The Siren

College Tribune Entertainment Supplement 08.02.2011

The Rubberbandits Music

Mad About Madisun Page 4

Film

Tangled Review Page 11

Fashion

Campus Style Examines UCD Fashion Page 8

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Music

The Siren 08.02.11

The Specialist: WU LYF

by Simon Mulcahy

Whenever one hears the hushed whispers shuffling between pretentious hipster crowds discussing the next big thing that ‘no one knows about yet’ it is surprisingly easy to take a stab in the dark as to what kind of a group/artist they are. How they look, sound, behave is usually merely reincarnations of the legends of old but wearing new shiny Topman trousers. For this reason alone WU LYF are something worth getting excited about, as they are a fresh, invigorating form of musical creation.

Not in a long time has a band done what they do and come out so successfully.

Instead of chasing the limelight and craving the praise of music critics, WU LYF (World Unite Lucifer Youth Foundation) hide from any form of hype or expectation by covering themselves in a shroud of mystery which works wonders in the sense that as a result of being so vague and nondescript they have cultivated a rich and thriving hype surrounding them. All that we know for sure is that they are from Manchester and according to their baffling Myspace page the line-up consists of four musicians: Jeau, Lung, Elle Jaie and Evanse. We also know that they are currently un-signed, even though there has been a lot of A&R attention at their live shows which they

have been playing regularly over the past few months. Instead they choose to record their music independently and sell and distribute their music and merchandise via their website (www.luciferyouthfoundation.com).

They don’t pose for magazine covers or give interviews; they obtain their loyal fan base without pulling all the publicity tricks out of the bag as most new bands do. Until very recently, nowhere on the internet could you find a picture of the group where they were identifiable, usually wearing balaclavas, and the lighting at their gigs means that they appear as shadowy spectres to the audience.

Intentionally or not, they have successfully heightened interest as a result of their mysterious activities. A prime example of this is their website which is a challenge to decipher, let alone understand. The site is covered with images of partying sex driven western youths, juxtaposed with images of third world deprivation. Political statements, messages attacking modern society and consumerism, following religious meanderings and detailed re-definitions of words, all of which look to be written by children from the constant spelling errors. If one was to believe what is described on this site then WU LYF are more of a political

movement than a band, but this all makes sense in some ways. One could see this as an attempt to confound and intrigue the potential fan, and all of this makes sense when you start putting all the pieces of the puzzle together.

The main piece of this puzzle being their music, once you hear it everything starts to take shape. Their music can only be described as otherworldly. I cannot find any other acts with which I could effectively compare their sound to which wouldn’t do them an injustice. Of the songs they have released thus far, all have been fascinating but at the same time are all quite different from one another. For example, the only main points of similarity between songs are the vocalists strikingly different and easilyidentifiable husky bellowing, along with the fact that each song swims in a sea of reverb.

They have the ability to surprise you at every turn whilst never losing their identity, which is a difficult task in itself. Their song “Spitting It Concrete Like The Golden Sun” is as catchy as they come and it does this without losing its appeal every time it gets stuck in your head. They sound as if they have been cut off from current pop music entirely and instead take their inspiration from Gangsta rap, early Happy

Mondays, Surf Pop and Tom Waits. This combination shouldn’t work but it does and it is truly brilliant. They will never break through to the mainstream so many will never come into contact with this marvellous musical outfit, but those who

do will find something new and refreshing at first and then hopefully, if they keep going as strongly as they are at present, they will turn into one of the type of personal treasure that you carry with you for a long time. Seriously, look them up!

Magnum Opus

In the first of a series of looking back at moments which changed music, Ciarán Leinster talks about the impact of Oasis’ debut album, ‘Definitely Maybe,’ which was released sixteen years ago, 30th August 1994 Britpop was the sound of young, British lads waking up, playing good, old-fashioned, high-energy rock ‘n’ roll, as a reaction to many lean years during which American bands had taken over. And no-one embodied the swagger, excess and hype of Britpop than Oasis. Whether it was drugs, drink, fur coats, album sales, gigs, sunglasses or unibrows, no-one did it bigger than Oasis.

The Battle of Britpop with Blur; recordbreaking shows at Knebworth Park to 250,000 people; meeting Tony Blair at Downing Street – Oasis had huge parts to play in the defining moments of the movement that defined that ‘90s.

But what defined Oasis, and Britpop, of course, was the music. And what defined the music was, undoubtedly, Definitely Maybe.

Oasis’ debut was released in August 1994, and spawned four singles; two of which, “Live Forever” and “Cigarettes & Alcohol”, made it into the Top Ten. Definitely Maybe itself went straight in at Number 1, selling 86,000 thousand copies in its first week. It remained the fastest-selling British debut album until the Arctic Monkeys came along in 2006. By now, it has sold over twelve million copies worldwide, and has gone Platinum seven times in the UK alone.

But these are all retrospective glories.

The truth is that Definitely Maybe is an astonishing record, but was even more astonishing at the time. After years of dull shoegazers and depressing American grunge, finally Oasis represented a band to get excited at. This was established from their first, legendary performance on TV, performing a scorching version of debut single “Supersonic” on The Word in March 1994. Definitely Maybe was in many ways an unintentional concept album about being a rock ‘n’ roll star. The opener, “Rock ‘n’ Roll Star” was no about wanting to be a rock ‘n’ roll star, but instead about acting like one. This, as the years which followed proved, was what Noel and Liam Gallagher did with relish. “Live Forever” is an ode to

eternal friendship, ‘we’ll see things they’ll never see’; “Cigarettes & Alcohol”, with its hook outrageously borrowed from T-Rex, is the archetypal drinking song, about when all you need are cigarettes and alcohol to make you feel like a rock ‘n’ roll star. “Supersonic” and “Shakermaker” were effectively odes to taking loads of drugs, while “Up In The Sky” was the nearest thing to a political song Noel Gallagher has ever written, where he clearly longs for a new type of political leader, which, arguably, he got in Blair.

While Definitely Maybe did not begin Britpop, it certainly played a huge part in hauling indie into the main stream, seemingly forever. After the record’s release, British musicians effectively partied for

3 years, until it all came to a sudden end in 1997, partly due to the disappointment of Oasis’ third album, Be Here Now. Yet what a three years it was, during which seemingly everyone had a hit record, and

the likes of Paul Weller, Blur, Suede, Pulp and Supergrass produced stone-cold classics.

But without Oasis, and Definitely Maybe, it’s hard to imagine the same heights of excess would have been scaled.

The Siren 08.02.11

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Music

The Scoop

Hercules & Love Affair – Blue Songs 8 out of 10. By Simon Mulcahy

This album makes the second coming of space-age disco extraordinaire that is Andy Butler under the guise of “Hercules & Love Affair”.

After the success of this project’s self titled debut, released in 2008, Andy and his ever-changing collaborative team of mismatched vocalists, producers and musicians return with their sophomore release “Blue Songs”. For this album Andy and his crew escaped from the New York setting that heavily influenced the first album’s sound and style whilst recording the follow-up, instead choosing to settle in his hometown of Denver and travelling to Vienna to work with the well-renowned techno producer Patrick Pulsinger. This change of setting comes through in many moments on the album, replacing what would have been 1980’s NYC house for a more European flavour of post-modern disco.

The album opens with the beautifully constructed strings “Painted Eyes.” It moves straight into the lead single “My House” which features the instantly recognizable deep-house piano sound that is one of Hercules’ most defining features throughout all of their work. The songs seem to seamlessly waft in and out of each other, never attracting attention towards the start or finish of any song results in an album that is equally complete when listened to in one sitting or as stand-alone songs. Songs such as “Boy Blue” and “It’s Alright” show the versatility of Andy Butler’s orchestration and writing abilities. These songs also contain some of the most memorable moments of the album. Some of the most interesting elements of this piece of work are as a result of the darker aspects of their music coming to the forefront in songs such as “Visitor” and “I Can’t Wait”. These numbers take us deep inside the doubts and worries of their creator which prove to create fascinating sounds and rhythms. Another highlight comes in the form of “Step Up”, graced with the melancholic chanting of Kele, of Bloc party fame, which proves to be a perfect match with the funky styling’s of The Hercules outfit. This is definitely not for everyone and many people will overlook it as another album of mindless house, but if you give it the time then you will reap the rewards.

The Streets - Computers and Blues 7 out of 10. By Aonghus McGarry

If we are to believe Mike Skinner, the mastermind of the one man band that is The Streets, then ‘Computers and Blues’ is to be his last outing. This record was expected by many to be a return to form the likes of which not seen since 2004’s ‘A Grand don’t come for free’, unfortunately though, it never quite reaches the same depths of reflection on everyday life as had been the case on previous efforts, which had endeared so many to him in the first place. The album starts out remarkably strong however, ‘Outside Inside’ bizarrely uses a Garage Band sample found in the starter pack bundled along with new Mac books. While this shouldn’t have worked well, the track carries a nice groovy beat that wouldn’t be out of place on the Top 40. On the other hand, the first single, ‘Going through hell’ is aptly named as it is painfully wide of the mark. With lyrics as clichéd as “It’s not the size of the dog in the fight, but the fight in the dog”, Skinner is a pale imitation of the man who could poke fun at modern day Britain in a distinctly whimsical manner less than a decade previously. It might sound a little better as a ringtone. Skinner’s introspective reflections are far more endearing however. ‘Blip on a screen’, one of the softer tracks on the album, has the MC addressing his unborn child in a beautifully honest way “You’ll leisurely learn how to lie and pretend, to service your love and rely on your friends”. One gets the impression parenthood will suit him well. One of the major fallbacks of this album is the lack of new ideas, Skinner called it a ‘Rave’ album (but it really isn’t). What The Streets did so well was make the melting pot of UK Garage into an accessible art form that could hold its own in the world of pop, and pave the way for the Lily Allen’s and the Plan B’s of today.

That being said, ‘Computers and Blues’ is still an admirable effort from one of the purveyors of modern pop.

Crowbar - Sever the Wicked Hand 8 out of 10. By Graham Luby

Recently, veteran music mouth Paul Gambaccini famously stated that rock music “as a prevailing style” is dead.While this was not necessarily true, it is undoubtedly in a period of stagnation. This is most obvious in the case of heavy metal. In this, a day and age of emerging acts smearing themselves in their own shit to one-up each other in the shock stakes, it seems that “heavy” is now perceived as more of an idea than a tone, and this devotee of the elite feels that it is still down to the old guard to deliver the goods. In August of 2005, when Crowbar were riding the wave of success brought on by their recent eighth album “Lifesblood For The Downtrodden,” Hurricane Katrina devastated the band’s home city of New Orleans. Reeling from the loss of his house, equipment, practice space and too many of his friends, vocalist and sole constant member Kirk Windstein’s alcoholism escalated, and came to a head last year when he dropped out of a tour with Down to attend rehab. The resulting record, ‘Sever The Wicked Hand’, sees him back and firing on all cylinders. On this album, Crowbar have done away with the brooding introductions of old, and the result is not an opening so much as a kick in the face. Swaggering curtain-raiser, ‘As I Become One’, soundtracks Windstein’s return to his best (“Crawl back from the dead/Set me free”), before the album’s first single, ‘The Cemetary Angels,’ cranks proceedings straight into fifth gear. ‘Cleanse Me, Heal Me’ keeps the album at the pace of a charging dinosaur, before the band then slide into their familiar dirge mode with ‘Echo An Eternity’. A snail’s pace is then kept for the remainder of the album, the brooding interlude ‘A Farewell To Misery’ being the only solace provided from the constant wall of sound. The six-minute mark is broken only once, by the epic ‘Liquid Sky and Cold Black Earth’, before the album fades away, lumbering into the distance. On ‘Sever The Wicked Hand’, Kirk Windstein documented his journey back from the bottom of a bottle, and the result is an album that sounds as flattening as the story behind it. Even after 23 years, the New Orleans sludge kings still crush all opposition.

None better, none heavier.

playlist Glasvegas - ‘The World Is Yours’ The Scottish rockers are back with this latest offering from their upcoming second album ‘EUPHORIC/// HEARTBREAK///’, due out on April 4th. This is more of the same atmospheric storytelling from the Glaswegian band, sung in their very distinctive Scottish brogue.

Love or hate them, it will be interesting to see how the usually tricky second follow-up album is received.

Creep (ft. Rommy Madley-Croft) ‘Days’ Romy of The xx provides the vocals on this song from New York duo Creep. Romy’s voice adds to the eeriness of the addictive beat and synths on this track. The video is equally as spooky and fit’s the sound perfectly.

Bright Eyes - ‘Shell Games’ Conor Oberst has put aside his project with the Mystic Valley Band to focus his energies on what he does best with Bright Eyes. It has been nearly four years since Cassadaga was released and if new song ‘Shell Games’ is anything to go by, The People’s Key, due out on the 15th of February, is something to really look forward to.

Lykke Li – ‘I Follow Rivers’ This is the second single from the Swedish songstress’s forthcoming album, Wounded Rhymes (due out in March). This (like previous single, ‘Get Some’) is a lot darker than what appeared on her debut album, Youth Novels, but we like the way she is going so far.

James Blake - Wilhelms Scream The hype surrounding James Blake is quite surprising given his minimalist approach. Blake came second in the BBC’s Sound of 2011 behind the more radio friendly, Jessie J, and this is the second single of his self-titled debut album. This record provides further proof to his growing star quality.

Cut Copy - Zonoscope 9 out of 10. By Aonghus McGarry

Categorizing a band into a certain genre can have a limiting effect on a group’s ability to stretch themselves. We’ve seen it time and time again, artists develop a ‘sound’ that either keeps in line with previous releases or fits the status quo of ‘indie’ bands or ‘rock’ bands, or god forbid, a re-packaged imitation of previously produced critically and commercially successful music. Cut Copy do not have this problem.

Having been labelled ‘electro pop’ or the ridiculously broad term ‘dance’, this Australian outfit have the audacity to not only stick to their electronic roots, but embrace styles as disparate as Acid House and African music. The result is a record not only as well flowing as a DJ mix, but as cohesive as a meticulously crafted Classical piece. Lead single ‘Take Me Over’ doesn’t overwhelm with synths as previous Cut Copy releases may have tended to in the past, but can hardly be considered restrained. The Fleetwood Mac influences are perhaps most evident here, their instantly recognizable classic ‘Everywhere’ is morphed into an effortlessly danceable track which wouldn’t be out of place in an 80’s nightclub. More contemporary influences such as LCD Soundsystem also pervade the album, with ‘Corner of the Sky’ being as drawn out, in an enjoyable way, as closing track ‘Home’ on the last LCD effort. Leaving aside their influences, Cut Copy are an incredibly original band, their previous albums ‘Bright like Neon Love’ and the excellent ‘In Ghost Colours’ being ample evidence of this, ‘Zonoscope’ just reinforces that. It really is difficult to pick a favourite track on this wonderfully addictive album, it might be the epic 15 minute closer ‘Sun God’ just as easily as it could be opener ‘Need You Now’, either way this reviewers thoughts on this album will doubtlessly chage over the course of many expected listens, my opinion on Cut Copy will not. This is not a band set to fall in line with the status quo or even the constraints of a niche they may find themselves in. This is a group of tastemakers.

by David Murphy

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Music

The Siren 08.02.11

Mad About Madisun

Dane Beattie, the front man of one of UCD’s most promising up and coming bands, talks to Donie O’Sullivan about the band’s aspirations for the future, their hopes to play UCD Ball and how, after only being formed three months ago, they are already lined up to play Oxegen 2011

“There hasn’t really been a big band in this country for a long time, since U2 really, the Script of course are doing really well, but for such a talented country there hasn’t been much.”

Dane Beattie, Madisun’s front man is confident, and it’s clear he believes his band can be “the next big thing”, but maybe he has a right to think so.

Having only officially formed at the end of last November, and posting what Beattie describes “as a very rough demo” online, although he is quick to point out “it is still better than most of the demos that are flying around these day,” Madisun have been attracting a lot of attention on the Dublin music scene. Having played only a dozen gigs, the band have already been spotted

by MCD and have been asked to grace the new band stage at this year’s Oxegen Music Festival.

The five man band consists of an all Dublin line up, Dane Beattie as lead vocalist and guitar, his cousin Charles Frisby on piano, vocals and saxophone, and Niall McEvoy, Sam McLoughlin and Simon Flynn on drums, bass and lead guitar respectively.

Beattie, a second year UCD Law student, explained to The Siren how the band came together. “My cousin [Charles] and I have been writing songs for a good few years, we were really happy with the songs so we said we should try and form a band. It took us a while, because none of our mates are into playing music really.”

However he went on to say that things quickly changed when he came to UCD, “When I got into college I met a load of people who were into music. Niall, who is in Law with me, and Sam had been in a band together but left it to join me an Charles.”

“We met Simon, who is a first year engineering student, our lead guitarist, through the Music Society here in UCD, he was the first lad we got talking to there and that was it.”

There is no doubt that, although it is early days yet, the band has attitude and their lead vocalist is thinking big.

“I think we can be the best band out there, we want to be it, it’s going to take a lot of hard work, but we are really passionate about it.” “What we are trying to do more than any other band in Dublin, is to work really really hard, we are practicing four or five times a week and gigging once or twice a week.” Unlike many of the band’s contemporaries, Beattie doesn’t like comparing Madisun to another band that is out there at the moment. “As cringy as it sounds we are trying to be ourselves.”

“I wouldn’t want to say we have any particular influences, because all of us in the band have different influences, and I have heard a lot of people take different things from our music, there have been all weird comparisons that we wouldn’t have thought of, but that is what music is all about, it’s subjective.”

“Our music is kind of stadium rock, but then again all the guys in the band would have different opinions on how to describe our music.”

Some of the band’s songs include “Crazytown,” “Marijuana Minute,” and “Revolutions,” most of them are wrote by Beattie and his cousin Charles; “we write the songs then the band puts the genius to the rest of it, the lads are great.”

When it comes to writing songs he continued, “I wouldn’t be a big one for sitting down and thinking about it, its whatever comes to me”

“Sometimes it comes from the music. The two of us [Dane and Charles] are kind of obsessed with the music, sometime we write the music and then the lyrics.

Sometimes there is a bit of a tune and you have a bit of an idea you want to send it out there, but some song that means one thing to me might mean something completely different to someone else.”

The guys have played gigs in the regular venues across town like Captain Americas, the Mercantile and Whelan’s.

Explaining how they were spotted for Oxegen, Beattie told The Siren, “There were a few MCD heads at one of our gigs and asked us to play at it.”

“Playing Oxegen is ticking the boxes of one of the things we want to get done, we want to motor on from that, there will be a lot of heads at Oxegen that will be looking for bands so we will have to impress.”

The band will be playing in the UCD Student Bar on the 16th of this month as part of Com Day, Beattie adding, “If we get a good response there, then hopefully the UCD Ball should be on the cards.”

“Playing at the UCD Ball would mean more to us than Oxegen I think, cause at Oxegen you are going to get a lot of people who won’t know ya, people that were at the last band and people at the next band, but the UCD Ball would be huge exposure.”

However the front man insisted that Madisun wouldn’t let it all go to their heads.

“At the moment there is a lot of hype, but we are not going to be one of these bands that are going to have a gig here and there and have a big ego about us if we’re not going to be going anywhere. We have the music, and we are going to keep looking forward, and keep the effort and the passion up.”

There can be no doubting Beattie’s passion, determination and confidence, he truly believes that Madisun have something special with that mindset he has his eyes set on a slot at this year’s Electric Picnic and

Check out Madisun on Facebook & SoundCloud (www.soundcloud.com/madisun/)

See them live in the UCD Student Bar next Wednesday the 16th for Com Day 2011.

said, “In twelve months time, we will be signed, we don’t really see not being signed as an option, we have the songs and we are working really hard.”

The Siren 08.02.11

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Music

Ones to Watch With the Meteor Awards, Ireland’s biggest awards, on a ‘break’ for 2011, Amy Walsh attended the Digital Socket Awards to talk to some of Irish Music’s best up-and-coming acts Taking place last Thursday night, the Digital Socket Awards were held at The Grand Social. The Awards seek out and celebrate new talent on the Irish music scene, and with names like Adebisi Shank, Solar Bears, Villagers, Cathy Davey, The Cast of Cheers, Squareheads, Ham Sandwich and Groom present, the event lived up to expectations.

The occasion was organised by music bloggers Ronan Hunt-Murphy (Swearimnotpaul), Nay McArdle (Harmless Noise), Peter Nagle (2 U I Bestow), and Aidan Cuffe (Goldenplec). “Tonight is about showcasing the music as well as the people who promote the music,” said Ronan Murphy of Swearimnotpaul.

This is evident as talented bands, presenters and artists were recognised for their contribution and success in the Irish music scene in 2010. Nomination categories included Best Music Photographer, best Album Design, and Best Radio Show, as well as categories covering everything from indie music to alternative.

A nomination process with a twist saw music bloggers take part in the initial selection process by choosing a long list of acts and artists for each category. The public were then invited to nominate artists. The bloggers took over, narrowing the nominees down to short lists of five. This process was testimony to the influence of virtual media which drives and directs new talent in the music scene.

Murphy, speaking before the awards, hinted that the MC would do a “Ricky Gervais at the Golden Globes” presentation style, while warning me not to be offended. By the end of the night, I realised that “Ricky Gervais” was an understatement. Comedian Gareth Stack took the microphone and immediately any pretention one might expect at a music awards ceremony was shredded. Stack opened with a sombre tone, warning the audience of the dangers of improper relations with electrical sockets.

Addressing a crowd full of musicians and bloggers, he blurted, “Like many of you here tonight, I too am a failed musician…..the difference is I’m not up for an award.”

Always the crowd pleaser, he introduced acts with tact and sincerity, referring to a female artist present on the night as “the Maria Carey of Asperger’s syndrome.”

Introducing special guests Ham Sandwich as local legends, “playing some tracks from their second commercially unsuccessful LP.” “Good to see the standard of competition is so high and I’m talking Texico Art competition high,” he added.

Fortunately, Stacks predications were miles off and the quality of live performance on the night had a packed venue buzzing.

The first live act, Irish rock group Groom, belted out some top class tunes. Meljoann performed a funky set. This little known artist, labelled IDM, is a real gem.

Artists Adebisi Shank,Villagers, Cathy Davy and The Cast of Cheers received multiple nominations.

Electric rockers Adebisi Shank took home awards for Best Design (website, artwork, posters), Best Rock and Best Album while Villagers won Best Folk and Best Song. The charming Cathy Davy accepted Best Pop, with Best Electronic / Hip Hop going to Solar Bears.

TRTÉ presented the RTÉ Special Award for Outstanding Contribution to Irish Music in 2010 to The Cast of Cheers. The band, a rising star on the music scene, also picked up awards for Best Indie and Best Newcomer.

I caught up with the Cast of Cheers to see what they thought.

“To be honest we came here not expecting much… so to actually win has been clichéd but absolutely fantastic.”

Special guests Ham Sandwich finished off the live acts for the night in true indie rock style.

In the absence of the Meteor awards this year, the DSA’s were an innovative alternative to mainstream music awards.The nominees reflected a serious consideration of quality music, chosen regardless of financial backing.

The passion and dedication injected into the event was testimony to the music showcased.

The Irish music scene is enjoying a golden age, the sparkle of which was captured in The Social Venue last Thursday. The event proved that these artists, as predicted by their instrumental commentators, are ones to watch.

Acts to Watch Out For

Music Blogs to Check Out

The Cast of Cheers Adebisi Shank Villagers Cathy Davy Meljoann Groom Ham Sandwich

Swear I’m Not Paul, 2UIBestow, Harmless Noise Goldenplec RED Radar Electricwhipcrack Musicreview My Event Guide, Sweet Oblivion.

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Music

The Siren 08.02.11

Bandits Horse-wagon Shows no Sign of Stopping The most talked about Irish music act, The Rubberbandits, speak exclusively to the College Tribune after their recent visit to UCD and talk to Colman Hanley about talk about Willie O’Dea, new material they’re working on and plans for the future

The

Rubberbandits

graced

What’s the 25th of February? Oh, the election. We’ll be in Ibiza, we’ll be judging a sand castle competition that day.

the

directly after their performance in the

hallowed turf of the Student Bar last

Students’ Bar, Blindboy was asked how

week, as Blindboy Boat Club and Mr.

did he found UCD gig? “It was grand,

Chrome entertained the hundreds

I didn’t really have to find it cause I

who packed in to see the duo during

had a driver who took me, d’you know

their performance for Seachtain na

what I mean. I didn’t really know

Gaeilge.

where it was to be honest with ya, but

The Limerick duo are still the talk of

my driver did take me there so that

the Irish music scene following on from

wasn’t you the issue, d’you know.”

their hugely successful single, Horse

And the travel down from Limerick?

Outside, despite the single being edged

“Yeah it was grand, I went in a bus

out to the Christmas number one slot

which took four hours because it

Marty Whelan dressed up like a spider

by ‘When We Collide’ from X-Factor

stopped outside the houses of people

in every episode, so unless that happens,

winner, Matt Cardle.

However the

who I don’t know, which was a bit

we’re not going to go back on.”

Bandits push for number one was

of an inconvenience. And he (Mr

Marty Whelan? As any Rubberbandits

hampered due to the poor weather

Chrome) was grand cause he was

aficionado would know, according to

conditions during December which

already in Dublin cause he had court.”

one of their hit tunes, ‘Up Da Ra,’

prevented the further release of the

The Bandits success has also come of

Marty Whelan is allegedly a member

Limerick duo’s single to record shops

a result of their hugely successful guest

of the IRA. Would the Bandits really

nationwide. Should circumstances have

slot on the Republic of Telly, hosted by

want a figure, with such a reputation,

been different, it was possible that the

comedian Dermot Whelan. The hit

on their show?

number was achievable judging by the

show is due to return to our television

“Yeah, Marty Whelan is full on in the

from the cap guns and then he blew up

Blindboy admit to taking inspiration

fact that Horse Outside had gathered

screens next month, but according to

IRA, very very high up, in the tip top,

Canary Wharf. That’s why we haven’t

from different figures in Irish life, one being Limerick TD Willie O’Dea.

Willie doesn’t give a fuck about the election, we’ve ran with Willie, we’ve ran away from the Gardaí with Willie, he’d rather be over in Ibiza with us judging the sand castle competition, that’s what he’s pissed off about now to be honest,”

more hits on YouTube than Cardle’s

the bandits, unless their demands are

himself and Derek Davis, they did

seen him since 1996.”

X-Factor winning performance. (to

met, they remain unsure if they will

Canary Wharf, you know.

They’re

Aside from making some shock

‘O’Dea,’ was one public figure who

the gas c***** you know, but Marty

revelations in Irish history during the

defended the Bandits live on Joe

Whelan pushed Derek Davis out of a

interview, the Bandits displayed their

Duffy’s Liveline show during the run

helicopter and Derek Davis had a load

comic humour which has made them

of Horse Outside in the Irish charts

of caps attached to him, you know,

the success they are. Mr Chrome and

in December, and O’Dea was DJ to

date, Horse Outside has attracted over 5.8 million hits) However the success has led to the Bandits current nationwide tour, and

return to the show.

“We might be you know, We said to RTÉ that if we’re to go back on television, we’re going to have to have

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Music

the Bandits in their gig on campus last Thursday. However with a General Election fast approaching, and the Bandits two of the most popular Irish citizens at present, did they feel a slight temptation to throw their hat into the ring and give their friendly TD a bit of competition?

“What’s the 25th of February? Oh, the election. We’ll be in Ibiza, we’ll be judging a sand castle competition that day. Willie doesn’t give a fuck about the election, we’ve ran with Willie, we’ve ran away from the Gardaí with Willie, he’d rather be over in Ibiza with us judging the sand castle competition, that’s what he’s pissed off about now to be honest,” revealed Mr. Chrome. “But

We said to RTÉ that if we’re to go back on television, we’re going to have to have Marty Whelan dressed up like a spider in every episode, so unless that happens, we’re not going to go back on.

he’ll he elbow deep in booty over here

Mr. Chrome boasts, “I’m working on a satin that will blow your f***ing mind, ya ya ya ya.” The conversation between the Bandits continues...

BB: “I’m thinking of working on a material, what’s it called, Salkin, modelling on spider’s webs as it is so strong.”

MC: “Gossamer?”

BB: “Is that Gossamer? And someone’s already done it?”

MC: “You know French wrestling costumes?

They’re made out of

gossamer.”

BB: “Made out of spiders webs?”

MC: “No, Gossamer.”

BB: “Is Gossamer based on spider’s

replies. “Do speed and fall into a river

they are bound to be still be gathering

webs? Is it?”

mainly. And then I don’t know, hot

our attention. I for one, await their

MC: “Yeah.”

air ballooning or something like that.”

next move with anticipation.

The Rubberbandits are currently in

though,” claimed Blindboy. “He goes

Have the Bandits been working on any

BB: “Well there goes my idea so. That’s

Mr Chrome further added. “We’re

around canvassing and ‘getting blow

new material?

f****d up, there’s no comeback after

going to try go camping as well, and

the middle of a National Tour, for more details on their upcming concerts, go

jobs’.” (At this point, Mr. Chrome tells

“We’re trying to invent a new type

that. G’wan, next question.”

try exploring, pot-holing and French

Blindboy that he can’t do air quotes

of silk,” claimed Mr Chrome (MC).

Finally, I (attempt) to ask the Bandits

wrestling. Yeah things like that. A lot

to www.therubberbandits.com To hear the recording of this interview,

during interviews).

“We’ve loads of new material, I was

about the future. What are their plans

of French wrestling too.”

So with no plans to run against their

we’re thinking of a new polyester

for the future beyond their current

Whatever the Bandits do get up to in

Log

tour? Blindboy Boat Club immediately

the near future, French wrestling or not,

during the week.

local TD, what about any new music?

mix,” exclaims Blindboy (BB), while

onto

www.collegetribune.ie

fashion

8

The Siren 08.02.11

Come Style With Me Aoifa Smyth discusses air hostess style, from past to present.

Nowadays, as one boards a flight with certain low budget airlines, expectations are not exactly high. As well as over priced snacks, bad smells and a lack of over head storage, the air hostesses are not much of a treat for the eye. Generally, you are greeted by brash coloured skirt suits, tan tights, bad make up, scraped back up-dos and a dirty look. Despite this lack of effort, there was once a time when an air hostess was considered a glamorous figure, and the aisles of a plane, resembled a catwalk.

The first air hostesses joined the world of aviation in the late 1930’s, when United Airways began to hire nurses to assist passengers on flights. Their responsibilities included looking after passengers in case they became sick and providing snacks.

These women were known to fall victim to much sexual harassment from passengers, as inappropriate grabbing and groping were common occurrences.

Their uniforms were rather conservative and possessed a military feel. They consisted of high waist skirts, which went far below

the knee with crisp pleats, teamed with blouses, cropped, tailored jackets and pointed military inspired caps. They were made from grey wool. World war two saw an increased demand for nurses, so the airline began to hire women who weren’t nurses.

Those who applied for the positions were expected to be young, slim and single.

Any breeches of these requirements led to immediate dismissal. The airline even went so far as to demand certain weights and heights from their female staff, from which extreme dieting ensued. In the late 1940’s and early 1950’s, the uniforms became more feminine, but still remained modest. Air hostesses donned lady like gloves, pill box hats and spectator shoes.

The 1960’s saw the emergence of much competition between airlines, leading to dramatic measures to stay ahead of the game, many utilising the female form. Designers such as Emilio Pucci and Jean Louis were hired to design air hostess uniforms, turning the sky into a haven of class and elegance.

Campus

Style

By Danny Lambert

From Left: Hannah Goff (Age 18) 1st English Mode One Style Icon: Kat Von D Favourite Shop: Hannah Goff Andy Lyster (Age 19) 1st Music & Drama Style Icon: Luigi Nono Favourite Shop: Dublin Flea Market Marguerite Murphy (Age 20) 3rd English Style Icon: Tilda Swinton Favourite Shop: Harlequin

1965 saw the launch of Gemini 4 by Emilio Pucci for Braniff Air. This uniform brought the air hostess garb to a new level, with bright pastel colours and space-like bubble helmets. In 1968, Balenciaga designed Air France’s uniform, consisting of a smart two piece skirt suit, with a waist cinching suit. In the same year, United Airlines introduced a playful a-line mini dress, in a rich orangey red with a matching hat, which encouraged the departure from the skirt suit.

A law was passed in the 1970’s, meaning that women could not be forced to retire on the basis of age, marital status of pregnancy.

The bill also meant that men could apply for steward positions. During this decade, the air hostesses became a focal selling point in ticket sales. Hemlines were shortened, go-go boots were worn and hot pants were introduced by Southwest Airlines, who saw an increase in ticket sales with this decision. The airline used the airline “sex sells seats”, using their staff as distractions for bored business men. In 1971, Valentino designed a pair of hot pants for Trans World

Airlines. Mary Quant designed a line for Court Line Aviation in the seventies, which went against the grain of other uniforms at the time. Her outfits gave hostesses the option to cover up, yet remain stylish, in bell bottoms double breasted over coats and aprons.

As the saying goes, all good things must come to an end, and the increased fuel prices in the late 70’s saw budget cuts on board flights. Expensive and glamorous uniforms were no longer seen as a priority and they reverted back to practical and suitable wear.

Despite the lack of effort and excitement currently involved in the uniforms of low budget airlines, some parts of the world still retain an air of class and elegance with their uniforms. Thai Airways and Air Asia are known to have impeccably dressed staff and Taiwan’s Air Eva even has a Hello Kitty themed plane, with kitty themed everything - as well as air hostess’ uniforms. In 2005, Air France showed their new uniforms, which were designed by Christian Lacroix.

The collection includes 60 interchangeable pieces of clothing and accessories, such as a navy dress with a cinched waist and navy pant suits, all with a sweet red bow. This gives one a glimmer of hope that glamorous flying can still be attained, just perhaps not on a budget.

fashion

The Siren 08.02.11

9

Suits You, Madam

Chic

With a few balls approaching in the upcoming months, Ashling O’Loughlin discusses the alternative to the safety of a dress When Yves Saint Laurent pioneered the first female tuxedo in 1966, he not only changed the future of dressing for women, but also offered them a new found sense of empowerment and authority too. Through the classic tailoring and minimalistic design of the famous ‘Le Smoking’ tuxedo, YSL established the female suit as an iconic trend in both the world of fashion and pop culture.

This new movement of power dressing enabled women everywhere to assume the attire of men and embrace a more simplified, androgynous look. There have been many variations of power dressing through the decades, with Madonna commanding the male look in full length suit and top hat in the 1980’s, up to more current times with Lady Gaga taking it one step further with those ostentatious shoulder padded jackets.

But the female tuxedo is not just for bizarre superstars, it’s formal influence is appearing on runways everywhere, as well as smartly parading around Upper east side New York

on the set of Gossip Girl.

This year’s spring fashion collections give formal dressing a modern twist, with Donna Karen showcasing full length, white jumpsuits and satin tuxedo jackets.

Chanel have even dared to take it one step further, incorporating the dicky-bow and cummerbund to complete the dandyish appeal of tuxedo dressing for women. And while it would be wonderful to strut out in an original Chanel suit, it is not exactly the most economical option for us mere mortals, but luckily the high street is full of power inducing outfits for women this season. Bows, brogue shoes and waistcoats can be found anywhere in main stream shops, take these simple trends and theme with a crisp white blouse and black high waisted trousers to create the smart look without having to empty your entire purse.

Jumpsuits are also a very youthful form of power dressing and can have as much impact as a full length Victoria Beckham

power suit, without making you feel like you belong in a business conference.

For those of us who aren’t quite brave enough to step out in a full length trouser suit and chapeau, there is always the pencil skirt. Originally designed by Christian Dior in the 1940’s, the pencil skirt is a close cousin to the female suit and offers a more feminine alternative to the tuxedo. A black pencil skirt can be easily brightened up by a blouse for formal wear or simplified with a tank top for a more casual look, just like high waisted trousers or a blazer jacket, the

pencil skirt can be dressed up or down.

With so many formal dinner dances and college balls on the horizon, it’s inspiring to see more options in formal dressing than having to pull out your old debs dress again.

The tuxedo is a tasteful and smart alternative to a full length gown. A more masculine influence in dressing is something that we can expect to see a lot more of in fashion this Spring and Summer and for us Tom Boys, it is a welcome diversion from the pink and frilly Ballerina craze that seems to be invading our lives at the moment.

Leopard prints Before you faint with shock and/ or horror, the return of leopard print comes in small doses. Celebs such as Kat Deeley have been spotted out on the town with cool and funky leopard print handbags. Best of all, there’s a wealth of high-street options out there. Use sparingly and with caution!

Blasts of Colour For both men and women, don’t be afraid to give your outfit that splash of colour. It’s now spring (technically) and the high street is bursting with vibrant colours, from coats to jeans. Don’t be afraid to make a statement, just don’t go overboard!

Tender Loving Hair

by Laura McNally Colouring, bleaching, straightening, blowdrying, backcombing, extreme weather and applying copious amounts of hair products – what do all these have in common? They can all adversely affect the condition of our hair. Here are some tips on how to show your precious locks some T.L.C 1. The ingredients in hair dyes as well as the heat of electrical appliances, such as hairdryers, can cause hair to become dry and brittle. It is important to give our hair some TLC on a regular basis by using deep conditioning treatments. The hair care brand “Aussie” do an affordable “3 minute miracle” conditioning treatment, which replenishes and re-nourishes hair. Hot oil treatments are also available from chemists and will also replenish hair. Heat the oil, apply to hair and wrap in a warm towel for 15-20 minutes for best results. Alternatively, you can also apply some olive oil to the hair for a deep conditioning treatment.

2. Regular dying can also damage the condition of hair, due to the harsh ingredients and chemicals found in hair dyes. Invest in a colour protect shampoo to make your colour last longer to thus avoid dying it too much during the year. L’Oréal and TRESemmé sell great colour protect shampoos and conditioners.

3. The golden rule of hair care: DO NOT WASH YOUR HAIR EVERY DAY! While you may be tempted to shampoo and condition every morning for that clean, fresh feeling, washing your hair every day

Nautical 2011 catwalks are overflowing with nautical themes for men and women.

Why not invest in a stripped t-shirt or blazer? Lots of clothes, hats and other accessories on the high street have been given a nautical twist for the new season, so it’s a cheap and easy trend.

Eek is not good as it prevents the natural oils from working, which condition the hair. It is recommended that hair should be washed every 2 days, but for those of us who struggle with greasy hair, there is a reliable remedy to banish those greasy roots: dry shampoo. Available from most chemists, dry shampoo works by soaking up the grease in the hair, reducing the appearance of greasy roots. At 3-4 euro a can, this item is a musthave in your beauty cabinet.

4. Invest in the right shampoo for your hair. While it’s convenient to just grab the cheapest shampoo that’s available or use whatever happens to be lying around your bathroom, there’s really no benefit in using shampoo for dry hair if you have greasy hair

or in using colour protect shampoo if you don’t dye your hair. Pick a shampoo which corresponds to your hair type. If your hair is fine, flat and lifeless at times, try a volume boosting shampoo. If you suffer from dandruff, choose an anti-dandruff shampoo.

It’s worthwhile to invest in a good shampoo and conditioner to make the most of your hair.

straighteners through your hair seems an unthinkable idea to you, at least try to skip the straightening once or twice a week.

Wear a plait or bun, embrace your natural curls or leave in loose plaits overnight for a wavy look the next morning. If it’s possible, try blow-drying your hair straight if you need to, as the heat from the hairdryer is less intense than from the straighteners.

5. Don’t pick at your split ends. If you notice split ends appearing, head to the hairdressers for a trim. Trainee salons offer reduced prices on haircuts, so you won’t need to break the bank to stick to this rule.

7. Holiday goers, take note! The sun can have damaging effects on our hair. Just as skin can become sunburnt, the sun can also damage our hair if we leave it exposed.

Protect the hair by wearing a cap or bandana on holidays when out in the sun for long periods of time.

6.Take a break from the electrical appliances.

If leaving the house without running the

Heels on Campus A big no-no for day time college life, unless you want people to assume you’re on the way to class as part of your walk of shame.

Turn That Swag Off Cher Lloyd has been reportedly told by record label bosses to tone down her signature ‘low rent’ look in favour of a style more acceptable to an international audience. If you had been a follower of such styles, fear not - those patterned baggy trousers will come in handy on those cold winter nights!

by Alan Moss

10

The Siren 08.02.11

The Truth on Buying into a Look An exposé on American Apparel’s hiring policies, by Marguerite Murphy. and beautiful.

I really like American Apparel. They

helping shoppers with sizes, reaching

corporation’s employees.

have great clothes. Clothes that are

high up jumpers and flashing that ‘all

hiring scheme was put in place, and all

Charney even ‘saves’ on models, using

A former American Apparel employee,

minimal,

American’ smile.

applicants (alongside filling out a piece

amateur shoppers or employees for

Jessica Emerson, relives her experience

But, take

Lastly the dreaded ‘stockroom’ status.

on what they envision their ‘style’ to

photo shoots, which are often publicly

of working at a store which she was

note; when you enter an AA store, you

Stockroom is like a death sentence for

be) now have to have photos taken,

scrutinized for their pornographic

fired from, after Don Charney made a

are subconsciously entering a world

Abercrombie employees, usually saved

which are then sent to a head office in

abstraction. Any publicity is good

visit and spent some time staring her

of carefully cultivated marketing that

for the less fortunate looking. Or so

L.A so an anonymous individual can

publicity.

down. Perhaps coincidentally, she was

is waiting to snare you, a marketing

I was told by a handful of employee’s

browse the jpeg, and, unknowing of

It is, of course, technically illegal to

told the day after his visit that she was

that has recently come under heat for

from the London store. Although brand

the individuals personality, experience

discriminate in the work place based on

being dismissed for talking on the sales

discrimination of its employees.

managers will probably (or, definitely)

or professionalism, make the crucial

looks, but Charney has been rumoured

floor, but it all seems to add up. She

The UK flagship store ‘Abercrombie

not admit to this, I can argue otherwise,

decision on hot or not.

to have told store managers to find a

writes:

and Fitch’ is known for its hiring

having personally gone through an

This cut throat scheme was brought

way to fire those who do not live up

‘It sucks because American Apparel

criteria.

Usually, you would be

interview in which a Polaroid is taken

in to filter through the current

to the American Apparel aesthetic.

should be a cool company: they

spotted whilst browsing the store. If

before an intimidating group session

employees at all American Apparel

Charney is happy to take on any haters,

make nice cotton basics, are made in

you volunteer yourself, you’ll want

would suggest the importance of sales

branches, and managers are ordered

answering the media uproar about

the US, and claim to support open

to have modelling experience or

assistants physical appearance over their

to take group shots from time to time

the unfair means of hiring and the

immigration policy and gay rights. But

just downright fabulous genes, as the

experience.

so that the management from high

vanity imposed upon the unknowing

a company built on American values

categories candidates enter into are

But back to the brand making headlines,

up could separate the wheat from the

shoppers of today with:

and supposed inclusively should not be

universally known to be based on a

American Apparel recently underwent

chaff, a judgement based exclusively

“What we do is natural, and it’s been

indiscriminately firing people because

three tier image hierarchy. The first is

an image transformation. Previously it

on looks. In regards to promotion,

done for years. We hire the type of

they are not deemed desirable by the

model. Chiselled, tanned and naturally

had found a place in the market as a

employees can only expect pay rises

people we think will resonate with

CEO.’ It’s a point to consider when

beautiful (female employees are warned

kooky brand which slotted in with the

by submitting regular photos to assure

our customers. Who doesn’t do that?”

you buy into these brands, perhaps, like

that make up will not be tolerated, in

noughties new-rave trend of glittery

big boy exec’s that they are keeping

he argues. “This is a business where

the issues surrounding Simon Cowell

order to emulate the ‘natural’ image

leggings and brash spandex onesies.

‘on brand’ physically and stylistically,

first impression is important. It’s about

and his musical industry omnipotence

of A&F). The model role consists of

Now it’s re-brand replicates the fresher

a truth which American Apparel’s

intrigue, not beauty.”

over the charts, fashion has too become

standing in full Abercrombie regalia,

minimal, prep styles in neutral shades.

spokesperson

admit,

However, many may argue otherwise.

a brainwashing power, as high up multi

and technically, looking hot (smiling

With this overhaul, came a questioning

revealing ‘Your looks determine your

It seems that it is the physical looks

millionaires like Don Charney watch

and forcing a dashing ‘HEY! How are

of the people bringing the clothes to

position and pay rate, not how effective

of our sales assistants that are under

his minions perpetuating a certain

you?’ to customers is as complicated

the racks. CEO, Dov Charney (A.A’S

you are at your job.’

scrutiny, not their ‘style’, as employees

‘look’ over the globe. Time to visit the

as it gets). The second tier is ‘impact,’

owner), saw the importance of availing

American Apparel big shots aren’t

wear the American Apparel brand head

small chain vintage shops and home

an employee status where you are not

of every advertising space you could get

stupid. Their hugely successful, cutting

to toe by rule of uniform anyway, and I

brand designers as I enjoy diversity, not

quite so beautiful as the latter, and so

- even if it meant a literal embodiment

edge brand has broadened their buyer

can safely say, the only people I’ve seen

a throng of handsome yet replicate girls

must work a little harder- this entails

of a certain ’look’ in his world wide

markets in recent years through

folding changing room piles are boney

and boys.

wearable.

Clothes

generally scream “cool”.

that

A new

unashamedly

infamous media exposure.

Don

Get Down On It! Kate Brady talks us through the seventies look, which dominates Spring/Summer collections this year It may feel like this freezing weather

1970’s.

not forgetting Farrah Fawcett and that

even the most disorientated students

will never leave us, but with each

It is easy to achieve this style once

infamous seventies hair. It’s the simple,

look somewhat sophisticated. For

woolly layer and extra thick pair of

you look at what you have, rather

recognisable style of these characters’

nights out, hotpants, knee-high socks

tights comes the hope that spring

then what you’re lacking. However, be

outfits that is chic, charming, and above

and wedges are a great roller disco or

weather is slowly, but surely coming.

cautious in your spending - 100 euro

all, easily imitated.

Studio 54-inspired look that can be

With this hope comes the time to

could easily afford two pieces that may

First, match the dresses, smocksm or

easily applied to your evening attire.

apply something new to our summer

scream seventies, but if they are too

tunics you already have with bright

Big hair is key. Currently, curls are

wardrobes. That is to pack away our

distinctive to wear repeatedly, the total

coloured tights, rather then black.

usually worn in a safe, minimal style.

dark, charcoal or grunge attire and add

could leave you too short of cash to

White lace tights can start at as little

Try curling hair fully instead, and sleep

a splash of colour to our wardrobes

be able to go out and flaunt your new

as ten euro, and really smarten up a

in it, hair sprayed, to wake up to a

with the muse that is seventies fashion.

ensemble.

daytime dress. Wearing casual scarves

casual yet natural look. When it comes

With some cold weeks ahead, there’s

In terms of influence, when walking

as headscarves, paired with light denim

to accessories, round sunglasses, big

time to root through your Mum or

around campus and the city centre in

jeans and baggy tees, can also work to

clunky bangles, rings and earrings can

pieces - provided it’s tastefully done

Gran’s old wardrobes, make your own

general, it seems people are drifting

give a feminine yet kooky look.

complement simple everyday outfits

and does not involve tie-dye or bell

dresses, rummage through charity shops

away from their usual supermodel

Peter Pan collars are quaint and

nicely. Take advantage of bright reds,

bottoms. With spring coming, we

and start to scan the high street to piece

or

taking

endearing. More importantly they are

yellows, greens, baggy sleeves and floral

have an opportunity to loosen our

together outfits that capture an inspired

inspiration from their favourite old

easily made and can be attached to even

patterns, as they look just lovely on

grip on the body-con pieces that

look of your own. This doesn’t have to

film characters. Think of Woody

your most “hopeless” of pieces, making

bright spring mornings.

have dominated our evening winter

burn a hole in your pocket. If cheap

Allen’s Annie Hall, Penny Lane from

them exciting again. Pencil skirts, high

Most of all, seventies fashion allows for

wardrobes and start to look at looser,

and cheerful creativity was encouraged

Almost Famous and Faye Dunaway’s

waisted pants or shorts matched with

some creative experimentation with

neater and prettier ensembles that

in any era, it was most prominent in the

femme fatale from Bonnie and Clyde;

patterned blouses or plain shirts, make

previous Spring-Summer collection

convey a different allure.

celebrity

influences,

11

The Siren 08.02.11

Hereafter Film Review Tangled Film Review 1/5 Stars

by Ryan Cullen

4/5 Stars

by Amanda Barton

Hereafter is a fantasy film directed by Clint Eastwood, executive produced by Steven Spielberg and from a screenplay by Peter Morgan. The film tells three parallel stories about three people affected by death in different ways. Matt Damon plays American factory worker George, who somehow has the ability to communicate with the dead, while Cécile de France plays French television journalist Marie, who survives, what appears to be the Indian Ocean tsunami.

Elsewhere, Frankie and George McLaren play Marcus and Jason, a set of English twins who are experiencing trouble with social services because of their alcoholic mother.

Although the film possessed a director with such great talent in Clint Eastwood, and also boasted having the likes of Steven Spielberg and Matt Damon involved, one ponders how they made such a mess from a promising idea and concept. The script was tedious, with the visual effects (which somehow got an academy award nomination) unconvincing.

To add further insult, the acting is just simply

Attention for all Disney lovers everywhere for the celebration of the 50th animated feature film, Tangled. Not only is this film to be noted as the 50th of the series, it is also the second most expensive film ever made next to Pirates of the Caribbean At World’s End and it is the most expensive animated film with a whopping budget of $260 million.

The film, originally titled Rapunzel, was changed to Tangled shortly before its release, a fact that Disney were highly criticised for. However the company maintained that following the experience of the success of The Princess and the Frog in 2009, where they felt that the emphasis on princesses deterred the young male audience from watching the film, changing the name could highlight the film’s prominent male character (Flynn Rider) and emphasise how the film is a duo between Rapunzel and Rider. Despite this, the story remains largely based on the German fairy tale by the Brothers Grimm.

In a nut shell, Tangled brings together all the

deplorable. Damon plays out his usual character that never really develops and that he seems to use in film after film, with equally poor attempts from a supposedly distressed news anchor played by de France.

Although England has produced some fine young acting talent such as Thomas Turgoose in the past, one wonders what convinced Eastwood to allow such terrible actors set foot on the set. Although the story is meant to be deep and emotional, dealing with lost ones, it makes you feel like a horrible person for laughing at moments which should really be cherished. Clint Eastwood fans should just pretend this never existed. Filled with uncharacteristic flaws and simple mistakes, a script that feels like it was thrown together in 45 minutes, this is a shambles of a film.

Don’t even bother, it isn’t worth a cent.

characteristics of the classic Disney fairytale but at the heart of it, in this case, is the power struggle in the relationship between mother and teenage daughter. The old woman, Gothel, makes a fantastic witch figure. Rapunzel is the lost princess, while Rider is the unlikely prince charming.

But what would any of these characters be, without the typical Disney animal friends?

Introducing Maximus and Pascal: a horse with the personality of a Roman Emperor, and a Chameleon with a great sense of humour and an even greater eye for detail.

The animation is beautiful, with the use of CGI being blended with all the lustre of a French oil painting. The lantern scene over the water is particularly well done. All of this is set to a soundtrack composed by Alan Menken, the man responsible for the unforgettable music of Disney’s Aladdin.

If you are a Disney fan, get your 3D glasses out and enjoy!

Drama Review: UCD DramSoc’s Julius Caesar February 3rd 2011

by Gillian Greer.

I love a man in a dress, and this week’s Dramsoc production of Julius Caesar left me spoilt for choice. One of Shakespeare’s most renowned and tragic histories, staging the ancient Roman story of war, betrayal and ambition was a challenge which Dramsoc director Mark O’Brien and his cast and crew accepted with great vigour and spirit, evident to anyone viewing the final product.

The show displayed a predominantly stellar male cast, decked out in an impressive array of authentic Roman togas. Ben Waddel in particular shone as Mark Anthony, with Peter Meighan as Brutus and John Kelly as Cassius also displaying fine performances.

It is an undeniably difficult feat for any cast to master one of the great

Shakespearean texts and draw an audience into the world of Ancient Rome, but the cast of Julius Caesar handled their script and subject matter with great aplomb. The chorus of the play in particular must be commended for their rabble rousing and rough housing throughout the course of the play.

Their presence was an ingenious device; convincing and rowdy, allowing the rumble of rebellion to simmer beneath the elegant verse of Shakespeare.

However, while the stand alone performances were admirable, the relationships within the play, particularly between the two married couples, that of Brutus and his wife Portia (Aisling Flynn), and Caesar (Garvan Lawlor) and Calpurnia (Jackie Hennessy) left

something to be desired. Sparks were, unfortunately, non-existent in these, the only romantic relationships of the play, in an era of one of the most depraved and debauched empires of world history. This being the only criticism, the acting level in this production was by no means subpar. The set, while rough around the edges, was an interesting and undeniably impressive attempt at recreating iconic Roman pillars and architecture, which hang ominously over the action of the entire play. From Caesar’s death (sorry, spoiler) to the epic battle scenes of the final act, it is easy to lose oneself in the world of this tiny black box in a production such as this one. Scenes such as that of Cinna the poet and Caesar’s funeral

stand out in particular in one’s mind, while the more character driven scenes tend to fade into the background of one’s memory – this was clearly a production about action and not discussion.

In conclusion, Dramsoc’s Julius

Caesar was certainly a production not worth missing, particularly if you enjoy your bit of bloody violence and swashbucklery. Fast paced, well directed and performed, this production, warts and all, did not fail to impress.

Wednesday February

Doors @186th PM

ale s e r P ts €8 tickeble from

availa, UCDSU & Reps , the Bar s ShopDEnts.com UC

UCDEnts in association with SPIN 1038

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