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Designing jewelry for 70 years
NOVEMBER 2021
I N S I D E …
PHOTO BY MIKE MORGAN
By Glenda C. Booth When artist Betty Cooke was a young girl growing up in Baltimore, she visited the Walters Art Gallery with her father. The museum’s gleaming medieval armor collection fascinated her at age 10. “I loved the details of the different colored metals coming together. They had such beautiful forms,” said Cooke, now 97, in an interview with the Beacon. Cooke went on to create jewelry for seven decades, and today her work is the subject of an exhibit at the Walters. In a show titled “Betty Cooke: The Circle and the Line,” the Walters will display 160 of Cooke’s creations until January 2, 2022, from her earliest designs in the 1940s and 1950s to the present. Cooke sees her show as “a pretty amazing opportunity. My work is unusual for them, to show a living craftsman there [along] with Egyptian gold and Russian enamels. I don’t belong here. Normally, I’d have to wait a million years, and then it would be good. I’m honored.”
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Simple makes a statement
Largely self-trained, Cooke uses materials like silver, gold, metal tubing, enamel and wood, as well as gemstones like lapis lazuli, onyx, opals and quartz. Her modernistic pieces, designed around a circle or a line, reflect her guiding principle: Less is more. “I like the simplicity of what you can do with a few pieces of wire,” Cooke said. I don’t clutter up the piece. I keep it simple.” Lead curator Jeannine Falino admires Cooke’s “emphatic geometry” and “imaginative use of materials.” Her work is simple yet elegant, and the possibilities are infinite. “What can you do with a circle? What can you do with one line?” Cooke asked. “I could spend all year on that, oh my good-
Betty Cooke, 97, grew up in Baltimore and has been designing and selling her hand-made jewelry here for decades. She continues to sell her work at The Store Ltd. in Cross Keys, and has a retrospective exhibit of her jewelry at the Walters Art Gallery until January 2, 2022.
ness. A line is a very important thing.” According to one of the show’s panels, Cooke’s circles are “scattered…along necklaces as far-flung elements in a galaxy, or set…at right angles to create three-dimensional sculptures for the hand.”
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In addition to her jewelry, the exhibition includes Cooke’s drawings and design sketches and a display of jeweler’s tools. “Each piece is a profound lesson in how See JEWELRY DESIGNER, page 27
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