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WELCOME MAT
INSIDE this EDITION
DEPARTMENTS 08 THE WEEKLY CONVERSATION LEGENDS & LEGACIES
12
14 FROM ASPEN, WITH LOVE FOOD MATTERS
18
22 COVER STORY 27 AROUND ASPEN 29 LOCAL CALENDAR 38 CROSSWORD
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CULTURE/CHARACTERS/COMMENTARY
17 WINEINK
24 A&E
‘CRAZY FOR YOU’ OPENS THURSDAY SEE PAGE 22
WineInk columnist Kelly Hayes found out that Amazon.com is entering the wine game, and wonders how it will affect the local wine shop.
Arts editor Stewart Oksenhorn found a great cast and a great story behind the Aspen Community Theatre’s latest production.
ON THE COVER Photo by Steve Mundinger
EDITOR’S NOTE
a four-year platform | In the world of column writing,
penning a piece the day of an election but before results are known is an act in self-discipline. Every bone in my body wants me to speculate, to jump on my high horse, climb a bandwagon and shout from the mountaintop. Instead, the deadline that adequately funds beast is protecting our schools, universities those corners. Doubt and community colleges is the language the while giving space for beast uses. What if individual choice and I’m wrong? What if growth. The state of I’m right? What if California is close to the election doesn’t bankrupting its schools RYAN SLABAUGH actually get over on — and unfortunately, Tuesday? What if? that trait will become Yet, this event is too important more common in other states if we not to write about. Right? do not make education the priority. No matter who is the presidentNot a priority. The. elect, I gave a shot to outline a list Platform 2: End the war in of priorities for the next four years Afghanistan. We do not need a that could truly unite our country, two-year exit plan. We need to one that shrugs aside the divisive bring our soldiers home now. moralism that plagues our debates The gains made with small, (i.e., abortion) and focuses on well-trained forces and advanced things that still move our country technology have brought much forward without eliminating rights greater success in the War on of our citizens. And last time I Terror than any massive groundchecked, these were all topics troop support. Using this money America is hungry to address. saved to promote infrastructure Platform 1: Fix education. While improvements in our own country we know that throwing money at is a no-brainer. a problem does not guarantee a Platform 3: Make fix, we need an education budget entrepreneurship easier. This
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means forcing banks and our government to invest in small-business owners and not withholding capital investments due to mediocre credit ratings. Most new college graduates see the world differently (the basic mindset of any entrepreneur), but due to large amounts of college debt, this important part of our population do not have the credit rating to start a business today. So instead, we’re stuck with an immobile class of the real job creators. Platform 4: Repair the environment. Good gas-mileage laws passed in the past four years, as well as investment in our auto industry to build more efficient cars, are a great step. Now, let’s look at how the federal government can support renewable energy and fewer carbon-based fuels. It’s not a matter of whether climate change exists or not. It’s a matter of knowing we can do better and committing to that idea. rslabaugh@aspentimes.com
VOLUME 1 ✦ ISSUE NUMBER 51
Editor-in-Chief Ryan Slabaugh Advertising Director Gunilla Asher Subscriptions Dottie Wolcott Design Afton Groepper Arts Editor Stewart Oksenhorn Production Manager Evan Gibbard Contributing Editors Mary Eshbaugh Hayes Gunilla Asher Kelly Hayes Jill Beathard Jeanne McGovern John Colson Contributing Writers Paul Andersen Hilary Stunda Amanda Charles Michael Appelbaum Warren Miller Contributing Partners High Country News Aspen Historical Society The Ute Mountaineer Explore Booksellers www.aspentimes.com Sales Ashton Hewitt Jeff Hoffman David Laughren Su Lum Louise Walker Classified Advertising (970) 925-9937
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THE WEEKLY CONVERSATION
VOX POP If anyone could play you a movie based on your life, who would it be?
by JOHN COLSON
Election 2012 — do we know how it all turned out yet? AS I WRITE THIS, days prior to the 2012 general election, I’m betting that you, dear reader, might not yet be sure who will be the next president of the United States. Sure, the election is two days in the past by now (or more if you aren’t reading this on publication day), but the narrow margins in our national electoral sport have long been predicted to end in the kind of tie that turned the 2000 election into a legal donnybrook. If you don’t remember that particular moment of democratic confusion, I’ll be happy to help you out. That was the time when the Supreme Court made our decision for us by declaring that George W. Bush had won Florida and thus was able to declare victory in the electoral college even though Al Gore had garnered the largest number of actual votes. Then there was the Al FrankenNorm Coleman senatorial election debacle in Minnesota in 2008, when the results seesawed back and forth, starting with a 200vote majority for Coleman, the Republican, but ending with the same margin of victory for Democrat Franken. This result did not come easily, however. It turned on the discovery that more than 900 absentee ballots had been wrongly rejected, and it took more than eight months of courtroom histrionics before it was all over. Then there was the Bush-Kerry faceoff in 2004, when everything from voter-suppression tactics to the reliability of Diebold voting machines made Ohio the flash point instead of Florida. I’ll never understand why thenOhio Secretary of State Kenneth Blackwell, who also served as the 2004 chair of the Republican presidential campaign, was not booted out of office long before Election Day. Talk about a conflict of interest. Never mind the fact that the companies that made the machines that counted the votes employed convicted, felonious thieves as
consultants for their work, which did a lot to give Bush his second try at ruining the country. No, we’ll never get the full story of that election, just as we’ll never be privy to the machinations in Florida that gave Bush his first try. Anyway, things are even more polarized and complex today as more and more states are turning to early voting and mail-in ballots, which are far more susceptible to voter fraud than the old way of doing things — everybody voting on Election Day, on paper ballots or on machines with a clear paper-ballot trail that can be checked and verified. In California this time around, election officials were quoted by news reporters as worrying that they were about to be swamped by a veritable tsunami of ballots and questioning whether results would be known even by the end of the week. The same lack of confidence has been reported in other states, which does not bode well for our knowing the name of the leader of the free world any time before college kids head to Florida for spring break. And, lest we forget, Republican voter-suppression tactics in the 2012 election already have been documented, not to mention the sly dependence the GOP has on our national racist proclivities. It will be impossible to quantify, but many observers agree that a large portion of Romney’s support will come from people who never could get used to the idea of having a black man in the White House, except for janitors and cooks. So, to come full circle, I fully expect that by the time this edition hits the streets, we could well be looking at an election that is so nearly a tie it will take a division of lawyers, judges and other stewards of our republic to straighten it all out. And we all know how trustworthy that bunch is.
HIT&RUN
ANNIE KATHERINE M I LWA U K E E , W I S C .
Bill Clinton.
CHRISTIAN MANIE ASPEN
Hah. Myself.
BRAD UNGLERT B A S A LT
Jean Claude Van Damme.
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jcolson@aspentimes.com
VOX POP COMPILED BY MAX VADNAIS
In the real estate business, some trot.
We gallop. (Especially now.)
For 34 years, Carol Dopkin and her real estate team have guided hundreds of clients to the homes of their dreams. In the riding arena, Carol’s equestrian bona fides have never been questioned, and her skill at guiding clients over hurdles may be even more astounding. A fan of “good old fashioned horse sense”, Carol realized that the worldwide marketing potential of Sotheby’s International Realty will provide her clients with the best opportunity to buy or sell their properties. And for our part, we gain the valley’s expert in equestrian and ranch property, a sales leader for real estate of all types, and a broker whose blue ribbon personality continues to bring her new clients and new success.
CAROL DOPKIN 970.618.0187 Carol.Dopkin@sothebysrealty.com
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THE WEEKLY CONVERSATION
SEEN, HEARD & DONE
edited by RYAN SLABAUGH
CHEERS&JEERS
Lindsey Vonn, left, speaks with a trainer during a course inspection on the glacier of Soelden in Austria. Vonn’s request to compete in a men’s World Cup downhill race has been rejected by the International Ski Federation.
CHEERS | To the election being over. Need we say more? JEERS | To the International Federation of Skiing for denying Lindsey Vonn’s attempt to race unofficially against the men at Lake Louise, Alberta. While we understand the decision for logistical reasons, we support Lindsey’s attempt to add some energy into the World Cup ski tour, which gets little to no press in the United States on a non-Olympic year outside of our mountain towns.
CHEERS | To the local prep sports teams for another
successful fall season. While some teams are continuing, both the Basalt and Aspen football teams ran into tough teams in the playoffs and lost. Either way, making it to state is a big accomplishment, and the players, coaches, fans and parents should be proud.
JEERS | To the people who defaced election signs and the GOP headquarters with broken eggs before the election. Intimidating people because you do not agree with them is not only in poor taste — it’s downright un-American.
BUZZ WORTHY ASPEN
JOHN DENVER TRIBUTE ALBUM ATTRACTS STARS
Former Aspen resident John Denver’s cool quotient is due to get a significant upgrade early next year. “The Music Is You: A Tribute to John Denver” is due for release in February on ATO Records, a label co-owned by Dave Matthews that has been home to Phish’s Trey Anastasio, Primus and the Mexican guitar duo Rodrigo y Gabriela. The album will spotlight Denver’s folky, sentimental songs done by popular and generally fashionable artists: My Morning Jacket doing “Leaving on a Jet Plane,” Brandi Carlile singing “Take Me Home, Country Roads,” Train covering “Sunshine on My Shoulders” and Edward Sharpe & the Magnetic Zeros, who were featured on a recent cover of the jam-band magazine
Relix, handling “Wooden Indian.” Matthews will contribute a cover of “Take Me to Tomorrow,” and other musicians scheduled to appear on the album include Lucinda Williams, Brett Dennen, Josh Ritter, Amos Lee, Old Crow Medicine Show, Blind Pilot and J. Mascis. — Stewart Oksenhorn CA R B O N D A L E
TOWN SEEKS TO DEFINE POT LAWS
Two medical marijuana centers have warned the Carbondale town government they have hired attorneys and may file suit over recent rejections of their applications to do business here. Town officials have expressed concerns about allowing so many medical marijuana centers in Carbondale that the town will become a regional distribution center. To prevent that, the trustees are
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TOP 5 THINGS WE NEED TO DO BEFORE THANKSGIVING
O5
Throw these pumpkins away
O4
Get out of town for a bit
O3
Pick up our ski pass
O2
Buy a turkey
O1
Go skiing
POST US YOUR TOP FIVE THINGS rslabaugh@aspentimes.com
STAY IN THE KNOW — CATCH UP ON RECENT NEWS & LOCAL EVENTS seeking help in determining what the community need might be in terms of medical marijuana patients and their caregivers. At the trustees meeting on Oct. 23, town attorney Mark Hamilton reported that the two medical marijuana centers in question had asked for more time to prepare for their next meeting with the town. — John Colson ASPEN
HALL OF FAME ANNOUNCES INDUCTEES
The Aspen Hall of Fame has announced Pat Fallin, Joe Edwards and Michael Kinsley as its 2013 inductees. Inductees must have “had a significant and lasting impact on the Aspen-Snowmass communities economically, physically, spiritually or intellectually, have demonstrated inspirational leadership, and have made major contributions in the cultural, sporting and/or civic
“THERE’S PLENTY OF PEOPLE DRESSED TO THE NINES THAT CAN’T SKI THEIR WAY OUT OF A PAPER BAG. NOT TO WORRY, THEY ARE PRETTY TO LOOK AT.”
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FIVE THINGS
arenas,” according to a statement issued Friday. For more than 40 years, Fallin “was instrumental in Sister Cities, League of Women Voters, the city’s election commission, (the Planning and Zoning Commission), City Council, Wheeler Associates, Snowmass/ Aspen Council for the Arts and Basalt Library Board,” the statement said. Both Edwards and Kinsley served as county commissioners “and helped develop systems for growth management, for transportation, and the trails and bicycle system as well as the affordable housing program. Joe was an advocate for establishing the Aspen mall and Michael currently channels his creative talents into landscape painting,” the statement said. The three will be honored at the annual Aspen Hall of Fame banquet Jan. 19 at the Hotel Jerome. More details are available at www. aspenhalloffame.org.
RESPONSE ON A SURVEY TAKEN ABOUT ASPEN MOUNTAIN AND AREA SKI RESORTS
PHOTO BY MAMMUT/RAINER EDE
THE WEEKLY CONVERSATION
GUEST OPINION COLUMN
by MICHELLE NIJHUIS of WRITERS ON THE RANGE
The University of Wyoming kowtows to coal WE’VE GOT A LOT of dead trees in the Rockies. More than usual. As the region has warmed, barkbeetle populations have exploded, and they’ve been killing off massive swaths of pine and spruce. It’s hard to miss the damage, and when British landscape artist Chris Drury visited the University of Wyoming campus in Laramie, he proposed to tell the forests’ story in an outdoor sculpture. “Carbon Sink: What Goes Around Comes Around” was installed on the campus in late 2011. Funded by an anonymous donor and by the state Cultural Trust Fund, it consisted of a 36-foot-wide circle of logs from beetle-killed trees, arranged in a whirlpool pattern around a pile of coal. Drury hoped the sculpture would be left in place until it disintegrated, and the campus art museum said there were “no plans to uninstall it.” It was, Drury said, intended to inspire a conversation. In May, however, just after most students left campus, Carbon Sink disappeared. When University of Wyoming graduate Joe Riis inquired about the fate of Carbon Sink, a university vice president told him that it had been removed due to water damage. But emails recently obtained by enterprising reporters at Wyoming Public Media tell a different story. When Carbon Sink was first installed, Marion Loomis, the president of the Wyoming Mining Association, wrote to a university official and asked, “What kind of crap is this?“ Both industry representatives and state legislators weighed in on the sculpture, some threatening the university’s funding in no uncertain terms. In April, university President Tom Buchanan wrote to the director of the art museum, “Given the controversy that it has generated, it would be best for UW if the fire pit (I’ve forgotten the name of the work) could be considered part of the (removal of other campus artworks) during the summer of 2012.” It was, and today, no trace of it remains. Those involved have tried to walk back their statements. But since the installation of Carbon Sink, the Wyoming Legislature has passed legislation requiring that art on parts of the university campus must be approved by the state governor and the university’s School of Energy Resources governing board.
THINKSTOCK PHOTO
Public art is notoriously controversial. But controversy, in a way, is its very purpose. As Drury suggested, memorials and murals and outdoor sculptures are meant to start conversations, even if the conversation is sometimes about how awful they are — like the scary blue horse near Denver’s airport. A campus- or city-wide conversation without at least a little controversy is clearly leaving somebody out. In the case of Carbon Sink, the conversation barely got started — and almost everyone was left out. Recently, the Casper Star-Tribune, Wyoming’s statewide paper, opined
been displayed at Indiana University in Bloomington since 1940. The 22 panels tell the history of the state, from the Mound Builders to the early 1900s, and they include the bad and the good — for instance, placing members of the Ku Klux Klan — who briefly dominated state politics in 1924 — in the same panel as a reporter and a printer from The Indianapolis Times, which broke the Klan’s hold on the state (and won a Pulitzer Prize) through its dogged coverage of KKK corruption. The Klan panel has long been controversial, first discomfiting white viewers and then, when it was
that “The only way the University of Wyoming could have handled the removal of the controversial public art piece ‘Carbon Sink’ any worse is if they would have used the coal and wood from the artwork as a pyre to roast the artist.”
displayed on the university campus, drawing complaints from black students. In 2002, the Black Student Union asked that the panel be covered. Public universities have restricted or removed art deemed obscene or offensive, and a string of legal cases have pondered the exact meaning of those adjectives. But both Carbon Sink and the Klan panel seem well clear of this territory, and while their stories are unpleasant and
COULD IT HAVE BEEN HANDLED ANY BETTER? Consider the case of Thomas Hart Benton’s Indiana murals, which have
inconvenient, they’re built with facts. Still, the chancellor of Indiana University, Sharon Brehm, could have agreed to cover up the mural or move it. Instead, in the spring of 2002, she gave a thoughtful and quite moving speech on the issue: “I am convinced that moving or covering the mural would be morally wrong because it would, in effect, do what Benton refused to do: That is, it would hide the shameful aspects of Indiana’s past. … “I am also convinced that the major issue running throughout all of the discussions and conversations over these last several weeks is not, in fact, the Benton mural but is instead the status of diversity on our campus. The real issue, the real test of character, for Indiana University Bloomington is the strength of its commitment to diversity.” The chancellor then proposed an education program around the murals that would provide historical context to all students encountering them. These cases aren’t identical, of course. An angry university funder is harder to defy than an angry student group, especially if the funder is the coal industry and the university is in Wyoming. But the University of Wyoming, like most public universities, has a mission statement that calls for academic freedom and free expression. What if Buchanan had given a speech like Brehm’s? He could have acknowledged the reaction to Carbon Sink (taking care to first learn its name) and acknowledged the economic and social power of the coal industry in Wyoming. He could have acknowledged the science — some conducted at his own university — that demonstrates the connections between coal power and climate change and between climate change and forest decline. And he could have said that while coal is useful and important, it’s equally important not only to acknowledge its costs but also to work to reduce them. It wouldn’t have ended the controversy. But it might have opened the conversation. Michelle Nijhuis is a contributor to Writers on the Range at High Country News (www.hcn.org). She is a contributing editor for the magazine in Paonia.
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LEGENDS & LEGACIES
CLASSIC ASPEN
by TIM WILLOUGHBY
Vanners, like this one advertised in an 1892 Engineering and Mining Journal, increased the mineral content of ore.
CONCENTRATORS Zinc destroyed the prospects of fortune for many Colorado
miners. When ore was smelted, zinc had to be separated from other minerals — a costly process — so smelters charged a fee against the mineral proceeds. Sometimes a miner’s shipment netted him nothing. By the mid-1890s miners faced three additional problems: transporting ore to the smelters was costly; most mines had depleted their higher grade ore leaving quantities of low grade ore that brought slim profits; and the price of minerals had dropped. To make a profit, miners had to increase the mineral content of the ore they shipped. Devices knows as “concentrators” provided the solution. Increased mineral content in a volume of ore meant increased profits. The tried and true method of concentration was to hand-sort ore, breaking out the waste whenever possible. When miners attempted to process larger quantities more quickly, all methods relied on what happened to minerals with differing specific gravities when they interacted with water. The first popular device, the Frue Vanner, used a vibrating revolving rubber belt. Ore was ground to sandgrain size and then transported by a moving belt as water flowed over it. Heavier material concentrated at the end of the belt and lighter waste floated away.
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The next advance was developed just a mountain range distance from Aspen by Arthur Wilfley, a mine owner and tinkerer. His frustration that zinc could not be separated from other minerals at his Kokomo mine led to his observation that all the concentration devices to date relied on the specific gravity differences among iron, lead and zinc — differences that were too slight for Vanners to separate distinctly.
with a new product of the time, linoleum, and added long wood riffles of different lengths. Ground ore introduced at the high end of the shaking table bounced along through water, and the heavier minerals travelled the longest distance along the riffles. Owners could adjust the table angle and the distance between and height of the riffles to fine-tune the process for a particular ore. Aspen’s Mollie Gibson mine used
CONCENTRATING TECHNOLOGIES EXTENDED PROFITABLE MINING BY NEARLY TWO DECADES, SUPPORTING THE LIVELIHOOD OF AN ADDITIONAL GENERATION OF ASPEN’S MINERS. He invented the “Wilfley table” that worked on the same shakingwater principle (picture your dining room table, water spilling over the edges, jostled by an earthquake). Wilfley covered his large tables
No v e m b e r 8 - 14 , 2 0 1 2
18 Frue Vanners to process 150 tons of ore daily in 1898. S.I. Hallett, a local and well-known mining engineer, modified Wilfley’s tables at the Smuggler mine by adjusting the amount of water and the size of
the ground grains. Small changes resulted in considerable savings: a dollar a ton cut shipping costs 25 percent. Captain Thatcher, who owned interest in many of Aspen’s mines, took over the closed Lixiviation works (just upstream from the Castle Creek bridge). He installed 20 stamp mills to crush the ore that fed six Wilfley tables, but his concentrator plant was outdone by that of the Stark Milling Company, which used 30 stamp mills to supply two vanners plus a dozen Wilfley tables. That operation employed 20 men, each of whom suffered from the devastatingly loud machinery. Despite decreasing ore quality, increasing transportation costs, and falling ore prices, at least five concentrator mills operating simultaneously returned Aspen’s mining economy to profitability. Even discarded mine dump material, when concentrated, was found to contain enough low-grade material to be profitable. Concentrating technologies extended profitable mining by nearly two decades, supporting the livelihood of an additional generation of Aspen’s miners. Tim Willoughby’s family story parallels Aspen’s. He began sharing folklore while teaching for Aspen Country Day School and Colorado Mountain College. Now a tourist in his native town, he views it with historical perspective. Reach him at redmtn@schat.net.
PHOTO COURTESY OF THE WILLOUGHBY COLLECTION
LEGENDS & LEGACIES
FROM the VAULT
compiled by THE ASPEN HISTORICAL SOCIETY
BEAR MEAT
1911 HO T E L JE ROM E
PHOTO COURTESY OF THE ASPEN HISTORICAL SOCIETY
“BEAR MEAT AT JEROME,” announced the Aspen-Democrat Times on Nov. 1, 1911. “Mein Host Elisha of the Hotel Jerome is ever on the lookout for the best of everything for the patrons of his house. This time he has secured a fine bear weighing almost 300 pounds and is as fat and juicy as could be desired. Sunday will be ‘bear day’ at the Jerome and the dinner will be a stunning feature. If you appreciate bear meat, done to a turn, go to the Jerome.”
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FROM ASPEN, WITH LOVE
GEAR of the WEEK
edited by RYAN SLABAUGH
NEED TO KNOW
199
• Snow-shedding • Moisture-wicking • Insulated • No-lift gusseted underarms • Full front zip with wind flap
ARCTERYX WOMEN’S STRATO JACKET For the sunny winter day or as a mid-layer during a deep freeze, the Arcteryx Strato Jacket for women easily transfers between the two, or between casual and active environments. The fleece interior breathes well and wicks moisture, allowing for warmth and comfort. Plus, it has pockets and an internal headphone port, so it has all the function you could ever ask for. — Ute Mountaineer staff
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PHOTO COURTESY ARCTERYX
Leaves are changing. You can feel it in the air.
WINTER IS COMING
AND WE ARE READY‌
WINTER IN
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FROM ASPEN, WITH LOVE
GUNNER’S LIBATIONS
by GUNILLA ASHER
NEED TO KNOW 1908: Frederick Miller invents Miller High Life 1918: Miller High Life served in first clear bottle
CHAMPAGNE OF BEER: MILLER HIGH LIFE
1936: Miller trademarks, “The Champagne of Beers”
SOMETIMES THERE IS NOTHING better than a good cold beer in a frosty mug. This weekend my husband cooked up some of his homemade chili and I paired it with a Miller High Life, the ”Champagne of Beers.” This beer has a higher level of carbonation, much like champagne, which in case you’re wondering, is why it is given its nickname. This American-style lager is easy to drink, and is smooth and refreshing. Gunilla Asher is the co-manager of the Aspen Times. She writes about libations without any real training other than in the spirit of “She is not a connoisseur, but she is heavily practiced.”
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PHOTO BY THINKSTOCK
WINEINK
WORDS to DRINK BY
by KELLY J. HAYES
AMAZON TO GET INTO THE WINE GAME WHEN I WAS A KID there was a record shop in West Los Angeles called the Music Odyssey. If you were in Southern California in the late ‘60s and ‘70s you no doubt recall the place. We tuned the dial religiously to Paraquat Kelly on KMET (“a little bit of heaven ninety-four-point-seven KMET. Tweedle-dee”) and Brother John on KLOS as they turned us on to new records by the likes of future super groups like Zeppelin, Traffic, the Faces and A Band of Gypsies as well as equally inspiring tracks by the Nice, Wishbone Ash and Fairport Convention. Anyway, I spent KELLY J. hours in the store going HAYES through the bins of records at the Odyssey, pulling each one out and devouring the liner notes of the new releases. The names of the producers and the engineers and the names of the studios in small type resonated with me almost as much as those of the artists. Though it has been decades I can still recall the way the album covers, with their clear shrink-wrap, felt in my hands. How the patchouli permeated the air and how the guys who worked in the Odyssey, with their long hair and ‘staches also knew what the best cuts on the most obscure records were. Today, as we all know, that is nothing but a memory. Discovering music was a “we” thing then with radio and concerts and the shared experiences of buying records from real people that forced interaction and therefore discussion about the music. Today it is an “i” thing as we go to Apple to get our tunes, downloading one song at a time and consuming them largely through the solitary experience of “buds.” And the deep tracks from the era I mentioned all sound slightly “lesser” as the digital downgrade robs them of their nuance. All of which bring me to the
PHOTO BY THINKSTOCK
WineInk element of this nostalgic rant. Amazon, for the third time, is about to get into the wine business. Though the details are leaking out slowly and surreptitiously from those that have been meeting and having discussions with Amazon (secrecy from a serial monopolist always makes me nervous) it appears that one will soon be able to log on to Amazon and begin to buy wines that will be mostly shipped by the wineries directly to your home. Now most wineries that have been interviewed by various wine and business sites and newspapers are expressing cautious glee. After all the marketing muscle, Amazon sold nearly 50 billion of product last year, and the eyeballs, they reach, more than 100 million a month (actually that is users, more accurately, if eyeballs were the counted criteria we would be talking 200 million), is incomparable. And the opportunity to partner with a company that knows as much as Amazon knows about users and their buying habits will inevitably translate into fortunes for some. The rumors are that Amazon will charge wineries a 15 percent chunk of the sales price with a fee of 49 per each 350 of sales and a 39.99 a month subscription fee. Consumers will log onto the site and seamlessly make their purchases just like they currently do with books and socks. But the difference is that wineries will be responsible for the shipping and fulfillment and must comply with a myriad of federal and state regulations that have been the bugaboo of the wine industry asince prohibition. Amazon invested 30 million into the business in 1999 but succumbed when the dot-com bust changed the landscape. In the late 00’s they hired a staff and planned a second attempt to sell wine, but that too was stymied, this time by federal regulations that prohibited third parties from profiting from interstate wine and liquor sales. Evidently they
feel this time they can overcome the past problems and open the door, and the site, to the new world of wine retailing. So who wins and who loses? Well that is debatable. Amazon, if they can overcome the legal hurdles will no doubt become a major player, and likely winner, if they can come close to achieving the dominance that they have in fields like publishing. That could mean very bad news for other on-line retailers like Wine.com, which is currently the largest internet wine seller and companies like Jon Rimmerman’s Garagiste.com. Many marketers in the wine
the book business, the independent wine shop will eventually become a marginal business. Perhaps the best thing about the current Byzantine system of wine sales is that at least it offers an opportunity for the small and local shop to operate. Much like the Music Odyssey provided an experience for me as a kid, walking into local wine shops, reading the back of labels, talking to the wine guys (though patchouli has never permeated a wine shop that I have been in) and discovering new wines is one of the joys of the wine world. My hope is that does not go the way of the independent bookstore
industry see a potential boon for small makers who don’t have the ability to get distribution deals. Kind of like indie musicians and self-published authors who have been discovered by marketing on larger sites. But my fear is that if the foray is successful for Amazon then, like
as Amazon takes another slice of the cultural pie. Kelly J. Hayes lives in the soon-tobe-designated appellation of Old Snowmass with his wife, Linda, and a black Lab named Vino. He can be reached at malibukj@aol.com.
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FROM ASPEN, WITH LOVE
FOOD MATTERS
WWOOF-ING IT
OR HOW TO TRAVEL THE WORLD FROM FARM TO FARM LIKE MANY PEOPLE I know, I have dreams of traveling the world one day with my family. Some families travel dreams include long sabbaticals, while others plan to enroll in volunteer programs with their kids to help immerse fully in the culture. Just as a few friends had been discussing this goal recently, I met Laura AMIEE WHITE Newman, a new resident BEAZLEY of Aspen. She told me about her experience in Australia while WWOOF-ing, which stands for “Worldwide Opportunities on Organic Farms.” WWOOF is a workstay exchange program where a host farm provides housing, food and educational opportunities for volunteer farm hands, who in return provide about four to six hours of daily farm help. According to Newman, WWOOFing has received more attention due to the growing interest among young people to work with their hands and travel the world. “It’s a great way to travel the world cheaply,” she says. “Buy a plane ticket to New Zealand or Brazil or Washington State and you’re taken care of. No hotels, no major groceries, restaurant bills, and a small bag on your back. It’s very easy, you just need the time. You can WWOOF for anywhere from one week to months. Some farms are more particular than others. Some require a trial week to make sure it’s a good mutual fit before they let you stay for longer.” Newman herself stumbled upon the program while gathering data for a research paper during a study abroad semester in college. She was studying sustainability, food and agriculture near the northern region of New South Wales.
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“It’s definitely the epicenter of organic and local food in Australia and maybe even the world,” she says. “They are ahead of the game and finding innovative ways to prosper on unforgiving and rough Australian soils and an extremely unpredictable climate. I wanted to be on the farms and not just interviewing farmers at farmers’ markets. So our program
director suggested WWOOFing. I’d get my data, and probably juicy and honest data, and get to work on a farm for the first time.” While at time difficult, laborious work, experiencing Australian life on a farm was a valuable experience, she says. “It proved to me what everyone always said — you learn best when you do something with your own two hands, when you make mistakes, and when you have to challenge your mind and body at the same time. She worked on three farms during her time in Australia, one that produced dragonfruit, another that produced avocados and beets, and a third farm that grew macadamia nuts. “We cooked and ate all of our meals in the family home,” she says. “They took us to their local farmers’ markets, to their friend’s houses, and to comedy shows in town. They treated us like we were part of their family. … I was constantly surprised
and impressed by how open our host families were to us being there. We were doing them a great service, but they all went above and beyond. I always thought growing food on small farms to a large scale was too hard, but I was amazed to see how much food continuously kept popping up. This kind of learning, learning that happens over the dinner table or during hour three of weeding the endless rows of beets, or by just observing and then doing it on my own, in my opinion that’s the richest kind of learning.” Amiee White Beazley writes about dining, restaurants and food-related travel for the Aspen Times Weekly. She is the editor of local food magazine edibleASPEN and contributor to Aspen Peak and travel website everettpotter.com. Follow Amiee on Twitter @awbeazley1 or email awb@ awbeazley.com.
CONTRIBUTED PHOTOS
by AMIEE WHITE BEAZLEY
WHAT IS WWOOF? THE WWOOF PROGRAM is open to people and families of all ages. Visit www.wwoof.org for more information, locations around the world and work requirements.
CONTRIBUTED PHOTOS
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20,000 YEARS OF WANDERLUST ESSAY PART 1
Editor’s note: This is part 1 of a twopart essay by Craig Childs on exploring the world. Part 2 will be published in next week’s edition.
by CRAIG CHILDS of HIGH COUNTRY NEWS
savoonga is the place to be on the Fourth of July. The village is a cluster of roofs on the north side of St. Lawrence Island, a treeless hump of capes and dormant volcanoes rising out of the Bering Sea, battered by Arctic weather. The Native Yup’iks here celebrate the holiday with more gusto than people in most small Western towns. On that clear and sunny morning, folding chairs were placed in front of the two-story plywood town hall. People of all ages came out of their small, boxy government houses, some walking in family groups, others arriving on four-wheelers from the other side of the village. They greeted each other with a spritely, “Happy Fourth of the July!” ST. LAWRENCE ISLAND is Alaskan, though far out of view of the American mainland and barely within sight of the mountainous Siberian coast. Villagers told me they celebrated the Fourth because it was better than being Russian. Savoonga holds foot races that day, and bike races, and hot dogs are served on paper plates with bags of Doritos and a little stack of cookies for dessert. Out came the old, red fire truck, siren wailing in celebration. A PA system announced the raffle winners’ numbers. I listened for my own, but it was hard to tell the difference between English and the Siberian Yup’ik tongue spoken on this island. Besides, I didn’t want to hear my number called; I was a stranger in this subsistence village, and I dreaded the embarrassment of having to get up in front of everyone to claim a prize. I was here for other reasons. I had come with questions about the Yup’ik sense of place. This sea-hunting culture has survived on these desolate sub-Arctic capes for 2,000 years, ever since its Siberian Eskimo ancestors first crossed the Bering Strait. Home freezers are stocked with walrus and seal. Even though they also rely on canned meat, deep-fried pork rinds and Pop Tarts from the cavernous village store, people still go out in small aluminum skiffs and harpoon the occasional whale by hand. You don’t come to visit emptyhanded, according to scientists who’d worked here, so I’d brought gifts: fresh fruit, bags of vacuum-packed coffee,
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Celestial Seasonings blueberry tea as a special request. When I arrived by plane on their gravel strip several days earlier, handshakes welcomed me, and if I stayed in one place for too long, women brought me fresh baked bread or cookies wrapped in foil. Conversations flourished around kitchen tables and over hot coffee in front of woodstoves. A vagabond myself, I had come to Savoonga hoping to learn what it means to belong to one spot on the map, to say that this place is your home and always has been. Many described how the island is changing. They spoke from a perspective of generations: Seasonal weather patterns shifting, new pelagic fish species and migratory birds appearing that are
school, but what was remembered and preserved by the land itself. That evening, I went to the high school gym and sat in packed bleachers while men on the floor struck walrus-gut drums. People left the bleachers and danced. They knew their places, every gesture, every footstep memorized. Toddlers came onto the floor and tried to imitate what they were seeing, while little boys stomped for their grandfathers, and little girls painted the air with their arms for their grandmothers. A man snatched fur-lined mitts from the floor, tugging them on as he dropped into a boot-stomping promenade. He swung at the air with his mitts in swift, ritualized gestures, using expressions I didn’t know. I
“I COME FROM A RESTLESS, WANDERING CULTURE — A GENERATION OR TWO HERE OR THERE, RARELY STAYING LONG IN ANY PLACE.” unlike anything ever seen in their history. They saw the world in longer timeframes than I was used to, and they were oddly unfazed by the idea of climate change, as if they already knew that the only thing one could do on an island this remote was adapt to whatever came next. I wondered what it would be like to know an island that well, to remember it through stories that recede over a horizon of centuries — not just what you learned from your folks or in
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imagined these same movements repeated generations or centuries or thousands of years ago, danced not in a gym, but out on a gray cobble spit. Women in one line, men in another, they would have scuffed the ground with their steps. Dressed in skins and furs, living on a rock in the cold and wild Bering Sea, they began something that still hasn’t ended. A couple days later, I borrowed a four-wheeler and followed a hunter east out of Savoonga. We cut across
roadless, trackless tundra, going around racks of abandoned reindeer skulls, and in and out of grass gullies. A storm from the Arctic was blowing in, steel-gray clouds and pale mist swirling like ghosts across the eerie expanse. When we neared shore, mist whipped off the sea, wetting our faces, soaking our outer layers. Our fat tires crunched over generations of whalebones and butchering camps. Several miles out on a cape, we stopped. Wearing a colorful wool cap and greasy Carhartt coveralls, the hunter threw a shovel over his shoulder. We walked together through blowing fog onto a mound of tundragnurls and pits. It was an ancient Yup’ik village where nobody lived anymore, and it was honeycombed with dig-holes. The hunter climbed down into one. He had told me that sometimes he hunts seal, and sometimes walrus. There are seasons for salmon and seasons for murre eggs. On a scant, windswept island like this, you take what you can get. Now, he said, was the season for artifacts. Permafrost had loosened its grip enough for him to push a shovel into the ground. He’d been digging here, he said, most of his life. His current pit was a little over waist-deep, with water collecting at the bottom where he dug out heaping shovelfuls of muck, seeking a prehistoric harpoon tip or a chunk of fossilized walrus tusk, something worth selling. The site was surrounded by spoil piles of countless walrus skulls and bits of artifacts useless on the market. I picked up a beveled whale rib and poked mud out through holes drilled into the bone. It was a sled runner, I saw, and the holes were where it had been laced under a footboard. St. Lawrence Island is a Native corporation, not an Indian reservation. Under U.S. law, Siberian Yup’iks have the legal freedom to do whatever they want with what they have on their land, even if what they find is thousands of years old. Then again, they were here a thousand years before U.S. law ever existed. Although some of the villagers reject the practice, many Yup’ik hunters
PHOTO BY THINKSTOCK
rely on harvesting artifacts in today’s cash economy. The ancestors have helped them, they say. A rare cache that includes scrimshawed ivory, or maybe a set of beautifully carved snow goggles, can fetch hundreds of thousands of dollars on the antiquities market. But you can also sell broken carved ivory tips and parts of useless, ancient halibut hooks for 5 or 10. It all adds up, if you’re persistent. The hunter told me I could take a souvenir: anything I found on the surface. Even though I was captivated by the pieces of drilled or carved bone scattered around us, I couldn’t do it. None of it was mine. I wasn’t even sure how I felt about the hunter’s ethics, but it wasn’t my place to speak. I crouched and thumbed one of the ice-scrapers out of the ground. Five hundred years old, or maybe a thousand? Whatever the case, it was far beyond the scope of my horizon. What artifacts do I have? My grandmother’s wedding ring from Big Bend country in West Texas; a box of arrowheads from my great-grandfather in southern New Mexico? Even those were beyond my scope; I had moved too many times. What should I say when I was asked where I was from? Where I was born, maybe? My most recent home? The place I get my mail? Here on this mist-driven mound, I felt a long way from ever being native. My ancestry lacked roots: a veneer of cities and trash dumps, maybe a pile of rusted cans, and — if you looked back far enough — a handful of sickly Pilgrim villages, now archaeological sites on the Northeast Coast. I had nothing like this in the ground beneath my feet, no ancient bone tools or skulls of animals eaten by my ancestors. There are older people than Yup’ik, though. You can’t see them anymore, but they lived here, too. At the height of the last Ice Age 20,000 years ago, sea levels were down more than 300 feet and a land bridge connected Siberia to Alaska, back when St. Lawrence Island was not an island, but a high point in a landscape of seemingly endless steppe roamed by mammoths. This is where the first people are thought to have crossed into North America. They lived in what is now called Beringia, the subcontinent that connected Asia to North America. Anatomically, they were identical to modern people. Most would have had northern-Asian facial features and copper-brown skin. They used stone tools, hunted, fished, and gathered plants or eggs, whatever they could find in this hungry, wild country. Years before I visited St. Lawrence Island, I traveled the rim of the Arctic Circle across Yukon Territory and Alaska. A college buddy and I were running a thousand miles of river through rumpled mountains and
flats. We were traveling through what remains of Eastern Beringia, part of this lost subcontinent that stretches from northwest Canada across Alaska to the sea. The region’s ecology has changed relatively little over tens of thousands of years; the landscape is considered an Ice Age relic. Recent graduates of the University of Colorado, out to see the world on a grand adventure, the two of us had a 17-foot canoe and more leathery, home-dried fruit than anyone should ever consume. The Yukon River carried us north through spindles of black spruce clustered around open plains of tundra, sweeping us into a land utterly unlike anything we knew. With our sunglasses, mosquito nets and rich Arctic-sun tans, we felt like Lewis and Clark, our paddles gliding as green-backed mountains rose ahead
America’s great historical crossroads. All around the northern bend of the Yukon and its fat, ox-bowed tributaries, paleontologists have scratched and scrabbled at the riverbanks, discovering rich deposits of what appear to be human-worked mammoth bones. This part of Beringia may have been a massive butchering ground. If this anomalous layer of mammoth bones was created by people, as some believe, then human presence here in Eastern Beringia may go back as far as 40,000 years ago. Regardless of how many zeroes there are in the number, this is a lot of history to confront when you are a stranger, your generations in North America fewer than you can count on your hands. But I was still in my early 20s, and I had never questioned my
of us, then fell to our backs. The mouth of the incoming Porcupine River gaped wide among scrawny black spruce. As we passed, we stared along its passage and wondered what was up there, what other worlds we were passing by. We had no idea that 250 miles up the Porcupine is a cluster of high limestone grottos known as the Bluefish Caves. Raised atop a hill, they look across rolling, hummocky country, similar to what this region looked like when the first people reached North America. Inside these caves, human-related deposits start showing up 23,000 years ago, putting one of the oldest pins into the map of the Americas. We were entering one of North
ancestry or my right to be here. I was on the Yukon to explore, to feel the shape of the land. The river opened wide as it passed the Arctic Circle. An anatomizing labyrinth, the Yukon braided until it was 20 miles wide. Backwater channels increased and became a challenge to avoid, some dammed by logjams from spring runoff. Spinning in eddies half a mile wide under a circle of endless sky, we were bedazzled, the sun looping around us like a slow hula-hoop. A couple days into the flats, we saw someone waving from the point of a distant bar. I glassed him from a hundred yards out: He looked Asian, a lonely shirtless figure in cutoffs, his canoe pulled up on the cobbles. We turned ourselves with our paddles and
started in his direction. As we drew near, we saw how excited he was to be found. A solo paddler, a Japanese guy our age, he grabbed our bow and helped drag us in “Little English,” he said, wiping the back of his cutoffs as if he didn’t know what to do with his hands. My partner, a shirtless Anglo man, asked if he was OK, and in some of the most nonsensical English I’d ever heard, he explained that he was lost. He’d been paddling alone in sloughs for days, climbing logjams only to see erratic driftwood blockades too big to portage alone. He didn’t have a map. He hadn’t thought you needed one; the river would just carry you. Why was he here, we asked? Of all places in the world? “Adventure is here,” he said. We pulled out our neatly folded maps and showed him different ways back to the river’s main stem, tracing our fingers around blue-printed bends and the gray scrabble of gravel bars. We asked how far he planned to go. “To the waves of the sea,” he said. That was another thousand miles. At least he now grasped how to get back to the central channel so he wouldn’t spend the rest of the summer paddling around in a maze. When we pulled away, he could hardly stop waving at us. He receded as the wide horizon turned, and we never saw or heard from him again. I come from a restless, wandering culture — a generation or two here or there, rarely staying long in any place. As a kid, I moved every year or two or three, crossing the Southwest as the only child of a single mother, as if we were mariners bound for the promised land. The urge to journey to the farthest edges was in my blood, and obviously in the blood of this Japanese man. We reflected the yearning to explore new territory, the instinct that probably lured people across the land bridge in the first place. A paleontologist who excavated some of the older human occupation sites in the Americas once told me he believed that people originally traveled great distances not merely in search of resources, but out of curiosity, inspired by a sense of adventure. That, he thought, is why the American continents were occupied so soon after the first human beings appeared. Within several thousand years, they had wandered as far south as Patagonia. If they saw an unknown mountain range, they traveled to it. Sooner or later, they would have discovered the mountains had another side, another landscape stretching even farther. Horizon after horizon, generation after generation, they crossed this ground. This essay originally appeared in the High Country News (hcn.org).
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ARTS&ENTERTAINMENT
MUSIC/ART/FILM/LITERATURE
‘CRAZY’ GOOD:
ASPEN COMMUNITY THEATRE
IF YOU GO ASPEN COMMUNITY THEATRE, “CRAZY FOR YOU” OPENING THURSDAY, NOV. 8, WITH PERFORMANCES THROUGH NOV. 18, AT THE ASPEN DISTRICT THEATRE
John Goss, left, and Corey Simpson star in “Crazy for You”.
rita hunter wasn’t having the easiest of days. She had
lost two costumes — literally, she couldn’t find them — for Aspen Community Theatre’s production of “Crazy For You” a few days before opening night, meaning several additional hours of sewing on top of her duties as co-producer of the musical. Onstage, where a dress rehearsal was taking place, there were the usual snafus to reckon with: a flashlight didn’t work, actors weren’t quite sure where their marks were — and, oh yes, one major scene was still in the “fix” stage, and really wasn’t ready for a full-dress run-through.
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HUNTER WAS ALSO occupied with trying to address Aspen Community Theatre’s perennial quandary: seats for their shows often went empty during the first weekend, but by the second weekend, when word began to spread through the community and people realized that second weekend was closing weekend, there was a scramble for tickets to sold-out performances. Out in the lobby, where she could hear mistakes and troubling pauses from the stage, Hunter was absentmindedly fiddling with a needle, occasionally sticking it
PHOTOS BY STEVE MUNDINGER
by STEWART OKSENHORN
through the knees of her jeans. Whether this was from habit — she’d been putting in 10-hour days of sewing lately — or close-to-openingnight jitters was hard to say. Hunter then told of an episode that made it clear where all this angst came from. In 1988, when ACT was staging “Annie Get Your Gun,” the actors were instructed to bring in blankets to be used as props. “And I saw one of the people onstage — it might have been opening night, but if not it was definitely the final dress rehearsal — and his blanket had a cord hanging off it. An electric blanket! That’s the kind of thing most people associate with community theater.” There lies the source of Hunter’s fretfulness: Aspen Community Theatre doesn’t really want to be associated with community theater, or at least not with community theater that is the easy target of jokes (and the punchline for possibly the greatest “Simpsons” episode, the one in which Springfield makes an upbeat musical out of “A Streetcar Named Desire”). Community theater in most places might be marked by so-so singing and make-do sets, but this is one area in which the idea of Aspen exceptionalism might have its strongest case. ACT is theater done to professional standards. There is no room for electric cords in a show set in the 1880s. “We have definitely set standards. You want the entertainment value to be so high — you want costumes, the sets, the big numbers,” Hunter said. “People expect that quite a bit. It’s an institution.” Aspenite Naomi Havlen recalls one of her earliest dates with a boyfriend. “He said he had tickets to ‘The Wizard of Oz,’ and I thought, ‘OK, community theater. At the elementary school. This is going to be a bunch of little kids singing out of tune.’ Then a few minutes into the show, someone is flying on a bike over the stage. I said, ‘OK, this is not your regular community theater.’” (Havlen eventually married her date from that evening.) Havlen, who has performed occasionally with Aspen’s Hudson Reed Ensemble, makes her ACT debut in the current production of “Crazy For You.” What she sees from behind the curtains has only deepened her appreciation.
“I’ve been telling my mom, ‘You’re not going to believe this: I don’t have just one great costume. I have five great costumes,” said Havlen, who plays a New York socialite desperate to marry her boyfriend in “Crazy For You.” IT’S NOT JUST THAT ACT, founded in 1976, is an institution — many of the people behind the organization are institutions as well. Tom Ward has been designing the sets since the late ‘70s; his set for “The King and I,” in 1996, drew applause the moment the curtain opened. Kathleen Albert began as costume designer in 1992; lighting designer Loren Wilder has been an ACT regular for a decade. Jody Hecht graduated from chorus member to co-producer in 1992, and has formed a two-person production team, with Hunter, ever since. Bob Finnie, the musical director and conductor, made his first ACT appearance in 1997 with “Jesus Christ Superstar” (often picked as an organizational high point); “Crazy For You” marks his sixth ACT credit. Hunter has been on-board long enough to have lost count of the number of shows she has helped produce. “Thirty-one. Could be 32,” she said. Having done theater in high school and college in Southern California, then joining the cast of Lake Tahoe Repertory Theatre,
cast is not particularly big; at 29 actors, it doesn’t approach the size of 1994’s “Oliver,” which had 75. But “Crazy For You,” which earned the 1992 Tony Award for best musical, is big: Built around the songs of George and Ira Gershwin, it’s a musical about musicals that trades complexity for splashy, colorful, Broadway pageantry. “It’s a huge show. Just huge,” Hunter said. “A lot of scenery, a lot of sets. A lot of costumes because there are a lot of different settings — Broadway then Deadrock, Nevada; the fantasy part. There’s tap dancing. This was a touch choice, picking a show so big. But we knew there were people who could do the leads. The talent is here.” Much of that is professional talent. John Goss, who plays the lead role of wanna-be dancer Bobby Child, has a long list of regional theater credits, and is the founder and director of the Glenwood Vaudeville Revue. Nina Gabianelli, who plays Bobby’s controlling mother, was a cast member with Aspen’s Crystal
are hummable, singable. Nothing complicated like Sondheim. I love this show because it’s happy.” ACT’S NEXT BIG TASK is taking care of its future. Hunter is 66, and has been purposefully adding younger people to the organization’s board, and recruiting new actors every year. She also keeps her eye on new musicals; one that has captured her recently is “Newsies,” the 1992 movie about a 19th century newsboy strike that has been turned into a Broadway musical. “It’s dancing, it’s young people, it’s amazing,” Hunter, who saw the show in May, said. “So maybe I’ll stick around till that’s available.” But while she’s helping oversee ACT’s productions, Hunter will make sure the troupe maintains the standards it has set. In “Crazy For You,” the female lead Polly (played by newcomer Lauren Koveleski), is wheeled across stage on a dolly. No one had an old-fashioned dolly, so the
John Goss and Lauren Koveleski in “Crazy for You”.
Hunter tried out for ACT’s version of the thriller “Night Watch” in 1980. She didn’t get cast, but agreed to work on costumes. When the producer got sick, Hunter stepped in. “I did it and never cared about getting onstage again. This is more my style,” said Hunter, who confesses to liking bossing people around. Hunter believes that ACT is taking a step up with “Crazy For You.” The
Palace dinner theater; Corey Simpson, who plays a prominent New York theater producer, has been a professional actor and musician. Hunter is particularly pleased with the orchestra. She said ACT has continually tried to upgrade the level of the music, and this year it might have nailed its mark. “I told them how good they were sounding, and they said, ‘Well, it’s Gershwin,’” she recalled. “It’s so lyrical, melodies that
crew pulled one that happened to be available. “It was red, with big rubber tires — just a regular modern dolly,” Hunter said. “And I said, no. We’re not going to go to the trouble of getting period costumes, authentic sets, and then use some modern dolly.” So Hunter brought, from her own home, an old wheelbarrow. “It’s the same effect, but more genuine,” she said. “Not that anyone would notice. But I would.”
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ARTS&ENTERTAINMENT ANDERS OSBORNE:
ON THE PATH(S) TO MUSICAL NIRVANA Just over a year ago, at PAC3 in Carbondale,
MUSIC/ART/FILM/LITERATURE
by STEWART OKSENHORN
IF YOU GO ANDERS OSBORNE, OPENING FOR TOOTS & THE MAYTALS FRIDAY, NOV. 9, AT 9 P.M. BELLY UP
Anders Osborne gave a demonstration of what music is capable of doing — connecting performer to listener, and transporting the entire gathering to another place, an elevated place. The concert left at least a few listeners using spiritual terms to describe the experience (a lot of “Holy s---!!” if I recall right), and Osborne’s perspective on performing echoes the idea of a holy presence in music: “That’s kind of the journey of the live performance. It’s trying to connect to something very transformative, for myself and for the audience,” Osborne said from Washington, D.C., the day before election day. KEY TO THE CARBONDALE show was the electric guitar. Osborne, backed only by a bass-and-drum rhythm section, launched into long flurries of notes (the first three songs took up over a half-hour), and head-to-head encounters with his amplifier to drive up the distortion and volume. Osborne often had his eyes closed — seeing what, one can only guess — and other times he looked upwards, presumably for inspiration to find new and deeper ways to express himself through six guitar strings. My review in The Aspen Times (under the headline, “A Guitarist Possessed”) noted that “Osborne had no trouble finding whatever demons, visions, pain, ecstasy lived in him, and translating them into meaningful guitar lines.” Osborne returns to the area, this time without the electrification. For his gig on Friday, Nov. 9, at Belly Up, opening for reggae band Toots & the Maytals, Osborne is bringing only acoustic guitars, and playing solo. Without being able to lose himself in feedback and long solos, Osborne says the set will have a very different feel, with an emphasis on songs. “With the songs, you’re focusing on making the melodies, the voice and the lyrics transport people like that,” the 46-year-old said. “You want to sing words to the audience in a way that they feel like they know the songs already, like it’s the most familiar thing they’ve ever heard. You want to say it so it’s clear. The words are doing the work for you. “With the electric, you’re beating people over the head sometimes.
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When you play acoustic, solo like this, you can get really, really dynamic; you can bring it way down. That’s a different kind of connection.” Osborne is one of those musicians who can have things both ways. He started out as more of a singersongwriter type than a guitar pyrotechnician. His breakthrough album, 1993’s “Break the Chain,” prompted comparisons to Van Morrison (due in part to Osborne’s cover of Morrison’s “Stoned Me”). “Black Eye Galaxy,” his 2011 album, showcased all sides of Osborne: the songs examined addiction, pain and release, but there was no shortage of heavy, Hendrix-like guitar work. Osborne has also worked as a songwriter for hire; his 2002 tune “Watch the Wind Blow By” became a number one hit for country singer Tim McGraw. The other significant aspect of Osborne’s musical make-up is New Orleans. Osborne was born in Sweden, and at 16 he became a wandering troubadour, playing music through Europe, Israel and North Africa. He was attracted to New Orleans not because of its reputation as a music capital, but because his grandfather and an uncle had lived there. Osborne first checked out the city in 1985 and found a creative environment that encouraged expansive thinking. He hasn’t found reason to leave; he lives in the Bayou St. John neighborhood, close to the fairgrounds that is home to the legendary New Orleans Jazz & Heritage Festival.
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Anders Osborne opens for Toots & the Maytals on Friday, Nov. 9, at Belly Up.
“We don’t categorize music too hard. We mix, we blend, we sit in and play with each other,” Osborne said, noting that New Orleans icons like Dr. John and George Porter, bassist of the Meters, were particularly supportive in his early years. “It’s one music community that’s the whole thing, rather than belonging to one genre. It allows me to stay pretty free. It’s a liberating city, encouraging of being who you are. The whole city’s based on that.” Osborne went through a period, starting in the late ‘90s, when his music drew heavily on the Louisiana influence. The 2002 album “Bury the Hatchet” was a collaboration with Big Chief Monk Boudreaux, of the Mardi Gras Indian tribe the Golden Eagles; Osborne also formed a close and enduring alliance with Kirk Joseph, a sousaphonist and co-founder of the
Dirty Dozen Brass Band. In last year’s Carbondale concert the New Orleans flavor was a little less evident. Instead, that show included moments like a long take on the Neil Young guitar work-out “Cortez the Killer.” It ended with Osborne so soaked in sweat that he draped a towel over his shoulder. Osborne’s purpose is to get to a higher spiritual plane, but getting there via an electric six-string takes an awful lot of work. “The thing about music is a lot of your senses are really working hard,” he said. “It’s almost a paradox — you’re trying to get so Zen; at the same time, you’re working really hard to create something. That’s an interesting combination. You have to perform, and you have to perform effortlessly enough to make it peaceful.”
PHOTO BY STEWART OKSENHORN
AROUNDASPEN
The SOCIAL SIDE of TOWN
by MARY ESHBAUGH HAYES
ASPEN HIGH REUNION ASPEN HIGH SCHOOL Classes of 1972, 1973 and 1974 held a 40th reunion during October 2012. Held in the Limelight Hotel, many former students attended from all across the United States and they had such a good time remembering old times with old friends they hadn’t seen in years. MARY I have not used ESHBAUGH HAYES married names, but left everyone’s name the way it was when in Aspen High School. Undercurrent ... When in November, the few leaves that are left are rattling in the trees, I think of when my father would take my brother, J.P. and I over to the Flats by the Genesee River in upstate New York so we could gather hickory nuts that had fallen from the big trees. Then all during the winter, our mother would make her wonderful chocolate fudge with hickory nuts.
REUNION
Among the happy alumni at the Aspen High School reunion are, left to right: Ned Ganz, David Herberg, Carolyn Cerise and Cici Fox.
REUNION
Pat Bingham on the left and Rosie Meyer of The Class of 1972 organized the reunion that was for the classes of 1972, 1973 and 1974.
REUNION Pals back in the 1960s and 1970s were, left to right: Laurel Martin, Lea Ann Henry and Paula Jo Johnson.
REUNION
Guido Meyer and Linda McTarnaghan.
REUNION Paula Jo still has bright red hair and she grows it out long so she can donate it to children who have cancer and lose their hair.
REUNION
Left to right are Diana and Kirk Baker, Lauri Hayes, Cindy Curtis, Danielle Tache and Ann Danieli.
P H OTO S B Y M A RY E S H BA U G H H AY E S
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REUNION
The Burton girls, Andrea, left, with Dawn on the right.
REUNION Sandy Turner, left, with Dana Higbie.
REUNION Sabra Van Dolson, left, with Pam Moore.
REUNION
REUNION Will and Roxann McClure.
Left to right are Sonja Pedersen, Jack Simmons and his wife, Yasmin dePagter.
REUNION Left to right are Karen DeFries, Sonja Pedersen and Ann Danieli.
REUNION Janet Nelson, left, with Sandy Nichols.
REUNION
Keith Liden with his wife, Andy Bainbridge.
REUNION Left to right are Ted Reeds, Murrie Stutches and Merl Broughton.
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CURRENTEVENTS
OCTOBER 11-17, 2012
edited by RYAN SLABAUGH
WATCH The documentary “The Imposter” shows Wednesday and Thursday, Nov. 14-15, at the Wheeler Opera House.
LIVE ENTERTAINMENT THURSDAY, NOVEMBER 8 The Green with Natural Vibrations and Billy Van Dubstep 9 p.m. - 11:55 p.m., Belly Up Aspen, 450 S. Galena St., Aspen. The Green, four boys hailing from Hawaii, watched their self-titled debut album rocket onto Billboard’s 2010 Year-End Top 10 Reggae Chart, be honored as iTunes’ Reggae Album of the Year and win Best Reggae Album at Hawaii’s 2011 Na Hoku Hanohano Awards. They followed it up last year with “Ways & Means.” Call 970-544-9800. “Crazy For You” 7 p.m. - 9:30 p.m., Aspen District Theatre. Aspen Community Theatre presents the story of Bobby Child, a wellto-do 1930s playboy whose dream in life is to dance. Despite the serious efforts of his mother and soon-to-be-ex-fiancé, Bobby achieves his dream in a high-energy comedy that includes mistaken identity, plot twists, dance numbers and classic Gershwin music. Family friendly. Call 970-920-5770. Fall Film Night 7 p.m. - 9 p.m., Third Street Center, Callaway Room, Carbondale. The Roaring Fork Sierra Club presents two award winning films: “Spoil” and “The Next Industrial Revolution.” “Spoil” captures the incredibly beautiful wildlife of the Great Bear Rainforest in British Columbia, which is threatened by a pipeline from the Canadian tar sands. “The Next Industrial Revolution” tells the story of a movement to remake the way we make things so the ingredients and by-products are healthy and reusable, inspired by nature. Call 970 366-1758.
PHOTO BY ERIK WILSON
FRIDAY, NOVEMBER 9 Toots and the Maytals Unplugged Acoustic Tour with guest Anders Osborne 9 p.m. - 11:55 p.m., Belly Up Aspen, 450 S. Galena St., Aspen. Toots and the Maytals, originally called simply The Maytals, are considered legends of ska and reggae music. Their sound is a unique, original combination of gospel, ska, soul, reggae and rock. The band won the 2005 Grammy award for best reggae album, “True Love” and a Grammy nomination for 2008’s “Light Your Light.” Call 970-544-9800. “Crazy For You” 7 p.m. - 9:30 p.m., Aspen District Theatre Aspen Community Theatre presents the story of Bobby Child, a wellto-do 1930s playboy whose dream in life is to dance. Despite the serious efforts of his mother and soon-to-be-ex-fiancé, Bobby achieves his dream in a high-energy comedy that includes mistaken identity, plot twists, dance numbers and classic Gershwin music. Family friendly. Call 970-920-5770. SATURDAY, NOVEMBER 10 Dwight F. Ferren - Solo Acoustic Guitar 6 p.m. - 9 p.m., Roaring Fork Club, Basalt. Solo acoustic guitar instrumentals for the “Taste of Basalt” Call 970-927-1076. Watsky 10 p.m. - 11:55 p.m., Belly Up Aspen, 450 S. Galena St., Aspen. George Watsky is a rapper, writer and performer from San Francisco, now living in Los Angeles. Call 970-544-9800. “Crazy For You” 7 p.m. - 9:30 p.m., Aspen District Theatre. Aspen Community Theatre presents the story of Bobby Child, a well-todo 1930s playboy whose dream in life is to dance. Family friendly. Call 970-920-5770.
SUNDAY, NOVEMBER 11 Orchard Lounge 9:30 p.m. - 11:55 p.m., Belly Up Aspen, 450 S. Galena St., Aspen. OL is the DJ collective of Spencer Lokken, Bethany Briscoe Lokken and Ben Silver. Since they met in Chicago in 2000, this versatile trio has enlightened dance floors from Mexico to Maine with their highly unpredictable and eclectic sets. From headnodic downtempo and boogie to ominous and ultramodern house and tech, theirs is a democratic mission: To expose as many people as possible to the artists whom they admire and respect, create unique dance floor memories, and to cross traditional boundaries of turntablism/improv/electronic fusion. Call 970-544-9800. “Crazy For You” 2 p.m. - 4:30 p.m., Aspen District Theatre. Aspen Community Theatre presents the story of Bobby Child, a well-todo 1930s playboy whose dream in life is to dance. Call 970-920-5770. MONDAY, NOVEMBER 12 Open Mic Night 9:30 p.m., The Red Onion, 420 E. Cooper Ave., Aspen. Check out what Aspen’s songwriters and musicians have to offer. Call 970-925-9955. TUESDAY, NOVEMBER 13 Haden Gregg and Friends 7 p.m. - 9:30 p.m., L’Hostaria, 620 E. Hyman Ave., Aspen. Live music every Tuesday. Call 970-925-9022. WEDNESDAY, NOVEMBER 14 Beer Pong League 10 p.m., The Red Onion, 420 E. Cooper Ave. Aspen Accumulate points through offseason to win a trip to Vegas for the World Series of Beer Pong. Call 970-925-9955. Aspen Players Association 8 p.m. - 11:59 p.m., Eagles Club, Aspen. A weekly musicians invitational for jams and standalone performances. For musicians and music lovers. Call 970-274-9078.
Black Pistol Fire 9:30 p.m. - 11:30 p.m., Belly Up Aspen, 450 S. Galena St. Canadian rock and roll duo that splits their time between Toronto, Ontario and Austin, Texas. Their wild and energetic rock ‘n’ roll sound has been described as a mix of classic southern rock and garage punk. No cover charge. Call 970-544-9800.
THE ARTS THURSDAY, NOVEMBER 8 Arts Club 3:30 p.m. - 5 p.m., Aspen Youth Center, 0861 Maroon Creek Road. In collaboration with Aspen Youth Center, the Aspen Art Museum offers a program of six in-center art classes after school. Activities include drawing, graffiti, collage, illustration, sculpture, pottery, painting, printing and more. The classes conclude with a studenthung installation and family-and-friends gallery reception at the Youth Center. Sign up for each class separately. Sign-ups close on Tuesday before the Thursday class. Priority will be given to kids who have not participated in prior classes. Kids can sign themselves up in person or by phone. Admission to the class; it’s open to 4th through 8th graders. Call 970-544-4130. FRIDAY, NOVEMBER 9 CMC Student Art Opening 5 p.m. - 7 p.m., Colorado Mountain College, Aspen. Exhibit opening. Free. Food and beverages provided. Call 970-618-5894. Signup: Printmaking - Stencil Silkscreen 9 a.m. - 5 p.m., Wyly Community Art Center, 99 Midland Spur, Basalt. Registration in progress for workshop with Jennifer Ghormley for high-schoolers and adults (all skill levels), taking place Saturday, Nov. 17, from 9 a.m. to 4 p.m. Registration is required. Tuition is $75 plus $30 studio fee; members receive 10 percent off. Call 970-927-4123.
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MONDAY, NOVEMBER 12 CCAH “Artober” Membership Drive, CCAH Center for the Arts, Carbondale. During the months of October and November, the Carbondale Council on Arts and Humanities is challenging existing members to renew their membership and bring in new members for a chance to win prizes that help the arts, including tickets to the “Green is the New Black Fashion Extravaganza: Myths and Legends” in March, “A Charlie Brown Christmas‚” musical presented by Sol Theater Company and a free annual membership valued at $50 that includes discounts to workshops, classes and events. Call 970-963-1680. Signup: Holiday Art Club 9 a.m. - 5 p.m., Wyly Community Art Center, 99 Midland Spur, Basalt. Registration in progress for Holiday Art Club with Nicole Nagel-Gogolak, for ages 6-11, on Wednesdays, December 5, 12 and 19. Registration is required. Focusing on learning basic drawing, painting and
YOGA & EXERCISE THURSDAY, NOVEMBER 8 Vinyasa Flow Yoga 6:15 p.m. - 7:15 p.m., Coredination, 520 S. Third St., Suite 7, Carbondale. Class for all levels, taught by certified instructor Anthony Jerkunica. Call 970-379-8108. Vinyasa Flow Yoga Class 6:15 p.m. - 7:15 p.m., Coredination 520 S. Third St., Carbondale. Certified yoga instruction in Vinyasa flow with a synthesis of postures (asanas) designed to increase range and build core strength. Accentuate and balance fitness goals with this class. Call 970-379-8108. FRIDAY, NOVEMBER 9 Yoga For Lunch 12:30 p.m. - 1:30 p.m., Aspen Health & Harmony, El Jebel. Community yoga class. Call 970-704-9642.
Aspen Skating Club 4 p.m., Aspen Recreation Center. Learn to skate with Aspen Skating Club on Tuesdays and Fridays at 4 p.m. and Sundays at 5:15 p.m. All ages ability levels are welcome. Private and group instruction available. For additional information, contact Teri Hooper at hoopertk@comcast.net call. Call 970-379-5900.
Mountain Sport Sale 9 a.m. - 12 p.m., CRMS Gym, Carbondale. Mount Sopris Nordic Council hosts annual sale. Buy or sell sports equipment and clothing for adults and kids. Equipment check-in on Nov. 9, 4:30-7 p.m. Checkout: Nov. 10, 1:30-3 p.m. Locale is one mile west of Hwy. 133 traffic light. Call 970-319-3555.
Pilates Mat and Yoga Classes 12 p.m. - 1 p.m., Coredination 520 S. Third St., Suite 7, Carbondale. Pilates mat class for experienced students looking to advance their practice and understanding of the classical pilates method and its concepts, offered from noon to 1 p.m. Vinyasa flow yoga class for all levels offered from 5:30-6:45 p.m., taught by certified instructor Anthony Jerkunica. Call 970-379-2187.
Speech and Debate Festival 8 a.m. - 6 p.m., Aspen High School. Multiple speech, debate and acting/interpretation events. Call 970925-3760 (ext. 1023).
Vinyasa Flow and Pilates Mat Classes 5:30 p.m. - 6:45 p.m., Coredination 520 S. Third St., Carbondale. Vinyasa flow yoga class for all levels at 10 a.m. Synthesizing dynamic postures (asanas) designed to increase core strength and range of motion. Pilates mat class, intermediate level, offered at noon. Increase internal core strength for joint support, mobility,spine alignment and muscle elasticity. Call 970-379-2187.
THE COMMUNITY THURSDAY, NOVEMBER 8 PremierCare Open House 5:30 p.m. - 7:30 p.m., The Health Institute, 1460 E. Valley Road, Basalt. Enjoy wine, soft drinks and appetizers while meeting PremierCare’s Dr. Kruse, Dr. George Bagwell D.D.S. of Aspen Valley Prosthodontic Dentistry and the teams of Valley Access Laboratory, Phoenix Fitness, The Aspen Clinic and Midvalley Imaging Center. Call 970-927-0549. Aspen Mobile Food Pantry 11 a.m. - 1 p.m., 0405 Castle Creek Road, Aspen. Food Bank of the Rockies hands out food to anyone in need. No eligibility requirements. Please bring boxes and/or bags to carry food items. Call 970-920-5235.
HEAR Reggae band Toots & the Maytals, led by singer Toots Hibbert, plays an acoustic show Friday, Nov. 9, at Belly Up. sculpture, kids will learn concepts of space, line, proportion and scale. Tuition is $60 plus $15 studio fee; members receive 10 percent off. Call 970-927-4123. Beginning/Intermediate Ballet 10 a.m. - 11:30 a.m., Third Street Center, 520 S. Third St., Carbondale. Beginning to intermediate ballet class taught by faculty of Aspen Santa Fe Ballet. Call 970-925-7175. Classical Ballet Technique 4 p.m. - 5:30 p.m., Coredination 520 S. Third St., Suite 7, Carbondale. Classical ballet class for the experienced ballet dancer wanting to further their training, both technically and artistically. Taught by Alexandra Jerkunica, owner of Coredination, professional ballet dancer and certified pilates instructor. Call 970-379-2187. TUESDAY, NOVEMBER 13 Beginning Ballet Technique 10 a.m. - 11 a.m., Coredination 520 S. Third St., Suite 7, Carbondale. Beginning ballet technique class for adults and teens. Taught by Alexandra Jerkunica, owner of Coredination, professional ballet dancer and certified pilates instructor. Call 970-379-2187.
SATURDAY, NOVEMBER 10 AVH Grand Opening 10 a.m. - 2 p.m., Aspen Valley Hospital. The first part of Aspen Valley Hospital’s largest and most comprehensive addition is open for business after 18 months of site work and construction. The community is invited to tour the new addition following a brief ribbon-cutting ceremony at 10 a.m. The festivities include complimentary heavy appetizers prepared and served by the AVH nutritional services department. Tours will be conducted until 2 p.m. Tours will also take place on Nov. 13 and 15 from 5:30-7 p.m. Complimentary appetizers will be served. Call 970-544-1296.
SATURDAY, NOVEMBER 10 CrossFit Trial Workout 9 a.m. - 10 a.m., Roaring Fork CrossFit, 402 Park Ave., Basalt. Free trial session. Everyone is welcome. Workouts scaled to individual ability level. Call 970-379-6309. MONDAY, NOVEMBER 12 Aikido at CMC 7 p.m. - 8:30 p.m., Colorado Mountain College, Aspen campus. Aikido is an effective self-defense as well as a fun and dynamic work out. Class offered Mondays and Wednesdays. Beginners welcome. Try the first class for free. Call 970-379-4676. Pole Dance Classes 6 p.m. - 7 p.m., Honey’s Pole and Aerial Fitness, Basalt. Beginning pole dance from 6-7 p.m. Learn basic lifts, spins, dance, floor and safety. All levels welcome. Pole and Aerial fitness from 7-8 p.m. focuses on functional strength and flexibility training for pole and aerial apparatus. Upper body, core and flexibility highlighted. Open to all levels. Co-ed. Call 970-274-1564. TUESDAY, NOVEMBER 13 Seniors Yoga 11:30 a.m. - 12:30 p.m., Aspen Health & Harmony, El Jebel. Led by Ashley Serrao. Students must be comfortable going from a standing position to a kneeling position to lying on the back on their own. Experience improved balance, flexibility, strength and gain a sense of mental clarity. Offered Tuesdays and Thursdays through Nov. 15. Call 970-704-9642.
TUESDAY, NOVEMBER 13 Bethel/Global Legacy Minister Jesse Cupp 6:30 p.m. - 8 p.m., The Orchard, 110 Snowmass Drive, Carbondale. Jesse Cupp makes a local appearance to preach and serve the Roaring Fork Valley. If you are a pastor or church leader and would like to contact Cupp directly, please call Sue Parker at 970-404-1981 or email sueparker@ me.com. CASA 101 6 p.m. - 7:30 p.m., Gordon Cooper Library, 76 S. Fourth St., Carbondale. Learn more about Court Appointed Special Advocates of the 9th Judicial District and how one can help children. Attendees will learn about how special advocates help children, the volunteer advocate application process, and what training entails, as well as other volunteer opportunities. Can’t attend this CASA 101 session? Go to www. casaoftheninth.org to learn more or email sue@casaoftheninth.org. Call 303-829-1069. Thrift Shop Open House 4 p.m. - 6:30 p.m., Thrift Shop of Aspen, 422 E. Hopkins Ave, Aspen. Open house for prospective volunteers. Call 970-925-3121. WEDNESDAY, NOVEMBER 14 Wild and Scenic Rivers Educational Forum 6:30 p.m. - 8:30 p.m., Redstone Inn, Redstone Roaring Fork Conservancy, Pitkin County, American Rivers and the Crystal Valley Environmental Protection Association host a public forum to explore the process of a Wild and Scenic River designation for the Crystal River. The forum panel will include Kay Hopkins from the White River National Forest; Chuck Wanner, a former Fort Collins city councilman who played an integral role in the designation of the Cache la Poudre as Wild and Scenic; Mike Moody from the Native Fish Society in Oregon, who has participated in the Wild and Scenic process on the Molalla River in Oregon; and David Moryc, senior director of river protection at American Rivers. The public is encouraged to participate to learn more about the process of designation, ask questions, and be part of the community to evaluate the effectiveness and appropriateness of this possible designation for the Crystal River. Go to www.roaringfork.org/crystalriver for more information. Call 970-927-1290.
G DO WEEK THE
Murphy
Introducing Murphy! Murphy is an 11 month old Lab/Border Collie mix which means he is very friendly and smart - the perfect combo. He is 11 months old and is friendly with other dogs and mild mannered with them as well. He listens well and is eager to please. He wants to learn new things and picks them up quickly. He needs a little work on the leash, but his love for being around people will certainly help in breaking those habits. He is such a loving and gentle dog just looking for someone to explore with during the day and cuddle right up to at night. He has a wonderful disposition. No cats as they are way too interesting for him. Murphy is current on his vaccinations, neutered and micro chipped. If you are interested, please visit our website at www.luckydayrescue.org and complete an application or call Stephanie at 303-478-0662. LUCKY DAY ANIMAL RESCUE OF COLORADO
www.luckydayrescue.org
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A S P E N T I M E S W E E K LY
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No v e m b e r 8 - 14 , 2 0 1 2
PHOTO BY STEWART OKSENHORN
LOCAL
MARKETPLACE
PLACE AN AD >> ASPENTIMES.COM/PLACEAD | (970) 925-9937 | FAX (970) 925-5647 | CLASSIFIEDS@ASPENTIMES.COM | MORE AT ASPENTIMES.COM Acura MDX 2008
Audi s8 2003
Audi TT Coupe 2008
"DVSB .%9 4VQFS )BOEMJOH "8% "VUPNBUJD /BWJHBUJPO $BNFSB 5IJSE 3PX 4FBUT )FBUFE 4FBUT -FBUIFS 9FOPO MJHIUT , NJMFT (PPE DPOEJUJPO 1MFBTF DBMM $27,900
"DVSB .%9 4VQFS )BOEMJOH "8% "VUPNBUJD /BWJHBUJPO $BNFSB 5IJSE 3PX 4FBUT )FBUFE 4FBUT -FBUIFS 9FOPO MJHIUT , NJMFT (PPE DPOEJUJPO 1MFBTF DBMM $27,900
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Chevy Aveo 2005
CHEVY SEDAN 1934 HOT ROD
Chrysler PT Cruiser 2007
Dodge Durango 1999
, NJMFT .1( PO IXZ $MFBO NBJOUBJOFE HBSBHFE ,FOXPPE TUFSFP XJUI 64# BOE *QPE KBDLT %SJWFO CZ (SBOENB $6300 970-208-2023
$SBUF .PUPS 5SBOT 7JOUBHF "JS 0VUMBX #PEZ 1VSQMF 1BJOMFTT 8JSJOH .VTUBOH ** 'SPOU &OE XJUI %JTD #SBLFT 'PSE w 3FBS 3FBEZ GPS JOUFSJPS GJOJTI KVTU MJLF ZPV XBOU JU SWEET RIDE! GETS LOTA LOOKS! $24,000 970-456-2033 see px’s online
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Ford Dualy Flatbed Pickup 1959
Ford Escape 2008
Ford Excursion XLT 2001
Ford F-150 2004
%PEHF 3BN 4QPSUT QBDL BHF EPPS &YDFMMFOU DPOEJUJPO "VUP USBOTNJTTJPO $ZM - %JFTFM 4JMWFS )BNJMUPO MFJTVSFSW !IPUNBJM DPN $24,350 970-329-1054
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'PSE &TDBQF )ZCSJE .1( -FBUIFS IFBUFE TFBUT 4VOSPPG QSFNJVN TPVOE , NJMFT %BWF ENL!LFZTUPOFTFOJPS DPN $17,000 OBO 317 590-8273
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Ford F 150 2008
Ford F350, Lariat, Dually 2001
Ford Mustang Coupe 1968
GMC Sierra, 4x4, 3/4 ton, crew cab 1995
Harley Davidson Sportster 1999
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3FCVJMU )0 FOHJOF DPNQVUFSJ[FE GVFM JOGFDUJPO IJHI QFSGPSNBODF FMFD USPOJDT 3FXJSFE TQFFE BVUPNBUJD MJNJUFE TMJQ SFBS FOE $VTUPN TUFSFP $15,000 Please call Bob 970-390-4651 Gypsum
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DD 4VQFS TQPSU *U IBT NJMFT UXP TFBUT BOE SVOT HSFBU (BSBHF TUPSFE BMM JUT MJGF
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Honda CRB EXL 2008
Honda Shadow Sabre 2000
LeMans GTO 1969
Mercedes Benz 380 SL 1982
Mercedes-Benz R Class 320 CDI 2008
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Rave 4 1999
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Acura MDX 2008
Chevrolet Tahoe LT 1997
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$3500 970-618-4544
$4,700 Snowmass Hospitality 970- 923-3900
NISSAN TITAN V8 2005
PHAETON MOTORHOME 2010
Porsche 912E Tribute RS 1968
RANGE ROVER SPORT HSE 2008
%BSL HSFFO TJY TFBUFS 5*5"/ 8% X & MPDL "MM QPXFS XJOEPXT DE JQPE BDDFTTPSZ JODMVEFE 5PX 1LH (SFBU DPOEJUJPO /FX )BOLPPL "MM 5FSSBJO UJSFT NJMFT 3FBS TPGU UPQ DPWFS GPS USVDL CFE $13,000. 303-656-8708.
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970.309.6163 A S P E N T I M E S . C O M / W E E K LY
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Subaru Outback 2005
Subaru Outback 2.5 XT Wagon 2006
SUZUKI FORENZA 2006
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Three Wheelers - Various
Toyota 4-Runner SR5 1997
Toyota FJ Cruiser 2007
Toyota Tundra 2002
Triumph 1976
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$4999 970-384-0658
$20,000 (970)379-0520
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Triumph America 865cc - 2009
Volvo S60 R 2004
VW JETTA - 2009
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- $ZM 5VSCP NQH , NJMFT -FBUIFS 1PXFS &WFSZUIJOH 4VOSPPG .BOVBM "8% IQ WFSZ GBTU BOE GVO UP ESJWF /FX CSBLFT BOE SPUPST $14,000 970-389-8301
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3FQBJST NPTU CSBOET PG DPNQVUFS QSJOUFST BU PVS MPDBUJPO PS ZPVST 8F TFMM OFX FRVJQNFOU 0&. BOE DPNQBUJCMF CSBOE TVQQMJFT GPS BMM QSJOUFST #SPUIFS "VUIPSJ[FE 4FSWJDF
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32
$18,950 or best offer 970.379.4630
Experienced Tutor $JWJM &OHJOFFSJOH .4 "MHFCSB (FPNFUSZ $IFNJTUZ BOE 1IZTJDT $BMM 5FYU
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A S P E N T I M E S W E E K LY
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NEED WHEELS FOR WINTER TIRES?
Try a border for just №гЂve bucks!
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970-625-2505
No v e m b e r 8 - 14 , 2 0 1 2
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Can you ямБx just about anything? Advertise your handyman business in the Service Directory. ClassiямБeds@ cmnm.org.
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when you place an auto photo ad for a month!
guaranteed,
General Manager 'PS ,FOJDIJ 3FTUBVSBOU 1MFBTF TFOE DPWFS MFUUFS SFTVNF SFGFSFODFT UP aspencpa@comcast.net )JHI &OE 4BMFT 15 .VTU CF GMFYJCMF BWBJM BCMF UP XPSL XFFLFOET FWFOJOHT $PNQVUFS 2# &YQ NBSHJF!TDFOJDNFTB DPN
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Sell your vehicle,
PT (approx 20 hrs/wk)
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Business Office Manager
Auto Detailer
Did you know more people read a newspaper on a typical Sunday than watched the 2011 Super Bowl?
Engineer
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719-989-0774 *O 4JMU $PMPSBEP
Hoarders be gone. Advertise your cleaning business in the Service Directory. Always in print and online. ClassiямБeds@ cmnm.org. 6/*26& $"3&(*7&3 $0.1"/*0/4)*1 ) & " - 5 ) ) 0 . & ./(./5 4&37*$&4 &9- -0$"- 3&'
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Must apply online at glenwoodmedical.com
Click on тАЬCareer OpportunitiesтАЭ
Registered Nurse #VTZ GBNJMZ QSBDUJDF JO #BTBMU TFFLT GVMM UJNF 3/ .VTU FOKPZ XPSLJOH JO B UFBN FO WJSPONFOU XIPTF NJTTJPO JT UP TUSJWF UP QSPWJEF PVUTUBOEJOH DBSF UIBU JNQSPWFT QBUJFOU PVUDPNFT 3/ EFHSFF GSPN BDDSFEJU FE TDIPPM #FOFGJUT )FBMUI JOTVSBODF BOE *3" &NBJM DISJTN!NWG QTQPSUTNFE DPN PS GBY UP
Roaring Fork School District Custodians - Carbondale Two full time positions available in Carbondale. Requires a valid CO drivers license and ability to pass a background check. One position is available at Roaring Fork High School (Head Custodian) and another position is available at Crystal River Elementary (Roving Custodian). Please visit www.rfsd.org for more information, or call 970-384-6000.
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Journeyman & Experienced Electricians 3 " &OUFSQSJTFT
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A S P E N T I M E S . C O M / W E E K LY
33
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Try a border for just five bucks!
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ASPEN RESORT ACCOMMODATIONS Mountain Valley home available. 'VMMZ GVSOJTIFE CFE CBUI 7JFXT IPU UVC DBS HBSBHF GJSFQMBDF X E 1FUT $POTJEFSFE -POH UFSN NPOUI
VUJMJUJFT Fully furnished 2 bed/2 bath condos available. 1BSLJOH GJSFQMBDF X E IPU UVC /1 /4 -POH UFSN NPOUI 4FBTPOBM NPOUI ARA 970-925-4772
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3FOUBMT 4JMU 3 BD 2.5 BA %VQMFY 8 % ) 7 " $ / 1 / 4 .P 'JSTU TFD 970-618-8688
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RV sites for rent at River Meadows Mobile Home Park. 970-945-8925 VILLAGE GREEN TOWNHOMES! '1 %8 8 % (SFBU DPNNVOJUZ CFBVUJGVM MBOETDBQFE QMBZ BSFB -BSHF CESNT
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3BD/2.5BA, Townhome, 1 car gar, MH GFODFE ZBSE /1 $1050/mo. - nego. 970-618-6237
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Aviation
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Three Bears Building For Lease 5IF )FBSU PG %PXOUPXO #BTBMU 4USFFU -FWFM 4NBMM 0GGJDF (SFBU 3BUF .JEMBOE "WF #BTBMU $0 Call Today 927-3734
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SNOWMOBILE/LIFT MECHANIC Aspen Skiing Company is looking for a Snowmobile/Lift Mechanic to assist with snowmobile and lift maintenance and repairs. Must have mechanical background, and experience on small engine repair or snowmobile maintenance. Must have a valid, unrestricted and current Driver’s Licence. For a detailed job posting and to apply, visit our website, www.jobswithaltitude.com or come see us at Buttermilk Administration.
-5 XJOUFS QBSLJOH JO "T QFO 4UPSBHF GPS $BS #PBU 5SBJMFS ! 4NVH HMFS 3BDRVFU $MVC GPS 4FBTPO
3& 0UIFS 1st mortgage needed (PPE ZJFME TFDVSF TR GU TUPSZ CSJDL CVJMEJOH TUSVDUVSBMMZ TPVOE GVMMZ MFBTFE -PDBUFE PO TDFOJD #J8BZ DBMM +JN ! "$ .JOJOH $MBJN 4IFFQ .PVOUBJO .BSCMF $0 ,
3FBM &TUBUF 1IPUP "ET
ASPEN
ASPEN
ASPEN
Commercial Condos for Sale 0OMZ 5ISFF 3FNBJOJOH *O UIF SFOPWBUFE $SBOEBMM #VJMEJOH CMPDLT GSPN UIF (POEPMB TG TU BOE TU UP TG DPOUJHVPVT (SFBU WJFXT HSFBU MPDBUJPO
970-948-0001 Bob Langley Joshua & Co. bob@joshuaco.com
Top-floor, corner 2 bed/2 bath condo 4QFDUBDVMBS TPVUI GBDJOH WJFXT PG )JHIMBOET BOE #VUUFSNJML 3FNPEFM JODMVEFT HSBOJUF DPVOUFST OFX DBCJOFUSZ BQQMJBODFT DBS HBSBHF 1SJWBUF EFDL (SFBU PQUJPO GPS UIPTF MPPLJOH GPS "TQFO 4DIPPM %JTUSJDU PS JEFBM HFU BXBZ GPS OE IPNFPXOFS $750,000 TOM CARR 970 379-9935 Leverich & Carr Real Estate XXX BTQFOSFJOGP DPN
West End Condo $PSOFS OE GMPPS TUVEJP VOJU XJUI HSFBU 8FTU &OE MPDBUJPO 8BML UP NVTJD UFOU /JDF QSJWBUF BOE RVJFU MPDBUJPO PO OPSUI TJEF PG CVJMEJOH 7JFXT UP 3FE .PVOUBJO &OKPZ QSJWBUF EFDL 0QFO GMPPS QMBO XJUI MPUT PG MJHIU XJUI NBOZ MBSHF XJOEPXT $395,000 TOM CARR 970 379-9935 Leverich & Carr Real Estate XXX BTQFOSFJOGP DPN
Basalt
BASALT
BASALT
CARBONDALE
BDSF SBODIFUUF JO &NNB GJWF NJO VUFT GSPN 8JMMJUT #BTBMU (SBOJUF LJUDI FO HSBOJUF CBUI UISFF CFESPPNT PGGJDF TUBMM CBSO X UBDL SPPN EPH SVO CFESPPN HVFTUIPVTF UXP QBTUVSFT PGG CBDL ZBSE QPOE GVMMZ GFODFE BOE JSSJ HBUFE CBDLT VQ UP PQFO TQBDF $BMM GPS BQQPJOUNFOU #SPLFST QSPUFDUFE $1,100,000 or BO (970) 510-5131
Aspen Junction- Mountain Views (SFBU WBMVF GPS NJE WBMMFZ CFESPPN TJOHMF GBNJMZ IPNF .BHOJGJDFOU QBO PSBNJD WJFXT PWFSMPPLJOH UIF &NNB WBMMFZ 3FNPEFMFE LJUDIFO OFX DPVOUFS UPQT DBCJOFUT BOE NPSF 4PVUI GBDJOH XJUI QMFOUZ PG TVO BOE MJHIU $449,000 TOM CARR 970 379-9935 Leverich & Carr Real Estate XXX BTQFOSFJOGP DPN
LAST LAKE FRONT LOT! "CTPMVUFMZ UIF QFSGFDU UJNF UP CVZ XJUI JOUFSFTU SBUFT BOE CVJMEJOH DPTUT TP BGGPSEBCMF 5IJT #MVF -BLF MPU JT XBJUJOH GPS ZPV BOE ZPVS ESFBN IPNF QMBOT BWBJMBCMF %POhU NJTT UIJT PQQPSUVOJUZ $259,000 Brian Hipona-Basalt Realty 970-618-5447 #SJBO!#BTBMU3FBMUZ DPN
FRONT ROW MISSOURI HEIGHTS )JHI VQ PO UIF SJEHF UP DBQUVSF QBO PSBNJD WJFXT GSPN "TQFO UP (MFOXPPE 3FDFOUMZ CVJMU CFESPPN CBUI IPNF XJUI XSBQ BSPVOE FOUFSUBJOJOH EFDL .BJO MFWFM NBTUFS TVJUF 4UFQT UP UIF )0" QPPM 5FOOJT $PVSU TRVBSF GU $1,495,000 Renee Bowden 970.319.7780 Coldwell Banker Mason Morse SCBTQFO!IPUNBJM DPN XXX NBTPONPSTF DPN
COMMERCIAL - BASALT
GLENWOOD SPRINGS
MISSOURI HEIGHTS
NEW CASTLE
50 Dolores Circle, Westbank Mesa
COULTER CREEK RANCH LOT! "DSF QBSDFM XJUI B GMBU CVJMEJOH BSFB GBCVMPVT WJFX GSPN .U 4PQSJT UP 4VOMJHIU $BCJO XJUI B MPGU BOE TUPSBHF TIFE PO UIF QSPQFSUZ XJUI FMFDUSJDBM PO TJUF )PSTFT BOE MJWFTUPDL BMMPXFE
XXX ,SVHFSBOE$PNQBOZ DPN
Downtown Ground Floor Office Space %PXOUPXO HSPVOE MFWFM DPNNFSDJBM PGGJDF TQBDF TR GU OFYU UP 4BYZhT $BGF PO .JEMBOE "WFOVF /FBSCZ TUSFFU QBSLJOH GPPU DFJMJOHT TFBMFE DPODSFUF GMPPST 1SJWBUF SFTUSPPN Triple Net Lease Approx. $3,500 per month (inclusive of triple net fees) TOM CARR 970 379-9935 Leverich & Carr Real Estate XXX BTQFOSFJOGP DPN
381 Faas Ranch Road 'FFM SJHIU BU IPNF JO UIJT #% #" -BLPUB SFUSFBU 5IJT IPNF IBT JU BMM B NBJO MFWFM NBTUFS FBUJOH BSFBT PGGJDF HSBOJUF DPVOUFST TUPSBHF HBMPSF BOE B CFBVUJGVMMZ EFTJHOFE MJWJOH BSFB XJUI OBUVSBM MJHIU BOE WJFXT 5IF XBML PVU MPXFS MFWFM IBT B HSFBU GBNJMZ SPPN MBVOESZ XPSLTIPQ BOE DSBGU SPPN $529,000 Call Amy Luetke @ 970.618.4956 The Property Shop
RIFLE
SNOWMASS
Aspen/Woody Creek
6OJRVF SJWFSGSPOU DPOEPNJOJVN POMZ TUFQT UP UIF 3PBSJOH 'PSL 3JWFS BOE 3JP (SBOEF USBJM $PSOFS POF CFESPPN VOJU XJUI MBSHF MJWJOH SPPN EJOJOH BSFB BOE LJUDIFO BMM PWFSMPPLJOH UIF SJWFS #FBVUJ GVMMZ SFEFDPSBUFE XJUI HSBOJUF IBSE XPPE GMPPST HBT GJSFQMBDF XBTIFS BOE ESZFS BOE FYUSB TUPSBHF
$375,000
Brent Waldron Aspen Sotheby's Realty 970-379-7309
COMMERCIAL - ASPEN
420 &430 West Main Street .JYFE VTF [POFEDPNNFSDJBM QSPQFSUJFT 5IJT QSPQFSUZ IBT NBOZ EFWFMPQNFOU PQUJPOT JODMVEJOH QPTTJCMF 5%3hT )JTUPSJDBM MPU TQMJU XJUI TRVBSF GFFU PG UPUBM EFWFMPQNFOU QPUFOUJBM 7JDUPSJBO DVSSFOUMZ VTFE BT PGGJDF CVU NBLFT B XPOEFSGVM GBNJMZ IPNF 5IF POMZ WBDBOU MPU PO .BJO 4U $6,950,000 Ruth Kruger 970-404-4000 / 970-920-4001 Kruger & Company
Aspen
5PUUFSEPXO /PSUI #FESPPN CBUI TR GU
DBS EFUBDIFE HBSBHF 'MFYJCMF GMPPS QMBO (SFBU BDUJWF MPDBM GBNJMZ OFJHICPSIPPE "TQFO 4DIPPM %JTDUSJDU XXX 3BJGJF DPN PS 3BJGJF!3BJGJF DPN 1,130,000 Raifie Bass 970-948-7424 Aspen Sothebys I'ntl Realty
t CFESPPNT CBUIT t DBS HBSBHF t BDSFT MLS #126438 $795,000 XXX WMHSFBMUPST DPN Michelle James (970) 379-4997
$249,000
Brian Hipona-Basalt Realty 970-618-5447 #SJBO!#BTBMU3FBMUZ DPN
Your Sellers Want to See This Sign! Place an ad in our Real Estate Photo Ads to get your real estate
PRICED TO SELL $148,500!! %VQMFY XJUI #FESPPNT VQTUBJST BOE #FESPPN VOJU EPXO DBS HBSBHF Excellent Investment !!! $148,500 VIP INVESTMENTS Julie A. Ebeler (970) 625-3992 Days/Eves.
Top of the World - Old Snowmass %JTDPWFS B IJEEFO HFN BUPQ B TQFDUBDV MBS NFTB &OKPZ FYQBOTJWF NPVOUBJO WJFXT 5IJT QSJWBUF BDSF DPNQPVOE GFB UVSFT B MPH BOE TUPOF NBJO SFTJEFODF B EFUBDIFE CFESPPN BQBSUNFOU B DBS HBSBHF BOE B TFQBSBUF BSUJTU TUVEJP $1,495,000 TOM CARR 970 379-9935 Leverich & Carr Real Estate XXX BTQFOSFJOGP DPN
SOLD!
925-9937
Call today to reserve your space!
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A S P E N T I M E S . C O M / W E E K LY
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WORDPLAY
INTELLIGENT EXERCISE
by JENNY SHANK of HIGH COUNTRY NEWS
NOTEWORTHY
BOOK REVIEW
‘SAN MIGUEL’ CALIFORNIA WRITER T.C. Boyle’s 14th novel, “San Miguel,” continues his exploration of the Channel Islands, off the coast of Santa Barbara, Calif., which began with last year’s “When The Killing’s Done”. This time, Boyle focuses on windswept San Miguel Island and the histories of two very different families who inhabit it between 1888 and 1945. “San Miguel” attests to Boyle’s enduring interest in characters who live in isolated communities, as well as in California’s history and ecology. San Miguel opens on New Year’s Day, 1888. Marantha Waters, who subsidized her husband Will’s purchase of a sheepranching operation on San Miguel, joins him, her daughter, Edith, and her young servant, Ida, on the island. Marantha suffers from tuberculosis, and Will has convinced her that the sea air will help her condition. But San Miguel’s weather proves too harsh, and Marantha realizes she is trapped. | edited by WILL SHORTZ
by MICHAEL SHARP AND CALEB MADISON
WHAT THE …
“She was on an island raked with wind,” Boyle writes, “an island fourteen miles square set down in the heaving froth of the Pacific Ocean, and there was nothing on it but the creatures of nature and an immense rolling flock of sheep.” Boyle convincingly conveys what it’s like to suffer from TB, and uses Marantha’s coughing fits to enhance the drama when she tries to intervene in Edith’s odd friendship with Jimmie, a young hired hand, for example, or in the relationship that develops between Ida and Will. “She’d managed to catch herself,” Boyle writes at one point when Marantha attempts to speak her mind, but risks a coughing spasm, “her eyes watering from the effort, a thin wheeze of regurgitated air rattling in her throat. The second section of the book, told from the perspective of Edith, is the most suspenseful, as the refined, theater-loving woman struggles to avoid a return to San Miguel and
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workers Stand offering, briefly Ones who stop giving to their church? Future grads: Abbr. Emaciated “Hoarders” airer ___ loss Hombre, formerly Everyone’s bets Ford sedan T.A.’s overseer Softly exhale cheap sentiment? Tenacious sort San Antonio mayor Julián, keynote speaker at the 2012 Democratic convention 1978-79 CBS detective drama Fool Big bygone bird ___ Kong Mad scientist’s sadistic exclamation upon attacking the Empire State? “Popsicle,” in “Fifty Shades of Grey,” for one Anatomical ring Like a 12-Down First-floor apartment, maybe Rake Ain’t correct? Canon fodder? Prime minister of 1945 What the Grim Reaper’s backup carries? Evan-___ (women’s clothing brand)
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125 Its alphabet has 44 consonants 126 Log time 127 Sailors’ saint 128 Ends of Alaska? 129 Farm females 130 Macho man 131 1,000 years before the coronation of Queen Elizabeth I
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conscription as the servant of her stepfather Will. “ The third section of “San Miguel” is radically different in tone, a story of domestic happiness. The Lesters live in a bucolic idyll, running the sheep ranch and raising their daughters, until health problems and World War II intervene. After depicting the island as the locus of misery for the Waters women, Boyle’s portrayal of Elise, who finds liberation in living close to nature, her workload eased by a few modern conveniences and the support of her husband, shows that the harshness and isolation are caused not by the land itself, but by the relationships of its human inhabitants. This book review originally appeared in the High Country News (hcn.org).
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26
39
61
13 22
29
34
56
12
25
33
50
11
21
28
42
106
8
24
38
68
7
20
27
ACROSS
‘San Miguel’ T.C. Boyle Viking Adult; 2012 384 pages; $27.95
111 115
116
120
121
124
125
126
127
128
129
130
131
— Last week’s puzzle answers —
94 97 100 102 103 104 105 106 107 108
Off-campus local Really sing Miracle-___ It might cause photophobia “One World” musician John Flatters Hollered Wet bars? Prankster-like “Get on the stick!”?
109 Tidies up, in a way 114 Come back 116 Durst of Limp Bizkit 118 Disney doe 120 Deviate from the course 121 Bird ___ 122 Owner of Abbey Road Studios 123 Babe
A L A S J O C KEY P C S B R A T I S LAVA
S I K H
A K I O
D E T E R A S MINE B I S A L B O A C R E E A E S T R A T R I E E P S T A T I N N E V A M I L A M
A E D N A D T R E E T R E S F R O M A F A R
H E A P
A D M I R E R
A S S E S
T O O E A S Y
E S T S E D I C T O R T H E C E S I E O D S F
A V E R E L L
GOLD S T A R
G R A A S C LOCK W E A S A H V A D I Z A I N M E D A S E N T LION
B O R N E
E B A T E
R E L I C
PIT T H A D R A M O V E E L A G O S P A N G N A I L R I L L T I M S E E D C S H A S A
L E D A V W O A N Y TRAP P
L E G E N D L O L L I N G E R S
A S S E S N T I C E O E T H E ASP E N N R E L O A L O T M I L N E A N R W E L L M A N A C O T T E D S E E R O I D T A Z O I H O P R U D E R O A N E S T D O N H O A R I E L R E D BEAR D
Leaves are changing You can feel it in the air.. Winter is coming – and we are ready…
Your BEST FRIEND is waiting for YOU!
CHICO
Chico is a feisty, handsome, energetic, 1.5-yearold Chihuahua mix male who requires a knowledgeable, responsible, active home. Best with adults.
ROXY
Large 7-year-old black/tan Sharpei/ Rottweiler mix female. Must be the only pet. Has guarding issues w/ toys and food. Needs an owner with the time and patience to work with her. Loving once she gets to know you!
STANLEY
Friendly 2-year-old Affinpinscher mix male. Absolutely adorable with a cute underbite. Gets along well with other dogs and kids. Lots of good energy.
ALEX
1.5-year-old Lab/ German Wirehaired Pointer mix female. Happy, friendly and quite well-behaved. Alex is a cool, goodlooking dog.
SAM
Strong, energetic, black/white 5-yearold female Boston Terrier mix with a splash of Pit Bull— larger than a typical Boston. Outgoing and very friendly. Loves people. Best as only pet.
CLEO
Beautiful, friendly, soft-spoken 9-year-old Husky mix female. She is a retired sled dog looking for a loving home. Outgoing with people.
JIM
Outgoing, energetic, 11-year-old American Foxhound/Husky mix male. Gets along well with people and other dogs. A retired sled dog who came to the shelter with his brother, Buck, and his sister, Jackie.
JACKIE
Beautiful, friendly, 11-year-old Husky mix who gets along well with people and other dogs. Jackie is a retired sled dog who came to the shelter with her brothers, Buck and Jim.
MADISON
Friendly, 7-year-old German Shepherd mix female who gets along well with all people and most dogs.
See dogsaspen.com for more animals.
HUNTER
3-year-old mediumsize Pit Bull/Chow mix, found wandering around Aspen. Wary of strangers, but friendly once he knows you and trusts you. Loves treats—a quick way to his heart! Very cute.
LUCY
TIMBER
Please contact your local advertising representative to reserve your space in Winter in Aspen today!
www.aspentimes.com 970-925-3414
Sleek, friendly, 9-year-old Husky mix female. She is a retired sled dog looking for a loving home.
OPEN 7am-6pm EVERY DAY 970.544.0206
BUCK
Mellow, friendly 11-year-old American Foxhound/Husky mix who gets along well with people and other dogs. Buck is a retired sled dog who came to the shelter with his brother, Jim, and his sister, Jackie.
FREDDY
Handsome 6-yearold Pomeranian. He can be a bit cranky around his food, so he will do best in an adult household with a responsible owner.
SARGE
Gentle, friendly, affectionate, 3-year-old Pit Bull female found wandering the streets of LA. Brought to Aspen to start a new life. She is the hardest dog to photograph to show how sweet she really is. Give her a chance, please.
7-year-old male Rottweiler. Friendly + sweet. Loves people. Perfect except for severe separation anxiety. Would do best in a home with constant companionship. Ask staff for info.
Aspen/Pitkin Animal Shelter 101 Animal Shelter Road
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www.dogsaspen.com
A S P E N T I M E S . C O M / W E E K LY
39
Castle Creek Frontage in Aspen s BEDROOMS BATHS SQ FT s ,OCATED ONLY BLOCKS AWAY FROM DOWNTOWN !SPEN s 3ITUATED ON A CUL DE SAC ALONG #ASTLE #REEK WITH MATURE TREES IT IS ENCOMPASSED BY NATURE s 7ELL MAINTAINED HOME HAS WARMTH AND CHARM IS LIGHT AND BRIGHT s #OMFORTABLE SITTING AREAS s (IGH CEILINGS AND WINDOWS ABOUND s 4HIS PROPERTY HAS NOT BEEN ON THE MARKET SINCE THE MID S +IRSTEN -OREY \
Prime Old Snowmass Location #URRENTLY BEDROOM BATHROOM DUPLEX !PPROVALS FOR TWO SQ FT HOMES 0URCHASE ENTIRE OR ONE OF TWO PARCELS ACRE PARCEL 4WO ACRE PARCELS "ENNETT ! "RAMSON \
Spectacular Redlands Mesa Home BEDROOMS BATHS SQ FT 2EDLANDS -ESA n 'RAND *UNCTION #/ 3PECTACULAR #OLORADO .ATIONAL -ONUMENT VIEWS OUTDOOR POOL HOT TUB 3HARON (ALL \
Frying Pan Masterpiece BEDROOM SQ FT ACRES 5NSURPASSED MOUNTAIN AND RIVER VIEWS &ISH THE NEARBY &RYING 0AN 2IVER 4ED "ORCHELT \ *ANA $ILLARD \
Unique Riverfront Property $EVELOPMENT OPPORTUNITY WITH MULTIPLE USES CAN DO WAY LOT SPLIT &RYING 0AN 2IVER FRONTAGE %XISTING PLEX CURRENTLY LEASED ZONED 23- n SEE LISTOR -ARGI #RAW FORD \
4.56 Acresâ&#x20AC;¦Rancho Paradiso BEDROOMS BATHS SQ FT "EAUTIFULLY LANDSCAPED GROUNDS 'OLD -EDAL mY lSHING OUT YOUR DOOR %ND OF THE ROAD PRIVACY -ARGI #RAWFORD \
Fantastic Riverfront Property! ,OG HOME WITH DECKS OVERLOOKING RIVER BEDROOMS BATHS SQ FT ACRES ,OCATED JUST OUTSIDE OF "ASALT $ETACHED ONE BEDROOM GUEST HOUSE -ARGUERITE $YKANN \
AspenSnowmassSIR.com ASPENSNOWMASSSIR.COM Aspen | 970.925.6060 Snowmass | 970.923.2006 Basalt | 970.927.8080 Carbondale | 970.963.4536 Aspen | 970.925.6060 Snowmass | 970.923.2006 Basalt | 970.927.8080 Carbondale | 970.963.4536