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VOL.35, NO.12
I N S I D E …
LEISURE & TRAVEL
Rick Steves on Portugal’s hidden treasures; plus, take a mystery trip or send one to a friend, and how to opt out of unnecessary fees page 26
Murray Horwitz, host of “The Big Broadcast” each Sunday night on WAMU, is well known for the Tony-award-winning Broadway musical he co-wrote about the life of Fats Waller, Ain’t Misbehavin’.
gia show.” That is, its listeners tuned in because they remembered the programs from their earlier years. “Now,” Horwitz said, “there are relatively few” who tune into the programs for old times’ sake. That’s because current listeners are much younger. In fact, some might be confused by sound effects in the old programs, such as
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the plink of coins being dropped into a pay phone or the whir of a rotary telephone. Last fall, Horwitz presented his annual airing of “The War of the Worlds,” the program featuring Orson Welles that first aired 85 years ago. See BROADCASTER, page 14
ARTS & STYLE
Volunteers power model train display; plus, Ragtime at Signature Theatre, and Bob Levey on the power of cash page 30
FITNESS & HEALTH 4 k Detecting “silent” heart attacks k Ways to overcome loneliness LIVING BOLDLY 18 k Newsletter for D.C. residents
ASHBY PONDS Ashburn, VA GREENSPRING Springfield, VA RIDERWOOD Silver Spring, MD 964563_SB
It was started, Horwitz said, “as a nostal-
PHOTO COURTESY OF WAMU
Not only nostalgia
DECEMBER 2023
PHOTO BY RICK STEVES
From circus to Broadway to jazz By Robert Friedman In the beginning, at the age of 20, “The Big Broadcast” emcee Murray Horwitz spent three years as a circus clown. No, Horwitz didn’t run away from home to join the circus. During his senior year at Kenyon College in Gambier, Ohio, while majoring in English and drama, Horwitz won a spot in a five-week Ringling Brothers circus course and convinced the school and his parents to let him train in Venice, Florida. After graduation, he started working as a clown. “I wasn’t very funny at first,” Horwitz admitted in a recent interview with the Beacon. “But as time went on, I was very lucky to discover who I was — that my essential nature was to offer a public service, to bring laughter.” After three seasons, Horwitz left the circus, moved to New York, and eventually went on to win a Tony for co-writing the hit Broadway musical Ain’t Misbehavin’. Now 74, Horwitz hosts the weekly radio show “The Big Broadcast” on WAMU 88.5, which airs classic radio programs like “Gunsmoke,” “Dragnet” and “The Jack Benny Show.” Horwitz’s listeners tune in every Sunday night from 7 to 11 p.m. to participate in what has been called the “theater of the mind.” As he puts it, the listener of old-time radio shows “provides the lighting, designs the set — even does the casting by ‘seeing’ what the actors look like.” “The Big Broadcast” took to the WAMU airwaves in 1964 and is the station’s longest-running show. Horwitz, its third longtime host, took the reins in 2016.
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LAW & MONEY k Gift grandkids some stock k Teaching scam awareness
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