May 2022 | Baltimore Beacon

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Radio host writes of her journeys

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PHOTO BY CHRIS HARTLOVE

By Tony Glaros For 24 years at the same microphone, radio host Judith Krummeck, her wellmodulated voice sounding both authoritative and soothingly sweet, has rattled off breaking news while queuing up the next classical music piece from Dvorak to Mozart. During her four-hour weekday presentation, Krummeck unveils a fount of selections featuring piano and violin sonatas, oboe concertos, wind quintets and Hungarian dances. Sometimes there’s a fandango for guitar blended in, giving things that much more texture and richness. In February, Krummeck marked her 24th year at WBJC-FM, whose powerful, 50,000-watt signal creates a vast audio footprint that reaches several states. Krummeck is the drive-time radio host of the station, which is licensed to Baltimore City Community College. WBJC’s studios and offices are located in a drab building in aging Reisterstown Road Plaza, a grab-bag of offices housing fingerprinting and juvenile justice services, Giant Food shopping carts and quickserve pretzels and custard. Given classical music’s more refined and dignified image, locating the station in such an unlikely atmosphere “is very bizarre,” said the radio host and author. “It’s like walking through the pages of a Kafka novel.”

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Judith Krummeck has hosted a radio show on Maryland’s classical music station, WBJC 91.5 FM in Baltimore, since 1998. Krummeck is also an author, having published two books based on her South African upbringing and immigration to America.

Krummeck was born in South Africa but spent some of her early years in Namibia, where her father worked as a banker. Her mother, a painter working in watercolors and oils, also taught art. Krummeck’s aunt was a classical pianist, while both of her grandmothers taught piano. After growing up in this artistic family, Krummeck pursued a degree in drama and art history at the University of Cape Town. She started acting, “taking words on a page and turning them into dialogue,” as she put it. Over time, though, she said, the stage lost its luster. “Sadly, I found [the marketing] aspect of the acting world — pressing the flesh, networking, et cetera — really depressed me.” Krummeck grew up at a time when the

specter of apartheid dominated and defined South Africa’s social, political and economic infrastructure. In her first year at the University of Cape Town, she took part in anti-government protests. “I sat on the steps of St. George’s Cathedral,” she recalled. “There were photographs of students being beaten by batons.” The news media, too, “was very much under the thumb of the nationalist government. My brother had his mail opened for years because of his stand against apartheid.” In time, the brutal, decades-long struggle drove Krummeck to a personal crossroads, and she decided, “This is not a country I want to live in.”

Moving to America Emigrating to the U.S. in 1996 with her husband, Douglas Blackstone, an American attorney, “I didn’t know what I was going to do here,” she said. “I looked at all my training — theater, broadcasting, arts. I was really throwing the net wide.” Krummeck came across an ad in a broadcasting trade magazine: WBJC was looking for a staff announcer. So, hoping to realize a dream of finding a job at a classical music station on the East Coast, she applied, auditioned and was hired. “I got the job out of the blue,” she remembered. Still, the road connecting acting to radio See RADIO HOST, page 20

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