The Howard County
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F O C U S
VOL.13, NO.5
F O R
P E O P L E
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The Columbia Orchestra was organized in the fall of 1977 and has performed throughout Howard County for more than four decades. Originally known as the Columbia Cham-
PHOTO COURTESY OF THE COLUMBIA ORCHESTRA
A popular community orchestra
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Jason Love has been music director of the Columbia Orchestra for nearly a quarter of a century. He is retiring to pursue other musical interests. The orchestra is in its 45th season at the Jim Rouse Theatre in downtown Columbia, Maryland.
ber Orchestra, it expanded in 1988 to include wind and percussion instruments. Under Love’s direction, it was named by the Baltimore Sun “Howard County’s premier ensemble for instrumental music.” The orchestra reportedly reaches more than 1,000 concert-goers yearly. Its all-volunteer, non-paid members include some musicians who also perform for a salary with the Baltimore Symphony Orchestra and D.C.’s National Symphony Orchestra.
But most have nine-to-five jobs in other fields. “This is essentially a community orchestra,” Love explained. “Its members basically come from Howard and surrounding counties. “Since many of its voluntary members work as full-time engineers, we say there is a connection between mathematics and science in the orchestra’s music.”
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Longtime conductor moves on By Robert Friedman Although Jason Love, 52, will be stepping down after 24 years as music director of the Columbia Orchestra, he intends to keep his music career moving in several directions, including more cello recitals, further composing and exploring ways to film musical events. “Columbia has been my dream job,” Love said in a recent interview with the Beacon. “I loved being with the orchestra. We were always trying new things and always growling artistically, and I hope they have been as inspired by me as I have been by them.” During Love’s career at the Columbia Orchestra, it has more than doubled in size, to 90 musicians. Now in its 45th season, the community orchestra performs 11 classical concerts a year, with a recent addition of a couple of concerts featuring jazz musicians. After nearly a quarter of a century with the musicians at Columbia, Love said, “I feel that I have gotten pretty good at what I do…But on the other hand, so many artists say that if you are going to do your best work, you have to force yourself away from what you know — you have to take away the safety net.” Love’s full-time orchestral job has meant “not being able to devote time” to his other musical interests, like playing the cello. But, he said, while directing the orchestra was “almost all I could do with my time, I have absolutely no regrets about that.”
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