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Finding art in Antarctica’s ice
DECEMBER 2017
I N S I D E …
PHOTO COURTESY OF HELEN GLAZER
By Zita Petrahai Not everyone’s idea of a summer vacation includes hiking through Antarctica’s frigid expanses for seven weeks, but Helen Glazer was dogged in pursuing the opportunity. She applied five times over a 10-year period for the National Science Foundation’s Antarctic Artists and Writers Program, until she finally got her chance in 2015. Glazer, who is 62 and lives in Owings Mills, is the first Baltimorean to win this national grant competition. Only two to five people a year are chosen. Now, she has a solo exhibition at Goucher College’s Rosenberg Gallery, “Helen Glazer: Walking in Antarctica,” where visitors can take the journey with her. The exhibit includes both photographs as well as sculptures based on her 3D scans of the Antarctic landscape.
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Early interest in sculpture Glazer, who studied painting at the Maryland Institute College of Art, said it was her fascination with natural shapes and forms that ultimately led her to the icy caves of Antarctica. “I was making sculptures based on natural formations [around 15 years ago], and then a few years later, I started to think: Why do these forms look the way they do? What makes them take on these shapes?” Without much training in the field, Glazer relied on books to teach herself about the science behind cloud and mountain formations. When she saw photos of Antarctica, she was surprised to find similar shapes made out of ice. “Unlike a cloud formation, which is fleeting and disappears within a few minutes or when the wind changes, these [shapes] are on the ground. You can walk around them.” Around the same time, Glazer first heard about the National Science Foundation’s special grant for artists to visit Antarctica. “The adventure aspect of going to a wilderness environment unlike anywhere else on earth appealed to me,” she said in describing her motivation. Over the years, she submitted four different applications, only to be rejected each time. Then, in 2008, Glazer met another obstacle: Applications were officially
Local artist Helen Glazer won a grant from the National Science Foundation that allowed her to spend seven weeks trekking through the wonders of Antarctica. There she photographed and made 3D scans of glaciers and other ice and rock formations, as well as penguins. Upon her return, she used those images to create a sculpture and photo exhibit now on display at Goucher College.
suspended for five years. Determined to explore her passions for natural formations, the artist took a radical step — she packed her bags and headed to Greenland. After that trip, Glazer had the idea to explore the world of 3D printing. She decided, “in addition to photographing the ice formations and the landscape, or rocks, I could actually make a sculpture and bring something of a 3D experience to people.” When she proposed this in her next grant application to the National Science Foundation, she was approved. Glazer found herself spending seven weeks exploring and photographing ice caves, wind-eroded boulders called ventifacts, and the famous Blood Falls — the edge of a glacier colored striking shades of red
and orange by mineral deposits. The exhibition takes as its theme a series of “walks” through the Antarctic landscape: over frozen lakes, around massive glaciers and icebergs frozen into the sea ice, into a magnificent frozen ice cave, up gravel-covered windswept mountains, and through a lively colony of Adelie penguins.
Like a student again Glazer worked out of remote scientific field camps, and had access to protected areas that can be entered only with special permits or in the company of a skilled mountaineer. As a result, she encountered an even richer variety of forms than she had expected. See ANTARCTICA, page 28
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