May 2012 Baltimore Beacon Edition

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I N

F O C U S

VOL.9, NO.5

F O R

P E O P L E

OV E R

MAY 2012

More than 125,000 readers throughout Greater Baltimore

Lifetime of passion for music

I N S I D E …

PHOTO COURTESY OF CONCERT ARTISTS OF BALTIMORE

By Carol Sorgen Ed Polochick considers himself one of the luckiest guys in the world. “I get to do what I love,” said the soon-to-be 60-yearold conductor of Concert Artists of Baltimore. “No one can be more passionate about their profession than I am.” It’s that passion that inspired Polochick to found the Baltimore Symphony Chamber Singers in 1981 in order to give area singers more professional experience, and then to ask himself, “What would they sound like with a small orchestra?” The result was Concert Artists of Baltimore, which is celebrating its 25th anniversary this year, highlighted by an end-of-season performance of Carl Orff’s “Carmina Burana” and Leonard Bernstein’s “Chichester Psalms,” on Saturday, May 5, at 8 p.m., at the Modell Performing Arts Center at the Lyric.

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A child prodigy Polochick, born near Scranton, Pa., came to Baltimore in 1976 to study piano with renowned pianist Leon Fleisher, whom he credits not only with giving him a solid foundation as a pianist but making him a true musician as well. “I wanted to get my act together as a pianist,” said Polochick. “I was a born conductor, but piano was my first love,” he said. He had begun lessons at the age of 4, when his mother found a teacher who recognized that the young boy who was pestering for lessons actually had perfect pitch. By the time he was 5, Polochick had given his first full-length recital, at 8 played Carnegie Hall, and at 12 was touring the country with his teacher, Anna Vanko-Liva, with whom he studied until he left for college. He received his B.A. from Swarthmore, and master’s degrees in both piano and conducting from Peabody Conservatory. “I always knew I was going to be a musician,” said Polochick, though he had a passion for marine biology as well. His talent and accomplishments have earned Polochick the Leopold Stokowski Conducting Award, the Peggy and Yale Gordon Achievement Award, and the JHU Distinguished Alumni Award. In addition to leading Concert Artists of Baltimore, Polochick serves as music director for the Lincoln (Nebraska) Sympho-

Ed Polochick conducts the Concert Artists of Baltimore, an orchestral and choral group he founded 25 years ago. Polochick also serves as a guest conductor of orchestras around the world. He will be conducting 350 performers on stage at the Lyric in May for the group’s 25th anniversary concert.

ny Orchestra, and makes guest conducting appearances throughout the U.S. and around the world. He is also a frequent guest lecturer and radio commentator, and teaches conducting at Peabody. Despite his personal accomplishments, bringing Concert Artists of Baltimore into being and nurturing the company’s growth for the past quarter-century has been one of the great joys of his life (“though not all daisies and roses,” he added with a chuckle).

A vision for Baltimore Polochick hadn’t been in Baltimore all that long when he began thinking there

was no reason his adopted city couldn’t have a chamber orchestra and chorale of the caliber of the London-based Choir of St. Martin-in-the-Fields or the (now defunct) Robert Shaw Chorale, two of the most renowned choirs in the world. “Let’s lead the way,” Polochick said to himself, who was serving as musical director of the BSO Chorus at the time. The name Concert Artists of Baltimore was chosen specifically to give equal weight to the value of both the professional singers and instrumental musicians in the company. See CONDUCTOR, page 20

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