FOOD MATTERS
THE GOOD IN GOING VEGAN 18
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A&E
‘THIS FILTHY WORLD’ 30
JANUARY 17-23, 2013 • ASPENTIMES.COM/WEEKLY
FIND IT INSIDE
GEAR | PAGE 14
CULTURE/CHARACTERS/COMMENTARY
WHEELER OPERA MOVIE HOUSE SEE PAGE 25
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Experience is the Difference
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*VSK^LSS )HURLY 4HZVU 4VYZL (ZWLU c , /`THU (]LU\L c c -PUK TVYL H[ ^^^ THZVUTVYZL JVT Exclusive Member for Aspen and Snowmass, CO
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FOUR-MOUNTAIN SPORTS NEXT WEEK: D&E ATHLETE SIGNING
UPCOMING EVENTS Sneaky’s Tavern, Snowmass
Jan. 18, 19 & 20
4-7 pm
When: Saturday, January 26, 1 pm-5 pm Where: D&E Courtyard (opposite the Gondola, Aspen) Meet the athletes, one day only! Bobby Brown, Luke Mitrani, Ryan Sheckler, Scotty Lago, Kaya Turski, Simon Dumont and many others. Also, there will be giveaways, posters, hot drinks, and music by DJ Majai!
Enjoy live music from Hayden Gregg and Tom Hills on Friday, Jan. 18, featuring Damian Smith and Terry Bannon on Saturday, Jan. 19 and the Absolut Vodka Bloody Mary Bar on Sunday, Jan. 20.
970-920-2337 | www.aspensnowmass.com/rentals
Ullr Nights, Elk Camp, Snowmass
SKI & SNOWBOARD SCHOOL
BUTTERMILK DELUXE
Yoga for Skiers & Snowboarders, Sundeck, Aspen
BLACK DIAMOND EXPEDITIONS
5:30 pm
Jan. 19
6-10 pm
Kick off 2013 with 5Point Film for an evening of adventure lms, special guests and a dose of 5Point inspiration. $20 General Admission.
Aspen Biker Bar at The Limelight Lounge, Aspen Offered weekly, January-March. Advanced & expert skiers join our top Pros for three days of exploring the most challenging in-bound terrain.
Jan. 18
Every Friday night come up for Ullr Nights! Activities include: Ullr’s Ghost Ship, Viking sledding hill, s’mores by the bon re, live music, snowbiking, à la carte culinary celebration and indoor kid’s activities. Activities end at 8:30 pm, last download at 9 pm. 970-923-1227 | www.aspensnowmass.com/ullrnights
5Point Film Festival, Wheeler Opera House, Aspen
January 10 - February 2. Fullday Private Lesson package for only $349 for you & up to four friends or family members! Includes equipment from Four-Mountain Sports and additional discounts.
Jan. 18, 19, 21 & 23 9:30-10:30 am
Every Monday, Wednesday, Friday and Saturday. Mats provided. Must have ticket to load gondola.
Jan. 21
4-7 pm
Stop by for great music and specials! Après ski specials begin at 3 pm.
Limelight Beer Dinner, The Limelight Lounge, Aspen
Jan. 22
6:30-8:30 pm
Sponsored by Oskar Blues Brewing, try one of the best deals in Aspen, a 3-Course dinner, with beer pairings and tax & gratuity included at just $40.
WOMEN’S EDGE Offered weekly, January-March. Whether you’re an intermediate skier looking to build con dence in your abilities or an advanced skier eager for the challenges of double-black-diamond terrain, Women’s Edge provides an opportunity to advance your skills. Join women-speci c, PSIA certi ed Pros for four amazing days of skiing. Snowmass.
AFTER SCHOOL FREESTYLE Learn to shred under the lights from 4-6 pm! After the mountain closes beginner and intermediate freestylers learn how to slide boxes and rails with our Ski & Snowboard School freestyle Pros. Mondays and Wednesdays, through Jan. 23. Group and Private Lessons available.
SNOWBIKING AT ULLR NIGHTS! Join us for snowbike tours every Friday through March 29 at Ullr Nights! Meet at Four-Mountain Sports, Snowmass Base Village at 5:15 pm. Bring a helmet. Must be an intermediate skier/rider. $69. Reservations required. 970-923-1227 | www.aspensnowmass.com/schools
BUTTERMILK CLIFFHOUSE
Keep your New Year’s resolution! Try made-to-order juices, while fresh made apple, carrot & others are ready upon request.
BUMPS Warm up with the bar specials at Bumps! Featuring unique drinks: Buttermilk Gold - Hot Chocolate with Butterscoth Schnapps & Irish Cream Tiehack Melon Ball - Vodka, Midori & Orange Juice
Connect. Share. Check in: Keep up with the latest on-mountain conditions, activities, events, packages & specials in Aspen/Snowmass!
Tell your friends & family about great deals! www.aspensnowmass.com/deals 4
A S P E N T I M E S W E E K LY
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Janu ar y 17-23, 2013
THE PERFECT LIFESTYLE HOME ASPEN Impeccably maintained, this Wood Run residence offers tremendous views, room for family & friends, and is next to the Guggenheim and Adams Avenue ski trails. Entertain in style with commercial grade appliances, outdoor barbeque, open oor plan, snowmelted drive, and more. From the hot tub, to
the cozy master suite, the setting is perfect, and the amenities are plentiful in this four bedroom, four and one-half bath home.
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The Source for Real Estate in Aspen | 514 E. Hyman Ave. | 970.925.7000 | masonmorse.com
A S P E N T I M E S . C O M / W E E K LY
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WELCOME MAT
INSIDE this EDITION
DEPARTMENTS 08 THE WEEKLY CONVERSATION 12
LEGENDS & LEGACIES
14 FROM ASPEN, WITH LOVE 18
FOOD MATTERS
20 VOYAGES 30 ARTS & ENTERTAINMENT 32 AROUND ASPEN 34 LOCAL CALENDAR 42 CROSSWORD
FOOD MATTERS
THE GOOD IN GOING VEGAN 18
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A&E
‘THIS FILTHY WORLD’ 30
JANUARY 17-23, 2013 • ASPENTIMES.COM/WEEKLY
GEAR | PAGE 14
CULTURE/CHARACTERS/COMMENTARY
17 WINEINK
25 COVER STORY
Writer Kelly J. Hayes explains how the Burgundy Road will run through Aspen as part of a prestigious event at The Little Nell.
Arts editor Stewart Oksenhorn lifts the curtain on a winter filled with film at the Wheeler Opera House.
FIND IT INSIDE
WHEELER OPERA MOVIE HOUSE SEE PAGE 25
ON THE COVER Created by Afton Groepper
GUEST OPENION
editor’s note | While the Aspen Times Weekly searches for a permanent editor, this space will be filled with the words of guest writers.
CALIFORNIA: There’s Where does she no doubt about it, says stand on the issue of Connie Jenkins: A deer global warming? Her suddenly assaulted her answer, peppered small Honda while she with “you knows,” was driving along a went this way: winding canyon to her “Everybody has an home high above Malibu. opinion on it, you BETSY Yet the suggestion in a know, and I, you MARSTON letter from an expeditor know, probably for Farmers Insurance don’t believe that that she seek damages from the it’s manmade. I believe that, you “third party” — which in this case know, that weather elements are would be the deer — seemed more controlled by different things.” trouble than it was worth. She After her convoluted answer, the paid the deductible herself, she governor walked away but then reports, because “I’m pretty sure returned to “hit Welch with a that doe has no dough.” closed fist, demanding: ‘Where in ARIZONA: We all know the hell’d that come from?’ “ Videos that Arizona Gov. Jan Brewer, a of the encounter, posted on the fierce Republican, felt no qualms website of KTVK-TV, where Welch about angrily shaking her finger works, swiftly went viral, reports at President Obama when the the Arizona Republic. Matthew two met at an airport during the Benson, an aide to Brewer, presidential campaign. So it was downplayed the incident: “The not surprising that she recently reporter himself is saying he didn’t got assertive with reporter Dennis think it was malicious and the Welch. Brewer was waiting to governor did not mean any harm.” speak about energy to the Western IDAHO: When potato magnate Governors’ Association when J.R. Simplot died in 2008, at Welch popped the question: the age of 99, he left his hilltop
mansion above Boise to the state, along with 37 acres, a 30-by50-foot American flag, and an endowment valued at 1.5 million in 2005. But things have not turned out as Simplot wished: The fund for maintaining what was meant to be the Idaho governor’s residence has shrunk to 900,000, the mansion is seen by many Idahoans as a money pit, and, truth is, no governor seems to have any desire to live in the fancy house. The Governor’s Housing Committee has solicited public comment but no consensus has emerged. Meanwhile, “As Idaho has discovered, it’s easier to take a mansion than it is to give it back,” reports AP. The self-made billionaire’s heirs don’t want it, and mansion supporters say it would be an insult to the memory of Simplot to just sell the thing. Betsy Marston is the editor of Writers on the Range, an oped syndicate of High Country News (www.hcn.org). Write her at betsym@hcn.org with tips of Western oddities.
VOLUME 2 ✦ ISSUE NUMBER 9
General Manager Gunilla Asher Interim Editor Jeanne McGovern Subscriptions Dottie Wolcott Circulation Maria Wimmer Design Afton Groepper Arts Editor Stewart Oksenhorn Production Manager Evan Gibbard Contributing Editors Mary Eshbaugh Hayes Gunilla Asher Kelly Hayes John Colson Contributing Writers Paul Andersen Hilary Stunda Amanda Charles Aspen Times staff Contributing Partners High Country News Aspen Historical Society The Ute Mountaineer Writers on the Range www.aspentimes.com Sales Ashton Hewitt Jeff Hoffman David Laughren Dan Frees Louise Walker Read the eEdition www.aspentimes.com/weekly Classified Advertising (970) 925-9937
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Janu ar y 17-23, 2013
BRIAN HAZEN PRESENTS...
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A S P E N T I M E S . C O M / W E E K LY
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THE WEEKLY CONVERSATION
VOX POP What is your least favorite thing about the cold?
with JOHN COLSON
Yet another bunch of deluded, gun-toting, mythologically challenged zealots HOO, BOY, the nutjobs are on a roll! I’ve just been reading about the Citadel, a gathering point in northwestern Idaho for people whose world view extends no further than the front sight on their automatic assault rifles. According to several published accounts, the organizers behind the Citadel plan to create a 2,000- to 3,000-acre compound in the panhandle of Idaho, where 3,000 to 7,000 families are to live in blessed harmony based on a somewhat murky understanding of what they term “Thomas Jefferson’s ideal of rightful liberty.” A portrait of Jefferson graces the Citadel Web page, along with a quote attributed to Jefferson: “Rightful liberty is unobstructed action according to our will within limits drawn around us by the equal rights of others.” A mouthful, eh? And nonspecific enough that just about anyone can draw just about any meaning from the words. Interestingly enough, if you Google the words “rightful liberty,” what you get at the top of the page is a bunch of gun sellers. Farther down, on the Brainy Quote site, you get the rest of Jefferson’s thought: “I do not add ‘within the limits of the law,’ because law is often but the tyrant’s will, and always so when it violates the rights of the individual.” Another phrase that can be parsed to mean just about anything you want it to, and the Citadelians have taken it to mean a call to arms and action on behalf of all misunderstood bigots, survivalists, racists and other “ists” around the nation. Some might feel I’m being unfair to a dedicated group of Patriots (that’s how they often style themselves, with a capital “P”) whose only goal is to find a place where they can shut themselves up in a fortified town and fend off the nasty liberals, communists, slackers and poor by shooting from the crenelated walls of the compound. But, if I’m being unfair, it’s their own fault because all of that crazy crap can be read on their website (www.iiicitadel.com). And that kind of crazy crap is the same sort that attracted deluded and enraged sycophants to places like Jonestown and Waco in years past.
It’s actually kind of amusing to read this tripe and then to read the various blogospheric conversations about the phenomenon. As might have been expected, the teabaggers’ website has given the Citadel a glowing report, draping the project with a flag and enticing all “like-minded patriots” (they forgot to capitalize it) to join in. On the other end of the political spectrum, a blogtalk site calling itself “Politicususa” (www.politicususa. com) boldly states its feelings on the matter with the choice of words in the headline “Gun Nuts to Build 2,000 Acre Citadel in Idaho’s American Redout.” The conversations that follow the explanatory articles are hilarious, frightening, pathetic or mystifying, depending on your own perspective of the issues involved. To me, the latter two descriptors seem the most pertinent because I can’t help but view dystopian dreams, based on a deliberately foggy understanding of history, as pathetic. The mystification comes from a reluctance to believe the organizers of this clannish, insular proposal, who say they’ve already received more than 200 completed “applications” from families eager to be a part of the Citadel. OK, I perhaps should not be mystified by the fact that some Americans are so screwed up that they will believe anything as long as it feeds their mental fantasies about the good old days of rugged individualism and personal freedom and their infantile dreams about how that mythical past can become a present reality if only they can hang on to their guns and their whitesupremacist philosophies. But I am perplexed by this apparently growing willingness, on the part of an uncomfortable number of people, who want to believe they are in the vanguard of a glorious return to the past. And, I must say, I’m frightened by the fact that these people always seem to be carrying high-powered armament and seem willing to use that firepower to make their delusional point.
HIT&RUN
COURTNEY ILACQUA PA R I S
My least favorite thing about the cold is that I have bad circulation in my feet and my toes get cold.
TREVOR JESON VIROQUA, WIS.
The worst part is that my nose gets cold.
SHANNON ASHER N O R WA L K , I O WA
I am out from out town, and the worst part is that I cannot go outside and play with my baby cousins.
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Janu ar y 17-23, 2013
jcolson@aspentimes.com VOX POP COMPILED BY MAX VADNAIS
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s 6 bedrooms, 6.5 baths, 6,551 sq ft s Located above the new Base Village and the midway point of the Gondola s Summer allows immediate trail access to mountain bike, hike or frisbee golf s Indoor swimming pool, two hot tubs s )NCREDIBLE ENTERTAINING SPACES
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Perched above Maroon Creek Includes plans for a Robert Trown home Across the street from Tiehack Minutes to airport and downtown Aspen $3,950,000 True Ski Access at the Base of Buttermilk Buy 1 or all 8 Perfect for guests, nanny or pilot 2 minutes to airport, 6 minutes to Aspen $1,805,000 all 8 Individual suites starting at $190,000
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www.AspenHomeSearcher.com A S P E N T I M E S . C O M / W E E K LY
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THE WEEKLY CONVERSATION
SEEN, HEARD & DONE
edited by JEANNE McGOVERN
CHEERS&JEERS
FIVE THINGS TOP 5 THINGS WE HATE ABOUT THE BITTER COLD
The Downhill Costume Contest, a hallmark of Aspen Gay Ski Week, will return to the Little Nell slope at the base of Aspen Mountain on Jan. 18 at noon. Here, contestants gather at last year’s event.
CHEERS | To everyone who works outside — ski patrollers, ski instructors, cops walking the beat, trails crews, X Games scaffolding builders and the like. We commend you for braving the cold, and we hope that someone is buying you a hot toddy at the end of every shift. JEERS | To the Broncos. Need we say more? CHEERS | To the city of Aspen’s car-share program. Not only do the pay-by-use cars always start, but they are
clean, shoveled out and filled with gas. We can’t think of a better way to be green while saving yourself a little green.
JEERS | To the financial wizards in Washington, D.C., who created a fiscal-cliff tax increase for all of us working stiffs. If you didn’t notice it on your first paycheck of 2013, look again — there is a 2 percent increase in the Social Security withholding for every wage-earning American factored in. For a person making 50,000 per year, that increased tax equals 1,000 per year — just enough to throw some of us right over our own fiscal cliff.
BUZZ WORTHY S T. A N TO N , A U S T R I A
EX-AVSC RACER GETS CLUB’S FIRST WORLD CUP VICTORY It took two days, but on Jan. 14, Alice McKennis said the thrill of winning her first World Cup Skiing race had finally set in. While the downhill win Jan. 12 at St. Anton, Austria, was significant for the professional career of the 23year-old from New Castle, it came as a surprise to her to find out that she is the first member in Aspen Valley Ski and Snowboard Club’s 76-year history to win a World Cup race. “One of the best things about the AVSC, the Aspen area and Roaring Fork Valley is people love ski racing,” she said. “To have people interested and supportive about it, and to have people behind you, is awesome.” McKennis joined AVSC when she was 15 years old in 2006, after skiing independently for a short time, and being a member of Team Summit Colorado and Ski and Snowboard
A S P E N T I M E S W E E K LY
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O4
Cold hands, feet and noses
O3
Frozen paws on our dogs
O2
The lack of snowfall
O1
Skiing in subzero temps (yes, we are spoiled)
STAY IN THE KNOW – CATCH UP ON RECENT NEWS & LOCAL EVENTS
Club Vail. What convinced her to make the long trip to from home to Aspen five days per week was the opportunity to be coached by fourtime Olympic downhill skier, Casey Puckett. “She had a really good touch for the snow because she’s been skiing since she was very young,” Puckett said. “Her strengths so far have been in gliding. That’s where that touch comes in.” — Michael Appelgate
nearly complete and is undergoing extensive safety testing, Blankenship said. Final testing is scheduled for Wednesday, when RFTA officials hope all four buses operating on the alternative fuel will have been delivered to the Roaring Fork Valley. Another 18 buses fitted to run on compressed natural gas have been ordered and will be delivered in time for RFTA’s expansion of service in September. — Scott Condon
R O A R I N G FO R K VA L L E Y
PITKIN COUNTY
COMPRESSED-NATURAL-GAS BUSES GET REVVED UP
SUPERPIPE YES, MARIJUANA PIPE NO AT WINTER X GAMES
The Roaring Fork Transportation Authority hopes to have four buses in its fleet operating on compressed natural gas by the time the Winter X Games start at Buttermilk on Jan. 24, according to RFTA President and CEO Dan Blankenship. RFTA’s construction of a compressed-natural-gas fueling facility in Glenwood Springs is
Pitkin County is preparing to enact its usual prohibition on alcohol in unlicensed public areas during the Winter X Games, but county commissioners pondered Jan. 9 whether the use of marijuana needs to be addressed, as well, given the legalization of recreational pot use in Colorado. Voter passage of Amendment 64
Janu ar y 17-23, 2013
Having to warm up our cars for so long
POST US YOUR TOP FIVE THINGS jmcgovern@aspentimes.com
in November and the subsequent legalization of marijuana statewide could be a complication at the Winter X Games, he said. “I think it’s something we need to start thinking about,” said County Commissiner Michael Owsley. “If liquor is an intoxicant we don’t want imbibed at the X Games, then what are the implications of Amendment 64?” The county has no legal authority under state law to enact an ordinance targeting marijuana use, but Amendment 64 does not permit the use of marijuana in public places anyway, County Attorney John Ely advised commissioners. X Games organizers and local authorities already have discussed the need to get the message out about marijuana, said Brad Gibson, a detective at the Pitkin County Sheriff ’s Office and incident commander at the X Games. The message: “Basically, don’t bring it,” Gibson said. —Janet Urquhart
“WE’RE NOT JUST A BIG, GAY DANCE PARTY. THE FOCUS IS REALLY SKIING. MOST PEOPLE WANT TO SKI.”
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PAMELA HERR, EVENT PRODUCER, GAY SKI WEEK
PHOTO BY JANET URQUHART
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LEGENDS & LEGACIES
CLASSIC ASPEN
by TIM WILLOUGHBY
Marker turntable heel bindings, with thongs to secure the ski to the boot, were neither safe nor convenient.
LONG THONGS: NOT ONE OF SKIING’S FINER INVENTIONS there was a time when, to skiers, thongs were a component of
ski equipment, not something females wore on a beach. The long thong has been forgotten, pushed from memory because it is more a symbol of inadequate technology than an advance in engineering.
Ski bindings for decades lagged behind skis for improvements. Early skiers who fashioned their own skis painstakingly carved and bent their long wood skis, but when it came to attaching man to ski, the solution was to have some kind of toe stirrup and to strap footwear to the ski with leather. Metal doodads improved bindings, mostly bonding skier to ski, but falls with skis attached magnified injuries, hence the industry’s attempts to create a safety binding. My first safety binding, when I was 10, was typical. In theory it would release — if it was free of snow and fine-tuned so that it wouldn’t release when it shouldn’t but would when I fell. In practice, in order to keep it from releasing randomly, it had to be cranked up so it wouldn’t release at all. For beginners, the new safety bindings probably prevented broken limbs.
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Releasing bindings created a new problem: escaping skis. My first binding solved that challenge with a
more serious problem. The solution? Add more and longer straps — hence the invention of the long thong.
RACERS WHO DID NOT FAVOR A SKI RELEASE USED THE LONG THONG TO TIGHTEN DOWN THEIR BOOTS TO THE SKI. short leather strap connected to the ski and connected to my lace ski boot with a metal clasp. Then came the Marker revolution, the Rotamat, a precursor to modern bindings. It was a simple idea: The toe piece and the heel piece held you in place, and when you turned quickly, or your ski quickly turned, the two pieces would rotate, swinging your boot free. With more releases, keeping freed skis from flying down the mountain became a
Janu ar y 17-23, 2013
Long thongs were 6 to 8 feet long, the theory being that the more leather you wrapped around your boots, the less likely your ski would escape. Racers who did not favor a ski release used the long thong to tighten down their boots to the ski, and because those were the days of leather boots, the feet of leather straps added one more layer of stiffness to the boots. Various methods of wrapping the lengths of leather and passing them
through the turntable heel side rings were employed. No matter which one you used, it took too long to wrap a long thong. Taking skis off for lunch or a restroom stop was not an automatic, consequence-free decision. Getting out of a long thong was as time-consuming as getting in. You couldn’t accomplish the task with mittens or gloves on, so fingers succumbed to the elements. Long thongs’ weakness was that they were thin and narrow. Sharp ski edges severed them; exposure to the elements and dry summers weakened them. Broken thongs, the long version or the short version, were as commonplace as unwanted binding releases; often rather than replacing them you just used what was left. Skiers often wished their thongs would break because a falling body attached to an unattached ski connected by a strap produced ski whiplash — skis jerking back and flying into the skier. Long thongs had a very short history. Step-in bindings and ski brakes saved the day. Tim Willoughby’s family story parallels Aspen’s. He began sharing folklore while teaching for Aspen Country Day School and Colorado Mountain College. Now a tourist in his native town, he views it with historical perspective. Reach him at redmtn@schat.net.
PHOTO COURTESY EPICSKI
LEGENDS & LEGACIES
FROM the VAULT
compiled by THE ASPEN HISTORICAL SOCIETY
SNOW JOB
1918 H Y M A N AV E N U E W
PHOTO COURTESY OF THE ASPEN HISTORICAL SOCIETY
“MANAGER ELLINWOOD is whooping things up,” declared the Aspen Democrat-Times on Sept. 12, 1918. “E.H. Ellinwood, who came to Aspen a few weeks ago from Colorado Springs, to take charge of the local telephone exchange, is on the go all the time in the interests of his company. Today he is in one place repairing the line and perfecting the service and tomorrow he is in another doing the same thing. ‘Keep on the Job’ is Ellinwood’s motto, and his company is recognizing his loyalty.” While in town, Ellinwood lived at 316 E. Hopkins, which is the current home of the restaurant Steakhouse No. 316.
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FROM ASPEN, WITH LOVE
GEAR of the WEEK
edited by JEANNE McGOVERN
NEED TO KNOW
349
· Two-way underarm zip for maximum ventilation · Detachable and stretchable snow skirt · Wrist pocket for ski pass · Lycra hand gaiters · Detachable hood · Two inside pockets for ski goggles, etc.
MAMMUT WOMEN’S ROBELLA JACKET Ladies, this is it: a jacket that promises to “meet the demanding woman skier’s every wish.” Constructed with premium, high-quality, cozy microfiber filling and underarm ventilation, it’s the ideal weight for skiing, boarding, hiking and all your other outdoor winter pursuits. And it has all the bells and whistles, from pit zips and detachable hood to a pocket for your ski pass and pockets for your goggles and such. Don’t believe us? Note that the Mammut Women’s Robella Jacket is the best-selling jacket in the Mammut collection. — Ute Mountaineer staff
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PHOTO COURTESY MAMMUT
Erik Fallenius 970.728.4454 Telluride, CO
40 Granite Ridge Rd. - Telluride Ski Resort, Colorado Telluride, Conde Nast’s 2012 No.1 North American Ski Resort, is the unique location of ‘Valmore’, a 13,000 sf mountain classic. With its perfect ski trail location on the Telluride mountain, just above the Town center, Valmoré is a Mountain Village treasure. Seven stunning bedrooms, wine cellar, fitness room, massage studio, a large jetted tub and morning and sunset patios, multiple stone fireplaces, and a country kitchen “where everyone gathers”. Designed and built to withstand the test of time, Valmoré, already has the presence of a mountain classic.
$10,999,999
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FROM ASPEN, WITH LOVE
GUNNER’S LIBATIONS
by GUNILLA ASHER
NEED TO KNOW • Certified organic • Single-estate grown and bottled Agave • Award-winning
REPUBLIC TEQUILA I HAVE BEEN watching “Moonshiners,” and without going to such extremes, I thought that getting my husband a Republic Tequila barrel for Christmas might have been exactly what we needed. The barrel holds six bottles of tequila; I filled ours with Republic Silver so we could age it to a Reposado and an Anejo. We pulled our first bottle out after 11 days, and I can tell you that the smoky and wood flavors are very different from the bottled products. Of course the barrel can be a little dangerous — with its spout, you can just walk up anytime and fill a shot and nobody will ever know. Needless to say, we are loving this experience. Plus, the barrel can be used for more than three years — it’s the gift that keeps on giving. Gunilla Asher is the co-manager of The Aspen Times. She writes about libations without any real training other than in the spirit of “She is not a connoisseur, but she is heavily practiced.”
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PHOTO BY THINKSTOCK
WINEINK
WORDS to DRINK BY
by KELLY J. HAYES
THE BURGUNDY ROAD RUNS THROUGH ASPEN
OF ALL THE WINE roads on the planet, none is more possessing of prestige, passion, romance and quality than Burgundy’s famed RN74, the “Routes des Grande Cru.” This two-lane highway (dispassionately redesignated as DN974 by the French roads department in 2006 but forever known as RN74 to wine enthusiasts) is bounded by trees and runs north to south from Dijon through the heart of the Côte d’Or, making its way under the very shadow of “the golden slopes” to Santenay. KELLY J. But magically, for HAYES this weekend only, the RN74 travels all the way from the hills flanking the Clos de Vougeot to Aspen Mountain and The Little Nell hotel, where the third La Paulée des Neiges will be held. This is an affair unlike any other, where the wines of Burgundy are celebrated with a Bacchanalian-like gusto, and lovers of same gather for a weekend they will forever treasure. If there were a heaven for Burgophiles, as purists are known, this would be it. On Jan. 18, the newly christened Element 47 at The Little Nell will host a dinner featuring a collaboration between chef Robert McCormick and his former boss, chef d’honneur Daniel Boulud. This meal, dubbed The Collectors Dinner, will be supported by a selection of wines from Burgundy’s most renowned winemakers and a wild-card “ace” from the Rhone region. Wines poured will come from the collections of winemakers Dominique Lafon, of Domaine des Comtes Lafon; Etienne Grivot, of Domaine Jean Grivot; Jean-Pierre de Smet, of Domaine de L’Arlot; Christophe Roumier, of Domaine Georges Roumier; Pierre Meurgey, of Maison Champy; and from Crozes-Hermitage, Alain Graillot. This is a group so influential, so important to the Burgundy of today, that they shouldn’t be allowed to fly on the same plane. And yet here they will sit, pairing their wares with the cuisine of unarguably America’s most accomplished and honored French chef. On Jan. 19, the chefs take to the slopes — not the slopes of the Côte
PHOTO COURTESY OF THE LITTLE NELL
de Nuit but the slopes of Aspen Mountain — for a morning of what will hopefully feature neige fraîche. Then, for the noon repast, a special luncheon will convene in the Aspen Mountain Club featuring older vintages from each of the Domaines in attendance paired with menus created by Boulud and McCormick. All participants are encouraged to join in the celebration of Pinot Noir and Chardonnay by bringing bottles from their own personal stashes or cellars. Showing off is poor form, but sharing is a sacrament. “This is a unique chance to see and meet these winemakers in their natural
Boulud’s culinary group. In 2000, Johannes, one of the world’s premier wine professionals, inaugurated La Paulée des New York. Its intention was to bring together and celebrate the very finest wines, winemakers, chefs and aficionados of New York and Burgundy for a three-meal event that pays homage to La Paulée de Meursault, a traditional happening in Burgundy that honors the harvest each fall. Alas, even heaven, or in this case, camp, comes with a price. The Collectors Dinner seats are 2,000 apiece, while lunch on Jan. 19 costs 750 per person. Seating is extremely limited, and information for tickets
KJH SELECTS ... Just because you don’t have 2 grand to fork over for this week’s Collector’s Dinner doesn’t mean you can’t partake in a good Burgundy. Values abound in wines from the region, and if you ask your wine retailer, there should be many suggestions. For less than $30, you might try a DOMAINE FAIVELEY MERCUREY ROUGE 2009 from the Côte Chalonnaise. This Pinot Noir is a dark ruby-colored gem that screams of its highfalutin’ origins in the high-rent district. A sniff and a taste will help tell the tale of Burgundy.
Meursault and Montrachet, the white wines of kings.
setting, having fun, skiing, just being themselves,” said Sabato Sagaria, food and beverage director at The Little Nell and master sommelier. Sharing in the camaraderie, and of course the wines of this esteemed group, is an unparalleled opportunity. “La Paulée des Neiges is like camp for Burgundy lovers,” Sagaria said. Literally translated as a “sauté pan of the snows,” La Paulée des Neiges made its way to Aspen for the first time in 2006. It is an addendum to an event founded by Daniel Johannes, who is the wine director of Dinex,
for the events can be found by contacting reservations@lapaulee. com or 212-625-2519. You also can contact Sagaria directly at ssagaria@ thelittlenell.com. The mere presence of the La Paulée des Neiges here in Aspen is simply an additional validation of Aspen’s stature as a premier wine community. Kelly J. Hayes lives in the soon-tobe-designated appellation of Old Snowmass with his wife, Linda, and a black Lab named Vino. He can be reached at malibukj@aol.com.
A La Paulée des Neiges menu waits patiently for pairings to be poured.
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FROM ASPEN, WITH LOVE
FOOD MATTERS
IS VEGANISM THE ANSWER? ‘THE CHINA STUDY’ AND ‘FORKS OVER KNIVES’ MAKE A STRONG CASE FOR ELIMINATING ANIMAL PROTEIN
TWO YEARS AGO my father-inlaw died of pancreatic cancer. It was not the first time cancer had touched someone in my family, and I’m no fool, so sadly it probably won’t be the last. But soon after his passing, my focus turned to my husband and my two small boys, who now have a much greater risk for this type of fatal cancer. I felt helpless. AMIEE WHITE By chance — or BEAZLEY perhaps by some greater intervention — soon afterward, I was taking a break on the Rio Grande Trail, where I met a man who had been walking. He sat down beside me on the bench and told me he was dying from cancer. “I wish I had read ‘The China Study’ sooner,” he told me. “The China Study,” written by T. Colin Campbell, a nutritional scientist from Cornell University, documents what has been called the largest cancer-and diet-related study ever conducted. It
Author T. Colin Campbell at his childhood farm.
was a book people had recommended to me for years. But this conversation with this man had me feeling compelled to buy it, as if I had been knocked over the head. The book is full of game-changing, factual studies on how of animal proteins, including milk and cheese, act as accelerants for tumor growth and in fact may instigate cancer cells from the get-go. The text made sense to me. I was soon searching for more information. That’s how I found the
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film “Forks Over Knives.” This film’s premise is that America is suffering from a health epidemic. Heart disease, cancer and stroke are the country’s three leading causes of death, and the medicines prescribed to remedy these and other diseases cost this country more than 120 billion each year. It, too, provides recent research that there is a correlation between these deadly diseases and the amount of meat, dairy and processed foods consumed. The research from two world-renowned experts — Campbell of “The China Study,” and Caldwell Esselstyn Jr., author of “Prevent and Reverse Heart Disease,” who convinced former President Bill Clinton to treat his heart disease in a new way — led to this documentary. The film follows the journey of real patients who are diagnosed with chronic conditions from heart disease to diabetes. Viewers are given a firsthand look at their shocking physical and medical transformations after each patient adopts a wholefood, plant-based diet. Both the film and the book have been topics of conversation for a few years now, but it seems lately — at every dinner party, camping trip or gondola ride — people are talking about it. I’m not a dietician, and I’m not a health expert, but if you’re like me — wondering why there is so much disease in the world and why our food system is so broken — these works are definitely worth your time. Amiee White Beazley writes about dining, restaurants and food-related travel for the Aspen Times Weekly. She also works at Woody Creek Distillers in Basalt. Follow her on Twitter @awbeazley1, or email awb@ awbeazley.com.
SPINACH AND SWEET POTATO LASAGNA “Recipe from Forks Over Knives — The Cookbook: Over 300 Recipes for Plant Based Eating All Through the Year” is a great accompaniment to the film. Edited by Gene Stone, with a foreword by T. Colin Campbell and Caldwell Esselstyn, it is packed with great vegan recipes for every meal. SERVES 6 TO 8 INGREDIENTS 2 to 3 large sweet potatoes (about 2 pounds), peeled and cut into ½-inch rounds 2 large heads cauliflower, cut into florets ¼ cup pine nuts, toasted Unsweetened plain almond milk, as needed 3 tablespoons nutritional yeast, optional ½ teaspoon ground nutmeg 1½ teaspoons salt 1 large yellow onion, peeled and diced small 4 cloves garlic, peeled and minced 1 tablespoon minced thyme ½ cup finely chopped basil 12 cups spinach (about 2 pounds) Salt and freshly ground black pepper to taste 12 ounces whole-grain or Jerusalem artichoke flour Lasagna noodles, cooked according to package directions, drained and rinsed until cool PREPARATION 1. Place the sweet potatoes in a double boiler or steamer basket, and steam for 6 minutes or until tender but not mushy. Rinse until cool, drain and set aside. 2. Steam the cauliflower for 6 to 8 minutes until very tender. Combine the cauliflower and pine nuts in a blender, in batches if necessary, and puree until smooth and creamy, adding almond milk if needed. Add the puree to a large bowl, and stir in the nutritional yeast (if using), nutmeg and salt. Set aside. 3. Place the onion in a large skillet, and sauté over medium heat for 10 minutes. Add water 1 to 2 tablespoons at a time to keep the onion from sticking to the pan. Add the garlic, thyme, basil and spinach, and cook for 4 to 5 minutes or until the spinach wilts. Add to the cauliflower puree, and mix well. Season with additional salt and pepper. 4. Preheat the oven to 350 degrees. 5. To assemble the lasagna, pour 1 cup of the cauliflower mixture into the bottom of a 9-by-13-inch baking dish. Add a layer of lasagna noodles. Place a layer of sweet potatoes on top of the noodles. Pour 1½ cups of the cauliflower mixture over the sweet potatoes. Top with another layer of noodles, followed by a layer of sweet potatoes. Add another layer of the cauliflower mixture. Top with a final layer of noodles and the remaining cauliflower sauce. Cover with aluminum foil, and bake for 30 minutes. Uncover, and bake for another 15 minutes, or until the casserole is hot and bubbly. Let sit for 15 minutes before serving. 6. Salt to taste, and let cook for 25 minutes. “Recipe from Forks Over Knives — The Cookbook: Over 300 Recipes for Plant Based Eating All Through the Year,” copyright Del Sroufe, 2012. Reprinted by permission of the publisher, The Experiment. Available wherever books are sold.
CONTRIBUTED PHOTO
by AMIEE WHITE BEAZLEY
NEED TO KNOW • ‘Forks Over Knives’ DVD: $19.99 • ‘Forks Over Knives: The Plant-Based Way to Health’: $11.99 • ‘Forks Over Knives - The Cookbook: Over 300 Recipes for Plant-Based Eating All Through the Year’: $15.99 • Available at www.forksoverknives.com
THINKSTOCK PHOTO
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VOYAGES
DESTINATION | MEXICO
by MANUEL VALDES for THE ASSOCIATED PRESS
IN TULUM, A RELAXING MEXICAN ESCAPE NEED TO KNOW • NEAREST MAJOR AIRPORT, CANCUN, ABOUT 90 MILES FROM TULUM, REACHABLE BY RENTAL CAR AND SHUTTLE BUS. • WWW.TODOTULUM.COM
TOP: The Castle of the Mayan ruins in Tulum. BOTTOM: Tulum is attracting a mix of Bohemians, well-pocketed New Age types and sun-seekers to its turquoise waters and white sandy beaches.
“TULUM IS LUXURY, BUT THE LUXURY HERE IS NATURE AND THE BEACH. ... TULUM IS PRETTY LAID-BACK AND CHILL.” — MIMI CONTRERAS
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THE ALLINCLUSIVE CANCUN resorts are not known for topless women on the beach or Argentines with scraggly beards playing Gypsy music. But that’s the norm in Tulum, a Mexican seaside spot south of Cancun that attracts a mix of bohemians, well-pocketed New Age types and sun-seekers to its turquoise waters and white sandy beaches. Despite its proximity to Cancun and its fellow party neighbor Playa del Carmen, Tulum is not for the same spring-break crowd. “The college kids go to Cancun. The professors and teacher assistants come to Tulum,” said Richard Contreras, whose family has managed properties in Tulum for nearly a decade. That doesn’t mean Tulum is cheap. We couldn’t find a room on the beach for less than 150 a night that came with a bathroom. Meals nearby cost just as much as they do in my hometown of Seattle. “Tulum is luxury, but the luxury here is nature and the beach,” said Mimi Contreras, Richard’s sister. Our trip was a five-day sun-seeking dash in the first week of January, during the area’s high season, which
stretches from winter through spring break. Tulum, located on Mexico’s lush green Yucatan Peninsula, was an ideal destination. The weather was perfect. The bright sunshine was rarely obscured by fast traveling clouds. December and January are among the driest months on the Yucatan Peninsula and offer hot weather but no debilitating heat. The dayside highs in our trip were in the mid-80s. The night skies were full of stars. Tulum is about 90 miles south of Cancun, and the highway connecting both is well-paved. We flew into Cancun, rented a car (25 a day plus insurance from Hertz) and made the drive late at night. It went smoothly and we hit no traffic, but watch out for speed bumps scattered around the area and pedestrians crossing the highway in some spots. There are also shuttles available from Cancun to Tulum, but the car gave us the mobility to visit attractions beyond the beach. “Tulum is pretty laid-back and chill. And I think most of the people who live here, work here, who have property here, want to keep it that way to a certain extent,” Mimi Contreras said.
PHOTOS BY MANUEL VALDES
Take your time. Breathe in the mountain air. Reconnect with friends and family.
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THE RESIDENCES AT THE VICEROY SNOWMASS ARE NOT BEING SOLD BY VICEROY HOTELS, LLC, THE VICEROY HOTEL GROUP AND/OR ANY OF THEIR AFFILIATES (“VICEROY”). DEVELOPER’S USE OF THE VICEROY AND REMEMBER TO LIVE MARKS IN CONNECTION WITH THE DEVELOPMENT, OPERATION, MARKETING AND SALE OF THE PROJECT IS PURSUANT TO A PRIVATE AGREEMENT WITH VICEROY, WHICH MAY EXPIRE OR TERMINATE WITHOUT BEING RENEWED. THIS ADVERTISEMENT IS NOT AN OFFERING. IT IS A SOLICITATION OF INTEREST IN THE ADVERTISED PROPERTY. NO OFFERS TO PURCHASE WILL BE ACCEPTED FROM ANY PERSON WHO RESIDES IN A STATE WHERE THE OFFERING HAS NOT BEEN REGISTERED OR IS NOT EXEMPT FROM APPLICABLE REGISTRATION REQUIREMENTS. THIS ADVERTISEMENT IS MADE IN ACCORDANCE WITH COOPERATIVE POLICY STATEMENT NO.1, ISSUED BY THE NEW YORK STATE DEPARTMENT OF LAW. FILE NO. CP12-0049. DEVELOPER IS SNOWMASS ACQUISITION COMPANY LLC, C/O THE RELATED COMPANIES L.P. 60 COLUMBUS CIRCLE, NY, NY 10023.
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Flying Dog Ranch s /NE OF THE LAST ORIGINAL RANCHES NEAR !SPEN s ,OCATED IN PASTORAL 7OODY #REEK s !DJACENT TO .ATIONAL &OREST ,AND s %XTREME PRIVACY WITH EXCELLENT VIEWS s 2IDING HIKING lSHING ELK HUNTING AND MORE RIGHT OUT YOUR BACK DOOR s PARCELS TOTALLING ACRES s .EARLY MILE OF #OLLIN S 7OODY #REEKS s ! MAJESTIC PROPERTY THAT CAN ONLY BE APPRECIATED lRST HAND %D :ASACKY \ ,YDIA -C)NTYRE \ New Listing
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$2,750,000 LARGE WEST END DUPLEX Spacious 3 level 3 bedroom 4.5 bath Private 2 car garage
$649,500 SILVER GLO #304 Top floor, south-facing, one bedroom Pool, sauna, shuttle service, ski locker 4 blocks to Gondola
$685,000 CARBONDALE - MISSOURI HEIGHTS 4 bedroom 3.5 bath Large open floor plan, tall ceilings New kitchen & media room, spectacular views
$499,000 HUNTER CREEK #1327 Contemporary remodel Bosch & KitchenAid appliances Onsite pool, Jacuzzi, tennis court
$6,895,000 222 E. HALLAM Ultimate location 2 blocks to the core 4 bedroom 3+ bath Landscaped fenced yard & south facing views
$1,195,000 ASPEN RIVERFRONT 2 bedroom 2 bath, 2 balconies In-town end unit on the river Pool, sauna, assigned parking
$1,795,000 CHATEAU EAU CLAIRE #27 3 bedroom 3 bath Top floor unit, magnificent views Pool, hot tub, conference room
$399,000 INDEPENDENCE SQUARE #310 Studio, 1 bath Great location Rooftop deck & Jacuzzi
$135,000/$140,000 ST. REGIS RESIDENCE CLUB #B32 2 bedroom 2 bath Lifestyle flexible use schedule 2 blocks to gondola & downtown Aspen
Chris Giuffrida, Bill Small, Shellie Roy, Sam Green, Tim Clark, Dennis Jung, Chuck Frias, Will Burggraf, Sybrina Stevenson.
FriasAspen.com
realestate@friasproperties.com PROPERTY MANAGEMENT
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VACATION RENTALS
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WHAT’S UP? DOCS by Stewart Oksenhorn
has Movieland opened a second location in Aspen? Not quite. It’s the Wheeler Opera House doing its best impersonation of a multiplex — but in a downtown setting and without the sticky floors. (No popcorn, alas.) And the selection of movies is far removed from what you’ll find at the standard multiplex. The Wheeler is bringing back its Monday Docs series, which focuses on provocative documentaries about the state of various corners of the world, for the third edition. A new series, Roc Docs, zooms in on one specific piece of the globe: music. Both documentary series are presented by the Wheeler in conjunction with Aspen Film and Mountainfilm in Telluride. In addition, with the Wheeler set to transfer in the fall from film projection to digital, the Wheeler Film Series, and its longtime director Jon Busch, again in partnership with Aspen Film, bid adieu to film itself. The series Farewell to Film will present, between now and late spring, a handful of movies screened from 35mm, and possibly even 70mm, prints. And if you’ve ever wanted to be a film programmer, here is your chance: They’re asking for the public’s input on what movies to show.
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FILM BLURBS MONDAY DOCS “Ethel” (Jan. 28): Rory Kennedy points the camera at her mother, Ethel, widow of Robert F. Kennedy, and gets an insider’s view of one of America’s most interesting families. “The Central Park Five” (Feb. 4): Ken Burns, along with his daughter Sarah, revisits the 1989 case of “wilding,” when a woman was attacked and raped in Central Park and five young men were basically marched straight from interrogation room to courtroom to prison. Except none of the five was involved, and “The Central Park Five” becomes a lucid, incontrovertible statement about race and justice. “Terra Blight” (Feb. 11): What happens to the latest electronic device when it is no longer the new thing and is ready for disposal? “Terra Blight” follows all that plastic, wire and metal into the waste stream. Also showing is the short “Stuff Everywhere,” which asks, “How much is too much?” “Fambul Tok” (Feb. 18): The perpetrators and the victims of Sierra Leone’s long civil war gather to talk about their experience and pain. “Rising From Ashes” (Feb. 25): Pro cyclist Jock Boyer introduces bicycle racing to Rwanda as a way to relieve the trauma of the country’s tribal genocide. Instead of dwelling on their memories, the bikers dream of the Olympics.
ROCK DOCS
“Chasing Ice,” a documentary on ice fields in Greenland and Alaska, shows in March in the Wheeler Opera House’s Monday Docs series.
M
MOST EVERYTHING about the movies is dynamic. When there’s new technology, filmmakers are some of the first to get their hands on it. Social trends and upheavals are reflected in the ways films are made and what films are about; witness the rebellious indie-film movement of the ’70s, followed by the safe blockbuster era that took hold by the ’80s. Fashion styles and looks are updated through the medium of the big screen. The public cycles through movie stars and genres and techniques, moving on to the next big thing. And then there’s that small, dark corner of the film universe known as documentaries. For decades, they seemed to lie there, undisturbed, existing in more or less the same form as they always had. “There was a way documentaries had to be made,” Laura Thielen, the artistic director of Aspen Film, said. “You had to be fair and balanced. You had the voice-of-God narrator. They weren’t about characters; they were about processes, sociology.” The result was that documentaries were not only staid — they weren’t very popular. Seeing a documentary wasn’t like a night out at the movies; it was like sitting through a junior high social studies class. “It was a collection of facts with no story to it,” said Gram Slaton, the executive director of the Wheeler Opera House. “It was the school-film experience.” “Those airless documentaries, the ones the teacher would put on Friday afternoons and everyone would fall asleep,” Thielen said. But Thielen noted that there were always people “chipping away” at that foundation. Most notable were the cinema verité filmmakers of the 1960s, including D.A. Pennebaker, who made a pair of documentaries about Bob Dylan, “Don’t Look Back” and “Eat the Document”; and Barbara Kopple, who earned an Academy Award for “Harlan County, USA,” a 1976 film about a miners strike in Kentucky. Instead of employing a scholarly distance, these movies captured their subjects up close, in as natural a setting as possible. For Slaton, and for many filmgoers, the landscape didn’t show a noticeable shift until 1989, when director Michael Moore emerged. His debut, “Roger & Me,” injected Moore himself, heavy, confrontational and funny, into the story of General Motors closing several plants in Flint, Mich. Not only was Moore himself in the frame, but he drew Roger Smith, General Motors’ CEO, into the documentary. The film was thus given an element of characters who had particular points of view and something at stake.
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“Beware of Mr. Baker” (Jan. 30): Ginger Baker was possibly rock’s greatest drummer — Eric Clapton, Baker’s bandmate in Cream, is visibly offended by the idea that anyone else was close — and a scoundrel of a person. (The film opens with Baker attacking a filmmaker with a cane, drawing blood.) Exquisitely researched and assembled and oddly touching when Baker talks about his drum heroes. “Big Easy Express” (Feb. 6): Three folk-tinged rock bands — Old Crow Medicine Show, Edward Sharpe & the Magnetic Zeros and Mumford & Sons — get together to ride the rails from California to New Orleans and make a few concert stops along the way. Director Emmett Malloy gives a distinctive visual flourish, the train metaphor never goes over the top, and the focus stays where it belongs, on the music, which is quite powerful. “The Zen of Bennett” (Feb. 13): A respectful profile of 85-yearold singer Tony Bennett as he records with John Mayer, Norah Jones, Andrea Bocelli and the late Amy Winehouse. “Under African Skies” (Feb. 27): An illuminating look at the making of Paul Simon’s 1986 album “Graceland” and the controversy surrounding Simon’s decision to record in apartheidera South Africa. The lesson: Political storms come and go; phenomenal music endures. “Decoding Deepak” (March 4): Gotham Chopra follows his father, Deepak, for a year to get a better understanding of the spiritualist. “Critical Mass” (March 11): Filmmaker Mike Freedman goes back to researcher John Calhoun’s experiments with mice to examine the globe’s overpopulation by another species, humans. Freedman touches, not too convincingly, on the subjects of obesity and homosexuality, and the film itself is overpopulated with a huge cast of academics. But “Critical Mass” moves fast, the graphics lighten the tone, and the message is significant: We might be dumber than the mice. “Chasing Ice” (March 18): Photographer James Balog is driven to obsession in trying to precisely document the disappearance of glaciers in Greenland and Alaska. The film is awe-inspiring, beautiful and scary. Nominated for an Oscar — strangely enough, in the Best Original Song category. “G-Dog” (March 25): A feel-good portrait of father Greg Boyle, who runs an ambitious intervention program for Los Angeles gang members. “G-Dog” was co-winner of the Audience Favorite Award at Aspen Filmfest last fall.
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ABOVE: British folk-rock band Mumford & Sons, with singer Marcus Mumford, pictured at the 2012 Jazz Aspen Snowmass Labor Day Festival, is featured in “Big Easy Express,” showing in February in the Wheeler Opera House’s Rock Docs series. RIGHT: “Big Easy Express,” a film about a rock tour by train, shows in February in the Wheeler Opera House’s Rock Docs series.
“Critical Mass,” about human population density, shows in March in the Wheeler Opera House’s Monday Docs series.
“Suddenly that myth of the documentary as truth was blown up, and the medium became a way of telling personal stories,” Thielen said. Over the past two decades, documentaries have become increasingly vital, entertaining and ubiquitous, and the form still seems to be in acceleration mode. The Wheeler’s Monday Docs series, which starts its third edition this month, makes a jump in size, with nine evenings devoted to documentaries. The Wheeler also debuts another series, Rock Docs, devoted to films about music and musicians. For Slaton, another big stepping stone in the progression of documentaries came a year after
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“Central Park Five,” about a 1989 attack in Central Park, shows in February in the Wheeler Opera House’s Monday Docs series.
“Roger & Me,” when “The Civil War,” a nine-part, 10-hour TV series was broadcast on PBS. The series introduced a visual style, which became known as the “Ken Burns” effect, but even more significant was the way Burns put faces to the War Between the States. “He stepped outside and told a real human story, with these characters who change over the course of the four-year war,” Slaton said. Other landmark documentaries followed. Moore’s “Fahrenheit 9/11,” from 2004, a critical look at President George W. Bush and the war on terror, earned the Palme d’Or at the Cannes Film Festival. “An Inconvenient Truth,” featuring former Vice President Al
Gore issuing a dire environmental warning, earned nearly 50 million in the U.S.; “March of the Penguins” took in 77 million. “Super Size Me,” which followed Morgan Spurlock’s 30-day allMcDonald’s diet, and “Religulous,” Bill Maher’s mocking of religious practices, revealed that there was a sizable appetite for documentaries with a pointed sense of humor. “Waiting for Superman,” about American public education, and “Hoop Dreams,” about high school basketball players, found broad audiences for more serious subject matter. Monday Docs encompasses this wide variety of documentary types. There are tales of overpopulation
P H O T O S , C L O C K W I S E F R O M T O P L E F T: S T E W A R T O K S E N H O R N , M A R C U S H A N E Y, C O N T R I B U T E D I M A G E S
FAREWELL TO FILM For Jon Busch, movies aren’t just the images you see on the screen, nor are they just the stories, the acting performances, the score or the visual effects. For Busch, movies are also the film itself, the strips of celluloid packed in metal canisters. Busch’s first job, as a teenager in Portland, Ore., was changing the marquee lettering at the Victory Theatre. At a storefront theater in a nearby town, he graduated to the role of projectionist, learning the art of splicing films together, the smooth changing of reels and making necessary adjustments to the light source. He went on to work at a theater that specialized in triple features of horror films. Film has become his profession: Since living in Aspen — first in 1964 as a bassoonist at the Aspen Music School and full time in 1969 — Busch has cofounded the Wheeler Film Series and has been projectionist for Aspen Film. He was also technical director of the Telluride Film Festival for 30 years and continues to serve as technical director of the Hawaii International Film Festival.
“Under African Skies,” a film about Paul Simon’s 1986 album “Graceland,” shows in February in the Wheeler Opera House’s Rock Docs series.
A traditionalist in many ways — he oversees the massive pipe organ at the Aspen Community Church — Busch isn’t about to let the movie business slip into the digital realm without a proper goodbye to film itself. As the Wheeler plans to replace its film projector with a digital system, the Wheeler Film Series, along with Aspen Film, is presenting the Farewell to Film series. The series opens Jan. 20 and 21 with Frank Capra’s 1937 fantasy classic “Lost Horizon.” The series is likely to return once a month through June, with the remainder of the lineup still to be determined. The programmers are looking for input; film lovers can post suggested titles — along with the reasons behind their picks — on Aspen Film’s Facebook page. (Suggestions also can be sent to dgreen@aspenfilm.org.)
Edward Sharpe & the Magnetic Zeros are featured in “Big Easy Express,” showing in February in the Wheeler Opera House’s Rock Docs series.
The Wheeler Film Series’ Farewell to Film opens with 1937’s “Lost Horizon,” showing Jan. 20 and 21 at the Wheeler Opera House.
“I’d like to see people think about, What film do they want to see because it’s film? Would it look any better or be more meaningful on film?” said Busch, who typically comes onstage to give an enthusiastic introduction to films at the Wheeler. “There are the obvious classics — ‘My Fair Lady,’ ‘The Wizard of Oz,’” said Laura Thielen, the artistic director of Aspen Film. “But it will be interesting to see what out-of-the-box choices people come up with.” “Lost Horizon” was chosen in part because it is a story — about a utopian mountain village — that should resonate with Aspen audiences. The print, coming out of the studio vault, includes a 32-minute segment that had been lost over time. “Lost Horizon” nods to the past, down to the look of the character actors who play supporting roles. But Busch was thinking of the look of the film when he selected it.
“Terra Blight,” a film about the life cycle of a computer, shows in February in the Wheeler Opera House’s Monday Docs series.
“It’s a black-and-white film. And black-and-white looks so gorgeous on film,” he said. Busch added that, while digital has its attributes, its major drawback is that the subtleties of black get lost. All black tones look the same, and any darklooking film — he cited “Lincoln” as a perfect example — loses a lot when shown digitally. “We lose a look, a soft lushness,” he said. “Digital doesn’t have that film look. I think film, well-projected, can look much better.” “Digital is a colder look,” Thielen said. “There’s a handmade quality to film.”
and the criminal justice system that are bound to disturb. There are uplifting stories — about warscarred Africans and about a man who ministers to Los Angeles gang members. There are two films about well-known individuals made by their offspring. “It’s a lot of layers of the cake,” Slaton said. “It’s not all doom and gloom. You can come every week and get a different kind of experience.” Rock Docs, a series of four films, adds music to the mix. It’s worth noting that a handful of the highestgrossing documentaries are musicoriented: “Justin Bieber: Never Say Never” and “Katy Perry: Part of Me.” Slaton believes that Internet
institutions such as Facebook and YouTube have allowed the most compelling true stories to gain momentum: a producer sees a short YouTube clip go viral and sees there is an audience for a feature-length movie. Thielen said reality TV “has created a curiosity about authentic stories. Not that what we’re showing is reality TV.” And Slaton aired another thought about the current popularity of documentaries. “My guess is that people are just tired of movies where things blow up or young love is experienced in the same way for the thousandth time,” he said. “People want to see something real, stories that actually impact them.”
P H O T O S , C L O C K W I S E F R O M C E N T E R L E F T: S T E WA R T C O L E , K E V I N M A Z U R , C O N T R I B U T E D I M A G E S
Busch and Thielen noted that digital has several advantages over film. Shooting digitally costs almost nothing, allowing directors to try things they might not if they had to consider the expense of film. “You can do as many takes as you want, experiment,” Busch said. “On film, everything’s got to be blocked out, smooth.” Shipping costs for digital are far smaller; Busch noted that freight on a 70mm print of “Lawrence of Arabia” — a title that invariably comes up when talking about movies that benefit from being screened from film — costs around $300. Film degrades over time; after a print has been through just a few screenings, scratches are visible. For the studios, digital makes storage easier and cuts down on piracy. Passionate moviegoers are starting to miss more than just the look of film. Film itself contributes to the old-fashioned cinema experience in a way that digital does not. “This is probably romantic and old-fashioned, but there’s an exchange between the booth and the audience,” Thielen said. “There was a sense of presentation. Now it’s automated. It’s the flip of a switch. It’s the end of an era. Films are being made in a different way.” Thielen said that in the Farewell to Film series, she would like people to think in terms of the old, communal ritual of going to the movies. “I want the audience to think: ‘What would I want to see in an audience, with other people laughing and crying and sharing that experience?’” she said.
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by STEWART OKSENHORN
Waters understood the confusion. “Why would it be me? Why would I be standing there?” he said. The majority of Americans — those who didn’t warm to, say, Divine, the late Baltimore-born drag queen who was a regular in Waters’ early films and, in “Pink Flamingos,” ate dog poop — know Waters through “Hairspray.” It was a departure from Waters’ earlier work — it was rated PG, a shocking thing for a Waters product. Starring Ricki Lake as the plump, determined Tracy and with a cast that included Sonny Bono and Debbie Harry, the film earned a modest gross of 8 million and seemed destined, like most of Waters’ output, to be relegated to cult status. But in 2002, the story — with Harvey Fierstein playing Tracy’s mother, Edna — was reborn as a Broadway show and became a hit, running for more than 2,500 performances and winning eight Tony Awards. A second film version, this one a musical starring John Travolta as Edna, was released in 2007. With a gross of more than 200 million, it is the fourth-highest-earning musical film ever. Waters being a success on Broadway back when Broadway had plenty of dirt under its nails was easy to picture. Waters having a presence in the current cleaned-up Broadway is harder to see, and you could imagine Waters himself being ambivalent about having a family-friendly Broadway hit. But no. “I love it. Are you kidding? It bought me an apartment in San Francisco!” he said. Apart from the financial haul, Waters loves the message “Hairspray” sends. “Finally, the fat girl wins,” he said. Waters looked forward to the show becoming a staple of high school theater — which it has, though there
ASPEN TIMES FILE PHOTOS
GAY SKI WEEK Additional events:
has been a downside. “Because of political correctness, there are laws against casting by weight or by race,” he said. “A skinny girl playing Tracy? The plot really doesn’t work like that.” Part of the Waters persona is to remain upbeat. The first thing he said for this interview was that he had a nasty cold — and then, proclaiming himself “fine,” he dived into the interview in perfect form. Waters said that the success of “Hairspray” was more than he could have asked for — the fact that he was making movies at all, and appearing onstage and publishing books, was more than he could have imagined back when he was a kid, reading Variety magazine. “My dream came true years ago,” he said. “This is all gravy. I’m still telling stories, and that’s what I wanted to do from the beginning.” Consistently, the stories, whether they have been proper for family viewing or banned in certain countries, have had a sweetness and earnestness to them; that might be the ultimate Waters trademark, even more than his high-pitched laugh. “Most reality TV asks you to feel superior to your subject matter,” Waters said. “I try to look up to the people I parody. I’m amazed by those people.”
STAND-UP WITH DREW CAREY AND BRENDON WALSH Jan. 17 at 8:15 p.m. Wheeler Opera House
WHITE PARTY Jan. 17 at 9 p.m. Hotel Jerome Ballroom
DOWNHILL COSTUME PARADE & CONTEST Jan. 18 at noon Gondola Plaza
GAY VS. STRAIGHT HOCKEY GAME Jan. 19 at 7 p.m. Aspen Recreation Center
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ARTS&ENTERTAINMENT
MUSIC/ART/FILM/LITERATURE
THE DIRT ON JOHN WATERS for four decades, since emerging in 1974 with the ultra-cult film “Pink Flamingos,”
NEED TO KNOW John Waters, “This Filthy World” Friday, Jan. 18 at 8 p.m. Belly Up
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John Waters has trumpeted his distinctive traits loud and clear: his affection for Baltimore and soiled, C-grade celebrities; alliterative names for the characters in his films (Corny Collins, Tracy Turnblad, Ursula Udders); his own homosexuality and pencil mustache; and especially his fetish for all things trashy. Which makes Waters ripe for parody. A 1997 episode of “The Simpsons” walked that line; Waters voiced a character that was essentially himself: John, the flamboyant owner of the campy Cockamamie’s Collectibles Shop, who befriends Homer and ultimately causes Homer to question Bart’s sexuality. But Waters believes that he moves too fast for easy parody. Even at 66, he is unwilling to settle comfortably into the well-paying role of the Marylandcentric purveyor of good bad taste — or as William Burroughs has called him, the pope of trash. “I keep reinventing myself,” Waters said by phone and then began detailing the ways. Waters, along with the Indianapolis Symphony Orchestra, had just debuted a concert version of “Hairspray,” the mega-hit 2002 Broadway musical adapted from Waters’ 1988 film. The concert version featured Waters himself onstage as the narrator; featured in the cast, as Wilbur Turnblad, was Mickey Dolenz — a former Monkee and the sort of marginal celebrity that Waters favors. Next week, the concert version heads to the promised land: Waters will team with the Baltimore Symphony Orchestra for performances in Baltimore, where “Hairspray,” the story of a girl in the early ’60s who takes on racism and prejudice against the overweight to chase her dream of appearing on a TV dance show. Between those performances, Waters makes a stop in Aspen. He appears Jan. 18 at Belly Up to perform “This Filthy World.” It is a monologue he has been doing for decades, though he says it has grown and changed over time, been presented under different names and over the years has attracted a younger and younger audience. “You can’t buy that,” he said. Waters questioned the timing of the event. “Isn’t it Gay Ski Week then?” he asked. “I love that.” Waters had an idea that he thought could spice up Gay Ski Week. He had recently heard about nude square dancing, an activity that apparently is becoming trendy in homosexual circles. “Gay men and women dancing together — which is really odd,” he said. “It takes a lot to surprise me. But that surprised me. Maybe we should introduce that to Gay Ski Week. I’m not going to do it, but maybe I’d get booked as the guy who announces nude square dancing.” If you think Waters is surprised by the sight of gays and lesbians do-si-doing, imagine what motorists in middle America thought of seeing a 66-year-old thumbing for a ride along the interstates. This past summer, Waters caught 21 rides over nine days of hitchhiking from Baltimore to San Francisco. Waters, whose six published works include “Crackpot: The Obsessions of John Waters” and “Art: A Sex Book,” is writing a book, “Carsick,” about the adventure. “I looked like a homeless guy. In fact, at that point, I was a homeless guy. Only I had credit cards,” he said. “But I ended up very optimistic about America — how kind people were and how different people were. Of course, people who pick up hitchhikers tend to be very nice. And they want to hear you talk. That’s your job as a hitchhiker, to talk. And sometimes, the longer you talk, the longer they take you.” Waters learned some valuable lessons along the road — “How to find cardboard. How to dry off,” he said — but one of the things he wanted to discover was How far fame can go. Or more specifically, how far his particular fame goes. “Am I recognized on an exit ramp in Kansas?” Waters wondered. “Well, they did. They drove five miles debating whether it was me, and when they decided it was, they drove back five exits to pick me up.”
PHOTO BY GREG GORMAN
AROUNDASPEN
The SOCIAL SIDE of TOWN
MORE HOTEL JEROME JUST ABOUT EVERYONE came to the reopening of the Hotel Jerome, so I have a bunch more photos from the evening. The January-February issue of Mountain Living magazine features, on the cover and in many photos in a feature article inside, the Jigsaw Ranch, which is located in the Castle Creek Valley above Aspen. The architect MARY for the ranch, which ESHBAUGH HAYES has many buildings and resembles a village, was Charles Cunniffe. Co-owners are Mark Rosenthal and his father, George Rosenthal. The estate is now for sale. And the January-February 2013 issue of Colorado Homes and Lifestyles magazine shows on its cover the mountain home of John Fielder, photographer and publisher of many nature and environmental books and a frequent speaker in Aspen. John’s house is in the woods in Summit County. Undercurrent ... See you at the Jerome!
JEROME Loving the renovated Hotel Jerome are Joyce Harris, Jill Fink and Michelle Bodner.
JEROME
Looking at some of the remodeled rooms at the hotel are Michael Wheeler, Mitzi Ledingham and Ines Vargara.
JEROME Sitting in the former Garden Room, now called the Paepcke Room, are Sandra Barham-Wells and Alexandra Becker.
JEROME Richard Rosenfeld and Lisa Haisfield with her son, Jon Haisfield.
JEROME In the lounge are Cathy Demos, Brian and Brittany Lang, Kristi de Villiers and Jack Demos.
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JEROME
Looking over the ballroom, which is now painted white, are Dolores Stutsman, Joanna Stutsman and Lisa Stutsman Thorpe.
JEROME
Dorothy Frommer and Kristen Henry.
P H OTO S B Y M A RY E S H BA U G H H AY E S
by MARY ESHBAUGH HAYES
JEROME Robert and Anna Suter with Tony DiLucia, manager of the Hotel Jerome.
JEROME Jane Carey and Linda Meister.
JEROME In the ballroom are Ole and Lisa Houston. Lisa arranged for artisans to be in the ballroom the night of the reopening of the Jerome.
JEROME In one of the nooks in the new lounge are Katrina Johnson and Les Ochs.
JEROME
Finding a nook to converse in are Dusty Hammrick with Teresa Hall.
JEROME
Leaving the party at the Hotel Jerome are Janet Roberts, Bob Braudis and Nancy Pfister.
JEROME
Kirk Reichel and Barbara Springer, of Alpine Merchant Services of Aspen.
JEROME In another of the nooks are Karin Derly and Suzanne Windmuller.
JEROME
Sibel and Sunny Van and Dolce the poodle.
JEROME At the bar in the new lounge at the Jerome are Ron Tentz, Jimmy Bain, Chet Winchester and Howan Rubinich.
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CURRENTEVENTS LIVE ENTERTAINMENT THURSDAY, JANUARY 17 Magician Doc Eason 6 - 10 p.m., The Artisan at the Stonebridge Inn, 300 Carriage Way, Snowmass Village. Featuring a four-time Academy of Magical Arts award winner, including two consecutive years as the Closeup magician of the year, the W.C. Fields magic bartender of the year and lecturer of the year. Call 970-923-7074. Axis LP 3 p.m. - 6 p.m., Base Camp, Snowmass Village. Après ski live music. Call 719-685-4410. Boo Coo 7 - 11 p.m., St Regis Resort, Aspen. Dynamic, eclectic music duo featuring Chris Bank and Smokin’ Joe Kelly. Call 970-927-6758.
JANUARY 17-23, 2013
John Waters — “This Filthy World” 8 - 10 p.m., Belly Up Aspen, 450 S. Galena St. This one-man show is a vaudeville act that celebrates the film career and obsessional tastes of the man William Burroughs once called “the pope of trash.” Focusing on Waters’ early negative artistic influences and his fascination with true crime, exploitation films, physical transformation through fashion and the extremes of the contemporary art world, this monologue elevates all that is trashy in life into a call to arms to “filth followers” everywhere. Call 970-544-9800. Popovich Comedy Pet Theater 7 - 9 p.m., Wheeler Opera House, Aspen. Comedy Pet Theater features a cast of 16 dogs and other animal performers rescued from shelters and transformed into international stage stars. Gregory Popovich is a fifth-
SATURDAY, JANUARY 19 Blackalicious with Kosha Dillz 10 p.m., Belly Up Aspen, 450 S. Galena St. Blackalicious is an American hip-hop duo from Sacramento, Calif., made up of rapper Gift of Gab (born Tim Parker) and DJ/producer Chief Xcel (born Xavier Mosley). They are noted for Gift of Gab’s multisyllabic, complex rhymes and Chief Xcel’s beats. Call 970-544-9800. Boo Coo 7 - 11 p.m., St. Regis Resort, Aspen. Dynamic, eclectic music duo featuring Chris Bank and Smokin’ Joe Kelly. Call 970-927-6758. Damian Smith and Terry Bannon 4 - 7 p.m., Sneaky’s Tavern, Snowmass Base Village Plaza. Live music for après-ski. Call 970-923-8787. Vid Weatherwax and Roberta Lewis 3 - 6 p.m., 8K Lounge, Viceroy Snowmass. Contemporary jazz. Call 970-923-8000. SUNDAY, JANUARY 20 Blackberry Smoke with Drake White 9 p.m., Belly Up Aspen, 450 S. Galena St., Aspen. Southern-rock quintet Blackberry Smoke has toured with the likes of The Marshall Tucker Band, ZZ Top (with Billy Gibbons jamming with the band on a Florida stop), Lynyrd Skynyrd and George Jones. Its songs have been featured in video games (EA Sports’ NASCAR 08) and films (“Swing Vote”). Call 970-544-9800. Smokin’ Joe and Zoe 7 - 9:30 p.m., Victoria’s, 510 E. Durant Ave., Aspen. Versatile music duo performs. Call 970-927-6758. Vid Weatherwax solo piano 3 - 6 p.m., 8K Lounge, Viceroy Snowmass. Rhythm and blues/variety. Call 970-923-8000. MONDAY, JANUARY 21 Kung Fu 9 p.m., Belly Up Aspen, 450 S. Galena St. Part of 2012’s new-funk movement, Kung Fu’s “nu-sion” sound blurs the line between electro-fusion and dance arrangements. Call 970-544-9800. Open Mic Night 9:30, The Red Onion, 420 E. Cooper Ave., Aspen, Check out what Aspen’s songwriters and musicians have to offer. Call 970-925-9955. TUESDAY, JANUARY 22 Magician Doc Eason 6 - 10 p.m., The Artisan at the Stonebridge Inn, 300 Carriage Way, Snowmass Village. Featuring a four-time Academy of Magical Arts award winner, including two consecutive years as the Closeup magician of the year, the W.C. Fields magic bartender of the year and lecturer of the year. Call 970-923-7074.
Climber Alex Honnold will speak at 5Point Film Aspen on Jan. 19 at the Wheeler Opera House. Damian Smith and Terry Bannon 4 - 7 p.m., The Wildwood Bar, 40 Elbert Lane, Snowmass Village. Live music for après-ski. Call 970-923-8200. Head for the Hills with SHEL 9 - 11:30 p.m., Belly Up Aspen, 450 S. Galena St. Colorado quartet plays acoustic music. Described as “modern acoustic,” it’s a mixture of homegrown compositions, traditional harmonies and improvisation. Call 970-544-9800. Memphis Linzy 10 p.m., Ryno’s Pizza Place, 430 E. Cooper Ave., Aspen. Live rock ‘n’ roll till 1 a.m. Call 970-922-7966. FRIDAY, JANUARY 18 Damian Smith Trio 3 - 6 p.m., Base Camp Bar and Grill, Snowmass Village. Free live music for après-ski. Call 970-923-6000.
generation circus performer who has been voted entertainer of the year by the American Circus Association. His pet-theater production has received multiple awards and a spot in the final rounds of competition on the NBC television show “America’s Got Talent.” Call 970-920-5770. Boo Coo 7 - 11 p.m., St Regis Resort, Aspen. Dynamic, eclectic music duo featuring Chris Bank and Smokin’ Joe Kelly. Call 970-927-6758. Haden Gregg and Tom Hills 3 - 6 p.m., Sneaky’s Tavern, Snowmass Base Village. Acoustic classics with a beat. Call 970-923-8080. NorthYSur 4 - 7 p.m., Hotel Jerome, Aspen. Blending sounds of North and South American jazz and bossa nova. Call 970-222-7752. Vid Weatherwax and Chris Bank 3 - 6 p.m., 8K Lounge, Viceroy Snowmass. Latin jazz/ variety. Call 970-923-8000.
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A S P E N T I M E S W E E K LY
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Janu ar y 17-23, 2013
Tribal Seeds with Maad T-Ray and Stick Figure 9 p.m., Belly Up Aspen, 450 S. Galena St. From San Diego, reggae group Tribal Seeds has become known for its spiritually driven rock vibe infused with the roots style of reggae music. Originally started by brothers Steven Rene Jacobo (lyrics, lead vocals, rhythm guitar) and Tony-Ray Jacobo (producer, keyboard player), the band now has six members, including Tony Navarro (lead guitar), Carlos Verdugo (drums), Jose Rodriguez (keys, percussion) and Victor Navarro (bass). Call 970-544-9800. Tuesday Night Music 9 p.m., The Red Onion, 420 E. Cooper Ave., Aspen. Mark Yaeger offers an acoustic set. Call 970-366-0939. WEDNESDAY, JANUARY 23 Damian Smith and Terry Bannon 4 - 7 p.m., New Belgium Ranger Station, slopeside on the Snowmass Village Mall. Live music for après-ski. Call 970-236-6277. X Games Music Presents: Bloc Party 8 - 10 p.m., Belly Up Aspen, 450 S. Galena St. Bloc Party was reared on pop culture between 1976 and the present day. Call 970-544-9800.
THE ARTS THURSDAY, JANUARY 17 “Block, Pillar, Slab, Beam” 10 a.m. - 7 p.m., Aspen Art Museum, 590 N. Mill St., Aspen. Four artists from across Latin America explore the evocative potential of found objects and the basic elements of the built environment. The exhibition takes its title from a game devised by philosopher Ludwig
Wittgenstein that examines the language of building to explore the nature of language itself. The artists included in this exhibition — Jorge Mendez Blake, Alexandre da Cunha, Amalia Pica and Gabriel Sierra — share a playful approach to both physical and cultural materials, building works that recall the improvised objects of everyday life, objects that derive their meaning from the practical use to which they are put. Call 970-925-8050. FRIDAY, JANUARY 18 “Block, Pillar, Slab, Beam” 10 a.m. - 7 p.m., Aspen Art Museum, 590 N. Mill St., Aspen. Four artists from across Latin America explore the evocative potential of found objects and the basic elements of the built environment. The exhibition takes its title from a game devised by philosopher Ludwig Wittgenstein that examines the language of building to explore the nature of language itself. The artists included in this exhibition — Jorge Mendez Blake, Alexandre da Cunha, Amalia Pica and Gabriel Sierra — share a playful approach to both physical and cultural materials, building works that recall the improvised objects of everyday life, objects that derive their meaning from the practical use to which they are put. Call 970-925-8050. SATURDAY, JANUARY 19 Live in HD: “Maria Stuarda” 10:55 a.m. - 2:15 p.m., Isis Theater, 406 E. Hopkins Ave., Aspen. Featuring Donizetti’s “Maria Stuarda,” a Met premiere. Mezzo-soprano Joyce DiDonato takes on the virtuosic bel canto role of the doomed Mary, Queen of Scots. Director David McVicar turns to the second opera of Donizetti’s Tudor Trilogy, which explores regal characters at fateful moments of their lives. Elza van den Heever sings Elizabeth I, and Maurizio Benini conducts. Call 970-925-1294. 5Point Film Aspen 6 - 10 p.m., Wheeler Opera House, Aspen. Starts with burritos, Cheetos and New Belgium brews followed by films and stories from 7 - 10 p.m., including soloist Alex Honnold and Michael and Hayden Kennedy, an alpinist duo separated by a generation. Visit www.5pointfilm.org/events/ aspen for more information. Call 970-5105523. SUNDAY, JANUARY 20 Literature Out Loud 3 - 4 p.m., Pitkin County Library, Aspen. Franz Alderfer will read accounts of bad behavior from Ogden Nash and Mickey Spillane. Tom Egan will tell stories of backsliding by David Sedaris and Woody Allen. Call 970-429-1900. Creating Original Works Through Improvisation and Theater Games 10 a.m. - noon, Aspen Square Hotel. Theater Masters offers a free acting/playwriting workshop for anyone 18 and older. (Those younger than 18 can attend but must contact Theater Masters ahead of time for special permission.) The workshop will be led by New York Theater director Stephen Cedars and New York dramaturg/producer Ariana Paganetti. Although the event is free, preregistration is required. To register, email the participant’s full name to theatermasters@gmail.com or call 970-618-5219. TUESDAY, JANUARY 22 Morgan Fisher film screening 7:30 - 9 p.m., Wheeler Opera House, 320 E. Hyman Ave., Aspen. Fisher will introduce a screening of his short films. Since the late 1960s, Fisher has been involved in experimental cinema with a body of work that deconstructs the language of cinema both as physical material and as a set of production methods and technical procedures. Call 970-9258050. WEDNESDAY, JANUARY 23 Teen Poets’ Asylum 2:45 p.m. - 3:45 p.m., Pitkin County Library meeting room, Aspen. An open-mic poetry club that encourages young people to share favorite works or personal creations. Refreshments provided. Call 970-429-1900. Argentine Tango 6:30 - 10 p.m., Red Brick Dance Studio, Aspen. Fundamentals of tango salon from 6:30 - 8 p.m. and Practilonga (guided practice and social dancing) from 8 - 10 p.m. Weekly through Feb. 13. Call 970948-3963.
PHOTO BY BEN MOON
edited by JEANNE McGOVERN
Culinary Tour of Aspen 11 a.m. - 2 p.m., meet at the Aspen Emporium and Flying Circus on Main Street. Gourmet Girl on the Go offers Friday lunchtime tours, with tastings and behind-the-scenes access to chefs and artisans. Tours are $75 to $85 per person, inclusive. Reservations are required; tours require a minimum of two guests. Call 970-205-9328.
Ski History Tour: Aspen Highlands 11 a.m. and 1 p.m., meet at ambassador hut at Merry-Go-Round, midmountain at Highlands. A tour with an Aspen Historical Society guide with an emphasis on Highlands’ “maverick” reputation, the ‘70s ski culture and the birth of freestyle skiing. Call 970-925-3721.
Max
THE
Meet Max! He is an approx 3 to 4 year old Miniature Pinscher. He is a very affectionate boy, but extremely shy at first. Once he warms up, he is the perfect little snuggler. He knows his name and has mastered the doggie door in a very short time...SMART BOY! He is not a fan of the cold weather so he welcomes a warm sweater. He gets along well with other dogs. We have discovered he is not a barker so he would be great in a condo or as a travel companion. If you are interested in Max, please visit our website at www.luckydayrescue.org and complete an application. If you have questions or would like more information about Max, please call Stephanie at 303-478-0662. LUCKY DAY ANIMAL RESCUE OF COLORADO
www.luckydayrescue.org
Look for the FIRST ANNUAL
TUESDAY, JANUARY 22 Baby Storytime 10:30 - 11 a.m., Pitkin County Library, Aspen. A lap-sit storytime for babies of up to 24 months. Songs, bounces, rocks, fingerplays, books and more. About 20 minutes, with stay-and-play afterward. Call 970-429-1900. Ski History Tour: Snowmass 11 a.m. and 1 p.m., meet at ambassador hut at top of Village Express/Sam’s Knob. Hosted by the Aspen Historical Society, a guided ski tour with an emphasis on the Ute people, valley ranching and the Snowmastodon dig site. Call 970-925-3721. WEDNESDAY, JANUARY 23 Moms Day Out 8:30 - 11:30 a.m., Snowmass Chapel, 5307 Owl Creek Road, Snowmass Village. Free drop-in child care for babies and tots every Wednesday through ski season. Sponsored by Snowmass Chapel. RSVP 24 hours in advance if possible to ensure availability. Call 970-300-1213. “Why We Ski: An Andean Adventure of Women, Skiing and a Golden Condor” 7:30 - 8:30 p.m., ACES at Hallam Lake, 100 Puppy Smith St., Aspen. A Potbellies Perspective presentation by Anne Loevlie. The Eye of the Condor is a unique event held in La Parva Resort, Chile, which brings together some of the worlds top skiers, photographers and videographers for a week of skiing and filming to be judged by and voted on by a panel of top industry leaders. Team Icelantic, headed by Loevlie, brought home the title for Best Video 2012. The film was directed, filmed and edited by Katy-Robin Garton, of Sprout Films. Call 970-925-5756.
WINTER 2013
WINTER 2013 WINTER 2013
TIMES
Moms Group (and Dads Too) 9 - 11 a.m., Snowmass Chapel, 5307 Owl Creek Road, Snowmass Village. Group meets the first and third Friday of each month. First Fridays include mom and tot playgroup, plus baby story hour with the Pitkin County Library. Third Fridays include guest speakers, free child care, coffee, crafts and conversation. Call 970-300-1213.
“Let Freedom Ring! MLK Jr.’s Vision. What Will it Take?” 6 - 8 p.m., Woody Creek Community Center, 0006 Woody Creek Plaza, Woody Creek. Authors Connie Baxter Marlow and Andrew Cameron Bailey give a booksigning and discussion of Martin Luther King Jr.’s vision of universal freedom and justice in the context of their new book “The Trust Frequency: Ten Assumptions for a New Paradigm.” WC3 Cafe full menu available. www.woodyc3.org. More information on The Trust Frequency at www.thetrustfrequency. net. Event supported by Davi Nikent, Center for Human Flourishing. www.davinikent.org. Call 928 451-2044.
G DO WEEK
THE ASPEN
Baby sign-language class 10:30 - 11 a.m., Pitkin County Library, Aspen. Parents and their babies will learn how to communicate with and learn from each other using a variety of simple signs. Chelsea Bridges will teach this free, six-week course through Feb. 22. For babies younger than 24 months and their caregivers. Take the whole course or individual classes. Sign up in the children’s room, or call 970-429-1900. Class size is limited.
MONDAY, JANUARY 21 Aspen’s Past to Present 1 - 2:30 p.m., downtown Aspen. Tour Aspen’s historic downtown, filled with indian legend, mining folklore and local tales. $20 per person. Reservations required; call or visit www. aspenwalkingtours.com. Call 970-948-4349.
Read the latest edition online at www.aspentimes.com/weekly
CATION OF
FRIDAY, JANUARY 18 Aspen’s Past to Present 1 - 2:30 p.m., downtown Aspen. Tour Aspen’s historic downtown, filled with indian legend, mining folklore and local tales. $20 per person. Reservations required; call or visit www. aspenwalkingtours.com. Call 970-948-4349.
Aspen’s Dark Side 7 - 8 p.m., downtown Aspen. True tales from 1879 to today of Aspen’s ghosts, murder and mayhem on an entertaining evening tour. $20 per person. Reservations required; call or visit www. aspenwalkingtours.com. Call 970-948-4349.
FOR GEAR TRENDS, AROUND ASPEN SOCIALITES, LISTINGS, EVENTS ...
A FREE PUBLI
Hotel Jerome History Tour 1:30 p.m., Hotel Jerome, 330 E. Main St., Aspen. Aspen’s iconic Hotel Jerome has been at the center of Aspen life since the doors opened in 1889, and it underwent an extensive remodeling in the fall of 2012. $15 per adult and $12 per senior; children 12 and younger are free. Offered by the Aspen Historical Society. Call 970-925-3721.
SATURDAY, JANUARY 19 Aspen Community Dance 7:30 - 10:30 p.m., Rio Grande Commons, 455 Galena St., Aspen. Scott Hopkins teaches Rumba at 7:30 p.m., with open dancing to follow at 8:30 p.m. No partner required. Refreshments served. Cost is $15 per person. Venue is located off library plaza, behind the Pitkin County Courthouse. Call 970-925-8536.
A FREE PUBLICATION OF THE ASPEN TIMES
Come to the Library and Get Out of Town 5:30 - 6:30 p.m., Pitkin County Library, Aspen. “From Aspen to Africa: A Picky Eater’s Journey.” Aspen Middle School math teacher Sarah Beesley treks to Tanzania, climbs Kilimanjaro and goes on safari while examining her relationship with food. Refreshments (chosen by Beesley) will be served at this installment of the library’s travel series. Call 970-429-1900.
BY LOGGING ONTO THE E-EDITION OF THE ASPEN TIMES WEEKLY
ASPEN TIMES
Train Dreams Book Club 6:30 - 7:30 p.m., Pitkin County Library, Aspen. This month’s book is “San Miguel,” by T.C. Boyle — a work of historical fiction based on the lives of two real families who resided on San Miguel Island in the 19th and 20th centuries. Dropins welcome. Call 970-429-1900.
Stay in touch with what is going on in the community
ATION OF THE
THURSDAY, JANUARY 17 Amber Carver: “Why Band Birds?” 7:30 - 9 p.m., Aspen Center for Environmental Studies, 100 Puppy Smith St., Aspen. Part of the Naturalist Nights speaker series. Carver, who has worked on bird research projects in several states, discusses “Why Band Birds? The Science and Art of Handling Wild Birds.” She will share the story of how she got into banding and explain its potential as a tool for bird conservation and for scientific literacy. Call 970-963-3977.
Ski History Tour: Aspen Mountain 11 a.m. and 1 p.m., meet at ambassador hut atop mountain. Hosted by the Aspen Historical Society, a guided tour with an emphasis on the mining era and the early days of skiing in Aspen. Call 970-925-3721.
A FREE PUBLIC
THE COMMUNITY
Find it on line at:
vwww.aspentimes.com/artinaspen 970-925-3414 If you are interested in having copies delivered to your business, please call 429-9123. A S P E N T I M E S . C O M / W E E K LY
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Get them lining up for you! Advertise in the
SERVICE DIRECTORY! Call Zach to get your ad started!
925-9937
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Assistant Controller 5IF "TQFO .VTJD 'FT UJWBM 4DIPPM JT TFFL JOH BO "TTJTUBOU $PO USPMMFS 3FTQPOTJCMF GPS QBZSPMM QSPDFTTJOH JO DMVEJOH EBUB FOUSZ SF DPSELFFQJOH BOE GFE FSBM TUBUF SFQPSUJOH GPS '5 BOE TFBTPOBM FNQMPZFFT 0UIFS EV UJFT JODMVEF (- BDDU SFDPOT BOE BTTJTUBODF XJUI CFOFGJU QSPHSBNT 1SFWJPVT QBZSPMM BOE BDDPVOUJOH FYQFSJ FODF QSFGFSSFE &NBJM SFTVNF BOE DPWFS MFU UFS UP scrawford @aspenmusic.org
Did you know more people read a newspaper on a typical Sunday than watched the 2011 Super Bowl? 4BMFT "TTPDJBUF 7BMMFZHJSM #PVUJRVF "T QFO JT IJSJOH '5 15 4BMFT "TTPDJBUF .VTU CF SFMJ BCMF IBSEXPSLJOH QFS TPOBCMF BOE GVO &YQF SJFODFE QSFGFSSFE %FMJWFS SFTVNF JO QFSTPO
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Customer Support Coordinator Swift Digital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lease send your resume to webjobs@swiftcom.com.
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$300/month. 970-250-2582.
3FOUBMT 0GGJDF 4QBDF
Touchdown! More than 108 million people read a newspaper on a typical Sunday. About 100 million people watched the 2011 Super Bowl.
3FBM &TUBUF
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PROTECT OUR PLANET
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Do you use craigslist? If so, go to craigscrimelist.org and you may change your mind.
ASPEN
ASPEN
Commercial Condos for Sale 0OMZ 5ISFF 3FNBJOJOH *O UIF SFOPWBUFE $SBOEBMM #VJMEJOH CMPDLT GSPN UIF (POEPMB TG TU BOE TU UP TG DPOUJHVPVT (SFBU WJFXT HSFBU MPDBUJPO
970-948-0001 Bob Langley Joshua & Co. bob@joshuaco.com
Hunter Creek Condo 1FBDFGVM HSPVOE GMPPS DPSOFS )VOUFS $SFFL #% #" DPOEP GBDJOH UIF XPPET BOE DSFFL QMVT "TQFO .UO WJFX GSPN CFESPPN 8FMM NBJOUBJOFE XJUI VQEBUFE CBUI BEE M TUPSBHF DMPTFU DMPTF UP MBVO ESZ QPPM IPU UVCT UFOOJT DPVSUT JO B CFBVUJGVMMZ NBJOUBJOFE DPNQMFY Offered for $399,000 MLS#111829 Sally Shiekman-Miller, ASSIR 970-948-7530 4BMMZ!4BMMZ4IJFLNBO DPN
BASALT
BASALT
Basalt
Top-floor, corner 2 bed/2 bath condo 4QFDUBDVMBS TPVUI GBDJOH WJFXT PG )JHIMBOET BOE #VUUFSNJML 3FNPEFM JODMVEFT HSBOJUF DPVOUFST OFX DBCJOFUSZ BQQMJBODFT DBS HBSBHF 1SJWBUF EFDL (SFBU PQUJPO GPS UIPTF MPPLJOH GPS "TQFO 4DIPPM %JTUSJDU PS JEFBM HFU BXBZ GPS OE IPNFPXOFS $750,000 TOM CARR 970 379-9935 Leverich & Carr Real Estate XXX BTQFOSFJOGP DPN
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Aspen Junction- Mountain Views (SFBU WBMVF GPS NJE WBMMFZ CFESPPN TJOHMF GBNJMZ IPNF .BHOJGJDFOU QBO PSBNJD WJFXT PWFSMPPLJOH UIF &NNB WBMMFZ 3FNPEFMFE LJUDIFO OFX DPVOUFS UPQT DBCJOFUT BOE NPSF 4PVUI GBDJOH XJUI QMFOUZ PG TVO BOE MJHIU $449,000 TOM CARR 970 379-9935 Leverich & Carr Real Estate XXX BTQFOSFJOGP DPN
#FTU #VZ JO #BTBMU 7BMMFZ 1JOFT $POEP #FESPPN #BUIT T G -BSHF VOJU OPU JO NBJO CVJMEJOH -PWFMZ (SPVOET 8FMM .BJOUBJOFE 0OF -FWFM /FX #PJMFS 5FOBOU *O 1MBDF (SFBU *OWFTUNFOU $BMM ,JN 'PS " 4IPXJOH $245,000 Kimberly Welz, GRI 970 925-5400 Leverich & Carr Real Estate Co.
COMMERCIAL - ASPEN
COMMERCIAL - ASPEN
COMMERCIAL - BASALT
Glenwood Springs
NEW CASTLE
201 North Mill Street Jerome Professional Building t'VMMZ FOUJUMFE TIPWFM SFBEZ OFU VTBCMF NJYFE VTF 4' t5XP GMPPST PG SFTJ EFOUJBM t5XP GMPPST PG PGGJDF t1BSLJOH GPS WFIJDMFT t4UFQT GSPN UIF $PVSUIPVTF SFTUBVSBOUT UIFBUFST HBMMFSJFT TIPQQJOH t"WPJE UIF VODFSUBJOUZ PG UIF QSPDFTT XJUI UIJT SBSF SFBEZ UP HP QSPKFDU $9,900,000 3VUI ,SVHFS
605 West Main Street, #103, 104 )JHI WJTJCJMJUZ BOE USBGGJD FBTZ BDDFTT BOE QBSLJOH QSJWBUF CBUI TRVBSF GFFU CFBVUJGVMMZ BQQPJOUFE PGGJDF TVJUFT XJUI QSJWBUF PGGJDFT BOE BUUSBDUJWF SFDFQUJPO $VSSFOUMZ VTFE BT QSPGFTTJPOBM EPDUPS T PGGJDF CF DPNQMFUFMZ SFDPOGJHVSFE For Sale - $485,465 or Lease $4203/mth. Ruth Kruger 970-404-4000 / 970-920-4001 Kruger & Company XXX ,SVHFSBOE$PNQBOZ DPN
Downtown Ground Floor Office Space %PXOUPXO HSPVOE MFWFM DPNNFSDJBM PGGJDF TQBDF TR GU OFYU UP 4BYZhT $BGF PO .JEMBOE "WFOVF /FBSCZ TUSFFU QBSLJOH GPPU DFJMJOHT TFBMFE DPODSFUF GMPPST 1SJWBUF SFTUSPPN
ASPEN CORE 1/2 DUPLEX "-- %": 4065)&"45 '"$*/( 46/ 7*&84 0' "41&/ .06/5"*/ CE CB -JTUFO UP UIF SJWFS GSPN UIF NBTUFS TVJUF BOE EFDL 4UFBN TIPXFS JO NBTUFS TQSJOLMFS TZTUFN GPS HSPVOET EFDL 5XP HVFTU TVJUFT DBS HBSBHF $3,200,000 MARY ELLEN SHERIDAN 970-618-2696 SHERIDAN REAL ESTATE
ASPEN ASPEN
i*O 5PXO (&. XJUI BMM UIF DPNGPSUT PG B MBSHFS TQBDF 4UZMJTIMZ SFNPEFMFE (SFBU GVSOJTIJOHT 1FU GSJFOEMZ The perfect Aspen Pied-a-Terre. $314,000 Tory Thomas 970-948-1341 Aspen Snowmass Sotheby's International Realty 5PSZ!UPSZUIPNBT OFU
www.KrugerandCompany.com
38
A S P E N T I M E S W E E K LY
Aspen
ASPEN
Рюд
Janu ar y 17-23, 2013
$2,000 per month (triple net lease) TOM CARR 970 379-9935 Leverich & Carr Real Estate XXX BTQFOSFJOGP DPN
#"/, 08/&% $0..&3$*"- #6*-%*/(4 "-0/( )8: CZ 8"-."35 0WFS TR GU PG GMFY SFUBJM TIPQ PGGJDF TQBDF JO CVJMEJOHT QBSLJOH TQBDFT PO BDSFT 4FMMFS 'JOBODJOH BWBJMBCMF 4,100,000.00 Mogli Cooper 970-366-6000 Plan B Real Estate
)ZBUU (SBOE "TQFO 'JYFE 8FFL UI PG +VMZ BOE GMPBUJOH XFFLT #FBVUJGVM CPUUPN GMPPS VOJU XIJDI PQFOT UP QPPM 4BDSJGJDF BU DPNQBSF BU #Z PXOFS $POUBDU .JLF $139,000 949-233-7302
470 RIO GRANDE AVE., 4QBDJPVT GFFMJOH IPNF CPSEFST PQFO TQBDF 1SJWBUF BOE GFODFE CBDL ZBSE CFESPPN CBUI CFESPPN CBUI PO NBJO MFWFM 1MVT MPGU GPS PGGJDF PS TUVEZ BSFB 3FOEFSJOH GPS HBSBHF BWBJMBCMF $285,000 MLS 127203 The Property Shop Marianne Ackerman 970-379-3546 Kathy Westley 970-379-8303
SNOWMASS
SNOWMASS VILLAGE
Your Sellers Want to See This Sign! Place an ad in our Real Estate Photo Ads to get your real estate
Top of the World - Old Snowmass %JTDPWFS B IJEEFO HFN BUPQ B TQFDUBDV MBS NFTB &OKPZ FYQBOTJWF NPVOUBJO WJFXT 5IJT QSJWBUF BDSF DPNQPVOE GFB UVSFT B MPH BOE TUPOF NBJO SFTJEFODF B EFUBDIFE CFESPPN BQBSUNFOU B DBS HBSBHF BOE B TFQBSBUF BSUJTU TUVEJP $1,345,000 TOM CARR 970 379-9935 Leverich & Carr Real Estate XXX BTQFOSFJOGP DPN
Nicely remodeled 1238 sq.ft. CFE CBUI UPXOIPNF X HSBOJUF DPVOUFSUPQT IBSEXPPE GMPPST WBVMUFE DFJMJOHT SPDL TVSSPVOEFE GJSFQMBDF JO VOJU XBTIFS ESZFS BOE MBSHF TPVUI GBDJOH EFDL "GGPSEBCMF )0" GFFT POF EPH JT BMMPXFE GPS PXOFST PS SFOUFST $649,000 Furnished MLS#126061 Sally Shiekman-Miller, ASSIR, TBMMZ!TBMMZTIJFLNBO DPN 970-948-7530
SOLD!
925-9937
Call today to reserve your space!
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WORDPLAY
INTELLIGENT EXERCISE
by JENNY SHANK of HIGH COUNTRY NEWS
BOOK REVIEW
‘ELSEWHERE, CALIFORNIA’
DANA JOHNSON’S thoughtful and affecting first novel, “Elsewhere, California,” is narrated by a girl named Avery, whom we first meet as a child growing up in South Central Los Angeles in the ’70s and ’80s. When her brother is threatened by gangs, their parents decide to move to the suburbs. Avery eagerly prepares for the “long journey” to West Covina. Her father responds, “Journey? It ain’t but thirty minutes up the road.” But Avery learns that however short the distance, West Covina might as well be another planet. The chapters alternate between Avery’s childhood and her life as an adult, when she has become an artist, living with Massimo, an older Italian man, in his swanky Hollywood house and looking forward to an exhibition of her art at a Los Angeles gallery.
by DAN FEYER AND ANDREA CARLA MICHAELS
| edited by WILL SHORTZ
PUZZLE ENVY
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Pop Court statistic Kid’s game with a ball A Bobbsey twin Constellation near Scorpius Start to make a living from something W.W. II marine threat Israeli weapon What some goggles provide 10,000,000 ergs U.S.A. neighbor Represent at a costume party ___ minute It may be tightly coiled “Let us part, ___ the season of passion forget us”: Yeats Designer Mizrahi Old lad’s wear Like pulp fiction Onetime enemy Reggae’s ___ Kamoze Exposed Kazakhstan, once: Abbr. Shot blocker Mrs. Mitt Romney Place for runners Far-out experience Greenish creature Diagonal Wastage Bit of negativity? Flubbed Squeeze for dough Wine taster’s
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118 “My Big Fat Greek Wedding” writer and star 120 Purpose 121 Quarter back? 122 Pastoral poem 123 Mich. neighbor 124 Stroke 125 Slammin’ Sammy 126 Prop up 127 Miss identification?
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1978 Bob Fosse Broadway revue Melodious Blond bombshell of ’50s TV Lawyers’ cases, maybe Yukon and Tahoe, for short Mumbai title Moonstruck Downsized uprights “Les ___” (Berlioz opera based on the “Aeneid”) Heir, maybe, but not an heiress Immature Cancels One at a sidebar Moolah Unblemished 3.14159…, for pi Baku resident Gave the thumbsdown Qualifiers “Just like that!” Ralph in the Baseball Hall of Fame Cameo, for one
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Remove from a mailing list, informally Where springboks graze One of Mozart’s? Subtitle of “Star Wars Episode IV” Cat’s dogs? ’60s prez Late ’60s and early ’70s, politically Hit 1944 film starring a 12-yearold actress One-named pop singer Wreak havoc on More ridiculous Paragraph symbol [¶] Fifth tone Mouth-watering Vet, at times West Coast beer, familiarly Rembrandt van ___ Here, in Juárez Brynner of “Taras Bulba” Its capital is Yellowknife: Abbr. Smidgen Choices of time Ending with psychSir abroad Gibson of “The Beaver” “Norwegian Wood” strings To say, in Spanish Grows old Kardashian spouse Lamar ___ Well-intentioned activist Supersize, say
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Although Avery graduates from USC and becomes the kind of person others laud as a success story — “an affirmative action baby” — she never ceases to be haunted by the dissonance between her past and present. Keith continues his criminal ways even as an adult, and although Massimo tries to convince Avery to forget him, it’s clear by the end of the book why she cannot. This winning novel is replete with wise and poignant observations. At one point Avery explains that art “only has value if the right people say it has value.” “Elsewhere, California” is valuable art indeed, full of heart, wit and insights about family, race, class and the Golden State.
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destination Beetles, briefly Slick Bad sign for a traveler? Land of Zion? “That’s ___brainer” 1942 Bette Davis film Go downhill, in a way Department-store department Fix one’s eyes Chip away at Hornswoggle Huzzahs Singer/songwriter Laura Make, as one’s way Northern California’s ___ River Breed of cat or dog Baseball “twin killings,” for short Chicago’s county Alternative to a bus Home of the world’s largest naval base “Done, O.K.?!” Head of London Seemingly forever NetZero competitor Ladderlike in arrangement Sports org. of the early 2000s Until now Statehouse resident, informally Solitaire unit
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‘Elsewhere, California’ Dana Johnson 276 pages, softcover, $15.95 Counterpoint, 2012
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NOTEWORTHY
Avery’s language deftly evolves throughout the course of the book. Johnson writes the early chapters in the voice Avery used as a young child — “We caint go tricka treating. The Crips went and shot somebody and the Bloods done shot em back” — while the later chapters show the way Avery has learned to speak as a successful black woman trying to move smoothly between society’s layers, a knack her best friend, Brenna, calls her “blendability.” The young Avery, a sensitive, baseball-loving girl, is tortured by her awkwardness. She struggles to fit into whiter and more affluent West Covina, where she cannot afford the right clothes. “I’m tired of being called Imitation … Because everything I wear is like something else but not the actual thing it’s supposed to be. My Izod shirt really isn’t Izod Lacoste. It’s got a horse on it instead of a crocodile.” Meanwhile, Brenna, her bold, white friend, leads the way toward mischief, and Avery’s favorite cousin, Keith, follows.
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The N.F.L.’s ___ Burress James Bond’s childhood home Somewhat, informally “Bee-you-tiful!” Like “Knocked Up” and “The Hangover” Subj. of the 2008 biography “Traitor to His Class” Some Swedish
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models Kevin of “Weeds” Cantillate Carol starter Advice to a base runner Provide a place to stay Scott of “Hawaii Five-0” “How ___!” It’s S. of S. Dak. 15%-er: Abbr.
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Your BEST FRIEND is waiting for YOU!
PUP
CLEO
1.5-year-old Cattle Dog/Lab mix. Happy, friendly and playful. Great with all people in common environment, but was territorial w/strangers approaching his previous home. Loves to race around with other dogs in the yard!
Beautiful, friendly, soft-spoken 9-year-old Husky mix female. She is a retired sled dog looking for a loving home. Outgoing with people.
CALI
BUCK
CLYDE
Found wandering loose at the Maroon Bells. An adorable, happy, friendly, twoyear-old Chihuahua/ Dachshund mix.Gets along well with people + other dogs. A bit shy.
2013 Pet Calendars available NOW at the shelter!
Gentle, soft-spoken, Mellow, friendly 3-year-old Pit Bull 11-year-old mix. Gets along well American with people + other Foxhound/Husky dogs. Shy with mix who gets along strangers, but bonds well with people and tightly with people other dogs. Buck is a once she knows them. retired sled dog who Has separation came to the shelter anxiety, so she will do with his siblings. best in a patient, knowledgeable home.
LUCY
Gentle, friendly, affectionate, 3-year-old Pit Bull female found wandering the streets of LA. Hardest dog to photograph to show how sweet she is. Please visit her!
OPEN 7am-6pm EVERY DAY 970.544.0206
DERMA
Gorgeous Siberian Husky female, approximately 4 years old. Athletic, with lots of good energy, and affectionate with everyone. Would do best in a home with an owner knowledgeable about Huskies.This is a very sweet dog!
PATCHES
14-year-old Brittany Spaniel male. Handsome and sweet. Very friendly with people and good with other dogs. Energetic and loves walks. Turned in due to housing restrictions.
SAM
Strong, energetic, black/white 5-yearold female Boston Terrier mix with a splash of Pit Bull— larger than a typical Boston. Outgoing and very friendly. Loves people. Best as only pet.
WALLY
Wally is a handsome, friendly, two-year-old Australian Cattledog mix male. We are still getting to know him. Turned in because of housing. He needs a knowledgable, responsible owner.
CHICO
Chico is a feisty, handsome, energetic, 1.5-yearold Chihuahua mix male who requires a knowledgeable, responsible, active home. Best with adults.
WOODY
SPENCER
Spencer is a loyal, loving, handsome, athletic, 7-year-old Boxer. He bonds tightly to one person and due to his possessive nature, Spencer will do best as the only pet in an adult household.
ROXY
Large 7-year-old black/tan Sharpei/ Rottweiler mix female. Must be the only pet. Has guarding issues w/ toys and food. Needs an owner with the time and patience to work with her. Loving once she gets to know you!
FREDDY
Handsome, friendly, three-year-old Pitbull mix male found wandering the streets of Aspen. We named him Woody. Doesn’t understand boundaries and becomes playfully aggressive. Requires a knowledgable adult home.
Handsome 6-yearold Pomeranian. He can be a bit cranky around his food, so he will do best in an adult household with a responsible owner.
Aspen/Pitkin Animal Shelter 101 Animal Shelter Road
◆
A SPEN Maroon R EAL E STATE Creek Club C OMPANY
www.dogsaspen.com
Beautiful 6 bedroom ski-in/ski-out residence in the Maroon Creek Club subdivision. An easy walk to the Aspen Recreation Center, Aspen schools, and the Maroon Creek Club Golf Course.
OWNER FINANCING AVAILABLE!
$9,490,000 MLS# 125079
Shlomo Ben-Hamoo & Peggy Scharlin - - • .. Shlo@gmail.com 620 East Hyman Ave. 9709202006 www.AspenExperts.com
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