61. Toy Library 17. Multipurpose Room 62. Vegetable Garden 18. Guarita 63. Patio 19. Security cabin 20. Claning Material Deposit 21. Female Restroom - Adult 22. Male Restroom - Adult 23. Female Restroom - Children 24. Male Restroom - Children 25. Classes - 1st to 5th grade 26. Central LPG 27. Trash deposit 28. Administrative Deposit 29. General Deposit 30. Claning Material Deposit 31. Covered Service Area 32. Cloth 33. Pre-wash 34. Food Storage 35. Kitchen 36. Dining Hall 37. Male Restroom - Auditorium 38. Female Restroom - Auditorium 39. Auditorium / Scenic Room 40. Women’s Acessible Dressing Room 41. Men’s Acessible Dressing Room 42. Women’s Dressing Room - Staff 43. Men’s Acessible Dressing Staff 44. Women’s Dressing R. - Students 45. Men’s Dressing R. - Students 46. Bomb House
c
Isometric Perspective
Isometric Perspective
c
50cm
2,5 m
50cm
2,5 m
Class Plan - 1st to 5th grade
Section CC
“Learning Communities” Clases - Isometric
ramp and bleachers
covered sports court
student access
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Pape Bird Observatory Tower | Moving Point International Architecture Competition | The Pape Nature Park | Latvia
“The man sees, amazed, the flight of birds, not because he wants to be a bird, but because he wants to fly like it.�
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Pape Bird Observatory Tower | Moving Point International Architecture Competition | The Pape Nature Park | Latvia
2017
with: Antônio Fabiano Junior, Danilo Maia and Raissa Gattera
The Pape Nature Park | Latvia
A single act transformed into passage, encounter, exchange. A simple connection of two points, a path of permanence. An action, creation of friction between acting agents and environment conceived in a complementary and inseparable way. The physical universe precedes and involves the man and the project acts as an intermediate cosmos, as a seam, a bridge between mind and nature, intensifying the natural situation by the geometric and abstract lines of construction, man-made means. It is a trace that creates an unstable and undefined zone between stopping and arriving, interior and exterior, belonging and flowing. Landscape, architecture, and the environment continually change places, suggesting that man’s relations with space-nature include sensitive and intelligible aspects, that both cohabit side by side.
The man sees, amazed, the flight of birds, not because he wants to be a bird, but because he wants to fly like it. It is here that the project presents itself as a challenge of opposites: how to draw the desire of free movement in only one point? How to relate ground, volume and surface in order to establish the inversion of the desire to be free? Paul Klee tells us: “all pictorial form begins with the point that sets itself in motion” The objects in this context are not only the man, the bird and the surrounding environment, but the relationship that exists between this triad and all possible connections that take place in this territory. Its implantation from north to south, from water to dirt track, follows the natural migration of the birds. The observatory exists by itself. Its project of punctuated
interventions appear in silence, merging with the place, in a clear allusion that the observatory is the site itself and the human body, in its great variety of forms, is the guide of the relation human x environment in search of the collective construction capable of thinking, rethinking and reopening the value of the visual relation as articulator and activator of intimate exchanges of body experiences. At each point, the place is understood as an artifact in a process of transformation, composed and recomposed by individual and collective power. The production of this relationship is relevant and the experience is not only announced but shown. In the silence between sounds, assuming space as an evocative value, walking along the line is a matter of going from empty to empty through a sensible and current seam, believing that, rather than sailing, as the portuguese poet Fernando Pessoa writes, flying that is necessary.
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2018 | International Architecture Competition | Pape Bird Observatory Tower | Moving Point
Implantation
It is a project about the unsustainable weight of the cycles of silence. It is a trace of time greater than the point, the plane, the space. It is the power of the flight’s drawing - always as fleeting as it is urgent, ephemeral, or liberating - capable of achieving the lyrical, strong, single, unison and unique manifestation of movement and life. Unique to build a singular experience from the encounter between those who fly and those who have always wanted to fly.
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Unison for the demonstration of strength between the conviviality of program, site, bird and man in just one line, beginning of any project and instrument to formulate new questions about the habitable human space, able to question its existence and negotiate its forms of materialization as an institutional and experimental way of shaping the world. United by force. And by knowing that the man also flies, even if for milliseconds, every time he runs in search of something.
Perspective
This line is itself the construction that responds to the yearnings of only one point and, subjectively, the very project of it. From the nucleus to the extremity, from the extremity to its center, in the articulation of new body concepts, individual and nature - transformations that defy the dualism between mind and matter and the self unity - this extension of the act of flying creates a perennial and opts for the power of risk as acceptance and pursuit of its destiny.
2018 | International Architecture Competition | Pape Bird Observatory Tower | Moving Point
Elevation A
A
Plan Exploded Isometric Perspective
det.3 det.2
det.4 det.1
Walkway
Bleachers
Staircase
Detail 1
Detail 2
Detail 3 - Binoculars
det.5
Net
Ferry
Detail 4
Detail 5
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Human Trafficking: Tenancingo Square Mediascape International Architecture Competition | Tenancingo | Mexico Honorable Mention
“It’s about giving light to the problem. Provide voice to the unseen.”
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Human Trafficking: Tenancingo Square Mediascape International Architecture Competition | Tenancingo | Mexico Honorable Mention
2017
with: Djuly Duarte, Leticia Sitta, Marina Violin and Raissa Gattera
Tenancingo | Tlaxcala | Mexico
Architecture is not only built with stone and steel. Between so many tons of weight, its voids are always anchored in a story. Not always a good story. This one is based on the injustice rooted in the path of this city and that is what architectural interventions seek to change by transforming the place and life of those who live there. A story about tough and sweet flowers. Strong and survivors. This is the one we want to tell. To never forget it.
Therefore, the project delineates three moments: denunciation, visibility and empowerment. These three points impress a meaning that permeates other times: the past and the future, creating a line that responds to the longings of understanding this intervention as a present act . Advertising, educating and empowering demand a process. Likewise, physical transformation and conversion of space must
occur in a sensible and procedural way. It is about a delicate drawing on the inevitable changes of life. It is a project about the unsustainable weight of the sounds of silence. Forced silence. Cruel, imposed. It is a trace of time greater than the point, the plane, the space. It is the power of the trace, capable of reaching the soul and the human heart.
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2017 | International Architecture Competition | Human Trafficking: Tenancingo Square Mediascape
existing site
denunciation The inaugural act is denunciation, as the first action that brings change to understand the existence of an open wound that needs to be reconstructed. The streets closes and an open space is born for the city of strong and wounded women. It is the first step for welcoming and manifestation. The walls fall down on the church square and holes are opened in church’s walls. One thousand and one hundred
denunciation
holes. Stones and steel feel the weight and pain of emptiness. Latent pain of the 1100 people involved in human trafficking. Air enters. Light seeps through. Weight is taken away. There’s visibility.
visibility A thousand and one hundred luminous stems are installed in this new space of this new square. A stem for each person, on the human scale, at the eyes’ height. There are 1100 lights that bother the square, blinding those who
visibility
passes by, ripping down the night and putting away the darkness. It’s about giving light to the problem. Providing a voice to the unseen. It is the light that cries, no longer oppressed, for change. These are the lights that also enters the Church’s holes without asking for permission. It doesn’t exist the unseen anymore; there is no hiding place; the light gives no room for ignorance. Everyone sees, at every moment, from all places. Bringing visibility also implies recognition and help. Women recognize themselves as victims announced to a city that starts seeing them. A A
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Existing Site - Section AA
2017 | International Architecture Competition | Human Trafficking: Tenancingo Square Mediascape
installations
For each woman who frees herself, a light goes out. But the memory survives like a scar on the rip of the floor to which one day its light belonged. A scar that will remain forever. It is an act about resignification. At the same time the lights are turning off, new installations are emerging. These, on the other side, are built by the very hands of women who are now free. Thus, the stems now form the square creating clearings of freshly freed voices. A space of awareness and
empowerment
support, with stories of those who went through the same situation. With the voices of those who survived. Voices that guide those who still need it. When the thousandth hundredth light goes out, the city has already been transformed, with light, without light.
empowerment It is time to cover the holes, to close the wounds. In the 1100 holes of the church there are 1100 names of
empowerment
1100 women. The holes are now them, rebuilding a new place. The church is now ready to welcome these women by embracing and helping to insert themselves again in society and in the labor market. It is the first shelter, the first refuge until they can walk by themselves and together. Together, because they are stronger now. Like flowers that survive the asphalt. As visible signs of a culture market by necessary and urgent resistance.
A A
Proposal - Section AA
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STK Pavilion Comercial | Campinas | Brazil Second Prize Winner - 5th Saint-Goban Sustainable Award 2 Honorable Mentions - Institute of Brazilian Architects - São Paulo (IABsp) 2018 75 years Award
“It invites the local community to experience the feeling of security through coexistence”
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STK Pavilion Comercial | Campinas | Brazil Second Prize Winner - 5th Saint-Goban Sustainable Award 2 Honorable Mentions - Institute of Brazilian Architects - São Paulo (IABsp) 2018 75 years Award
2017
with: Maria Jocelei Steck and Danilo Maia
Campinas | São Paulo | Brazil
In a mixed use neighborhood where all buildings from surrounding, including a church and its square, are walled, the design of the small pavilion intends to be an invitation to reflect on the public-private issue and the discovery of the building and the public space. The front walls of the original site are demolished and a open space is born. The side walls are then transformed into green walls, graffiti murals and support for outdoor media projection. When the project opens onto the street, it invites people to meet, to live together and to experience the city from a point of view less embedded in the vices of society. It’s an urban gentleness that allows people to experience the public space on the urban scale
as close to the citizens as possible. Cites have become a succession of common corridors leading to private spaces. Therefore, the project dissolves the physical barrier of wall and its idea as a symbol of security and invites the local community to experience the feeling of security through coexistence, through the “eyes of the street” as journalist Jane Jacobs wrote in the book “Death and Life of the Great Cities “. The pavilion is a collaborative office and it has been designed to meet the customer’s need for future expansion or reduction. The proposed solution is a modular and flexible structure that can be modified according to different needs. The design
makes use of reusable elements, mountable, detachable and easily transportable to another location. The design started from two urban lots of 15x35m,. The pavillion occupies only one of them, turning the second lot into a large public square. The minimal module starts with dimension of 3.00m x 6.00m = 18m2 x 2 = 36.00m2 (with one hydraulic module, which concentrates a dresser and a acessible restroom + one working room) and it can be expanded modules of 18m2, with possibility to create patios and voids in between . This expansion can take place in all directions: front, side and back, alternating or not, always starting with at least one hydraulic module.
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2017 | Comercial | STK Pavilion
B
Section AA
A
A
Front
1. Studio 2. Library/ research/ meeting room 3. Cafe 4. Restrooms
Ground floor - Plan B
Square
B
A
5. Mezzanine 6. Void (studio) 7. Void (courtyard) 8. Void (cafe)
A
A
B
A
First Floor - Plan B
Patio
26
Porch
9. Solar panels 10. Roof garden
A
A
B
A
Roof - Plan
2017 | Comercial | STK Pavilion
Section BB
Elevation A
Photovoltaic panels
green roof
Source of clean and renewable energy Low operational costs There are 18 photovoltaic panels, 1.00X2.00m each (265KWP) for energy generation (500 kw/hr)
Reduces the formation of heat islands; Slows rainwater velocity; It promotes greater thermal inertia; Releases oxygen; Regulates the age of the air around the building;
Thermo Acoustic Ceilling Tile
Excellent mechanical resistance; Reductioin of energy consumption for the use of temperatue regulators;
Water tanks
Metal Grill
2 water tanks (500L each)
Low self-weight Sun-shade function Easy installation and removal
Rest hammock
2 water tanks (500L each)
Prefabricated Wall Panel
Cistern
Composed of wood and cement Easy and fast installation Promotes thermal + acoustic insulation
V=500L Reserve and reuse of rainwater Rainwater is used in ladfill discharges, irrigation and floor washing
Alveolar Polycarbonate
Allows diffuse light in the environment Soundproofing Resistance to weather and sudden changes in temperature
PEX pipe
Resistant to chemical corrosion Flexible and non-toxic Easy maintenance and transportation
5min up to 1h shading area, from 7-17h
jan 1st. 8pm
jan 1st. sun shading
july 1st. 8pm
july 1st sun shading
july 1st. 8pm
july 1st sun shading
5h5min up to 1h shading area, from 7-17h
1h15min up to 1h shading area, from 7-17h
6h5min up to 7h shading area, from 7-17h
2h5min up to 3h shading area, from 7-17h
7h5min up to 8h shading area, from 7-17h
3h5min up to 4h shading area, from 7-17h
8h5min up to 9h shading area, from 7-17h
4h5min up to 5h shading area, from 7-17h
9h5min up to 9h shading area, from 7-17h
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