Aspen Times Weekly-4/11

WINEINK

A TASTE OF AMARONE 12

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VOYAGES

AN ANACAPA ADVENTURE 17

APRIL 11�17, 2013 • ASPENTIMES.COM/WEEKLY

CULTURE/CHARACTERS/COMMENTARY

Greetings from ...

RETRO GRANDREVERSE

THE

FIND IT INSIDE

GEAR | PAGE 10

WELCOME MAT

INSIDE this EDITION VOLUME 2 F ISSUE NUMBER 20

General Manager Gunilla Asher

DEPARTMENTS

Editor Jeanne McGovern Subscriptions Dottie Wolcott

04 THE WEEKLY CONVERSATION 08 Legends & Legacies

circulation Maria Wimmer

10 From Aspen, With Love

Art Director Afton Groepper

12 Wine Ink

Arts Editor Stewart Oksenhorn

14 food matters

Production Manager Evan Gibbard

20 cover story

Contributing Editors Mary Eshbaugh Hayes Gunilla Asher Kelly Hayes John Colson

24 Around Aspen 27 LOCAL CALENDAR 34 CROSSWORD

WINEINk

a TasTe of amarone 12

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VoyagES

Contributing Writers Paul Andersen Hilary Stunda Amanda Charles Aspen Times staff Frannie the dog

an anacapa advenTure 17

april 11-17, 2013 • aspenTimes.com/Weekly

FIND IT INSIDE

Contributing Partners High Country News Aspen Historical Society The Ute Mountaineer Writers on the Range www.aspentimes.com

GEAR | PAGE 10

CULTURE/CHARACTERS/COMMENTARY

Greetings from ...

rETro graNDrEVErSE

ThE

Edward Sharpe and the Magnetic Zeros perform at this summer’s Jazz Aspen Labor Day Festival.

26 A&E Jazz Aspen Snowmass has never shied away from mixing up the music at its two signature festivals, and 2013 is no different. Arts Editor Stewart Oksenhorn gives us the lowdown on the June and Labor Day festival lineups.

Sales Ashton Hewitt Jeff Hoffman David Laughren Dan Frees Louise Walker

ON THE COVER Created by Afton Groepper

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CALI

Gentle, soft-spoken, 3-year-old Pit Bull mix. Gets along well with people + other dogs. Shy with strangers, but bonds tightly with people once she knows them.

Has separation anxiety, so she will do best in a patient, knowledgeable home.

BUCK

Mellow, friendly 11-year-old American Foxhound/Husky mix who gets along well with people and other dogs. Buck is a retired sled dog who came to the shelter with his siblings.

SAM

HUNTER

3-year-old mediumsize Chow mix, found wandering around Aspen. Wary of strangers, but friendly once he knows you and trusts you. Loves treats. Will need a responsible owner.

CLEO

Strong, energetic, black/white 5-yearold female Boston Terrier mix with a splash of Pit Bull— larger than a typical Boston. Outgoing and very friendly.

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A S P E N T I M E S . C O M / W E E K LY

THE WEEKLY CONVERSATION

VOX POP What are you most looking forward to about offseason?

Flo Bielat E stes Park , C olo .

“What I like best about offseason is less tourist and easier access to the town’s restaurants.”

Ashley Harchelroad N e b raska

“The warm weather, restaurants and shopping.”

Adriana and Natalie Yaroshevsky C hica g o

“Summer activities on the mountains.”

A S P E N T I M E S W E E K LY

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with JOHN COLSON

What’s the news on Estonian oil shale? Glad you asked ...

Estonia probably is not a nation that most Americans even think about on a daily basis.

It’s tucked in the far northeastern corner of Europe, was a Soviet republic for decades, and with about 1.5 million people is one of the least densely populated nations on the continent.

But for years, whenever anyone brings up the subject of oil shale development in the Western U.S., Estonia comes up without fail as an example of a country where oil shale is successfully mined, refined and used without any problem.

Oil shale, as you may know, is a stratum of rock hundreds of feet below the surface of parts of Colorado, Utah and Wyoming that contains an organic substance known as kerogen. When extracted from the rock, typically by a heating process, the kerogen can be refined into fuel, which is how the Estonians have been using it.

Well, it turns out those Estonians might have profited from being in Western Colorado back in the late 1800s, when legend has it that some homesteader used some of the local river rock to build a fireplace and chimney for his cabin.

For those not steeped in oil shale minutiae, the rock he used was oil shale washed down from the high mesas, and as soon as he built a fire in his new fireplace the whole place caught and burned to the ground.

Thus oil shale was discovered in the Americas, they say.

Not a propitious beginning, I’d say.

Anyway, in old Estonia, they’ve been using oil shale as a source of industrial fuel for nearly a century, though they first tried to mine it and use it in 1838 with unknown results.

According to Wikipedia, the online encyclopedia, oil from shale produces 90 percent of Estonia’s electrical power, something like 4 percent of its gross domestic product, and employs more than 7,000 people — about 1 percent of the national workforce.

So, in Estonia, oil shale is a big deal, right?

Well, yes, but not always on the bright side, unless you consider the glow of burning piles of shale to be

on the bright side.

A friend at the Checks and Balances Project, a Denver-based government and industry watchdog group, sent me a link to an Estonian Public Broadcasting story about the environmental problems arising from oil shale production and use.

For one thing, according to this story, the industry is responsible for some 80 percent of Estonia’s pollution and carbon emissions.

This from an industry that only mines about 20 million tons of the stuff a year, which is not that much.

The Estonians are involved in the U.S. effort, of course. The Estonian company Eesti Energia has a test project in Utah, which is viewed by oil shale advocates as a shining beacon for us to follow.

Trouble is, the Estonians aren’t so sure about it.

According to another EPB news report, the Estonian Minister of Economic Affairs has warned that the Utah test project could actually cost the government $100 million.

The main issue, says Minister Juhan Parts, is that Estonia’s technology for getting the “oil” out of the rock doesn’t seem to be working well with U.S. shale.

With the environmental impacts of the industry in Estonia itself, and the concerns about the viability of the technology in terms of a U.S. industry, oil shale in Estonia may be, well, perhaps headed for the rocks.

But Estonian Prime Minister Andrus Ansip isn’t ready to throw in the kerogen-soaked towel just yet.

He said there won’t be enough known to make any decision about the Utah project until at least 2016.

And apparently a 2012 test in Germany, using 600 tons of Utah shale shipped to the German labs at Estonia’s expense, was not “promising,” according to the company’s internal publication, Eesti Ekspress.

So, just as it is with U.S. oil shale, the jury is still out on whether Estonian oil shale will hold its position as that country’s answer to energy shortages.

And that’s the way it is today, April 11, 2013.

HIT&RUN

jcolson@aspentimes.com

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A S P E N T I M E S . C O M / W E E K LY

THE WEEKLY CONVERSATION

by Stewart Oksenhorn

Festival The 22nd annual Aspen Shortsfest kicks into high gear, with events through Sunday, April 14. The films, presented in two programs each day, run the absolute gamut: an unsettling look at the generation gap between a Brazilian musician and his father; a comic tale set in a movie theater in Nazioccupied Serbia; the story of Eddie Adams, the photographer who made the most iconic image of the Vietnam War; all sorts of animated techniques. There’s also a panel discussion featuring the writers of TV’s best dramas (“The Sopranos,” “Boardwalk Empire”), a Saturday afternoon program for kids, and filmmakers galore in attendance who will talk about their work and the filmmaking process. Shortsfest runs through Saturday, April 13 in Aspen, then moves downvalley for screening programs on Sunday, April 14.

The French short “Saturday Girls” is featured at Aspen Shortsfest, which runs through Sunday, April 14.

currentevents Written word Oftentimes, the best way to experience a writer is through their writing. The best of what they have to offer is on the page.

In the case of Cheryl Strayed, though, you want the whole person. In “Wild: From Lost to Found on the Pacific Crest Trail,” Strayed, a 44-year-old who lives in Portland, Ore., gives us plenty of herself. The book, which spent seven weeks on top of the New York Times bestseller list last year, spares few details Writer Cheryl Strayed in telling of Strayed’s earlier appears in life: a rough childhood in the final event of the Winter Minnesota, hard drugs and Words series, loose sex, the harrowing Friday, April 12 at Paepcke death of her beloved mother.

Auditorium.

Mostly, “Wild” tells of the months-long, 1,100-mile hike she took as a 26year-old, from Southern California to Washington state, a journey of communing with nature, reckoning with loss and fear, discomfort and self-discovery. A broad audience will likely get a fictionalized take on Strayed and her trip; Reese Witherspoon has optioned the book and is expected to play the writer in a film version of “Wild.” Aspen audiences get the real, full thing, as Strayed appears in the final event of the Aspen Writers’ Foundation’s Winter Words series, Friday, April 12 at Paepcke Auditorium.

Community In 2005, the Aspen Art Museum announced the end of the long-running Valley Kids show. The young artists weren’t left in the wilderness long; the Red Brick Center for the Arts, and its director Debra Muzikar, stepped in with the ArtStart exhibition.

Muzikar, who has led the Red Brick since 2005, has announced her resignation, and it’s fitting that she leaves while the Red Brick Gallery is packed full with the colorful art of local kids — it’s a reminder of how completely Muzikar has embraced the concept of a community arts center. She has welcomed collaboration and input from regional artists and organizations, and the Red Brick genuinely reflects local tastes and values. Her successor should be prepared to come in with ideas, vision and high spirits; Muzikar has set the bar high.

Debra Muzikar is stepping down as executive director of the Red Brick Center of the Arts at the end of the month.

complete local listings on page 27

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A S P E N T I M E S . C O M / W E E K LY

LEGENDS & LEGACIES

CLASSIC ASPEN

by TIM WILLOUGHBY

Attics like this one, photographed in the Crosby house in the 1950s, can be a treasure-trove of history.

Be Careful What You Throw Away one man’s garbage can be a researcher’s treasure. Piles of papers

and goods left behind by mining-era residents in abandoned houses and buildings were thrown away when newcomers either cleaned up or bulldozed the clutter. Some astute locals salvaged “antiques” to decorate their homes or to sell to tourists; but at that time the refuse was barely 50 years old, like the family hand-me-downs already crowding their attics. Now more than a century old, these rare Victorian remnants ignite historical curiosity.

Dorothy Shaw collected Aspen’s historical items throughout the 1940s and ’50s, opening a museum for visitors to view her treasures.

Whenever she and Judge Shaw, her husband, purchased old houses and buildings, they kept the furnishings.

Never one to discard things out of habit, Dorothy kept the useful as well as the useless as the couple accumulated an increasing number of sheds and old commercial buildings.

Aspen’s dumps have become the final resting place for much of its past: miners’ correspondence, storekeepers’ records, photographs of events. One of Shaw’s sheds housed boxes of glass-plate negatives produced by an Aspen photographer.

When the shed changed hands, some of the negatives ended up in the dump where, fortunately, someone distinguished them from the

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surrounding mounds of garbage.

Diaries have always been considered a primary source for documenting history. They not only chronicle events; more importantly

Of the surviving diaries, those of Charles Armstrong, who lived and worked in the Castle Creek Valley (published in 2002 as “The Lost Journals of Charles S. Armstrong:

Daily musings by famous people give us insight into the past, but the memories of the man on the street can be just as important. they add context. Daily musings by famous people give us insight into the past, but the memories of the man on the street can be just as important. Although daily diaries were commonplace in the 1880s and 1890s, most of Aspen’s diarists’ pages have been discarded.

Ap r il 1 1 - 17 , 20 13

From Arkport, New York to Aspen, Colorado”), were nearly lost.

High school student Eric Johnson discovered one of Armstrong’s 19 journals at the dump. I remember the interest it received when a typed copy circulated among longtime residents, who scanned for accounts of familiar

people and events. Armstrong’s tales of Highland and Ophir, two mostly-forgotten Castle Creek Valley settlements, prompted some to scour the sites for old bottles and other relics.

John Herron, my uncle, preserved a pile of papers and photographs that gathered dust in his garage until writers of the 1950s studied them when writing articles and early historical guides. During the 1940s, Herron owned a lease on the Hyman family mining claims, including the Smuggler and the Durant. One old leased office was the source of interesting records such as mine maps and logs of timbering. In addition he preserved a few business letters of B. Clark Wheeler and D.R.C. Brown, early Aspen pioneers. Also, he saved a decade of Aspen Times that corresponded with his youth, from the beginning of the 20th century.

As a mobile society grown fearful of hoarding, we avoid saving the material “waste” of previous generations.

Whatever we salvage is usually stored in boxes in basements and attics. When we move on, we are forced to contend with our material goods and then, faced with the prospect of loading and unloading more space-gobbling boxes, we feel tempted to toss them all, without further examination. Even if we save a few items iconic of the family legacy, we may not realize that other items may add to the larger story of a town’s past.

The next time you find yourself sifting through boxes of dusty paper, think like a historian; donate anything you may find relevant to your local historical society.

Discard knowledgeably and carefully — tucked between pages of hardto-read letters and diaries, you may discover historical gems such as a letter to your great-grandfather signed by Abraham Lincoln.

Tack this article to your attic door.

Tim Willoughby’s family story parallels Aspen’s. He began sharing folklore while teaching for Aspen Country Day School and Colorado Mountain College. Now a tourist in his native town, he views it with historical perspective. Reach him at redmtn@schat.net.

P h oto b y Frit z Kaeser / W illou g h b y collection

LEGENDS & LEGACIES

FROM the VAULT

compiled by THE ASPEN HISTORICAL SOCIETY

E a r ly s k iing

1899 Woodies and Woolies

P H O T O C O U R T E S Y o f t h e A spen Historical S ociet y

“Three of a kind,” stated an article in the Aspen Weekly Times on Feb. 11, 1899.

“Dougal Sullivan, Claude Morgan and Ed Oakland, who are leasing on the Silver Star, over in the park, started for their work yesterday, a sack of grub swung over their shoulder, a guiding stick in their right hand and a pair of 11-foot Norwegian snow shoes under their left arm, and they said they would not beat a retreat until Saturday. They were loaded for business sure enough.”

A S P E N T I M E S . C O M / W E E K LY

from aspen, with love

GEAR of the Week

NEED TO KNOW

GlideLite Mohair Mix STS Ute Price: $ $

165- 180

• Mix of 65% mohair and 35% nylon • Adjustable tip attachment to fit a wide range of ski tip shapes, and no tail attachment • Available in 15 mm width increments from 80 to 125 mm • Weight per pair: 1 pound, 6 ounces

Ascension Nylon STS Skins Ute Price: $ $

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• Adjustable tails provide 10 cm of length adjustment • Adjustable tip attachment to fit a wide range of ski-tip shapes • Available in 15 mm width increments from 65 to 140 mm • Weight per pair: 1pound, 10 ounces

Black Diamond Skins With lift-served skiing coming to an end, it’s time to head for the hills — the backcountry hills, that is. To get you where you want to go, Black Diamond has manufactured different skins for different needs. The GlideLite Mohair Mix STS Skins are engineered for long approaches and extended ski tours, where both packability and traction are paramount; they are ideal for skiers who appreciate lightweight simplicity. The Ascension Nylon STS Skins, on the other hand, provide benchmark grip and climbing performance, with improved glide thanks to a redesigned printed plush material.

Check them both out to decide what’s best for you. — Ute Mountaineer staff

10

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P H O T O C O U R T E S Y o f ute mountaineer

DOG WEEK THE THE

Margaret Gracie and Hickory

Gracie a 6 ayear sweet & loving purebred “Scott-type” Lucky Dayis has loveold story of our own. Meet Margaret and Hickory Bulldog.pair Shethat is just in person a American delightful bonded muststunning be adopted together.- everyone Margaret is to look!

Her foster thinks one Basset of the Hound. best a turns 55 pound lab/ chow mix andDad Hickory is ashe 45 is pound dogsdogs he has Gracie lap dog and Both are had.

6 years old, considers calm and herself mellow. aMargaret lovesisto MOREand than happyloves to join you in bed invited.

Gracie cuddle Hickory to lounge.

They ifare both great on isa low leash energy she walks. needs Ittoisbe but loves to get out to walk. and enjoy when long, slow especially endearing to see Hickory Gracie grew hasshoulder lived intonothing but aMargaret loving home. frequently look up over& his make sure is close Her home could keep herand because the new behind.

They both are no welllonger mannered inside are bothofhousebroken. baby’s allergies. is going little white Margaret and HickoryAlthough enjoy theshe company of apeople, other around dogs and the cats. eyes,They she is only 6 years even have each other,old. nowGracie all theyignores need isother their dogs, forever walksMargaret well on the andareis obedience trained.

Shechipped also home. and leash Hickory spayed/neutered, micro does not mind children -Ifalthough would prefer and current on cats their and vaccinations. you areshe interested, please to live kids 7atand older. Gracie is spayed, visit ourwith website www.luckydayrescue.org andup-to-date complete on and shots and or microchipped. out an application at application, for questions Please contactfillStephanie at 303-478-0662. www.luckydayrescue.org then call 303-478-0662.

LUCKY DAY ANIMAL RESCUE OF COLORADO LUCKY DAY ANIMAL RESCUE OF COLORADO

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It is getting warmer, snow is melting… time to think about Summer!

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SUNDAY, APRIL 14, SNOWMASS The 6th annual Schneetag is looking to be the best ever! In addition to having an awesome time closing out the 2013 season, you will be rewarded for taking the plunge into the toasty 80-foot pond. This year, every team will go home with one of many great prizes including a GoPro Hear 3 Blacks, Belly Up tickets with Bottle Service (limitations apply), Mammoth Festival tickets, Rock Jam tickets, Smith & Helly Hansen gear, an Aspen Whitewater Rafting trip and gift certicates to a number of local restaurants. So get together a crew, come up with a theme, build a craft, get dressed up and come get weird in Snowmass. Registration is FREE. www.aspensnowmass.com/schneetag

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FOUR-MOUNTAIN SPORTS

40% OFF: All 2012/2013 hard goods. All skis, ski boots, ski bindings & ski poles. All snowboards, snowboard boots & snowboard bindings.

40% OFF: All 2012/2013 soft goods: outerwear & midlayers, winter streetwear, select winter shoes & accessories, select Smith goggles, helmets select glove brands: Celtek, Oakley, Grenade, Candygrind & Volcom. www.aspensnowmass.com/rentals | 970-920-2337

SKI & SNOWBOARD SCHOOL

WOMEN’S LOCAL CLINIC April 11, 10 am - 3 pm, Snowmass For intermediate to expert skiers and snowboarders. Meet at 9:45 am at Snowmass Base Village. All 2012-2013 Women’s Local Clinic passholders are welcome, $69/without a Locals Clinic pass.

Reservations are required, must sign up 48 hours in advance. www.aspensnowmass.com/localsclinics | 970-923-1227

Yoga for Skiers & Snowboarders, Sundeck, Aspen Mountain April 12 & 13, 9:30 – 10:30 am Every Monday, Wednesday, Friday and Saturday through the close of Aspen Mountain. Mats provided. Must have ticket to load gondola.

ASPEN OASIS, Ski-in Champagne Bar, Aspen Mountain April 12 - 14 For clues to its location, follow @TheLittleNell or facebook.com/TheLittleNellAspen.

Live Après Music, Sneaky’s Tavern, Snowmass April 12 & 13 4/12, 4 - 7 pm, Hayden Gregg & Tom Hills, & 4/13, 2 - 5 pm, Aspen Biker Band.

Snowmass Base Village Closing Party, Snowmass Base Village April 14, 1:30 - 8:30 pm Stop by Base Village after Schneetag! For drinks, live music with DJ Ronnie 3 - 5 pm & Spore Favor 5 - 8 pm, and a “Retro-Choose-Your-Decade-CostumeContest” at 5 pm. Enjoy lots of kids activities including Betty Hoops, a bounce house, chalk art, face painting and Snowy the Mammoth.

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WINEINK

words to DRINK by

The Lure of Amarone Big wines leave their mark on a drinker.

Some time ago I had the pleasure of attending a luncheon hosted by the legendary Italian winemaking company Masi Agricola. The meal was paired with a number of Masi’s finest Amarone della Valpolicella wines, more commonly referred to as, simply, Amarone.

And they left more than just one mark.

First, there was a slight, OK moderate, buzz. After all, over a half-dozen wines were Kelly J. poured and the alcohol Hayes content of each weighed in at 14 percent (the minimum an Amarone can legally be) or more. And yes, for much of the afternoon, I carried the deep dark color of the wines on my lips and teeth.

But the biggest mark was made on my soul. These great wines reflected the six-generation history of the Boscaini family in Verona, who own the Masi Vineyards. The bottles told the tale of the intense labor, love and time that went into making them. And, in each mouthful, the quest for quality was clear. The combination made these Amarone some of the most intriguing wines I had ever tasted.

The name is derived from the Italian word for bitter or tart, amaro, and a good Amarone plays with a marriage of a bit of bitterness followed by a hint of sweetness on the finish. When ordering, ask for “Ah-ma-ROH-nay.”

Amarone comes exclusively from

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the Veneto region of Italy in the northeastern part of the country.

Blessed by the presence of the waters of Lake Garda, the area is stunningly beautiful. It is also a very important place in the world of Italian wine, home to the white varietal Soave and the lighter style red Valpolicella.

The winemaking history in Veneto goes back centuries. The Romans made a wine in the region called Recioto. High-alcohol, intensely sweet wines, they were made by drying grapes on straw mats to increase their sugar content and produce wines that could travel easily on foot or horseback without spoiling.

The legend of Amarone goes that one day, who knows when, someone left a batch of Recioto in a barrel too long and the magic of nature and a healthy dose of yeast conspired to take most of the sweetness out of the wine. A new style of heavily concentrated, yet dry wine was born.

Amarone is a blend of three regional grapes — Corvina, which dominates, Rondinella, and Molinara.

These grapes are given as much hang time as possible and are harvested

late in September or even early October. Hand-picked, the grapes are placed on bamboo mats to dry for up to 120 days in a process known as appassimento. This allows the sugars to concentrate and removes so much moisture that, by February, the grapes weigh as little as 35 percent of what they weighed when harvested.

This time- and labor-intensive way of winemaking is what gives Amarone its unique character.

The Boscaini family first acquired land in Veneto in 1772, when they purchased the Vaio dei Masi vineyard, giving the company its name. And though they have been making wines for more than 230 years the first release of Amarone was in 1958. Since that time they have strived to create techniques and standards to improve the quality of each vintage.

While still based on concepts originally used by the Romans centuries ago, the appassimento is now augmented by drying lofts that provide the grapes perfect conditions in a system pioneered by the Masi Technical Group called NASA (Natural Appassimento Super

Assisted). This provides temperature and humidity controls that replicate climatic conditions of the best Amarone vintages of the past.

Amarone has become an exceedingly sought after, though hard to classify, wine. Some bottlings retain the sweetness of the fruit while others more accurately reflect the bitterness for which it owes its name. Tannic at times, depending upon the maker, the wine can have a thick, viscous feel in the mouth, coating the teeth and, as I said before, leaving a stain. Leather, smoke, coffee, spice — it can all be there in the mouth in varying quantities. In 2009 Amarone was awarded DCOG status as one of Italy’s most scrutinized and prized wines.

Amarone are a treat worth searching for. But be sure to bring a toothbrush.

Kelly J. Hayes lives in the soon-tobe-designated appellation of Old Snowmass with his wife, Linda, and a black Lab named Vino. He can be reached at malibukj@aol.com.

p h otos courtes y o f t h i k nstoc k an d masi vine y ar d s

by KELLY J. HAYES

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from aspen, with love

FOOD matters

Have Chef Will Travel Chef Andreas Fischbacher, of Carbondale’s Allegria restaurant, kicks off Portico Chef Series in Colorado

Despite the abundance of notable restaurants in the Aspen area, locals are no strangers to the kitchen.

Local families often expound the notion that “When in Aspen, eat as Aspenites eat, cook as Aspenites cook and bring your kids on every adventure — even the culinary ones.”

Now the travel club Portico, with Amiee white beazley headquarters in Denver, which boasts a portfolio of residences around the world including Snowmass Village, makes this philosophy easier for its familyminded guests to follow. Coloradoinspired meals and recipes from one of the region’s top chefs initiates the Portico Chef Series, a new culinary amenity from the club.

Colorado is the first region of the series to debut recipes by Andreas Fischbacher, former executive chef of Cloud Nine Bistro at Aspen Highlands and now head chef and owner of Allegria restaurant in Carbondale.

Known for his Italian- and European-inspired specialties, the ability to create dishes that appeal to both children and adults, and his commitment to Colorado’s youth (Fischbacher recently launched a healthy dining program for students at Glenwood Springs High School), Fischbacher was a natural choice to lead the series, which coincided with Portico’s Family Month in March.

Every member of Portico visiting

Colorado will have access to Fischbacher’s recipes, which include his famous raclette, a traditional European family comfort dish. This is Fischbacher’s signature recipe of the series, which he recommends for Portico members seeking an easy, fun and interactive meal that appeals to adults and children.

Other local recipes created by Fischbacher exclusively for the series include: grilled elk strip loin with organic greens and kale; Colorado striped bass over roasted beet medley, with applewood-smoked bacon lardon, wilted arugula; and creamy polenta with a lemon caper butter sauce.

To make things even easier, Portico “Escapists” adventure concierges can pre-stock the home’s refrigerator with the groceries and supplies needed to prepare any of the Chef Series recipes or arrange for a private chef to prepare the meal for the family in their luxury Portico residence.

Foie Gras Stuffed Crepes with Summer Greens ingredients 2 baked crepes (see below) 1 honeycrisp apple peeled and sliced 1 ounce pomegranate seeds 10 ounces foie gras ¼ cup pomegranate juice, reduced by 70 percent ¼ cup extra virgin olive oil Thinly sliced scallions ½ ounce cambozola cheese Farmer’s market greens (mizuna, mache, mustard baby kale, arugula, micro basil) For Crepes: 2 cups flour 1 cup milk 1 ounce finely grated pecorino cheese 1 tsp extra virgin olive oil 3 farm fresh eggs Dash of nutmeg Dash of salt and pepper process Mix all ingredients together, pour batter in frying pan to cover.

Tilt pan with circular motion to cover the surface evenly.

Cook for about 2 minutes each. Loosen with spatula, turn and cook the other side.

For Vinaigrette 1/8 cup balsamic vinegar 1 chopped shallot 2 tsp bourbon Whisk all ingredients together.

For filling: Flash sear foie gras in hot pan with touch of EVOO, set aside.

Add apples to pan, sauté and then deglaze with bourbon. Finish with cambozola.

Fill crepes with apple/bourbon/cheese mix, top with seared foie gras and scallions.

Amiee White Beazley writes about food-related travel for the Aspen Times Weekly. She also works at Woody Creek Distillers. Follow her on Twitter @awbeazley1, or email awb@awbeazley.com.

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Roll or fold into triangle.

Place over greens mixed lightly with vinaigrette.

Place on plate and sprinkle with pomegranate seeds and reduced pomegranate syrup.

by Amiee White beazley

portico club In snowmass village, portico club members can cook up chef andreas fischbacherâ&#x20AC;&#x2122;s signature recipes in the kitchen of baby doe lodge. for more information on Portico club, visit www.porticoclub.com

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from aspen, with love

GUNNER’S LIBATIONS

NEED TO KNOW 1 ½ ounces Spring 44 Vodka (made in Loveland, Colo.)

The Silver Lining

1 ounce Cointreau ½ ounce Benedictine 1 ounce fresh bood orange puree ½ ounce lemon juice

The perfect special occasion drink with vodka from Colorado, delicious fresh blood orange puree and an edible silver leaf on top, this colorful

Directions: Shake all ingredients with ice. Pour into chilled martini glass and garnish with edible silver leaf.

concoction is one of Element 47’s newest signature cocktails. As part of The Little Nell’s “Colorado Cocktail” program, The Silver Lining features spirits produced in our home state. Plus, Aspen was originally a silver mining town, so this drink is not only glamorous and fun — it’s historic.

Gunilla Asher is taking a break from the bar scene, so we’re turning this page over to you. Email jmcgovern@aspentimes. com with what cocktails you’re mixing, what libations you’re drinking, what tastes have tempted your tastebuds and we’ll share them with our readers. Cheers!

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P h oto courtes y o f T h e L ittle N ell

VOYAGES

DESTINATION | southern california

by bob ward

A walk on the wild side Next time you’re in Southern California, take a break from the beaches, freeways and amusement parks, and try a boat ride to Anacapa Island.

Anacapa, which I visited with my wife and four children on spring break in late March, was a weird and wonderful place. It’s not a typical SoCal tourist destination, so don’t expect coffee shops, souvenir stands or blond teens who say, “I know, right?”

If, however, you enjoy austere landscapes and raw natural beauty, then read on. Anacapa is one of five islands in Channel Islands National Park (www.nps.gov/chis/index.htm), which is separated from the mainland by the Santa Barbara Channel.

Anacapa itself is actually three islets in an east-west chain about a dozen miles off the Ventura County coastline, and the boats land at the easternmost islet.

A day trip starts at Channel Islands Harbor, where visitors catch a boat (www.islandpackers.com) for a 90-minute ride to the island. The length of your stay will depend on the boat schedule on that day. We saw a spouting gray whale and several pods of playful dolphins on our crossings.

We also passed giant container ships and oil platforms in the petroleumrich channel.

Several miles off the mainland, the island comes into view. Steep-walled Anacapa rises from the Pacific Ocean (which, true to its name, was calm and glassy on our day) like a black fortress of volcanic rock. We stepped from the boat straight onto a steel stairway anchored to the cliff and climbed about 150 feet to a grassy bench where we could look around.

To the east was a lighthouse built in 1932 to warn passing ships away from Anacapa’s rocky shores. To the west was a rolling, bushy expanse sprinkled with white birds. Western seagulls by the thousands were squealing, squawking and caterwauling. Some stood mere feet from the trail, others

flew overhead, and still more filled every nook and cranny of the island.

On paper, Anacapa belongs to the National Park Service, but the gulls literally rule this roost (and the smell of their poop is a constant reminder). But more on the gulls later — our first stop was the restroom and visitor center.

A map at the visitor center showed roughly two miles of trails in a figure8 configuration. Simple — we’d walk the whole thing and eat along the way. Exhibits described an interesting human history on the island, too, from the native Chumash Indians to an 1853 shipwreck (now submerged) to the U.S. Coast Guard, which triggered an inadvertent invasion in the middle 20th Century when it planted nonnative iceplant for landscaping and erosion control.

That ice plant now dominates about 20 percent of East Anacapa Island, but a 21st-century effort to restore the island’s native plants is turning back the clock. The Park Service and the nonprofit Channel Islands Restoration project (www. channelislandsrestoration.com) are spraying herbicide on the ice plant

TOP: From Inspiration Point, hikers can see the entire Anacapa chain, most of which is off-limits to visitors.

ABOVE: Arch Rock and the 1932 lighthouse are scenic icons of Anacapa Island and the Channel Islands in general.

and replacing it with native species.

They aim to finish by 2016, the century mark for the Park Service.

We spoke to volunteers spraying and planting on the island, but the most compelling aspect of the trip was Anacapa itself. Our short but sweet hike was like walking the rim of a great canyon, but in this case the trail overlooked cliffs that plunged down to beaches of dark volcanic sand inhabited by barking seals and sea lions. At Inspiration Point, on East Anacapa’s western end, we could see the entire Anacapa chain, swathed in fog and silent blue water.

My kids complained of boredom partway through the hike, saying the island stank and that they wanted to get back on the boat. But aptly named Inspiration Point had an uplifting effect, as did the cheese sandwiches. So

we continued through grassy meadows speckled with cactus and restless gulls.

The birds were everywhere, nesting in small, sandy depressions and perching amid the yellow flowers on the strange, stunted coreopsis trees. Apparently the gulls get mean and territorial later in the year, when their chicks have hatched, but we saw no such behavior in late March.

They nest on Anacapa because it’s predator-free, and the same goes for thousands of brown pelicans on West Anacapa.

Respecting the nursery function of these islands, the Park Service limits human visitation. On the middle island, it’s ranger-led tours only, and West Anacapa is completely off-limits.

So East Anacapa Island isn’t exactly pristine or idyllic, but it is certainly wild, beautiful and unique.

Pods of energetic dolphins are a highlight of most crossings from the mainland to the Channel Islands.

P h otos b y B O B W A R D

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A S P E N T I M E S . C O M / W E E K LY

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WOODIES, WOOLIES AND LEATHER aN OLD-SCHOOL Ski tour over Pearl pass FROM ASPEN to Crested Butte

by Paul Andersen

Switchbacks left by earlier skiers mark the top of Pearl Pass at 12,705 feet as Graeme Means climbs the last pitch over the spine of the Elk Range.

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p h oto b y paul an d ersen

Graeme Means, left, and the writer re-lived their ski-touring roots by trekking beneath Castle Peak into Pearl Basin on a perfect spring day using traditional gear.

Skiing over Pearl Pass at 12,705 feet was a feat of daring the first time I did it 35 years ago on wooden Bonna 2400s with cable bindings, leather boots, bamboo poles and woolen pants. I was young then and impetuous.

I’m not young anymore, but I’m still impetuous, so my friend, Graeme, and I dusted off our old hickory planks, torched in the pine tar, corked on layers of kicker wax, shook the mouse turds out of cracked leather boots, dug the wool knickers out of cobwebbed closets and set off to scale the heights of the Elk Range in full retro regalia.

We chose the weekend of the “Grand Traverse” – the famed 40-mile ski race between Crested Butte and Aspen – so we could take advantage of a shuttle back to Aspen for one of the racers.

That’s all it took for a couple of guys in their 60s to launch a 20mile trek over the spine of the Elk Range on antique gear.

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Following an Old Wagon Route Pearl Pass is one of six passes that cross the Elk Range between Aspen and Crested Butte; the others are Taylor, Coffeepot, Triangle, East Maroon and West Maroon. Pearl stands out as the highest at 12,705 feet and, with the exception of East Maroon, is the most direct route between the towns.

Long before there was a road, prospectors came over the range by foot from Crested Butte in 1879 and found gold above Ashcroft. Pearl Pass is named for the Pearl Mine, one of the early silver mines of the late 1800s in Pearl Basin at the headwaters of Castle Creek.

In 1881, the tent city of Aspen wanted telegraph communications with the outside world. Crested Butte was the closest, most direct link to an existing telegraph system, so Western Union made a bid to string the lines. However, the $3,800 estimate was considered outrageous, so citizen volunteers labored to get the line over Pearl, ushering in what The Aspen Times called the “electric spark connecting us with the busy multitude across the range.”

Because of a dispute with the telegraph company, the line was never electrified and never used. The telegraph company claimed $175 was due for erecting poles, but the fee was never paid and the poles were eventually beaten down by severe weather. Today only an occasional metal brace may be found along the Pearl Pass Road.

In 1882, a so-called “road” was fashioned over Pearl Pass through vast boulder fields. While sure-footed burros made the earliest crossings, the first train of wagons reportedly negotiated Pearl on Sept. 7, 1882, carrying a shipment of silver ore to Crested Butte from the Tam O’Shanter and Montezuma Mines. This was five years before a railroad would reach Aspen, so the ore was delivered to the Rio Grande railroad depot in Crested Butte and shipped to smelters in eastern Colorado.

That same year, Aspen entrepreneur Jerome B. Wheeler contracted for regular shipments of coke from coal-rich Crested Butte over Pearl Pass until Wheeler’s own coke ovens began producing near Carbondale. When the railroads reached Aspen in 1887-88, the high wagon passes fell into disuse and Pearl was pretty much abandoned.

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The writer, with his cherished wooden Bonna skis, vows they will never be nailed to a wall.

The Myth of Memory Nostalgia is a potent emotion because it conjures ideals. Our memories of Pearl on wood, wool and leather from decades past were so steeped in our own mythology that we forgot about the downhill limitations of aged equipment. We brushed that aside, however, as the ensuing eight hours of skiing took us through some of the most stunning mountain scenery in the world.

Looking at our photos of the tour, most of them show the ascent. That’s because the downhill, when taken on stiff, straight, narrow woodies, lacked photogenic grace. Our turns looked like the jagged lines on a heart rate monitor, but we made it without breaking a tip. We are already planning a second annual Retro Grand Reverse for any skiers whose equipment is older than their kids.

The one disappointment was our attempt to rely on the fine art of waxing to get us up and over the big hill. Multiple layers and gradients were carefully applied to assure that our skis would grip like studded tires and glide like ice skates.

However, warm weather and an overnight freeze turned the track into crusty corrugations of ice that scraped off most of the wax in the first few miles. We were forced to stretch on skins — something we never used in the old days — and plod up to the Tagert Hut where a sunny bench made for blissful repose beneath the rocky ramparts of Pearl Basin.

Graeme broke out his whiskey flask for a morning snort, and we sighed contentedly as the smoky single malt warmed our innards as the sun warmed our outards. The peaty taste infused our senses as we strapped on skis and set course toward the high pass where the sun was breaking through billowing clouds, illuminating a striking contrast of snow and rock.

Spring Perfection Uphill conditions could not have been better. We had a solid, consistent base, a creamy top layer of snow from the night before, and mild, if occasionally blustery air currents swirling the clouds among the ragged ridges. The pass stood out before us, marked by a kick-turn traverse cut by skiers the day before who had left symmetrical turns etched artistically along the skyline.

We climbed the pass one-at-atime, gulping the thin air, eager for the top, beyond which the Gunnison Country stood, ridge upon ridge, all the way to the southern horizon and the distant San Juans. We kept on our climbing skins for a conservative traverse of Star Basin, arriving half an hour later at the Friends’ Hut. Here we encountered a buzz of activity as support staff for the Grand Traverse was busy setting up checkpoints along the high ridge toward Star Pass or digging pit stops for ski racers who would come through in the wee small hours the next morning.

Graeme, always the architect, critically surveyed the hut he had designed almost 30 years before as a memorial to plane crash victims from Aspen and Crested Butte — the friends for whom the hut is named.

We enjoyed a leisurely lunch with a ski patroller from the Butte and his boisterous avalanche dog, talking snowpack, race times, and the latest scandals in CB. By the time we pushed off from the hut the hot sun had softened the snowpack into the world’s largest slushy. We thrashed through thick timber and slogged through sunny meadows down the Brush Creek valley where the long, slow shuffle to the trailhead on collapsing crust tested our humor.

Our faithful wood skis held up well, despite their many decades of life, and the remnant wax gave us the right purchase on the granular snow. The leather boots proved sufficient (just one, small blister) and our woolen knickers gave off that aromatic, wet-wool stench that brought back rich memories of ski tours past and the even richer promise of retro ski tours to come.

Paul Andersen is a regular columnist and contributor to The Aspen Times. His latest book, “Moonlight Over Pearl” is a collection of fiction short stories from his experiences in the Elk Mountains.

Anyone interested in the second annual Retro Grand Reverse can reach him at andersen@rof.net.

P h oto b y Graeme M eans

Ski Protests and Mountain Bikers

The Pearl Pass Bike Tour, circa 1982.

Starting in the 1950s, recreational skiers crossed Pearl Pass via the Tagert and Green-Wilson ski huts. With the construction the Friends’ Hut in 1985, Pearl Pass became an established ski route listed by the Tenth Mountain Hut system. In the summers, adventuresome four-wheelers crossed Pearl in a display of automotive bravado.

During the late 1970s and early ’80s, Pearl Pass gained political significance as Crested Butte citizens staged ski tours over the pass to protest a threat by mining giant AMAX, which had planned the industrial rape of Crested Butte. “Save the Lady” ski tours were launched to seek solidarity with Aspen and raise public awareness of molybdenum mining.

On one tour, more than 35 skiers trekked to Aspen over Pearl, camped in snow caves along the way, and marched in ski boots up and down the Hyman Avenue Mall carrying anti-mine banners. AMAX pulled out of Crested Butte in 1983 and, while this ended the protest ski tours, the mining claims on Mount Emmons remain a reminder that industrial mining remains a threat.

Another popular crossing of Pearl Pass became an annual event in 1976 when the first annual Pearl Pass Bicycle Tour left Crested Butte with 15 rugged riders who pedaled, pushed and carried the earliest prototype mountain bikes over Pearl Pass.

These one-speed bikes with coaster brakes, fondly known as “klunkers,” were soon outmoded in the late ’70s/early ’80s as bicycle frame builders and designers from California made pilgrimages to Pearl Pass to test and display new mountain bike technology during a critical growth phase of the sport.

The peak of the Pearl Pass Mountain Bike Tour, and perhaps the largest number of people ever to cross Pearl Pass under human power, occurred in 1981, when more than 200 mountain bikers rode the rugged pass to Aspen. A camp-out in Cumberland Basin became a kegger that alerted organizers that the tour had grown beyond the comfort level for backcountry etiquette.

Subsequent tours were reduced in size until they reached a manageable number for a one-day crossing and celebratory toast at the Hotel Jerome. Tours now average about 20 riders who cross the pass in midSeptember.

Top: Below the Friends’ Hut, on the long slog to Crested Butte, the snow became rotten, collapsable, and even non-existent.

Above: Ski-touring through the high country to the summit of Pearl Pass during the “Retro Grand Reverse” elicited an appreciation for the high mountains, antique ski equipment and stubborn traditionalists.

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aroundaspen

The SOCIAL SIDE of TOWN

by MARY ESHBAUGH HAYES

Books and Art A booksigning and sale by local authors and photographers was held during the winter by the Aspen Historical Society. It was held at the Aspen Community Church, which had a little more room. The authors and photographers had a great time talking to one another, as well as to the people from the Mary community who came eshbaugh to buy books. hayes There are a few photos still from the fundraiser given by the Aspen Art Museum at the St. Regis Aspen.

Undercurrent...Everyone is leaving town!

BOOKSIGNING

Mary Bright, with Susan Saghatoleslami behind her in the angel wings, and Bridget Ballentine and Angel Cusick with their cookbook, “Angelic Healing Soups.”

BOOKSIGNING Photographer Lois Abel Harlamert and writer Martha Cochran brought the books they wrote for the Aspen Valley Land Trust titled “Our Place” and “Our Place II, People in Conservation in the Roaring Fork Valley.”

BOOKSIGNING

Doug Rhinehart had his photography book “Desert Adagio,” and Sandy Munro had the book he wrote about his father titled “Finding Uri.”

BOOKSIGNING Maria Kernahan brought her children’s book “A is for Aspen.”

BOOKSIGNING

BOOKSIGNING

Doug Beck grew up in Aspen and he has been writing books about it. He came to the book signing with his family. Pictured are Hunter, Julie, Doug and Kira Beck.

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Linda Lafferty had her new bestelling novel “The Bloodletter’s Daughter,” and Miles Rovig with his “Top Ten Trues for Teens.”

P h otos b y M ar y E s h bau g h Ha y es

art museum Inka and Michael Dornemann and Karen Luter, one of the co-chairs for the Aspen Art Museum party.

BOOKSIGNING Jim Markalunas brought his book “Aspen Memories,” and Art Daily had his “Out of the Canyon” book.

BOOKSIGNING Rev. Jane Keener Quiat and Debbie Welden sold jewelry and crafts from Kenya to raise funds for the Aspen Community Church.

BOOKSIGNING

Anne Gurchick and Bland Nesbit sold copies of Anne’s book “Saved,” about saving stray dogs.

art museum Michael and Lisa Haisfield.

BOOKSIGNING

BOOKSIGNING

Paul Andersen brought his “Moonlight Over Pearl” and “Elk Mountain Odyssey” to the signing.

Jane Jenkins, who brought her “Little Fir Tree” in English and Spanish, and Valerie Haugen, who has a book of poetry titled “Naked Underneath.”

art museum Stan and Deborah Grafk and Gordon Ledingham of Wells Fargo Bank.

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ARTS&ENTERTAINMENT

MUSIC/ART/FILM/LITERATURE

by STEWART OKSENHORN

Identity crisis?

Jazz Aspen continues to mix up the music with june and labor day festivals for all its successes — including merely surviving for 21 years in the

vastly changed, increasingly competitive world of music festivals — Jazz Aspen Snowmass has often grappled with identity issues. There have been changes in the location and structure of its events, a downsizing of its educational program from a national reach to a local one and, since entertainment giant AEG was brought on board in 2010 to assist in booking acts, a question over who is responsible for Jazz Aspen’s artistic vision.

And now, with this summer’s full lineup of artists set, things are about to get really confusing. The June Festival, which largely has been devoted to jazz and pop acts, looks a lot like an outand-out rock ’n’ roll gathering this year.

The Labor Day Festival, which has been built on rock and other popular styles, takes a decided turn toward pop.

The announcement in February of the Labor Day Festival lineup was, for many longtime fans, a stunner.

Instead of the usual diet of jam bands, ’60s survivors à la Dylan and Fogerty, and contemporary rock bands, there is country star Keith Urban, pop-rock group Journey, singer-songwriter Jason Mraz and country-pop group Little Big Town, all in their local debuts. It is a collection of big names — and early ticket sales indicate they are big draws, especially outside the Roaring Fork Valley — but it is also a festival cut from a different mold from those on past Labor Day weekends.

This is all fine by Jim Horowitz, the founder and president of Jazz Aspen.

“One of the biggest things we hear is, people want to see bands they haven’t seen before,” he said when the artists were announced. “That was a goal, absolutely. At the beginning of each year, we start with: Who can we get who hasn’t been here before?”

Fans who were disappointed by the Labor Day lineup were probably equally stunned and pleased by the more recent announcement of the program for the June Festival. Singer-songwriter Jackson Browne, who had been on Jazz Aspen’s wish list for a decade or more, had been announced back in February, and the likely course was that Browne’s folkrock sound would be accompanied on the bill by jazz and pop.

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Instead, the June Fest lineup has been rounded out by the duo of Ben Harper and Charlie Musselwhite as well as the Tedeschi Trucks Band, led by the wife-and-husband team of Susan Tedeschi and Derek Trucks.

With a headlining roster of Browne, the blues-rock of Harper and Musselwhite, and the jamming soul-blues of the 11piece Tedeschi Trucks Band, the June Festival could easily pass for a Labor

identity has been the term “jazz” itself. It’s been a long time since jazz music, in all its variations, has made up the bulk of Jazz Aspen’s offerings, and in terms of attendance, its jazz shows are far outweighed by the presentations devoted to rock and other pop-music forms.

But jazz, more or less from its inception, was an all-inclusive stew of ingredients. It was made of slave

Soul-rock act the Tedeschi Trucks Band, led by wife and husband Susan Tedeschi, left, and Derek Trucks is set to play at Jazz Aspen’s June Festival this summer.

Day Festival — a very strong Labor Day Festival, one might say.

A relatively recent addition to the Labor Day lineup — the folk-rockgospel ensemble Edward Sharpe & the Magnetic Zeros — gives the festival a little more flavor of Labor Days past. Still, Jazz Aspen can expect to contend with more questions regarding its identity.

Of course, the longest-standing issue regarding the organization’s

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chants, church gospel, African and Caribbean rhythms, European classical music and Delta blues.

Over its history, jazz has adopted the influences of rock, R&B, hip-hop and electronic music.

As trombonist J.J. Johnson said, “Jazz is restless. It won’t stay put, and it never will.” Perhaps the same should be true of Jazz Aspen. Yes, you’d like some overall sense of what and where and when the experience

will be. But there should be room for improvisation and movement in programming its acts. There have been wonderful surprises in years past: the Mexican guitar duo Rodrigo y Gabriela, British showman Jamie Cullum, the “little orchestra” Pink Martini (which returns this year for a show tagged on to the end of the June Festival). Doesn’t that make Jazz Aspen more of a true jazz festival?

Beyond the festivals

And then there are times to acknowledge when an experiment doesn’t work and it’s better to stick with the tried and true. For years, Jazz Aspen programmed Snowmass’ Free Concert Series, which turned Fanny Hill into a party each Thursday evening during the summer. A new operator came in last year with a slate of relatively little-known acts that didn’t inspire the same sort of enthusiasm.

This year, Jazz Aspen returns; in fact, the series is billed as being produced

by Jazz Aspen. This summer’s lineup features a balance of familiar names (roots rockers the Freddy Jones Band, Louisiana bluesman Tab Benoit and jazz-funk keyboardist Robert Walter) and newer acts (rising Brit folkrockers the Dunwells and soul singerkeyboardist Nigel Hall).

And if you need a case of an experiment paying off brilliantly, look at Jazz Aspen’s JAS Cafe series. Jazz Aspen took a dark, underground conference space at The Little Nell, said, “Hey, a lot of great jazz clubs are dark, underground rooms,” and has turned it into a swinging spot. This past winter’s series featured a string of sold-out shows and memorable performances by Pedrito Martinez and Monty Alexander.

Jazz Aspen has a full slate of summer shows, running from late June to mid-August. Among the highlights are New Orleans keyboardist Jon Cleary; drummer Jeff Hamilton, who has worked with Diana Krall, Ray Brown and Natalie Cole; and Malian guitarist Vieux Farka Touré.

P h oto b y S tewart O k sen h orn

CURRENTEVENTS

april 11-17, 2013

Live music Thursday, April 11 Boo Coo 7 p.m. - 11 p.m., St. Regis Resort, Aspen. Dynamic, eclectic music duo featuring Chris Bank and Smokin’ Joe Kelly. Call 970-927-6758.

Josh Phillips and Ananda Banc 3 - 6 p.m., New Belgium Ranger Station, Snowmass Village. Live music for happy hour. Call 970-236-6277.

Rob Garza (Thievery Corporation) 9:30 – 11 p.m., Belly Up, 450 S. Galena St., Aspen. Call 970-544-9800.

Rob Garza DJ Set 11 p.m. - 1:25 a.m., Belly Up Aspen, 450 S. Galena St. One-half of electronic-music producers Thievery Corporation.

Call 970-544-9800.

Vid Weatherwax keyboards and vocals 4 - 7 p.m., 8K Lounge, Viceroy Snowmass. Contemporary and New Orleans jazz, Latin, R&B and blues. Call 970-923-8000.

Friday, April 12 Boo Coo 7 - 11 p.m., St. Regis Resort, Aspen. Dynamic, eclectic music duo featuring Chris Bank and Smokin’ Joe Kelly. Call 970-927-6758.

Damian Smith and Terry Bannon 4 - 7 p.m., The Vue Lounge, Westin Snowmass Resort, 100 Elbert Lane, Snowmass Village. Live music for apres-ski. Call 970-923-8200.

Haden Gregg & Tom Hills 4 - 7 p.m., Sneaky’s Tavern at Base Village, Snowmass. Acoustic favorites and sing-alongs. Call 970-923-8080.

Rocky Mountain Rob: No Strings Attached 6 - 8 p.m., Burger Bar & Fish, bottom of gondola, Snowmass Village. Early acoustic blues and folk solos on harmonica. Call 970-309-9571.

Soul Asylum 9 p.m., Belly Up Aspen, 450 S Galena St. Call 970-544-9800.

Vid Weatherwax keyboards and vocals 4 - 7 p.m., 8K Lounge, Viceroy Snowmass, Snowmass Village. Contemporary and New Orleans jazz, Latin, R&B and blues.

Call 970-923-8000.

Saturday, April 13 Boo Coo 7 - 11 p.m., St. Regis Resort, Aspen. Dynamic, eclectic music duo featuring Chris Bank and Smokin’ Joe Kelly. Call 970-927-6758.

P h oto courtes y o f W arner B ros . P ictures

SEE “42,” starring Chadwick Boseman as Jackie Robinson, opens today in local theaters.

Damian Smith and Terry Bannon 4 - 7 p.m., The Wildwood Bar in The Wildwood Hotel, 40 Elbert Lane, Snowmass Village. Live music. Call 970-923-8200.

Aspen Biker Band 2 - 5 p.m., Sneaky’s Tavern, Snowmass Base Village. Call 970-923-8787.

Vintage Prom with the Spazmatics 7 - 11 p.m., Belly Up Aspen, 450 S. Galena St., Aspen. Call 970-544-9800.

Sunday, April 14 Rusko with Berkel Beats 9:15 p.m., Belly Up Aspen, 450 S. Galena St. Call 970-544-9800.

Vid Weatherwax keyboards and vocals 4 - 7 p.m., 8K Lounge, Viceroy Snowmass. Contemporary and New Orleans jazz, Latin, R&B and blues. Call 970-923-8000.

Monday, April 15 Paula Nelson 9 - 11 p.m., Belly Up Aspen, 450 S. Galena St., Aspen. No cover charge. Call 970-544-9800.

The Arts Thursday, April 11 ArtStart annual children’s art show opening reception 4 - 6 p.m., Red Brick Center for the Arts, 110 E. Hallam, Aspen. Show features works by students in Aspen Elementary School, Aspen Middle School, Aspen Community School and Aspen Country Day. Call 970-429-2777.

EcoArt Exhibition 4 - 6 p.m., Red Brick Center for the Arts, 110 E. Hallam, Aspen. For this year’s exhibition, the Red Brick Council for the Arts invited every school in

Colorado. More than 30 schools are participating. Call 970-429-2777.

Friday, April 12 ArtWorks 4 - 7 p.m., Colorado Mountain College, 0255 Sage Way, Aspen. ArtWorks is an exhibition by the Spring Semester 2013 CMC Studio Art class. Music by Smokin’ Joe & Zoe. Refreshments provided.

Call 970-688-0175.

Winter Words: Cheryl Strayed 6 - 7:30 p.m., Paepcke Auditorium, Aspen Meadows Resort. Strayed discusses her journey, chronicled in the popular book, “Wild,” and her search to overcome heartache and find healing. Call 970-925-3122.

Saturday, April 13 “Seriously: Writing Drama for Television” 3:30 - 5 p.m., Wheeler Opera House, Aspen. Aspen Film and The Writers Guild Foundation presents an insightful discussion on the creative core of every successful screen and stage story — the script. Panelists include award-winning television writers and producers who have contributed to hit shows such as “Boardwalk Empire,” “The Wire,” “Dawson’s Creek” and “Private Practice.” Tickets available at www.aspenshowtix.com. Call 970-925-8662.

Producing a film from start to finish Noon - 1:15 p.m., Mountain Chalet, Aspen. Colorado Film Commissioner Donald Zuckerman joins Aspen Film’s 22nd annual Aspen Shortsfest for a lively discussion on feature filmmaking from script to casting, financing, production and distribution, as

well as a Q-and-A session. Free and open to the public. Call 970-925-8662.

Aspen Shortsfest 5:45- 10:30 p.m., Wheeler Opera House, Aspen.

Aspen Film’s 22nd annual Aspen Shortsfest comprises 83 short films from more than 30 countries, ranging from 2 to 40 minutes in length, in categories of animation, documentary and fiction. Visiting filmmakers will participate in lively Q-and-A sessions after screenings. Tickets available at www.aspenshowtix.com. Call 970-925-8662.

Sunday, April 14 Aspen Shortsfest Family Fun program 2 - 3 p.m., Wheeler Opera House, Aspen. Short films for ages 4 to 8; includes the animated “Room on the Broom,” based on Julia Donaldon’s children’s book, from the makers of “The Gruffalo.” Tickets available at www. aspenshowtix.com. Call 970-925-8662.

Aspen Shortsfest 5 - 9:30 p.m., Crystal Theater, Carbondale.

Short films from around the world, ranging in length from two to 40 minutes, in the categories of animation, documentary and fiction. Tickets available at www. aspenshowtix.com and Bonfire Coffee in Carbondale. Call 970-925-8662.

Tuesday, April 16 Movie Night: “Django Unchained” 7 - 10 p.m., Belly Up, 450 S. Galena St., Aspen. No cover charge. Call 970-544-9800.

A S P E N T I M E S . C O M / W E E K LY

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More than 71 percent of adults read a newspaper in print or online each week. )JSJOH LJUDIFO BOE EJOJOH SPPN TUBGG )JSJOH LJUDIFO BOE EJOJOH SPPN TUBGG GPS UIF PQFOJOH PG 5IF 8IJUF )PVTF 5BWFSO 1BSU 'VMM UJNF &NQMPZFF #FOFGJUT JODMVEF )FBMUI JOTVSBODF "QQMZ JO QFSTPO 5VFTEBZT BOE 8FEOFTEBZT GSPN BN UP QN BU UIF -JNFMJHIU )PUFM 4 .POBSDI 4U "TQFO $0 PS DBMM 4BSBI BU U P N B L F B O BQQPJOUNFOU 4VCNJU S F T V N F T U P 8IJUF)PVTF5BWFSO!) JMMTUPOF DPN IUUQ XXX IJMMTUPOF D PN FNQMPZNFOU BQQ QEG "TQFO $0 .FEJB

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Ensignal, a premier Verizon Wireless Retailer is seeking motivated, high-energy people to fill communication consultant positions.

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A S P E N T I M E S . C O M / W E E K LY

29

3FOUBMT "TQFO

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Short Sale Specialist

Aviation

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Hoarders be gone.

Advertise your cleaning business in the Service Directory.

Always in print and online. Classifieds@ cmnm.org.

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ONLINE

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Office 135 W. Main, Aspen $600/mo.

Call 970-379-3715

Find a job

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970-618-6237

#% #" 5PQ 'MPPS $POEP " $ 8 % (BS /1 /4 EFQPTJUT

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Mid-Valley Offices 505"- 3&/5 TU OE 'M 4' 1SJW CBUI $BMM

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#% #" 'VSO )PNF 1FUT PL /4 NP *ODM TPNF VUM %FQPTJU SFRVJSFE

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5PQ GMPPS FOE VOJU CFESPPN CBUI -BLF TJEF DPOEP -PDBUFE JO GVSUIFTU CVJMEJOH GSPN UIF SPBE PQFO TQBDF WJFXT $1600 /month JODMVEFT HBT IFBU BOE XBUFS "WBJM /PX Stacey Craft (Sotheby's) 970-927-4627

$POUFNQPSBSZ 4UVEJP CMPDLT GSPN (POEPMB .BZ TU %FD TU NP BMM JODMVTJWF

3FOUBMT #BTBMU "SFB

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3FOUBMT #BTBMU "SFB

Search locally or expand your search throughout the mountains and beyond.

3FBM &TUBUF

3FOUBMT "TQFO

3FBM &TUBUF 8BOUFE $BOU TFMM ZPVS IPVTF -PDBM #VZT )PVTFT $"-+0& 50%": IS SFD NTH

Aspen - $3,200,000

Aspen - $3,200,000

Aspen - $44,995

ASPEN CORE 1/2 DUPLEX "MM EBZ TPVUIFBTU GBDJOH TVO WJFXT PG "TQFO NPVOUBJO CE CB -JTUFO UP UIF SJWFS GSPN UIF NBTUFS TVJUF BOE EFDL 4UFBN TIPXFS JO NBTUFS TQSJOLMFS TZT UFN 5XP HVFTU TVJUFT DBS HBSBHF

!!! BEST CORE ASPEN MT VIEW LOT !!! #&45 3&%&7&-01.&/5 -05 */ "41&/ 'VMM WJFXT PG "TQFO .PVOUBJO 8BML UP EPXOUPXO NBMM SFTUBVSBOUT HPOEPMB '"3 BQSPY TR GU GPS EVQMFY .BZ CF B EFUBDIFE VOJU -PU TJ[F TG

BEST DEAL IN TOWN! 0OF CFESPPN UXP CBUI GSBDUJPOBM DPOEP "NFOJUJFT JODMVEF TIVUUMF DPODJFSHF EBJMZ IPVTFLFFQJOH QBSLJOH LJUDIFO FUUF XJSFMFTT GJSFQMBDF 'MBU TDSFFOT 57T QSJWBUF IPU UVC TBVOB JO ZPVS VOJU

NFT !NTO DPN XXX "TQFO3FBM&TUBUFT DP

TDPUU!NBTPONPSTF DPN XXX NBTPONPSTF DPN

Did you know you might be able to sell your house even if you owe more than its market value?

Letâ&#x20AC;&#x2122;s work on that!

379-4997

Michelle James Broker/Co-Owner

Mary Ellen Sheridan

NFT !NTO DPN XXX "TQFO3FBM&TUBUFT DP

Mary Ellen Sheridan

Trusted local connections. Powerful national reach.

We work hard to ensure the credibility and quality of our advertisements, so please contact us immediately if you have concerns about a print or online Classified ad. Call 866.850.9937 or email classifieds@cmnm.org

30

A S P E N T I M E S W E E K LY

F

Ap r il 1 1 - 17 , 20 13

Scott Lupow

Aspen - $525,000

Aspen - $669,000

SOUTHFACING VIEWS OF ASPEN MOUNTAIN CE CB )VOUFS $SFFL HSPVOE GMPPS DPO EP #BNCPP GMPPST TUBJOMFTT BQQMJBODFT 1BSLJOH TXJNNJOH QPPM KBDV[[J UFOOJT DPVSUT TIVUUMF 0XOFS #SPLFS

4VQSFNFMZ TJUVBUFE #% $POEP JO )VOU FS $SFFL $PWFUFE DPSOFS FOE VOJU RVJFU XJUI FYDFQUJPOBM "TQFO .UO WJFXT 4PVUI 8FTU FYQPTVSF XJUI MPUT PG OBUV SBM EBZ MJHIU "NFOJUJFT 4XJNNJOH 1PPM 5FOOJT $PVSUT +BDV[[JT &BTZ UP TIPX

Mary Ellen Sheridan

Jennifer Yaeger

.&4 !.4/ $0.

KZBFHFS!PVUPGUIFCPY DP DPN

Commercial Eagle - $65,000

Basalt / Willits - $429,000 -JHIU BCPVOET JO UIJT DPSOFS TR GU CE CB 8JMMJUT UPXO IPNF 'FBUVSJOH BCVOEBOU XJO EPXT TPBSJOH DFJMJOHT XPPE MBNJOBUF GMPPSJOH EFDL GBDJOH HSFFOCFMU TFQBSBUF PGGJDF OPPL LJUDIFO XJUI HSBOJUF DPVOUFS UPQT OFX hGSJEHF UPQ GMPPS NBTUFS TVJUF XJUI SPPNZ CBUI MBSHF EJOJOH SPPN PGGFST GMFYJCMF TQBDF (BSBHF GFODFE QBUJP DPWFSFE QPSDI MBVOESZ SPPN /FX CPJMFS JOTUBMMFE

Sally Shiekman-Miller

TBMMZ!TBMMZTIJFLNBO DPN www.AspenSnowmassSir.com

PRICE REDUCED!!!

Want to own Eagle County? 0XO UIF POMZ MOBILE GSBODIJTF 5VSOLFZ CVTJ OFTT (SFBU QPUFOUJBM .BLF ZPVS PXO IPVST "-- FRVJQNFOU JOWFOUPSZ JO DMVEFT .FSDFEFT 4QSJOUFS 7BO 8JMM USBJO

Ginny Cassano

EBOUIFNPVOUBJONBO!DFOUVSZUFM OFU

1JULJO 3FBMUZ Commercial Rifle

Eagle Ranch - $415,000

FOR LEASE TG XBSFIPVTF JO MJHIU JOEVTUSJBM [POJOH "WBJMBCMF JNNFEJBUFMZ MBSHF PWFSIFBE EPPST GPS USVDL BDDFTT 'FODFE PVUTJEF TUPSBHF NP 'MFY MFBTF UFSNT ZS NJO 1VSDIBTF QPTTJCMF

%FTJSBCMF &BHMF 3BODI MPDBUJPO KVTU B GFX CMPDLT GSPN &BHMF 3BODI 7JMMBHF BOE #SVTI $SFFL &MFN #% #" TUVEZ TG DBS HBSBHF 'FODFE CBDLZBSE 'JOJTIFE CBTFNFOU QSPWJEFT BNQMF TUPS BHF HSFBU IPNF GPS PMEFS DIJMESFO

Kari Meskin

LMNFTLJO!HNBJM DPN

INDEPENDENT BROKER

Kim Bradley

LCSBEMFZ!TMJGFS OFU XXX ,JN#SBEMFZ3FBM&TUBUF DPN

Florida - $55,000

/FX 0DFBOGSPOU 6MUSB -VYVSZ .JBNJ %F WFMPQNFOU 'FBUVSJOH 8PSMEhT 'JOFTU 1FOUIPVTF 'VSOJTIFE CZ 'FOEJ $BTB TRGU 6OJUT TUBSU BU NJMM

Ryan & Matt Podskoch

4FBSDI-VY)PNFT DPN

Glenwood Springs - $249,000

Glenwood Springs - $59,000

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Amy Luetke

Marianne Ackerman

.-4

Kathy Westley

(MPCBM 3FBM &TUBUF /FUXPSL

New Castle - $149,000

New Castle - $285,000

New Castle - $395,000

New Castle - $449,000

New Castle - $524,900

Simply charming downtown New Castle SJHIU CFIJOE OFX MJCSBSZ 5XP VOJUT )PNF JT POF CFESPPN CBUI OJDF TJEF BOE CBDL ZBSE 4NBMM TFQBSBUF TUVEJP DPUUBHF PGGJDF XJUI CBUI IBT JUT PXO ZBSE BOE PGG TUSFFU QBSLJOH

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Nestled on the 12th hole PG -BLPUB $BOZPO 3BODI HPMG DPVSTF UIJT CFE SPPN IPNF XJUI GJOF GJOJTIFT JT B HSFBU QMBDF GPS GBNJMZ BOE FOUFSUBJOJOH &OKPZ UIF TQBDJPVT NBJO MFWFM NBTUFS TVJUF IBSEXPPE GMPPST HSBOJUF DPVOUFST

Don't compromise, this home has it all!

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Amy Luetke

Amy Luetke

Marianne Ackerman

Marianne Ackerman

Kathy Westley

Kathy Westley

New Castle - $529,000

Vail - $8,400,000

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Michelle James

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SUSAN BIRD

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Michelle James

NJDIFMMF!WMHSFBMUPST DPN XXX WMHSFBMUPST DPN

BNZ!QSPQFSUZTIPQJOD DPN

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A S P E N T I M E S . C O M / W E E K LY

31

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A S P E N T I M E S . C O M / W E E K LY

33

WORDPLAY

INTELLIGENT EXERCISE

by Kris King for High Country News

NOTEWORTHY

BOOK REVIEW

‘Jubilee Hitchhiker’ Richard Brautigan grew up in Oregon, convinced he’d be an influential writer. He rose to fame in San Francisco and later split his time between Bolinas, Calif., Livingston, Mont., and Japan. He published 10 poetry books and a dozen novels, including the once-banned 1967 classic “Trout Fishing in America.” As his work’s popularity declined, his alcohol use escalated, and in 1984, at the age of 49, he committed suicide. While his distinctive, irreverent and illuminating work may have had its greatest impact on post-modern culture when first released, “Trout Fishing in America” became the moniker of an experimental school in Boston, a crater on the moon, a Grammynominated band and at least one baby. Brautigan continues to inspire scholarly dissertations, plays, songs, art, films, blogs and fansites today.

by Caleb Madison | edited by WILL SHORTZ

‘Jubilee Hitchhiker’

by William Hjortsberg 896 pages, hardcover: $38

Even if you’re not a Brautigan fan, it’s worth picking up novelist and screenwriter William Hjortsberg’s definitive new biography, “Jubilee Hitchhiker,” for intimate histories of 1960s counterculture in San Francisco’s Bay Area (although Brautigan loathed being classified as one of the “Beat” generation) and of the 1970s “Montana Gang” convergence of writers and artists.

“Up in Montana, Brautigan encountered an unexpected literary scene … a group of writers who enjoyed trout fishing, drinking whisky, and shooting guns as much as he did — writers who rejected trendy urban coteries, yet remained passionate about art and literature.”

Hjortsberg was Brautigan’s neighbor in Montana. Their properties, friends, parties, conflicts, families and writing careers

1

SPECIAL FEATURES

2

3

4

5

18

19

22

23

26

27

30

ACROSS 1 6

One-on-ones Justice Dept. branch 9 Gyllenhaal of “Brokeback Mountain” 13 1983 film debut of Bill Maher 18 Documentarian Morris 19 It’s found in la mer 20 Cerberus guards its gates, in myth 21 Wipe out 22 Lower 23 Movie about … an intense blinking contest?

25 It comes from the heart 26 Steaming beverage 27 Atoms in some light bulbs 28 … a housecleaner?

30 … a sled racer?

32 Children’s author Silverstein 33 “Yikes!”

34 “You betcha” 37 Year “The Wonderful Wizard of Oz” came out 38 China’s Chiang ___-shek 41 Part of a pound 44 … a bee during a downpour?

51 Up 53 Part of E.M.S.: Abbr.

54 Wall St. Journal listings 55 Handles 56 … actor Jason’s fan club?

59 Least volatile,

34

perhaps 60 Some patches 61 Expert despite little training 63 Brainy person, and proud of it 64 One might have a ball 66 Public health agcy.

67 Senate vote 68 Verdant 72 Device Professor X wears over his head in “X-Men” 74 Pop singer Bedingfield 76 Low-maintenance potted plant 80 … Jerry Garcia’s band’s portraits?

84 ___ water 85 Air 86 It’s west of the International Date Line 87 High clouds 88 … a parent’s edicts?

92 ___ Zone 93 “Gag me!”

94 Certain extraction 95 One-named R&B singer 96 Pitches 98 Stripped 100 … a king’s brilliance?

108 … a harvester?

112 Get hot 113 Kind of bean 114 Who wrote “Wherever Law ends, Tyranny begins” 115 Hidden DVD feature … which can be found, literally, in the answers to the

A S P E N T I M E S W E E K LY

F

italicized clues 117 City south of Brigham City 118 Peptic ___ 119 Nonstop 120 Lucy of “Kill Bill” 121 Object 122 Wherewithal 123 Part of N.B. 124 Back-to-school mo.

125 Laurel and Lee

DOWN 1

Starts of some games 2 ___ Outfitters, clothing retailer 3 Mythological figure often depicted holding a kithara 4 1945 Best Picture winner, with “The” 5 Album holder 6 Evaluate 7 Prefix with fluoride 8 Recurring Stephen King antagonist Randall ___ 9 Vise parts 10 ___ Lovelace, computer pioneer 11 “The Way You Look Tonight” composer 12 De bene ___ (legal phrase) 13 Music genre of Possessed and Deicide 14 Hollywood’s Russell 15 Two-time Emmywinning actress for “Taxi” 16 Observatory subj.

17 Bill 20 English king

Ap r il 1 1 - 17 , 20 13

who was a son of William the Conqueror 24 Smelt ___ 29 Noted American writer in Yiddish 31 Signs off on 35 Computer used to predict the 1952 presidential election 36 Chemical dropper 37 The 57-Down, e.g.

39 Supports 40 M.I.T. part: Abbr.

41 Airplane area 42 Sentient 43 Big snapper?

45 More wound up 46 World banking org.

47 Prefix with noir 48 [I’m not happy about this …]

49 Like some stockings and baseball games 50 Gridiron figure 52 Music related to punk rock 57 Aconcagua setting 58 Fund 59 Just what the doctor ordered?

62 Vituperate 65 Darken 66 Nook 68 Weekly bar promotion, maybe 69 ___ manual 70 Exactly 71 Allowed to enter 72 Wasn’t exacting 73 Pond fish 75 Sam Spade, e.g., for short 76 Île de la ___ 77 Once again 78 Solo companion 79 Slew

6

7

8

9

42

12

44 52

45

46

47

35

36 49

65

68 74

81

85

82

71

105

106

107

83

86

87

90

94

91

95 100 110

111

92

96

99

101

102

103

97

104

112

113

115

118

119

120

121

122

123

124

125

Subject of the Pentagon Papers, informally 82 Sugar suffix 83 Word at the end of many French films 85 Fr. title 89 City SSE of 117Across 90 Son-of-a-gun 91 Yield to weariness 97 Stations 99 Poet Conrad 101 Mess up 102 Ones who wrote in the Ogham alphabet

70

75

114

81

69

62 67

73

89

98

40

59

66

80

109

39

55

58

79

93

38 50

54

72

88

17

29

37

48

61

84

16

25

53

64

78

15

32

60

77

14

21

28

57

63

13

20

34

43

56

108

11

31

51

76

10

24

33 41

overlapped for decades.

Hjortsberg began Brautigan’s biography in 1991 motivated by a contract and hefty publisher advance, and says, “If I’d known going in what it would take to get the job done, I would have quit right at the start.” He conducted 169 interviews, read all of Brautigan’s diaries, incorporated anecdotes from memoirs by friends and family members, traveled extensively, and found the father Brautigan never knew. Hjortsberg rarely inserts himself in the book, but his knowledge is intimate — as are the pages of revealing photographs.

The procession of details can wear a reader down. Nevertheless, “Jubilee Hitchhiker” is fascinating, both as a historical document and for its insight into Brautigan’s innovative work — and troubled life.

116

103 New Mexico State athlete 104 Helping hand, paradoxically 105 World powerhouse in cricket 106 Knoxville sch.

107 Fake-book material 108 Down 109 Part of a play 110 Many ages 111 iPod ___ 112 Home of Typhon, in myth 116 ___ for life

117

­— Last week’s puzzle answers — S C A B B E D

T A B O U L I

A B E T T E D

W E L I T S M A T A S I F

B E A U

W A G E

A J A X

E L M S T R E E T

R A N O S T D T H H E R A V I S M E N T G A A R E V L I N E P A T H W A U D I N I T F I S H I S P O T H E P R A P A A L O U L S M S E A

N E E D I

A N G I O

S P O L V E N H A O R E A N E D U O P R S M E A R N

S T R O N G

E R O I C T A R O V T I H E D I N E

P E A R L I S R S

C H A O S U N N A T D E R E F R E A L A R A N A G A I N T R E O E X S A R T A P G E T M E R V E S A R S C T A S K I E N T R E S C E L I H O L E

S I M I L E S E T D A R K H O R S E S

A C T B A R O C R A N R M I T Y T R A C E W O T F A T S Y E R A Z O O O U B L R R I E S E A D U G G E F L I F O U T E T A R E T T N E O

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