the guide FRIDAY, SEPTEMBER 13, 2013
THIS WEEK
Making Waves
LIFESTYLE
Foundations for Success
Maggie Cleary (COL ’14) has been involved in all things political, from the Georgetown College Republicans to GUSA. B2
Georgetown Radio: Broadcasting Voices Through the Years
Series Finale Falls Short
The final book in Margaret Atwood’s dystopian saga, MaddAddam, fails to live up to its thought-provoking predecessors. B3
FOOD&DRINK
Going Greek
Kapnos, a new restaurant from Mike Isabella of ‘Top Chef,’ offers modern twists on classic Greek food. B4
ARTS&ENTERTAINMENT
Contemporary Country
Keith Urban’s newest album is a successful blend of multiple musical styles. B5
Riddick Packs a Punch
MARIAH BYRNE
NEW RELEASES
The loss of WGTB’s broadcast signal is a telling story, one indicative of political divides in the 1970s that embroiled the nation and campus radio’s place at the forefront of that unrest. After Georgetown Radio, as it’s often called, began as an AM broadcast in 1946 and moved to 90.1 FM in 1960, University President Fr. Timothy Healy, S.J., donated the signal to the University of the District of Columbia for just $1 in 1979. Eighteen years later, the same frequency was sold by UDC to C-SPAN for $25 million.
Hoya Staff Writer
The newest addition to the sci-fi series is an action-packed film with plenty of escapist value. B5
‘ATLAS’ COLDPLAY
A CONTENTIOUS PAST At its peak of generating commotion, WGTB was a beacon of left-wing politics. Staffers would broadcast live from anti-Vietnam protests and Black Panther demonstrations, play advertisements for contraception, vocally back the liberation armies associated with Communist regimes and air shows that served as the roots of the gay community and feminist movement on
REPUBLIC
Artists from Miranda Lambert to The Civil Wars have produced singles that graced The Hunger Games soundtrack. This year, Coldplay adds their musical talent to the series’ second installment, Catching Fire, due out later this year. With a somber, chilling melody and relatively sparse arrangement, “Atlas” is the group’s first studio recording since Mylo Xyloto and exceeds expectations. The sweeping vocals are accompanied by haunting lyrics and the track is more than fitting for The Hunger Games sequel. ‘READY’ B.O.B. FEAT. FUTURE
ATLANTIC
See RADIO, B2
LIFESTYLE
Going Backstage and Behind the Scenes Georgetown theater groups bring original and classic plays to life KELLY LUI
Hoya Staff Writer
While best known for its academic programs, Georgetown’s strengths don’t solely lie solely in the intellectual realm. The university also boasts an exception-
ally vibrant theater scene, with multiple performing groups like the Mask & Bauble Dramatic Society, the Black Theatre Ensemble, the Children’s Theater and more. Their most recent notable productions include “The History Boys,” “The Bald Soprano”
While “Ready” might offer a fast-paced beat with a pulsing percussion and surprisingly well-manipulated instrumentals that combine to make an almost grandiose sound, it struggles to live up to B.o.B.’s past works. His collaboration with Future leads to something that tries too hard to leave behind his days of singing with Taylor Swift or the more pop-infused “Magic.”
THEHOYA.COM/ THE-GUIDE @thehoyaguide
campus. As the guidelines of the university and the Federal Communications Commission were — for the most part — disregarded, and the station moved out of the hands of students and into those community members, the station gained national notoriety for its programming. In 1973, Rep. Harley Orrin Staggers (D-W.Va.) filed a complaint with the FCC after hearing John Lennon’s “Working Class Hero” on air. Then-Vice President Spiro Agnew also had objections to the station’s programming. “There is little will to oppose Communism in America anymore, [and] the voice of third-world communism is pervasive in academia. WGTB … broadcasts what seems to be propaganda for the third world,” Agnew told The New York Times Magazine. The station was shut down primarily due to its liberal programming, but reappeared in several iterations throughout the second half of the 20th Century, finally launching as an Internet-only
GU CHILDRENS’ THEATER
Georgetown University Children’s Theater writes, performs and directs performances for younger members of the community.
and “Trojan Barbie.” This year, students can anticipate more exciting productions, thanks to the untiring enthusiasts behind the scenes. The performing groups on campus are completely student run, but the quality of their productions is highly professional — partly thanks to strong support from the department of performing arts. Though theater programs sometimes fly under the radar at Georgetown, the students who participate in them tout their strength. “It’s second best in the country as far as theater rankings go,” said Nehemiah Markos (COL ’14), current assistant producer for the Black Theater Ensemble and co-director for the play “Patient A.” The faculty is also extremely supportive of the student productions. “These professionals who work at the department will come in and become mentors to us,” Caleb Lewis (COL ’16) said. Lewis’ experience is representative of typical theater involvement. Last year, he was cast in “The History Boys,” one of Mask & Bauble’s biggest productions
of the year last year, and now he will be co-director of the play “How to Succeed With Dolls.” The theater production requires the collaboration of many different roles: writer, producer, director, stage manager, tech assistants and actors. Be it center-stage or backstage, the combination of all these collective efforts results in such a successful final product. “The audience misses a lot,” “Patient A” co-director Joshua Street (COL ’15) said of the production process. “It is the task of the cast and crew to make the production look effortless,” Street said. But behind the scenes, with tight timing of around only one month to complete the play, there are not only frequent rehearsals but also bureaucratic procedures to address, technological details and set-ups to be finished and perfected and other logistics. “It’s a lot of pains, a lot of tears, a lot of shouting at people. It’s dangerous backstage,” Street said. It is not always easy for the students involved in theater, either. See THEATER, B3