PRODUCTION NOTES
12 MONKEYS II (series); DP David Greene csc; Boris Mojsovski csc; to December 20, Toronto ARROW IV (series); DP Gordon Verheul csc; to April 27, 2016 Vancouver BEAUTY AND THE BEAST IV (series); DP Bruce Chun csc; DP David Makin csc; B Camera Operator Peter Battistone; to November 17, Toronto DC’S LEGENDS OF TOMORROW (series); DP David Geddes csc, asc; to April 1, 2016, Burnaby FLASH, THE II (series); DP Kim C. Miles csc; to April 15, Vancouver FROM HERE TO INFIRMITY (feature); DP Pierre Gill csc; to November 2, Toronto THE GOOD WITCH II (series); DP John Berrie csc; B Camera Operator Paula Tymchuk; to January 28, 2016, Toronto HEARTLAND IX (series); csc DP Craig Wrobleski csc; B Camera Operator Jarrett Craig; to December 14, Calgary HELL ON WHEELS V (series); Thomas Burstyn csc, frsa, nzcs; to October 15, Calgary IZOMBIE II (series); DP Michael Wale csc; Operator/Steadicam Greg Fox; to December 18, North Vancouver LOOKINGLASS AKA FRANKENSTEIN (series); B Camera Operator Ian Seabrook csc; to January 25, 2016, Burnaby LEGENDS OF TOMORROW (series); DP David Geddes csc, asc; to April 6, 2016, Burnaby LUCIFER (series); DP Ryan McMaster csc & Glen Keenan csc; to November 27, Burnaby MAN SEEKING WOMAN (series); DP Samy Inayeh csc; B Camera Operator Yoann Malnati; to November 13, Toronto MAUDIE (feature); DP Guy Godfree csc; to October 30; St. John’s MEAN DREAMS (feature); DP Steve Cosens csc; to October 30; Sault Ste. Marie MILTON SECRET (feature); Ray Dumas csc; to October 20, Toronto MINORITY REPORT (series); DP David Moxness csc, asc; to December 18, North Vancouver MURDOCH MYSTERIES IX (series); DP James E. Jeffrey csc; DP Yuri Yakubiw csc; Camera Operator Brian Gedge; 1st Assistant Kevin Michael Leblanc; to December 8, Toronto THE NEXT STEP IV (series); DP Kim Derko csc; Brad Hroboska; to December 8, Toronto QUANTICO (series); 2nd Unit DP Robert Mattigetz csc; to December 15, Montreal REIGN III (series); DP Michael Storey csc; B Camera/Steadicam Andris Matiss; to February 19, 2016, Toronto THE ROMEO SECTION (series); DP Brendan Uegama csc; to October 14, Vancouver SAVING HOPE IV (series); DP David Perrault csc; to December 9, Mississauga SHADOWHUNTERS (series); Eric Cayla csc; to October 9, Mississauga SHOOT THE MESSENGER (series); DP Arthur Cooper csc; Camera Operator Keith Murphy; B Camera 1st Assistant Marcel Janisse; to November 25, Mississauga THE STANLEY DYNAMIC II (series); DP Matt Phillips csc; to April 8, 2016, Toronto SUITS V (series); Camera Operator/Steadicam Michael Soos; B Camera Operator Peter Sweeney; to November 18, Toronto SUPERNATURAL XI (series); DP Serge Ladouceur csc; Camera Operator Brad Creasser; to April 20, 2016, Burnaby TERRIFIC TRUCKS (series); DP Ben Lichty; to October 1, Toronto THIS LIFE (series); DP François Dagenais csc; to October 10, Montreal UNTITLED DHX PROJECT (AKA FAIRYLAND) (series); DP Gerald Packer csc; to December 11, Toronto THE WONDERFUL WAYNEYS (series); DP Russ Goozee csc; Camera Operator J.P. Locherer csc; B Camera Operator Russ Goozee csc; to November 15, Toronto YAMASAKA VII (series); DP Daniel Vincelette csc; to December 11, Montreal
CALENDAR OF EVENTS OCTOBER 1-10, Edmonton International Film Festival, edmontonfilmfest.com 15, CSC Lens Testing Module, Toronto, csc.ca 17-18, CSC Camera Assistant Workshop, Toronto, csc.ca
President from page 2 here lies the dilemma – the misguided expectation that every DP has gear and should be willing to offer it up for free. My advice to my friend was to respect the process and above all to respect himself. If financial remuneration was not possible, then the next best thing should be to negotiate
28 • Canadian Cinematographer - October 2015
NOVEMBER 7, CSC Advanced Post Workflow Workshop, Toronto, csc.ca 28, Camera Module (Sony F55 & 5) for ACs, Toronto, csc.ca 29, Camera Module (Sony F55 & 5) for DPs, Toronto, csc.ca
with the other party for some equitable arrangement. As an example, this might come in the form of an image-capturing device, such as a hard drive, that would be given to the DP at the completion of production. And always insist on a screen credit. Without at least this type of basic negotiation, one is nothing short of a commodity, and with that there is no value or respect.
