The Daily Reveille - April 12, 2013

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ART: LSU Union Art Gallery opens exhibit on 20th-century Louisiana culture, p. 4

BASEBALL: LSU faces tough Arkansas pitching staff, p. 5

Reveille The Daily

www.lsureveille.com

ADMINISTRATION

Friday, April 12, 2013 • Volume 117, Issue 120

Former LSU System president protected employees Lombardi issued ‘key’ appointments Chris Grillot

Just before leaving their respective positions under pressure, former LSU System President John Lombardi and former System General Counsel Ray Lamonica wrote letters of appointment to select staff members in January 2012, providing each with an extended job protection. The appointments designated the staffers as “key” employees

and provided them with a notice of non-reappointment status, a one-year notice before they could be fired. For example, if a “key staff” member were to be terminated or replaced LAMONICA in January 2013, he or she would still have a job until January 2014. This benefit is nonexistent for campus staff personnel as opposed to faculty, according to the LSU Office of Human

Resource Management. Lombardi took care of himself, as well. Under his termination agreement, Lombardi, who was granted tenure in the LSU HisLOMBARDI tory Department as part of his original contract, is guaranteed a faculty position teaching at least one history class per semester for as long as he wishes at an annual salary just shy of a quarter of a

million dollars. In January 2012, Lombardi wrote “key staff” appointments for Sharyon Lipscomb, the LSU System’s human resources director. Lamonica wrote identical appointments for James E. Marchand, assistant to the general counsel; Tony Gonce, information systems auditor; Sonya McCoy, assistant director of internal audit; and Chad Brackin, director of internal audit. These weren’t the only times Lombardi provided favored aids with additional benefits. In 2007, he included

12-month notices of termination in three other System staff members’ employment contracts: · Joe Corso, then-assistant vice president for advancement coordination; · Michael Gargano Jr., then-vice president for student and academic support services; · Wendy C. Simoneaux, chief financial officer and assistant vice president for budget & finance and comptroller. “It’s not abnormal for people to ask for it in a contract and receive it, or if you’re trying to ADMINISTRATION, see page 11

A Musical Saturday Groovin’ on the Grounds: 6 p.m., Parade Ground

Baton Rouge Blues Festival: 11 a.m., downtown

THE DAILY REVEILLE ARCHIVES

Students in the crowd at the 2012 Groovin’ on the Grounds cheer and raise their hands. Lupe Fiasco headlines this year’s concert. Are you going to Groovin’ on the Grounds? Vote online at lsureveille.com.

Groovin’ will include performances by Lupe Fiasco, Grace Potter and YelaWolf Judah Robinson Senior Contributing Writer

Internationally known rapper Lupe Fiasco will take the stage Saturday night at the University’s annual Groovin’ on the Grounds concert, free for students and the public and put on by Student Government.

The artist lineup for the 2013 Groovin’ concert will include local artists as well as nationally known performers, from student band Levee Daze, to indie artist Grace Potter, to rapper YelaWolf. The concert begins at 6 p.m. and will last until around midnight. Student funk-jam band

Levee Daze, which won the University’s Battle of the Bands competition last October, will open the concert. Levee Daze will be followed by YelaWolf, then Potter and headliner Lupe Fiasco will end the night. Potter, who normally performs with her band, GROOVIN’, see page 4

courtesy of BRIAN BAIAMONTE

Bill “The Watermelon Slim” Homans, a guitarist and singer, is performing at the Baton Rouge Blues Festival Saturday alongside other performers such as blues-rock guitarist and singer Johnny Winter.

Blues Festival preserves blues history Jonathan Olivier Staff Writer

There was once a time when new, soulful music could often be heard in taverns and clubs in Baton Rouge as musicians crafted innovative songs and styles that weren’t heard anywhere else in the country. The music was dubbed

swamp blues, and the style is unique to the Baton Rouge area. The music served as inspiration for artists such as Eric Clapton and helped inspire some of the musicians that came to the United States during the British Invasion in the 1960s. This weekend’s Baton Rouge Blues

Festival seeks to reconnect with the city and younger generations about the unique history of swamp blues in the region that was once almost forgotten, said Festival Chair Chris Brooks. The festival began in 1981 and was BLUES FEST, see page 11


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