The Hoya: The Guide: Sept. 20, 2013

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the guide FRIDAY, SEPTEMBER 20, 2013

THIS WEEK

Trans

LIFESTYLE

Students at Georgetown share their stories

*

The Business of Music

Darnell Bland Jr. (MSB ’15) is founder of a record company and his hit single is circulating international Internet radio. B2

Good Reads

While J.K. Rowling’s newest novel may not be her strongest, it still provides plenty of escapism and a riveting story. B3

FOOD&DRINK

Modern Mexican

Oyamel is an upscale Mexican restaurant that adds culinary twists to traditional dishes. B4

ARTS&ENTERTAINMENT

Sophomore Success

The Naked and Famous’ catchy second album presents profound lyrics. B5

‘Prisoners’ Shocks and Chills

The thriller leaves viewers on the edge of their seats with unexpected plot twists and captivating acting. B5

NEW RELEASES ‘WORK BITCH’ BRITNEY SPEARS 

SARAH KAPLAN Hoya Staff Writer

It’s Friday afternoon, and Lexi Dever (COL ’16) is hurrying to get ready for the evening. She’d received a new skirt in the mail and is eager for an excuse to wear it. Her eyeliner is missing, again, and she doesn’t have a ponytail holder to tie up her Teagan and Sara T-shirt. She gets makeup advice from a friend via text, clips two flowers into her short dark hair and gives herself a final once-over in the mirror before heading out the door. The final effect is a good one, and Dever is more comfortable in her new outfit than she’s felt all day. But as soon as she steps out into the LXR courtyard, her stomach begins to churn. “I was like ‘crap crap crap,’ waiting for someone to call me out,” Dever said. “I was forcing myself to focus straight ahead and not look at people, because if you look at people you will notice them staring. And that hurts.” As Dever walked through campus to the LGBTQ Resource Center’s weekly coffee hour, passersby wouldn’t have seen her as a woman, but as a man in girl’s clothing. Dever was born male, is known to most of campus as Matt and is in the process of transitioning into the body of a woman. She is also part of a small but recently more vocal community of trans* students on campus. This year, for the first time in recent memory, Georgetown has two openly transgender students — Dever and Celeste Chisholm (COL ’15) — and one gender non-conforming student, who could not be reached for this article. And last week, GU Pride named Chisholm its first ever trans* representative. “We are definitely on the right track,” Chisholm said of Georgetown’s readiness to accept trans* students. “At their very best, the people here will understand, and at the very

least, people are respectful enough to know when not to say anything.” But despite these gains, Chisholm and Dever feel the near-invisibility of trans* students on campus acutely. “People aren’t as educated about it as they could be because they just don’t know anyone who is transgender,” Dever said. Dever and Chisholm hope they can change that, first and foremost by increasing their own visibility. Dever, who still presents as male the majority of the time, says she aims to start dressing more often in women’s clothing this semester, even though she has not started hormone therapy and still has many physical attributes of a man. Chisholm, who began her transition before she transferred to Georgetown as a sophomore, says she will be more vocal about her transgender identity, rather than simply “passing” as a woman unnoticed. “There’s an opportunity to make the best of my situation, to capitalize on the rarity of it and make the best example of myself that I can,” Chisholm said. ‘I JUST WANTED TO BE A NORMAL PERSON’ For Dever and Chisholm, the realization that they had been born the wrong gender didn’t come easily. Until they were teenagers, neither realized that a concept like “transgender” even existed. Instead, they grappled with a sense that being who they were made the people around them unhappy. “I learned very quickly that for some reason, and it didn’t really matter why, it was wrong to do … anything I wanted to do. To act like my sister. To act like my mom,” Chisholm said. “So

I buried it pretty deeply.” Dever said she had never been particularly feminine, though she shied away from more “boyish” activities like sports. During puberty, however, she began to realize how uncomfortable she felt in the body that was becoming more like a man’s. “I would be jealous of girls for being girls a lot of the time. Like if a girl was walking down the street, I’d think, ‘I wish I were able to wear that. I wish I were able to look like that,’” she said. “It’s a very difficult sensation. Having to present in a way that doesn’t match who you feel you are.” Dever began trying on her sisters’ clothes in the attic of her Florida home. “But I was only trying to explore things that I could without my parents finding out,” she said. “I was petrified about them not being OK with it.” Both women kept their gender identity a secret throughout high school, alternately fantasizing about life as a girl and trying to quash that hope entirely. “I wanted to pretend it was a phase,” Chisholm said. “I wanted to be a girl, but I didn’t want to be a transgender girl, I wanted to be a real girl. I didn’t want to have to transition and still feel masculinity within me. I just wanted to be a normal person.” “So much of my life was tragically focused See TRANS*, B2

LIFESTYLE

RCA RECORDS

The first single from her highly anticipated eighth studio album, “Work Bitch” re-establishes Britney as a force to be reckoned with in the realm of pop. While this track isn’t destined for the same attention as, say, “Toxic,” any new Britney is exciting. The track’s production isn’t very complicated — it’s not really that different from any other popular EDM song — but the bass is heavy and fast. And for something that is obviously destined to be a club hit, she actually gives some good advice in her lyrics. ‘WAITING FOR SUPERMAN’ DAUGHTRY 

Taking Back the DC Live Music Scene Gypsy Sally’s, a new music venue, provides an affordable experience CAITLIN DESANTIS Hoya Staff Writer

Before Georgetown became the site of the D.C. cupcake wars, it was home to a constant battle of the bands. Over the past few decades, the neighborhood’s once diverse array of live music venues has slowly dwindled. But this year, Gypsy Sally’s, a brand new venue, is seeking to bring Georgetown’s live music scene back to life. “Georgetown used to be a real music destination. Little by little,

all those venues went away until there was only one left — Blues Alley. So we want to bring the live music back and a little bit of that nightlife Georgetown has been missing,” said Karen Ensor, who owns Gypsy Sally’s with her husband, David. Gypsy Sally’s, which opened Sept. 12, is an American music venue that will feature acts specializing in blues, rock, folk, country and bluegrass. “We are sticking to our guns on our image. We don’t want to dilute what we are trying to be by offering

RCA RECORDS

“American Idol” alum Chris Daughtry and his band released their first single off their fourth album and this track might be what brings them back into the limelight. “Waiting for Superman” features a fun, rock rhythm with hints of synth here and there. And it’s definitely catchy. But although Daughtry’s vocals are undeniably impressive, the lyrics play on a somewhat cliche storyline.

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CAITLIN DESANTIS/THE HOYA

Guests can listen to live musicians from around the area at Gypsy Sally’s while enjoying specialty cocktails.

too many things. We won’t ever feature hip-hop or funk because people can go to other venues in D.C. for that,” Karen Ensor said. Since opening its doors last week, Gypsy Sally’s has already featured artists Jim Lauderdale, New Country Rehab — who have been called Canada’s Mumford and Sons — and Mockingbird Sun. Located on the end of K Street just before the Capital Crescent Trail, Gypsy Sally’s has views of the Potomac River and the Key Bridge. The space, which used to be an ice factory in the early 1900s, is ideal for listening to music because of its wide rooms and high ceilings. The venue was also enhanced with acoustic treatments to improve the listening experience. The husband-and-wife team spent more than two years trying to find the perfect space for their club — one without architectural elements that would obstruct concert-goers’ view of the stage. “Finding the right space was a labor of love,” Karen Ensor said. “When we found this location, we knew it was good right away. It was magic.” Gypsy Sally’s interior is divided into three different areas: a music room with standing area and tables available for reservations, a vinyl lounge and a space that the Ensors hope to develop into an art gallery. Currently, the space holds an antique Volkswagen bus complete with a small stovetop and

sink. Reminiscent of the era they are trying to recreate, the VW is another supplement to the feeling of history that permeates the entire venue. The walls of the music room are lined with authentic farm wood from an old Pennsylvania barn, inspired by the idea of bringing the feeling of old country blues to the city. The room features two bars, both decorated with vintage concert tickets to further enhance the sense of nostalgia. The Vinyl Lounge has more of a rock ‘n’ roll vibe, with a dark red counter for the bar and vintage music accoutrement decorations, like the old album posters and vinyl records that adorn the bar. The lounge is outfitted with two vinyl turntables that play featured albums every night. Guests are also encouraged to bring their own vinyl records in to play, and the Vinyl Lounge will hold nightly contests for “Best Cover Art” or “Best Set” based on the albums patrons bring in. While most concert venues serve greasy French fries and chicken fingers, Gypsy Sally’s has added a fine dining twist for guests. “We are trying to promote concert dining. We feel like it is music for adults. We want people to come have a seat, order a nice glass of wine, eat a delicious dinner and listen to some great music,” Karen Ensor said. See GYPSY, B3


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