Longhorn Life Fun Fun Fun Fest Preview

October 18, 2013

An advertising special edition of The Daily Texan

Follow us on Twitter @TXLonghornLife and Instagram @LonghornLife for live updates from the festival

LONGHORN LIFE

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Thursday, November 7, 2013

Editor’s Note Music-festival season is in full swing, and Fun Fun Fun Fest is up next on the list. With three days and four nights of FFF Fest action kicking off this evening, it’s time to get stoked.

We at Longhorn Life know that the sheer amount of live music and festivals in Austin can be overwhelming, so we’ve tasked ourselves with breaking down the best of the best at this year’s FFF Fest and presenting it to you in this handy-dandy guide.

Though, our last edition was dedicated entirely to alternative sports, so if you’re planning to spend your

weekend at the Ride section of the festival, head to our website, longhornlifeonline. com, to see how we paid homage to the alt.-sport athlete.

Inside you’ll find artist interviews, features on the quirky aspects that make FFF Fest the eccentric weekend it is and even a map of the grounds.

So before you lace up your Converse and compile a list of set times, leaf through this guide; you might just discover a new artist or taco cannon (yes, taco cannon) to be excited about.

As with any major festival,

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one thing college students worry about is how they’ll afford the high-priced food and drinks throughout the day. Well, head to page 12 for some tips on how to come home with cash still in your pocket.

One common way to keep your wallet and stomach happy is to be pelted with flying Mexican food, right?

At least in the movie “Pitch Perfect” and at FFF Fest it is. Check out page 4 for the low-down on the masterpiece that is the Taco Cannon, and how Torchy’s Tacos responded to the fest’s new taco-launching partnership

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with a different restaurant.

Fashion and music often go hand-in-hand, but what’s the deal with costumes and gimmicks? Head to page 13 to see which answers an ethnomusicology professor had to share.

And for the fan side of things, on page 14 Katie Dickerson presents outfit choices that match each stage’s musical taste and challenges LL readers to show off their festival-fashion sense on social media.

Pages 8 through 11 are the cream of the crop. There, you’ll find interviews with some of the festival’s most

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Explore

pg. 5

Fun Fun Fun Nites

FFF Fest Scavenger Hunt recap pg. 6

UT’s student-run radio station

Impact

Features

pg. 7

Hip-hop trends at FFF Fest Pedicabs as fest transport

Interviews

Making Cents Style

Ali Killian

Special Editions Editor

twitter.com/txlonghornlife

Web Editor/Associate Editor Andrew Huygen Designers Daniel Hublein, Karina Munguia, Rachel Ngun, Bailey Sullivan Writers Shantanu Banerjee, Nick Delisi, Priyanka Deshpande, Katie Dickerson, Kendall Ivie, Samantha Meyer, Mira Milla, Mariana Munoz, Sarah Strohl Photographers Nneoma Ajiwe, Joe Capraro, Leanne Chia, Chelsea Jackson, Sneha Joshi, Mika Locklear, Javier Ramirez, Elizabeth de Regt, Kristina Seavers, Alejandro Silveyra, Taylor Womack, Xiaoyu Zhang TSM ADVERTISING & CREATIVE SERVICES

Special Editions & Production Coordinator Michael Gammon Senior Graphic Designer Daniel Hublein Student Graphic Designers Karina Munguia, Rachel Ngun, Bailey Sullivan

pg. 8

Artists performing at FFF Fest and FFF Nites

pg. 13

Fashion gimmicks on the stage

Style by stage

Peace, love and tacos,

Special Editions Editor Ali Killian

Director Jalah Goette Advertising Adviser CJ Salgado Campus & National Sales Rep Joan Bowerman Broadcast & Events Manager Carter Goss Student Manager Trevor Nelson Student Assistant Manager Zach Congdon Student Account Executives Chelsea Barrie, Aaron Blanco, Christian Dufner, Rohan Needel, Ted Sniderman Student Classifieds Clerk Hannah Davis Account Executive & Events Coordinator Lindsey Hollingsworth

CONTENTS

pg. 12

How to handle your fest money

entertaining acts. See what these nine artists, including The Impossibles, The Locust, Wild Child and Fat Tony, have been up to lately, and what you can expect from their FFF Fest performances.

From BMX and skateboarding showcases to comedy shows and musical performances, this weekend is bound to be a fun one (three times over, to be exact).

On the Drag: Guadalupe St & 29th

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Longhorn Life is an advertising special edition of The Daily Texan produced by students in Texas Student Media’s special editions office. Reach us at specialeditions@texasstudentmedia.com.

Copyright 2011 Texas Student Media. All articles, photographs and graphics are the property of Texas Student Media and may not be reproduced or republished in part or in whole without written permission.

CONTACT TSM: We are located in the Hearst Student Media building (HSM).

For advertising, call 512-471-1865.

Thursday, November 7, 2013

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LONGHORN LIFE

What’s Happening?

ON CAMPUS 11/08

FUN FUN FUN FEST Editors’ Picks

Ali Killian:

“Archer” Live!

Bass Concert Hall, 8 p.m.

Matthew Przekota, Performance Certificate 11/10 Oboe Recital

11/08

Title Fight

Upcoming events

AROUND AUSTIN Executive Chef Ayinde

11/07 Howell demonstration Hideout Theatre, 7 p.m.

Black Stage, 2 p.m.

The Impossibles Black Stage, 4:05 p.m.

11/09

Taco Cannon

Blue Stage, 1:15 p.m.

Descendents

Jessen Auditorium, 5:30 p.m.

Edgar Allen Poe: of the Macabre 11/17 Master Neill-Cochran House Museum, 2 p.m.

Black Stage, 8:45 p.m.

11/10 The Musical” 11/19 “Chicago: Bass Concert Hall, 8 p.m.

Vert Jam

Ride, 3:45 p.m.

The Dismemberment Plan Orange Stage, 5:40 p.m.

2013 The Texas 11/19 Conference for Women Austin Convention Center, 7 p.m.

Andrew Huygen: 33rd Annual Madrigal 11/08 11/2111/23 Dinner performance Union Ballroom, 6:30 p.m.

11/09 Midday Music Series: Jazz Composition and 11/26 Latin American Art

Blanton Museum of Art,12 noon

Cut Copy

Orange Stage, 7:35 p.m.

RJD2

Blue Stage, 8:45 p.m.

Tenacious D

11/22

Kathy Griffin

Long Center for the Performing Arts, 8 p.m.

Yellow Stage, 5:20 p.m.

M.I.A.

Orange Stage, 8:30 p.m.

11/10

Washed Out

Orange Stage, 4:30 p.m.

Deltron 3030

Amazing Scavenger 11/22 Hunt Adventure Urban Adventure Quest-Austin, 9 a.m.

Blue Stage, 6:20 p.m.

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LONGHORN LIFE

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Thursday, November 7, 2013

Good Eats

Embrace your inner foodie

Flying food isn’t just for elementary school cafeteria battles

by Nick Delisi Some cannons launch explosives, others oversized T-shirts, but everyone knows the best kind of ammunition is edible. This year, Fun Fun Fun Fest plans to bring back its popular Taco Cannon and feed munchies to the masses.

If you’re going to FFF Fest, you’ll want to be within firing range.

Launching food through a super-charged cannon isn’t typical, but nothing about FFF Fest really is; take the name for example. By rule of thumb, anything that’s fun three times over can’t also be typical, so FFF Fest just avoids ‘typical’ entirely.

Thus, in partnership with Torchy’s Tacos, the Taco Cannon was born.

It first premiered at last year’s festival and was an immediate hit, partly because of the impressive firepower. With 12 modified chambers (once used to shoot T-shirts), the cannon uses 40 pounds of carbon dioxide and a car battery to launch just 36 tacos. Since the fest plans to launch over 300 edible cannonballs, expect to see to see launches multiple times each day.

Why shoot the food?

“Why not?!” commented Neil Maris, production manager and main operator of the cannon. “We have a taco finder on our app, so I guess it was just the next step.”

Maris shares the honor of operating the taco machinery with Omar Jimenez, both of whom seem thrilled for the hungry pandemonium to come.

“It’s a mixture of excitement and terror, but it never gets old,” Maris continued.

“It’s pretty amazing that shooting tacos out of a cannon is part of my job description.”

Of course, flying food is exciting for Longhorns attending the festival, too.

When you’ve already spent a good chunk of change on your festival ticket and beer, water and merchandise, having free food thrown at you isn’t a bad deal.

“I couldn’t believe they were tacos at first,” said Joanna Kinscherff, a plan II senior. “I’d assumed they were shooting T-shirts, but when I saw a girl near me unwrap one and start munching, I kind threw my arms up.”

According to the fest’s highly proven weight ratio for taco-flight success, bean and cheese tacos are most aerodynamic. Maris also reminded music-goers to

Double Taco Cannon trouble?

There have been recent reports of a possible taco cannon stand-off between Fun Fun Fun Fest and Torchy’s Tacos.

Last year, the pair joined forces to create the Taco Cannon, but this year, Transmission Entertainment is partnering with Tamale House instead of Torchy’s to fulfill attendees’ flying-taco dreams. In response, Torchy’s released a video in early October called “TORCHY’S BATTLE CRY” to unveil a taco cannon of their own, and told FFF Fest to “Bring it on!”

Either way, double the tacos means double the yum.

keep an eye out for a flying Twinkie or two.

When the master tacomachine isn’t busy on one of FFF Fest’s stages, it’s launching treats at Tamale House East, a breakfast taco staple located off East Sixth and Comal streets. The fest partnered with Tamale House for this year’s festivities, and every Saturday leading up to the fest, around 2 p.m., Transmission Entertainment launches free tacos as a promotion. Stop by if you can’t make it to the fest, or just can’t wait to see the cannon.

FFF Fest has a ridiculously long list of weird to witness, in addition to its lovely Taco Cannon. So grab a wristband, snag a taco and tag along for the quirkiest festival of the fall.

Taco Cannon

graphic by Daniel Hublein

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12 modified taco firing chambers

40 lbs. of Carbon Dioxide per 36 tacos 1 car battery per 36 tacos

Ammo

Taco Cannon FFF Fest Scavenger Hunt recap

by Sneha Joshi Music festival season is upon us, and people are scrambling to find enough cash to buy these highly sought-after tickets.

To the inexperienced festival-goer, it may seem as though it’s impossible to enjoy the delights of listening to your favorite bands without breaking the bank, but a closer look would suggest otherwise. Though student tickets are popular among the college crowd, there are often under-publicized opportunities to win free tickets, as well.

Fun Fun Fun Fest officials have created a scavenger hunt that occurs in cities throughout Texas, allowing the winners to receive Ultimate Smooth Passes for

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first place, three-day passes for second place, one-day passes for third place and Mohawk concert tickets for fourth.

Though the scavenger hunt activities are wild, participants say that the fun is in the hunt, not necessarily winning the tickets. car battery The Austin hunt1happer 36 tacos pened on Sunday, Sept. 22, and began with the teams arriving at Mohawk to register. At 3 p.m., they were let loose to complete as many tasks on the list as they possibly could in three hours.

As the chase begun, the mania to finish first drove participants to travel all over Austin. The activities on the list were extremely wild, John Silveria, a second year

Ammo

plan II history student, said.

“Though we knew we weren’t going to win, it was worth the time and effort, because we got to explore more of Austin,” he said.

Some of their favorite objectives included calling your parents and telling them you were pregnant, filling out a Whataburger job application and standing in the Red7 dumpster.

Some may hope that more festivals will create exciting games to win free tickets, but others maintain that keeping the idea of the scavenger hunt exclusive to FFF Fest is what makes the festival so special and unique.

Though the price tag attached to these experiences

12 modified taco firing chambers

may be a deterrent to some, with tickets for FFF Fest starting at $79 for a one-day pass and $179 for a threeday pass, staying ahead of the game can really cut down on the money coming out of your pocket.

40 lbs. of If you’re still debatCarbon Dioxide per 36 tacos ing whether or not to get tickets, keep your eye out for significant discounts, since the daytime festival starts tomorrow; many Austin City Limits wristbands were sold for as little as $80 right before the weekend began.

By staying alert and on the lookout, you could save hundreds of dollars yearly and still be able to attend the most popular music festivals in Austin.

Thursday, November 7, 2013

Explore

Discovering the city

For Bearden, fest isn’t ‘work’

Rock and roll all Nite

by Mariana Munoz photo by Javier Ramirez

Comedian and local radio personality Matt Bearden hosts PUNCH! at Cap City Comedy Club, which was created to bring recognition to local Austin comedians.

by Mira Milla photo by Taylor Womack The lights dimmed and everyone’s attention quickly averted toward the front of the venue. It was PUNCH! night at the Cap City Comedy Club, located off of Research Boulevard, and it was packed with eager viewers waiting for a night full of laughs.

Matt Bearden is the comedian and host of PUNCH!, which was created to expose comics and the comedic scene in Austin.

“There are a ton of comics who are in Austin who end up moving to New York or L.A.,” Bearden said. “Your zipcode doesn’t make you funny, so I was trying to turn Austin more into all of these acts.”

He quickly got the audience comfortable, making them feel as if they were a group of friends hanging out

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LONGHORN LIFE

on a Tuesday night instead of a bunch of strangers who happened to watch standup together.

“How did I pick stand-up?

Well, when you realize you are unemployable, it’s just something to try, and I think that’s where I was at that moment,” Bearden said.

But in addition to PUNCH!, Bearden also has a host of other jobs, including a radio show on 93.7 KLBJ FM, a daily writing job and production work. He also loves acting, and was an actor in L.A. before moving back to Austin where he focuses on stand-up, which earned him invitations to play at Fun Fun Fun Fest through the years.

“I don’t feel like I have to work at this festival; it doesn’t feel like work,” Bearden said. “At other festivals, I feel like it’s my job to be the best I can and to present myself well to the

industry and fans. I feel like there are different rules to life at Fun Fun; everyone who shows up are in a good mood and they are a lot more giving. I enjoy it a lot more and the crowd enjoys it a lot more because they get I’m just being an idiot.”

Having performed at FFF Fest many times before, Bearden is excited about this year’s music and comedy.

“It gets bigger and better every year,” he said. “I’m going to go to Fun Fun no matter who they book because of the way they book.”

This will be the first time Bearden performs on day one during the daytime festival. He is also scheduled to do a night show at the Mohawk with Tenacious D. “I think you might get, for the first time ever, a sober Matt Bearden at Fun Fun Fun Fest,” Bearden laughed.

“I won’t make any promises though.”

Nobody likes a good party to end early, right? Well, luckily for you, Fun Fun Fun Fest keeps the party going all night long, and even pregames it.

Fun Fun Fun Nites is a series of after-hour special performances of both comedic and musical nature that begin on Thursday, Nov. 7 — the night before the daytime festival begins. These performances happen at venues around Austin after the daytime acts are finished playing, and provide entertainment for spectators who still have some juice left in them. Worried about getting tickets? Worry no longer — these shows are free if you’re a wristband-holder.

This year, longtime favorite Tenacious D will be playing a FFF Nites show at The Mohawk on Saturday night.

A year after the release of their latest album, “Rize of the Fenix,” California natives Kyle Gass and Jack Black are back on the road and ready to rock Austin’s socks off.

“Initially, I loved their lyrics, simply because they were funny,” Samuel Tuchenhagen, a sophomore computer science major, said. “But as I listened to them, I began to appreciate their individual musicianship. Kyle Gass plays acoustic guitar better than any other artist I can think of, and Jack’s vocals are superb; he has excellent range, and a power to his voice that few vocalists have.”

Playing a FFF Nites show at Red 7 on Friday, Nov. 8 is the band Pelican, from Chicago. Formed in 2000, the post-metal quartet has gained recognition for their entirely instrumental style.

“They are basically postmetal,” John Silveria, a sophomore plan II history major said. “That means they take everything that’s good about the post-rock of say, Explosions in the Sky, but without all the pretentiousness and repetitive qualities, and they metal-ify it. Their songs are tons of heavy riffs, no vocals and pure metal awesomeness.”

When one thinks of the

metal genre, one usually pictures deep, screaming vocals. Pelican deviates from that expectation and instead brings a different atmospheric experience to the listener.

“Their live shows are epic not in a ‘Oh, it’s so cool how they played this song,’ or ‘It’s so cool they used a weird instrument,’ kind of way, but in a ‘I’ve never had my face melted off in pure metal glory this way before.’” Silveria said. “Few modern bands give the same feeling of pure overwhelming metal.”

Night shows offer a different ambiance to the concertgoer. Even though daytime shows are fun, as well, it is surely more pleasant to not get a nasty tan line from the sun while enjoying your favorite artists. Something about the Austin skyline and the life of the city at night just adds that much more to the concert experience.

If you are currently not planning on checking the night shows out, maybe you should reconsider. After all, at FFF Fest, “The Nites are free.”

A band’s instruments await a performance at Mohawk, which will play host to many of the Fun Fun Fun Nites shows, including Cayucas, The Tontons and Tenacious D.

LONGHORN LIFE

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Thursday, November 7, 2013

Impact

Getting involved on campus

‘It’s all about the music’ KVRX brings you ‘None of the hits, all of the time’

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article and photo

by Kendall Ivie

Download our Free iPhone App Download our Free iPhone App

www.quartersoncampus.com www.quartersoncampus.com 512-531-0123

KVRX, UT’s student-run radio station, has always embraced their mission to play ‘none of the hits, all of the time.’ With multiple talk shows, DJs and blogs, KVRX is always eager to find new music and feature underground bands.

Excitement rolls around this November as KVRX anticipates and prepares for Austin’s own Fun Fun Fun Fest. Beginning in 2006, FFF Fest has been known for its creative, relaxed and unique atmosphere.

Celebrating underground musicians, comedians, food and action sports, FFF Fest is one festival the KVRX staff could never miss. “I would say most of the Fun Fun Fun Fest lineup is people we end up playing on the radio just by nature of our own listening habits, which is also why we get so excited about Fun Fest,� said KVRX Station Manager Joe Aragon.

Growing up in Austin, Ara-

KVRX Station Manager Joe Aragon enjoys FFF Fest due to the similarities between his listening habits and the festival’s lineup.

gon began listening to KVRX when he was in high school.

He was attracted to the idea of listening to music he couldn’t hear anywhere else, and has been hooked on the station ever since.

KVRX’s goal is to constantly seek out and air underground artists with hopes of unveiling fresh, new music for its listeners. Like KVRX, FFF Fest aims to feature artists that are lesser-known, but not entirely unpopular. “The thing about FFF Fest is, just by the way our station operates and the way that this festival operates, it kind of naturally becomes our favorite festival every year,�

Aragon said.

Almost all of the KVRX staff will be attending FFF Fest because of their natural attraction to this collection of music.

At KVRX, the staff is told to play whatever music they want to play. Staying true to its mission, at a certain level of recognition, bands may end up on the “black list�

where they are no longer played. “Everyone’s doing exactly what they want to do, “Aragon said. “It’s all about the music, and that’s what it should really be about.�

In the weeks leading up to the festival, KVRX will be talking about and promoting music that will be played at FFF Fest. Aragon said they do this solely to inform their listeners and celebrate this music culture that so seamlessly collides with their own.

KVRX plans to hit festival grounds and simply enjoy the experience first as fans.

They hope to share their experiences afterwards on air, through written stories and any new music they might discover during the event. “That’s the great thing about this kind of invisible relationship that exists within the Austin community,�

Aragon said. “It’s people just sharing what they consider to be the best music out there right now.�

Thursday, November 7, 2013

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LONGHORN LIFE

Features Three decades of hip-hop to be represented at festival

by Priyanka Deshpande photo submitted by Deltron 3030 The organizers of Fun Fun Fun Fest proudly claim on their website that their festival caters to the “most passionate, underground and progressive musicians,” and for bands and hip-hop artists, this couldn’t be truer.

This year, the fest features innovative hip-hop acts that take their inspiration from other genres of music, including 1990s-style hip-hop, rap and metal, to create a new wave of hip-hop.

Several hip-hop performers at the fest have their roots in the ‘90s. One of the most well-known of such musicians is Snoopzilla, also known as Snoop Dogg, the

hip-hop star who earned his fame through the release of several rap and hip-hop albums.

Joining Snoop in representing last century’s hiphop crew is Del The Funky Homosapien. Del gained traction among rap and funk listeners in the ‘90s, and experienced a resurgence in popularity with the release of a multi-disk funk music set in 2011.

Ice T’s Body Count, a thrash metal and heavy rock band, was key in fusing rap and metal genres together in the early ‘90s, and its appearance at the fest will likely appeal to a new generation of fans.

This year’s festival-goers will witness the reemergence of musicians who have not

Deltron 3030 recently released their second album, “Event 2,” 13 years after their first self-titled release in 2000. performed or released material for almost a decade, and those who are new to the scene.

Deltron 3030, a hip-hop super-group whose music centers on a futuristic space theme, released their first album in 2000 and is resurfac-

ing with a renewed hope to appeal to a new wave of fans.

The band is composed of famous individual artists such as Kid Koala, Del The Funky Homosapien and Dan the Automator. After over a decade of individual members focusing on their own

work, Deltron 3030 released its second album earlier this year. Attendees of FFF Fest who are looking to listen to acts with origins in last decade’s hip-hop might enjoy Deltron 3030’s new take on the genre.

Fat Tony, a relatively new act in hip-hop, will be performing at the festival this year, as well. The Houston native is a rapper who blends pop, punk and southern hiphop. Though Fat Tony began performing in 2008, he has only recently gained popularity through the 2012 release of a free digital album called “Double Dragon,” with collaborator and producer Tom Cruz. “Double Dragon” made waves in the hip-hop industry, as it was picked up by major online

music publications such as Pitchfork Media.

FFF Fest also features instrumental hip-hop acts and musicians, including RJD2.

His work has been widely used in the media and in advertisements, with his instrumental production called “A Beautiful Mine” serving as the opening theme for AMC’s television drama “Mad Men.” This year’s FFF Fest features a sampling of various hip-hop styles, ranging from ‘90s to a hip-hop-rap fusion, heavy metal and everything in between. First-time attendees and veterans of the festival alike have plenty of underground hip-hop acts to choose from, and may even discover a new style to follow.

Pedicabs offer a more immersive ride through Austin

by Shantanu Banerjee photo by Alejandro Silveyra What gets you to Fun Fun Fun Fest, and doesn’t need gas, a parking spot or much effort on your part? Pedicabs.

A unique form of transportation found in downtown Austin, these cabs are pedal-operated vehicles that look like bicycles attached to seats.

There are several different pedicab companies; some employ as many as 40-60 people, while others are just independent riders. Each rider pays a lease for his or her pedicab, and that lease might be monthly or nightly depending on the company.

Owners raise their rates during special events, such as South by Southwest, Austin City Limits or FFF Fest, so be

aware.

“Because of the higher rates we’re charged, pedicab riders have to raise their fares to compensate,” said Eddie Crochet, a pedicab operator for Pedicab Adventures. “The price itself depends on many different factors, such as distance, if it’s uphill, how many people there are or traffic.

Legally speaking, payment is all tips. So if you can pay a penny, it’s legal. But, if you agree to a fare before you get on, or if they have a sign with rates posted, you’re committed to that fare.”

Just like cabs or other modes of private transport in Austin, pedicabs are licensed vehicles. Riders sign a contract, need registration and insurance and the City of Austin maintains a cap on licenses issued for pedicabs in the city; currently that cap

is 500. The licenses themselves can be sold to other riders for as much as $5,000.

The business, by no means small, comes with a community and culture of its own.

“You have people from all different kinds of backgrounds coming in and joining because almost anyone can do it, so it’s very diverse,” Crochet said. “Most of us know each other, and after hours we spend time at the shops. We relax, talk about the rides from the day, get to know each other, and just kick back.”

If the pedicab doesn’t suit your style, consider carpooling or taking the bus — the 101, 1L and 1M routes drop off at West Cesar Chavez Street and First Street across from Auditorium Shores.

And even though the festival does not maintain any

Pedicab driver Jason Wratislaw will be one of many drivers on shift during FFF Fest. parking spots, there will be bicycle valet areas close to the front gate for those who need a secure spot to park their bike.

Regardless of whether you decide to stick to public transport or your own car, unique forms of transportation such as pedicabs will be

available around the clock during the festival, and can add a bit more fun to your FFF Fest experience.

Page 8

THE IMPOSSIBLES

by Ali Killian photo by Kris Seavers Break out the baseball jerseys and brush up your skanking technique — The Impossibles are back, again.

Championing their third return from musical oblivion, the jersey-clad Austinites will take the Black Stage at 4:05 p.m. on Nov. 8 at Fun Fun Fun Fest for their first non-reunion show together in more than a decade. As if that’s not enough to make the average ska or pop-punk fan scramble for a ticket, attendees will also get to hear the recently released singles — the first new music

RJD2

by Andrew Huygen photo submitted by RJD2

Ramble John “RJ” Krohn, more commonly known as RJD2, is a musician and producer, known equally for his solo works and collaborations. Having formed his own label in 2009, he has since released three solo albums, the most recent being “More Is Than Isn’t” in October.

Krohn recently spoke with Longhorn Life about his influences, why he enjoys playing at music festivals like Fun Fun Fun Fest and what to expect

Thursday, November 7, 2013

LONGHORN LIFE

be really cool to do that,’ and then it just happened — I just happened to put together some chords that happened to work really well as a ska verse, and the chorus came together,

the band has released in more than 12 years — live for the first time at the festival.

The two tracks are radically different in style, with the ska feel of “Come Back” opposing the pop-punkier track “The Position,” and seem to encompass The Impossibles’ musical transition as a whole.

Frontman and vocalist Rory Phillips said that “Come Back” was meant to be a classic Impossibles song, sounding more like their earliest music.

“After doing the reunion, I realized that The Impossibles really had a sound for a while there — this ska verse [and] Weezer-Pixies-whatever-al-

ternative-rock chorus,” Phillips said. “It wasn’t a sound that anybody else ever really

picked up, so it really was signature to our band. I kind of went into [writing “Come Back”] thinking, ‘Oh, it would

as well.”

But “The Position” reflecting their later musical direction was a consequence of

from his performance on Friday.

His most recent albumfeatures more jazz-inspired melodies than his previous offerings.

“I’ve been listening to a lot

get seared in your memory,” Krohn said. “Things like the whole power getting shut off in your room or, you know, a bunch of people jumping up on stage. I’ve had bottles thrown at me — people get so hammered where they want to throw everything.”

Music festivals like FFF Fest provide a break from the norm of playing at clubs and small venues, with the added advantage of performing in front of people who may have never heard his music before.

“The benefit is probably that you get in front of a lot of people, and you get in front of a lot of people that necessarily aren’t there to see you, which I like,” Krohn said. “It’s a fun environment; it’s a fun break from the norm. In the sense that you sit down and

the time you are done breaking down.”

If you’re lucky, you may even run into Krohn on the festival grounds.

“There’s a bunch of music around and a bunch of food around; I had a blast last time at Fun Fun Fun Fest,” Krohn said. “You get to walk around and eat food. It’s a lot more fun than playing in a club, in that sense, in which you do sound check then wait around for five hours for your set. Sometimes there’s nothing to do.”

RJ plans to perform songs from across his discography.

As for surprises, don’t expect anyone huge to walk out on stage.

“There’s going to be new songs and old songs. [I’ll be] doing my thing in terms of

of jazz music in the past year and a half or so,” Krohn said.

“Lee Morgan, Oliver Nelson, guys like Chick Corea are kind of staples that I listen to. Going backwards, this stuff has influenced how I approach music — it’s frankly hard to get away from.”

RJ has had his fair share of eventful performances. From people throwing bottles to equipment falling over, he has seen it all.

“The ones that go horribly wrong are the ones that

“I just couldn’t be happier with the way that [the singles] came out. It really has that polished feel that I think we were kind of always going for and never really got to.”

“[At Fun Fun Fun Fest] you get in front of a lot of people that necessarily aren’t there to see you, which I like. It’s a fun environment; it’s a fun break from the norm.” you pack up and you’ll be seeing an artist on the same stage that you were just on by

turntables, and the timbre, and all of that,” Krohn said.

“You know the surprises that

FAT TONY

when it was composed — before The Impossibles reunited for the second time — and it wasn’t meant to be a returnstyle song.

Regardless, Phillips is excited about the new music and the reaction he’s been received from the fans.

“I’m really happy with it, which has not always been how it’s been in the band,” he said. “I just couldn’t be happier with the way that it came out. It really has that polished feel that I think we were kind of always going for and never really got to. Maybe the very last EP that we put out sounded like what we wanted it to, but our two full-length records, not quite as much.”

Though he may not have liked the way the albums sounded, Phillips and the rest of the band recognized the fans’ anticipation of The Impossibles’ FFF Fest set, so they posted a poll on their Facebook page asking which song fans wanted to hear most.

“Within the band, we’re kind of like, ‘Oh, let’s play this old song,’ and maybe it gets shot down, like, ‘Oh, no one wants to hear that.’ So we wanted to find out,” Phillips said. “The song people voted the most for is on the set list.

You know, we try and play the hits, as it were; the ones that people really like. I think we’ll play most people’s favorite songs.”

As for the lineup, don’t expect to see original drummer Pat Elliot, who parted ways with the band for good during

the second breakup, nor Santiago Vela, who played drums for The Impossibles’ reunion shows. Instead, you’ll spot another friend of the band’s in the back, who will also debut his jersey number at the festival.

The baseball jerseys with “IMPOSSIBLES” emblazoned across the front has been part of the band’s claim to fame since the start, though they briefly strayed away from the uniforms at the end of their last run.

“The plan is to don the jerseys again,” Phillips said.

“That’s part of the thing, I think, with us playing these shows every once in a while; that makes it easier for us to do that. I think the only reason we stopped wearing them is just because we had been doing it for so many tours and so many shows in a row, it just didn’t feel fresh anymore.”

Right now, FFF Fest is the

I have planned are more in the musical nature, not in the sense that I have plans to bring out Jay Z or something like that,” he laughed.

RJD2 will be performing at 8:45 p.m. on Friday, Nov. 8 at FFF Fest, closing out the Blue Stage for the night.

OLA PODRIDA

by Mariana Munoz photo submitted by Fat Tony

Fat Tony isn’t fat, but he sure was out of breath. When Longhorn Life spoke with him, he had just finished running back from a quick stop at an ATM after stepping out of the radio booth where he had been interviewed a couple of minutes earlier.

Life seems to be going at a fast

The Impossibles frontman Rory Phillips sat down with Longhorn Life to discuss the past, present and possible future of the band.

by Sarah Strohl Ola Podrida, a Texas-based indie-rock band known for their folksy acoustics and sparkly undertones, wowed audiences on tour over the summer and are guaranteed to make an impression at Fun Fun Fun Fest this year.

Film composer and front-

LONGHORN LIFE

Thursday, November 7, 2013

man David Wingo expects great things from the performance and looks forward to being reunited on stage.

“I’m very excited,” he said.

“It is my favorite music fest in the country. I’m not usually a fan of outdoor music festivals, but this is the only one that I would pay my own hardearned cash to go to.”

pace for him nowadays. Fat Tony has been touring the U.S. for over a year promoting his new album, “Smart Ass Black Boy”, which you can expect to hear at Fun Fun Fun Fest.

Getting used to traveling from city to city is not an easy task, but he looks at it with nothing but positivity.

“I love it. I’ve been touring probably since like 2011 and I’d say it’s my real joy,” said Fat Tony, the Houston rapper. “I love being in the studio and making these songs, but there’s nothing more that I love than being out there and playing the shows, meeting the fans and being one-on-one with the people, because I think that’s the best experience.”

Fat Tony started rapping as early as the age of 13, and performed at his first Houston event at 17. He hasn’t stopped making music since.

“It’s always really been just about the music,” Tony said.

“I had different interests; I alonly show the band has cemented in place, since the guys only plan on performing when it’s convenient and stress-free for every band member. Keep an eye on The Impossibles’ Twitter and Facebook pages for announcements about upcoming shows.

So, it seems that we lucky Austinites should take advantage of the band’s FFF Fest set and its Nites show at midnight on Sunday, Nov. 10 at Hotel Vegas. If history is bound to repeat itself, The Impossibles could be gone again before we get the chance to say goodbye.

You wouldn’t guess it from their name, but the band is actually not Spanish; the name stems from an inside joke between the band members.

“I started the band with my friend Matthew Frank, who I went to high school and college with,” Wingo said. “We wanted to name it something reflecting where we grew up in North Dallas. There was a place — a craft, small-puppet-

ways wanted to be a journalist, I started going to school for psychology and I wanted to be a therapist, but making music was always number one no matter what. All that other stuff I just thought of as like, cool hobbies and outside jobs,” he added.

Fat Tony’s unique songwriting style grabs attention; he doesn’t write lyrics down — he just creates his songs as they come to mind.

“I can’t go back to writing words down, it doesn’t feel right,” Tony said. “It feels like I’m trying to write an essay or do some homework or something.

I feel like when I’m not writing it down and it’s just coming from my mind, it’s going to flow more naturally,” he added.

Fat Tony picked up this habit when his producer, Tom Cruz, encouraged him to try it out. He admits it was difficult at first, but through the years it became more natural.

“I think when you’re writing down the words you get caught up in how the words look, how many syllables it is — all the stuff that has nothing to do with what makes a good song,” he added.

Fat Tony is looking forward to treating his fans to a variety of his music, including songs that were left out from previous albums. Be sure to check him out at 11:45 p.m. on Friday, Nov. 8 as he performs at Holy Mountain, part of the FFF Nites performance series.

theater, weird place — in the ‘70s and ‘80s called Olla Podrida. It was called Olla Podrida, but everyone called it Ola Podrida because we were white people and didn’t know any better, so we thought it was a good inside joke.“ Wingo started his career as a film scorer for one of his best childhood friends, David Gordon Green, director of “George Washington” and “Prince Avalanche.” Since then, he has made a career

Page 9

THE LOCUST interview by Daniel Hublein article by Ali Killian Aside from their on-stage insect get-ups, there’s much more that sets The Locust apart.

From their music to their ideologies, this San Diego quartet is the epitome of unrestrained art. The Locust boasts songs that are short, fast and loud, but bassist and vocalist Justin Pearson said their music doesn’t fit into one label or genre.

“Identifying with any kind of genre is sort of bad,” he said. “A good band is a good band, and a genre is never going to be accurate, unless a band is very formulaic and kind of obvious. …It’s like when normal people ask me what kind of music I play.

They look at me and they are probably thinking punk or metal, or that I’m hipster or some bullshit, you know? And I just tell them ‘annoying.’

And really, in general, to a lot of people it is annoying.”

On the Fun Fun Fun Fest website, the band’s biography states that The Locust “want to destroy the way people perceive music in general.” But Pearson said that the band doesn’t really have a set goal they’re aiming to achieve; they just want some sort of emotional reaction from the crowd.

“Of course there’s an essence of us trying to perform, and it being a good live out of it, and even scored “MUD,” which stars Austinfavorite Matthew McConaughey.

“Writing for films really influenced my song writing and changed the way I made music in general,” Wingo said.

“It really focuses you to make music in terms of atmosphere and an emotional thread.”

This influence is the reason that many of Ola Podrida’s songs have an almost-cinematic feel, which is unique in

experience or interesting experience,” Pearson said, “but we don’t have a goal to get people to take away something specific or special.

We kind of just create this art, and then people can get from it whatever they want. …Even

or perfectly rhythmic hip-hop versus layered, complicated guitar riffs and choppy time signatures — but Pearson disagrees.

“Sometimes, I think achieving the negative reaction is maybe more difficult, because you have to really get under

“Identifying with any kind of genre is sort of bad. A good band is a good band, and a genre is never going to be accurate, unless a band is very formulaic and kind of obvious.” a negative reaction is better than no reaction.”

You might think that it’s easy for a band like The Locust to elicit negative reactions from listeners, especially when contrasting its music to today’s most popular, mainstream tunes — melodic, happy-go-lucky pop

someone’s skin and upset them. I think that’s a pretty big achievement,” he said.

Intrigued? Stop by the Black Stage at FFF Fest at 8 p.m. on Sunday, Nov. 10 to catch The Locust’s set. You never know, it could be the next band you love to hate.

the music world.

Although Ola Podrida loves to play to any audience, Wingo thinks that their music appeals more to people who are willing to be patient with it and listen to each song more than once to absorb the

it somewhere a little more abstract, a little more impressionistic, trying to paint a picture.”

Once you hear Ola Podrida’s captivating sound, it might be hard to stop listening. You can satisfy your

“When I’m writing lyrics ... it starts out usually with something kind of personal, and then I take it somewhere a little more abstract, a little more impressionistic, trying to paint a picture.” subtleties.

“When I’m writing the lyrics, I really try to not be too specific about things,” he said, “It starts out usually with something kind of personal, and then I take that and take

musical craving with one of their three albums, “Ghosts Go Blind.” “Belly of the Lion” and “Ola Podrida.” You can catch them live at FFF Fest at 12:50 p.m. on Saturday, Nov. 9 on the Orange Stage.

Page 8

THE IMPOSSIBLES

by Ali Killian photo by Kris Seavers Break out the baseball jerseys and brush up your skanking technique — The Impossibles are back, again.

Championing their third return from musical oblivion, the jersey-clad Austinites will take the Black Stage at 4:05 p.m. on Nov. 8 at Fun Fun Fun Fest for their first non-reunion show together in more than a decade. As if that’s not enough to make the average ska or pop-punk fan scramble for a ticket, attendees will also get to hear the recently released singles — the first new music

RJD2

by Andrew Huygen photo submitted by RJD2

Ramble John “RJ” Krohn, more commonly known as RJD2, is a musician and producer, known equally for his solo works and collaborations. Having formed his own label in 2009, he has since released three solo albums, the most recent being “More Is Than Isn’t” in October.

Krohn recently spoke with Longhorn Life about his influences, why he enjoys playing at music festivals like Fun Fun Fun Fest and what to expect

Thursday, November 7, 2013

LONGHORN LIFE

be really cool to do that,’ and then it just happened — I just happened to put together some chords that happened to work really well as a ska verse, and the chorus came together,

the band has released in more than 12 years — live for the first time at the festival.

The two tracks are radically different in style, with the ska feel of “Come Back” opposing the pop-punkier track “The Position,” and seem to encompass The Impossibles’ musical transition as a whole.

Frontman and vocalist Rory Phillips said that “Come Back” was meant to be a classic Impossibles song, sounding more like their earliest music.

“After doing the reunion, I realized that The Impossibles really had a sound for a while there — this ska verse [and] Weezer-Pixies-whatever-al-

ternative-rock chorus,” Phillips said. “It wasn’t a sound that anybody else ever really

picked up, so it really was signature to our band. I kind of went into [writing “Come Back”] thinking, ‘Oh, it would

as well.”

But “The Position” reflecting their later musical direction was a consequence of

from his performance on Friday.

His most recent albumfeatures more jazz-inspired melodies than his previous offerings.

“I’ve been listening to a lot

get seared in your memory,” Krohn said. “Things like the whole power getting shut off in your room or, you know, a bunch of people jumping up on stage. I’ve had bottles thrown at me — people get so hammered where they want to throw everything.”

Music festivals like FFF Fest provide a break from the norm of playing at clubs and small venues, with the added advantage of performing in front of people who may have never heard his music before.

“The benefit is probably that you get in front of a lot of people, and you get in front of a lot of people that necessarily aren’t there to see you, which I like,” Krohn said. “It’s a fun environment; it’s a fun break from the norm. In the sense that you sit down and

the time you are done breaking down.”

If you’re lucky, you may even run into Krohn on the festival grounds.

“There’s a bunch of music around and a bunch of food around; I had a blast last time at Fun Fun Fun Fest,” Krohn said. “You get to walk around and eat food. It’s a lot more fun than playing in a club, in that sense, in which you do sound check then wait around for five hours for your set. Sometimes there’s nothing to do.”

RJ plans to perform songs from across his discography.

As for surprises, don’t expect anyone huge to walk out on stage.

“There’s going to be new songs and old songs. [I’ll be] doing my thing in terms of

of jazz music in the past year and a half or so,” Krohn said.

“Lee Morgan, Oliver Nelson, guys like Chick Corea are kind of staples that I listen to. Going backwards, this stuff has influenced how I approach music — it’s frankly hard to get away from.”

RJ has had his fair share of eventful performances. From people throwing bottles to equipment falling over, he has seen it all.

“The ones that go horribly wrong are the ones that

“I just couldn’t be happier with the way that [the singles] came out. It really has that polished feel that I think we were kind of always going for and never really got to.”

“[At Fun Fun Fun Fest] you get in front of a lot of people that necessarily aren’t there to see you, which I like. It’s a fun environment; it’s a fun break from the norm.” you pack up and you’ll be seeing an artist on the same stage that you were just on by

turntables, and the timbre, and all of that,” Krohn said.

“You know the surprises that

FAT TONY

when it was composed — before The Impossibles reunited for the second time — and it wasn’t meant to be a returnstyle song.

Regardless, Phillips is excited about the new music and the reaction he’s been received from the fans.

“I’m really happy with it, which has not always been how it’s been in the band,” he said. “I just couldn’t be happier with the way that it came out. It really has that polished feel that I think we were kind of always going for and never really got to. Maybe the very last EP that we put out sounded like what we wanted it to, but our two full-length records, not quite as much.”

Though he may not have liked the way the albums sounded, Phillips and the rest of the band recognized the fans’ anticipation of The Impossibles’ FFF Fest set, so they posted a poll on their Facebook page asking which song fans wanted to hear most.

“Within the band, we’re kind of like, ‘Oh, let’s play this old song,’ and maybe it gets shot down, like, ‘Oh, no one wants to hear that.’ So we wanted to find out,” Phillips said. “The song people voted the most for is on the set list.

You know, we try and play the hits, as it were; the ones that people really like. I think we’ll play most people’s favorite songs.”

As for the lineup, don’t expect to see original drummer Pat Elliot, who parted ways with the band for good during

the second breakup, nor Santiago Vela, who played drums for The Impossibles’ reunion shows. Instead, you’ll spot another friend of the band’s in the back, who will also debut his jersey number at the festival.

The baseball jerseys with “IMPOSSIBLES” emblazoned across the front has been part of the band’s claim to fame since the start, though they briefly strayed away from the uniforms at the end of their last run.

“The plan is to don the jerseys again,” Phillips said.

“That’s part of the thing, I think, with us playing these shows every once in a while; that makes it easier for us to do that. I think the only reason we stopped wearing them is just because we had been doing it for so many tours and so many shows in a row, it just didn’t feel fresh anymore.”

Right now, FFF Fest is the

I have planned are more in the musical nature, not in the sense that I have plans to bring out Jay Z or something like that,” he laughed.

RJD2 will be performing at 8:45 p.m. on Friday, Nov. 8 at FFF Fest, closing out the Blue Stage for the night.

OLA PODRIDA

by Mariana Munoz photo submitted by Fat Tony

Fat Tony isn’t fat, but he sure was out of breath. When Longhorn Life spoke with him, he had just finished running back from a quick stop at an ATM after stepping out of the radio booth where he had been interviewed a couple of minutes earlier.

Life seems to be going at a fast

The Impossibles frontman Rory Phillips sat down with Longhorn Life to discuss the past, present and possible future of the band.

by Sarah Strohl Ola Podrida, a Texas-based indie-rock band known for their folksy acoustics and sparkly undertones, wowed audiences on tour over the summer and are guaranteed to make an impression at Fun Fun Fun Fest this year.

Film composer and front-

LONGHORN LIFE

Thursday, November 7, 2013

man David Wingo expects great things from the performance and looks forward to being reunited on stage.

“I’m very excited,” he said.

“It is my favorite music fest in the country. I’m not usually a fan of outdoor music festivals, but this is the only one that I would pay my own hardearned cash to go to.”

pace for him nowadays. Fat Tony has been touring the U.S. for over a year promoting his new album, “Smart Ass Black Boy”, which you can expect to hear at Fun Fun Fun Fest.

Getting used to traveling from city to city is not an easy task, but he looks at it with nothing but positivity.

“I love it. I’ve been touring probably since like 2011 and I’d say it’s my real joy,” said Fat Tony, the Houston rapper. “I love being in the studio and making these songs, but there’s nothing more that I love than being out there and playing the shows, meeting the fans and being one-on-one with the people, because I think that’s the best experience.”

Fat Tony started rapping as early as the age of 13, and performed at his first Houston event at 17. He hasn’t stopped making music since.

“It’s always really been just about the music,” Tony said.

“I had different interests; I alonly show the band has cemented in place, since the guys only plan on performing when it’s convenient and stress-free for every band member. Keep an eye on The Impossibles’ Twitter and Facebook pages for announcements about upcoming shows.

So, it seems that we lucky Austinites should take advantage of the band’s FFF Fest set and its Nites show at midnight on Sunday, Nov. 10 at Hotel Vegas. If history is bound to repeat itself, The Impossibles could be gone again before we get the chance to say goodbye.

You wouldn’t guess it from their name, but the band is actually not Spanish; the name stems from an inside joke between the band members.

“I started the band with my friend Matthew Frank, who I went to high school and college with,” Wingo said. “We wanted to name it something reflecting where we grew up in North Dallas. There was a place — a craft, small-puppet-

ways wanted to be a journalist, I started going to school for psychology and I wanted to be a therapist, but making music was always number one no matter what. All that other stuff I just thought of as like, cool hobbies and outside jobs,” he added.

Fat Tony’s unique songwriting style grabs attention; he doesn’t write lyrics down — he just creates his songs as they come to mind.

“I can’t go back to writing words down, it doesn’t feel right,” Tony said. “It feels like I’m trying to write an essay or do some homework or something.

I feel like when I’m not writing it down and it’s just coming from my mind, it’s going to flow more naturally,” he added.

Fat Tony picked up this habit when his producer, Tom Cruz, encouraged him to try it out. He admits it was difficult at first, but through the years it became more natural.

“I think when you’re writing down the words you get caught up in how the words look, how many syllables it is — all the stuff that has nothing to do with what makes a good song,” he added.

Fat Tony is looking forward to treating his fans to a variety of his music, including songs that were left out from previous albums. Be sure to check him out at 11:45 p.m. on Friday, Nov. 8 as he performs at Holy Mountain, part of the FFF Nites performance series.

theater, weird place — in the ‘70s and ‘80s called Olla Podrida. It was called Olla Podrida, but everyone called it Ola Podrida because we were white people and didn’t know any better, so we thought it was a good inside joke.“ Wingo started his career as a film scorer for one of his best childhood friends, David Gordon Green, director of “George Washington” and “Prince Avalanche.” Since then, he has made a career

Page 9

THE LOCUST interview by Daniel Hublein article by Ali Killian Aside from their on-stage insect get-ups, there’s much more that sets The Locust apart.

From their music to their ideologies, this San Diego quartet is the epitome of unrestrained art. The Locust boasts songs that are short, fast and loud, but bassist and vocalist Justin Pearson said their music doesn’t fit into one label or genre.

“Identifying with any kind of genre is sort of bad,” he said. “A good band is a good band, and a genre is never going to be accurate, unless a band is very formulaic and kind of obvious. …It’s like when normal people ask me what kind of music I play.

They look at me and they are probably thinking punk or metal, or that I’m hipster or some bullshit, you know? And I just tell them ‘annoying.’

And really, in general, to a lot of people it is annoying.”

On the Fun Fun Fun Fest website, the band’s biography states that The Locust “want to destroy the way people perceive music in general.” But Pearson said that the band doesn’t really have a set goal they’re aiming to achieve; they just want some sort of emotional reaction from the crowd.

“Of course there’s an essence of us trying to perform, and it being a good live out of it, and even scored “MUD,” which stars Austinfavorite Matthew McConaughey.

“Writing for films really influenced my song writing and changed the way I made music in general,” Wingo said.

“It really focuses you to make music in terms of atmosphere and an emotional thread.”

This influence is the reason that many of Ola Podrida’s songs have an almost-cinematic feel, which is unique in

experience or interesting experience,” Pearson said, “but we don’t have a goal to get people to take away something specific or special.

We kind of just create this art, and then people can get from it whatever they want. …Even

or perfectly rhythmic hip-hop versus layered, complicated guitar riffs and choppy time signatures — but Pearson disagrees.

“Sometimes, I think achieving the negative reaction is maybe more difficult, because you have to really get under

“Identifying with any kind of genre is sort of bad. A good band is a good band, and a genre is never going to be accurate, unless a band is very formulaic and kind of obvious.” a negative reaction is better than no reaction.”

You might think that it’s easy for a band like The Locust to elicit negative reactions from listeners, especially when contrasting its music to today’s most popular, mainstream tunes — melodic, happy-go-lucky pop

someone’s skin and upset them. I think that’s a pretty big achievement,” he said.

Intrigued? Stop by the Black Stage at FFF Fest at 8 p.m. on Sunday, Nov. 10 to catch The Locust’s set. You never know, it could be the next band you love to hate.

the music world.

Although Ola Podrida loves to play to any audience, Wingo thinks that their music appeals more to people who are willing to be patient with it and listen to each song more than once to absorb the

it somewhere a little more abstract, a little more impressionistic, trying to paint a picture.”

Once you hear Ola Podrida’s captivating sound, it might be hard to stop listening. You can satisfy your

“When I’m writing lyrics ... it starts out usually with something kind of personal, and then I take it somewhere a little more abstract, a little more impressionistic, trying to paint a picture.” subtleties.

“When I’m writing the lyrics, I really try to not be too specific about things,” he said, “It starts out usually with something kind of personal, and then I take that and take

musical craving with one of their three albums, “Ghosts Go Blind.” “Belly of the Lion” and “Ola Podrida.” You can catch them live at FFF Fest at 12:50 p.m. on Saturday, Nov. 9 on the Orange Stage.

LONGHORN LIFE

Page 10

said he would love to collaborate with the experimental R&B group Tune Yards, and talked about current sounds he would like to incorporate into his music.

“I really like the new, stripped-down rock and roll, like Parquet Courts,” Morrison said. “Taking it back. I dig that.”

The Dismemberment Plan’s innovative sound is

The Dismemberment Plan

by Samantha Meyer photo by Leanne Chia The Fun Fun Fun Fest line-up is full of bands with long histories, and fan-favorite indie-rock group The Dismemberment Plan is no exception.

The band formed in 1993, dropped 4 albums in a decade and then broke up in 2003. They reunited in 2011 by playing a few shows, but they remained consistently against the possibility of releasing new music, which is why the band’s 2013 release, “Uncanny Valley,” was such a pleasant surprise earlier this year.

Fans of The Plan can finally see its long-awaited, new music performed live at FFF Fest.

Longhorn Life spoke with The Dismemberment Plan’s vocalist and guitarist Travis Morrison about the band’s

history, current creativity and their upcoming gig at the fest.

Morrison reminisced about the band’s early success, citing their first club gig as his biggest accomplishment as a musician.

“I mean, that’s the most purely exciting moment,”

Morrison said. “You can’t believe it. You’ll never top that level of excitement, my God.” Pitchfork proclaimed The Dismemberment Plan as the “fathers of dance-punk,” and the band has always incorporated other genres into their sound. Morrison

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As for what to expect from The Dismemberment Plan’s performance at the festival, Morrison is excited about the energy that the band’s history will bring to his performance.

“Well, we have a wide variety to songs to play and that’s great,” Morrison said.

“Keeps things fresh.”

Unlocking the Truth

by Samantha Meyer

Thinking about Graduate School?

Think about Trinity.

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Thursday, November 7, 2013

complemented by their humorous and deeply honest lyrics. Morrison hopes that fans connect with his music, and that it will help listeners find clarity.

“I hope that other people feel the same unnamable way we do about some things, and our music helps them tap into that and put a finger on it,” Morrison said.

The members of Unlocking the Truth are living proof that age is just a number; all three band members of one of Fun Fun Fun Fest’s most unique acts are under the age of 13.

But Unlocking the Truth isn’t your typical pre-teen sensation — forget boy-band pop or Beiber-esque riffs; their goal is to become one of the world’s best heavy metal bands.

“I think our age gives us an advantage, because there are not a lot of young metal bands, so that makes us stick out more than ever,” said Malcom Brickhouse, who plays electric guitar.

Unlocking the Truth formed in 2007, when it’s founding members, Brickhouse and drummer Jarad Dawkins, started playing music together. Since then, bass player Alec Atkins joined the band, and the group has achieved commercial success, playing in front of 25,000 people at AfroPunk Festival this past August, and now taking the stage at FFF Fest.

“Malcolm and I used to go to wrestling matches and also watched animated music videos, and we liked what we heard — the sounds of the music and the effect it had on the wrestlers when they came out of their locker room all pumped and ready to fight,” Dawkins said. “It helped us to create what we wanted to do and what we would like it to sound like.

That’s when I knew music

was a profession for me.”

Along with entertaining thousands of listeners, the three members of Unlocking the Truth have the typical responsibilities of any 12-yearold — they’re all full-time students.

“School always comes first,” Atkins said. “I focus on my schoolwork during the week, and whatever time I have left before going to bed, I will practice for a few minutes and then on the weekends we have band practice at Malcolm’s house.”

Despite the youth of its members, Unlocking the Truth has the sound and fundamental elements of any seasoned metal band.

“If I had to describe my music to a stranger, I would say it’s loud, easy to headbang to, metal and catchy,” Brickhouse said.

The three performers cited a number of musical influences in the heavy metal genre, whom they aspire to be like one day.

“The musicians that I look up to are Motionless in White, Chelsea Grin, Memphis May Fire, August Burns Red, Living Colour and more,” Dawkins said. “I look up to them because they are trying to be a voice for the next generation, and that’s exactly what they are doing.”

Unlocking the Truth aspires to be the voice of their own generation.

“I hope to reach kids my age with our music,” Atkins said. “I want them to be able to be free to express themselves and do what makes them happy.”

Thursday, November 7, 2013

Page 11

LONGHORN LIFE

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feel honored to play for them, music you want to make and You can catch Wild Child and you don’t get the same just go out there. It shows on performing at FFF Fest at 6:25 response anywhere else.� stage when you are having p.m. on Nov 10 on the Yellow Ž Wild Child released their fun, so just go have fun.�

Stage.

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LONGHORN LIFE

Page 12

Making Cents

Thursday, November 7, 2013

Style

How to handle festival money Story of a band stylist

by Shantanu Banerjee After having paid for tickets, festival-goers still need to worry about transportation, food, drinks and late night shows.

During this time, money tends to disappear, valuables get lost or rain ruins your belongings.

Here are a couple tips that might improve the festival experience for both you and your wallet.

Stock up before and after There are at least two undeniable facts of any major music festival in Austin: people buy food at the festival because they get hungry, and food is more expensive at festivals than vendors outside.

Having a big meal before going to the festival can help tide you over on the bare minimum throughout the day. Also plan on a big meal after the shows end in the evening, which gives you something to look forward to throughout the festival if you get hungry and don’t want to spend money there.

By stocking up on calories through big meals before and after the fest, you’re still saving money at the end of the day.

Business junior David Yu explained that your dollar has more purchasing power outside the festival grounds, where everything is premium priced.

So, by waiting you will get more bang, or food, for your buck.

Bag it There are many disadvantages to storing your items on your person during a music festival; that might be anything from the threat of pick-pockets and money getting wet if it rains. Save yourself the trouble and put your belongings in a bag.

This way, you know where everything is, not to mention it is far more difficult to steal

something that is both sealed and on your back instead of in your pocket. One cheap bag option is the classic drawstring bag — it’s small and offers only one way in and out, which makes stealing tougher. Also, consider wearing it on your front instead of your back when you’re in those big Fun Fun Fun Fest crowds.

Plastic Not everyone has money for waterproof bags. One alternative when on a budget is plastic — Ziplocs or even leftover plastic grocery bags will work. Store your wallet, phone and other electronics in these plastics to keep your cash and valuables dry in the event of rain (just look at the second weekend of Austin City Limits for an example). Investing the little to no money it takes to get a plastic bag can make all the difference between a memorable festival experience or one where your phone, camera and cash don’t make it to the end.

Fanny it up If you want to avoid dragging along a backpack, and don’t have a smaller string bag available, a fanny pack might be your next best option. Just because you choose to go the fanny route does not condemn you to a middle-aged-tourist stereotype.

Even if you aren’t in a fraternity or sorority, go Greek for the festival and get a neon pack. Or you can always take the opposite extreme and get a heavy pack made for the trail that will outmatch all other fanny packs at the fest. Those made for hiking can hold water, keep belongings dry and stay comfortable for longer periods of time.

If none of these options sound attractive, a final fanny option can be the classic

money belt. It serves as a fanny pack worn on the inside, where neither thieves nor strangers who may judge you can see it.

Cash or credit?

Cash is the preferred medium of exchange at music festivals. Not all vendors or modes of transportation accept cards. Cash also offers less risk if stolen, as someone can rack up debt on a stolen card.

Canceling a card at a festival is difficult, because you may not notice the card has been taken right away, since the live music might be a distraction.

Also, cell phone service can be nonexistent, which makes contacting your credit card company problematic to say the least.

If absolutely necessary, bring one card in case of an emergency to access ATMs for quick cash when you need it.

Just drink water Many vendors in Austin charge premium prices for alcohol at music festivals. To keep costs to a minimum, stay with water.

Similar to other festivals in Austin, FFF Fest allows empty bottles and other containers for water. Take note: unlike ACL, FFF does not allow CamelBaks.

If you have to have alcohol, there’s a multitude of sources online concerning how to sneak in drinks, if you are willing to risk it. Otherwise, embrace the beer there and refrain from more expensive mixed drinks.

By practicing just some of these tips, you can experience FFF Fest well-fed, dryly and you may even save a buck.

While the best tips and tricks when it comes to festivals tend to be picked up through experience, take advantage of these suggestions instead of learning the hard way.

by Samantha Meyer photo by Kris Seavers Be sure to add band stylist to the list of cool jobs you never knew you wanted.

Mallory Hublein, a local band stylist, told Longhorn Life about the exciting and complex world of styling..

One thing became clear very quickly: there’s no such thing as a typical day in the life of a band stylist.

“My day definitely varies,” Hublein explained. “When I am not on set doing a photo shoot, I am usually prepping for a shoot, researching or doing wardrobe consultations.”

Hublein has had a natural knack for band styling since elementary school, and for the past five years she has turned her talent into a career.

“Band styling really dates back to when I was eight years old,” Hublein said.

“Both of my older brothers

played in indie-rock bands growing up. Because I was too young to go to shows, I would sew custom pants for them to wear on stage and help them pick out clothes.”

The creative process behind the image seen on stage is one of careful thought.

“First, I try to objectively assess what the band is doing well and what needs improvement when it comes to their overall look,” Hublein said. “I play into each person’s specific strengths and work with every member individually while always having the total group look in mind.”

As for FFF Fest, there are some unique challenges and opportunities for band styling, because many bands on the lineup have been touring for years with an iconic look that has spanned decades.

“I think it is awesome that bands can tour for longer and audiences continue to support their music,” Huble-

in said. “It is definitely a delicate balance to maintain the core look and branding that a band has always carried, but keep it feeling updated and current.”

What is the updated and current band style? Hublein said the main idea is simple.

“Right now it is all about fit and cool simplicity,” Hublein said. “Kings of Leon is a great example of a band’s style evolution — groomed hair, awesome-fitting pants, badass pair of boots. Instead of looking like quirky, homeschooled boys from Oklahoma, they now look like a Grammy-winning rock band with great style.”

While it’s important to be aware of trends, Hublein’s goal stays constant regardless of what’s in style.

“Confidence is key,” Hublein said, “So at the end of the day, I always try to make sure the artist feels good in what they are wearing.”

Mallory Hublein began styling with her brothers’ band when she was younger, and more recently turned it into a career. She aims to make the artist confident in what they are wearing.

Thursday, November 7, 2013

Page 13

LONGHORN LIFE

Costumes and masks: what’s the deal with on-stage gimmicks?

by Sarah Strohl graphic by Rachel Ngun We have all encountered that one musical act that sticks with us because they use some sort of quirk or gimmick. From KISS’ face paint to Miley Cyrus’, well, you know, there are plenty of strange fashion choices to keep audiences entertained.

The Locust, a grind-core band who is slated to perform at Fun Fun Fun Fest, is known for donning skintight insect costumes and masks during every show.

But the real question is, are these gimmicks purely to capture attention? Or are they meant to reflect the genre and relay a certain message? Ethnomusicology Professor Stephen Slawek thinks that it is a little bit of both.

“How do you stand out as a musician?” he asked.

“Either you create something musically that sounds different, or visually you present yourself so that you stand out.”

The growth of mass media in recent decades might also be affecting musicians’ com-

petition for the spotlight.

“Obviously when there are so many bands, and there’s so much access, it’s much more difficult to break through than 50 years ago when there was no Internet, only three television stations and no cable TV,” Slawek said.

If a star feels like they are losing the spotlight, they

say with their outfits. For instance, dark clothes, heavy makeup or mohawks usually represent rebellion. And the sparkly leotards and colorful get-ups often worn by lone female acts are symbols of empowerment and independence. In the case of The Locust and other costumeadorned bands, the message might simply be, “We are

“How do you stand out as a musician? Either you create something musically that sounds different, or visually you present yourself so that you stand out.” might pull a stunt to grab the media’s attention and gain it back.

“Miley wasn’t able to make a cut keeping her old image, so she reinvented herself for better or worse.” said Nick Pelayo, English and Asian cultures studies sophomore.

As for relaying a message, it is clear in some cases what bands are trying to

different, and we want the world to see that.”

Fashion choices also serve the purpose of defining their genre. When was the last time you saw country star Luke Bryan don some black and white face paint and stick his tongue out during a performance?

Fashion was a key defining factor for genres right from the start, and became

especially developed in the 1900s. Slawek refers to genres as “streams,” an idea that he got from a book by Phillip Ennis.

“People in the city dressed differently than people in the country, and blacks had their own fashion,” Slawek said. “And then you had the three smaller streams of jazz, gospel and folk music.

All of those came together to create rock and roll, but in each one of those you had a different style, so that’s why when Elvis came out, it was looked at as a mixing of black and white styles and musical streams.”

In some cases, the genre actually emerged from the fashion statement. According to his bio on MTV.com, Malcolm McLaren, a clothing designer, managed and helped form the punk rock band Sex Pistols in 1975.

McLaren’s promotion of punk clothing and a rebellious lifestyle through the Sex Pistols helped to usher in a new musical genre, and the punk movement in England as a whole.

“The basic thing he had was a shirt that listed all the

things he hated … also, the safety pins and clothes with black leather or whatever,” Slawek said.

If the band strays from the confines of their genre, they risk sacrificing their credibility. Slawek believes

the possible fans who could be alienated by gimmicks.

“I think when artists go crazy with their outfits they take away the focus on the music and put it on their clothing,” Tse said. “They should keep the attention on

McLaren’s promotion of punk clothing and a rebellious lifestyle through the Sex Pistols helped to usher in a new musical genre, and the punk movement in England as a whole. that bands need to stay true to their music in order to maintain their fan base.

“I mean, that’s why the fans like them, because they appreciate the music but they feel that there’s also some sort of connection,” he said. “If there’s too much of the gimmick aspect going on, or if the band does something that is contrary to the micro-ideology they’re presenting to their fans, they can lose their fan base.”

Junior economics major Shelby Tse is an example of

the music they produce and not what they wear; that’s why we have models.”

Though it’s okay to be turned off by a band’s onstage get-up, just remember not to judge a book by its cover — at the end of the day their music is what really counts

Look for the Longhorn Life Holiday Guide on news stands 12/04/13

LONGHORN LIFE

Page 14

Thursday, November 7, 2013

Style by stage: outfits based on your taste in music

by Katie Dickerson graphics by Karina Munguia

YELLOW stage OR-

It’s become so commonplace that it actually has its own name: festival fashion. Events like Coachella and Austin City Limits are not in want of highwaisted denim and flower crowns, so Longhorn Life is here to help you break out of that festival fashion rut. We’ve put together different looks inspired by the four stages of Fun Fun Fun Fest so you’ll be fffashionably fffestival-ready, sans crochet tank top.

The tough heavy-metal vibe of the Black Stage inspired this rocker ensemble featuring FFF Fest headliner Slayer, an obvious go-to for your classic band T-shirt. We paired it with well-worn black denim and a wide-rim fedora from Rag and Bone, for a look that has that “I’m all about the music” feel. Red booties from Forever21 break up the all black outfit, and add rocker attitude while stepping outside of the combat boot brigade.

BLsUEtage

bLAC K stage

This cheeky graphic muscle tee from Forever21 and high-waisted red skinnies from Delias.com are a far cry from normal festival garb, and they feel right at home at the Yellow comedic stage.

Black Converse keep the look casual and comfortable, making it possible to enjoy all of the fffun.

ORANsGtaEge Inspired by the hip-hop theme of the Blue Stage, this look has just the right amount of modern trendiness with a wink to‘90s hip-hop style — no need to DIY any shorts.

We channeled our inner M.C. Hammer to come up with this one. An updated pair of harem pants from Tilly’s balance out the fitted silhouette of a crop top. Don’t forget the gold chains that we wear “even when we’re in the house.” Top it all off with a bright pink lip for a pop of color a la Nicki Minaj. This outfit is so ready to bust a move.

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This outfit features a mix of textures and styles reflective of the eclectic and indie-themed Orange Stage. We replaced high-waisted shorts with a black-pleather skater skirt from Simplybe.com to give some edge to a vintage Aztecinspired cardigan and lace bralette from Tilly’s.

The look is complete with a straw fedora from Urban Excess because, hey, it’ll keep your head warmer than a jeweled forehead-band.

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Thursday, November 7, 2013

Page 15

LONGHORN LIFE

Our Campus Meet the interim director of the Butler School of Music Richter about what inspired his own career and what he thinks about the future of the music industry.

Longhorn Life: When were you first introduced to music, and how would you say it became your life’s passion?

by Nick Delisi photo by Elizabeth de Regt Professor Glenn Richter, interim director of Butler School of Music, has been with The University of Texas for over 25 years. Longhorn Life asked

Glenn Richter: I spent a lot of my formative years following my dad’s band; that’s how I’d say I was first introduced. He was a drummer and performed on stage for many years. By the time I was eight, I’d learned to play enough piano to replace the accordion player in his band. Then, I’d taken up drums in the fifth grade, probably because it’s what my father

played, and on through junior high before switching to the baritone in high school. Eventually, I attended UT-Austin as a piano performance major, but also continued playing and marching with my baritone in the Longhorn Band.

LL: Would you elaborate on your position as Longhorn Band Director and other leadership for the university’s music program?

GR: In 1975, I was named the assistant director at UT-Austin.

Five years later, I became the head director for the CollegeConservatory of Music at the University of Cincinnati, before returning in 1980 to direct the

Longhorn Band until 1995. By that point, I’d been directing for years and years and was ready to move into another area of teaching — it’s a young man’s game. That’s when I was invited to teach a plan II honors seminar on music business, which later developed into a series of courses, and is now a major in the Butler School of Music.

I’d say my next role came around 2005 when I helped to create the Longhorn Music Label, a university-powered label that distributes classical artists, jazz ensembles and the like.

With the fortunate distribution help of Naxos, one of the foremost classical distribut-

ers in the world, the LML has released 11 or 12 great works.

LL: Have you noticed any particular shifts in the music industry? And on that note, would you consider the recent re-popularization of musical festivals to be of great importance?

GR: Well, I expect that successful music festivals will continue to grow, simply because artists can’t make as much as they used to from their own music sales.

As far as the industry changing as a whole, I see [that] the social interactive nature has a much bigger effect than before.

Today shows like “X Factor” and “The Voice” determine who gets popularized; the voting audience is discovering talent now. Artists who are active on social media also gain more success because they’re simply more connected to listeners.

I would advise any students going into the industry, artist or business-side, to become an expert in the social media. The networks have been sustainable so far, and I don’t think they’re going anywhere. In my classes, I also speak about the general importance of technology and its potential to impact in music. Being attuned to such technology, and its potential, can mean big things for a student.

He’s more than your son. He’s everything. And that’s why, at Lincoln Financial, we do everything we do to help you take charge of your life, plan for the future and protect the ones you love. Let’s get started.

To run your personalized retirement analysis or to have a one-on-one meeting with your local Retirement Consultant, contact Charles Davenport at 512-705-7023 or e-mail him at Charles.Davenport@lfg.com.

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