the guide FRIDAY, JANUARY 31, 2014
THIS WEEK
Worlds Apart
LIFESTYLE
Service in Serbia
Milosh Popovic (SFS ’16) discusses launching a tennis mentoring program in Serbia for autistic teenagers. B2
FOOD & DRINK
Presidential Plates
New restaurant Lincoln impresses with seasonal American dishes and an energetic ambience. B5
ARTS & ENTERTAINMENT
Provocative Television
A new HBO show takes a refreshing look at modern, gay relationships. B6
Teenage Love
Rainbow Rowell proves that you’re never too old for teenage romance stories with ‘Eleanor & Park.’ B6
THEHOYA.COM/ THE-GUIDE @thehoyaguide
International students struggle with the gap between two cultures LINDSAY LEASOR Hoya Staff Writer
E
laine Ding (SFS ’15) sits in the Cawley Career Center surrounded by her peers, waiting for an information session to start. Similar to other Georgetown juniors, Ding is starting to consider her postgraduate options and has been actively taking advantage of the resources the university offers. Except, unlike most of her peers, Ding is from Hong Kong and finds out after the presentation, that the company, whose spokesperson she had just listened to for the last hour and half, does not sponsor work visas for international students who wish to stay in the United States after they graduate. Approximately 10 percent of Georgetown’s undergraduate population is international, making up a diverse group of talented young adults pulled from all corners of the globe. Yet while diverse, the members of the international population at Georgetown share two traits with one another: Very few receive
financial aid, and all of them are introduced to a different culture when they reach the Hilltop. International students’ first encounter with life at Georgetown starts well before the first day of classes. They arrive on campus a week before the other freshmen and participate in International Pre-Orientation, a four-day program that consists of information sessions and social events. This program has the added, but not necessarily beneficial, effect of separating domestic and international students before the semester even begins. For Leonor Dominguez (MSB ’15), this setup was ideal. After growing up in Venezuela, Dominguez found herself drawn to Georgetown for what she admired as the “customizability” of an American education. The opportunity to spend time with friends and those similarly undergoing a cultural transi-
ARTS & ENTERTAINMENT FEATURE
Poised to Perform
tion was a welcome opportunity. “I absolutely loved the international orientation. I felt at home with my friends and it helped me gain stability before everyone else arrived. It was quite a honeymoon experience,” Dominguez said. Muriel van de Bilt (SFS ’17) grew up in Brazil and attended a Portuguese-speaking school. For her, the opportunity to meet and develop friendships with other international students made all the difference when first coming to campus. While students from California may fret about the distance between See INTERNATIONAL, B2
ARTS & ENTERTAINMENT FEATURE
Upcoming BMDT Show Celebrates Women in Dance ALLIE HILLSBERY Hoya Staff Writer
I
nside of Walsh’s Black Box Theatre, Georgetown’s Black Movements Dance Theatre focuses on the rehearsals and preparations for its upcoming show. The contemporary, modern dance company was founded in 1981 by several female African-American students who wanted to use their passion for dance as a medium to express their heritage. Since its founding over 30 years ago, the company has expanded to include both male dancers and dancers from a variety of ethnic
backgrounds. The 18 undergraduate members, their faculty advisors and several guest collaborators have been hard at work since October on their spring concert, “This Woman’s Work,” which will be held at the Davis Performing Arts Center on Feb. 7 and 8. “In keeping with the tradition of Black Movements Dance Theatre, most of our pieces are based on theatrical storylines, so the theme of ‘This Woman’s Work’ really focuses on the elements of women and those challenges that we are met with in everyday living as well as in the larger framework of what we do as
DANIEL SMITH/THE HOYA
This semester’s Black Movements Dance Theatre show will showcase a range of dance styles including tap, ballet and hip-hop.
women,” BMDT’s Artistic Director Alfreda Davis said. “The three elements that we’re focused on are strength, compassion and struggle.” Bernadette Nelson (SFS ’14), a dancer for BMDT and the group’s publicity and public relations director, expressed her enthusiasm for the theme of the show, which she believes will be universally appreciated by the audience. “I’m really excited for the depth of this theme. I think that the pieces speak to issues that affect women but that are also very pertinent in terms of current events,” Nelson said. “The theme kind of transcends the show, and I think that everyone in the audience can somehow connect with it because you have a woman in your life — whether it’s a sister, or a mother, or a friend, or an aunt or a grandmother that you connect with in some way. I think that some element of the show will speak to that and resonate on an emotional level as well as an artistic level.” Davis has high hopes for next weekend’s performance and a clear vision of what she hopes people will take away from it. “I always want the audience to be inspired. I want them to be inspired to engage each other. I want them to be inspired to talk beyond the concert, not just about the dancers and their ability, but about the message. I want it to transcend someone’s ability to dance,” Davis said. “I also want people to know that we do great work here at Georgetown. We may not be a big arts consortium, but in the dance program here, we do very viable work. We take our approach to our work very seriously, and that is something that we want to be reflected in the show.” For “This Woman’s Work,” BMDT will be doing two joint pieces with Georgetown’s other academic dance See BMDT, B3
REBECCA GOLDBERG/THE HOYA
Following the success of last year’s performance, the Chimes are set to host the 41st Cherry Tree Massacre in Gaston Hall.
Cherry Tree Festival Keeps on Killing It JESS KELHAM-HOHLER Hoya Staff Writer
I
t all began with the Chimes running a costly bar tab at Tombs in 1974. Prompted by a need for money, the Chimes began brainstorming the most interesting way to raise funds: by getting a bunch of a cappella groups together once a year. Now, 40 years later, the Chimes are leading the way with the 41st annual Cherry Tree Massacre a cappella festival, the largest of its kind on the East Coast. A much-loved Georgetown tradition, the event features Georgetown’s own significant a cappella talent, as well as groups from many other East Coast universities. “The group works tirelessly to put it on. It’s immensely important for us as a group; it’s our lifeblood,” the Chimes Epus, Tom Lane (COL ’14), said. The hard work certainly pays off, and
while it may be the “lifeblood” of the Chimes, it is also a beloved Georgetown tradition. Without a doubt, the most important aspect of the festival is the way music can bring people together. Chimes member Charlie Plissner (COL ’15) believes that the tradition is an important event for bringing together the Georgetown community. “It’s a really cool example of how the performing arts and musical groups come together in a great way and can produce something different. I haven’t seen a performance like this anywhere else,” Plissner said. Fellow Chimes member (#239) Peter Fanone (COL ’15) also emphasized the remarkable nature of the festival. “Cherry Tree brings university groups together to the Hilltop to show us what they’ve got, and whereas most colleges don’t hear See CHIMES, B4