– No. 9 Cover 2/2
7 NEW NUDE LIPSTICKS
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AVAILABLE NOW ILLAMASQUA.COM ILLAMASQUA - THE METQUARTER, LIVERPOOL
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I Am Art Photography - Sane Seven Models - Elaine Nturo (Cliché Model Management), Anastasiya Kasimova, Erica Correa Jewellery - Olivia Divine, Benna Make up – Christina Niblock, Jocelyn Lai Yee Miller, Hollie Roberts Hair – Jade Carthy assisted by Beck Flanagan (Electric Hair Salon) Nail technician – Neringa Mineikyte. All make up products used were supplied by Illamasqua.
Skin base £32 Lipstick dDsciple £18.50 Shourouk Baraka Rainbow Moonlight Bracelet £135.00 (www.benna.co.uk) Neon Rope Bracelet £10.00 (www.oliviadivine.co.uk) Colored Friendship Bracelet £15.00 (www.oliviadivine.co.uk) Multi-coloured Festival Bracelet £18.0 (www.oliviadivine.co.uk)
Skin base £32 Lipstick in pristine £18.50 Gloss violate £16 Shourouk Apolonia Necklace £525.00 (www.benna.co.uk) Shourouk Atari Emerald And Crystal Cuff £290 (www.benna.co.uk)
Skin base £32.00 Pencil in Debonair and Wack £15.00 Pearl Statement Necklace £30.00 (www.oliviadivine.co.uk)
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You can shop the pieces used in the ‘I AM ART’ beauty shoot in store now at Olivia Divine Olivia Divine is the destination for statement jewellery in the North West Shop in-store or on-line at www.oliviadivine.co.uk
Olivia Divine Met Quarter, Liverpool L1 6DA
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Portrait taken by Sane Seven. The Editor wears Gieves & Hawkes SS 14 collection at the Prince of Wales suite, Mandarin Oriental, Hyde Park
A Note From The Editor Ciao Readers, I am writing my Editor’s note from Sicily on the island of Salina surrounded by natural beauty and seeing the art in it all.
Here are some of my personal instagram moments taken during the making of the issue. @leejosephhagaan
It is seeing art in all forms that is the theme behind this issue. An array of international art is showcased within our arts, style and travel sections for your viewing pleasure. Our covers were created by Sane Seven, a commercial house of photography launched by the incredibly talented photographer/artist , Viktorija Grigorjevaite. You have two covers to choose from that are both equally as beautiful. As always, I have to thank you for reading the magazine, it is my biggest pleasure being the Editor, travelling the world sourcing the content to present to you, our readers.
“Reporting live from the red carpet in Monte Carlo at the World Music Awards 2014”
“Attempting to locate a Starbucks in rural France”
“Dining at St James Paris”
“Putting on The Ritz”
“Grace Kelly moment in Monaco”
“Naturally, Ms Carey arrived 4 hours late to her album launch.”
So, enjoy the ‘I AM ART’ issue, our 9th edition. I am now going to hike up a volcano! Bye for now,
Lee Joseph Hagan Editor-in-chief
24-hour arty people Gallery / Cinema / Cafe / Bar 88 Wood Street, Liverpool, L1 4DQ fact.co.uk / @FACT_liverpool
Image: Sharon Lockhart installation at FACT for Liverpool Biennial 2014
The Team Editor-in-chief Lee Joseph Hagan lee@thecollectiveinternational.com
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Deputy Editor Alecia Marshall alecia@thecollectiveinternational.com Creative Director Viktorija Grigorjevaite viktorija@thecollectiveinternational.com Head of Design Jackson Frederick info@jacksonfrederick.co.uk Editorial Assisant Eve Slater eve@thecollectiveinternational.com Writers: Michelle Langan Catherine Murphy Andrew Collinge Liz Collinge James Smith Lisa Porter Daniel Price Lauren Hawkins
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59 43 Disclaimer No part of this magazine may be reproduced without prior permission of the publisher (H of H publishing). Whilst every care is taken, the publisher can take no responsibility for omissions or errors. All prices and details are correct at the time of going to print, the publisher can take no responsibility for change thereafter
What: Shakespeare in the park, King Lear Where: Central Park, New York When: July 22nd - August 17th An essential part of the New York summer calendar. A free open air event Central Park will host live theatre throughout the summer. King Lear is directed by Daniel Sullivan and features John Lithgow as 'Lear'.
What: Film 4 Summer Screen
What: Lasco Project #3
What: Berlin Bienale
Where: Somerset House, London
Where: Palais de Tokyo, Paris
When: 7th-20th August
When: Permanent exhibition, opening 14th June
Where: KW Institute for contemporary art
An annual outdoor cinematic experience held in the beautiful Somerset house in central London. To celebrate ten years of the summer screen, this year a collection of cult, classical and contemporary films are being shown. While cinema goers are waiting for the evening to begin selected DJ’s will bring in a chilled vibe to accompany drinks and picnics.
As part of a new permanent exhibition, Palais de Tokyo is opening its basement floor to exhibit the works of internationally renowned graffiti artists. The seven artists explore issues such as urban violence, social tensions and the history of graffiti art. The Palais de Tokyo has a long standing relationship with graffiti art and within that hopes to explore the art forms relation to institutions and the art world.
When: 29th May- 3rd August The Berlin Bienale takes place over three months and is spread over four venues. The KW Institue for contemporary art, a leading independent art space in Berlin is hosting the works of over five artists throughout the summer.
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Call today on 0151 709 4640
The Alima Centre 35 Sefton Street Liverpool L8 5SL
Mondrian At The Tate
It seems fitting that The Tate Liverpool is currently showing works of Mondrian, as the artist is heavily connected with the city. In 1940, Mondrian boarded a Cunard White Star Liner and travelled to New York, where he lived until his death.
From an aesthetic perspective, the environs of The Albert Dock gallery are a perfect foil for the works. The square glazed windows follow the same lines as the paintings, and seem to be part of the exhibition. The highlight of the show is a recreation of Mondrian’s studio, a room which we can walk into and feel a sense of the space in which Mondrian lived and worked.
The Tate show Mondrian and his studio during the mature phase of his career, from 1914 until his death in 1944. We get an inside look into his relationship between architecture and urbanism.
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Mondrian is noted for the fundamental elements of cloud and line, his pieces were a major form of inspiration for Yves Saint Laurent back in the 1960s, the artists work then went on to form the creation of Laurents famous collection - “Mondrian Dresses”. To this day Mondrian still
continues to inspire many fashion houses, garments incorporating his colour blocking techniques prove to be popular and always seen as an elegant element to any outfit. The flexibility of the colour blocking strategy is a fitting tribute to the artist. Channeling Mondrian’s bold artistry is a
great way to transition any wardrobe. The flavour of Mondrian doesn’t finish when we leave the gallery. Heading down to The Tate cafe, fans of Mondrian can literally grab a taste of his work, thanks to the multi coloured sponge cake on offer. Time to get in line. Written by: Michelle Langan
Image 1 Mondrian in his studio in 1933 with Lozenge Composition with Four Yellow Lines 1933 and Composition with Double Lines and Yellow 1933. Photo by Charles Karsten. RKD – Netherlands Institute for Art History © 2014 Mondrian/Holtzman Trust c/o HCR International Image 2 Piet Mondrian, 1872-1944 Composition B (No.II) with Red 1935 Oil paint on canvas 803 x 633 x 24 mm Tate. © Tate Photography, 2014. © 2014 Mondrian/Holtzman Trust c/o HCR International USA Image 4 Reconstruction of 26 Rue du Départ, Paris based on 1926 photo by Paul Delbo. Photograph © 2014 STAM, Research and Production: Frans Postma Delft-NL. Photo: Fas Keuzenkamp © 2014 Mondrian/Holtzman Trust c/o HCR International USA
Art in Print: International Edition Works by Alex and Feliz. www.alexandfelix.com
Pablo Picasso once said that ‘the artist is a receptacle for the emotions that come from all over the place.’ He was, of course, right. One of the many merits of art is that it surpasses both geographical and cultural boundaries - it comes from ‘all over the place’, and its appeal is universal. It was with this in mind that The Collective chose three incredibly talented international artists to grace the pages of our ninth Art in Print. Rip them out, pin them on your fridge, hang them on the wall - you know the drill.
Queen Tin
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Queen Tin
Queen Sandwich
The story we tell is not the only possible one Queen Happy
Queen Glitter
Queen Mini Mouse
Queen Happy
Queen Motorhead
Queen Marzipan
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Queen Revolver
13 Queens Rulers over surreal worlds Wondrous creatures peer from beyond the canvas at their captivated viewer. Familiar objects become unrecognisable, staged in an unexpected context. Foreign worlds filled with shape and colour await discovery, poised with ethereal possibility. So is the work of Alex and Felix. It has been over a decade since Alex Gertschen and Felix Meier merged their artistic practise (and names), creating lavish, energetic, photographic productions. Renowned for their dramatic backdrops, the Swiss duo are unique in their composition methods. Beginning with a series of sketched ideas, Alex and Felix take full control of their sets’ aesthetic, immersing themselves in timber, glue and paint until their imagined universe becomes a physical reality. Their work is refreshing in a computer manipulated society, creating art that is not only masterful, but candid and authentic.
One of their more recent projects, 13 Queens, adheres to their much revered style whilst hinting at a celebration – a coronation, perhaps – of their previous work. 13 Queens allows the models to quite literally become the backdrop, presenting their individual sensual empires to the gratified viewer to examine and consider. Although the objects used in the images may appear to be random, each holds symbolic value for the artists: “Awareness is important for our work. We have a story in mind that we follow throughout the process, but the story we tell is not the only possible one. We invite our viewer to create their own story.” www.alexandfelix.com
All works by Alex and Feliz. www.alexandfelix.com
Under Construction
Ich Weiss Es Wird Einmal Ein Wunder Geschehn
In a world that values personal responsibility, every wish seems only to require the will to make it a reality. Everybody is looking for a unique perspective, a personal angle, the frame and depth. You give yourself and your surrounding meaning and direction, you arrange views, and attitudes and you structure what you see according to your own parameters. You create magnificence and monstrosity to be surely misunderstood by other creatures that have their own differing perspectives and view points. “Under Construction” consists of 6 pictures. Observation is encouraged to develop one’s very own look at the world.
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Je Suis Venu Te Dire Que Je M`En Vais
Touch Me I Wanna Feel Your Body
Around The World In A Day
We Are Family
Should I Stay Or Should I Go
All illustrations by Jenny Liz Rome. www.jennylizrome.com
Jenny Liz Rome
For Jenny Liz Rome, art is ‘her thing’. A North American illustrator whose modern yet abstract vision encapsulates the beauty of women, Rome fuses personal photography with existing images, picking at fragments of the female form before weaving them together to make a whole. Fashionable, and yet undoubtedly primal, her characters linger with a brazen sensuality, all bestowed with an individual identity. Rome’s work is regularly composed through mixed media methods, utilising illustration, collage and photography in an experimental mélange.
In its simplest form, Rome begins with a classic fashion illustration and sprinkles on a layer of surrealism; her models often poised in uncomfortable and unrealistic attire. There is an element of satire that cannot be overlooked within her portraits - an almost subtle sneer at the extremities of modern runway fashion; catwalk worthy models are augmented with fishbowl heads and exaggerated, multi-coloured hair. A self-confessed 21st century woman, Rome’s most recent work merges fashion, nature and femininity and is inspired by what she terms the ‘vogue culture’ of contemporary society. Often working in black and white with splashes of water colour, Rome fuses classic with contemporary, the result often striking and memorable. www.jennylizrome.com
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I don’t know what I would be doing if I wasn’t making artwork
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Tete de Femmer Mickalene Thomas
MICKALENE THOMAS Untitled #1, 2014
MICKALENE THOMAS Untitled #2, 2014
Over the past decade Mickalene Thomas has enraged a reputation for ingenious paintings, particularly portraits of females in lush, electric, richly patterned interiors. Thomas is known for having her own interesting take on modernism, textiles and most famously known for her love of rhinestones. Her take on female beauty is something truly inspiring.
In the exhibition named “Tete de Femme� which means head of woman, the influential artist looks to early 20th century cubism and contemporary Pop references to create complimenting and powerful portraits of her models. Mickalene Thomas who is New York based, received her MFA from Yale University in 2002, her portrait of Michelle Obama was the first individual portrait done of the First Lady and was exhibited in the National Portrait Galleries
MICKALENE THOMAS Untitled #3, 2014
Written by Eve Slater
‘Americans Now’ show. Her many depictions of African American women explore notions of black female celebrity and identity while romanticising ideas of femininity and power. This exhibition is bolder and conceptualises female faces from collaged geometric cutouts. Tete de Femme will debut in Lehmann Maupin, New York this summer which will be Thomas’s fourth solo exhibition with the gallery. The new body of work shows a different
MICKALENE THOMAS Carla, 2014
www.mickalenethomas.com
perspective of women which Thomas is known to focus on, the portraits themselves are now graphic and abstracted. The use of materials is what make the pieces more enticing: the paintings show a new dimensionality through the artist introducing screen printing into her practice and who doesn’t love a splash of glitter and the glisten of rhinestones?
Le Negresco
When reviewing the Negresco, one inadvertently reviews Jeanne Augier. The woman behind the continued success of Nice’s most famous hotel, Augier appears to have taught her privately owned palace the art of growing old gracefully. It is a vital lesson – and one that keeps the Negresco a step ahead of the competition, despite celebrating its centenary last year.
Written by Alecia Marshall
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Boasting a World Class Art Collection...
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Built in 1912, the Negresco is both a major city landmark and National Historic Building, with a long history of prestigious patrons from European nobility to the international elite. For over 100 years the hotel has cast a glamorous silhouette along the Promenade des Anglais with its large pink dome, Belle Époque façade and bold signboard typography and it shows no signs of relinquishing its power. You see, the Negresco holds an ace: its owner. Jeanne Augier has stood at the helm of the Negresco for over fifty years, her red hair and horn-rimmed glasses as much a trademark of the Riviera palace as its distinctive pink dome
and art-nouveau entryway. It is thanks to her exquisite artistic tastes that the hotel remains a cut above the rest, boasting a world-class art collection that attracts visitors from across the world. It is fair to say that no other luxury hotel in France delivers a similar cultural charge: works by Moretti, Dalí and sculptress Niki de Saint-Phalle are strikingly mixed in with the interiors’ rare antiques and historical paintings and a huge chandelier (separated from its Kremlin twin) brags historic monument status.
The riot of colour in the guest rooms may not be to everyone’s taste but these opulent lodgings provide a glimpse of a more leisured era (as does the muchphotographed car attendant in his jaunty plumed hat and blue frock-coat) and is forgivable when recalling the Louis XIII treasures downstairs.
The thing is, there is always something new happening at the Negresco. Not in the hip kind of way that keeps the doors of its boutique rivals revolving - let’s face it, you won’t be seeing this hotel’s stately bar on any DJ flyers - but an outlandish colour here and a state of the art gadget there keepsthe Negresco in the game. Jeanne Augier keeps the Negresco in the game. Long live them both.
www.hotel-negresco-nice.com
Project PHPA
PHPA is an annual photography competition organised by Hotels Paris Rive Gauche, a hotel group who have created some of Paris’s chicest places to stay on the Left Bank near the renowned Latin Quarter, known as the true heart of artistic Paris. The Collective will present three hotels from the charming group in our next travel section. Including, Hotel Design Sorbonne, Hotel La Belle Julliette and an exclusive on the new four star opening, Hotel Baume. (We were the first magazine invited to stay and review. Go us!) The annual photo exhibition is always a special moment for the hotel group who put art at the forefront of the foundations
and design of all the hotels. All photographers who take part in the PHPA photo project will have their work shown with one winner being selected. The Grand PHPA Prize includes 3,000 euro and a personal exhibition for the winning photographer. On the following pages we have presented some of our favorites. Ooh La La! So photographers, what are you waiting for? For entry details visit www.phpa.fr
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(left) Christelle Plessis RĂŞve (right) Jean-Baptiste Courtier Hotel Sorbonne
Delphine Millet Dreamy Night
Kya Khali Kamza Hai
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Lasse Lecklin Night Lasse Lecklin Day
Savage Beauty Alexander McQueen
Before his untimely death, Alexander McQueen demonstrated his ability to evolve fashion through inspiring performance and installation. His creations were always about creating pieces of art on the human body through fashion. The Savage Beauty Exhibition is the most eagerly anticipated show of 2015. The successful show which is devoted to the late great Alexander McQueen has been one of New York’s Metropolitan Museums most popular shows ever, with New Yorkers queuing around blocks to get tickets and the same is expected when the exquisite show comes to London’s V&A next year.
The buzz around the landmark exhibition comes from the nations love for McQueen himself, growing up in London, he explained in January 2000 that the city is “where my heart is and where I get my inspiration”. The exhibition will showcase the late fashion designers visionary body of work from his early MA graduate collection from 1992 to his creative unfinished A/W 2010 collection. All at the V&A museum are thrilled and excited about the exhibition as Martin Roth, V&A Director explains: “Lee Alexander McQueen was brought up in London, studied here and based his globally successful McQueen fashion brand here- by staging the exhibition at the V&A it feels
like we are bringing his work home.” Savage Beauty is somewhat of a celebration of the extraordinary controversial but beautiful work of McQueen and will show his hometown what a true genius he was and how his creativity and innovation still continues to blow us away today. The presentation is made possible by the cooperation of Alexander McQueen and will be in partnership with Swarovski and supported by American Express. Written by Eve Slater. www.vam.ac.uk
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V I S I T O U R N E W S TO R E I N T h E M E T q Ua R T E R , L I V E R p O O L
V I E W T h E f I L M aT: W W W. G I E V E S a N D h a W K E S. C O M
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Gieves & Hawkes Store Opening Metquater
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The evolution of Gieves & Hawkes - long established masters of mens tailoring - continues to grow as they settle into their new home inside Liverpool’s stylish Metquarter. The masculine and generous retail space features a chic colour scheme of tonal greys, oak flooring and brass trimming, transforming the conventional shop floor into a veritable man cave. The opening saw many an excited face, eager to make use of the many services the brand has to offer, including a vast range of stunning suits and separates, each impeccably crafted and typical of G&H’s trademark bespoke tailoring. The brand’s
latest SS 14 collection is a mix of sartorial, military and sportswear which will sit comfortably with the men of this fashionable city. Metquarter Centre manager, Jennina O’Neill agrees: “It’s truly a destination store for the region, the new store is perfectly timed with the busy wedding, races and graduation season approaching.”
www.gievesandhawkes.com
Gieves & Hawkes SS15 Review London Collections Men is a calendar favourite for the discerning male, emphasising both the creative and commercial importance of British brands whilst simultaneously supporting emerging talent. Punk, knots and the 90’s infiltrated this year’s catwalk but every London Collection includes a showstopper.
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Set in Mayfair’s White Cube Gallery, its name telling of its crisp, clinical setting, Gieves & Hawkes rejected their usual ode to tradition in favour of simplicity. Thirty-five models spanned two floors, arranged statically (and rather artistically) on uplit plinths. Pieces pulled inspiration from the rugged coastlines of Devon and Cornwall, the collection compiled of a color palette that ran the gamut of aqua and teal to the inevitable grays that personify an English summer.
Naturally, immaculate tailoring remains the backbone of the Gieves & Hawkes collection, though urban tweed suits and silk knitted ties add a contemporary twist to the archaic. The long established masters of British tailoring, Gieves & Hawkes proved one thing: they’ve still got it. Quite frankly, we want it.
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www.gievesandhawkes.com
Petr Axenoff The fruits of a creative family, Russian jewellery designer Petr Axenoff was long destined to assume the role of artist. With an eye for interior design, photography and style , Axenoff continues to favour the art of jewellery making – and who are we to complain. Inspired by Russian aristocracy, arts and folklore, Axenoff’s pieces weave the history and culture of his homeland into distinctive and compelling designs, enticing a collection of followers that include operatic sopranos Anna Netrebko and Hibla Gorzmava and classical pianist Denis Matsuev. Although reliant on Russian heritage, Axenoff’s collections need no translation, appreciated by a widespread international audience that continues to blossom with every unique piece. Our Editor, Lee Joseph Hagan meet’s a beautiful man who creates beautiful pieces of wearable art.
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The event was outstanding and everything was so beautiful. The guests arrived to the show by boats, the party had breathtaking fireworks at the end, and of course, a sea of champagne. I was surprised that they used a lot of furs in their new collection - I would never expect that. I have long admired their creativity and astonishing taste, and especially, the fact that they are great patriots of their country. All of their shows are always held in Italy, not Paris.
2. As an artist, how important is travel on influencing your creativity? When you travel somewhere you always rest emotionally. You receive a new flow of positive energy, that definitely helps to boost creativity. My most favorite country (except Russia, of course) as a source of inspiration is the UK, then comes Italy.
3. What makes a man beautiful?
Nobility, generosity, understatement, sports and a tuxedo make a man beautiful.
4. What makes a woman beautiful?
I think that love is the most important thing that makes a woman beautiful.
5. Does the jewellery world have trends in the same way that the fashion world does?
There are trends in the jewellery world too, but I don’t follow them. I create what I like. That is one of the reasons why I decided not to create clothes and work in fashion, where you have to follow the tendencies and the seasons. Creating jewellery, I can be an artist in the full sense of the word.
6. So you view jewellery and fashion as separate?
Yes, I think that jewellery is an absolutely separate world and it’s totally different from fashion. Pieces of jewellery can be passed on to the next generations and they can serve as a talisman, something that means much more than just a beautiful adornment.
Nobility, “ generosity,
understatement, sports and a tuxedo make a man beautiful.
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1. You recently attended the Dolce & Gabbana couture event in Capri, how was it?
7. You are influenced by many different art forms (ballet, opera, theatre) would you consider your jewellery as individual pieces of art? Does your jewellery deserve the same kind of recognition as your photography?
It’s hard to evaluate myself, I would let other people, who can look on what I create from the outside, make that decision. I can say that in jewellery design there is no limit to perfection.I have too many ideas that I would want to bring to life. I’m not even sure that I have enough time to create everything that I plan to create. I have so many ideas. As for my photography projects, I have reached the results I wanted in this sphere, and then it became less interesting for me.
8. A considerable number of your high profile admirers are artists. Are your jewellery designs tailored towards the artistic indi-
vidual or do you feel they appeal to a much broader audience? It’s an absolute pleasure for me that my jewellery appeals not only to girls and fine ladies, but also to ballerinas, opera singers and actresses. I have plans for launching mass market jewellery , but most probably it will be a separate line.
9. ‘DEADBRAND’ explored the demise of the globalised brand. Is Axenoff a brand? Do you want it to be recognised in this way? Do you believe the popularity of Axenoff compromises its authenticity? For sure, Axenoff Jewellery is a brand, but maybe not so global. It’s always nice to hear that people call you a brand. It’s difficult for me to say that my brand is something unique and outstanding, but I think nowadays not so many people do what I do. I try my best to do something original and different from what others create. Mass market is always diminishing the authenticity of the brand, but time will tell.
10. Axenoff Jewellery is, self-admittedly, centred around Russian heritage and culture. Why do you think the designs translate so well for international buyers?
I think that the period of tsarist Russia that inspires me is absolutely unique and has given so much cultural beauty to the world. Everything that happened after the revolution does not inspire me at all and I think people from other countries are indifferent to this period in the history of our country. There were many marriages between Russian Imperial family and other
countries like Austria and Germany and maybe that’s why international buyers like my jewellery. They see something familiar in it, something that our cultures have in common. I really like that the UK was able to save (at least visually) the traditions of monarchy.
11. How would you like to be remembered? I would like to be associated with Russia that was lost and does not exist anymore.
Take a look at Petr’s Instagram page @axenoff
axenoffjewellery.com
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3.Giles FW14 2.Vivienne Westwood Red Label SS14 1.Antonio Marras SS14
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Spring/Summer is a season which holds certain anticipation. Temperatures are on the rise and designers are given the opportunity to unleash their playful side. For SS14 say hello to bold prints and feminine silhouettes. The time has come to wear art, let us curate your SS14 looks. Written by, Catherine Murphy
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Milan Fashion Week saw Antonio Marras throw his SS14 fashion show with a theme which could be argued to be attempting to turn romance on its side. Experimenting with delicate fabrics and abstract shapes enabled audiences to discover a new meaning of the term ‘Art’. Sheer chiffon and embellishment showcased true femininity whilst edging towards a sublime effect. Marras secured a collection of true elegance, leaving us both with an appreciation of the art and the artist.
Givenchy Mechanical Print t-shirt
Matthew Williamson Clutch
How can one achieve this look I hear you cry, department stores such as Harvey Nicholas have invested heavily in this theme with designers from Markus Laupfer being available. The high street is also bursting with ‘Art-Pop’ items, from bright heels to bold and playful window displays provided by Topshop and River Island. The ‘Art-Pop theme has delivered something for everyone so what are you waiting for? Go forth and be bold…
Matthew Williamson Necklace
Vivienne Westwood’s Red Label SS14 took inspiration from Gustave Cour- bet’s ‘Bouquet of flowers in a vase’ pain. Draped fabrics together with a theatrical beauty look helped Westwood showcase art through a variety of floral prints.
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The Worlds Coolest Grandparents! Yes, Andrew and Liz are now grandparents, recently welcoming baby Enzo to the Collinge clan. Aside from gushing over their beautiful new grandson, the duo have been as busy ever: Liz in London with TIGI and Alison Roberts as makeup artist for a British Hairdressing Awards shoot and Mr Collinge on a UK tour with TIGI Copyright colour working alongside the TIGI founder, Anthony Mascolo.
Liz
In between a successful hairdressing show at Bold Street’s Leaf - showcasing the latest cuts, colour, long hair looks and make up - and attending the currently homeless Philharmonic Hall’s show at the Cathedral, the Collinge’s took time out to evaluate their favourite things in life.
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1 Favourite perfume: Palisander by Commes des Garcons. I find it really difficult to find a perfume that I love but the woody notes in this unisex fragrance are divine. 2 Favorite designer: Stella McCartney for her relaxed, feminine shapes. 3 Favourite lipstick colour: Lady Danger by M.A.C. - It is the perfect red. 4 Favourite pair of shoes: My Acne Shoe Boots 5 Favourite season: Late Spring. 6 Favourite day of the week: Sunday’s have a certain peacefulness which I enjoy. 7 Favourite discontinued beauty product: It would have to be the Liz Collinge Magic Wand - a flesh coloured pencil that was useful for so many things! 8 Favourite current beauty product: Nars Illuminator in Hot Sand - I love a little shimmer in the Summer. 9 Favourite artist: I loved the Rene Magritte Exhibition when it was at the Tate both for the incredible sense of light in the pictures but also the wit. 10 Favourite location: There are so many lovely locations I have been lucky enough to visit - Kauri Cliffs in New Zealand would be a strong favourite but a little closer to home it would be the beautiful Cotswolds. 101Favourite thing about Andrew: I love the way he cuts my hair! 11 Favourite childhood memory: Going on holiday to Devon. The thrill of seeing that first glimpse of the sea.
And rew
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1 Favourite perfume: Avignon by Comme de Garçon . I first came across this fabulous fragrance when I was shopping in one of my favourite London stores: Dover St Market . It is always on my Christmas list.
3 Favourite grooming product: I use L’Occitan shaving gel. Its wonderful fragrance is a great way to start the day
2 Favorite designer: Alexander McQueen in my opinion has been and still is one of the most influential and inspirational design labels of all time.
4 Favourite hairdresser: Vidal Sassoon changed hairdressing forever with the introduction of precision cutting and colouring. He started a revolution that went on to make hairdressing the professional industry it is today. 5 Favourite season: Spring. 6 Favourite current hair product: Matt Manipulator * by TIGI . I had a sneak preview of this soon to be launched product on the recent TIGI Roadshow. It’s the perfect styling product for short hair as it creates hold and texture but isn’t greasy. 7 Favourite artist: I never tire of looking at the sunsets painted by Turner. The explosion of colours within his paintings are remarkable. Apparently he spent time in the North West as we are fortunate in this part of the world to witness fantastic sunsets. 8 Favourite location: I have been fortunate in my career to visit exciting cities and have seen some amazing places but when the weather is as good as it has been this summer you can’t to do much better than here in the UK. We have spectacular scenery and wonderful seasons. 9 Favourite thing about Liz: Her smile. Liz and I have been together for nearly forty years but if I’ve been away even for a day I love to get home to see her. Did I mention her smile?
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10 Favourite childhood memory: As a child every summer holiday would be taken on the Scilly Isles . This was pre-motorways and it was the excitement of the drive though the night to take a small plane when we got to Lands End. The Scillies are idyllic and with endless beaches and lots of rock pools - it’s the perfect place for a young family.
IT ALL STARTS WITH A COMPLIMENTARY CONSULTATION
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Everybody knows her name. She turns heads in the street. She regularly hosts royalty. Alecia Marshall examines the enduring popularity of London’s most prestigious hotel. Resplendent and regal, smart and superior, this century old, neoclassical beauty has lost none of her charm. And how could she? Synonymous with refinement and decadence, with an unparalleled dedication to life’s luxuries, The Ritz refuses to be surpassed or upstaged. She has no competition. The first steel-framed building of any significance in London, with her French châteaustyle architecture and Royal Warrant, The Ritz has long been praised for her commitment to detail and articulation. Child of renowned hotelier, César Ritz, the hotel has matured much in the style of a fine wine: full-bodied, highly sought after and
delicious to sample. She is our capital’s finest offering. Before setting so much as a well-shined shoe onto the marble floor of the reception, The Ritz experience begins. Two doormen stand erect on Piccadilly Street, their white gloves tucked into their epaulettes. Beyond them a pair of bellhops move gracefully to open the double doors for each arriving guest. Their roles are well-rehearsed, but nothing can prepare you for the spectacle beyond. A smiling concierge with an old-school character tells
me he has been at The Ritz for 40 years. She is not a woman you would dream of leaving. Umberto Schioppa, the hotels Director of Sales greets me with genuine warmth. It is clear from his animated and passionate tone that he feels an unfeigned pride for the hotel. Who could not? He knows The Ritz intimately. Gesturing to an enormous mirror in the lobby, he announces its status as oldest of the many antiques in the hotel. Gliding around the Royal Suite he points out the authentic gold leaf ceilings
and hand sewn bed linen. Walking through the six ornate private dining rooms of William Kent House (an architectural masterpiece that has been coupled with The Ritz since 2006), he diverts my wide-eyed gaze to the spectacular views of The Green Park. At this point I have resolutely decided that I am giving up editing for ever in favour of spending my days at The Ritz.
The hotel is ornamented with two things: fresh flowers (roses, lilies, orchids} - that are slightly troublesome for a hay fever sufferer, but worth a bout of well hidden sneezes for the sheer gorgeousness of the effect – and huge mirrors, creating the illusion of space.
The flowers in particular demonstrate a thorough dedication to the aesthetic of the hotel - I am told they are changed daily. It is this attention to detail that keeps The Ritz at the top of her game. She may not have the benefit of youth, with Swarovski lighting and bathroom flat-screens, but she does have grace, elegance and class and she carries these qualities from the reception to the restaurants’, through the corridors and into the suites.
www.theritzlondon.com
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At this point I have resolutely decided that I am giving up editing for ever in favour of spending my days at The Ritz.
South Place Hotel
At the northern end of London’s square mile, just a short walk from Moorgate tube station, the South Place Hotel straddles the fine line between the City and Shoreditch the perfect location for those visiting the capital for both business and pleasure. As the debut hotel from restaurateur D&D London (whose other interests include the Southbank restaurant Skylon, and Made in Chelsea favourite Bluebird Café), food and events are paramount here and with its trendy East End location, South Place has become a go-to place for partygoers and business heads alike. Despite the building’s ‘grey box’ exterior, the Conran designed interiors – bright, fun and in keeping with its location - are much more stimulating. Walls covered in pop art inspired prints, randomly
placed mannequins and a display in the lobby from the nearby Hoxton Gallery all add to the artistic vibe of the hotel. Bold design continues into the rooms with Josephine Home covered king sized beds, oversized swivel chairs, floor to ceiling windows and mirrors, and floor lighting intended to give the impression the bed is floating above the pure wool carpet. Each room is also complimented by its own piece of contemporary art by a local artist. If you are more of a gadget enthusiast don’t worry: a generous work desk including recessed media connections, 40” Bang and Olufsen television, all visible thanks to remote-control lighting (with pre-sets for packing, reading and bathing) should keep you occupied for a while.
“ And then there is the food. Angler, as the name suggests, is South Place’s Michelin-stared seafood restaurant. Overseen by Tony Fleming (previously of One Aldwych) dishes favour taste over complication with tried and tested favourites such as halibut with brown shrimp and capers; bass with razor clams and chorizo; and cod with peas and pancetta. Meat is also on the menu: a rabbit tortellini and the pork loin with ravioli of cheek, girolles and truffle were both packed with flavour. Breakfast is served in 3 South Place (the bar and grill on the ground floor) and is just the thing to kick-start your day. Problem is, you may not want to leave. www.southplacehotel.com
Hotel 41
Hotel 41 is, according to TripAdvisor’s annual survey, Britain’s best hotel. Now that is quite an accolade. Situated just behind Buckingham Palace, this five-star boutique hotel (a member of the esteemed Red Carnation Hotel Collection) boasts both prestigious neighbours and impressive connections. One of the sixteen awardwinning, family owned properties of Red Carnation, Hotel 41 has siblings in Ireland, South Africa, Switzerland and the USA. What a cultured family. It is perhaps this assortment of conti-
nental experience that accounts for Hotel 41’s place at the top of the polls. Red Carnation are committed to providing their guests with ‘outstanding service’ and ‘memorable experiences’ and it is a sport in which they reign supreme. Let us survey the facts. The entrance to Hotel 41 is discreet yet grand – royalty in a nutshell. Only guests are allowed into the hotel, allowing it to exude the tranquillity of a private club. Décor is strikingly original: our split-level suite was the elegant black and white of a
1950’s classic movie. There are complimentary treats galore (champagne upon arrival, ice-cream in bed and a truly wonderful concept self-efficiently named ‘Plunder the Pantry’ which advocates decadent midnight feasts.) Ice and lemon are in constant supply. 2.00pm indicates the arrival of freshly baked scones, seasonal jam and clotted cream. Hair straighteners were delivered at our request. We could go on.
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The fact is, Hotel 41 is a wonderful hotel. No request is too small, no decision made without careful deliberation. First-time guests are sent a preference form and a big effort is made to source their favourite items. For those returning, well, the staff will make it their business to remember you. The key to Hotel 41’s success is a succinctly labelled button on every guest telephone: “Everything Anytime”.
www.41hotel.com
The Mandarin Oriental Do you know where the Queen learnt to dance? In the arresting ballroom of the Mandarin Oriental. There are currently six lithe women practising their Downward Facing Dog on the very same floor (don’t be alarmed, I am told it is a transitional yoga pose). How times change. Her Majesties stately obligations may make it difficult to dabble in a spot of dancing but the continued grandeur of the Mandarin upholds its position as a royal pied-àterre. Dressed from head to toe in Gieves and Hawkes SS14 collection, I glide regally down a hushed passageway, both it and I deeply traditional in decoration. Never before have I felt at one with a corridor. The oriental influence that seeps into the hotel’s name makes itself known inside my Knightsbridge Suite.
Richly detailed furnishings in ardent, rapturous colours spill from the bedroom into the adjacent living area, whilst a writing desk too large to ignore threatens to fill my evening with arduous email answering. But not tonight: I am otherwise engaged with the strategically placed ‘pillow menu’ perched on the end of my King. There are little choices in life more integral than the decision between feather and down. The Mandarin Oriental deserves a knighthood for its continued dedication to nobility. The spa is quite literally one of the best in the city. I recommend the English Rose Journey – old Lizzie would love that.
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There are little choices in life more integral than the decision between feather and down
St James Hotel
It now operates under the guise of a swanky townhouse, though numerous renovations have done little to alter the ingrained atmosphere of the classic gentlemen’s club.
Purists and historians will recognise the contemporary Continental touch (courtesy of AMJ, a German company best known for the Adlon Hotel and the China Club in Berlin) but there remains an air of luxury and exclusivity about the place. My deluxe suite contains a well-appointed bedroom and sitting room, both illuminated with Murano glass chandeliers and swathed in sensuous materials of velvet, silk, leather and cashmere. Carefully curated art pops against a soothing palette of taupe, cream and steely grey. Modern aristocracy with a wink and a nod to contemporary style best sums up the vibe. Don’t miss the hotel’s cocktail hour, not just for the delicious concoctions on offer in the bar, but also for the ever-changing popcorn flavour of the day.
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Shortly before my scheduled arrival, a friend informs me that the St James’s Hotel and Club is situated in the heart of London’s clubland. I take a sharp intake of breath. Clubland? Images of intoxication and unattractive gyration flash before my eyes. “Yes, clubland”, he continues wickedly. “The Royal OverSeas League is just next-door”. Ah, clubland: gentleman sitting, cognac-sipping clubland. Images of cigarette jackets and velvet upholstery replace the unsavoury thought of a Rhianna mega mix. I begin to feel a little better.
A clubbers paradise
www.stjameshotelandclub.com
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It is an aristrocrat’s dream The Gore
A short amble from The Albert Hall lives The Gore: an eccentric boutique hotel that feels more like an art collector’s manor than a place to lay your head. Built in 1892, The Gore is housed in two adjoining Victorian terraces, offering guests the choice of fifty beautifully furnished bedrooms, all equally rich with exquisite Victorian and Edwardian antiques, sculptures and artwork. The Gore possesses a mellow, off-the wall charm akin to a wealthy avuncular relative. Public areas are swathed in silk and the dark woods of the ceilings are mirrored in the
sturdy, serious looking furniture. There is the obligatory mahogany reception desk, grand staircase, framed watercolours and ornate mirrors but nothing can prepare you for the splendour of your room. A lavish, dark-oak canopied four-poster proves the showstopper, with crisp linen sheets waiting beneath heavy swaths of deep-red velvet and tassel fringes. The floor-toceiling curtains, fashioned in matching velvet, frame finely detailed stained-glass windows. The dark-wood floors are covered in antique Asian rugs. www.gorehotel.com
Monte Carlo Bay & Resort Tucked inside the Maritime Alps between the French and Italian Riviera on the Mediterranean Sea, Monaco serves as the ideal summer escape. But where to stay? The Collective reviews some of the best hotels and resorts in the country, just for you. Monaco has long been associated with glamour and exclusivity. It is the home of the Grand Prix, Grace Kelly and the Grand Casino. It is the home of Monte-Carlo Bay Hotel and Resort. Opened in October 2005, Monte-Carlo Bay Hotel & Resort is more than a hotel - it is a landmark. Located east of the Larvotto peninsula on Avenue Princesse Grace (and occupying ten acres of Mediterranean garden), the resort offers sweeping views of Roquebrune-Cap-Martin and the Monte-Carlo Beach complex. It may not boast the age or tradition of its sister properties, (Hôtel de Paris and the Hermitage), but what it lacks in experience it redeems in scale. Akin to a small village, Monte Carlo Bay & Restort accommodates an abundance of both recreational and gastronomic choices: a casino; a waterside bar, a nightclub; a Cinq Mondes spa; a compact gym; four restaurants in season; a private dock and two swimming pools - one an artificial sand-bottomed lagoon surrounded by palms and botanical gardens. It has a helipad. A Helipad. An ode to neoclassical architecture with arcades and colonnades abound, the resort reminds of a Las Vegas honeypot minus the chintz, emphatically parading its sumptuous nature through its waterfalls, terraces, spacious bedrooms, exotic woods and lavish marble. Rooms are decorated with white-oak furnishings, sandstone floors and soft Mediterranean pastels. The pool facilities are second to none, and the spa is accompanied by a string of awards, but it is the famous Jimmy’z Disco that makes the hotel a hotspot for after-dark diversions. Synonymous with Monte-Carlo’s fast-paced night life, Jimmy’z unique design and seafront location continues to enchant a chic international clientele, well into the early hours of the morning. www.montecarlobay.com
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Ideal for couples and business travellers alike, Monte-Carlo Bay Hotel and Resort provides a lavish, comfortable stay.
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The Metropole
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Inevitable sense of awe
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cony, balustrade and all round beauty. Watching the chandeliers glitter upon the ceilings of the uppermost suites, there is no question that Hotel Metropole is one of the best in Monaco. The privately owned Hotel Metropole is the epitome of Monte-Carlo, attracting clients such as Claudia Schiffer, Jennifer Lopez, Sting and Leonardo DiCaprio. A renovation in 2004 has modernised the property, which dates from 1886, but the interior is agreeably traditional and appropriately conservative – no garish contemporary artworks or uncomfortable furniture on show here – sophistication
Arriving at the Metropole, no matter how seasoned a traveller, there is an inevitable sense of awe. Set back from the winding drive that leads to the Monte-Carlo Casino, it holds court at the end of a narrow alleyway lined with luxury cars of all shapes and sizes, purposely positioned out front to advertise the hotel’s status to all who pass by. Brick upon brink of palatial wonder looms invitingly above its grateful admirer; a canvas of bal-
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is the main attraction. The hotel’s opulent atrium with its unique glass dome opens the performance, with props of Chilean lilies, boxwood and blue bells adding colour and energy. Exotic woods pair with muted tones and the scent of fine oil mingles with the hushed music. The Jacques Garcia designed interior is perhaps an example of his best work, though his aim to create an atmosphere of social equality is a little optimistic: this is a hotel for the cream of society. Levis and threeday stubble would be less than acceptable amongst the world’s wealthy. The Suites’ are exquisite: mildly ornate in
all the right ways and flooded with natural light, but perhaps the biggest asset of the Metropole is its pool area, ODYSSEY. Transporting the guest across the Mediterranean to Ancient Greece, Karl Lagerfeld's glass panelled installation features the Creative Director's favourite models (from Bianca Balti to Baptiste Giabiconi) - in little more than atoga. What could possibly be more stimulating?
www.metropole.com
Columbus Hotel
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It was a risky move. Monaco is a city of tradition, of wealth, of –dare I say – pomp, and the Columbusopted for the rare stance of simplicity. Contrary to all expectations, his choice turned out to be a sensible one: the hotel quickly became a connecting point for a relaxed yet demanding clientele and Columbus emerged as a luxurious alternative to the traditional local hotels. It also has a habit of hosting Monaco Grand Prix winners. Alonso, Vettel, Webber, Button - they’ve all stayed there. Situated in the district of Fontvieille (the slab of land reclaimed from the
sea in Prince Rainier’s most ambitious civil engineering scheme) the Columbus is perfectly placed near luscious parkland, an increasingly lively restaurant and bar scene and the port. It is, however, more than a mile from the infamous Place du Casino – but that can be a good thing, depending on your preference. With a fresh and young attitude, the hotel has a chic and relaxed environment where beautifully glamorous and barefoot elegance sit easily side by side. Forget the obligatory three piece suit and Louis Vuitton luggage, the Columbus has a much looser vibe. It is refreshing, actually.
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It is almost fifteen years since Formula 1 racing driver David Coulthard had an epiphany: he would try his hand as hotelier, his aim to offer Monaco’s visitors something a little different. Acquiring aformer 3-star hotel, Coulthard created the first ‘art of living hotel’ that the principality had seen.
With interiors by acclaimed designer Amanda Rose, this Condé Nast Traveller-recommended hotel represents pared-back Riviera cool, sporting crisp white linens, soft leathers and dark wood furnishings. The suites are extremely
cool
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spacious and comfortable - which can be a rarity in Europe – and most offer a living area, allowing guests to freely entertain without worry. Rooms offer sweeping balcony views of cascading mountains and the enchanting Mediterranean. Let us finish with an image: it is a balmy evening and as you recline on your balcony, champagne in hand, the sun sets over the high-perched Palace, its incandescent rays shimmering on the glassy water. Such is the experience of the Columbus. Life does not get better than that. http://www.columbushotels.com
Everyone Smiles In The Same Language We can help you enhance your smile so that you can communicate with confidence to the world.
Telephone: 0151 236 6578 suzy@ollieanddarsh.co.uk No. 11 Dale Street, Liverpool L2 2SH www.ollieanddash.co.uk
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the perfect Parisian abode to say those three little words,
Hotel Amour www.hotelmontmartremonamour.com
A hotel for lovers, with a decadent pink, black and red palette and suitable splattering of hearts and flowers. Reserved? Well, no. But salacious? Sensual? Stimulating? Yes, yes, yes! If you are looking for the perfect Parisian abode to say those three little words, welcome to Hotel Amour. Fear not: if designer, Sandrine Alouf’s, ode to passion fails to create the right atmosphere (although we assure it will), the famed steps of the Sacre Coeur are merely a clasped-hand walk away. Be sure to order a heartshaped waffle for breakfast - go on, it will make your day.
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Fraser Suites
Le Claridge Champs-Elysees
There is no better location than the Champs-Elysées and no better place to kick off your shoes than a Fraser Suite. A magnificent Gold Standard serviced residence that nestles characteristically amongst the Parisian rooftops and classic façades, this 1914 heritage building reflects the essence of its prestigious neighbourhood with sophisticated ease. Over 100 suites showcase the very best of French interior design, inspired by Haussmann style buildings, Parisian mansions and high-end fashion labels such as Chanel, Louis Vuitton and Yves Saint Laurent. Silk curtains, plush Louis XVI style chairs, leather upholstery and Kartell lighting artfully combine with the latest technology to deliver your creature comforts in
style. Within easy reach of the city’s iconic attractions, The Louvre, Jardin des Tuileries, Opéra Garnier and Grand Palais are all a midnight stroll away. Mere steps from Paris’ famed Triangle d’Or, a wonderful array of designer shops and luxury stores await the conscientious fashion buyer, making Fraser Suites Le Claridge Champs-Elysees the ideal residence for those intending to spend some serious money. Aren’t we all? www.paris-claridge.frasershospitality.com
What does it mean to be ‘cool’? It is an adjective I have never much liked, despite a persistent yearning to be described as such. ‘Cool’ is the Ace Hotel and by its standards, I leave a lot to be desired. The hotel hangs its hat in Shoreditch - London’s most creative, engaged district - a hub for galleries, theatre and design and the home of Brick Lane Market, landmark creatives and renegade artists from around the world.
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The hotel that is as ‘cool’ as it is comfortable
A minimalist but well-designed lobby immediately strikes the eye, and I am somewhat taken aback by the youthful aura of the place. Pale wood and Sixtiesstyle furniture is offset by Converse clad staff, friendly in their specially designed John Smedley knitwear. Stripped light bulbs hover overheadand the Guardian and International New York Times hang from the paper rack. It is an environment for city hipsters and professional creatives, make no mistake about that. There’s room to socialise and collectively work your way through the cocktail menu (try a Bijour Basket, with Sipsmith sloe gin, ginger wine and rhubarb bitters) as well as an edgy gallery space, a fully stocked bar and an ever-changing list of live music events - perfect for those looking for recreation a little closer to home ahead of a mornings work. I skipped the evenings gig upon the discovery of not only a Rega record turntable but a Martin acoustic guitar in my Deluxe Double room. If nothing else, my worry was whether to start penning my debut album on the plush king sized bed,at the oak dining table, or on the corner sofa in my living area. With a Revo radio system feeding an Ace-curated station, inspiration was not hard to find. Shoreditch’s street cred is unparalleled, including clubs such as XOYO, the Spitalfields Arts Market and two all-night bakeries (I know) but the Ace Hotel packs just enough swagger to fit in. The hotel-branded items sold at the check-in desk help: who wouldn’t look cool in an ‘Ace hotel’ T-shirt? Me, probably.
www.acehotel.com
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Ace Hotel
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Town Hall Hotel in “ Diamond The Rough
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Sometimes it is the unconventional partnerships that create the best results. Be it Bjork and her music, Lady Gaga and that ham dress or the Town Hall Hotel and Bethnal Green. A hotspot of neither style nor sophistication, the Cambridge heath road is an unusual location to house one of London’s most elegant and understated hotels. But here it is. The cream stone and marble entrance allude to the interior décor instantly, whilst the grand foyer has an ornate cleanliness to its aesthetic. If Tom Ford designed a luxury cruise liner in the 70’s, this wouldn’t be far off the end result. Granite flooring offsets the crisp and rigid furniture, softened with solid oak cupboards. Long stemmed flowers warm the cool grandeur of the marble pillars. Every detail has clearly been considered; every choice complimented by another.
The hum from next door had us sipping hastily and seated within minutes in the small, snug, artistically lit Corner Room Restaurant. Service was attentive and food as reported: quality ingredients and inventive flavors, both presented with finesse. For the price tag we were amazed; the anticipation of each mouthful makes for a fantastic date location. Casual and compact yet crafty and concise, Nuno Mendes succeeds again at exciting and provoking intrigue through his talented feeds. With a string of architectural awards and accolades the Town Hall Hotel really is a sight to behold. Its location matters little when compared to its rewards. After all, sometimes the best finds are in the unlikeliest of places.
My room was quaint yet delightfully unconventional: a mish mash of style and design. A glass paneled bathroom (for the more confident guest), flashed suggestively at the adjacent bed, whilst a ‘fold away’ kitchen transforms itself into a comfortable and spacious lounge. Bags down we headed for the bar, only in its place sat a drawing room offering an interesting selection of premixed concoctions from a vintage wardrobe, epitomising the quirky eclecticism of the Town Hall.
www.townhallhotel.com
The Zetter Town House Tucked snugly within the beautiful neighbourhood of Clerkenwell, the Zetter Townhouse is living proof there is always a little gem to be found if you know where to look. Sitting just across the cobbles of St John’s Square from its much larger sister hotel, The Zetter, The Zetter Townhouse is fondly dubbed ‘ t h e great aunt’. Flamboyant to say the least, the Townhouse brings Victorian charm, comfort and excess to the twenty-first century - in the way only a batty old relative can do. The two suites, 11 bedrooms, lounge, bar and dining room come dressed with such delights as upright armchairs with sacking, walls crammed with oil paintings and old photos, curios, and the odd stuffed kangaroo. Doing away with reception desks, the Townhouse staff prefer you sign in and meet them in the bar for a drink from a mad concoction they call a cocktail menu. The ground floor cocktail bar is an exciting collaboration between The Zetter’s chef, Bruno Loubet and the creator of the award-winning 69 Colebrooke Row, Tony Conigliaro. Stuffed full of oddities, with an open fire crackling in the grate, the relaxed, informal sitting room is equally suited to a lazy afternoon as it is a night of mischievous indulgence. Old recipes for tinctures, bitters and herbal remedies have inspired not only the cocktails but also the homemade cordials and infusions that sit behind the apothecary style counter. With only 13 rooms (all designed by Russell Sage) the Townhouse offers guests a compact and outrageous playground. The smaller rooms on the top floor are possibly the best decorated. Room 11, the Townhouse Deluxe, clashes colours and cultures with turquoise walls, a red fireplace and a repurposed piece of Victorian carousel for a headboard. www.thezettertownhouse.com
Other highlights include a games room with ping-pong table and free Wi-Fi throughout the hotel. Pashley Bikes are available to borrow for free. Each room contains such delights as a flatscreen TV, iPod docks, selection of classic novels, Rare Tea Co teas and ground coffee, free bottled spring water (from the hotel’s own borehole), rotary-style phones and hot-water bottles with hand-knitted covers.
York & Albany
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Oh Gordon, you’ve done it again.
With the Great British summer now in full swing - complete with the obligatory Wimbledon rain - one must take full advantage when the weather decides to behave and what better place to enjoy a summer’s weekend than just outside of Regent’s Park and on the cusp of Camden town? Thirty years ago Camden may have been the last place you would expect to find a boutique hotel and even now it seems an unlikely place to find a project by restaurateur Gordon Ramsay, yet the debut hotel by Gordon Ramsay Holdings opened here in 2008 – and shows no sign of slowing down. The hotel and restaurants occupy a grade II listed building (designed by John Nash no less), and former coaching inn, with the stables now home to the deli: a gourmet shop where you can purchase picnics and pizzas to go. With nine rooms (and a suite above the stables) the style of the hotel is one of a cosy regency townhouse, combining solid dark wood antiques with contemporary comforts. With each
room an individual, interior designer Russell Sage has pulled off something only a Brit could - restrained flamboyancy. Every material he uses, bespoke silk wallpaper included, is made right here in the UK. With a name like Gordon Ramsey’s above the door, food is obviously of huge importance. The restaurant is spread across three dining areas: the bar, a ground-floor dining area with floor-to-ceiling windows, and a sultry, ruby-red basement with open-plan kitchen. Head Chef Kim Woodward offers a modern British menu that is a beguiling mix of comfort and indulgence. Starters are hearty and include aubergine terrine, baba ganoush, and caraway seed lavosh (delicious - and enough for a lunchtime bite). With mains to die for - English lamb rack, pomegranate couscous, hazelnut and mint pesto – Woodward reawakens the senses to the wonders of British cuisine. www.gordonramsay.com/yorkandalbany
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Salthouse Bacaro
Owners Collette and Jonny Poole have created a relaxed ambiance at Bacaro, with rustic decor (borrowing the cutlery in olive tins idea from Salthouse Tapas) giving it a cool, New York vibe. Attention to detail is meticulous, from the hand crafted wooden bar, to the blown glass lights and right down to the pretty floral plates. The Venetian menu at Bacaro is based on sharing plates, and is split into sections - meat, fish, vegetarian, pizzettes (small pizza’s) and extras including a variety of breads, nuts and olives. Aah, the olives. Truthfully, best olives I’ve ever tasted - fat and piquant with a dusting of sea salt. Delicious. Several dishes have already garnered cult status - if the courgette fries are ever removed from the menu I promise to wage a one woman protest. First to land on our table was a dish of gin cured salmon with crab and fennel slaw, a lovely light, fresh tasting summer plate. Goats cheese pearls on a spinach buttered crostini and chicken milanese soon appeared. The goats cheese dish was my favourite, the creaminess of the cheese complimented by the spinach. The chicken milanese was a large escalope of chicken,
topped with fried egg and salsa verde. A huge portion meant for two people, which was given the thumbs up. For the meat lovers, the ham hock fritter with cauliflower, blackened butter and pork cheek and the beef lasagne were a big hit. Both dishes were rich, and stuffed with meat - a glass of full bodied
red Vapolicella matched their flavours perfectly. With little room left, two pizzette’s appeared - a king prawn chilli one and another covered in pulled pork. Both delicious and the perfect size - enough, but not too much. Making room for a little desert, we plumped for the apple sorbert - tart, tasty and refreshing, and the chocolate cake with cherries and ice cream - almost a posh and updat-
ed version of the black forest gateau. Quality food and quality service will ensure that Bacaro has many more happy years ahead on Castle Street. Just don’t forget to try the olives, and an elderflower bellini or two. Cheers! Written by Michelle Langan
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Truthfully, the best olives i’ve ever tasted
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Coming from the same team who brought Hanover St Social and Salthouse Tapas to Liverpool, expectations for Bacaro were high, and several months after opening, it’s clear to see that the baby sister restaurant is more than capable of standing on her own feet.
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+44 (0)151 559 1444
The Grill On The Alley Solid, honest, and simple. Good food. Job done. When looking for good food it is always worth broadening your horizons, whilst simultaneously remembering that fancy food does not always equal good food. The Grill on the Alley focuses on ‘no nonsense food’. The results are simply stunning.
www.blackhouse.uk.com/grill-on-the-alley Manchester may not be famed as a barbequing hotspot but Grill on the Alley aims to combat this, providing the best flame grilled food in the city and potentially beyond. With a fulsome nod to the classic, yet glorious, steak (running alongside a healthy
obsession for the freshest produce of our seas), the key to the grill is in the quality of the food. Specialising in wholesome ingredients, mixing individual textures and flavours that just work, the grill offers a mix of innovative dishes with comfortable favour-
ites. With waiters competent enough to suggest the perfect wine to compliment your meal, there is not a fault to be found anywhere inside these four walls. 92
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KLAS Please contact us for further infomation or to discuss if your commercial property may be eligible. KLAS Ltd Suite 6 Marwood Building Riverside Park Southwood ROad Bromborough CH62 3QX 0151 737 5577 info@klasltd.co.uk
Actua Surveyors and Property Consultants Suite 113 No.1 Old Hall Street Liverpool L39HG 0151 227 4024 info@actuabc.co.uk
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Have you claimed for the internal fixtures and fittings capital allowance?
Your accountant won’t do this for you – it requires a specialist survey and report
You must be a uk tax payer
Typically 25% of the purchase price is available to claim back at your usual tax rate Qualifying properties include, offices, warehouses, hotels, shops, restaurants and pubs, multiple occupation home (care homes, student lets etc) and even holiday lets
This is not a tax ‘dodge’ It is your statutory right to make a claim! We work together as surveyor and accountant to compile this allowance report for you
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The Collective Honours Boasting a variety of categories that encapsulate the essence of the North West, The Collective Honours promises to entertain, inspire and invigorate every attendee, providing the ingredients for an unforgettable evening and bestowing each honoree with the gratitude and appreciation they deserve. VOTE NOW AT WWW.COLLECTIVEHONOURS.COM
The Honourees Age is irrespective, as is race, gender, religion and sexuality. The honouree may be a local business owner, a teacher, an artist or a full time mother. The honouree might be a child.
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To find out how Medicash can help your business call 0800 195 2992 or visit www.medicash.org
Leading Ladies The Collective Talks To Three Influential Leading Ladies. Written by Alecia Marshall
Gemma Bodinetz Knocking Down, Rebuilding and Reinvigorating Everyman & Playhouse To spend an hour in the company of Gemma Bodinetz is to be charmed, educated and inspired. The Artistic Director of Liverpool’s Everyman and Playhouse theatres for over a decade, Bodinetz has played an integral role in the city’s artistic development: reinvigorating the Playhouse, rebuilding the Everyman and reinstating Liverpool’s reputation as an important player in the country’s theatrical landscape. Bodinetz’s position requires not only an extraordinary amount of talent but an overwhelming amount of responsibility, yet in person she is articulate, accommo-
dating and appears unfazed by the day ahead - despite the constant demands her role affords: “I am responsible for the artistic signature of the theatre: every artist message that the theatre makes ultimately ends with me. Alongside that I am also a director; I must keep the two roles running in tandem!” Did Bodinetz always envisage herself as a director? “Yes”, she answers without hesitation, “from the moment I knew such a job existed. I loved human psychology and I loved literature. I loved theatre, plays, costume, music – it seemed everything I loved could be
incorporated into this one job. There is nothing else on my CV; once I discovered directing I was absolutely tunnel-visioned.” Her dedication is evident - “It is a lot of hours. Potentially you are working from 9am until 11pm, six days a week.” – but can such an occupation possibly be worth the inevitable sacrifices? “I am never bored” replies Bodinetz after some thought. “I am often very stressed, but never bored. For me, it is always all or nothing.” Bodinetz will never be a nothing – the thought is impossible. www.everymanplayhouse.com
Sue Weir The First Female Chief Executive at Medicash Sue Weir has been a Chief Executive at Medicash for over five years. At the company Weir’s careful leadership skills have cemented her reputation as a consummate professional, demonstrating daily her commitment to the values of her company. “I never shout. I do not believe that a successful leader must be aggressive – especially not in an organisation like Medicash. We are a caring and professional company and I aim to emanate those values.” Providing insurance for general healthcare including dental checks and physiotherapy, Medicash offers an assortment of plans to suit the individual. “We help with your day to day stuff”, laughs Weir,
whose background lies in finance. “We really strive to be the best at company and customer service and I think we’ve got fantastic staff. When people join as an employee they tend to stay” It is perhaps Weir’s belief in staff that keeps Medicash at the top of its game. Now catering to the larger corporate market, Medicash offers a range of plans that help organisations to keep their employees healthy. “People like to feel valued”, explains Weir. “That feeling can be achieved through benefits; by providing your staff with a healthcare plan that lets them know you care about their wellbeing”.
substantial growth in the B2B market under Sue’s management. Quarter two being the most successful to date with over one million pounds worth of sales. Although Weir’s position demands a lot of her time (and can, she admits, be a lonely occupation), her work ethic and commitment to her customers is admirable. “We help our customer in whatever way they need”, Weir promises. “As Chief Exec it is my job to make that happen.”
Proving that it pays to be kind and to have a caring approach, Medicash has shown www.medicash.org
Debbie Tagoe This Lady Took Mode Training to Award Winning New Heights To Debbie Tagoe, Company Director of ModeTraining and Chair of GMLPF, a leading woman is a multitude of things: A leading woman is someone who is committed and passionate, balancing their family commitments with a job they love. It is important to love what you do - to lead you have to care about all aspects of the organisation, including its values and employees. Debbie, is one such woman. To recount the history of the hugely successful Mode Training is to discuss Debbiešs history Âtheir lives are irrevocably entwined. Mode Training originally held a contract with Merseyside Training and Enterprise Council to deliver hairdressing train-
ing to eight of their own staff, Debbie begins, I quickly identified the potential to build the contract by delivering training to other salons in the area. Within a year the programme had grown from 8 to 115 students; we moved premises to Queens Dock in 2001 and employed additional staff. I became a shareholder of Mode in 2005, owning the company outright by 2010. Recently, Mode have expanded into an 18,000sq ft creative space boasting a cutting edge hairdressing academy, state of the art performance facilities, student technology hub and chic urban warehouse interiors complete with inspirational quotes painted onto the walls. Debbiešs business credentials may be impressive, but her personal battles are inspiring. Returning
to the job market as a single parent to three young children, Debbie re-entered the job market through a training for work programme and eventually became employed by the training provider that had taught her. Debbie is the first to admit to her struggles: It was difficult. Very difficult. But it made me believe that hard work and determination can overcome any barriers. Providing a variety of training programmes across a variety of mediums, Mode Training provides a platform for a wide range of individuals. Young people have so much to offer when given the right opportunity and support. If I could do it, anyone can. www.modetraining.co.uk
Advertorial
Protect Your Art
From its very conception, Jackson Canter pledged to do things differently. A modern, progressive firm who support both individuals and businesses alike, Jackson Canter offers a wealth of experience and a friendly ear to the North West’s population. Committed and passionate, with a soft spot for artistic and cultural endeavors, Jackson Canter have amassed an impressive reputation, both in the city and beyond. The Collective talks to the CEO, Andrew Holroyd.
Andrew, how would you describe Jackson Canter? Jackson Canter is 62 years old and was established by Howard Jackson and Philip Canter, who both wanted to do something different in law. Their first move was to base themselves outside of the city centre (eventually settling in Toxteth & Kirkby), therefore positioning themselves closer to their clients. The firm then built a reputation for human rights work, acting for people who are disadvantaged and need the law to help better their circumstances. I think over the years we have made a lot of difference to people’s lives.
Jackson Canter is also dedicated to supporting the arts. Is that correct? It is. I think when you look at the creative buzz of Liverpool it is impossible for a law firm not to get involved in creative industries. For a number of years we have been involved with the Everyman Playhouse because we feel that they are not only great theatres but have really made a difference to Liverpool culturally.
What are your early memories of The Everyman before they rebuilt it? It was a great place to go but boy it could be uncomfortable in the summer couldn’t it? I think the wonderful thing they’ve done is completely rebuild the place whilst retaining the atmosphere of the old theatre – it really is a remarkable achievement. We felt that we ought to up our involvement with the Everyman Playhouse and we decided to become a goal sponsor this year. As a sponsor, Jackson Canter play an integral role in moving major arts organisations forward, but is it not also important for emerging creatives to protect their interests? Yes. I couldn’t agree more. Everybody has to begin somewhere and ideas’ is what it is all about. New ideas ultimately turn into business opportunities and if you don’t protect those ideas they can be misused. I think everyone agrees that seeking legal advice can be a pain and often difficult when you are at the beginning of the process and strapped for cash, but nevertheless it’s something that is vital if you want your vision to work and be protected. I suppose the message is protect your art? Precisely!
You can contact Jackson Canter via the details found on the opposite page.
LOOKING AFTER
YOUR CREATIVE INTERESTS
lping you toToaensure successful future. a successful future.
you are a writer, an artist, musician, p protect yourWhether interests and creativity: fashion designer or creator of games or apps
Jackson Canter can provide you with specialist advice relating to the many legal issues you may be facing during your creative journey:
cts tual Property and Licences · Contracts ion of Image Rights · Intellectual Property and Licences · Protection of Image Rights andising · Merchandising · Reputation Management tion Management
What you can expect
Leave us to take care of the small print
take care of the printtoday. and call our andsmall call our experts ay.
QualitySolicitors Changing the way you see lawyers. Jackson enquiries@jacksoncanter.co.uk 0333 321 4580 & Canter www.jacksoncanter.co.uk 88 Church Street, Liverpool L1 3AY
Chaophraya The superb Chaophraya may have the reputation of being one of, if not the, best restaurants in Manchester. Offering a properly exotic Thai experience and a ‘luxedining’ feel, it is undoubtedly the place to enjoy lunch on a beautiful summer afternoon. Known for their renowned open kitchen and sunken seated private dining tables, the multi award winning restaurant which is situated on Chapel Walks in the city centre has truly outstanding décor. The menu is all you need to really get the taste of Thailand, with always a commitment of only working with the most fresh produce from the very beginning the founders of the restaurant chain have always been loved for their fantastic flavours. Chaophraya Manchester have just launched a brand new lunch menu from which guests can choose from delightful dishes including traditional Thai green chicken curry, sea bass fillet, slow cooked lamb and their famous Pad Thai. All complete with first class service, the perfect way to spend your lunch hour. Why stop there? A visit isn’t complete without experiencing one of the authentic Thai cocktails such as “Made In Thailand”. a personal favourite, the vodka based drink mixed with lime, lemongrass and coriander is the perfect ice cold refreshment on a hot day. So go on and take the afternoon off and make the most of the sun in the restaurant that truly is something special. www.chaophraya.co.uk
The Collective, Travel 103
www.chaophraya.co.uk 5-6 Kenyon Steps, Liverpool One, Liverpool L1 3DF
19 Chapel Walks, Off Cross Street, Manchester, M2 1HN
ANDREW COLLINGE 45 Castle Street, Liverpool 0151 227 2366
www.andrewcollinge.com
11 Chapel Walks, Manchester 0161 834 1616