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More than 125,000 readers throughout Greater Baltimore
Jazz promoter opens new club
NOVEMBER 2019
I N S I D E …
PHOTO BY MICHAEL WILDERMAN
By Timothy Cox Baltimore’s new jazz club, tucked between Fell’s Point and Harborplace, has been hopping since it opened last April. In its first week, Keystone Korner Baltimore featured legendary bassist Ron Carter. During the summer, lines snaked around the block as people waited to hear smooth-jazz-neosoul Godfather and vibraphonist Roy Ayers. The iconic Blood, Sweat and Tears keyboardist Larry Willis, who died in September, made his last public performance at the club in August. “Baltimore has a rich jazz legacy, with the likes of Eubie Blake, Cab Calloway and Billie Holiday,” said Keystone Korner’s owner, Todd Barkan, 73, whose San Francisco club of the same name hosted countless musical icons in the 1970s. “I’m in Baltimore now, and it feels like home.”
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Aficionado since a teenager For most of his life, Barkan has been devoted to the perpetuation of the musical style often described as “African American classical music.” Today, Barkan is often described as a jazz impresario and a tireless advocate of the music he loves. Barkan’s love for jazz began in his early years in Columbus, Ohio. He took piano lessons as a child and became interested in jazz as a teenager. That’s also when he met his mentor, jazz saxophone legend Rahsaan Roland Kirk, known for his ability to play multiple instruments simultaneously. While attending Oberlin College in the early 1960s, Barkan first began producing jazz shows. By 1968, he relocated to San Francisco and was working nights as the pianist for a Latin jazz band called Kwane & The Kwan Ditos. He eventually performed at the Keystone Korner in San Francisco. In 1972, Barkan purchased that leg-
Jazz impresario Todd Barkan, 73, opened Keystone Korner, Baltimore’s new jazz lounge and restaurant, in April. Barkan worked in the music industry for decades in New York and San Francisco, but he said, “I’m in Baltimore now, and it feels like home.”
endary club. Under his direction it became known as the “Birdland of the 1970s,” according to Pittsburgh pianist and bandleader Mary Lou Williams. It was during the 70s that the nightclub earned its acclaim, largely due to Barkan’s ability to produce dozens of highly-regarded live recordings at the club. “People ask me how I know all these
legendary jazz musicians personally,” Barkan said. “It’s because this has been my life since I was in my 20s. I’ve gotten to know many of these people on a personal basis, and now they are my friends.” He says he’s proud of the fact that during his ownership, Keystone Korner booked
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