The Argosy, November 28 2013

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Mount Allison’s

THE November 28, 2013

ARGOSY Independent Student Newspaper

Trying to find the library since 1872

Comedy and a capella

Toronto’s talented vocal quartet returns to Maritimes

Martin Omes

Arts & Literature Writer

Audiences were brought to their feet last weekend as Cadence, an a cappella vocal quartet from Ontario, made an appearance in Brunton for this year’s third instalment of the Performing Arts Series. Due to popular demand, the event was Cadence’s third visit to Mount Allison, and was made possible by the J.E.A. Crake Foundation. Currently based in Toronto, Cadence is a quirky quartet consisting of Carl Berger, Ross Lynde, Lucas Marchand, and Kurt Sampson, all of whom are distinguished vocalists from all over Canada that have combined their collective musical talents and playful personalities to the immense entertainment of audiences around the globe. The ensemble was founded in 1998, and has recorded four studio albums, two of which have been respectively nominated for Juno awards in 2001 and 2006. The evening’s performances quickly demonstrated Cadence’s musical diversity and group chemistry for which they are famous. Easily covering 500 years of music to comedic effect, Cadence performed a Renaissance madrigal to the lyrics of Justin Bieber’s “Baby,” and a Gregorian chant that evolved into an a cappella rendition of “Smoke on the Water.” Additionally, the quartet playfully presented one of Mozart’s horn concertos performed entirely in scat singing. In this way, the ensemble combined their concise knowledge of historical styles and genres with their desire to entertain by uniting the classical with the contemporary. Cadence is clearly most comfortable performing early jazz tunes from the forties and fifties, with names like Frank Sinatra, Nat King Cole, Cab Calloway, and Louis Armstrong lighting up their repertoire. Their uncanny ability to reproduce the sounds of swing using only their voices is both remarkable and enjoyable; one

News

Ticket subsidy prompts debate: Pg. 8

Microsoft releases the Xbox One New console released in time for Christmas

Daniel Marcotte

Science Writer

The quirky quartet, Cadence, brought their vibrant personalities and musical expertise to Brunton for the Performing Arts Series. (Nick Sleptov/Argosy) could almost believe that Cadence is a full jazz ensemble, featuring trumpets, trombones, saxophones, and even percussion. In addition, Cadence encouraged participation and engaged heavily with the increasingly enthusiastic audience, using “calland-response” singing and randomly selecting people to perform short vocal solos. Another notable performance of the evening was Cadence’s rendition of Gordon Lightfoot’s famous Canadian epic “The Wreck of the Edmund Fitzgerald.” The members of Cadence are also involved with a Toronto-based Gordon Lightfoot tribute band who have recently been recognized by the folk legend himself. Theirs was a solemn and soulful a cappella interpretation of this classic. International audiences have even enjoyed this version. “It’s got some real Canadian history to it,” remarked Sampson, reflecting upon their recent performance of the song in Germany.

“People really like that aspect.” In the interest of Canadian bilingualism and Cadence’s recent travels to Europe, the ensemble also sang Pink Martini’s “Je ne veux pas Travailler,” a tune that further allowed the group to draw attention to their own silliness. Finally, in honour of Atlantic Canada and Sampson’s own P.E.I. heritage, Cadence returned for an encore with Stan Rogers’ memorable folk song “Barrett’s Privateers,” which had the entire audience singing and clapping along to the Maritime classic. With their massively diverse range of musical styles and their playful presence that is engaging, comical and fun, one can only hope that Cadence will make yet another return trip to Mount Allison in the future. The Performing Arts Series will resume on Feb. 4, 2014, with the talents of Japanese drumming ensemble Fubuki Daiko kicking off the winter semester.

Opinions

Entertainment

Vol. 143 Iss. 12

Looking at the Xbox One in comparison to the Xbox 360, one can see how there is little resemblance between the two systems. It is clear that Microsoft has been working towards the next generation as early as 2008, when it brought eight-player part chat, Netflix, and customizable player Avatars. Unfortunately, with the Xbox One, Microsoft has managed to design a system that will blend in with all of your other components in your home entertainment centre, as it is visually unappealing. With the console being larger than the original Xbox 360, and the return of the power brick and an even larger Kinect sensor, there are a lot of questions to ask about the new console. The new Xbox One has three USB ports, with two on the back and one on the side, that are currently very useful for charging controllers or connecting with a Fightstick*. The one major difference between the 360 and One, however, is that Xbox One has a Blu-ray drive, so a second device is not needed any longer to run those movies. Microsoft also had the unfortunate task of redesigning a

controller that in reality, nobody found had any issues to begin with. The 360 controllers were praised, so it will not come as a surprise that there aren’t many changes to the controller. It is quite a comfortable controller, with a lighter weight, but much better texture to avoid the slippery feel you would normally get with long sessions with the 360. The thumb sticks might feel smaller, but the adjustment was very quick and actually helped make your shot more accurate. The main page on One is very similar to anyone who has used Windows 8. The coloured tiles were quite easy to navigate, and the dashboard was much more organized. Also, the Kinect actually works with voice commands this time, and really was quite simple to use. However, it demands full names of movies and games, so instead of“Ryse”, you must say “Ryse: Son of Rome,” for example. It also does not currently have integration with social media networks like Facebook, which will likely come with an update, but it is surprising that it wouldn’t come with the launch. With being able to watch a football game at the same time you play a game, the Xbox One currently has the advantage over Sony when it comes to its release. It currently has better launch titles, and if I had to pick a winner at this time, the winner would be Microsoft. However, Sony is cheaper, and has the potential to be amazing with some updates, so stay tuned for upcoming months.

The newly released Xbox One is larger than the 360. (Allison O’Reilly/Argosy)

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