Happier Holidays
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The City Too Busy To Hate has never been too busy to give back. The holiday season tends to bring out the best in the many organizations, businesses, and individual efforts around the city. Toy drives have often been a way to bless individuals, particularly school-aged children, with the gift of giving during the Christmas and Kwanza seasons. From churches, rappers like Offset (see below) to local business owners, such as Ebony Austin (below) and others, helping brighten children’s holidays continues to be one way to have a happier holiday.
-Donnell Suggs Editor in Chief
Atlanta Voice
Ebony Austin partners with rapper Offset for fifth annual Atlanta toy drive
BY LAURA NWOGU
Ebony Austin, the owner of Nouveau Bar & Grill, partnered with Grammy Award-winning rapper Offset to host the fifth annual winter wonderland experience and toy drive on Monday, Dec. 17. From the Cascade skating rink in 2023 to Gateway Arena Center in 2024, the event has grown significantly, giving back items such as toys, gaming consoles, bicycles and electronics to the Atlanta community.
“Ms. Ebony,” kids shouted as the entrepreneur and philanthropist went outside to greet the long line of families waiting in anticipation. With a spectacle of people dressed in Grinch and gingerbread cookie costumes following behind her, Austin handpicked families to enter the arena early. One family shared they’d been coming to the giveaway for three years. With huge smiles, they entered into a winter experience with a dancing ballerina, hot chocolate stations and the Jonesboro High School and North Clayton High School bands welcoming them in.
Over 600 people sat in the arena stands as they prepared to claim the hundreds of toys that awaited them for the holiday season.
The toy drive also featured cash giveaways and free haircuts by Dante Jenkins, a barber who said he loves to give back to the community and kids.
“I believe everybody deserves to have some type of good spirit. No matter what's going on in your life, you can come get a free haircut that can change your mood. Come get some free clothes, free toys, and everything just lightens up. So, that’s what I do it for, and I think it's most important that people start doing it more because I want everybody to feel genuine love around the holidays.”
Kia Johnson, Austin’s cousin, and Paris Oden, Austin’s friend, traveled from Chicago and Detroit to help as volunteers for the event. They said seeing the growth of the toy drive over the past five years is a “beautiful feeling.”
“It's very important right now. The economy is so bad, and there are a lot of people with needs. This is something huge that she's doing for the community, and it's like the kids need it. To see these kids walk away happy during this time, knowing that they may not have experienced this type of Christmas, is absolutely amazing,” Johnson said.
Former Atlanta Life Building Gets New Lease On Life
BY KING WILLIAMS
One of the last remaining historic Auburn Avenue commercial buildings will be getting a new lease on life.
The landmark 229 Auburn Avenue building, home of Atlanta State Savings Bank, the first Black-owned bank in Atlanta and the first chartered Blackowned bank in Georgia, will be reincorporated into a new mixed-use development.
The redevelopment project is part of a larger initiative called Sweet Auburn Grande, a revitalization effort of a block of historic properties led by developer Gorman & Co in partnership with the Butler Street Community Development Corporation. The project will reimagine a long-blighted section of Auburn Avenue and Jesse Hill Jr. Drive.
229 Auburn Avenue was first constructed in 1908. It housed several different black-owned and operated businesses for decades including Atlanta Life Insurance, the company founded by Atlanta’s first black millionaire and philanthropist, Alonzo Herndon. Atlanta Life Insurance was the second and most successful business venture of Herndon after his first
stint as an owner of a chain of high end barber shops was destroyed in the 1906 Race Massacre.
Herndon’s ability to underwrite and protect black owned businesses after the massacre led to restabilization of Black
Atlanta in addition to Auburn Avenue’s evolution into what would be eventually considered the richest negro street in America by the 1950s.
The site has been mostly vacant for sixteen years after a 2008 tornado destroyed the Herndon Building, the largest blackowned office building in Atlanta which encompassed most of the block. That 2008 tornado’s destruction left only a few buildings remaming including the current Butler Street YMCA and 229 Auburn Avenue.
The 229 Auburn Avenue redevelopment is part of a larger project that will see several additional sites redeveloped by Gorman and Butler Street CDC including the historic Butler Street YMCA and Walden Building next door, as well as an upgraded parklet in front of the John Lewis mural across the street. Auburn Avenue will also see new projects emerge such as the revamp of the Odd Fellows building across the street and The Front Porch on Auburn project happening a few blocks away. The redevelopment of 229 Auburn Avenue is the first phase of the overall Sweet Auburn Grande project and is slated to be completed by 2026.
“In nature, nothing is perfect and everything is perfect.”— Alice Walker
The Death Penalty Is a Racial Justice Issue
BY JAMILA HODGE
Although imperfect, history can be a powerful guide as we strive to improve, whether individually or collectively. Our nation’s history of lynching is one example of the many lessons that should galvanize us to make the lofty promise of “liberty and justice for all” more attainable.
Researchers have documented more than 4,400 lynchings of African Americans in the wake of slavery’s end. And those same researchers recognize that many more killings are lost to time and incomplete records.
But this history — built on data — is clear. And we shouldn’t be surprised. Our nation condoned extrajudicial executions of Black people for generations. Then the government systematized that violence and oppression into our modern death penalty system. The steady decline in the number of lynchings, beginning in the 1890s, intersects with the rise in executions into the 1930s an Black people remain a primary target. Since 1976, 34% of the people we have executed were Black, nearly three times our share of the population.
Federal death row is even worse. Thirty-eight percent of the 40 people currently sentenced to die are Black. Several of them were sentenced by all-white juries, according to the Federal Capital Habeas Project.
This is one of many reasons — and I think the most important — for President Joe Biden to commute federal death row before he leaves office.
I worked for then-Vice President Biden in 2010 as an advisor for criminal justice and drug policy. This came in the middle of a dozen years I spent as a federal prosecutor. During that year, I got to
spend enough time with Biden to see his heart, empathy, and compassion. He recognizes that human beings are capable of redemption and transformation.
When he ran for president in 2020, he was the first candidate to openly oppose capital punishment. Now time is running out to put his moral opposition — shared by an ever-growing percentage of Americans — into action. He can write a new historical chapter in which we no longer pretend that this system, so deeply flawed in so many ways, is not also racist to the core.
And if he doesn’t?
President-elect Trump was quite consistent throughout his campaign that featured an abundance of racist, sexist, or dehumanizing rhetoric, often weaved together. All of it underscored a clear affinity for violence and oppression.
And he has already demonstrated that these are more than words. In the final months of his first term, Trump launched an execution spree that totaled 13 killings, the last six coming after he had lost the election. And Project 2025, the playbook assembled by a team of Trump’s advisors, calls for another execution spree that won’t end until all 40 people currently on death row — each of them a son to parents — are killed.
While he clears death row with one hand, he will almost certainly refill it by directing the Department of Justice to seek more death sentences. He has often suggested an expansion of the charges that could result in death, including for drug traffickers.
Let’s acknowledge his racist history. The federal government charged his family’s real estate business with discrimination in the 1970s for denying Black people apartments. In 1989, he publicly
called for the executions of five Black kids, better known as the Central Park Five, for a crime they didn’t commit. And he used “birther” lies about President Obama to somehow become an influential political figure.
There is a name for the actions that we should expect in the near future, from the continued dehumanization of marginalized populations to the promise of mass deportation to the expectation that his staff and appointees pledge blind loyalty to his whims.
It’s called authoritarianism — a relentless exercise to accrue and maintain power at the expense of the people.
There are plenty of Black people living today who lived under authoritarianism, as journalist Nikole Hannah-Jones recently explained. They had to fight for their voting rights, withstand police violence and mass incarceration, navigate systems of economic oppression. If we don’t want to go back, we have to fight for our rights, inch by inch.
One of the first steps we can take is by urging President Biden to act. Yes, these are uncertain times. That doesn’t mean we have to give up the on the things we can control.
Mr. President, you can determine that there will be no more bloodshed in our names, over false promises of safety. You can march us one final step toward a more just world. What comes after January 20, you can’t control, but 40 souls hang in the balance until then.
Jamila Hodge is the chief executive officer of Equal Justice USA, a national organization transforming the justice system through community-centered responses to violence that save lives and heal communities.
FOUNDED May 11, 1966 FOUNDER/EDITOR
Ed Clayton Immortalis Memoria
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J. Lowell Ware Immortalis Memoria
The Atlanta Voice honors the life of J. Lowell Ware.
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SPIRITUALLY SPEAKING: The Wisdom Bank
BY JAMES A. WASHINGTON
The Atlanta Voice
I was sitting in church Sunday a week ago and was moved to think of the following: God doesn’t play games. In fact, my actual thoughts were hearing God say, “I’m tired of playing games with you.” The thought was a chilling one, if you get my meaning.
I didn’t think about this again until a colleague asked me if I thought God heard some prayers while he gave a deaf ear to others. My answer was, “Absolutely!” I believe God answers prayers (when and how he wants to, of course) when they are sincerely offered up to Him out of the belief that He truly can answer them.
We waste our time making entreaties to God from some habitual and traditional outward show of false faith. That’s the kind of stuff we do to each other. You know what I’m talking about. We play each other. We constantly show each other the face or faces, if you have two, of polite political correctness in an attempt to get over or get from someone else what you want. Our problem with God is that He
What
"This thing with Diddy and Jay, and if I'm honest, there's probably about to be a lot more people added soon, is unfortunate but inevitable. If we look back historically, we've heard weird things coming from their circle and their generation for a while, and we just let them slide because we liked the music and the other things that they stood for. I think we're seeing the chickens coming home to roost. I think what we're seeing is probably, if we're being honest, something that about 70% of all of them do, unfortunately. That is no excuse if you did what you did; it's time to go to jail, boys. I hope it ain't true about Jay, but if it is, fuck him too. We cannot protect the rest of the people that deserve protecting if we're also trying to protect the predators that are doing it."
According to your faith will it be done to you
ain’t having any part of our game. It’s sort of what my mom used to say to me on occasion: ‘…who do you think you talkin' to, one of you little friends out on the streets?...’
After swallowing slowly and hoping I could get out of this conversation with my little young behind intact, I heard Mama actually telling me (without saying so) that she was tired of my lame excuses, bad behavior, and the potential lie she could hear coming before I even opened my mouth.
You see, God, in my sanctified imagination, was the originator of the question, “You talking to me?” Apparently, when you seriously consider the possibilities of God’s greatness and power, you also have his attention. If you don’t believe the person you’re talking to has any money, you won’t ask to borrow any from him or her. If you don’t
“YOUR VOICE”
believe God can answer the prayer, you won’t ask. If you don’t believe He can help, maybe you shouldn’t ask. No prayer is probably better than false prayer. No prayer might be better than it can’t hurt prayer. In my humble opinion, God is going to act at some point. I wouldn’t want to be on the subject of His statement, “I’m tired of playing games with you.”
That can only mean one of two things: 1) either you’re in a faith struggle of monumental proportions, and God recognizes you really do believe in His magnificence, or 2) you can’t get your act together. In this situation, you probably get a somewhat sympathetic ear. Or, you’re playing with faith, like there are free tickets to a concert you’re not sure you want to attend. You’ll take them just in case something better doesn’t come along. In
CINDY East Point
"I wasn't surprised. I wasn't surprised at all. I'm not sure about Jay-Z, and which way that will go because he's lowkey, but with Puff Daddy, I'm not surprised. I've heard about things that he's done in the past. There's been many people trying to persecute him in the past, and he always got out of it. So when it came out this time, I wasn't surprised at all. And I think there's more people and more to the story."
Atlanta by way of Crofton, MD
"What I would say in relation to this unfortunate scene about the news from Sean Puffy Combs and Jay-Z is that, if true, there really has to be a change and reconciliation. You know, any abuse against women is unacceptable. Abuse against people, period, is unacceptable. And it was very disturbing to hear the information. And so I don't know about everybody else, but I know I want to wait and see how all of the facts unfold because the facts are important. I don't know who this attorney is. And it seems he threatened some time ago that this information would come forward. So it'll be interesting to see the facts come out."
this situation, you better recognize who you are foolin’ with and leave well enough alone. Faith either is or isn’t, don’t you know. And don’t you know God knows? “Do you believe that I am able to do this?” Yes, Lord,” they replied.” Then He touched their eyes and said, “According to your faith will it be done to you….” Matthew 9:28-29. What will be done to or for you in God’s name? I’m convinced anything is possible in God’s name. The trick is to make sure when He asks. “You talkin to me?” The answer is clear and emphatic. It wouldn’t hurt to ensure that you truly want Him to pick up the telephone before you dial His number. If not, may God bless and keep you always.
This column is from James Washington’s Spiritually Speaking: Reflections for and from a New Christian. You can purchase this enlightening book on Amazon and start your journey toward spiritual enlightenment.
"You already know what's going on. So, here is my opinion about the Diddy situation and Jay-Z. I am letting the people who do their job do their job before I hold judgment on people. Hopefully, none of these things are true as our black Kings. I'm hoping they did nothing like that. But if they did, justice would prevail. So we're going to let justice do what justice is supposed to do. Super Auto. And we're out."
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Discover the rich meaning and traditions of Kwanzaa
BY STAFF REPORT
Kwanzaa is a meaningful holiday that begins on December 26 and lasts for seven nights. Celebrated by millions worldwide, Kwanzaa honors African-American and Pan-African heritage, emphasizing the deep-rooted values that unite communities and foster cultural pride.
Kwanzaa was founded in 1966 by Dr. Maulana Karenga as a response to the civil rights movement, aiming to highlight the significance of African culture, history, and traditions. Each night of Kwanzaa is dedicated to one of the seven guiding principles, known as the Nguzo Saba, which include Unity, Self-Determination, Collective Work and Responsibility, Cooperative Economics, Purpose, Creativity, and Faith. These principles serve as a framework for fostering community bonds and encouraging personal growth.
During the celebration, families and communities engage in various activities, such as lighting the menorah-like Kinara, sharing stories, performing music and dance, and enjoying traditional meals together. Additionally, Kwanzaa emphasizes the importance of reflecting on the past, celebrating achievements, and planning for the future.
If you’re discovering Kwanzaa for the first time, it is a rich tradition that not only honors African cultures but also inspires a sense of belonging and collective responsibility among those who celebrate it.
What Are the Seven Symbols of
Kwanzaa?
There are seven symbols of Kwanzaa.
1. Kinara (candleholder): The kinara symbolizes the ancestors. The originators.
2. Mishuma Saba (Seven Candles): Three red, Three green, and One Black. The Black candle means Umoji and is lit on December 26. The three green candles represent Nia, Ujoma, and Imani which are placed to the right of the Umoja candle, while the three red candles representing Kujichagulia, Ujamaa, and Kuumba are on the left. These three colors come from the fla created by Marcus Garvey.
3. Mkeka (The Mat): Symbolizes the historical and traditional foundation of the ancestors
4. Mazao (Crops): Represents the gathering of the families reaffirming their responsibility to each other.
5. Muhindi (ears of corn): Represents fertility and reproduction of children. Raising up the children to be upstanding members of their communities.
6. Kikombe Cha Umoja (Unity Cup): This is a special cup used to perform the libation ritual. In many African countries, li-
Kwanzaa is a holiday founded in 1966 by Dr. Maulana Karenga to honor African-American and Pan-African heritage, emphasizing the deep-rooted values that unite communities and foster cultural pride, with seven guiding principles, a Kinara, Mkeka, Mazao, Muhindi, Kikombe Cha Umoja, and Zawadi. Photo Credit:iStock.com/SeventyFour
bations are poured into the memory of loved ones who have passed away.
7. Zawadi (Gifts): Represent the fruits of the labor of the parents and the rewards sown by the children
Every evening there is a candle-lighting ceremony that provides the opportunity for families to discuss the meaning and principles of Kwanzaa. On the first night, the black candle in the center is lit (representing the principle of Umoja/Unity). Every night for seven days a candle is lit and a principle is discussed.
The Seven Principles of Kwanzaa Umoja (Unity): To strive for and maintain unity in the family, community, nation, and race.
Kujichagulia (Self-Determination): To define ourselves, name ourselves, create for ourselves, and speak for ourselves.
Ujima (Collective Work and Responsibility): To build and maintain our community together and make our brothers' and sisters' problems our problems and solve them together.
Ujamaa (Cooperative Economics): To build and maintain our own stores, shops, and other businesses and to profit from them together.
Nia (Purpose): To make our collective vocation the building and developing of our community to restore people to their traditional greatness.
Kuumba (Creativity): To do always as much as we can, in the way we can, to leave
our community more beautiful and beneficial than we inherited it.
Imani (Faith): To believe with all our heart in our people, our parents, our teachers, our leaders, and the righteousness and victory of our struggle.
Kwanzaa is more than just a holiday—it's a reflection of the values that help sustain individuals and communities. By embracing the principles of unity, self-determination, and collective responsibility, we can honor the past, celebrate the present, and work toward a more inclusive and prosperous future. Whether you're lighting the Kinara, enjoying a festive meal, or giving meaningful gifts, Kwanzaa offers an opportunity to connect with history, heritage, and each other in meaningful ways.
The Atlanta Voice Selected as 2025 Report for America Newsroom Host
STAFF REPORT
The Atlanta Voice is pleased to announce that it has been selected as a 2025 Report for America host newsroom partner. The Atlanta Voice will join an expanding network of more than 400 newsrooms benefiting from this nonprofit program's support.
Through this partnership, The Atlanta Voice will expand its coverage of Economics and Business for the Black community in Atlanta. Journalists interested in this position can apply here by Feb. 3, 2025, for positions beginning July 7, 2025.
Report for America is a national service program that places journalists in local newsrooms to report on undercovered issues and communities. Its proven partnership model is structured to harness the skills and idealism of an emerging group of journalists and the creative spirit of local news organizations—like ours.
Report for America is a two-year program (with an option for three) that delivers a wide range of benefits to its corps members. Beyond paying up to half the journalists’ salaries, it provides ongoing training and mentorship by leading journalists, peer networking, and memberships to select professional organizations.
Corps Member Applications Open
With host newsrooms selected, journalists are invited to by February 3, 2025. The Report for America model pairs the skills and passion of diverse, next generation reporters, photographers and videographers with local news organizations across the country. Through their newsroom experience and Report for America training and mentorship, corps members create real impact in the communities they serve, from shedding light on Medicaid fraud targeting Indige -
nous communities to forcing resignations of accused clergy members to helping fill a long-vacant rural teaching position.
New corps members will join an elite group of more than 600 Report for America journalists, more than 82 percent of whom continue to work in the field after program completion, demonstrating the power of the program and its local newsroom partners. With nearly half of Report for America journalists identifying as journalists of color, high rates of retention are essential to a
transformed news landscape.
Corps members will be selected from a highly competitive national applicant pool. Last year, more than 1,000 applications were received. Those hired become employees of their respective newsrooms and will begin their employment July 7, 2025. Interested journalists are encouraged to attend an information session and explore the benefits of becoming a corps member: reportforamerica.org/apply
Expanded Opportunities for Photojour-
nalists,
Education Reporters
Alongside the 66 open positions, there will be up to 20 new roles dedicated to photojournalism, furthering our partnership with CatchLight, which started in 2019. This collaboration aims to enhance visual storytelling for underserved communities. The details of these specialty positions and the selected newsrooms will be announced in January. We will eagerly welcome our new Report for America Corps members in the summer of 2025.
Please consider supporting this vital mission to preserve local news. Donate to The Atlanta Voice today https://theatlantavoice. com/support-our-publication/!
Airlines seen making $1 trillion for the first time in history
Disney’s Not So Hidden Treasure
BY DONNELL SUGGS
The latest edition of Disney’s fleet of cruise ships, the Disney Treasure, is massive. The view of the ship from Port Canaveral or when you disembark on Castaway Cay for a day in the Bahamas puts the new ship in proper perspective. It is indeed a marvel (pun intended).
The Atlanta Voice was part of a media-specific trip on the ship to Disney’s Castaway Cay. The Treasure, which was officially christened on the Hudson River in New York City in November, is scheduled to set sail on Saturday, Dec. 21. The Treasure is part of an expansion of the cruise fleet that will take place over the next seven years, according to a release from the global entertainment brand.
“I think a Disney vacation is the best place for a family to consider,” said Yolanda Cade, Vice President of Communications, Disney Parks, Experiences, and Products. “We’ve got more stories to tell.”
The Disney Treasure is similar to its sister ships in many ways and different. “Each of these ships have their own personalities,” Cade said.
A cruise on the Treasure will allow guests to enjoy traditional Disney amenities (comfortable staterooms, excellent service, the opportunity to watch newly released Disney movies on the ship) and events (live shows, pirate night, and fireworks night at sea) while adding new restaurants, bars, and live performances.
Those shows, including a live Moana performance and a live musical performance by Beauty and the Beast, were produced by Marcus Gibson, who has been with Disney for over nine months. A native New Yorker, Gibson said his parents had him involved in entertainment early in life and he knew he was going to be a part of the Disney story one day. “It’s truly some great entertainment we have throughout the ship,” Gibson said.
Gibson has produced nearly 70 performances during his time with the entertainment brand, and he has much more to do with the Disney Cruise Line fleet expanding as quickly as it is. During a meet-and-greet with the media, Gibson revealed he and his staff have already begun working on the live performance storytelling for the Disney Destiny, which will make its maiden voyage in fall 2025.
According to Disney representatives, the Treasure has over 1,250 staterooms, most of which have ocean views. The Tomorrow Tower Suite is the ship’s largest and most expensive room. It’s the first funnel suite on a Disney cruise ship.
Upon entering the ship, guests immediately notice a nod to Aladdin, who has beau-
tiful Persian rugs and a brass statue of Aladdin and Princess Jasmine. The ship's design themes range from Disney Classics “Finding Nemo,” “Pocahontas,” and “The Jungle Book.” Scenes from all these movies can be seen all over the ship.
Plaza de Coco, the new restaurant aboard the Treasure, is an ode to the movie Coco and
Mexican heritage. The restaurant is the first Coco-themed restaurant, said Cade.
“You’ll really feel like you’re there in the movie,” she added.
The menu at Plaza de Coco features some traditional Mexican fare, such as beef birria empanadas and blistered poblano peppers, but there are also interesting dishes on the menu that should satisfy various palates, such as pan-seared Adobo-spiced sea bass, Imelda Rivera’s roasted chicken breast mole,
and a toasted quinoa bowl, which includes cilantro lime potatoes, garlic black beans, tostones, and tomatillo habanero salsa.
The Haunted Mansion Parlor, one of several adult haunts (again, pun intended) on the ship, gives visitors a dark and spooky environment to enjoy a drink or two. When you enter the parlor, you might hear bumps at night or screaming ghosts but try to focus more on interesting drinks, such as The Final Vow or The Happily Never After.
Adults can also hang out and listen to live music at the Scat Cat Lounge, get a haircut at Hook’s Barbery, or relax in the onboard spa.
The Senses Spa is a getaway adults can take while on vacation. Gary LaTouche, the director of hotel operations, merchandise, photo, spa, and internet for Disney Cruise Line, has worked for Disney for 28 years and called sailing on the Treasure “an experience you can only get at Disney.”
There are the usual outdoor amenities for the kids, such as the AquaMouse water coaster, developed for the first time on the Disney Wish, and several pools. There is also the Hero Zone, where kids can play basketball, ping-pong, air hockey, corn hole, and foosball.
What’s Next: The Disney Destiny is scheduled to set sail in fall 2025 and will feature The Black Panther as the featured character in the Grand Hall. The ship’s theme will be heroes and villains, and it will sail out of Port Everglades in Fort Lauderdale.
Spiritually Speaking: Pride Stinks
6 Culturally Relevant Holiday Books to Add to Your Gift List
BY QUINTESSA WILLIAMS Word in Black
The holiday season is more than just a break for Black K-12 students — it’s a chance to unwind and recharge after navigating a fall semester filled with challenges. Along with the normal academic pressures, students this year dealt with the weight of book bans, efforts to censor black history, the 2024 presidential election, and racist messages sent to kids after Donald Trump won.
Diving into culturally relevant reading over the holidays can be transformative for Black students. Research indicates that reading can reduce stress by 68%, surpassing other relaxation methods such as listening to music or walking. These books also celebrate Black heritage and reinforce a positive Black identity, providing a much-needed sense of belonging and empowerment.
So, whether you’re gifting one to an individual student or an entire classroom of kids, these six books are perfect for inspiring and uplifting Black K-12 students this holiday season.
For Elementary School Students
Thank you, Omu! by Oge Mora: This heartwarming tale follows Omu, an elderly woman who prepares a delicious stew with an enticing aroma that travels throughout her neighborhood. As neighbors follow the scent to her door, Omu generously shares her meal with everyone — only to find her pot empty when it’s time for her own dinner. In a touching turn of events, the community comes together to show their gratitude by bringing her a feast. This story illustrates themes of generosity, community, and thankfulness, — making it ideal for Black elementary students during the holidays.
The Nutcracker In Harlem” by T.E. McMorrow : This retelling of the classic Nutcracker tale celebrates Black culture, jazz, music, and the magic of the holiday season. Set in 1920s Harlem, this version follows a young girl named Marie who receives a Nutcracker doll at a Christmas party. That night, she embarks on a magical journey where toys come to life, and she discovers her own voice and confidence.
For Middle School Students:
As Brave As You” by Jason Reynolds: Genie, 11, and his soon-to-be 14-year-old brother, Ernie, spend a summer with their grandparents in rural Virginia, away from their Brooklyn home. During their stay, they learn about their family’s history, their grandfather’s blindness, and what bravery truly means. This novel for middle schoolers delves into themes of family and courage and encourages reflection and personal growth during the holiday season.
Tristan Strong Punches a Hole In the Sky: This story follows seventh-grader Tristan Strong, who is sent to his grandparents in Alabama after losing his best friend, Eddie. While there, Tristan accidentally opens a portal to a world where African American folk heroes exist. Intertwining mythology and adventure, Tristan sets on a journey to reunite with Eddie and discover his storytelling power. This mythological fantasy is an engaging read for Black middle school students, providing them with entertainment and a deeper connection to cultural heritage.
For High School Students:
Parable of the Sower” by Octavia Butler : Set in a fantastical future, the novel follows Lauren Olamina, a 15-year-old Black girl who can feel others’ pain as she navigates a world plagued by social and environmental collapse. She develops a new belief system called “Earthseed” and embarks on a journey to find a safe haven. The story represents resilience, community, and the power of faith, offering Black high schoolers an inspiring read during the holidays.
The Voting Booth” by Brandy Colbert : On Election Day, two first-time Black teen voters, Marva and Duke, meet at the polling place to make their votes count. In a surprising turn of events, Duke is turned away, and together, he and Marva team up to ensure their votes count. In the midst, the two end up falling in love. This novel highlights the importance of civic engagement and youth activism — a timely story that encourages Black high school students to reflect on their role in society and the impact they can make.
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Entertainment
Usher’s sold-out Atlanta concert celebrates 30 years of music
BY LAURA NWOGU
Eight Grammys. Over 150 million records sold. And those accolades still miss the mark of encompassing all that Usher has done, is doing, and will continue to do. In these 30 years in the game, the entertainment icon has rarely missed a step or a beat when commanding the music industry. That sentiment was glaringly apparent as R&B megastar Usher took a sold-out crowd in State Farm Arena on a journey through his past, present and future on his final tour date in Atlanta.
The energy in the room was electric, which isn’t rare for concerts in Atlanta. But the anticipation of seeing Usher perform after his initial dates in October were postponed due to a neck injury brought a different type of life to the Arena. It was also a homecoming for an artist whose entire career has been a love letter to Atlanta, a place he has called home for those 30 years. From the Super Bowl to his Las Vegas Residency, his desire to shine a light on the city’s culture in the past few years all came to a head Thursday night.
“Welcome to the United States of Atlanta,” Usher told the deafening crowd in an allblack number with rhinestones that shined as bright as him on the stage. In an almost two-and-a-half-hour concert, Usher managed to pay homage to three decades of a nonstop career through his hits that started it all (“Think of You,” “Nice & Slow,” “You Make Me Wanna…”) to the ones that forever stamped Usher in the conversations of greatest of all time, (“U Remind Me,” “U Got it Bad,” Confessions Part II,” “Yeah!”).
From his cocky smiles that elicited five straight minutes of cheers to meandering through the crowd to feed cherries to morethan-willing women, he commanded the crowd in a way that only a true entertainer can. It was a production of AI storytelling, roller skating, mesmerizing dance breaks, exciting stage design, Ush Bucks littering the floor and a moment where State Farm Arena turned into a night at Magic City.
The last night in Atlanta featured performances from Ludacris, Case, Crime Mob, Lil Scrappy, and T.I. Usher ended the night by blessing the crowd and thanking them for their support. He brought out Bishop Kevin Adams, senior pastor for Olivet Baptist Church in Fayetteville, to cap the night with a prayer and closed out with a performance of “Optimistic” by Sounds of Blackness.
“If you leave here with anything, I want you to leave with a blessing.”
Lifestyle
Poet and activist Nikki
away at 81
2024 Acura ZDX Type S
BY DENNIS MALCOLM BYRON AKA ALE SHARPTON
The initial impression of the new 2024 ZDX made it obvious the Acura Design Studio put a successful emphasis on perfecting the exterior to prepare passengers for performance in style. Justly categorized as an all-electric, luxury SUV, it is presented in two trims—A-Spec and Type S—and we happily reviewed the latter, Acura’s most powerful of the segment to date.
The body of the ZDX is more curvaceous, yet muscular in all the right places. The grill greets the eyes with the attractive combination of Acura’s signature “Chicane” daytime running lights, 3-D embossed design, and jewel-eye headlights. Dressed in Scarlet Red Metallic paint, our version sat on 22-inch wheels adorned by six-piston Brembo brakes, plus roof rails, a hands-free power liftgate, and panoramic moonroof for optimal stargazing.
The boasting of the “Type-S” designation is based on this SUV’s performance. Utilizing two motors, ZDX Type S is the best-perform-
ing Acura SUV ever, thanks to a dual-motor, all-wheel drive system, 499 horsepower, and 544 max torque resulting in a respectable 278-mile driving range. Other perks include the AcuraWatch 360+ suite with hands-free driver assistance technology, automatic park assist, a surround-view camera views, and four drive modes—Normal, Sport, Individual, and Snow—adaptive suspension, and the one-pedal driving option in case drivers appreciate
regenerative braking (which is ideal in particularly Atlanta’s traffic). To ease the mind, Acura is generous in the safety department, including the Anti-Lock Braking System, Electronic Stability Control, and Adaptive Cruise Control, alongside multiple driver-assistance amenities. (We welcome you to visit the website below to get the full list of high-tech features.)
The five-passenger interior sports perforated Milano leather with microsuede accents;
Giovanni passes
temperature-controlled, ventilated seats; tri-zone climate control; an 11.3-inch color touchscreen with Google built-in; and wireless Apple CarPlay/Android Auto compatibility.
The driver’s comfort behind the wheels gets addressed with the 11-inch digital instrument cluster, digital rearview mirror, and beloved head-up display projecting essential information directly onto the windshield, while all ears get a premium listening experience through an 18-speaker ELS Studio 3D audio system courtesy of Bang & Olufsen.
Altogether, Acura’s burgeoning line of all-electric vehicles is right on time. Considering the full federal $7,500 tax credit, faster charging times (using DC Fast Charging), and now access to the IONNA charging network providing up to 30,000 high-powered charging stations across the US, going the luxury SUV route with the performance of the ZDX Type S becomes a sound investment. Fuel Economy (MPGe): 83 city/74 highway/78 combined/278-mile driving range
Price: $74,500 MSRP
For more information, visit Acura.com.
Anthony Anderson champions diabetes in Atlanta
Health Disparities Include Health Insurance
BY JENNIFER PORTER GORE
The brazen murder of UnitedHealthCare CEO Brian Thompson, shot early in the morning on a Manhattan sidewalk, unleashed pent-up outrage at the healthcare industry. Fueling the anger is a decade-long trend: a rising number of healthcare claims health insurers are refusing to pay.
While that trend has affected nearly everyone with health insurance, Black people have borne the brunt of the increase in claim denials. Studies show they are far more likely than whites to have their insurance claims rejected — and more likely to pay out of pocket for preventive care and screenings that, by law, should be free.
This summer, a group of civil rights and healthcare advocates called on Department of Health and Human Services Secretary Xavier Becerra to investigate the problem.
In a letter to Becerra, the Healthcare Equality Network “express[ed] our deep concern” regarding the widespread practice of unjustified claims denial “for millions of American patients.” The situation is becoming chronic, they say, and is causing real harm to a lot of people.
“Claims are often denied without cause and lead to financial and emotional distress for individuals already burdened with the stress of healthcare issues, especially in our most vul-
nerable communities,” the group said in its letter.
A recently published study of more than 1.5 million patients with employer-sponsored insurance or ACA Marketplace plans between 2017 and 2020 found that low-income patients, those without a college degree, and from racial and ethnic minority groups — were more likely to have their insurance claims denied for free preventative tests than college-educated patients with higher incomes.
At the same time, it can be a struggle for Black people to get health insurance in the first place. Data shows they are less likely than their white counterparts to have employer-sponsored health insurance, due in part to the disproportionate number of Black people working in jobs that don’t provide comprehensive coverage.
In 2022, just over 56% of Black Americans have private health insurance, compared to three-quarters of whites. Some 46% of Black people are covered by Medicaid or other public health insurance, while around 8% were uninsured, compared to about 5% of whites.
When they are able to get health insurance, Black people are more likely to have high-deductible health plans or limited coverage options — so-called “junk plans” that increase out-of-pocket expenses as well as the odds that legitimate claims will be denied.
The issues are happening despite White
House attempts at reforms, including the Affordable Care Act of 2010.
Within 12 years, the ACA helped slash the rate of uninsured Black people in half, in part by offering affordable plans on a public health insurance marketplace..But a KFF analysis found that marketplace insurers denied nearly 17% of qualified claims in 2021.
One insurer — Cigna Healthcare — rejected 8 of every 10 claims filed, an astonishing number given it has 20 million subscribers and brought in revenue of $195 billion in 2023. The company was found to have denied claims without even opening the patient’s file.
Insurance companies usually refuse to cover medical services or procedures they find “not medically necessary,” or if the member’s documentation is “incomplete.”
Perhaps most concerning is insurers’ decisions to reject claims for services that should be free due to the ACA – and that race, income and education appear to be factors.
Screenings for diabetes, depression, cholesterol, and prescriptions for contraceptives were the claims denied most often. Black patients had a claim denial rate roughly 50% higher than white patients.
Slightly more than 4 in 10 low-income patients were more likely than high-income patients to have their claims denied. Non-white and low-income patients more frequently argued with insurance companies and caregiv-
ers over incorrect bills.
Many individuals paid for the tests out-ofpocket when insurance companies incorrectly told them the tests weren’t covered.
It’s unclear how many patients decided not to have the tests even when trying to manage chronic conditions. And 77% of healthcare providers say they are “moderately to extremely concerned” that if insurance companies don’t cover the medical bill, patients won’t pay it, either.
In the past, health plans weren’t required to record data on race or ethnicity. But this is beginning to change in some states. New York will soon require health insurance plans to collect demographic information for new or renewing members, although the members can opt-out if they choose.
“Say you have a large, enrolled population of African American women of childbearing age in a section of Brooklyn, right? Then the carrier could do a better job of figuring out if they have adequate labor and delivery services available,” said Elisabeth Benjamin, vice president of health initiatives at the Community Service Society of New York.
Consumers can appeal a health insurer’s denial of coverage to pay a claim or ends your coverage in several ways. Consumers also can contact their local consumer health assistance program or their Department of Insurance to complain about a health insurer’s actions.
Usher unveils new entertainment content studio at Boys & Girls Club of Metro Atlanta
Transforming creativity into brand partnerships and educational initiatives
BY ALEX CATES
Creativity is an outlet that can be used in many ways, Southwest Atlanta native Royce Bable is a perfect example of that. Bable, 35, was raised in Southwest Atlanta and graduated from Tri-Cities High School. With notable alumni like Andre 3000, Big Boi, and Kennan Thompson, it was there he would be able to find and express his creative side. He now leverages his career in brand partnerships to help fund the school's arts program.
While most of his friends would end up going to art schools like Berkeley and Juilliard, Bable would attend the illustrious Howard University. While at Howard he had the opportunity to intern at Google.
“I had a little bit of a tech phase, learned about disruptive corporate culture and I carried that with me, Bable explained.” For the internship, Bable would have to move to California. That opportunity helped him
see how creativity can be applied in many ways while in business. After spending time at Google, he would work with Nielsen and gain even more knowledge about business and the corporate world. After working with Nielsen Bable would go back to Atlanta and start his own business, Roycebee Creative. This is where Bable’s career in brand partnership began. Bable's company, Roycebee Creative, is focused on making connections between companies and notable brands, with clients like ONE Musicfest, ATL Greek Picnic, and Twogether Land in Dallas, Texas. Throughout my interview, Bable stressed the importance of expressing one's emotions no matter the medium. During his journey, Bable has had the opportunity to work with brands like P&G and Sprite and set up activation like a full-functioning barbershop at ONE Musicfest.
Bable prioritizes giving back to his roots, whether it be donating to his old high school or collaborating with the Carter Center to
educate the next generation through his Sweet Auburn stories series. Described as “a cross-generational storytelling series highlighting black trailblazers”, this series tries to educate the younger generation about important Black figures. With this series featuring guests like Xernona Clayton, Kathleen Bertrand, and Dr. Lonnie Johnson, Bable attempted to bring out another side to these trailblazers to make them more relatable to Gen Z.
Bable is truly an amazing example of when hard work meets creativity. His creativity shows in many ways whether it be his vision for brand partnerships or his innovative storytelling with Sweet Auburn Stories. If you’re interested in learning more about Bable you can follow @bableliketable on Instagram or visit Roycebee.co
This story is part of the Digital Equity Local Voices Fellowship Lab. The Lab initiative is made possible with support from Comcast NBCUniversal.
How to afford a great Christmas if money is tight this year
Sunday Showdown: Penix, Jr. to start must-win game against NY Giants
BY DONNELL SUGGS
The Falcons offense will have a new look on Sunday with rookie quarterback Micahel Penix, Jr. scheduled to get his first career start against the Giants. The decision was made public via the Falcons social media accounts around 9 p.m. on Tuesday.
In a statement about the quarterback decision, Falcons head coach Raheem Morris said, “After review we have made the decision Michael Penix, Jr. will be the Atlanta Falcons starting quarterback moving forward. This was a football decision and we are fully focused on preparing the team for Sunday’s game against the New York Giants.”
The struggling Atlanta Falcons could not afford to lose another game and on Monday night in Las Vegas they didn't lose. Already a game behind rival Tampa Bay and losers of four consecutive games before playing against the Raiders, the Falcons defeated the Raiders 15-9.
Up next are the New York Giants, losers of nine straight games. The Giants’ (2-12 overall) last victory came against the Seattle Seahawks on Oct. 6, more than two months ago. The Falcons defense will be up against a Giants offense that has only managed to score 21 or more points in a game three times this season. New York won two of those games, the other being against the Cleveland Browns on Sept. 22.
During the game against the Raiders, Falcons quarterback Kirk Cousins, the former starter, managed to throw a touchdown pass for the first time in four games. Cousins had previously thrown eight interceptions during that four-game losing streak for Atlanta. He did manage to throw another interception on the first drive of the second half, but the Falcons special teams (two field goals, two blocked punts, unbelievable punting that pinned the Raiders deep in their own territory time after time) won the game for Atlanta.
The victory brought Atlanta (7-7 overall) to within a game of the first-place Tampa Bucs (8-6 overall) with three games remaining in the regular season. Tampa is playing in Dallas on Sunday night. And for Atlanta, a home game against one of the worst teams in the league.
The odds are in the Falcons’ favor with the Giants having gone 0-3 against the NFC South this season. The numbers also favor Atlanta in the chance that they end the regular season with the same record as Tampa. The Falcons own the tiebreaker after sweeping Tampa this season.
Cricket Celebration Bowl is much more than just a college football bowl game
BY DONNELL SUGGS
The three Jackson State University fans posed for a photo in front of the large HBCUs letters outside Mercedes-Benz Stadium hours before the start of the Cricket Celebration Bowl on a cool Saturday morning. The Jackson State University Tigers (11, winners of the SWAC title, and the South Carolina State University Bulldogs (9-2 overall), once again winners of the MEAC conference title, were meeting again for the title of HBCU national champion.
December is college football bowl season, a week earlier the Southeastern Conference football champion Georgia Bulldogs defeated the Texas Longhorns for the crown in their respective conference, and now another championship trophy was going to be held aloft among the falling confetti.
"I waited a long time to see that confetti," Jackson State University head football coach T.C. Taylor said after the game. He joked about the delay from when he lifted the trophy and when the confetti began falling from the sky.
The final score of the game may have been in favor of Jackson State by a couple touchdowns, 28-7, but that did little to take away from the environment that close to 37,000 fans experienced on Saturday. South Carolina State first-year head football coach Chennis Berry said that he was hired 367 days ago and this has been a journey to the Celebration Bowl in Atlanta. "The foundation has been set," he said.
It goes without saying that the Celebration Bowl, the HBCU football national championship game, is more than just a college football bowl game. It's much more than that.
The Virginia State University Trojan Explosion Marching Band and the South Carolina State University Marching 101 Band performed for fans before the game. While both bands went through the motions, the band from Cross Keys High School took a knee a few feet away and watched. The impact that those renowned college bands had on those high school musicians will not be properly quantified for years to come. The South Carolina State University Marching 101 Band also performed the National Anthem before the game. With just under 12 minutes remaining before kickoff, the Sonic Boom of the South, the Jackson State University marching band, began playing while the team's Under Armour commercial played on the Mercedes-Benz Stadium jumbotron. All around there were HBCU color, sound, pride, and pageantry. If Saturday was the first time a college football fan or future college student ever saw or heard of an HBCU, it would certainly not be the last.
One of the most unique moments of the Cricket Celebration Bowl is the amount of Black-owned media that are in attendance to cover the game every year. Despite the cities of Mississippi and South Carolina having HBCUs to represent the respective states in the game, Black-owned and operated media from across the country was in
HBCU Nightly, Taylor Made Sports,
Crush Sports Talk, HBCU Go-TV, and the Carlos Brown Show were a few of the websites, blogs, TV and radio shows in attendance.
Black-owned legacy newspapers such as the Mississippi Link and From the Hill, a podcast that focuses on Alabama A&M University athletics, were also in town to report the news surrounding the Cricket Celebration Bowl.
During the game, a number of organizations, including Disney, awarded scholarships to future HBCU students or in the case of the United States Army, to ROTC students. The focus on enriching HBCU students in spaces that are not on HBCU campuses is a rarity during college football bowl season, but not during the Cricket Celebration Bowl.
“Disney On The Yard is a proud corporate sponsor for the 4th year of the Celebration Bowl. We believe it is important to show up in spaces and places where the people are, and this game has proven year over year to be a place of fellowship, tradition, and heritage,” said Dayna Lee Libby, Outreach and Engagement Director for Disney On The Yard.
The first touchdown of the game came on a short pass from Jackson State quarterback Jacobian Morgan to sophomore receiver Joanes Fortilien early in the second quarter. The drive was 19 plays and took just over nine minutes to complete, so fans got to see a Cricket Celebration Bowl record for the longest offensive possession.
There was some defense during the game as well. When South Carolina State attempted a fake 44-yard field goal attempt, the Jackson State’s defense stopped that run and took over on downs. That turnover on downs led to a two-play, 68 yard drive that was highlighted by a Morgan to sophomore receiver Isaiah Spencer 67-yard throw and catch down to the South Carolina State oneyard line. The Tigers would go ahead 14-0 with 5:39 remaining in the first half.
The first-half highlights of the game for the Bulldogs weren't on offense, and they weren't on defense. The two plays came on a 62-yard punt and unbelievable effort from the special teams unit that downed the football on the Jackson State one-yard line with a little over three minutes to play in the second quarter and on a blocked Jackson State field goal attempt just before halftime.
Following a scoreless third quarter, the final quarter of the game saw Jackson State extend its lead to 21-0 after a two-yard touchdown run by running back Irv Mulligan. South Carolina State scored its first touchdown of the game to bring the score to 21-7 early in the fourth quarter on a threeyard run by quarterback Eric Phoenix.
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Sealed proposals for 24RFP1340406B-RTHope to Home Tenant Based Rental Assistance Program for the Fulton County Housing and Community Development Department, will be accepted by the Fulton County Department of Purchasing & Contract Compliance, electronically through Bidnet Direct at https://www.bidnetdirect.com/georgia/fultoncounty, on Thursday, January 23, 2025, no later than 11:00 a.m. local (Eastern) time on the stated date. Proposers names will be publicly read at 11:05 a.m. on the stated due date via Zoom.
Proposal Bond: N/A
Scope of Work: Fulton County, Georgia (“County”) The selected respondent responsibilities will include being responsible for both the implementation and day-to-day administration of the TBRA program in accordance with § 92.209 including but not limited to: Developing and finalizing program documents (e.g., marketing brochures, tenant/landlord orientation materials, application(s), rental assistance contracts, etc.) for Fulton County DCD’s approval.
In order to obtain complete information about
this solicitation, please go to the link below where this document and supporting documents can be downloaded, https://www.bidnetdirect.com/ georgia/fultoncounty Fee: N/A
Term of Contract: This is a two-year agreement.
A Pre-Proposal Conference will be held on Thursday, January 9, 2025, at 11:00 a.m., local time, via Zoom to provide bidders with information regarding the project and to address any questions.
Join from PC, Mac, iPad, or Android: https://zoom.us/s/98193128361
If you have any questions regarding this project please contact Roderic Terrell, Assistant Purchasing Agent at Email: roderic.terrell@ fultoncountyga.gov or phone 404-612-7965. Fulton County reserves the right to accept or reject any or all proposals and to waive technicalities.
Docusign Envelope ID: E3FADA50-F42C-448A826B-43D9E0DE832A