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BEAUTY OF KOREA
Flower Shoes
I
S
uhye is a term used to refer to silk shoes decorated
to shoe forms, which were then covered with blue and red
with elaborate embroidery, which are more common-
silk fabric. After the silk fabric covering was sewn in place,
ly known as kkotsin, or flower shoes. Widely popular dur-
brilliantly colored silk thread was used to embroider ele-
ing the Silla Kingdom [57 B.C-A.D. 935). suhye were
gant designs, such as chrysanthemum, pine tree, bamboo,
beloved by Korean women throughout the Joseon Dynasty
and arabesque motifs. Suhye with exquisitely embroidered
[1392-19101.
decorations were thus an essential accessory of every styl-
Although women from the sadaebu class wore suhye,
ish woman of Korean society. Some women would cus-
their use was not solely the prerogative of the upper class,
tom-order suhye so that the embroidery decorations
as women of the common class also wore them, especially
included their favorite designs. Women would wear the silk
on theif wedding day. As such, suhye were cherished by
shoes, which would be fleetingly visible under their full-
commoners because of their association with special
length skirts whenever they took a step, as an expression
occasions and the wearing of formal attire.
of their demure charm and stylishness. t.;t
To make suhye, several layers of hemp were applied
Korean a
Korean Art & Culture VOL. 19, No . 1 SPRING 2 005
Fortresses of l{orea 8
Suwon Hwaseong Fortress: Monument to Korea's Architectural Expertise I
14
Kim Dong-uk
Notable Characteristics of Korean Fortresses I Cha Yong-geol
Korea na Internet Website http://www.ko reana.or.kr ŠThe Korea Foundation 2005 All rights reserved . No part of this publication may be reproduced in any form without the prior permission
18
Mountain Fortresses: The Front Line of National Defense
of the Korea Foundation. The opinions expressed by the authors do not
I Yu Jae- chun
24
Town Walls Create a Safe Haven for the Populace I
Hur Kyoung-jin
necessarily represent those of the editors of Koreana or the Korea Foundation. Koreana, registered as a quarterly magazine with the Min1stry of Culture and Tourism !Registration No. Ba-1 033, dated Aug. 8, 19871. is also published in Ch inese. French, Spanish, and Arabic.
34
FOCUS
Germany Presents Korea Year 2005 38
1
Kwonvoung-min
INTERVIEW Kim Seok-chul
Urban A_rchitect with Designs on the Future 46
1
Leesang-hae Cover: Thousands of for tresses have been built
ARTISAN
on the Korean peninsula and beyond that
Jang Ju-won's Lifelong Passion and Dedication to Jadecraft I
Ryu Min
provided safe haven for Ko rea's rule rs and common people. Depicted is Namhansanseong
Fortress. wh ich was bu ilt in 1624 to defend the
southern approac hes to Seou l. Photo: Choi Jin-yo un
52
MASTERPIECES
Three-story Stone Pagodas of Gameunsa Site I Kim Seung-hee
56
ART REVIEW
Paintings of Park Soo-Keun, the Common People's Artist, Come Home Published quarterly by Th e Korea Founda tion 1376-1 Seocho 2-dong , Seocho-gu , Seou l 137-863 , Ko rea
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DISCOVERING KOREA
Korea's Movable Metal Type Opens the Era of Modern Civilization
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I Kim Hong-yeong
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The City of Cherry Blossoms 74
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I Chung ll-keun
Han Kyung-koo. Han Myung - hee,
Kim Hwa-young, Kim Moon-hwan, Kim Young-na. Rhee J in -bae
LIVING Flash Mobs
The Younger Generation Declares Its Cultural Independence I Joung Yoon-soo '\
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Translated by Moon Hi-kyung
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Suwon H waseong Fortress Monument to l{orea~s
Architectural Expertise
Hwaseong Fortress represents the epitome of architectural design and fortress construction in Korea. As the most scientifically designed and meticulously constructed fortress in Korea, it stands as a monumental architectural work that combines the essence of form and function. Kim Dong-uk Professor of Architecture, Kyonggi University Suh Jai-sik Photographer
hen Suwon Hwaseong Fortress was designated a
can be seen in any country of the world in that it focuses on_
World Heritage Site by UNESCO in 1997, it was
promoting tangible benefits to improve the quality of life of
noted that it represented an "outstanding example of early
ordinary people, rather than dispensing empty theories.
W
/
military architecture, incorporating the most highly devel-
However, for 18th century Korea, this was all the more
oped principles of that discipline from both the East and
meaningful. For a long time, Korean intellectuals had been
West." Built in the 18th century, Hwaseong was among the
absorbed in philosophical debate over the tenets of
last projects of Korea's long history of fortress construc-
Confucianism, but finally in the 18th century they began to
tion and is recognized for the remarkable advances of its
turn their attention to putting theory into practice in ways
architectural design and construction technology. But
that would benefit the life of commoners. As a result, signs
besides its function as a defensive facility a deeper signifi-
of change appeared in all areas of society, of which
cance lies behind its construction. Above all, the fortress
Hwaseong Fortress has been lauded as the greatest
embodies the principle of filial piety, the foremost ethical
achievement of this movement. The construction of the
.value that has long influenced Korean life. In addition, it is
fortress featured the application of a variety of new scien-
a product of the 18th century Silhak school of practical
tific techniques and technological innovations, based on
learning, whose concepts were applied in the design and
the principles of practical learning . The virtue of filial piety
construction .
and the Silhak ways of thinking were thus reflected in the fortress construction.
Impetus behind the Construction
Respect and appreciation for one's parents is a com-
Creating a New Town
mon trait among peoples all around the world . But Korea
The construction of Suwon Hwaseong Fortress was
is one of the few countries where filial piety has become
initiated by the 22nd king of the Joseon Dynasty, Jeongjo [r.
firmly rooted as the paramount virtue of society and peo-
1776-1800]. who sought to relocate the tomb of his father
ple's everyday life. Even today, each year when the crops
to the most auspicious site in the country . At the time,
ripen in autumn, everyone puts their work aside to return
three sites were considered ideal for royal tombs, but two
to their hometowns to visit their parents and pay respect to
already contained the tombs of other kings, leaving only
their ancestors, as part of the most significant activities of
one possible site. In the summer of 1789, King Jeongjo offi-
the Chuseok [thanksgiving] holiday. When foreign visitors
cially decreed that his father's tomb would be relocated to
to Korea see the many gravesites that are located on hill-
the last auspicious site.
sides that overlook an attractive landscape, they come to
Jeongjo's father, the Crown Prince Jangheon [1735-
realize the importance of respect for ancestors among the
1762]. incurred the hatred of his father who had him locked
Korean people . This filial piety, which is so integral to
in a wooden rice chest where he ended up dying of starva-
Korean values, was a decisive factor behind the construc-
tion. This tragic incident was said to have resulted from a
tion of Hwaseong Fortress.
conspiracy of court officials who did not want to see the
The concepts of the Silhak school of practical learning 8 Korea na I Sprin g 2005
crown prince become king. Upon succeeding his grandfa-
1 Hwaseongseongyeokuigwe, a journal and reference book, outlined details of the defensive features that were installed in the northeast and northwest gongsimdon [observation tower] of Hwaseong Fortress. 2 Th e northeast gongsimdon, a three-story oval structure, is one of the most notable features of Hwaseong Fortress. Narrow openings were built into the second-story walls to allow defenders to use weapons against invaders, while a pavilion on the third story was used to monitor enemy movements.
ther as king, Jeongjo ordered that the tomb of his father, posthumously named Crown Prince Sado, be located at the most propitious site in the country as a means of appeasing his soul. However, the most ideal tomb site was not 1n a secluded mountain area but on a mountain slope where the town of Suwon was situated . In order to build the tomb on the designated site, it would thus be necessary to Telocate the existing town . Accordingly, the residents of Suwon were ordered to gather up their household possessions and move to a new town area being built to the north to make way for the development of the tomb of Crown Prince Sado. In accordance with the royal decree, the tomb was built on a mountain slope behind the former town area, while a new Suwon town was established at the foot of Mt. Paldalsan . A government office was established there to oversee the development of the new Suwon town, where former residents and those from other areas took up residence. On the surface, this project may seem to have been realized under the sovereign authority of the king. But underlying the entire undertaking was a political motivation that was not readily apparent. When Jeongjo ascended the throne, the court was caught up in factional rivalr-Y. which prevented the king from pursuing his political agenda. Indeed, it was this kind of internal conflict that had led to the tragic death of Jeongjo's father. When Jeongjo became king , he was determined to rectify the political establishment and firmly establish the authority of his reign. And to do this, he needed an economic support base. Suwon was located along the road between Seoul and the southern regions, which was used to transport goods to the capital. But the surrounding mountainous terrain made transportation difficult. Therefore, the king came up with a Spring 2005 I Koreana 9
Hwaseong Fortress was a revolutionary breakthrough that far surpassed the existing practices of fortress architecture. This was possible thanks to the diligent efforts of a group of intellectuals who pursued practical learning that could be applied to everyday life and the ambitions of a king who sought to consolidate his authority and demonstrate filial piety for his father.
plan to move the town to a more level area, where mer-
on Korean fortresses as well as books on Chinese and
chants and vendors could more easily gather to conduct
Western technology before drafting construction plans for
trade, and thereby create an economic support base for the
a fortress tailored to the Suwon site.
court. However, such a plan would likely face objections
Based on the plans prepared by Jeong Yak-yang, con-
from court officials. Therefore, Jeongjo highlighted the filial
struction of the fortress began in the spring of 1794 and
piety aspects of .the project to win over the court officials.
was completed two and a half years later in the fall of 1796.
The relocation of his father's tomb to the most auspicious
The new fortress was indeed distinctive from any other
site in the country, and the related development of the new
that had been previously built, but not so different that
Suwon town , were based on a desire to demonstrate his fil-
Korean fortress building tradition had been ignored. The
ial piety, to which court officials found it difficult to object.
fortress walls integrated Mt. Paldalsan along the western
When the new town area was developed, the former
side and enclosed flatlands in the other three directions.
residents of Suwon and others from around the country
The walls formed an irregular oval shape that extended for
eagerly settled there since the king had promised not only
5.4 kilometers, with a gate at each strategic point and 48
to help the town to flourish economically but also to pro-
defensive facilities along the perimeter.
vide various assistance to residents. Construction of the
The defensive facilities included sentry posts, turrets
new town proceeded smoothly, and in a matter of three to
where cannons were installed, and observation towers
four years the resident population increased amid the
(gongsimdon) for monitoring any approaching enemies.
building of new houses. Then in the fifth year, the king
Several were new innovations never before used in Korean
ordered that the most superlative fortress of Joseon be
fortresses, such as the sentry posts, observation towers,
built around the town, whose name was then changed to
and oseongji, five-point star-shaped reservoirs in front of
Hwaseong . In this way, the most far-reaching construction
the ramparts to serve as fire-prevention facilities. The
project of the Joseon Dynasty got underway.
ramparts were built four to seven meters in height, which
¡ ~
although not particularly hi_gh were reinforced to withstand
Innovation of Silhak Scholars King Jeongjo entrusted the design and planning of
an artillery attack by packing earth against the interior wall for additional strength.
Suwon Hwaseong Fortress to Jeong Yak-yang (1762-1836),
This method of construction , which became known
who was an official of the royal library at the time. Jeong
around the 17th century, made Hwaseong's defensive
did not have a military background, nor did he have any
capability against artillery attack one of its distinguishing
experience in building a fortress. But he was known as a
features. Compared to earlier fortresses that consisted of
promising scholar who had done well on the difficult
little more than ramparts with gates and four or five tur-
national civil service examination for government officials,
rets, Hwaseong Fortress transformed the history of
gwageo. Jeongjo assigned the fortress construction to this
fortress construction in Korea. In fact, Hwaseong included
scholar because he wanted it to be clearly superior to
defensive facilities along the ramparts at intervals of about
other projects. He provided Jeong with new books that he
100 meters where weapons such as cannons and guns
had brought in from China, including a book on the science
were installed.
and technology of the West written by a German mission-
To understand why Hwaseong Fortress was fortified
ary. After having been commissioned by the king to build
with so many defensive facilities, it is necessary to
an exceptional fortress, Jeong extensively read materials
examine Korea's situation in the 18th century. In gener-
10 Koreana I Spring 2005
¡-
1 Suwonneunghaengdo is a series of eight paintings that depict the 60th birthday celebration that King Jeongjo held for his mother at Suwon. [Leeum Samsung Museum of Artl 2 Another Suwonneunghaengdo painting, this portrays the sce ne of nighttime military training at the west command post of Hwaseong Fortress. 3 Hwaseongseongyeokuigwe, documents th e Hwaseong Fortress construction in great detail, including a Listing of key dates of project milestones, the names of officials assigned to oversee the day-to-day activities, and detailed illustrations of building features and construction equipment. 4 Innovative co nstruction equipment, Like the geojunggi pulley system used for Lifting ston es and building materials, contributed significantly to the efficient construction of Hwaseong Fortress.
al, the majority of Korean fortresses relied on walls con-
affluent, more people were reluctant to leave the cities.
structed in rugged mountain areas . In ordinary times,
As such, Hwaseong was designed to accommodate an
the people lived in flatland areas enclosed by walls. But
economic center from the start. Merchants increasingly
with the approach of invaders, the residents evacuated
settled there and the local economy flourished . To build a
the town and defended themselves from a mountain
fortress around this city, the method of construction had to
fortress. This was the typical Korean defense strategy, a
reflect the changing times. This is the aspect that Jeong
tactic developed through fending off frequent invasions
focused on while designing the project. That is, in times of
of Chinese and nomadic tribes from the north. But in the
war the residents would not have to flee to a mountain
17th century, as society became more stabilized and the
fortress but be able to repel the invaders from within the
nation 's economy prospered, people began to question
city walls.
the wisdom of abandoning the towns for mountain
Therefore, the fortress walls were built at an optimal
fortresses in time of war. As urban life became more
height for defensive purposes, along with all types of Spring 2005 I Koreana 11
Re-creation of a military tra ining session at Hwaseong Fortress 2 Fires would be lit in signal beacons to transmit messages to nearby regions. 3 Hwaseomun, the west gate of Hwaseong Fortress, features a semicircular brick ongseong in front that served as an additional defensive facility for protecting the fortress gate. 4 Northeast tower included a pavilion that was used to observe the surrounding areas and also served as a quiet spot for enjoying the scenic landscape. 5 The names of officials assigned to oversee the construction of Hwaseong Fortress were engraved on stone plaques.
/
defensive facilities, including new innovations, being
an effective way to
installed along the ramparts . In this regard, Hwaseong
reduce
costs.
After
was a product of the 18th century. Though not experienced
closely studying techni-
in military affairs, Jeong was a scholar of the school of
cal books written by
practical learning who understood how times had changed
Westerners,
and thus created an entirely new type of fortress to satisfy
devised a number of
Jeong
these needs. Hwaseong stands as a testament to a branch
mechanical devices suit-
of study devoted to realizing practical benefits for people's
able for use in Korea .
everyday life.
These included geojung-
New Technology and Methods
gi, a kind of pulley system for lifting stones; yuhyeongeo, a kind of cart for trans-
Bricks were used to build the observation towers and
porting materials that was built low for easier loading and
turrets. Traditionally, Korean fortress walls were built
unloading; and nongno, a pulley device for simple move-
from earth or stones, and it was rare for bricks to be used
ment of materials.
to build walls, as in the case of Hwaseong. Though bricks were a common building material in China, they were not
Pinnacle of Korean Fortresses
used much in Korea because of a lack of suitable clay for
In autumn 1795, while construction was in full swing,
making bricks. In contrast, hard stone, such as granite,
King Jeongjo journeyed to Hwaseong with his mother and
could easily be found all over the country, which explains
hosted a grand banquet there to celebrate her 60th birth-
why granite would commonly be used in fortress wall con-
day. In the past, when the average lifespan was consider-
struction.
ably shorter, Koreans regarded a 60th birthday as particu-
But by the 18th century there were increasing difficul-
larly auspicious and a cause for celebration. In fact, few
ties related to the use of granite. Because granite had to be
such birthday celebrations were held during the 500-year
quarried from mountain areas and transported to the con-
history of the Joseon Dynasty, while this occasion, in honor
struction site, this called for the mobilization of extensive
of the queen dowager and at the tomb of her late husband,
manpower. In the 18th century, it was state policy that
carried even greater significance. This birthday tribute is
skilled workers as well as laborers who worked on public
also remembered as an expression of Jeongjo's filial piety.
projects would be paid a daily wage, so coming up with the
Hwaseong introduced a number of new features not
needed funding could pose a problem. Unlike in the past,
seen in previous fortresses . The new innovations of the
corvee labor was no longer acceptable, so the best solu-
fortress represented the fruit of the Silhak scholars who
tion called for a reduction in the required labor.
devised practical solutions to meet the demands of chang-
Using bricks involved less labor than the quarrying
ing times. Hwaseong is therefore much more than a
and transporting of granite from the mountains. So a kiln
fortress made of stone and brick; it is imbued with the filial
was established at the construction site and bricks of reg-
piety of a king who sought to fulfill his obligations to his
ular size were produced to build the walls, which proved to
parents and the insightful wisdom of the Silhak scholars.
be an effective means of reducing labor costs. However, it
Hwaseong is an especially meaningful structure in Korean
was critical to consistently produce high-quality bricks. In
history. It remains in its original form as part of a modern
this regard, Silhak scholars contributed the relevant tech-
city and clearly justifies its designation as a World Heritage
nology. Based on reference books from China, they
Site by UNESCO. t>t
devised a new kiln and brought to the construction site technicians to supervise the brick production. In this way, although not previously having been used in fortress construction, bricks were used to build the walls of Hwaseong Fortress. Using machinery to enhance labor efficiency was also Spring 2005 I Ko rea na 13
Notable Characteristics of l{orean Fortresses Korean fortresses are nature-friendly architectural str uctures that fully capitalize on the natural topography of mountains and rivers. Built with the combined r esources of the rulers and the c omners ~ they were stronghold enclosures for the protection of life and p eople. Cha Yong-geol Professor of History Edu catio n, Chun gbu k National University Choi Jin-youn Ph otographer
orean fortresses date back some 3,000 years . An
Bron ze Age, but over time they became specialized in
estimated 2,600 fortresses were built across an area
function. T•he flatland fortress served to protect the areas
that extends from Manchuria to the Korean peninsula and
where people carried out their everyday activities, while
Japan. In size they range from large-scale bulwarks with a
the mountc;Jin fortress was used to store weapons and pro-
circumference of 20 kilometers to smaller outposts mea-
visions in ordinary times and as a place of refuge in time of
suring less than 100 meters around.
war or invasion. The mountain fortress best embodies
K
Fortress construction in Korea was most active and widespread during the periods of the Three Kingdoms [1st
/
Korean tradition through effective exploitation of the geographic advantages of mountainous areas.
century B.C.-A.D. 7th century]. Unified Silla [676-935]. and
In ancient times, fortress construction was most active
the Balhae Kingdom [698-926]. which included parts of
when the Three Kingdoms of Goguryeo, Baekje and Silla
Manchuria and the Russian Far East. During the 1,000-
were battling each other for supremacy. The flatland
year period from the Goryeo Dynasty [918-1392] through
fortress was combined with the mountain fortress to create
the Joseon Dynasty [ 1392-191 0]. fortresses were con-
a new kind of defensive system comprised of a fortress and
structed mainly in the Korean peninsula to serve as
city walls. Other facilities were added as necessary, includ-
strongholds for rulers, defensive structures for the protec-
ing high, fortified walls, and various entry gates, waterways,
tion of regional cities and people, and barriers to defend
sluice gates, ramparts, turrets, and watchtowers.
border areas.
Along border areas, an extended wall with troop barracks was constructed at times. Whenever battles intensi -
Landmark in Korean History
fied, regional towns use'd the mountain fortress as a
Construction of Korea 's first fortress dates back to
stronghold, which was advantageous for their defense.
the Bronze Age. During the Bronze Age, hilly areas with
From the late 2nd century B.C., in order to deter invasions
clusters of pit houses or flat areas protected by ditches
of unified Chinese forces , Goguryeo [37 B.C .-A.D. 668].
dug at regular intervals emerged by the 1Oth century B.C.
which occupied the northern region of the Korean- peninsu-
The remains of a fence erected along a ditch dating to
la and part of Manchuria, built large mountain fortresses,
about the 5th century B.C. have been discovered . Defensive
while the kingdoms of Silla [57 B.C.-A.D. 935] and Baekje
barriers such as ditches and fences were developed into
[18 B.C. -A.D. 660] adopted a simila r defense strategy. In
earthen walls, which later evolved into stronger and larger
the western area of Japan, there are remains of fortresses
walls built of stone.
built by Korean exiles who resettled there after the col-
Korean fortresses, which developed in a unique way, basically include two major types. One is a fortress built on
lapse of Baekje, showing the extensive area over which the construction of Korean fortresses had spread.
flatland, through which a river or stream flowed, and the
From the Middle Ages, Korean fortresses became
other is a mountain fortress built at a higher elevation
larger in scale and continued to chang e according to spe-
overlooking the plains. Both types were constructed in the
cific needs. In the late 1Oth century, in response to inva-
14 Koreana I Spring 2005
Geumseongsanseong Fortress was originally built during the Three Kingdoms period and reconstru cted in 1409. The fortress walls, which conform to the mountainous terrain, are integrated into the natural environment.
sions of the Khitans of Liao, large-scale fortresses were built at strategic locations around the country, while in the capital city of Gaeseong, the existing fortress and city walls were further developed and fortified, including a perimeter system of larger walls around the city. An extensive wall, known ¡as Cheollijangseong [Great Wall of Thousand Ril. was built along the northern border area to defend against invading Khitan and Jurchi clans. When the Mongols invaded in the 13th century during the Goryeo Dynasty, people
were dispatched to develop and maintain bastions around the country. As a result, large fortresses were established in rugged mountain areas. Taking a lesson from history, the founders of the Joseon Dynasty developed their new capital, Hanyang [today's Seoul], as a traditional city citadel. Citadels were also built to protect all major inland and coastal towns. Bulwarks were constructed along the border areas of the Amnokgang and Dumangang river basins, along with Spring 2005 I Korea na
15
Shaped by historical influences, fortresses have been developed in unique ways depending on the times and circumstances. Although countless irreplaceable historical artifacts have been destroyed and forever lost, fortresses and fortress sites remain as silent witnesses to a practically forgotten past.
1 The ea rly Baekje Mongchontoseong [Earthe n Rampart] Fortress includ es a wooden palisade and a moat. 2 Namdoseokseong Fortress was built duri ng the Three Kingdoms period. A mountain str ea m was cha nn eled to provide wa ter to the fortress, wh ich includes two impressive arched bridges. 3 Ga ksa nsa nseong Fortress was built during the Goryeo per iod. From a di stance, its low- lying walls look like a lin e drawn on a mountain slope, ma king it difficult to tell that this was a fortress site. 4 Gyeon hwonsanseong Fortres s, built during the Three Kingdoms period, takes full advantage of the natural topography. Th e wa lls built atop natural roc k cliffs rea ch 4 to 5 meters in height.
citadels and ramparts being built in southern coastal areas
and location being determined by the natural topography,
as well. Barric(ldes with narrow passageways were built at
and built with various construction techniques.
strategic locations in valleys and ravines to defend against invaders.
Many fortresses are steeped in legend, most often about their creator or builder. In many instances, the story revolves around an old mother with a son and daughter
Diversity of Brilliance There are several versions of fortresses in Korea. The
I
who compete against each other. The daughter and son make a wager, in which the daughter carries stones to a
mountain fortress, which is the most unique in terms of
construction site to build a fortress while the son walks to
function and materials, was built by successive kingdoms.
Seoul and back wearing iron shoes. The loser is sentenced
Unlike the square fortresses built on the plains in China or
to death. The mother, who judges the competition , cooks
those with straight lines and right angles of the modern
savory meals to distract her daughter and help her son to
times of Japan, Korean fortresses are curved and irregu-
win. In such stories about fortresses, in which the life of one
larly shaped . They have no standard form, with their shape
competitor is at stake, the loser is always the daughter.
Mountain fortresses are generally considered maternal, but in some cases an "old man fortress" will
I
be especially imposing, making one wonder how these walls could actually protect people.
face an " old woman fortress." Each village honors a
But fortresses reflected the defensive techniques
guardian deity, and the villagers gain spiritual comfort by
available to fend off the offensives of invaders. The funda-
¡ holding rites to the tutelary deity. As Korean fortresses
mental strengths of Korean fortresses are rooted in the
are often built on high mountain slopes, they can look
land. Using natural topography to the best possible advan-
like a halo around a person 's head. They are also called
tage, Korean mountain fortresses forced the enemy to
sirume, which is a combination of siru, meaning steamer, and me; meaning mountain. Traditional rice cakes
expend much time and energy to scale mountain slopes. And when the enemy did arrive, it was possible for the peo-
are prepared in a steamer placed over a cau_ldron. To
ple to defend themselves by simply hurling stones at the
prevent the steam from escaping , the gap betwe:en the
invaders. As such, Koreans built fortress walls that caused
steamer and the cauldron would be covered with rice
minimal damage to the natural environment.
dough, which is said to bring an image of a mountain
Fortress excavations show the use of highly advanced
fortress to mind. Fortresses deep in the valleys of high
engineering techniques to complement the natural sur-
mountain areas were called iron-guard fortresses.
roundings. For example, Samnyeonsanseong, built in 470, features walls 20 meters high and 12 meters wide. The
Storehouses of History
stones are dressed like shingles and stacked in 1DO-piece
Korean fortresses have irregular walls that follow the
layers. Such formidable walls were enough to make an
mountain ridgelines. From a distance, little more than a
enemy give up any plans of an attempted assault.
thin line can be readily seen, making it difficult to discern
Fortresses were also situated on steep cliffs, much like an
the existence of a wall. By capitalizing on the natural
eagle's nest atop a rocky peak. But most Joseon Dynasty
topography, winding walls were built along the ridgelines
fortresses were destroyed during the frequent Japanese
and cliffs to create a fortress with superior defensive capa-
invasions, with only their gates still remaining .
bility, without the need for additional measures. Because a
Korean fortresses, built of layer upon layer of stone
stream would flow within the fortress, a large number of
that have withstood the test of time, perhaps look their
people could be safeguarded inside the walls for a long
grandest when covered with a blanket of snow. Within the
period of time. And because fortresses were built on such
walls, the spirit and history of the Korean people live on.
rugged terrain with sluice gates built over streams, there
The brilliance of Korean fortresses is the brilliance of
was no need to build a separate gatehouse to secure the
Korean culture. It is a subtle magnificence, quiet and
water inflow. The walls were made by piling up stones and
resilient, which embodies the work ethic and wisdom of
then filLing in the gaps of the interior surface with rubble
the Korean people. Because fortresses were the last line
and earth. The remains of fortresses can be seen today as
of protection, they have been sustained by countless
mounds of stones scattered about a mountain slope. From
unseen sweat and tears. 1>t
their physical appearance, the fortresses did not seem to Spring 2005 I Ko reana 17
¡ ~
techniques in building the fortress walls. As such, thanks
military systems far larger and more organized than exist-
to their strategic locations and construction innovations,
ing nations or groups, which fundamentally altered the
Goguryeo mountain fortresses occupy a special place in
face of warfare on the Korean peninsula. Not only did war
the history of Korean construction.
become routine, but as large-scale battles increased,
The Baekje Kingdom (18 B.C.-A.D. 660] also built
which required the mobili?ation of ever-greater numbers
many mountain fortresses, including Masuseong Fortress
of troops, the defensive facilities needed to be reinforced
and Byeongsanchaek Palisades in 11 B.C. during King
and expanded in various ways. More fortresses were built
Onjo' s reign. Initially, Baekje focused on the construction of
at this time than in any other period of Korean history.
fortresses along the Hangang River, then after relocation
Many mountain fortresses were constructed, particularly
of its capital to Ungjin and later Sabi, it built additional
at strategic locations of each area and along frontier
fortresses in these areas.
regions on the borders of the individual kingdoms .
Various references document the Silla Kingdom's (57 B.C .-A .D. 935] construction of fortresses, such as Geumseong Fortress built in 37 B.C. nearby the capital.
Foundation of National Defense System
With the start of the Goryeo Dynasty (918-1392], the
Wolseong Fortress in Gyeongju and the wooden palisades
nation's defense system was restructured to protect the
of Dalseong Park in Daegu are the remains of early Silla
capital of Gaeseong. Over a period of about 12 years,
fortresses. Wolseong Fortress consisted of a semicircular
Goryeo built the Great Wall of a Thousand Ri, which
fortress that housed a Silla palace and auxiliary buildings.
extended from the mouth of the Amnokgang River,
As conflict between the three kingdoms of Goguryeo,
through the mountainous regions along the upper reaches
Baekje and Silla further intensified, they began to develop
of Cheongcheongang River and Daedonggang River to the
20 Koreana I Spring 2005
1 Bukhansanseong Fortress, built along the rugged ridgelines of Mt. Bukhansan during the Baekje period, was continuously maintained throughout the Goryeo and Joseon periods. 2 Although it is not known exactly when Ondalsanseong Fortress was completed, Goguryeo General Ondal supposedly had it built to defend against incursions by Silla. 3 The strategic fortress of Gapgot Heights, which overlooks Ganghwa Strait, was equipped with extensive artillery. It is also the site of a fierce battle fought in 1866, when the troops from a French fleet came ashore here.
- ~
The representative mountain fortresses of Goguryeo are scattered about today~s North Korea and portions of China. It is estimated that dozens of mountain fortresses remain in North Korea~ along with another 100 in the areas of Jilin Province and Liaoning Province of China.
east, and on to Yeongheung. Goryeo also built numerous fortresses throughout the nation. It allocated all available resources to ensure the proper maintenance and operation of mountain fortresses to defend against aggression by any outsiders. This incluped the dispatch of mountain fortress officials to oversee the fortresses. With the founding of the Joseon Dynasty (1392-191 0], it established Hanyang (modern-day Seoul] as its capital. With Ming China having consolidated its position in the north, Joseon revamped its defensive system to ¡c ounter this threat. City walls were built to protect Hanyang, while fortress facilities around the nation were renovated. King Taejong, the third ruler of Joseon, faced threats not only from Japanese marauders but also escalating tension in Northeast Asia as Ming China campaigned against the Tartars and pressured the Jurchen. Thus, he not only built mountain fortresses at strategic locations in the north, but also developed large-scale mountain fortresses in the Gyeongsang-do provinces in the southeast and Jeolla-do provinces in the southwest. Sprin g 2005 I Koreana 21
© Su h Ja i-sik
/
· ~
© Simong Photo Agency Jean Seong-yeong
From the time of King Sejong (r. 1418-1450]. however,
just how many Goguryeo mountain fortresses remain in
extensive town walls were established such that the defen-
China . There are dozens in North Korea, including Pyeong-
sive system centered on mountain fortresses began to
yang "s Daeseongsanseong Fortress and Baengmasan-
decline, which led to their neglect and deterioration .
seong Fortress.
In fact, by the mid-16th century, only about 41 moun-
Daeseongsanseong Fortress on Mt. Daeseongsan
tain fortresses remained operational nationwide. Although
(height: 270 meters) nearby the city of Pyeongyang, North
the city walls were built on flatlands, they differed from
Korea extends about 7 kilometers in length. Upon its con-
conventional flatland fortresses, like those seen in China
struction during the middle of the third century, it b·ecame
or Japan. In particular, they reflected efforts to adapt the
highly significant, both politically and militarily, when the
advantages of mountain fortresses, in terms of observing
capital was relocated to Pyeongyang in 427. The fortress
enemy movement, defending against invaders, an·d requir-
collapsed after the reign of Goguryeo, but remnants of the
ing limited resources, to the design of flatland fortress.
fortress gate, reservoir, food storage facilities, barracks,
In the late Joseon period, the nation suffered through
and armories still remain . Anhakgung Palace, located to
such devastating onslaughts as the Japanese Invasions of
the south of Daeseongsanseong Fortress, was housed
1592-1598 and the Manchu Invasions of 1636-1637, that it
within a royal palace fortress that encompassed a length
became necessary to critically reassess the existing defen-
of about 2.5 kilometers built on flat terrain. This arrange-
sive system. There was also active discussion of the city-
ment of fortress facilities of Pyeongyang was modeled
wall defense system, as well as the maintenance of
after Gungnaeseong Fortress of the former capital area .
fortresses in the border regions . In this regard,
Baengmasanseong_Fortress is located on Mt.
Namhansanseong, Bukhansanseong, and Tangchundae-
Baengmasan (height: 410 meters) in Pyeonganbuk-do
seong mountain fortresses, as well as Suwon"s Hwaseong,
province, North Korea . It was first built during the
were either reconstructed or reinforced . Bukhansanseong
Goguryeo period but was continuously maintained and
was built as an emergency safe haven when the govern-
operated through the Joseon period. It consists of a 2.6-
ment, including the king , might not have enough time to
kilometer-long inner wall and 2.4-kilometer-long outer
retreat to Ganghwado Island or areas south of the
wall, both about 6 meters in height. The inner and outer
Hangang River in the event of a crisis. As turmoil height-
walls both included four arched gates. The fortress was
ened in the 19th century amid the aggression of Western
situated at an especially strategic location on the border
powers, mountain fortresses in coastal areas, including
with China where the Korean peninsula connects with the
Ganghwado Island, were renovated.
Asian continent. In particular, it provided a clear view in all directions and thus was ideal for observing enemy move-
Goguryeo Fortresses in North Korea and China
Of the numerous mountain fortresses built by
ments and cutting off routes of retreat. Qing armies attacked the fortress but were unable to capture it.
Goguryeo, various remains can be found scattered about
As for Goguryeo mountain fortresses in present-day
North Korea and northeast China. However, it is not known
China, some 100 fortresses can be found in the areas of
22 Ko reana I Spring 2005
Joryeong Gwanmunseong Fortress, which wa s built during the Joseon period, consists of three gates running across the mountain valley from south to north, and each gate has defensive walls on either side. 2 A reservoir, with a terraced embankment, remains in place from the Gongsanseong Fortress built during the Baekje period. 3 Onyeosanseong Fortress is said to be the first fortress built by Goguryeo founder King Dongmyeong upon the founding of his nation.
Prominent Mountain Fortresses in Korea Ondalsanseong Fortress This stone mountain fortress on Mt. Seongsan in Yeongchunmyeon, Danyang-gun, Chungcheongbuk-do province included a perimeter of 682 meters. It is not known exactly when it was constructed, but it is believed to have been built by Goguryeo General
Jilin Province and Liaoning Province. However, it is
Ondal [?-590] to defend against Silla troops. In light of the various
believed that a much greater number was actually built in
legends and place names of neighboring areas, as well as the
China by Goguryeo. Representative Guguryeo mountain fortresses include Onyeosanseong Fortress in Huanren, ¡ Sanseongjasanseong Fortress, Bonghwansanseong
Goguryeo and then captured and reconstructed by Silla.
Gongju Gongsanseong Fortress
Fortress, and Yeonjuseong Fortress, all of which are famil-
Located in the area of Sanseong-dong, Gongju, Chungcheongnam-
iar to South Koreans.
do province, this was the fortress that Baekje built to protect its
Onyeosanseong Fortress is said to be the first fortress
capital of Ungjin . It was built by ancient Baekje and maintain'ed
built by Goguryeo founder King Dongmyeong after the
through the Joseon period. The fortress perimeter is 2,200 meters
founding of his nation . A monument to King Gwanggaeto
in length, approximately 1,810 meters made with stone and the
cites that he "built a fortress and founded a city on the /
existing remains, it appears that the fortress was originally built by
mountain west of Holbon in Biryugok Valley," while Sa.m guksagi {History of the Three Kingdoms} also includes
remaining 390 meters with earth. It is known that the earthen section was built during the Baekje period. The reservoir, with its rectangular terraced embankment, is the most prominent of the remains of Gongsanseong Fortress.
references to the fortress. Onyeosanseong Fortress was built on a vast plateau, measuring 1,000 meters north to
Joryeong Gwanmunseong Fortress
south and 300 meters east to west, high up the cliffs of Mt.
Located in Mungyeong-eup, Mungyeong, Gyeongsangbuk-do
Onyeosan [height: 820 meters!. Even at this high elevation, water was relatively plentiful, while precipitous cliffs on three sides provided a natural deterrence against invaders. Yeonjuseong Fortress was known as Baegamseong Fortress during the Goguryeo period. It was built on a
province, this fortress built during the Joseon period consisted of three gates, positioned from south to north, each with defensive walls on either side. The gates are situated along the valley leading from Mt. Juheulsan [height: 1,106 meters] in Mungyeong westward to Chungju and Goesan. With no other possible passageways, this route could be defended with relative ease.
mountain slope along the Taizihe River, with a sheer cliff on its east side facing the river. It is the most representa-
Bukhansanseong Fortress
tive example of Goguryeo's advanced fortress construction
This fortress is located on Mt. Bukhansan, on the border between
techniques, as highlighted by its massive fortress walls
Seoul and Goyang, Gyeonggi-do province. It was built during the
and the magnificence of its elaborately constructed bas-
Baekje period and continuously maintained throughout the Goguryeo and Joseon periods. It is approximately 8.4 kilometers in
tions. A fierce battle was fought here when Tang China
length, and fully exploits the natural topography, such that fortress
invaded Goguryeo in 645. After emerging victorious, the
walls were built up higher in low-lying areas and lower in areas of
Tang king pressed on to Ansiseong Fortress, but Goguryeo
rugged terrain, where a breach was less likely. The fortress fea-
troops r:-esisted the siege for three months and eventually
tured a central area, three main gates, 10 secondary gates, a tem-
fended off the Tang forces.
1.1.'1
porary palace, command platform, storehouses, 99 wells, and 26 reservoirs.
Spring 2005 I Korea na 23
/
¡T
he mention of "fortress" can bring to mind images
comprised of the magistrate"s office [dongheonl, his pri-
associated with walls and gates, soldiers, weapons,
vate residence [naeal, a guesthouse for visiting officials
and fierce combat. This is certainly the case for mountain
[gaeksal, buildings where the government officials worked,
fortresses, where no regular residents lived. However, the
and other facilities, such as warehouses and a jailhouse.
most common defensive ramparts in Korea were t own
The guesthouse consisted of a large hall with a wooden
walls. Still, rather than wa rfare-related installations, they
floor flanked by two rooms equipped with ondol under-
were more intended to create protected areas where peo-
floor heating and a main gpte with three doors. The guest-
ple could conduct their daily life.
house was also used to maintain the royal insignia Veon-
Where Commoners and Officials Mingle
the direction of the palace, paid their respects on the first
pael, to which the magistrate and officials, while facing in
The Korean term for town walls is eupseong, which
and fifteenth day of each lunar month. Because it housed
literally means a wall [seong] built to protect a town [eup].
the royal insignia, which symbolized the king , the guest-
In fact, the Chinese character eup [@.] was derived from a
house was effectively more significant than the magis-
pictograph of a town wall. Since town walls were often
trate"s office . Provincial governors on inspection tours
built along mountain ridges, they included countless twists
used the guesthouse as temporary accommodations as
and turns in order to conform to the natural topography.
well as a venue to host special events and preside over
Gates were built at strategic points, while a road running
local examinations. On occasion, the inspector officials
through the town area usually connected the western and
would get together with local scholars for poetry sessions,
eastern gates. The northern section of the town would typi-
with the most outstanding works composed during such
cally house the government buildings, with the southern
events being displayed on the outside walls of the guest-
section being occupied by a market area and residences.
house.
The compound of government buildings would be 26 Ko reana I Spring 2005
Market days were an opportunity for town residents to
do business and socialize with others. Markets, which were located at the center of the town, were operated every fifth day, when people from with in and outside the town walls gathered to buy or s¡e ll various products. Naturally, people also came by to simply spend time with friends and acquaintances. Walled towns could not exist without wells to provide the inhabitants with adequate drinking water. Wells were needed not only to provide water for people's everyday life, but also to sustain the occupants in times of siege, providing a lifeline until relief forces arrived . Because wells were so essential, the descriptions of town walls found in local gazetteers included not only details about the height and length of the walls but also the number of wells found therein . In the case of the walled town of Nagan, Jeollanam-do, for example, it was recorded that wells were located at the center of Dongnae-ri and Namnae-ri villages, where p.eople could draw water with a gourd, and although the water level was only one meter in depth, refreshing water was always available, even in periods of drought. It was also recorded that the well at Namnae-ri was known as the main well because it was used by the magistrate.
Naga ne upseong Fortress in Jeollanam -do is an example of an early Joseon walled city built on flatlands with low hills in a rectangular configuration, running east and west. The walls a re fairly well preserved, within w hic h there a re a bout 200 curre nt residents.
The residents of Namnae-ri held a festival in honor of their well on the third day of. the first month of the lunar calendar, while the villagers in Dongnae-ri celebrated their well on the 15th day of the first month, during the first full moon of the year. These festivals were centered around sacrificial offerings to appeal for the continued supply of fresh water and good health. The wells were more than a source of needed water, serving as an ideal gathering place for neighbors to socialize. Housewives shared good news and bad, along with gossip and grousing . In this way, market areas and wells provided for the basic necessities and social needs of town residents. To construct the town walls, people from all the surrounding areas, including adjacent counties, would be mobilized . For example, to construct the town walls of Gochang in Jeollabuk-do province, most of the workers mobilized to undertake the work were male commoners Spring 2005 I Ko reana 27
With the onset of modernization, town walls, legacies of a long past era, were rapidly torn down everywhere. To accommodate the expansion of roadway networks, remaining walls were leveled, often leaving only gate structures. These long abandoned gates remain as witnesses to the evolution of town walls.
/
eligible for conscription and public-purpose labor as pre-
"wall-stamping" festival. It is believed that anyone who
scribed by law. Every county was assigned a particular
walks the full length of the walls will be assured of good
section of the walls, with areas that enjoyed a bountiful
health and a long life. The effects are said to be especially
harvest that year being required to build greater lengths.
beneficial if carried out during a leap year, when the gates
At the starting point of each section, an inscribed stone
to the afterworld would be open.
marker would be erected to recognize the responsible
According to tradition, walking around the walls once
builder. For example, an inscription would read:
would prevent disease; walking around twice would assure
"Sunchang si" or "Namwon si, " to indicate that "the people
a long life without illness; and walking around three times
of Sunchang began here" or "the people of Namwon began
would open the entryway to eternal paradise. Tradition
here." These markers served to commemorate the build-
also calls for the walkers to carry stones the size of a hand
ing process, while also holding the people of a county
on their head, which are placed in a pile after walking
responsible for faulty construction, if the walls collapsed
around the walls three times and returning to the gate
within five years. The numerous stone markers still stand-
from where they started. This custom symbolized the
ing, along the course of existing and previous town walls,
women of Gochang, who tirelessly carried stones and
are reminders of the immense. efforts that went into their
earth on their head to build the walls. The cumulative
construction.
effect of the women repeatedly stamping on the walls, with the added weight of the materials being carried, undoubt-
Town-wall Traditions
According to legend, women built Gochangeupseong Fortress. At one time, two ramparts had to be built in the
edly contributed to solidifying the structural stability. In addition, the stones
co~,Jld
be used to defend against
Japanese invaders.
region at the same time, so men built one section at
Furthermore, walking atop the 20-foot-high walls for
Seosan while women built another at Gochang. As an
hours while carrying building materials demanded
incentive, it had been decided that whichever town com-
extreme physical exertion, which would have contributed
pleted its walls first would be awarded a local magistracy.
to their good health. To this day, the custom o('stamping
Thus, the two sides competed fiercely to secure the honor.
the walls" has been preserved in Gochang and is observed
However, since the men underrated the women's capabili-
each year on the ninth day of the ninth lunar month, which
ty, they would wile away the time with drink and merri-
has been designated Gochang Citizens' Day.
ment. In contrast, the women worked ceaselessly, hauling the stones and building the walls, without taking breaks. In
Only the Gates Remain
the end , their steady efforts enabled the Gochang walls to
Since gates served as passageways into and out a
be completed first, for which the town received a magistra-
walled town, they were typically situated at the four direc-
cy office.
tions and named accordingly. Another popular method
To commemorate this legendary event, every year the
called for naming gates after the four Confucian virtues of
women of Gochang walk all along the walls as part of a
benevolence [inl, righteousness [uil. propriety [ye] and wis-
28 Koreana I Spring 2005
For more tha n 500 years si nce the prefecture office was esta blished he re in 1423 , Seo nge upseong Folk Villa ge has served as the seat of J eongui- hyeon prefect ure. The walls were built with basa lt from J eju do Is land. 2 Built durin g the Joseon pe riod, Hae mieupseong Fortress is a well-p reserved exa mple of Ko rea n city-wa ll construction. It is a fla tla nd s tonework fortress with a perimete r of 1.8 kilometers.
/
dom [jil, as in Heunginjimun [Foster Benevolence Gate], Sungnyemun [Namdaemun or South Gate) is the representative gate of the Seoul city wall system. During the modernization of Korea, most city walls were torn down, but a number of gates still remain. 2 Much of the Seoul city walls built on flatlands has since been removed to make room for new roadways. However, various sections have been maintained or restored. 3 Remains of Tangchundaeseong Fortress, which was built to Link the Seoul city wall system to Bukhansanseong Fortress. After the Joseon period fortress collapsed, another fortress was built on the site. 4 Doseongsamgunmunbungyejido is a map that indicates the areas guarded by the troops who defended Seoul within the city walls. The city walls form a perimeter that follows the mountains that surround Seoul. 1751, woodblock print, property of Sungshin Women's University Museum.
Donuimun [Assure Righteousness Gate], Sungnyemun [Revere Propriety Gate], and Hongjimun [Broaden Wisdom Gate]. A second-level gate-pavilion was built on top of a gate structure, which for walled towns located in a military or border area would be utilized as a garrison. Since gates were intended to defend an entryway, terms such as "guarding" or "protecting" were often part of their¡ names, as in Jinnamnu [Guarding the South Gate-Pavilion] or Suseongnu [Protecting the Fortress Gate-Pavilion]. When under siege, the gate-pavilions would serve as command posts for the deployment of troops. In ordinary times, the local governor would preside over public events from a gate-pavilion, but it was also a place where officials and citizens could mingle socially. When a provincial governor would visit a county on an inspection tour, he reviewed the county's financial accounts and relevant documents to assess the state of local affairs. However, fin~g
out how the county was far-
ing was simply a matter of climbing up to a gate-pavilion. Since all buildings at the time were one-story in height, it was possible to observe the entire town at a glance from a gate-pavilion. Thus, after surveying the state of residences and daily life, ferry crossings and bridges, roadways and rice paddies, water reservoirs and forest areas, he could discuss any pending matters with the county magistrate. Although many town walls were removed when road networks were expanded at the onset of Korea's modernization period, many of the town gates were maintained. These gates became reference points for the naming of wards based on an area's location of inside or outside the walls, or inside or outside a gate. For cities with heavy traffic, in which gate structures have been preserved, rather than passing through the gates, traffic would be diverted
/
around them along newly built roads. As can be seen in the
unavailable within the town walls, but by building their
most renowned city gates in Korea, Seoul's Sungnyemun
homes outside the walls they could avoid unnecessary
[Namdaemunl. National Treasure No. 1, and Heunginji-
conflict with the magistrate.
mun [Dongdaemunl. Treasure No. 1, these are two exam-
At the entrance to walled towns, you can often find
ples of the impressive architectural monuments that sig-
"good-government" monuments [seonjeongbil. These
nificant gates represented.
commemorative markers w.ere erected by residents to
As the capital city, Seoul was home to many large
recognize the capable leadership of a local magistrate. If a
tiled-roof residences of government officials, as is evident
mag istrate was deemed to have governed well, at the con-
from photos of the late Joseon period. On the other hand,
clusion of his tenure the town residents would inscribe his
in most walled towns in the countryside, apart from gov-
name and deeds on such a monument. These monuments
ernment buildings, there was a prevalence of thatch-
were found alongside well-traveled roads near town gates
roofed structures. Members of the yangban [noble] class
or nearby the magistracy office, where they would be high-
often possessed considerable land holdings, so they pre-
ly visible. In the majority of cases, these monuments were
ferred to live outside the walls, on their personal estates in
indeed erected by grateful townspeople; however, there
clan villages. There they built large-scale mansions with
are also instances in which departing magistrates mandat-
tiled roofs that were constructed in accordance with geo-
ed such recognition. These good-government monuments,
mantic principles, such as on a sunny site with a mountain
too often erected from the toil of the area 's poorest people,
to the rear and a stream in front. They were surrounded by
stand as symbols of the vicissitudes of life in those days. t>t
the houses of relatives, while the thatch-roofed buildings of their tenants were located outside the clan village. Not only were auspicious sites with a desirable view generally Spring 2005 I Koreana 31
FOCUS
Germany Presents Korea Year 2005 The Korea-Germany Joint Cultural Commission has designated 2005 as "Korea Year." As such, a series of events and activities will be conducted all across Germany throughout the year to introduce Korean culture to the German people. Kwon Young· mm o<or, ·•n AmiJass 1dor tu Ger nary
orea has been selected as the focus country for the
sented throughout Germany. The Asia-Pacific-Weeks
Asia-Pacific-Weeks Berlin, being held in September
Berlin and the Frankfurt Book Fair are the most prominent
2005, as well as the Guest of Honor at the Frankfurt Book
events of their kind in Germany, so being honored by both
Fair, which is scheduled to kick off in October. To build on
in the same year is indeed a unique distinction. To maxi-
this exposure, it was decided that 2005 would be ""Korea
mize th is opportunity, throughout the year a diverse range
Year:· during which a wide variety of events will be pre-
of events will be held across Germany to provide residents
K
34 Koreana I Spring 2005
- - - - - - - - - - - - - - -- - - - - ,....,.."'e""'o::-:p"'" en"'m ""g'"'c""e"' re"" m"=o"" ny.,..,f¡== or"'t"' ne'"'A "'s::-:: la""' - ' -= a ~ c 1 .f1c -ee s erl1n wi!llie e a o n zertn :;- a ~ us ~ . 2 A poster for the Korean fil m festival to be held at the German Historical Museum 3 During the Asia-Pacific-Weeks Berlin , there will be an exhibition and international symposium on Gog uryeo tomb murals , jointly orga nized by the Korea Foundation and Freie Universitat Berlin. 4 During the ninth Korea-Germany Joint Cultural Commission meeting, which was held in Berlin on September 22, 2004, the representatives of the two governments officially declared 2005 as "Korea Year."
¡ with a comprehensive introduction to Korea's culture and
investment, it is imperative for accurate information about
people. The objectives of the "Korea Year" events are to
Korea to be widely disseminated so that our national
broaden awareness of Korea among the German people
image can be bolstered.
and to boost Korea's image so as to further promote Korea-Germany cooperation.
Korea-Germany Cultural Exchanges
During the ninth Korean-German Joint Cultural Enhancing Korea's Global Image /
Commission meet i ng , which was held in Berlin on
Following the conclusion of the Treaty of Friendship,
September 22, 2004, representatives of both governments
Commerce and Navigation between Korea and Germany in
officially declared 2005 as "Korea Year," along with pledg-
1883, mutual understanding and trust have been main-
ing their respective government support for this initiative
tained as a result of steady exchanges. Of particular note,
to assure its success. Even before the official announce-
due to their shared historical experiences of economic
ment, the German film distributor 3L had imported ten
success despite national division, the two countries have
Korean movies, including Old Boy, Taegukgi: Brotherhood
developed a particular affinity for each other.
of War, and Silmido. After thei r translation and dubbing
Despite these longstanding historical relations,
into German, one film has
b~
en
shown each month at 150
Germans in general know comparatively little about
theaters in 71 German cities, since September 2004. In
Korean culture and society. The reality is that, to most
November 2004, a touring festival of classical and modern
Germans, Korea is mainly associated with negative
Korean music staged some 20 performances in four
images, such as the Korean War, North-South division,
German cities. Accordingly, these events provided a pre-
labor conflicts, or the North Korean nuclear controversy.
lude to the launch of "Korea Year" in 2005.
Although the successful hosting of the 2002 FIFA World
In January 2005, Gyeonggi-do province and the Korea
Cup served to portray Korea in a positive light, thanks to
National Tourism Organization joined hands to coordinate
the passionate exuberance and orderliness of its people,
Korea's participation as guest country in the international
the image of Korea is often not especially favorable .
caravan convention CMT 2005 [lnternationale Ausstellung
With such relatively negative images about Korea
fU r Caravan, Motor, Touristikl. In addition, Gyeonggi-do
being S!J prevalent among Germany's general public, this
province teamed up with Baden WUrttemberg to conduct
serves as a stumbling block to closer bilateral relations. It
an export promotion conference and a " Korean Economy
was thus against this backdrop that 2005 has been desig-
Day." In February, the Berlin Film Festival spotlighted on
nated " Korea Year." In order to advance tangible coopera-
Korea 's film industry with a retrospective of lm Kwon-
tion between the two countries in such areas as trade and
tae k' s films, while Seoul National University and Spring 2005
I Koreana 35
-
Mannheim University of Music and Performing Arts will present a joint concert in April. Moreover, the Korea Institute of Industrial Technology and the Fraunhofer Gesellschaft are organizing a Technomart Caravan that is scheduled to tour Dresden and other German cities in April and May. To celebrate the 200th anniversary of Ferdinand Schiller's death, several German institutions are working together to organize commemorative events that will be held in Weimar in May. A Korean festival is planned for the same month as part of the celebration of the 816th anniversary of the opening of Hamburg harbor. In June, three Korean naval cruisers will take part in the Kieler Woche, calling on Hamburg and other German ports and accompanied by various cultural events at each stopover. The computer and telecommunications fair Cebit, which will take place in Hannover in May, and IFA, the world's largest consumer electronics fair, slated for September in Berlin, will provide ideal opportunities for Korean enterprises to heighten their market presence and develop strategic alliances with Germany's high-technology sector, thereby boosting industrial exchanges between the two countries. Finally, in September and October, a Korean military band will embark on a month-long tour of several German cities to perform traditional folk music as well as contemporary works. Diverse Cultural Events
The crowning events of "Korea Year" will take place during the Asia-Pacific-Weeks in Berlin (September) and 36 Koreana I Sprin g 2005
the Frankfurt Book Fair (October). The Asia-Pacific-Weeks Berlin, a biennial event, provides the focus country with a unique opportunity to showcase its cultural heritage through the staging of more than 100 events in the German capital. The opening ceremon y, which will take place on September 19, 2005 at the Berlin Konzerthaus, will include the attendance of the German president and more than 1,000 prominent guests from Ge rmany's political, financial, cultural, and media sectors, as well as numerous foreign representatives. During this gala event, the focus country will be able to present the best of its classical and modern cultural resources. Moreover, to complement the festiviti es being held at the Konzerthaus, a variety of folk and popular music will be performed by a military band and a percussion troupe right outside the venue to provide a vivid taste of the richness of Korean culture to the German people and the local media . Following the grand opening, Korean Fantasy by the National Theater of Korea and related cultural events will be staged in Berlin and other German cities, including Dusseldorf. The Asia-Pacific-Weeks event will also feature an exhibition and international symposium on the Goguryeo tomb mural paintings that is being jointly organized by the Korea Foundation and Freie Universitat Berlin. Other scheduled events include the opening ceremony of a garden developed by the city of Seoul in conjunction with the Marzahn district of Berlin, a performance by the Seoul Metropolitan Traditional Music Orchestra, and photo exhib it io n s h ig h l ig h t i n g t h e h is to ry of S eo u l a n d t h e
Motoring, and Tourism] 4 As the designated guest of honor country at the Frankfurt Book Fair, Korea intends to make known its standing as the world's seventh-largest publisher and to present the translations of 100 notable Korean literary works.
Book Fair in March and end in September, to introduce the little-known excellence of Korean literature through book readings and academic seminars. It will also provide a valuable opportunity to show how Korea's traditiona[ culture has been adapted to the dynamism and advanced technology of its modern-day society. In conjunction with the 200th anniversary of Ferdinand Schiller's death, Ahn Sook-hee's piano recital and "Korea
.I
Film Week" will be held in Berlin and Weimer in May, respectively, in cooperation with related German organizations. In November 2005, the Korea-Germany Science and ¡ ~
Cheonggyecheon Stream restoration project, which are
Technology Commission , formed in 2003, will hold its third
intended to strengthen the cooperative relationship
conference, during which special efforts will be put forth to
between Seoul and Berlin. Meanwhile, Korea's Ministry of
reinforce Korean-German cooperation in the fields of sci-
the Environment and the Korea International Cooperation
ence and technology, based on the positive momentum
Agency, along with Germany's Society for Technology
created by the "Korea Year" activities.
Cooperation [GTZ], have organized a series of economic
Of particular significance, by taking advantage of the
and trade conferences on bilateral cooperation in the envi-
"Korea Year" that officially got underway on Jan_uary 1,
ronmental and academic fields, as well as large-scale
2005, and the advanced-nation recognition extended by
exchange activities for business people from Korea and
Germany, Korea can promote among the German people
Germany.
an image of the earnest and refined nature of Koreans as
As the world's biggest book exhibition, the Frankfurt
the "white-clad people of the East." It is expected that a
Book Fair also organizes a wide variety of supplemental
solid foundation of cultural understanding will be capable
cultural events in living up to its nickname of a Cultural
of supporting more cooperative relations in such endeav-
Olympics. As the guest of honor, Korea is slated to present
ors as business, science, and academia. t>t
the translations of 100 Korean masterpieces and demonstrate its standing as one of the world's top-seven publishing countries. Also, ten Korean masterpieces have been selected for a road tour, which will start at the Leipzig Spring 2005 I Koreana 37
38 Koreana I Spring 2005
Kim Seok-chul Urban Architect with Designs on the Future
/
Kim Seok-chul is a well-respected name in Korean architecture. With the knowledge accumulated from his 30 years of urban planning experience, he is now building a foundation for one of his most ambitious development projects: a Yellow Sea Urban community anchored by Qufu Aquacity of China and iCity lncheon of Korea. lee Sang-hae Professor of Architecture, Sungkyun kwa n Unive rsity
T
he architecture of East Asia is designed to bring peo-
can be seen in all of his major projects over the past 30
ple closer to nature, the basis of the land. Underlying
years, including the Seoul Yeouido master plan proposal in
this architecture is an ideology of unity between the uni-
1972, the design of the Seoul Arts Center in 1988, and his
verse and humanity, which serves as a philosophical foun-
most recent efforts related to Qufu Aquacity and iCity
dation of the spiritual lives of East Asians . For the people of
lncheon.
East Asia, this paramount ideology prescribes that humans and nature should exist as one, in line with an integration
Building a Yellow Sea Urban Community
and interaction between the cosmos and all living things.
"The plans for Qufu Aquacity and iCity lncheon were
As such, it is possible for humanity and nature to attain a
conceived as part of a design workshop conducted at
state of being two separate parts of one whole at the same
Tsinghua Un iversity in China with Professor Wu Liangyong.
time. Based on this way of thinking, East Asian architec-
The concept for the project is based on the fact that China,
ture is inherently organic and cannot be separated from
Korea and Japan are East Asian countries in wh ich
nature. Moreover, architecture is not thought of as a
Chinese characters are used and their cultures and civi-
mechanism for the comfort of people but rather for
lizations are rooted in Confucianism, " said Kim .
arousal of their spiritual awareness.
The area encompassing the east coast of China, the
Architect Kim Seok-chul contemplates deeply about
Bohai Gulf, and the Yellow Sea is where active trade has
the relationship between humans and nature. He plans
long been conducted between China , Korea, and Japan .
and shapes the everyday l ife of people of the future
This area has also facilitated exchanges that led to the
through the thoughtful design of buildings and cities, as
development of a common culture and civilization among Spring 2005 I Koreana 39
The architect Kim Seok-chul constantly reflects upon on how the future of people can be shaped by architectural influences. His new design paradigm for urban planning seeks to unify the city and the architecture, as well as the infrastructure and the urban co ntext.
2
3
4
5
iC ity inclu des an Aqua polis ellipse island with 300 hectares of land area that is lin ked to In ch eon Internation al Airport [hu b airport of the Yellow Sea) by a 12.3- kilom eter bri dge. iCity ln cheo n project w ill transform t he existing straight- lin e seawa ll into an oval shape alo ng the seawa rd sid e of Songdo Free Economic Zo ne and create a new area of land therein. iCity"s Space Ma tr ix will integ rate the seawa ll, urban infrastructure, and urba n su perstructure with a city in wh ich civil enginee rin g, ur ba n infrastru cture, and building architectur e are all digita lized. Qufu Aqua city plans ca ll for efforts to restore and preserve Qufu as a cultural and histori ca l city, w hile at th e sa me tim e present in g a 21st cent ury vision for the city. Qufu Aquac ity incorporates the pr incip les of the five basic elements [metal, wood, fir e, water and earth) from which all life ari ses.
the three countries. The port city of Qufu is said to be a spiritual center of East Asia due to its being the birthplace of Confucius, the founder of Confucianism . Like an Athens or Jerusalem of the East, Qufu is unquestionably the spiritual Mecca of the Yellow Sea coastal region . Also of note, Qufu is located along the routes to China's two best-known modern cities, Beijing and Shanghai. "Qufu Aquacity and iCity lncheon are part of plans to build a symbolic community that confirms the historical and cultural homogeneity of China and Korea. It started from the idea of creating a central point for a new 21st century order of East Asia . The Qufu Aquacity plans entail
40
Ko reana I Spring 2005
preservation of the existing city, located north of the Yihe
New Urban Design Paradigm
River, as a historical area, and development of a new city,
The iCity lncheon project will convert the e¡xisting
south of the Yihe River, which would serve as a symbolic
straight-line seawall into an oval shape along the seaward
anchor of the envisioned Yellow Sea community. lncheon
side of the Songdo Free Economic Zone and create a new
International Airport in Korea will serve as the central air-
land area within the oval seawall. Under a conventional
port for this community, and iCity lncheon its central sea-
urban development process, the land is first prepared,
port, thereby connecting lncheon in Korea with Liaoning
then infrastructure is installed, and the buildings are
Province and Shandong Province in China: ¡ explained Kim.
designed and constructed. However, under Kim's innova-
As such, Kim's proposal calls for Qufu Aquacity and
tive approach, new land will be created that complements
iCity lncheon to serve as cornerstones for linking China's
existing infrastructure, thus assuring a seamless integra-
Shandong and Liaoning provinces with Korea's Yellow Sea
tion of urban space and infrastructure. In this way, the
coastal area, in order to form an economic community.
unique development concept for this project is clearly conSpring 2005 I Ko reana 41
trary to mainstream principles of modern architecture, as manifested in Kim 's new urban design parad igm that seeks to create a oneness between the city and the architecture, as well as the urban context and the infrastructure . For example, the iCity lncheon project calls for a bridge, which is currently part of the seawall, to be integrated with the city's infrastructure so as to create a new urban space. Qufu is a cultural and historical city founded more than 3,000 years ago. It is the birthplace of Confucius and his Confucianism, which forms the essence of the ideology and spi r ituality of East Asia. The Qufu Aquacity plans call for efforts to restore and preserve Qufu as a cultural and historical city, while at the same time presenting a 21st century vision for the city. Qufu will not only be featured as a vital cornerstone of the Yellow Sea community but also a center of Confucian culture and feng shui, a people-friendly city, and where China 's cultural richness can be appreciated, based on a principle of sustainable development that can address the common problems of modern cities. 'We plan to build city walls along a diameter of 2.5 ki lometers south of the Yihe River, and develop a specialized transportation system, which links the city inside the walls with the high-speed rail system. Qufu Aquacity incorporates the principles of the five basic elements (metal, wood, fire, water and earth). from which all life ar ises. Water from north of Qufu will be channeled into the city where it will circulate throughout the urban area before ¡ ~
flowing out to the sea. In addition, solar cells installed on the surrounding walls will be a renewable energy source for the city, as a reflection of the efforts to design a peoplecentered city free from pollution, " noted Kim. The Qufu Aquacity and iCity lncheon development project was entered in the ninth Venice Architecture Biennale held in 2004 as part of "Cities on Water" exhibition. The event judges praised the project as an innovative effort based on trans-border cooperation between the cities of lncheon, Korea and Qufu, China . The project, as a representative model of progressive urban development of a city with a historical and contemporary structure and highlighting the use of water, received an honorable mention at the Bienrale. Convergence of People and Nature
Kim is also working on an urban renewal project for 42 Koreana I Spring 2005
Jeju Shinyoung Cinema Museum of Moving Images takes on an organic form shaped by free-flowing curves but with a geometrical theme. 2 The cityscape viewed from a restaurant in the multiplex CineCity. The city seems to be drawn into the 15-story structure through its round windows. 3 The office building of Changbi Publishers is an example of a building that can be blended into the city and the city into the building.
Spring 2005 I Koreana 43
1 The Seoul Arts Ce nter is a world-cla ss artistic and cultu ral space that includes the Opera House , Music Hall, Art Museum, and Outdoor Theater. 2, 3 The Hanssem Design Center offers a modern interpretation of a tPaditional Korean house.
the Bukchon area of Seoul, which was a prominent resi-
"Cities in the 20th century were not friendly to people.
dential area during the Joseon Dynasty. The project is
By focusing on function an.d efficiency, modern cities of the
intended to transform the traditional tile-roof houses,
20th century are turning out to be failures. Cities of the
hanok, into new urban spaces for the modern city. Kim is
21st century must not follow in these footsteps. The cities
thus seeking to reinterpret Bukchon alley, which runs
of rapidly developing countries in particular must not copy
between the ancient palaces of Gyeongbokgung and
the failed cities of the 20th century," says Kim . Current
Changdeokgung, while exploring ways to design it anew.
projects expressing Kim's ideas and thoughts about urban
He has already completed several individual developments
design include the new Qufu city project and redevelop-
that integrate Bukchon's historical context with the mod-
ment of the city structure of Chongqing, China, which is
ern-day Seoul, including Hanssem Design Center-Design
now underway.
beyond East and West, the office of his architectural firm
Ceaseless expansion of production in the pursuit of
Archiban, which was created from two remodeled hanok,
profit leads to unrestrained consumption that contributes
and the office of Changbi Publishers. These projects are
to environmental pollution and ecological degradation. To
examples of how a building can be blended into the city
ensure that this destructive cycle is not maintained in the
and the city into the building . This same concept can be
21st century, it is necessary for people to contemplate
seen in the Jeju Shinyoung Cinema Museum and the
about humanity and our natural environment. In the 21st
Hanssem Sihwa factory, which Kim also designed.
century, we need to restore the culture and civilization of
44 Korea na I Spring 2005
mankind, which had been relegated to the sidelines in the 20th century, to its rightful standing. The East Asian view of "
nature, which sees humans and nature, and all things in the universe, as belonging to a single oneness, must be revived, so as to transcend the creation of people-centered cities. Based on Kim"s urban design solutions, the 21st century should emphasize the oneness of material and spiritual existence and respect the web of relationships between all things, amid a world in which coexistence and symbiosis are possible, and an age when egotism is rejected . Kim seeks to usher in an age in which all regions and all places on earth are their own center, along with the uniqueness of all existence being valued. bt
Jang Ju-won's Lifelong Passion and Dedication to Jadecraft People have long admired the alluring elegance and delicate color of jade. The artisan Jang Ju-won infuses life into his masterful creations of jade, which has always been revered as a treasure of the Orient. In his masterpieces, Jang's lifelong passion and dedication to jadecraft are readily evident. Ryu Min Freelance Writer Oh Jong-eun Photographer
46 Korea na I Spri ng 2005
U
nlike gold, which was highly sought by people from both the East and West, jade is more closely associ-
ated with the Orient where it is treasu red by the peoples of Asia. Jade's translucency and lustrous glow are a constant source of fascination to beholders, which does not diminish over time. Moreover, the nature of jade is sa id to be consistent with the impeccable character virtues ascribed to the traditional Confucian scholar [seonb1l.
Destiny with Jade Master craftsman Jang Ju-won, who has been designated Important Intangible Cultural Heritage No. 100, has used his accumulated expertise and adroit craftsmanship to create a number of truly exquisite works of jadecraft. His jade works have received rave reviews, with some say. ing that the refinement of Jang's techniques and his artistic expressions surpass anything seen in the traditions of Korea and China , which have long been regarded as the undisputed masters of jadecraft. "The long history of Korean jadecraft is evidenced by the discovery of a Neolithic jadecraft site along the Namgang River basin in Gyeongju. From the Three /
Mt. Bongnaesan-shaped Incense Burner !white jade. 200 x 260 x 700mm) : The body of the incense burner. the dragon with a cintamani in its mouth. and the link chains have all been carved from a single piece of jade .
Kingdoms period through the Joseon Dynasty, jade accessories were known to be popular among upper-class women. Although Korea appears to have lagged behind China in terms of craftsmanship during that period, such is no longer the case . I am proud of the uniquely Korean
¡ ~
crafting techniques which have been developed , and to be able to say that Korea is the preeminent creator of jadecraft today." Born in Mokpo, Jeollanam-do in 1937, Jang has come to devote most of his adult life to jadecraft, with both Jang and his family conceding that his love affair with jade is indeed all-consuming . After working with jade for some 43 years, what is it about jade and jadecraft that have so enamored Jang all this while? "Jade has accepted my challenges without any reservations. Whether I carve thinly or inlay deeply, the jade follows my lead. Its serene elegance is what appeals to me." If the brilliance of a diamond makes it a gem of sunlight, then the subtle and dignified charm of jade would make it. a gem of moonlight. Jang, whose first meaningful contact w ith jade occurred when he was 20 years old, confessed that his fascination with jade was so profound that he felt as if he had been subsumed by moonlight. By this time, Jang had already earned a reputation as a skilled Spring 2005 I Koreana 47
craftsman of fine jewelry in the Jongno area of Seoul. One day, someone who had heard about Jang visited his shop and asked him to restore a broken jade incense burner. Jang clearly recalls being suddenly overcome by a heavy burden and thinking: "How and where do I start with this?" Thereafter, Jang quickly became preoccupied with jadecraft. As he soon realized that there was no one available to teach him about jadecraft, he took it upon himself to learn as much as he could on his own, which involved his traveling to about 100 countries, including Taiwan. Following Korea's establishment of diplomatic relations with China, Jang visited the Chinese mainland more frequently. In fact, whenever he was overcome with a sense of burden or felt a need to take a break from the work in his studio, he would visit Taiwan or China to view the jade arts and crafts· on display at various museums. When he was satisfied that his batteries were recharged with fresh inspiration, he would return home. Whenever Jang was possessed by a creative vision, he would remain in his workshop, without regard for the time of day or night, while not bothering to sleep, so as not to disrupt his artistic passion. Typically, he would work while wearing only a short-sleeve shirt in his unheated studio in order to help 1 Phoenix Incense Burner (white jade, 150 x 150 x 220mml: Today. there is no one known who can match Jang Ju-won 's masterful carvmg of such exquisite deSigns on incense burners and vessels. 2 Gourd-shaped Tea Pot (green jade, 200 x 150 x 170mml: Jang Ju-won personally enjoys carving cicada designs. because he says he has learned humility from cicadas. wh1ch will spend seven years as a dormant larva to live for just one summer as an adult. · ~
fend off fatigue. Still, he never felt cold, even in the dead of winter. "The power of the human spirit is quite remarkable. People ask me why I have devoted my life to jade. I have a love for jade. I have a sense of oneness when I see how the essence of jade and people can intertwine with each other in a harmonious relation.ship. Each piece of jade has its own unique personality. Often , while following the irregular grain, I come across an unexpected crack. Whenever I am successful in avoiding cracks and able to create a splendid work of jade, I feel as if I have developed a special intimacy with this particular jade piece. " International Acclaim
Jade should not be exposed to direct sunlight immediately after its extraction. Just like the human eye that needs time to adjust to the light after emerging from the darkness, jade buried underground for hundreds of millions of years also needs time to adapt to its surroundings after being brought to the surface. Furthermore, jade should be packed in a bag of moist yellow mud and heated to a temperature of 800 to 1,000°C in order to prevent 48 Koreana I Spring 2005
Ever since working on his first jade piece, Jang admits to having been consumed with thoughts about jade and jade craft. He has been known to simply admire the beauty of a piece of uncut jade for months or even years before developing an idea for the creation of a jade work.
3 Jang Ju won .oaks over one of hiS works. It can take a year or two to complete a stngle work, and sometime as long as decades.
Spring 2005 I Koreana
49
cracks. Jade features a variety of grain patterns, and can be blue, white, yellow, or light brown in color, depending on its place of origin. Jang is overcome with a boundless ecstasy whenever he comes across an exceptional piece of jade. Months and even years can pass before he decides on what to do with a particular jade piece. Only when he is fully satisfied with his conceptualization of a jade creation will Jang take the piece into his studio and begin his intricate work process. "In China, when jade artisans create a work of art, they will often carve separate jade pieces that are then assembled together. In contrast, I tend to work on a single piece of jade. The works I create, such as a vessel adorned with a dragon with a bead in its mouth as well as chains, are produced from one piece of jade." Jang uses a special silk-thread cutter to carve his jade creations. Sand grains of a hardness of 8-9 degrees are applied to a silk thread to produce a cutting tool. To make a hole in the jade, Jang inserts a nib and then gently works an attached drawstring to produce the desired shape. Then, he buffs the work with fine iron rust. With each step involving a painstakingly tedious process with no shortcuts, a jade craftsman needs an abundance of patience. The work begun by a father may have to be passed down to his son. Should the son fa il to complete the work, the grandson would be responsible for its completion . Jang has combined traditional jade craftsmanship with modern aids such as hand tools and motorized ¡ ~
devices in order to not only reduce the time required , but also to better highlight the refined details of his creations. Jang's incense burners and ewers, which feature exquisite openwork, are widely acclaimed to be unrivaled in the world . Jang has the unique ability to successfully carve double chains from a piece of jade without causing any cracks. He recently created a gourd-shaped perfume bottle with an opening as tiny as a pinhole, recording anbther first in the world of jadecraft. During an exhibition held in the United States in 2001, Jang's works were appraised as true masterpieces for their consummate craftsmanship and unsurpassed elegance. Such high praise is a reflection of Jang' s artistic creativity and passionate dedication. 1 For the past 43 years. Jang Ju-won has so completely devoted his life to crafting jade that it would not be an exaggeration to say that he is obsessed with jade. 2 Jang Ju-won also strives to popularize jadecraft. This is a traditional pendant featuring a perfume case that he carved using traditional techniques.
50 Koreana I Sprin g 2005
Exemplary Work Ethic Jang strives to ensure that his diligent work ethic is evident in each of his creations. Even for a basic ewer, he
will intricately decorate the surface with entwined vines, grasshoppers, ants, and bees. Through such symbolism, Jang seeks to suggest that worldly affairs are just like entangled vines, and that there are people who live idle lives, like grasshoppers, others who spend their time working busily, like ants, and those who work as part of a team , like bees. Since 1999, Jang has been teaching at Kyonggi · University, where he of course admonishes his students to work diligently. ""If I am the root of Korean jadecraft, then it is my students' job to usher in the heyday of this art. To be the best, you have to do what others cannot. What I mean is that we should develop a uniquely Korean jadecraft. Just like the hwimori jangdan [a fast-paced quadruple metric rhythm cycle]. which is meant to represent the Korean · heartbeat, we should use our passion and inner spirit to create works that will be appreciated by people the world over." Jang can never forget the anguish that he felt when he first started to work with jade. His fascination with jade was so al l-consum ing that he would never allow his intense focus to be interrupted by a need to eat, sleep, or I
even use the bathroom. Today, despite his recognition as th
~
world's foremost jade artisan , his passion for creating
new works remains as intense as ever. When Jang ponders about the universe, he comes to believe that his works are little more than imitations of God's creations
··1 often use cicada motifs to decorate my works. · ~
Cicadas go through a seven-year larva cycle just so they can live one season. I heard that there are cicadas in China that remain as a larva for 27 years. When I think of that cicada, I feel sorry for it. My work is nothing when compared with the struggles of a cicada. " These days, Jang spends much of his time completing his lifetime projects, Korea Fantasy, which he has worked on for 23 years, and 501 Figurines that has been under way for 19 years. Korea Fantasy, which portrays Korean history from the time of Dangun, the legendary father of the Korean people, up through the present day, involves a three-ton piece of jade. Meanwh ile, 501 Figurines is a
Process of creating a jade incense burner A With a silicon carbide saw. a jade piece is cut from a stone . 8 A pattern is drawn on the jade piece and the lines are etched with an awl. C With a tubular bow-drill. the feet are shaped . D The body of the incense burner· is shaped with a grindstone . E The inside of the incense burner cover is carved out and shaped with a grindstone . F The final carving calls for a diamond-blade device . G Designs are car·ved onto the body of the incense burner. H A completed Jade incense burner. Photographs: Na tiona l Research Institute of CuHura l He ri tage
sculptwe of 501 figures from various fields who contributed to the flow of Korean history, which is said to include one of a master jade craftsman . ~
Spring 2005 I Koreana 51
~
s
tupa " comes from a Sanskrit word that means "to pile up ."
Over time, it came to mean a type of tomb that was built from earth or brick to preserve the remains of someone who had been cremated . But after the revered teacher Sakyamuni departed this earth, the definition of stupa was significantly changed. Many of the followers who learned from the teachings of Sakyamuni, the Historic Buddha, sought to enshrine his sarira [the calcified remains after cremation] within stupas built at their own temples. Stupas were thus no longer mere tqmbs but venerated objects of worship that symbolized the teachings of the Buddha . As such, stupas became prominent structures in the process of propagating Buddhism . ..
Buddhist adherents would encircle the stupas and contemplate the essence of the universe, while also praying earnestly for the fulfillment of their earthly desires. The typical style of stupas in India resembles a series of upsidedown bowls stacked one atop another. After Buddhism spread to China, stupa design was altered in both form and material, typically featuring Sprin g 2005 I Ko reana 53
In 1956 and 1996, two sarira reliquaries were discovered within the pagodas when they were dismantled for maintenance work. These reliquaries, which feature the highly refined metalware and sculpture craftsmanship of the time, are yet another treasure of Gameunsa Site.
and his remains were preserved in a rock format ion that juts out of the East Sea . In 682, the three-story stone pagodas of Gameunsa Temple were completed on a mountain slope that overlooked the King Munmu rock formation . Beneath the floor of the temple's Geumdang Hall, which was constructed along with the pagodas, a water channel was built under a stone retaining wall to allow King
/
Munmu , who had been reborn as a dragon , to travel between the temple and his resting place in the sea . 2
Korean Stone Pagodas
¡ ~
9- or 13-tier structures built of wood
King Munmu [r. 661-681). sought to
The three-story stone pagodas
or brick . When stupa culture first
placate his subjects, who had suf-
of Garneunsa are known for their his-
reached Korea, multi -story stupas of
fered from decades of war, by vali-
torical significance as well as their
wood or brick were built, like the stu-
dating his authority and implement-
prominence in the history of Korean
pas of China, but over time a simpler,
ing a new ruling system. Above all,
art. First, prior to their construction,
more elegant form evolved, primarily
King Munmu hoped to attain ideologi-
it was typical for only one pagoda to
made with stone and comprising
cal unity through the influence of
be built at the center of a temple
three tiers.
Buddhism in an effort to gain the
complex. Thus, the Gameunsa pago-
trust of the people. Unfortunately, he
das started a trend of building two
could not achieve his ultimate dream
pagodas. The reason for this change
Silla [57 B.C.-A.D. 935]. the last
prior to his death. Thereafter, his son,
remains unclear, but it is thought that
of the three kingdoms [Goguryeo,
King Sinmun [r. 681-692) completed
this was intended to reflect the
Baekje, and Silla) to emerge, adopted
this task , which included the con-
authority of the unified kingdom and
Buddhism as its ruling ideology after
struction of Gameunsa Temple and
the aspirations of the people. In addi-
successfully unifying the Korean
its thre
tion, the Gameunsa pagodas are
Fulfilling His Father's Dream
~
story stone pagodas.
peninsula in 676 by expelling Tang, its
In accordance with his instruc-
exceptional in architectural design,
former ally. The reigning Silla ruler,
tions, King Munmu was cremated
as exemplified by their refined struc-
54 Ko reana I Sp ri ng 2005
1, 2 Sarira vessels discovered in the Gameunsa pagodas include outer and inner containers, and sarira bottles. The reliquaries are especially significant in that they demonstrate the brilliance of Unified Silla craftsmanship. [National Research Institute of Cultural Heritage] 3, 4 The Four Devas, bronze ceremonial vessels, and a square bronze box for storing sarira that were discovered inside the Gameunsa pagodas when they were dismantled for maintenance. [National Museum of Korea]
tural features, as well as the balance and harmony of the paired structures.
Of particular note, the Gameunsa pagodas are of special significance to Korea's art history in that they represent the beginning of Korean stone pagodas, characterized by their simple yet impressive form. The construction of these pagodas ended the tedious past practice of adapting stone to replicate wooden pagodas. After pagoda construction was streamlined, the ease of acquiring materials and building the simplified
4
structures led to a rapid proliferation of three-story stone pagodas. The
The sarira were found in crystal jars
culture. As a reminder of the exuber-
pagodas include a two-level founda-
that were within gourd-shaped ves-
ance an9 confidence of Silla, which
tion, thereby assuring structural
sels of gilt-bronze. These items were
unified the Korean peninsula, the
stability.
inside palanquins, decorated with
exquisite beauty of these sarira items
In order for a pagoda to become
heavenly musicians, within large,
continues to impress people even
an object of worship-that is, to be
gilt-bronze boxes embellished with
today.
recognized for its religious signifi-
images of the Four Devas. Buddhist
The sarira remains w; re placed
cance-it must contain the actual
tradition called for placing the sarira
into new vessels and returned to
sarira remains of the Buddha.
within four or five separate vessels
their original location within the
Without sarira remains, a pagoda
and then enshrining these items
pagodas. The original sarira contain-
cannot be regarded as a stupa. As
within a stupa. Since the sarira were
ers from the west pagoda are on dis-
such, the sarira is the essence of a
recovered from the third tier of each
play at the National Museum of
stupa.
pagoda, this confirms that traditional
Korea while those from the east
In 1.956 and 1996, in the process
Buddhist practices were strictly
pagoda are exhibited at the Gyeongju
of dismantling the pagodas for main-
observed. Of note, the sarira vessels
National Museum. t>t
tenance work , sarira remains of the
reflect the highly refined metalwork
Buddha were found in each pagoda.
and sculpture craftsmanship of Silla Sprin g 2005 I Koreana
55
ART REVIEW
Throughout his career, Park Soo-Keun, who is regarded as the Western-style painter with the most "Korean-ness," has painted scenes from the everyday life of ordinary people. To celebrate its second anniversary, the Park Soo-Keun Museum, which is located in the artist's hometown, is holding a commemorative exhibition from October 25, 2004 to March 31, 2005. Kwon Sung -ah Curator, Park Soo-Keun Museum
Y
anggu, where winter arrives early, resembles the works of Park Soo-Keun (1914-1965]. Conversely,
Yanggu 's winter bleakness can be found in Park 's works
clear on what the fish are placed, but the fish are masterfully depicted from a perspective that allows them to be seen in the best possible light.
as well. It is here, where the artist was born and raised,
Though the matiere technique is not evident, The
that a museum in his honor has now been open for the
Empty Cart, thought to have been painted in 1960, arguably
past two years.
expresses the serene spirit that suffuses Park's creations
The efforts to recognize Park Soo-Keun got underway
better than any of his other works. Sharply pointed shapes
in 1997, when people interested in this cause agreed to join
are scratched into the rough patches of color, evoking a
hands. Thanks to the determination and support of these
sense of the exhaustion of everyday life, which is accentu-
people, after six years of preparation, the Park Soo-Keun
ated by the empty cart, depicted with lines alone.
Museum was able to open its doors on October 25, 2002, at
As is the case with his works in other media, Park's
the artist's birthplace in Jeongnim-ri, Yanggu-gun. At that
watercolors feature commonplace subjects and themes.
time, the museum had no funds to acquire the artist's orig-
Aside from an occasional _landscape , he painted mostly still
inal works, but over the course of the next two years it was
lites of everyday items, such as a child's book bag, chil-
successful in building up a collection of 102 of Park's
dren's shoes, pencils and erasers, paints, or an ordinary
works, including oil paint ings, wate r colors, pastels,
vase, arranged in the most simple compositions. The still
engravings, and drawings.
life Paint Colors is a realistic portrayal of a round case with
From Matiere to Etchings
2 paintbrushes, without the use of a background or per-
12 colors of paint, of the former "New Cosmos" 'brand, and The oil pa intings acquired by the museum all date back to the 1960s. Two Seated Men is from 1965, the year
spective. Although Park was not formally trained in engraving,
of Park's death. The two men, seen from the back, reflect
he was so devoted to the medium that he became a found -
the matiere that Park had perfected as if his own, which he
ing member of the Korean Engravers Association in 1958,
often used to depict figures. Of the few stilllifes that Park
and produced notable engravings during his career. The
had painted, the museum is home to Dried Croakers
museum has succeeded in acquiring nearly all of Park' s 17
(1962]. There are a handful of other works that include fish,
original engravings. Moreover, the museum also maintains
but this is the only work in which simply drawn dried fish,
three of the original engraving plates. Although there is an
piled atop each other, is the subject matter. It is not even
unwritten rule that the plates should be discarded after a
56 Ko rea na I Spring 2005
Park Soo-Keun dedicated his career to the depiction of the everyday life of common people. He is known as the Western-style painter with the most 路路Korean-ness:路 Tree and Two Women, woodblock print, 26 x 19.5cm 2 Two Seated Men 120 3 x 24.2cm, oil on hardboard, 1965) is a typical example of Park Soo-Keun路s method for depicting people.
.
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}
-
f
T
. 2005 I Koreana 57 Spnng
certain number of prints have been produced, the original
would have been difficult for him to utilize a wide variety of
plates of some of Park's smaller works have been pre-
painting utensils, so it was natural for him to save the
served. They were likely used to print the New Year¡ s cards
stubs of used pencils.
that he sent to friends and acquaintances. These include
Furthermore, he had long suffered from cataracts
engravings of his oil paintings Oil Trader, Tree and Two
and lost the sight of one eye in 1963. As such, his failing
Women, Farmers' Music, Lying Cow and On the Road. Of
vision made it exceedingly difficult to transmit his impres-
note, the engraving Tiger depicts a dynamic subject, which
sions quickly to paper. In light of this, it would be unrea-
is rarely seen in his oeuvre.
sonable to simply dismiss his drawings as only preliminary
Diverse Collection of Drawings
sketches that just happened to survive. Although it is true
Drawings account for a majority of the works housed
that prolific artists leave behind countless sketches that
in the museum. There has long been a tendency to regard
are just drafts or childlike scribbling, Park's drawings can
drawings as mainly preliminary sketches for more com-
be seen as an authentic component of his body of work.
plete works. Although there is validity to this view, since
The museum also maintains works that Park created
the 1980s the Korean arts scene has come to recognize the
for his children, as well as his illustrations in the children's
intrinsic value of drawings as expressions of the artist's
books that his wife Kim Bok-soon wrote and illustrations
improvisational creativity and inspiration, and thus as legit-
that appeared in journals, such as World of Cosmetics,
imate works of art in their own right.
Korea Electricity, Transport, and Mining Gazette in the late
The many traces of erased and redrawn lines that are apparent in many of Park's drawings are firm and deliber-
1950s and early 1960s. Park compiled these works into a volume entitled Park Soo-Keun 's Illustrations.
ate strokes rather than tentative sketching. Many of the
The current exhibition "The Homecoming of Park
drawings are similar to his oil paintings, and they are
Soo-Keun's Works" presents to the public the works that
mostly drawn with pencil that could be easily erased. So,
the museum has acquired over the past two yea rs. This
does this suggest that Park regarded these drawings
exhibition has come about. through the development of a
¡~
merely as preliminary drafts for his oil paintings? Above
space devoted to honoring the artist in his hometown,
all, when seen from the context of his production process,
donations of personal works by those who have long
the traces of frequent redrawing and erasures in his draw-
adored the artist, and acquisitions by the museum. Visitors
ings reveal a detailed and meticulous dedication to his
to the museum should look around the village that influ-
craft. The more distinct lines provide highlight and nuance
enced Park's creations and even visit his gravesite, so as to
to the objects of his drawings . In addition, considering
gain an appreciation of th is artist who lived such a simple,
Park's background of poverty and rural environment, it
honest, and passionate life here.
Park Soo-Keun and his Hometown
1.-'t
Park Soo-Keun was born in 1914 in the village of Jeongnim-ri, Yanggu-eup, Yanggu-gun, Gangwon-do.
It is said that Park, who showed talent at an early age, was so impressed and inspired after viewing Millet's The Angelus when he was 12, that he decided to become an artist. Thereafter, despite his family's economic difficulties and his impoverished life, he never gave up on his goal of being an artist who portrayed the life of the ordinary people. Yanggu is where Park's passion and dream about painting all started, a pursuit to which he has dedicated his entire life. The working people, women tending to vegetable crops, the laundry shop, the trees of Yanggu-these are among the images captured in Park's sketches and paintings. Fittingly, the works of this beloved .. artist of the common people .. can be seen at a museum opened in his hometown. 58 Ko rean a I Spri ng 2005
. •.
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., J >'. ' . 11 1 • .
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The daily lives of the common people who lived during Park's time are honestly and simply portrayed in his works. Oil Seller, 33 x 20.5cm, woodblock print 2 Park Soo-Keun applied rough strokes of paint and scraped the painted surface with a sharp object. This painting of an empty cart conveys a sense of the weariness that life can bring. Th e Empty Cart, 21 x 30cm, oil on hardboard, 1960s 3 Dried Croakersl15.5 x 29cm, oil on hardboard, 19621 is one of the few still-life works of Park Soo-Keun . 4 Park's numerous pencil drawings are now themselves ap preciated as legitimate works of art. Three Women Selling Fruit, 9.6 x 17.5cm, pencil on paper 5 Opened in Park's hometown in October 2002, the Park Soo-Keun Museum houses 102 oil paintings, watercolors, pastel drawings , and drawings .
I.
Spring 2005 I Koreana 59
I
n 1984, a residential development
I
project was approved for con-
struction in the Uncheon-dong district of Cheongju. The following year, an excavation that was conducted to determine if any cultural remains
to melt and leaving behind a mold.
civilization, and how was this type
Melted metal is then poured into the
cast?
mold to create the type . At temples,
f
I
monks would carve the characters in
Variations of Movable Metal Type
relief into beeswax, cover the
Three different casting methods
beeswax with clay, and bake it to cre-
were used to create movable metal
ate the mold . Molten metal was
the remains of a temple which had
type in Korea. These included the
poured into the mold, and after it
existed there from the 9th to 15th
beeswax casting method used at
cooled, the metal type was removed,
existed on the project site discovered
l
century, when it was destroyed by
temples, the foundry sand-casting
trimmed, and finished. Because the
fire . As a result of this excavation, a
method adopted by central govern-
beeswax punch melts when the mold
bronze fragment was found in the
ment offices, and the single-surface
is baked , each character type was
J casting method used by private
individually formed and never exactly
foundries. Although the method of
the same. Thus, beeswax casting was
creating the actual type was different
useful for replicating the complex
for each variation, the process was
and stylistic forms of the characters,
the same: 1I selecting the style and
but it was not well-suited for produc-
forming the characters, 2) affixing the
ing large amounts of type.
area, upon which
""Heungdeoksa
Temple·· was engraved. This confirmed that this was the site of the temple where Buljojikjisimcheyojeo/ [Anthology of Great Buddhist Priests' Sean Teachings}, or Jikji for short, had been printed . The site was thus designated Historic Site No. 315. What was so significant about
/
have on the development of world
l
II 1
character patterns, 3) creating the
Foundry sand casting: The mov-
punch, 4) completing the mold, 5)
able metal type used during the
pouring the molten metal, 6) remov-
Joseon period [ 1392-191 0) was pro-
Jikji, which was printed with movable
ing .thEi metal type, and 7) setting the
duced by the central government
metal type, and the site of Heung-
metal type.
offices using the foundry sand-cast-
_deoksa, where it was printed, to be
Beeswax casting: In this method,
ing method. An anthology of Seong
designated an historic site? What
a beeswax punch is covered with clay
Hyeon"s writings includes the follow-
influence did movable metal type
and then baked, causing the beeswax
ing description: ""In casting metal
· ~
DISCOVERI,NG KOREA
Korea's Movable Metal Type Opens the Era of Modern Civilization Germany may be known for its 42-line Gutenberg Bible, but Korea is the home of Jikji, the oldest text extant in the world printed with movable metal type. Indeed, Korea is credited with the earliest creation of movable metal type, one of mankind's most significant inventions. Kim Hong-yeong Head Curator. Cheongju Early Printtng Museum Lee Gyeom Photographer
60 Koreana I Spring 2005
period, is explained in Donggukhusaengsinnok: "Potter's clay is
/
type, all of the characters are first carved in relief into wood, and then fine clay from the shoreline is spread smoothly over the mold. If the wood with the hand -carved characters is pressed into clay, it will leave an impression, or a mold form. After two halves of the mold are joined together with a small hole in the top, melted
copper is poured into the mold to create metal type." Of note, this method was easier and capable of creating more uniform metal type tha¡n the beeswax method used by temple monks. Single-surface casting : This method, which was favored by private concerns up through the late Joseon
¡ ~
The creation of movable type is regarded as an epochal event that paved the way for an information revolution and the advancement of modern civilization. Even today's Information Age, as represented by the Internet and digital technology, has been built on this foundation. 1 The movable type used to print Jikji, were recreated with the beeswax casting method . Some 12,000 movable type characters were used for a reproduction of the two original volumes of Jikji. Producing movable metal type with the beeswax casting method A Character patterns are selected and affixed to the beeswax. B Punches are made, inserted into the mold, and molten metal is poured into the mold. C When the molten metal hardens, the movable type is removed . D Movable type characters are sorted and placed in boxes.
62 Ko rean a I Sprin g 2005
spread on a wooden board, with a border on each edge. The clay-covered board is left in the sun to dry partially. The desired characters are written on thin paper in various sizes. The paper is then turned over and placed on the board to serve as a pattern, and the characters are carved into the clay. When the carved forms are dry, molten metal is poured into the character molds. The metal is allowed to cool and harden and then the metal type removed and used as movable type." This method was straightforward and regarded as being more advanced than beeswax casting in that it could produce more uniform type. UNESCO Memory of the World Register
Movable type printing is truly one of the world's most valuable cultural treasures. As such, the movable
metal type casting techniques from ~ the Goryeo period [918-1392) are
Cheongju are leading the search to
to produce the gyemi type is different
discover additional copies of Jikji.
worthy of being shown to the entire
from the method used to produce the
world. And yet controversy remained
type used for printing Jikji.
Jikji and Gutenberg
about its existence. Nevertheless, in
Consequently, scholars have
How does Korea's movable
September 2001, Jikjiwas recognized
long debated the actual method used
metal type compare with the movable
as the oldest text extant in the world
to cast the type for Jikji. Recently, this
metal type of Germany's Johannes
printed with movable metal type and
controversy has apparently been
Gutenberg? The invention of movable
included on UNESCO's Memory of
resolved thanks to type-caster 0
metal type 1n both Korea and
the World Register. With this, the
Guk-jin,
Germany was rooted in religion .
controversy over Jikji subsided. In any case, exactly what is known about the creation of Jikji? Although information about the beeswax casting method is common
designated
Important
1
Intangible Cultural Heritage No. 101,
Following
l
who has successfully re-created all
Buddhism and Confucianism, there
of the typefaces used for printing
was a great need for printed materi-
Jikji, based on the beeswa x casting
als to popularize religious scripture
I I
method.
the
introduction
of
and to teach the related principles. In
Unfortunately, Jikji is not main-
the West, the invention of printing
tained in Korea . In the early 1900s,
techniques came about because of a
this method . After Jikjiwas printed in
Collin de Plancy, who served as the
desire to propagate Christian doc-
knowledge, in reality there are no written records about the origin of
/
f
the problem is that the method used
1377, printing with movable metal
acting French envoy to Korea,
trine. Another common point is that
type involved so-called gyemi type,
acquired the text and took it with him
the development of printing tech-
which was named for the year when
when he returned to France. The sec-
niques enabled a widespread dis-
it was first cast, 1403. Twenty-six
ond volume of Jikji, the only one of its
semination of knowledge and infor-
years after the printing of Jikji, mov-
kind, is currently housed in the
mation, thereby exerting a pervasive
able metal type was cast by the cen-
Oriental Division of the Department of
influence on the society and culture
tral government offices using the
Manuscripts in the National Library
of the two countries.
foundry sand-casting method. But
of France. In Korea, the citizens of
The invention of movable metal
Spring 2005 I Koreana 63
I
The invention of movable metal type made it possible for various Buddhist scriptures to be printed during the Goryeo Dynasty. At that
~
Reformation campaign with the
bound with cord, while adhesive was
spread of printed materials.
used to bind German books.
There are several technical differences in the movable metal type
fl
Contents of Jikji
time, typesetting technology was
printing
and
The original Jikji comprised two
such that fewer than ten prints could
Germany. Korean metal type was
volumes. Of these, only the second
cast from copper, with the body of the
volume still exists, of which its first
be made with each setting. Upon the
!
between
Korea
founding of the Joseon Dynasty ,
type being rather thin. On the other
page is missing, leaving a remainder
Confucianism was officially adopted
hand, German metal type was cast
of 38 pages. As such, the existing vol-
and Buddhism suppressed. As such,
from lead and the type was thicker.
ume of Jikji printed with movable
numerous Confucian texts were
Also , Korean paper, made from
metal type is incomplete. However, in
printed in the early Joseon period.
paper mulberry bark [Broussonetia
1378, one year after its printing with
I kazinoki] was thin yet durable, while well, such that it became possible for German parchment was made from
movable metal type, it was printed at
dozens of prints to be produced from
do province, using the woodblock
Typesetting technology developed as
each setting during the rule of King
l
l
treated sheepskin.
II
Chwiamsa Temple in Yeoju, Gyeonggi-
These different printing materi-
printing method. Both volumes of this
als led to differences in the size of
woodblock edition remain intact ,
type and the printing process. That is,
thereby allowing a proper under-
German printing used heavy pres-
standing of the organization arid con-
the doctrines of medieval Christianity
sure for the thicker parchment, such
tents of the entire original, which
centered
Pope.
that a thicker type was necessary to
included two volumes, along with a
Meanwhile, the Reformat ion move-
withstand this pressure. Korea used
foreword and an epilogue.
ment arose to protest the corruption
Indian ink mixed with oil, while
The monk Baegun Hwasang,
of the Church. Amid this social
Germany used Western ink mi xed
who would review various Buddhist
atmosphere, the invention of movable
with oil. The binding methods differed
texts and often add his own thoughts,
metal type helped to advance the
as well, with Korean books being
wrote Jikji. Rather than simply
Sejong [r. 1418-1450). In Germany, only monks and certain aristocrats could read the Bible, which contained around
64 Ko reana I Spring 2005
the
1
from already existing books of a similar genre, Baegun Hwasang carefully chose works aligned with his own thinking, while also adding his own interpretations and concepts. In this way, he hoped to provide guidance for new adherents to Buddhism. Jikji presents the words and deeds of revered monks through questions and answers related to Buddh ist teachings and meditation, together with a section that praises the virtues of the Buddha. Distinguished scholars and the
I
l
I I
international media have deemed the invention of movable metal type to be an epochal event that prepared the
/
ground for the Information Age, and
these thoughts to be organized and
old of the fourth information revolu -
the single development that has con-
systematized. Thereafter, the inven-
tion . All of this has been possible
tributed most to the development of
tion of movable metal typ e printing,
thanks to the invention of movable
human culture. The first information
which provided the means for wide-
metal type, the most far-reaching
revolution came about wh en the
spread di:ssemination of knowledge
development in the history of human
development of language allowed
and information, and contributed to
civilization and the mother of the
people to share their thoughts, while
the rapid development of culture, is
modern Infor mation Age, symbolized
the second revolution resulted from
regarded as the third information rev-
by today¡s Internet technology.
the invention of writing, which enabled
olution. We now stand at the thresh-
~.;<
1 The second volume of Jikji. the world's oldest exta nt tex t pri nted wi th meta l movable type. It was printed in 1377,78 years before Gutenberg's 42-line Bible. E Movable type characters are arra nged on a pr inting block . F The mova ble type is set in place w ith beeswax, w hich is softened by heat and the cha racters leveled . G The surface of the movable type is cove red with in k and a paper is pressed aga inst the type.
Sp ring 2005
I Koreana 65
Travel offers an opportunity to enjoy picturesque landscapes in new settings. The cherry olossom-f1lled scenery of Jinhae IS truly spectacular, creating an unforgettable memory for mdny. What's notable about this scenery is the role that local res1dents rave played in making all this possible.
re you familiar with Jinhae? On a map of Korea, if you look along the southern coastline, you can easily enough locate the small port city of Jinhae. The city is situated at 128°50'34'' east longitude, and 35° 10'34" north latitude . It lies on the same latitude as the U.S. state of Oklahoma, and Tokyo, Japan, while being on the same longitude as Harbin, China . Korea is surrounded by three seas: the East Sea, where the sun rises; the Yellow Sea, where the sun sets; and the South Sea , where the waters are emerald green. For Koreans, the East Sea is a "sea of myths, .. with the majority of Korea ' s most illustrious legendary myths involving this sea . .The Yellow Sea is said to be a "sea of tears, .. which has been a source of inspiration for Korea's most poignant poetry and song lyrics. So what about the South Sea? Korea's South Sea is often compared to a garden that is always there to welcome your presence. The South Sea is also known as a "sea of the people, .. endowed with life energy, work, love, and refinement. Jinhae is a small town where the sea of people is always there to welcome y.ou.
Yongwon: Legend Immersed in the Sea To visit Jinhae, you can get there by train or express bus, but the most convenient form of travel from Seoul is a domestic flight to Gimhae International Airport, nearby Busan. From Gimhae airport, limousine bus is available to Jinhae, which will enter the city through its eastern gateway. After crossing the boundary between Busan and
1 Hordes of visitors stroll under spectacular cher ry blossom ca nopies. With t he Nava l Por t Festival having been establi shed as a representative cultural festiva l , the number of foreign visitors has stead ily increased each yea r . 2 The festivi ties con tinue well into the night. At the Ni ght Mar ket. street vendors sell a variety of foods. 3 Visi tors from arou nd the coun try ar rive by tra in to revel in Jinhae ·s Cher ry Blossom Festival.
Jinhae, you w ill come to the small fishing village of Yongwon, which is well-deserving of a stopover, however brief. The seas of Yongwon are immersed in intriguing legend . According to local lore, in A.D . 48, a 16-year-old maiden, with the surname Heo, landed in Yongwon after sailing to Korea from India . Th is maiden would become the queen of a group of small kingdoms known as Gaya [42-562). This maiden of 16, who had j ourneyed across thousands of miles of open sea, married King Suro of Gaya [r. 42-99). King Suro was an incredible, superhuman figure, who was said to have been born from an egg that had descended from heaven. The marriage of these two people was the first international marriage in Korean history. King Suro, born from an egg that was heaven-sent, and his queen, who had Spring 2005 I Koreana
69
come to Korea by ship from India, according to legend, produced ten children. The king is the forefather of the Gimhae Kim clan, which represents one of the largest surname groups in Korea. However, two of the king's children took their mother's surname . In a rigidly patriarchal society like Korea, in which the father's surname is passed on to his children, adopting the mother's surname was unprecedented. Nevertheless, the children with the mother's surname gave rise to the Gimhae Heo clan. And even today, members of the Gimhae Kims and the Gimhae Heos are not allowed to marry. Traces of this legend can be found all along the shores of Yongwon. The fact that a ship from India came ashore at Yongwon indicates the extensive reach of the Silk Road. At the time, the local people are said to have determined that the woman actually did travel from India because she brought with her a stone pagoda made from a kind of stone that could not be found in Korea but was known to exist in India, thus confirming her account. 1 Korea's Naval Academy, which trains the followers of the legendary Korean admiral, Yi Sun-sin, is yet another facet of Jinha e. This is reproduction of Admiral Yi 's famed turtle ship. 2 Cadets receiving instruction at the Naval Academy 3 Cadets of the Naval Academy march smartly with Jinhae Harbor in the background
a
/
City of Cherry Blossoms From Yongwon, the center of Jinhae is a distance of some 26 kilometers. If you visit Jinhae in late March or early April, you will be welcomed by cherry trees in glorious full bloom. Jinhae is Korea 's cherry blossom capital, with all the city's roads being lined with cherry trees. In fact, cherry trees can be found growing practically everywhere. Altogether about 300,000 trees have been planted, more than twice the numqer of residents of Jinhae. It is estimated there are about 200 types of cherry trees that can be found growing in the wild around the world. Among these, the variety in Jinhae produces the most exquisite blossoms. Although many people think that cherry trees originated in Japan, this variety is indigenous to Korea, with its original habitat being Jeju Island . The history of Jinhae as a cherry blossom city began after Japan annexed Korea [191 0] and developed the area into a naval port. After liberation from Japanese colonial rule in 1945, people started to cut down Jinhae' s cherry trees because they were seen as vestiges of Japan's suppression. But when it became known that the trees were actually native to Jejudo, the attitude of residents was quickly transformed from that of resentment to endearment.
70 Koreana I Spring 2005
,
I
For about ten days from the end of March to the start
never forget those gentle, lovely green fingers, reach ing
of April, when the cherry blossoms are in full bloom,
out to the world for the first time. Whether the blossoms
Jinhae presents its annual naval port festival. This annual
were blooming or the new leaves were sprouting , I would
festival has been conducted ever since 1963 for the pur-
always hear a whistling sound that the trees made. It was
pose of commemorating Korea's legendary naval hero,
this whistling that motivated me to become a poet.
Admiral Yi Sun-sin [1545-1598].
But the cherry trees are not gorgeous in only April. In
His stalwart patriotism and masterful naval strategies
summer, they present you with dense green foliage, in
enabled Korea to defend itself against the onslaught of a
autumn with tinged leaves, and in winter with branches as
Japanese armada in the late 16th century, which had been
bald as monks. In time, you too would come to appreciate
dispatched by Toyotomi Hideyoshi. And for this , Admiral Yi
that the cherry trees of Jinhae are like a lyrical poem
has been immortalized as one of Korea's most revered
expressed through the tree's natural growth .
heroes. The festival also celebrates the spirit of overcoming Japan 's oppressive rule.
Home of the Korean Navy
..
In spring, the canopies of overflowing cherry blos-
A statue of Yi Sun-sin stands at the Bugwon Rotary in
soms are an enthralling spectacle indeed . Although the
Jinhae. This bronze statue, erected in 1952, was the first-
cherry trees in full bloom are a sight to behold, it is equally
ever statue of its kind in Korea, reflecting Jinhae's special
impressive to see the graceful descent of the blossoms.
bond with Yi Sun-sin. As the commander of the Joseon
The dazzlingly white petals fluttering in the wind like snow
navy, he battled the Japanese invaders in the seas off
flurries create a kind of "Christmas in April" scene.
Jinhae. It is thus fitting that Jinhae serves as the cradle of
I was born in Jinhae, and grew up beneath the cher ry
the Korean Navy. Both the training camp for new recruits
trees. I fell in love for the first time when the cherry trees
entering the Navy, and the Naval academy where officers
blossomed, and remember having my first kiss leaning
are trained, are located in Jinhae. Also, Jinhae is Korea 's
against a cherry tree. I loved the fresh-green young leaves.
flagship port, where the warships of the Korean Navy are
After the blossoms fall, the leaves start to emerge. I will
based . In these seas, the successors of the legendary Sp ring 2005 I Koreana 71
admiral are trained to protect their country. It is only in Jinhae that you can easily come across a sailor in regular uniform. You can even have an opportunity to mingle with those who are following in Yi Sun-sin 's footsteps. In one of my poems, I referred to Jinhae's seas as a "sea on a platter." Here, the sea almost always looks calm. Even when a typhoon strikes, the waters are not so easily roiled. This is because of the many islands in the seas just off Jinhae th~
deflect the wind like a panel screen .
There are 26 small and large islands in the seas off Jinhae . With mountains, the sea, and offshore islands, Jinhae is truly a blessed city. It also includes a rugged rias coastline , which stretches for 107 kilometers, as part of this pristine maritime area. The Jinhae seashore is a playground that can be enjoyed around the year. Even in winter, the average temperature is a refreshing 2.3 to 4. 7°C. Cool in summer, pleasant in w inter, and always nearby wherever you are in the city, the sea awaits, so crystalclear that you see well into its depths.
Keeping Fond Memories Alive Jinhae is my hometown. I was born in Jinhae and met /
my wife there. Also, I became a poet in Jinhae. Although I left the city in my thirties, whenever I have a chance to visit my hometown there is one place I always stop by. At the Jungwon Rotary, eight roads converge. There, your eyes are naturally drawn to the surrounding Russianstyle houses and colonial era buildings . Among these
1 Sta irway to Sirubong Peak, whe re you can take in the city of Jinhae and the ocean beyond. 2 The Black & Wh ite Teahouse has been a meeting place for the artists of Ji nhae fo r the past 50 years. 3 Jungwon Rotary is one of the severa l rotaries built during the Japanese colonial period.
buildings is the Black & White coffee shop. It is a classical music cafe that opened its doors in 1955 and has been a
us to meet there. Or you might meet some young artists,
Jinhae landmark for the past half century. Originally oper-
struggling with their creative psyche . Here, you can get
ated by a painter, it is now overseen by his daughter, a
acquainted with the spirit of people.
pianist.
In addition, there are a variety of other destinations to
The Black & White coffee shop used to be the water-
visit in Jinhae. Details on th ese sites are available at the
ing hole for Jinhae's artist community. Poets, composers,
Jinhae City Hall's website www.jinhae .go.kr, where infor-
painters, and actors all came here to nurture their dreams.
mation is provided in English, Japanese, and Chinese.
I too whiled away my time in this coffee shop during my
Travel offers an opportunity to enjoy picturesque land-
twenties. Those times were precious to me, and I am
scapes in new settings. The cherry blossom-filled scenery
grateful that this place is able to safeguard these trea-
of Jinhae is truly spectacular, creating an unforgettable
sured memories . Even its appearance has been little
memory for many. What's notable about this scenery is the
changed.
role that local residents have played in making all this pos-
I w ould suggest that you r eque st Beethoven's Fifth Symphony in C- minor "Fate" if you have the chance to stop
sible. At the Black & White coffee shop, you can rela x with some of these unassuming Jinhae people.
t.;,t
by the coffee shop . After the familia r "tta-tta-tta-ttam " opening has roused your heart, perhaps destiny will allow Spring 2005 I Koreana 73
LIVING
Flash Mobs The Younger Generation Declares Its Cultural Independence A new form of Internet-based entertainment has recently gained popularity among Korean netizens: flash mobs. To understand this development, it is necessary to delve into the factors behind this recent phenomenon of Korea's younger generation. Joung Yoon - soo Editorial Writer, OhmyNews Choi Hang- young Photographer
A
/
t 8 p.m. on a cold October day in late autumn of 2002,
Cup fever that had swept over Korea a few years back, all
scores of young people wearing "Red Devils" T-shirts
to the bewilderment of onlookers and the police who soon
suddenly emerged in front of the COEX Mall, situated along
arrived on the scene. Then, at the sound of a whistle, the
one of the busiest and trendiest shopping areas in the
young people disperse, disappearing just as quickly as they
upscale Gangnam-gu of Seoul. Though these people
had gathered . This kind of incident is an example of a so-
attired in red were busily handing out balloons, i'nstead of
called flash mob.
soccer balls, many people thought that this display was being staged to commemorate the 2002 FIFA World Cup.
Product of Youth Dynamism
Nevertheless, with their uniform clothing and cheering of
The term "flash mob" is derived from "flash crowd,"
slogans, the young people managed to replicate the World
in which a large group of Internet users suddenly visit a
74 Koreana I Spring 2005
1 The worldwide fad of flash mobs can now be seen in downtown Seoul as well. Here, young people have suddenly appea red along Daeha ngno , wea ring Santa hats and singing Christmas carols. 2 To the younger generation of Korea, the digital world of the Internet is a medium for cultural communication. In this rega rd, the flash mob phenomenon is an example of online technology creating offline activities. 3 For the younger generation, mini hom epages and blogs are oases of refuge from the impersonal nature of today"s urban environme nt.
3
designated website, and "smart mob, " that refers to a large crowd who shares similar views on a certain subject. Flash mob , a global trend in which a large number of unspecified persons congregate at a designated time and place to perform acts that have already been agreed upon via the Internet or e-mail messages, has spread rapidly among the younger generation of Seoul as a new and fresh form of recreation . Although flash mobs emerge for fleeting reasons and purposes, the narratives that are utilized to spark interest among participants result in diverse gatherings, which can be regarded as a performing art event or a cultural activity. Although the younger generation thinks of this as nothing more than spontaneous fun,, this new form of recreation has nothing in common with such traditional pastimes as playing with a top or rock-paper-scissors. To explain the factors behind this new innovation, it is necessary to understand Korea's modern history and the youth culture that has taken root during this period . In light of the fact that the origins of this flash mob mindset cannot be found in Korea 's traditional culture, and represents a type of culture that has never been created by Korean youth during any historical period, an analysis of the flash mob phenomenon should not be limited to a debate over whether it represents an art form or simply a new kind of recreation. The basic characteristics of an "angry young man" culture include widespread frustration and anger toward the older generation, along with disillusionment and rejection of accepted customs and social Spring 2005 I Koreana 75
behavior, and attempts to challenge or escape from the
simply entertainment purposes. Thus, even public squares
prevailing social order. As such, the cu ltural dynamics cre-
in Korea were not simply open areas, but entities with their
ated by such disillusioned youths are marked by provoca-
own cultural and historical dynamics.
tion, experimentation, ambition, and destruction at times, which the older generation, who take comfort in long-
Era of Individual Media
standing customs and social norms, cannot comprehend.
This remains true in Korea today, as evidenced by its
It should also be pointed out that the cultural dynamics
unique type of flash mob activities. Flash mobs, a new type
created by Korean youth during previous periods were in
of Internet-based entertainment and recreation enjoyed by
large part in response to a coercive and suppressive order
young netizens, are regarded in the West, where the fad
imposed upon them by the older generation.
originated, as simply a form of shock entertainment
The challenges of modern history have resulted in the
designed to reveal "the meaning of meanigl~s."
Korean peninsula serving as an intersection for a variety of
However, this trend has become an innovative outlet for
cultural dynamics. Korea has undergone several dramatic
social interaction within Korea 's cultural realm.
upheavals in its modern history, including division and ide-
Korea's digital industry, which has advanced rapidly in
ological confrontation, the Korean War, and subsequent
recent years, has provided a boundless venue where the
dictatorship and democracy, as well as rapid economic
younger generation can express their creativity. As such,
development. Throughout each of these periods, Korea's
this environment is a key factor behind the widespread
youth have so ught to make the most of the cultural
popularity of flash mobs among young Koreans. For the
dynamics in which they were immersed. The modern his-
younger generation of Korea, digital cyberspace is more
tory of the Korea n peninsula, which has involved upheaval
than a form of information technology; it is a venue that
and resistance, challenge and defiance, and turmoil and
facilitates the free exchange of cultural interaction .
hope, does not allow for the development of recreat ion for
Although Korean youths continue to be subjected to a rigid
76 Koreana I Spring 2005
The Internet serves as a forum where Korea's younger generation can meet and engage in cultural interaction through such means as personal homepages and blogs. As such , flash mobs are another example of the efforts of these youth to validate the right to enjoy themselves in their own ways .
The estimated 20,000 "PC rooms" in operation throughout the country are part of what makes Korea the world's most Internet- connected society.
school schedule and behavioral taboos in everyday life,
or libraries, which causes them to lead isolated lives in
there are few such barriers in the digital world of the
vast urban centers. It is difficult for people to cope with
Internet, where they can freely express themselves in myr-
an everyday existence that is devoid of personal interac-
iad ways of their own choosing.
tion and communication with others. However, it is this
For example, this kind of phenomenon is also evident
very environment that has spurred on the widespread
in regard to mobile phones. Korea ranks first in the world
popularity of mobile phones and the Internet in Korea.
in terms of mobile phone usage. Internet cafes are every-
Consequently, the Internet and mobile phones would
where. Why has this kind of culture developed so rapidly in
never have reached their current level of ubiquity in
Korea? From a commercial perspective, this development
Korea if daily life here were less rigidly structured, such
has in large part been achieved through the government's
that children were free to play with friends after school
continuous support of the IT industry, extensive develop-
and to enjoy camping outings or playing sports on the
ment efforts of the private sector, and steady market
weekends.
expansion. On the other hand, from a cultural standpoint,
In short, Korea's younger generation lives in a time inte~aco
this advancement has been made possible by the eager-
that restricts personal
ness of Korean society, and Korean youth in particular, to
which compels them to resort to monologue-type diatribes
constantly remain in touch with each other.
to overcome the isolation of their everyday existence . In
and communication,
The popularity of individual media outlets, including
this regard, individual media outlets represent the only
personal homepages and blogs [Web logs]. are rooted in
oases of self-expression available to the younger genera-
this phenomenon as well. Individual media outlets, which
tion in such impersonal urban surroundings.
enable people to make known to the world their personal
As such, flash mobs can be said to utilize online tech-
experiences and thoughts, are said to be positive and
nology to create offline interaction . Flash mobs are basi-
future-oriented means of individual expression. However,
cally a type of recreation. Unlike art, which is based on
in essence, they are nothing more than a one-sided con-
complex principles, recreation does not have to be stress-
versation.
ful or structured. In this manner, flash mobs have
Chjldren should grow up in an environment that
emerged as a declaration of the younger generation's
enables them to communicate with others on a personal
"right to enjoy themselves" amid a reality in which they
basis, while having ample free time to play with friends
can do little more than endure and overcome various
and enjoy activities with their families . However, young
hardships while having so little time for personal enjoy-
Koreans spend much of their time studying at institutes
ment.
t.;.t
Spring 2005 I Ko reana
77
suk of the Department of Veterinary Science at Seoul National University. New Treatment for Diseases
In a special issue of December 17, 2004, Science, the international journal on scientific matters, listed the top ten scientific breakthroughs of the year , of w hich Professor Hwang's development of human embryo stem cells was ranked th ird , following the discovery of evidence of water on Mars and the finding of the A somatic ce ll nucleus is injected into a human ovum . Four to five days after th e somatic cells are transplanted, the ova are cultivated in a test tub e to pr odu ce hum an emb ryo stem ce lls.
world's smallest human foss il. This marked the first time for a Korean scientist's achievement to gain such
I
.I
recognition. Professor Hwang, who
n Daejeon , there was a boy who
Some 28 years later, this boy created
developed a personal affection for
You ng-long, the first cow to be cloned
has also cloned a cow that is resis-
cows. During his final year at Daejeon
in Korea, and then distingu ished him-
tant to mad cow disease and a pig
High School, this boy's teacher
self as a pioneer of cloning research
designed to supply organ transplants,
encouraged him to become a medical
when he became the first in the world
has indeed distinguished himself as a
doctor. But the boy instead enrolled
to su ccessfully extract stem cells
wo r ld-leading specialist in cloning
in the Department of Veterinary
from a cloned human embryo . This
research.
Science at Seoul National University.
boy is now Professor Hwang Woo-
78 Koreana I Spring 2005
When an ovum, or an egg, is fer-
I
tilized with sperm, this initiates a process of cell division that is continually repeated, leading to the development of internal organs, like the heart and liver, as well as bones. The foundation of the development of these human organs and body parts is the stem cell. In recent decades, scientists have extensively researched stem cells, which develop into the 210 different types of cells that make up the human body. In particular, stem cells. hold the key to the treatment of serious diseases, which typically involve the destruction of healthy cells, by inducing the growth of new cells to counter the debilitating effects of various illnesses. For example, stem cells can be developed into new nerve cells to treat sufferers of Alzheimer's and Parkinson's diseases, new heart tissue cells for those with coronary disorders, and new blood cells ¡for people afflicted with leukemia. On February 13, 2004, Professor Hwang and his research team held a press conference in Seattle, Washington, to announce their successful extraction of stem cells from a cloned embryo, which was created by transplanting somatic cells in a human ovum. The entire scientific world was astonished by this dramatic breakthrough in cloning research due to the fact that most had believed the extraction of stem cells from a
cloned human embryo was not possible. Media around the world scrambled to report that Professor Hwang 's research work represented a "landmark breakthrough that confirmed for the first time the potential of human embryo cloning for the purpose of promoting medical treatment ." With this, Professor Hwang created new hope for countless sufferers of heretofore incurable diseases. Professor Hwang 's research
team injected 16 women volunteers with hormones that caused them to produce more ova than normal. In this way, they were able to collect 242 ova . After removing the nuclei from these ova, the team added somatic cells from the women donors to create embryos with cloned genes . These cloned embryos were allowed to develop to a stage in which they were capable of producing stem cells, and then these stem cells were extracted. These stem cells were
The cloning research of Professor Hwang and others has created considerable controversy in regard to related ethical issues. In particular, there are concerns that implanting a cloned embryo into a human womb could Lead to the cloning of human beings. However, the actual cloning of people is technically impossible, according to Hwang.
revolutionary in that, because the
ova, unlike the ova of other animals,
proven through animal testing that
somatic cells came from the ovum
have a sticky exterior surface. Thus, if
actual human cloning is not possi-
donors, they could be transplanted
a fine glass tube is inserted into the
ble. "'
into the individual donor"s body with-
ovum, in order to extract the nucleus,
On October 20 2003, Professor
out concern for rejection by the
the ovum tends to rupture . To over-
Hwang's research team announced
come this, Professor Hwang's team
that they would resume their
immune system.
first made a minute hole in an ovum
research efforts on human embryo
and then applied sufficient pressure
stem cells, which had been tem-
have
to remove the nucleus, just like
porarily suspended due to ethical
experimented with inserting human
squeezing the seeds from a grape .
concerns. They used a number of
'Human Cloning Not Possible' Numerous
scientists
somatic cells into animal ova.
Professor Gerald Schatten, a cloning
ova to conduct a variety of tests to
However, Professor Hwang was the
specialist of the University of
determine under what conditions
first to insert human somatic cells
Pittsburgh in the United States,
embryo cloning would be feasible.
into human ova. The first scientist to
noted: ¡¡The unique method of remov-
At this time, Professor Hwang's
successfully clone a human embryo
ing the nuclei from the ova and using
goals are to use a smaller number
was Dr. Jose Cibelli of the U.S. enter-
somatic cells from the women who
of ova and to improve the success
prise Advanced Cell Technology [ACT]
donated the ova were the keys to suc-
rate in which stem cells can be
in 2001. However, the human embryo
cess.
developed.
cloned by Dr. Cibelli died before it
However, there is considerable
Of note, this breakthrough
could reach a stage in which stem
controversy in regard to the ethical
work involved the creation of cloned
cells could be produced.
issues related
embryos using somatic cells from
The key to the success of
research
being
to the cloning conducted
by
the i_n dividual donors of the ova.
Professor Hwang's research team
Professor Hwang and others in this
Accordingly, these stem cells can-
was that they procured sufficient ova
field . In particular, there are con-
not be readily used for treating any-
and the fact that they independently
cerns that implanting a cloned
one other than the donors them-
developed the fluid culture for nur-
embryo into a human womb could
selves. Professor Hwang's research
turing the ova. In addition, they
eventually lead to human cloning.
team is thus working on ¡ways for
devised a new technique for remov-
However, Professor Hwang rejects
creating stem cells for other
ing the nuclei from the ova. Human
this concern, explaining: ""It has been
people.
80 Koreana I Spring 2005
Awaiting Another Breakthrough
Professor Hwang estimates that
fresh cow or pig ovaries needed for
Profe ssor Hw ang pr edi cts that
it w ill be another ten yea r s before
their everyday work. Working as vet-
scientists will eventually be able to
stem cells can be applied for actual
erinarians would be an easier life, but
tran sform somatic cells into fertili zed
medical treatm ent. Thus, r esearch
the team members have come to
eggs, from which stem cells may be
efforts at the labbratory are ongoing
commit thems e lv es to cloning
obtained, all without using cloning
the year round. His researchers visit
research . Naturally, Professor
technology. This is, of course, one of
the livestock market at Garak-dong,
Hwang has a great affection for his
his research obj ectives as well.
Seoul before dawn to coll ec t the
dedicated team . Professor Hwang is so enthusiastic about his research that he says " research is my hobby, " but he is never more ardent as when he is promoting sci ence to the general public. He firmly believes that : "It is the scientist's duty to encourage students to develop a passion for science and to assure t hat the general public can properly understand
science ."
Regarding the criticism of those who question whet her he is being overly aggressive, he stresses : " Promotion of science among the general public /
is just as important as presenting research papers." We can only anxiously await the next biotechnological breakthrough by the re search team of Professor Hwang, the boy from Daejeon w ho loved cows. bt
Professo r Hwang Woo-suk's resea rch team at work in the laboratory Professor Hwang, who has succeeded in extrac ting stem cells from cloned human embryos fo r the first time in the world , is looked upon as a savior by sufferers of debilitating diseases.
Spring 2005 I Korean a 81
Seolleongtang, a traditional dish that has been enjoyed by the people of Korea for several centuries, is prepared by boiling the bones and different parts of a cow for a long time. Flavorful and nutritious, it is little wonder that seolleongtang is such a favorite of so many Koreans. Yoon Sook-ja Director, Institute of Traditiona l Ko rean Food
or office workers, the lunch hour is a vital time when they can relax and restore their energy for the afternoon work. As such, a bowl of easy-to-eat and highly nutritious seolleongtang at lunchtime can be as rewarding as a lavish banquet. Seolleongtang is made by boiling the bones and other parts of a cow, including its hooves, head, ribs, and int.estines, in water for a lengthy period of time. This produces a rich source of protein and calcium, such that a bowl of seolleongtang provides 540 kcal of energy, with 25 grams of protein, 12 grams of fat, and 28 grams of carbohydrates, as well as vitamin A [57 REI. vitamin C [11 milligrams]. and calcium [45 milligrams]. Based on the nutritional guidelines for Korean males, which recommend 2,500 kcal of energy and 75 grams of protein, a bowl of seolleongtang can provide one-third of the suggested protein level, without an excess of calories.
F
.I
Origin of Seolleongtang
Seolleongtang should be eaten at restaurants that specialize in its preparation rather than at home because long hours of boiling are required for the large quantity of ingredients . Moreover, the protein will take the form of free amino acids and hexane from the lengthy boiling, thereby. maximizing the nutritional value and adding to the full-flavorness of seolleongtang. This is why people will say that seolleongtang is better-tasting at restaurants, where large amounts can be properly boiled, than at home . Therefore, seolleongtang can best be enjoyed at restau-
rants in the company of family and friends. Then, how did seolleongtang originate? During the Joseon Dynasty [1392-1910]. on the occasion of Sangsin [the first day of $ B I in the second lunar month, the king would visit Seonnongdan [an altar in honor of the legendary Chinese figures who introduced Korea to the advancements of civilization between 2800 and 2600 B.C., including Shennong, a teacher of agriculture and mercantilism, and Houji, a specialist in writing, hunting, trapping, and fishing]. which was located in today 's Dongdaemun-gu of Seoul, to preside over a prayer ritual to supplicate for a bountiful harvest in the coming year. After having completed the ritual ceremony, which included offerings of uncooked rice, millet, cows, and pigs, the king would tend to various farming tasks at jeokjeon [a farmland area reserved for the royal family]. Thereafter, the rice and millet would be cooked in a large pot, the beef used to prepare soup, and the pork boiled to make pyeonyuk, boiled sliced meat. The king would then invite the elderly farmers over the age of 60, who had been selected to guide the ox used by the king to plow the fields, to attend a dinner. The rice and beef soup were served in a large bowl, or ttukbaegi, after being seasoned with shallots and salt. The use of shallots and salt has remained an integral element of this soup even today. Seolleongtang was originally called seonnongtang because of its association with the Seonnongdan ritual ceremony. Over time, the name evolved into the easier to pronounce "seolleongtang." Spring 2005 I Ko reana 83
The key to seolleongtang's savory appeal is its thick white broth and the accompaniment of kkakdugi, crunchy radish kimchi. Kkakdugi serves to offset the meat odor, which is unpleasant to some, in addition to aiding in the digestion of the beef.
Slow and Steady Boiling In Western cuisine, stock made by boiling the bones of
ed . Fat and dregs are removed from the stock. When thoroughly boiled, remove the meat from the bones and slice
cow, chicken, or fish with vegetables and spices, is typically
into strips. Serve the seolleongtang in a bowl with rice and
considered the most critical ingredient for assuring the
slices of beef, together with minced shallots, powdered red
desired taste of soups and sauces. Bones must be boiled
pepper, black pepper, and salt.
to produce white stock, but cow bones will result in a
The longer the seolleongtang is boiled, the more
brown stock if the bones have been grilled. The lengthy
savory and richer it will be . Therefore, the best-tasting
boiling of cow bones will create a beef stock similar to that
seolleongtang involves the lengthy boiling of a proper
of seolleongtang . However, Koreans will then consume
amount of water at a low temperature. On the other hand,
this beef broth as is, whereas Western-style cooking calls
boiling too little water at high heat, and then adding water
for the stock to be combined with other ingredients to
later, will not only result in an inferior taste, but also inten-
make various soups and sauces. For example, potato soup
sify the beef odor. Indeed, the key to preparing flavorful
and onion soup include the addition of potatoes and onions
seolleongtang calls for using an appropriate amount of
to the beef stock. Moreover, as compared to Western din-
water and regulating th
ing, in which soup is often served as one course of a meal,
reduce the beef odor, the shallots, garlic, and ginger
Korean soup [guk] or seolleongtang will be a main course,
should be added after the protein has been extracted from
when accompanied by rice.
the cow bones.
~
boiling at low heat. Also, to
As compared to gomtang, another type of meat-based
Another must for the enjoyment of seolleongtang is
soup, seolleongtang calls for the use of a larger amount of
the accompaniment of well-ripened kkakdugi kimchi .
bones and longer boiling, such that bone marrow becomes
Kkakdugi is a refreshing radish kimchi, which helps to off-
part of the soup stock. Salt and seasoning are added to
set any pungent aroma of seolleongtang, while providing a
seolleontang just before being served .
crunchy contrast. In addition, kkakdugi contains various
So, what steps are involved in the preparation of
enzymes that aids in the digestion of seolleongtang's large
seolleongtang? First, water is boiled in a large pot. When
amounts of beef protein and fat. Enjoying seolleongtang
the water boils, the washed head and bones of a cow are
and kkakdugi in the company of family and friends is
added . After sufficient boiling, the cow head and bones are
always a delightful experience. I>!
removed and placed in fresh water. The water is then boiled and the beef ribs and shanks are added. To minimize the beef odor, shallots, garlic, and ginger are includ84
Koreana I Sp ri ng 2005
JOURNEYS IN KOREAN LITERATURE
Kim Sung-ok
Spring 2005 I Koreana 85
CRITIQUE
Birth of Sensibility and Self-illusion of Modernity Kim Sung-ok has earned a prominent standing in the world of Korean literature. His literary work, characterized by witty observation, a meticulously devised plot, diverse streams of consciousness, and sensory language, is credited with bringing about a "revolution in sensibility,¡¡ along with being acclaimed as a standard in Korean fiction. Jeong Gueoi-rhi Professor of Korean Language and Literature, Yonsei University
K
/
im Sung-ok [b. 1941] is a representative author of the
writing represented a "revolution in sensibility."
so-called April 19 generation, which was instrumen-
Along with the birth of a sensory lan.guage, Kim's
tal in ousting the dictatorial regime of Rhee Syngman in
work confirmed the independence of the modern Ko rean
1960. The generation is named for the April 19 student rev-
people. In what the author calls "a world of one 's own," he
olution, which enabled Koreans to believe that they had the
traces its meaningfulness and insignificance at the same
power to shape their own destiny. With this revolution ,
time, a process best demonstrated in his short story "A
Koreans finally began to live as a people characterized by
Journey to Mujin."
"creative subjectivity."
Mujin means a fog-enshrouded bay. An atmosphere
In literature, this "recovery of self' was expressed
of fog pervades the story, which represents the despair
through a wholly innovative use of language. According to
and self-loathing of those alienated from the mainstream
the literary critic Kim Hyun, the April 19 generation
world, the ambition and conspiratorial ways of those striv-
includes those who were "educated in Korean, think in
ing to dominate society, and a mixture of feelings, heavy,
Korean, and write in Korean." The mother tongue, Korean ,
persistent, and desolate, that is born out of malice when a
was thus utilized for expression of culture, as well as a
plot ends in failu re. The story's protagonist and narrator
medium for discovery of life and a lever for enhanced per-
used to live amid such fQg. But he manages to escape
ception. In this case, language is not simply a tool for com-
Mujin and make his way to Seoul, where he marries the
munication. The language itself serves as a framework for
daughter of a pharmaceutical firm owner and becomes a
expressing the inner sentiments and longings of the
business executive . However, whenever he needs to
Korean people.
"escape from failure in Seoul or is about to face a new
It is said that the work of Marivaux marked the advent
experience," he always seeks refuge in Mujin. Again, while
of an "egoistic society" in French literature. Similarly, Kim
awaiting a promotion to senior executive director, the nar-
Sung-ok's writing introduced the independent human
rator returns to Mujin at the advice of his wife and father-
being to Korean literature. As the critic Georges Poulet
in-law "to relieve the tension." There he meets up with his
credited Marivaux's work for bringing about a "birth of
hometown friend Cho who is the head of Mujin District Tax
sensibility," Kim Sung-ok's work has been said to have
Office, Hah ln-sook, a teacher assigned from Seoul, and
hera.lded its own " birth of sensibility" in Korea. Such
Park, another hometown friend who is in love with Hah.
descriptions as "the autumn sunlight was squirming
These three-Cho, Hah and Park-are mirrors that
around the toes of my enamel shoes " [from "Life
reflect the complex nature of Mujin. Cho believes Mujin is
Rehearsal"] appeared in Korean literature for the first
no different to Seoul. He studied in Mujin and achieved
time. If April 19 marked a democratic revolution , Kim's
success in Mujin, and is a big fish in the Mujin pond. In con-
86 Koreana I Spring 2005
/
trast, Hah thinks of Mujin as a place for the alienated. As
Then why does he return to Mujin? Is it in Mujin that
for Hah, who has ended up in Mujin after being expelled
he again feels a burning desire to escape? But something
from Seoul, she seeks to capitalize on her situation by
that is vaguely alluded to by his wife becomes evident in
planning to marry Cho. But after meeting the protagonist,
Mujin. Seoul is characterized by ruthless competition ¡and
she attempts to seduce him in an effort to return to Seoul.
constant intrigue and struggle . And while Mujin is far
Park reflects the lethargy of Mujin. Born in Mujin,_he man-
removed from Seoul, it is nevertheless a condensed ver-
ages to pass the teachers' examination and is eventually
sion of the big city. Therefore, by experiencing in Mujin a
hired as a teacher. But at the school where he teaches,
condensed and simplified version of the ambition felt in
those who graduated from education colleges constantly
Seoul, the protagonist can train for battle in the big city,
overshadow him, while outside of school he is dominated
like getting a vaccination to prevent a contagious disease.
by Cho, so he is unable to tell Hah of his love for her.
At the same time, through his relations with other
As such, Cho and Park define the parameters of the
people , the protagonist suggests the futility of personal
protagonist and make clear his need to escape from Mujin.
ambition and subterfuge. If it is necessary to escape from
Cho confirms that Mujin is no more than a cheap imitation
both Seoul and Mujin, where can he go to survive? Of
of Seoul, while to Park, Mujin and Seoul are like .two sepa-
course, survival in Seoul woutd mean being able to rise in
rate worlds. Meanwhile, Hah is like the alter ego of the
social status there. But where does this ascent end? As
protagonist in the past. She is willing to do anything to
CEO of the pharmaceutical business or something higher?
escape from Mujin but hates what she is doing. Through
Ultimately, the story indicates, through the experiences of
the piteous experiences of the protagonist, the author
the main characters, that those who seek to escape will
reveals both the everyday life of the average Korean in the
inevitably find themselves in constant pursuit of escape.
1960s and the universal human condition of modernity. Still, the question remains, why does the protagonist return to Mujin whenever there is difficulty? He struggled so desperately to escape and finally succeeded, and there-
Likewise, no matter h¡ow successful a person might become, his desire to further succeed will never be fully satisfied . Kim thus provides a glimpse into the representative
fore has no real reason to return . If Mujin represents a
daily experiences of Koreans in the 1960s, who were finally
place of refuge to his wife and father-in-law, then this
able to confirm their existence as independent human
implies that Seoul is like a battleground fraught with con-
beings as well as the universal influences of modernity. In
flict. On the other hand, the situation is less straightfor-
"A Journey to Mujin" these matters are portrayed as rele-
ward for the protagonist who finds no respite in Mujin, but
vant social issues through a literary style that vividly con-
rather feels a desire to further escape.
veys the real-life experiences of Korean society.
1.>11
Spring 2005 I Koreana 87
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