Issue 3 FEBRUARY 2020 Free
THE LIST
2020
ROMANCE & HEARTBREAK An A to Z for the hopeless romantic
EDITORIAL
ISSUE 3 FEBRUARY 2020
ROMANCE AND HEARTBREAK ISSUE
The Team EDITOR
Jack Nash
editor@theedgesusu.co.uk
DEPUTY EDITOR
Theo Smith
deputy-editor@theedgesusu.co.uk
NEWS EDITOR
Becky Davies
news@theedgesusu.co.uk
RECORDS EDITOR
Vicky Greer
records@theedgesusu.co.uk
CULTURE EDITOR
Louise Chase
culture@theedgesusu.co.uk
FILM EDITOR
Joe Williams
film@theedgesusu.co.uk
LIVE EDITOR
Georgie Holmes
live@theedgesusu.co.uk
PUBLIC RELATIONS OFFICER
Morgan McMillan
liverecords-pr@theedgesusu.co.uk
PUBLIC RELATIONS OFFICER
Maddie Lock
culturefilm-pr@theedgesusu.co.uk
CULTURE & FILM EXECUTIVE
Valentine’s day looms on the horizon. Whether you’re celebrating with your significant other, or relishing being self-partnered - we’ve got a wonderful selection of romantic entertainment peppered with some anti-valentine’s hits. For the hopeless romantics amongst us, who want to cuddle up with their partner and watch a film, we have our favourite romantic movies on page 24. Be prepared to cry, laugh and feel a multitude of other emotions as you enjoy the best of what Netflix has to offer on page 11. Alternatively, if you are looking for inspiration on where to go out with a loved one this February, take a peek at our article on page 25 about possible art galleries to venture to. Or if live music is more your scene, then why not take some advice from our article on page 31 about the best shows to see with your partner. For some of us though (me included), Valentine’s day is just like any other, with only self-love to keep us going. If you fancy a good cry, listen to our heartbreak playlist on page 8 . Of course, as we have just stepped into the new year (and the new decade), we have a treat in store for you! The List 2020 sit at the centre of this issue, and oh boy is it a good one! We look at everything, from records to video games, film to live gigs, its all packed into 7 pages of pure entertainment goodness.
Ebony Bolter
To finish this wonderful editorial, I’ve written a little poem:
RECORDS & LIVE EXECUTIVE
Roses are red, Violets are blue, We love this issue And we hope you do to!
Jed Wareham
ONLINE MANAGER
Menno Kramer
manager@theedgesusu.co.uk
HEAD OF DESIGN
Rebecca Ormsby
design@theedgesusu.co.uk
HEAD OF EVENTS
Connie Williams
events@theedgesusu.co.uk
HEAD OF PUBLICITY
Zarah Akhavan-Moossavi publicity@theedgesusu.co.uk
VICE PRESIDENT ACTIVITIES
Fiona Sunderland vpactivities@susu.org
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Editor’s Note
Jack Nash, Editor
EDITORIAL
CONTENTS 01
EDITORIAL
02
CONTENTS
03
NEWSBOX
05
NOSTALGIC NEWS
07
COUPLE’S DUETS: CUTE OR CRINGEY?
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CLOSER TO THE EDGE: OUR HEARTBREAK PLAYLIST
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REWIND: FLEETWOOD MAC RUMOURS
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STREAMING SAVIOUR: IS NETFLIX THE ROM-COM HERO WE’VE BEEN HOPING FOR?
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IN CRITICISM OF: A STAR IS BORN A TRIBUTE TO THE BEFORE TRILOGY
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THE LIST 2020: RECORDS
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THE LIST 2020: FILM
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THE LIST 2020: VIDEO GAMES
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THE LIST 2020: LIVE
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HIDDEN GEM: ABOUT TIME
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CLOSER TO THE EDGE: OUR FAVOURITE ROMANTIC MOVIES
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MOST ROMANTIC ART GALLERIES TO VISIT ON A DATE “I LOVE YOU” - ACT IV, SCENE I. AN ODE TO ROMANTIC DECLARATIONS IN THEATRE
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CLOSER TO THE EDGE: OUR FAVOURITE ROMANTIC COUPLES IN FICITON
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LOVE, ROMANCE....AND GAMING?
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LOVE SONGS LIVE
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LIVE ACT IN FOCUS: ADELE
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BEST LIVE SHOWS TO SEE WITH YOUR SIGNIFICANT OTHER
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LISITNGS
Follow Us! /theedgesusu @theedgesusu @theedgesusu Cover image courtesy of LAUREN DUKOFF
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NEWS
THE NEWS BOX NEWS IN BRIEF:
COACHELLA 2020 “Coachella’s line-up has been announced, with the festival being headlined by Rage Against The Machine, Travis Scott and Frank Ocean” KILLING EVE 2020/2021 “A fourth series of Killing Eve has been confirmed - the third series is due to air later this year” AVATAR, DECEMBER 2021 “The first images have been released from Avatar 2, set to be released in December 2021” HOSTLESS OSCARS “For the second year in a row, the Oscars is going host-less” MICROSOFT 2020 “Microsoft announced their new Xbox Series X console at the Game Awards, set for release at the end of this year”
NOTES ON NEWS: CONTROVERSY SURROUNDING BRIT AWARD NOMINATIONS
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THE EDGE’S ENTERTAINMENT PICKS EDITOR
21/02/20 Grimes - Miss Anthropocene
Grimes is here with her next weird electro-pop-rock hybrid that really puts a sci-fi spin on the music industry.
RECORDS EDITOR
7/02/20 Green Day - Father Of All...
It shouldn’t come as a surprise to anyone that I’m on edge for Green Day’s upcoming album, especially if you’ve read my rambling essays about it on This Week In Records. It’s taking a sharp turn away from what we’re used to, with singles that are hitor-miss with fans - there’s no doubt this will be a unique release, and that I’ll have a lot to say when it comes out.
FILM EDITOR
28/02/20 Portrait of a Lady on Fire (dir by Céline Sciamma)
Fitting with the theme of the issue, French director Céline Sciamma’s latest film has been met with rave reviews across the pond and has had plenty of awards buzz. This tale of repressed affection between two 18th century women - a painter and her elusive subject - looks like a stunning, poignant piece of LGBT cinema.
CULTURE EDITOR
16/02/20 Outlander Season 5
Twists and turns are sure to be found among the romance in the next series of Outlander, based on the series by Diana Gabaldon. With the events of the show now heading closer to the American Revolution, I can’t wait to see what adventures Jamie and Claire get themselves into this time. They’re definitely a long way from Lallybroch!
LIVE EDITOR
19/02/20 The 1975 at BIC
This month it would seem impossible to think of anything more exciting than seeing The 1975 perform at my home-town venue, the BIC!
In our last issue, we commented on the fact that the BRIT Awards had rather controversially decided to keep gender specific categories, despite the fact that Sam Smith had recently come out as non-binary and had prompted more discussion on the topic. However, it seems the dispute around this year’s ceremony does not end there. The nominations were recently announced, with Lewis Capaldi and Dave leading the pack with four nominations each. In fact, men in general have dominated across the board. With the exception of female specific categories, very few women are up for this year’s accolades. All of the Group of the Year nominees are men, as are the nominees for Album of the Year. The only female up for Best New Artist is Mabel, and of the ten Best Song nominees, only three feature female artists. The BAFTA awards were also under fire recently for announcing all-white acting nominees; let’s hope that the public backlash for both of these events will trigger greater diversity in 2021 and beyond.
S U N D A Y
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M A R C H
B o o k y o u r t i c k e t v i a : w w w . s u s u . o r g / b o x o ffi c e
#BleedBurgundy Grab your ticket now:
NEWS
NOSTALGIC NEWS
5 YEARS AGO
5 YEARS AGO
Vidhi Bass
Morgan Mcmillan
‘LOVE ME LIKE YOU DO’ by Ellie Gouldingwas released on 14th Februrary 2015
The world of pop was taken by storm when Ellie Goulding spun her magic on ‘Love Me Like You Do’. It is now her most famous song and has over 2 billion views on YouTube. Although it has incredibly cliché lyrics and is accompanied by the fact that it is the theme song of the troublesome movie Fifty Shades of Grey, which glorifies an abusive relationship, it still manages to take your emotions on a ride of brooding romance including everything from intense to sensual and passionate to subtle. The four-minute pop song has minimalist keyboard notes, pounding drums and quiet orchestra. It puts you in a dreamy, intimate mood with Goulding’s voice keeping you warm and setting your ‘heart on fire’. I definitely wasn’t ‘thinking straight’ after I heard it for the first or the 100th time.
GIRL ON THE TRAIN by Paula Hawkins was released on 15th January 2015
The Girl on the Train by Paula Hawkins was published in 2015. The novel debuted at number one and remained in the top position for 13 consecutive weeks. This psychological thriller divulges into the life of three women portraying their own narrative of events. The main narrative lies in Rachel Watson, an alcoholic who is unable to recover from the breakdown of her marriage to Tom, who left her for another woman, Anna Boyd. Readers see Anna and Tom’s relationship behind closed doors from the first-person narrative of Anna, who enjoyed showing off her relationship with Tom to Rachel as he chose her. The other narrative is that of Megan Hipwell, a woman Rachel becomes infatuated with, as she watches the life of Megan on the train. It is a thriller with a shocking twist and was labelled as “the next Gone Girl”. It makes for an exhilarating and heartbreaking read in equal measure.
5 YEARS AGO
CINDERELLA by Kenneth Branagh was released on 13th February 2015
Zarah Akhavan-Moossavi Adaptations of classical stories fuel much of cinema, with fairytales being a constant source of adaptation: cue Kenneth Branagh’s 2015 adaptation of Cinderella. Branagh has a rich history with both the stage and screen and he successfully transforms Cinderella into a nostalgic and heartwarming film with a starstudded cast. Lily James and Richard Madden star at the centre, playing Ella and Charming respectively, with support from Cate Blanchett, Helena Bonham Carter, and Derek Jacobi who all have fantastic performances in this film. Visually, the film is incredibly attractive, with all the conventional qualities of a fairytale without transforming it into the realm of the fantastic. It retains a real, tangible quality to the images on screen; the colours are vibrant, the locations are beautiful, and the costume and make-up design work perfectly with each other. Combine these elements and we have a Cinderella for the adults that is able to simultaneously invoke childish nostalgia as well as retain a sense of maturity in its method of storytelling.
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Images courtesy of Polydor Records and Dreamworks Pictures
NEWS
5 YEARS AGO
10 YEARS AGO
Faye Williamson
Maddie Lock
‘I LOVE YOU HONEYBEAR’ by Father-John Misty was released on 10th Februrary 2015
I Love You, Honeybear dives into the world of the concept album, travelling through his musings and regrets of his life. Often, lyrics nod to his relationship with his wife Emma. The second track ‘Chateau Lobby #4 (in C for Two Virgins)’ has Misty in the honeymoon stage, opening with “Emma eats bread and butter / Like a queen would have ostrich and cobra wine.” Misty makes the comparison of the mundane with the impressive to display his obsession. However, the album is not without its usual worries about romance. On the swirling ‘When You’re Smiling and Astride Me’, love has never sounded more lovey-dovey, yet Misty breaks into doubtful reality by confessing “I can hardly believe I’ve found you and I’m terrified by that.” Even in noticing that he has found ‘his’ person, there is still something existential that ponders the prospect of something going wrong.
The first Glee soundtrack was released on 15th Februrary 2010
Glee is arguably the best television show of the decade, and in terms of romance no show does it better. Running from 2009-2015, the show tested pretty much every romantic pairing possible, also featuring multiple LGBT+ couples. Santana’s heartfelt rendition of ‘Mine’ to Britney connected with a non-mainstream audience, highlighting the pain surrounding coming out. Blaine’s second version of ‘Teenage Dream’ illustrated heartbreak during the downfall of his and Kurt’s relationship. Even Finn and Rachel’s cringey 80s duets were somehow cute, their love blossoming through ‘Total Eclipse of the Heart’. Even Schuester’s take on Rocky Horror has its hints of romance, attempting to win back Pillsbury with ‘Creature of the Night’. Throughout Glee, friend-mance was also a key component. For instance, when everyone sang ‘Keep Holding On’ to Quinn as it’s revealed that she’s pregnant. Glee is a quintessential watch for anyone wishing to learn the language of love; showcasing the many forms romance can take.
20 YEARS AGO
ALL SAINTS - PURE SHORES was released on 7Th February 2000 Ebony Butler
British-Canadian girl group All Saints released Pure Shores on February 7th 2000, as the soundtrack for Danny Boyle’s film adaptation of the novel The Beach. All Saints were approached to sing the track, reportedly infuriating Madonna at the time. Its success in the new year was fantastic as the second best-selling single of 2000, topping the UK Singles Charts for a fortnight. With this, the single reached critical acclaim in the UK, and its success spanned the rest of Europe, New Zealand and Japan. Coined as ‘dream pop’ and ‘ambient’, its lyrics represent longing for a place of belonging and relaxation. This song has been immortalised not only in its place on The Beach’s soundtrack but a turn of the century genre-bender and girl group dominance. Images courtesy of Polydor Records and Dreamworks Pictures and Fox Broadcasting Company
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RECORDS
Jorja Smith - ‘Let Me Down’ There is no such thing as a break-up playlist without Jorja Smith’s classic ‘Let Me Down’ featuring grime rapper Stormzy. The slow heartbreaking ballad starts with a soft melancholic melody already preparing us to cry a few rivers before any lyrical content is produced. Then comes in Jorja’s beautiful almost angelic voice; you can hear her pain and passion throughout. This is most seen in the tear-jerking line “Sometimes I wouldn’t mind if I was less important”, anyone who has been through a break-up or even during hard times in a relationship can relate to this line. It’s a tear-jerker because of how real it is. The song gets darker when Stormzy comes in, Stormzy raps “when I see tears, I am likely to run” showing both sides of the story. The track now starts to tell a narrative between a couple struggling to be good enough for each other.
MORGAN MCMILLAN
Paolo Nutini - ‘Last Request’ When a heart is broken, the effects usually leave people feeling lonely and vulnerable. In this time of need, it’s important to surround yourself with people who care, with a loving embrace. A man who never fails to wrap that loving feeling is Paolo Nutini, whose 'Last Request' is the perfect heartbreak song. He tells the tale of a tired and hurt soul who just wants to forget for a second that things have changed and try to hold the shattered pieces of his heart back together. It’s comforting to hear this compassionate voice express the same feelings that you may too feel, especially as the song aims towards closure. It reminds you that there was something beautiful and special, no matter what the future might hold. This song inspires hope and rekindles memory, as well as preparing you to know that it’s going to be okay.
EMILY DENNIS
Tom Odell - ‘Another Love’ Tom Odell has written a plethora of heartbreaking tunes over his career, however 'Another Love' stands out as one that is absolutely essential for a heartbreak playlist. With its simplistic, emotive piano riffs alongside the gradual buildup in volume, this song is the perfect cure to let out all the anger and sadness you may be harbouring on the inside. The shouts in the final chorus are so powerful that you'll no doubt have this song stuck in your head for the rest of the day, so you can continue to vent all of those bad feelings for hours on end - what's not to love?!
GEORGIE HOLMES
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Image courtesy of BBC, Warner Music and Columbia Records
RECORDS
CLOSER TO THE EDGE: OUR HEARTBREAK PLAYLIST Love is in the air. Ugh. If you’re ready for something a little more cynical, our writers are here with their ultimate heartbreak songs! So get ready to have a good cry and scream out some lyrics, because we have everything you need right here.
Demi Lovato - ‘Stone Cold’ No heartbreak playlist could ever be complete without the raspy tear-provoking voice of Demi Lovato. Her song ‘Stone Cold’ captures the aftermath of any break up - the pain of when your ex-lover begins moving on. Its simple piano and violin backing track allows her impressive vocals to take control, the emotion and pain in her voice heartbreak enough, even without the lyrics. Although, the lyrics do add to the heartache, with lines such as “maybe if I don’t cry, I won’t feel anymore” something anyone who’s gone through a break-up can resonate with. ‘Stone Cold’ is a song about coming to terms with your heartbreak, even if that means accepting that “if happy is her, I’m happy for you”. Demi Lovato’s passion and tenderness is enough to make even those happiest-in-love cry, and ‘Stone Cold’ is a must for anyone wanting to shed their tears and move on.
MADDIE LOCK
The Smiths - ‘I Know It’s Over’ The Smiths have become synonymous with bleak but beautiful songs about loneliness and unrequited love. They produced lively tunes like ‘Ask’ or ‘Frankly Mr Shankly’, but the group’s lasting contribution to popular culture will likely be the forlorn and heartrending tracks that dominate their albums. Most significant is undoubtedly ‘I Know It’s Over’ from the band’s seminal record The Queen is Dead. Johnny Marr’s spectacular guitar work, one of The Smiths’ key stylistic markers, is toned down in favour of brusque acoustic strums, emphasizing Morrissey’s lovesick lyrics. His measured phrases hit home, in time with Andy Rourke’s dulled bass and some wonderfully sparse drumming from Mike Joyce. The song builds as Morrissey pleads with everyone in love to appreciate what they have before it’s gone, before he delivers one of the most stinging lines in his whole reportoire - “If you’re so funny/Then why are you on your own tonight?”
BAILEY WILLIAMS
Image courtesy of Hollywood Records and Rough Trade
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RECORDS
COUPLES DUETS: CUTE OR CRINGEY?? Couple duets are a bit like marmite - you either love or hate them. The romantic in us may find them cute, though in reality we’re probably just cringing at such loved-up-lyrics. But regardless of our opinions, couples throughout the ages have continued to create duets together; ranging from being sweet to vom-worthy.
Even if couples decide to turn their romance professional, their love-child of a song doesn’t have to be about love at all. Ike and Tina Turner’s ‘Proud Mary’ illustrates this perfectly, showing how a couple can work together without their relationship infecting the music. Although this song wasn’t written by Tina and Ike (original by Creedence Clearwater Revival), it still shows that couples can sing without the process becoming possessed by their romance. Though both songs have love in the title, ‘Crazy in Love’ and ‘Drunk in Love’ by Jay Z and Beyonce remain tunes to dance to. ‘Crazy in Love’ features some cringe lyrics, like “its the beat that my heart skips when I’m with you”, but in all honesty you’ll be too busy grooving to even notice. ‘Drunk in Love’ is far more sexual, and features some dirtier lyrics that are a tad uncomfortable, but the weird snake-tamer noises and random “surfboard” and “watermelon” make this couple duet an R&B party song. Both Sonny & Cher and ABBA are classic examples of how couples can sing about their relationship, whilst keeping it PG, sweet and cringe-less. ABBA’s ‘S.O.S.’ was released in 1975, midway through both couples relationships. Though they sing “when you’re gone, though I try how can I carry on?” amongst other dramatic lyrics, nothing can beat dancing to an ABBA
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tune. Even Sonny & Cher’s ‘I Got You Babe’ is a sweet classic. Cher singing “with you I can’t go wrong”, and Sonny responding “there ain’t no hill or mountain we can’t climb”; very innocent lyrics you’ve probably witnessed someone’s parents lovingly singing to one another (which is where it gets cringe). Couples such as Demi Lovato and Joe Jonas in Camp Rock or Finn and Rachel from Glee perform duets as on-screen couples, whilst in relationships together off screen. Demi and Joe’s Disney relationship is rather cute, their duet of ‘This is Me’ being the moment they finally find one another and fall in love. Finn and Rachel, however, are definitely more cringe. Their version of ‘Don’t Go Breaking My Heart’ certainly vom-worthy, full of dodgy dancing and overly-romantic glances. Lastly, ‘What About Love?’ from The Colour Purple shows Celie and Shug coming to terms with their sexuality. The lyrics “never felt nothing like this” and “I want you to be a story for me that I can believe in forever”, though very cheesy, are overlooked due to this tender moment resonating with its LGBT+ audience. Couple duets can be gross, or something you’d add to a playlist for your S/O, but after discovering samesex couple duets barely exist, perhaps this is an area we should discuss rather than just questioning the cringe/cuteness of these duets. MADDIE LOCK
Image courtesy of Fox News
REWIND:
RECORDS
FLEETWOOD MAC - RUMOURS As a verified messy bitch who lives for the pure drama of it all, Rumours is a musical godsend. Describing Fleetwood Mac’s legendary 1977 album as just ‘a break-up album’ feels like the understatement of the century. When the band locked themselves away in a windowless, clockless studio in California to record their eleventh album, they were more soap opera cast than band. Vocalist-guitarists Stevie Nicks and Lindsey Buckingham’s on-off relationship had finally exploded, bassist and keyboardist/vocalist John and Christine McVie had divorced, and Mick Fleetwood’s wife was having an affair. All this in the bright-lights-fame-and-limitlesscocaine world of Fleetwood Mac in the 70s was enough to tear them apart. But it didn’t. What came out of that time was a perfect pop album. It was a cannibalistic effort that consumed the band members’ personal lives and turned their private pain into public gossip, but there isn’t a single bad song on that album.
Rumours holds up perfectly, even divorced from the rest of the record and the story of its chaotic beginnings. Behind the smooth pop, there’s an undercurrent of passive-aggression and hope that makes the pain all the more relatable. To listen to this album is the pop-rock equivalent of being friends with both the people in a break-up, each one performing their heartbreak to try and come out on top of their mind-game of choice, but without all the emotional exhaustion of actually knowing these people. (For the record, Stevie Nicks definitely won Rumours - just listen to the barely-concealed bitterness of ‘Dreams’ and tell me she’s not more sympathetic than Lindsey Buckingham’s spiteful performance on ‘Go Your Own Way’). Rumours lets you watch three breakups happen in real-time, giving equal voice to almost every party, with songs like ‘The Chain’ literally having vocalists fighting for control of their story. But beneath all the posturing and performance, the emotions are all there.
I’m not saying it’s always a positive experience. Rumours is an album guaranteed to dredge up all the memories you thought you’d forgotten about how awful you were in your last break-up and you’ll get angry and sad all over again, even if all the songs are solid bops. Whether you’re bitter, broken-hearted, or just a bitch like me, there’s something here for everyone to connect with. Maybe the best thing about this album is that it doesn’t really move on. All its songs are stuck in this process of being pulled apart, inch by agonising inch, and even amongst all the vindication, passive-aggression, and pain, Rumours gives its listeners the chance to stay living in that awful heartbreak. MOLLY ADAMS
Image courtesy of Warner Bros
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FILM
STREAMING STREAMING SAVIOUR: SAVIOUR: IS IS NETFLIX NETFLIX THE THE ROM-COM ROM-COM HERO HERO WE’VE WE’VE BEEN BEEN WAITING WAITING FOR? FOR?
EMILY DENNIS Romantic comedies are a popular genre of film due to their light-hearted nature and hopeful happy endings. However, traditional rom-coms have slowly dripped out of cinemas over the past few years, with people now turning to streaming giant Netflix for their cheesy fill of unrealistic romance. Often twinned with a catchy indie soundtrack and viral celebrity heart-throbs, these rom-coms present that little slice of heaven that people yearn for. They inspire dramatic looks out of rainy bus windows and are probably the reason why you always turn around after locking eyes with a stranger. Inside them exists a world which is magical, containing the right combination of human interactions to make your heart squeeze. It was a huge emotional blow when the genre became less fruitful in cinemas, slowly falling from screens and out of public affections. And yet, there is something special and essentially timeless about the genre which cannot be let go – something Netflix has successfully cashed in on. As well as the streaming of classic rom-coms that Netflix has acquired, their original film productions come in many different forms and genres. They are now infamous for taking the tackiest ideas and turning them into rom-com masterpieces. Particular favourites include To All the Boys I’ve Loved Before, Set It Up, Always Be My Maybe and Someone Great, as well as a whole host of Hallmark Christmas films. These are filled with charming casts who present fantastic chemistry, coupled with cute storylines that make Netflix frontrunners in the genre. Something else refreshing about a lot of these movies is their passion for representation, casting actors and portraying themes from many different walks of life,
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while also presenting diverse kinds of relationships and sexuality. That being said, not all of these originals have hit the same mark. It’s hard to add “too cheesy” to a list of complaints, but this is sometimes a bit of a problem with Netflix’s rom-coms. Fatalities include The Kissing Booth and The Perfect Date, whose cringeworthy moments make them very difficult to sit through. While some of these films are quite successful at presenting progressive ideologies, some feature outdated stereotypes and highly unrealistic storylines. After, for example, is a story solely about the classic archetype of the bookish girl who gives up her studies for the emotionally closed-off bad boy - simply seen that way because of his tattoos and an English accent. This film presents the toxic idea that people should entirely change who they are for the benefit of someone else, and that everyone is equally as changeable. As well as having a great selection of classics and originals, Netflix’s commitment to rom-coms as a popular genre of film is something truly remarkable, even if some of them are slightly disappointing. What they offer is that something special: the ability to immerse yourself completely in the guiltiest of pleasures from the comfort of your own home, without fear of judgement for crying your eyes out in a cinema. To All the Boys: P.S. I Still Love You, directed by Michael Fimognari, will be available to stream via Netflix on February 12th.
Image courtesy of NETFLIX
IN CRITICISM OF: A STAR IS BORN
Romance films are always a go-to, whether you are looking for some light entertainment with your partner, a way to warm your heart and get a bit teary, or just provide some background noise. But the issue is, which do you choose? Well, one you can definitely take off your watchlist is A Star is Born. Starring Lady Gaga as singer-songwriter Ally and the film’s director/co-writer Bradley Cooper as rockstar Jackson Maine, this 136-minute film depicts the definition of a ‘Bad Romance’. Though its release gained great public attention and Oscar buzz, and no one can deny that ‘Shallow’ is an absolute banger, A Star is Born doesn’t quite hit the mark. As the fourth version of this particular story, the whole thing seems a little unnecessary. Heavily drawing on the ‘70s film, starring Barbra Streisand and Kris Kristofferson, some of the themes are naturally outdated. Despite attempts to modernise the narrative through drag queens and modern technology, the story of an alcoholic man helping a female protégé to fame feels a little old-school. Jackson also seems to have a weird obsession with Ally’s nose, which is frankly just a bit odd. Of course, with a narrative portraying addiction and the struggles of fame, A Star is Born could never be a “fun” film. This isn’t a romantic comedy. The worst aspect of this film, though, isn’t its lack of humour or outdated narrative, but rather the toxic relationship that Jackson and Ally share - and how suicide is portrayed. Though many raved about the accurate depiction of alcoholism and mental health issues,
FILM
Jackson’s insane jealousy and tendency to ruin Ally’s success (e.g. when he pisses his pants at an awards show), as well as his constant blaming her for his problems, is not a relationship dynamic that we should be preaching. Glorifying this ‘romance’ undermines real abusive and toxic relationships, with the film almost praising Ally for sticking by Jack even though leaving him would have benefitted her own wellbeing. The scene in which Jackson commits suicide is portrayed as a sacrifice that he is taking in order to free Ally. After spiralling back into alcoholism, snorting crushed pills pre-show, and publicly embarrassing himself and Ally, this is the only option left in his mind. We must remember he is mentally ill, meaning many of the decisions he makes are not rational, but the film does not make this clear enough. Instead, what audiences get is an ending where Jackson is the hero for taking his own life to benefit Ally. Not only is this a bad message to send out to people struggling with mental illness, encouraging the idea that suicide may be what is best for their loved ones (which many already believe), it also suggests that Ally was somehow meant to save this man from the abyss. This blames the family and friends of suicide victims, suggesting that they could have done more. A Star is Born should be considered a tragedy, not a romance. It promotes dangerous messages, has an outdated narrative, and simply isn’t a worthwhile watch.
MADDIE LOCK
Image courtesy of... WARNER BROS PICTURES
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FILM
A TRIBUTE TO: The Before Trilogy
In many ways, Richard Linklater’s Before films get less suitable for cozy Valentine’s Day viewing as they progress, with Before Sunrise’s idyllic romantic swooning followed by Before Sunset’s impassioned reunion, tinged with regret, concluding in Before Midnight’s heartbreaking depiction of wavering passion and love on the brink. These three films form one of the greatest trilogies ever, due in part to their deft use of the trilogy format itself.
To the same effect as Linklater’s Boyhood, which followed a boy’s life over the span of 12 years, the Before films are each set and filmed roughly a decade apart, each covering a span of no more than a day in the lives of Julie Delpy’s Céline and Ethan Hawke’s Jesse. Sunrise sees them meeting on a train and falling in love during a leisurely stroll through Vienna, before departing with the intention of reconnecting six months on. Sunset shows that they never did catch up, revealed when their love is rekindled during a similarly aimless wander through Parisian cafés and riverside pathways. Finally, Midnight finds the couple holidaying in Greece, now married and raising two young daughters, before an almighty argument exposes the devastating cracks in their once fairytale relationship. While the films initially paint a vivid portrait of the kind of romance that most fantasise about, later showcasing the harsh reality of love’s burden, this trilogy also explores the correlation between time, space and the ability to sustain a romantic relationship. During their first two meetings, Jesse and Céline serve as tour guides, leading us down winding back-alleys, through ancient architecture and into modern bars. The foundations of their love are built upon the act of perusing European cities, freely roaming open spaces as they inquisitively ponder the philosophies of life through dialogue-heavy screenplays. The camera scarcely leaves the pair, creating an intimate experience while we learn about the characters’ dreams at the same time as they do. This freedom of space allows their love to blossom. It’s impossible not to fall for the chemistry between Hawke and Delpy in two beautifully sensitive performances. However, the barrier that looms in the mind throughout Sunrise and Sunset is the limited time that they have together. When the sun rises (or sets), as it inevitably will, they know their time together may well come to an end.
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Since these solar deadlines are what confine Céline and Jesse’s relationship, it should then flourish in Before Midnight, with all the time in the world to spend with each other? The time spent with the couple as they stroll through the cobbled streets of a small Greek village is evocative of their time in Vienna and Paris, a delight to watch as they once again flirtatiously tease each other while ruminating on life’s big questions. But, besides this nostalgia-tinged sequence, the expansive city walks and crushing time constraints have been replaced by lack of space and a wealth of time; due to adult responsibilities, they no longer have the freedom to carelessly meander. Things reach fever pitch when a petty disagreement evolves into a potentially marriage-ending fight, taking place in a hotel room that for the first time in the series feels like a claustrophobic setting, suffocating the love they so clearly still have for each other. Linklater wants us to question the notion of everlasting love. The Before films express his belief that romance must be accepted and appreciated as and when it is present; love can still be overwhelmingly powerful and meaningful even if it can’t always last forever.
ETHAN KRUGER
Image courtesy of Castle Rock Entertainment
Image courtesy of PureGrainAudio.com
THE LIST 2020
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RECORDS
2019 really was the year for breakthrough artists. Some of last year’s biggest superstars, from Billie Eilish to Lewis Capaldi, were barely heard of before 2019. Before you realised what was happening, they were smashing records and their tickets were selling fast. Last year, we predicted the success of King Princess, Yonaka and Sam Fender, who all proved to be some of the biggest new names in music, and now it’s time to get ahead of the game for 2020. This year, don’t miss out on the artists that are going to make it big - make sure you start listening before they make it big so that you can brag about it to all your friends.
HARE SQUEAD Hare Squead have a totally unique sound fusing rap, hip-hop, R&B and jazz with an African feel. The mixture of go-go beats with hip-hop is a style of music that has only recently hit the mainstream, and Hare Squead’s take on this style transforms this genre to the next level. They achieved fame in 2017 after rapper GoldLink remastered their song ‘Herside Story’, this was only the beginning of their journey into stardom and after an 18-month break, they are now back and proving to the world just why they are a name to look out for. Each song they release has a different quality just showing how versatile their music is, this can be seen when comparing tracks like ‘Loco’ and ‘Petty’. Their recent single ‘Meeting with Myself’ featuring Jay Prince is an absolute banger and is a smooth blend of hip-hop and electronic sounds. They have hinted at an EP to be released in 2020 giving everyone the perfect opportunity to give Hare Squead a listen before the world knows their name.
SORRY
Sorry are a relatively small band but are slowly making a name for themselves in the underground indie scene. Their music is incredibly unique; there’s nothing else like it and they are starting the decade off right as they announced they will be releasing their debut album this Spring. Their recently released single ‘Right Round the Clock’, which portrays a new sound (which is still as raw as previous releases), features a balance of underground Soundcloud punk with a hint electro to give it that unique feel. After their UK and Ireland tour Sorry have been gaining a vast amount of popularity shown through their sold-out shows, gaining them a big following. 2020 looks to be the year for Sorry and you sure as hell don’t want to miss out. MORGAN MCMILLAN
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THE LIST 2020
STTHELISTTHELISTTHELISTTHEL LAUREN HIBBERD Lauran Hibberd is on track to be a big name in indie-pop. Based in the Isle of Wight, she spent 2019 releasing a steady stream of singles and her second EP, Everything Is Dogs, and played a set on the BBC Introducing Stage at Glastonbury in the summer. She then concluded the year on tour supporting California punks The Regrettes on their UK tour. Her live performances have a really infectious upbeat energy, and no one in the crowd can resist having a dance to her catchy songs. Lauran Hibberd is already off to a good start in 2020 with the release of single 'Bang Bang Bang'. As a new artist, she's ticking all of the boxes and there's no doubt that you'll be hearing her name everywhere as we enter the new decade. With an upcoming headline tour, 2020 is bound to be Lauran Hibberd's year.
GRACE CARTER Grace Carter is another singer whose been making a name for herself on stage throughout the last couple of years. After touring alongside Lewis Capaldi last year and Dua Lipa before that, she knows how to own a stage. Her 2018 EP, Why Her Not Me, caught everyone's attention but it was last year that she really got her name out there with a steady stream of singles including 'Fired Up' and 'Amnesia'. Known for her heartfelt songwriting and emotionallycharged pop, this year Grace Carter will be appearing in more and more of your playlists. She writes some of the most deeply personal lyrics out there, and it won't be long before she gets the recognition she deserves. She's now venturing out with her own headline tour, so definitely keep an eye out for her unmissable live shows.
EASY LIFE
Easy Life were one of last year's breakthrough bands, with a sound that no one can fully describe but that everyone loves. They were even named runners-up on BBC sounds of 2020, beating artists with a much larger following. So it's time to change that and give them the credit they deserve. Mixing genres from R&B to funk and pop, their a unique gem in the modern music scene, which is reflected in their sold-out shows last year. Their sound is totally different to anything else, and they've gathered a well-deserved following that is only going to grow with time. Their discography is made up of a steady supply of singles as well as a few mixtapes, and fans are excited to hear what's next from the band. So if you're looking for something a little different in 2020, look no further than Easy Life. VICKY GREER
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THE LIST 2020
HELISTTHELISTTHELI The Lighthouse, dir. Robert Eggers Staggered release schedules mean that it is no longer a mystery whether I will enjoy The Lighthouse, as my lucky overseas friends promise that this one is definitely worth the hype. It might seem funny that a creepy, confusing-looking blackand-white film shot in an esoteric 1.19:1 has garnered this much hype, but it makes sense on paper when you consider the casting of Robert Pattinson - now at the height of his post-Twilight career boom. This is in conjunction with Robert Eggers being in the director’s chair, the man behind 2015’s The Witch. The Witch is one of my personal favourites of the just-gone decade as well as one of my top horror movies ever, so I’m excited to see Eggers tackle atmospheric period horror once more. Be sure to catch this one on the big screen. - BRANDON JAMES Sonic the Hedgehog, dir. Jeff Fowler Following on from the success of Pikachu in making the move to cinema, Sonic the Hedgehog is set to be the next video game world that will be transferred onto the silver screen. Being released on Valentine’s Day in the UK, the studio will be hoping that the love people have had for this character for years will be inspired again. The early trailers for Sonic the Hedgehog made it seem like a bit of a horror show but, after Paramount gave Sonic the makeover that was so desperately requested from fans, many are anxiously awaiting the opportunity to see one of their favourite childhood memories hitting Hollywood. With Jim Carrey as the devilish Dr. Robotnik and James Marsden as Sonic’s enigmatic human pal, there is enough talent in the supporting cast to make this a must-see film regardless of how
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much sense the story actually makes. - EMILY DENNIS A Quiet Place: Part II, dir. John Krasinski Who would have thought silence would be so scary? We’re used to horror movies making plenty of bangs and crashes. A Quiet Place showed audiences once again that an eerie quietness can be just as terrifying. With Jim from The Office showing he has proper directing chops, it proved to be one of the best horror films of 2018 and one of the most memorable premises in Hollywood fare over the last few years. Emily Blunt, John Krasinski’s real-life partner, gave an astonishing, raw performance. In light of the first film’s tragic ending, she’ll have just as much to do, if not more, in this unexpected sequel. A Quiet Place didn’t necessarily need a sequel, but don’t count this one out. It’s an intriguing world, so let’s hope Krasinski, Blunt and co. can take it in a compelling direction. - JOE WILLIAMS
Image courtesy of...WARNER BROS
THE LIST 2020
Black Widow, No Time to Die and Dune are likely to be some of the year’s biggest releases, but 2020 has plenty else in store. As part of an annual tradition, our writers have picked out some other upcoming releases that you should be keeping an eye out for in the next 12 months. Consider this our guide on what you definitely can’t miss seeing at the cinema this year.
ISTTHELISTTHELIST Wonder Woman 1984, dir. Patty Jenkins The sequel to 2017’s astonishing Wonder Woman, Patty Jenkins’ second entry in the DC Extended Universe is coming out this June and I can’t wait. As per the title, Wonder Woman 1984 promises a move away from the trenches of the first film and a flash forward to the fashion and vivid colours of the 1980s - as well as the techno music that the decade was known for. While director Jenkins is returning for the sequel, composer Rupert Gregson-Williams isn’t, with Hans Zimmer stepping in on scoring duties. Of course, Gal Gadot was always going to be back as the iconic Diana Prince. Exciting new additions to the cast include Pedro Pascal as Maxwell Lord and Kristen Wiig as Barbara Minerva (aka supervillain Cheetah). A particularly surprising return to the ensemble, though, is Chris Pine as love interest Steve Trevor. Despite WW 1984 being set over 60 years after the original, Trevor has reentered the scene and seemingly not aged a day. This is especially shocking given that the end of the first instalment saw Trevor sacrifice himself to end the First World War. As expected, this has set plenty fan theories in motion.
Image courtesy of WARNER BROS...
A theme that comes across strongly in the first trailer is the price paid for getting what you want. This will be an interesting idea to explore as we continue to follow Diana’s arc - something that has already been planned out for development in a potential third movie - and find out how she faces the trials of a changing world. With Jenkins revealing that this movie was already complete by the time its first trailer was dropped, eager fans will still have to wait until the summer to see the twists and turns that are no doubt waiting for the Amazonian. - LOUISE CHASE Tenet, dir. Christopher Nolan Tenet is Christopher Nolan’s eagerly anticipated latest, releasing in July 2020. Very little is actually known about the plot or characters of the film, outside of a considerably vague trailer and some quotes from Nolan himself describing it as an espionage movie. What is shown in this trailer, though, is enough to get any film fan excited, displaying mind-bending visuals using slow-motion and ostensibly a time-travel theme. It seems somewhat reminiscent of the director’s previous work Inception. Nolan has chosen to extend out from his usual group of collaborators, with Tenet’s main stars being John David Washington and Robert Pattinson. His lucky charm Michael Caine is in the cast list, however. While Washington and Pattison are not yet mainstays in blockbusters, Nolan certainly is. With deserved confidence in a seasoned director’s casting choices, Tenet is sure to be one of the best films of 2020. - CONOR O’HANLON
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THE LIST 2020
GAMING GHOSTS OF TSUSHIMA
From Sucker Punch Productions, developers of the notorious and critically acclaimed Infamous series, Ghost of Tsushima looks set to be the last AAA PlayStation 4 exclusive before the release of the next generation of consoles. An action-adventure game set in a vast open-world, the player will take the role the last Sumari on the island of Tsushima during the Mongol invasion of Japan. Grounded with history, featuring stealth mechanics and strong narrative to drive the player's time through the game, Ghost of Tsushima seems to offer the chance to send the PlayStation 4 out with a bang. From games like Sekiro, Nioh and the Ninja Gaiden series, a foray into the Asian landscape seems like a strong and safe bet for Sony, but one that has us excited nonetheless. Against the backdrop of the steadily mounting open-world fantasy RPGs or open-world FPSs, the game is set to strike a chord as something unique and wholly different from previous PlayStation exclusives. And with such a competent developer behind the wheel, I'm sure the game is set to push boundaries and exceed all expectations it has so far. SAM PEGG
FIFA 2021
Now, what is an upcoming video game list without the one and only FIFA 2021? The amazing graphics and the ability to play non-stop for a solid 6 hours is a reason to look forward to. The incredible graphics of 2020’s FIFA showed just how well EA can push a game that is virtually the exact same each edition. FIFA 20 saw the addition of the Volta mode enabling fans to play the much-beloved FIFA Street in better quality. However, FIFA 21 could see the possibility of Legends being added into gameplay making the FIFA experience even more intriguing. Another hope for the new FIFA installment is a better careers mode allowing more freedom within the management sector and the ability to edit your player without paying for the pack in the Careers mode. No matter what, fans (like myself) will still be excited about the wonderous game of football. MORGAN MCMILLAN
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THE LIST 2020
CYBERPUNK 2077
Surely anyone who played 2016's The Witcher 3: Wild Hunt can share my excitement for Polish game studio CD Projekt Red's new flagship title: Cyberpunk 2077. If you're anything like me then it's almost seven years since you also saw the teaser trailer for Cyberpunk way back in 2013 - which feels like a whole different time, a different world where a game this ambitious and loaded with possibilities and detail was too much to ask for. This one promises a whole lot. If everything goes the way I'd like, then Cyberpunk will have a massive world that feels as alive as in The Witcher 3, play as well as some of the best Sci-Fi RPGs of the past like Deus Ex or System Shock 2, and presents a story that really wows me. Some tough expectations for sure, but at least we know Keanu Reeves is in it as some geezer named Johnny Silverhand. It's gonna be a belter. BRANDON JAMES
Image courtesy of Walt Disney Studios and Cyberpunk Live 2077/ CD Projekt RED
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THE LIST 2020
LIVE ACTS TO SEE IN 2020
The Howlers at Acapulo, Portsmouth The Howlers are a band that should be on everyone’s radar since the release of their critically acclaimed debut single ‘La Dolce Vita’ which pushed them into the indie rock scene. They have become unstoppable since shown in their releases which have not only introduced us to them as a band but have shown what the indie scene has been missing all this time. The Howlers will be taking over the Acapulco in Portsmouth on 25 April, performing an intimate show which will put a further emphasis on their already emotive performances. This setting is completely different to their usual making for a completely different show to what they have done previously. BBC Radio 1 and Clash magazine have labelled them a band to look out for, and us at The Edge certainly agree. This is one not to miss. MORGAN MCMILLAN Green Day, Fall Out Boy & Weezer on The Hella Mega Tour Can you hear that? It’s the sound of thousands of emos losing their damn minds. That’s because the iconic trinity of alternative rock - Green Day, Fall Out Boy and Weezer - have teamed up to go on a unparalleled world tour in 2020, hitting the UK this June to bring us an unforgettable gig. It’s not every day that three of the biggest name in noughties rock come together and take a megatour outside of the US, so the fact that they’re hitting the UK is a massive deal. Supported by Amyl and the Sniffers, this is a once-ina-lifetime opportunity for which tickets will be hard to come by. If you do get the chance to get tickets to the shows in London, Glasgow or Huddersfield, don’t pass it up, because each of these bands are known for putting on a show. It’s no doubt one of the most ambitious gigs of 2020. VICKY GREER
Images courtesy of Hella Mega Tour and Smelvis
Brockhampton at Brixton Academy Brockhampton are an innovative hip-hop collective consistently produce good music. Though the standards have slipped slightly since their Saturation trilogy, they still continue to put on a show. Having rarely performed in the UK aside from at festivals, Brockhampton’s UK tour is one not to be missed - stopping off at London twice, Bristol, Birmingham, Glasgow, and Manchester this May 2020. Whether you are a long term fan, or have never listened before, diving into songs such as ‘JOHNNY’, ‘STUPID’, ‘SISTER/NATION’, ‘GOLD’, ‘FACE’, ‘FAKE’, and ‘QUEER’ to name a few will show you the groovy and hard hitting nature of this collective, and why you should see them live. At their recent American shows, Brockhampton have also been seen appearing in matching orange jumpsuits ready to put on a show, proving they are both fashionable and entertaining! Brockhampton are a sick band with sick tunes, so don’t miss out on their UK tour. MADDIE LOCK
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Join us to celebrate diversity and experience different aspects of culture.
06 - 20 March 2020
FILM
HIDDEN GEM: ABOUT TIME He directed Love Actually, was the writer for iconic rom-coms such as Notting Hill and Bridget Jones’s Diary, and served as exec producer on (as well as writing) the beloved Four Weddings and a Funeral. However, in 2013, Richard Curtis directed About Time, a quirky romantic comedy that did not achieve the same amount of prestige as the plethora of heartbreakers and pick-me-ups that he’d previously worked on, grossing a modest $89 million at the box office, compared to Love Actually’s staggering $250 million in 2003. As one of my favourite rom-coms of all time, I refuse to accept that the praise for this film is to be so fleeting. Accompanied by a sweetly understated soundtrack, About Time follows the story of the excruciatingly British Tim (played by the Irish Domnhall Gleeson) as his father (Bill Nighy) reveals to him that the men in their family can travel through time. Instead of an epic adventure of righting the world’s wrongs, or marvelling at the technological advances of the future, Tim will harness this unnatural power to get himself a girlfriend. Gleeson’s performance of a wide-eyed hopeless romantic is the cornerstone of the film’s success, perfecting a tricky balance between quirkiness and pathetic ineptitude. We see Tim meet the endearingly introverted Mary (Rachel McAdams) three times in total, get married, and have children. Time travel is both an eccentric adornment to an otherwise simple plotline and the key to major emotional conflicts. Tim learns the price of time travel as he discovers its limits and, despite the assumed potency of erasing social blunders and perfecting romantic moments, there are times where we must painfully accept this manipulation of time does not mean that life can be perfect. The darker
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implications of time travel are portrayed in a lighthearted manner at first, as Tim accidentally never meets Mary when he rescues his housemate’s play, but its nasty side is revealed later on. Despite its many strengths, About Time shouldn’t be free from criticism when it comes to how Curtis contends with female characters. The women in Tim’s family are unaware of his power, and therefore are resigned obliviously to whichever fate the father and son choose. Tim generally shows a lack of appreciation towards his platonic relationships with male characters, and women tend to be written along the classic ‘Madonna-whore’ dichotomy that perhaps has passed its sell-by date. Nonetheless, it was a relief to find a reanimated use of time travel to contend with our personal relationship to time rather than find the same tired cliches that we are all too familiar with. Would you give up meeting the love of your life for your friend? Would you have a child knowing it would lock your lost loves away? Is it unfair to have these privileges when everyone else’s experience of time cannot be revisited? It’s immensely refreshing to find such a heartwarming illustration of the mundane, the tedious, the quotidian. In spite of Curtis’s frankly sloppy handling of female characters, About Time shows the magic that is prevalent not just in the extraordinary, but rather the wonders of extra-ordinary life that we often overlook. About Time deserves more praise for its rendition of the everyday, not the epic.
ELIZABETH SORRELL
Photo Courtesy of Translux Production Company
FILM
OUR FAVOURITE ROMANTIC MOVIES Moulin Rouge! (2001), dir. Baz Luhrmann The early 2000s film directed by musical maestro Baz Lurhmann, Moulin Rouge! covers the pursuit of love in a colourfully theatrical way. It’s the soundtrack that is one of the main stars of the show. From the cover of Queen’s ‘The Show Must Go On’ to the love song medley sung by Ewan McGregor and Nicole Kidman, every track is outstanding. But the showstopper is no doubt ‘Come What May’. Originally written for Lurhmann’s Romeo + Juliet, it was thus ineligible for the Best Original Song Oscar but McGregor’s vocals excel in this scene. Moulin Rouge! has everything, from the comic (everything about the ‘Like A Virgin’ number) to the dramatic to the heartbreaking. It’s still getting lots of love, with a medley of the film’s songs being the soundtrack to which Canadian ice-dancing pair Tessa Virtue and Scott Moir won Gold at the 2018 Winter Olympics. LOUISE CHASE Eternal Sunshine of the Spotless Mind (2004), dir. Michel Gondry Memories are an important part of romantic relationships and how they shape our lives, especially those shared with previous partners. But what if there was a process that could remove these heartbreaking moments from the mind entirely? That’s what screenwriter Charlie Kaufman and director Michel Gondry set out to explore in Eternal Sunshine of the Spotless Mind, an imaginative film about break-ups that is smart, insightful, and genuinely beautiful. Jim Carrey and Kate Winslet are Joel and Clementine, a former couple who both undergo a procedure that will erase their memories of one another.
The actors give arguably career-best performances and radiate electric chemistry. Eternal Sunshine follows a devastating struggle with Joel fighting against his mind in order to remember Clementine, as well as observing the lives of the scientists undertaking the procedure, with plenty of surprising revelations. All of this might come across as ludicrous if not for Kaufman’s wonderfully clever script, one that keeps the story rooted in its essential theme of the power of memory, tugging at your heart-strings along the way. THEO SMITH Silver Linings Playbook (2012), dir. David O. Russell Silver Linings Playbook doesn’t get anywhere near thlove it deserves, in my opinion. A romantic comedy-drama with a poignant storyline that feels REAL and GENUINE, with welldeveloped characters and great lead actors who have obvious chemistry - what more could you want, honestly? Bradley Cooper’s Pat is oddly inspiring with his determination to find the ‘silver lining’ amongst all the bad in his life, while Jennifer Lawrence as Tiffany provides a stellar performance that won her the Oscar. The great thing about this film is that there isn’t a huge, magic romantic moment: the final move at the dance competition goes wrong, there’s no big white wedding, even Tiffany and Pat’s running meeting is revealed to have been set up. Tiffany and Pat aren’t ‘cured’ of their respective mental illnesses by the end. Instead, they just find a quiet happiness in one another. Silver Linings Playbook is simple, it’s pure, and it’s definitely worth a watch. ALICE FORTT
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CULTURE
MOST ROMANTIC ART GALLERIES TO VISIT ON A DATE
There are obviously a plethora of art galleries to visit across the world, and this list is inevitably endless. However, I’ve chosen three incredibly famous galleries that I believe would make the perfect date destination for you and a significant other.
The Louvre - Paris Based in one of the most romantic cities in the world, it is entirely expectable for The Louvre to feature on this list. This is perhaps not a great one to visit on a first date due to the entry fee that, although is not extortionately expensive, may deter you from entering when there are galleries and museums to visit for free. Nonetheless, if you think you’ve found the person you don’t mind spending money on, then The Louvre may well be your perfect date destination. Its huge vicinity, being the largest art museum in the world, allows it to feature many, many different pieces of art which span across centuries and countries, and they also have guided tours every day for visitors to fully immerse themselves into the cultural and artistic contexts of everything they see. This is probably the more traditional museum than the others featuring on thist list, so this would be ideal for you and a significant other to see a wide variety of art and items which are bound to act as powerful catalysts for intriguing conversations. Whitney Museum of American Art - New York Manhatten-based Whitney Museum is undoubtly one to visit with a significant other as it features some of the most eye-opening art around. Focussing primarily on 20th and 21st Century artwork, the Whitney is well known for its memorable uniqueness, showcasing
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art that’s more than just painting on a page. When strolling around the numerous floors, you will stumble across extraordinary art including video, neon signs and art involving multiple props in the room. There are entire spaces dedicated to particular art pieces, often perfect for any photo taking you may get up to on this date. Due to the uniqueness of the various artwork across the museum, it allows the perfect opportunities to dicuss important themes around politics and society that seemed embedded in numerous art pieces. Also, as this is extremely important nowadays, the artwork and installations make perfect pics to add to your Instagram feed. Tate Modern - London Hosting similar art and talents to New York’s Whiteney Museum (but with perhaps considerably less photo opportunities), the Tate Modern is the obvious “easy” option on this list as it’s most accessible to us students in Southampton. With numerous exhibitions hosted at various points throughout the year, a date to the Tate is suitable at pretty much any time of year. The free entry to the museum, with fees only applicable to some parts, is also another factor making this museum a perfect location for a date. The art here will really give you an insight to the person you’re on a date with, depending on their reactions, as the Tate is well known for producing some confused and rather angry responses to the rather unique artworks on display as individuals may question just how and why a single line on a page counts as art. GEORGIE HOLMES
CULTURE
“I LOVE YOU” - ACT IV, SCENE I. AN ODE TO ROMANTIC DECLARATIONS IN THEATRE
Theatre is known for showing a whole range of emotions and dramatic scenarios, but often the most beautiful moments are those regarding romance. Declarations of love often become the most memorable parts of a show, whose words and feelings stay with an audience. Each one can be perceived as vastly different, but they all centre around a common and enticing theme. What makes these moments special is that an audience is invited into viewing an intimate part of people’s lives, being able to forget for a short while that these people are mostly fictional characters. Often this is shown through an actor adapting vocal and physical performance which is slightly different to their character’s usual projection of themselves as they’re producing a new and vulnerable side. Because of this, they are often the most memorable. These moments can be anything from the long and sweetly written Shakespearean paragraphs, to perhaps something more controversial like Stanley’s drunken screams after Stella in A Streetcar Named Desire. Each one has something special about it; it may not be the words that make them eloquent, but instead the direction and command the stage and audience. Similarly, declarations shown in musical theatre are often just as special. They can show the initial love and subsequent heartbreak effectively through their songs (and the later reprises). The tainted repetition of certain melodies and phrases allows an audience to see the shock contrasts between total euphoria and devastating losses. RENT is one that does this particularly well with the story of Tom Collins and Angel Dumott Schunard. Their story is shown to be one of sheer simplicity and joyfulness, with Collin’s questioning about whether they’re a ‘thing’ and Angel replying, “Darling, we’re everything.” This leads to the upbeat ‘I’ll Cover You’, which is full of touching metaphors. On its own, this may not be seen as on of the best theatrical declarations of love, but when twinned with its reprise, the simple adoration is something that can survive even the concept of existence. The contrast between infectious joy and utter desolation is shocking and yet the words used are still the same, suggesting love is eternal. That is what makes their relationship so simple, beautiful, and idealistic, prompting other characters to say, “I’d be happy to die for a taste of what Angel had.” But it’s not just declarations of love that produce these effects. Heartbreak is also constantly shown in theatre. These, despite not being as idolised by an audience, are extremely touching and often lead to reflections (and tears). Either through the use of song (Eponine’s solo, On my Own, confessing her unrequited love) or from the desperate nature of the stories (think Shakespeare’s horrific irony surrounding the lover’s deaths in Romeo and Juliet), heart-breaking moments strike a chord that are difficult to ignore. The difference between live theatre and its recorded counterparts is that it is difficult to recreate the same ambience as you would find in a theatre; those moments during heart-wrenching declarations where the air chills entirely with silent intent cannot be duplicated in the same way. There is something special about these experiences that can only be found within these exact conditions. Declarations of love found in theatre are one of the most beautiful moments to behold - as long as they are written and performed well. The most common theme between all of these is the passion that they hold within them, which is something that draws an audience to get lost in an idyllic world, or to allow them to wallow in a poignant and momentarily distressing equivalent. EMILY DENNIS Image courtesy of 20th Century Fox
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CULTURE CLOSER TO THE EDGE: OUR FAVOURITE ROMANTIC COUPLES IN FICTION
PERCY JACKSON AND ANNABETH CHASE HEROES OF OLYMPUS
By Rick Riordan
Listen, if you grew up with the Percy Jackson series, you know that Percy and Annabeth are the couple to ship. There is no way any declaration of love can beat soulmates holding up the literal sky for each other. Or turning down immortality for each other. It’s rare readers get the chance to see all the details in the progression from best friends to significant others. From the first time they meet to their first official kiss, Percy and Annabeth’s love story is one of trust and friendship above all else. At the end of the day, no matter what the Gods threw at them, they conquered it together. Best moment? It was the best underwater kiss of all time! HILARY IP
CELIE AND SHUG - THE COLOUR PURPLE
by Alice Walker
Celie and Shug from The Colour Purple (1982) are one of the best fictional couples in literature and it’s not because of their romantic or sexual relationship they have, but for the personal growth within Celie which occurs due to her relationship with Shug. The relationships enables Celie, the weak, submissive girl grow into the independent free-thinking woman by the end of the book. It shows the power of female relationships. The homosexual relationship was a rarity for the time and their relationship portrays homosexual relationships and the liberation that can come from falling for someone of the same-sex. This is seen in Celie’s growth as her relationship with Shug makes her feel important, giving Celie a sense of identity while also making her feel sexually, physically and emotionally comfortable within herself. Something the men in her life never allowed her to do. MORGAN MCMILLAN
By Matt Haig
ANDREW AND ISOBEL MARTIN THE HUMANS
Matt Haig's The Humans explores human life from an alien perspective, in the form of Cambridge professor Dr. Andrew Martin. Though sceptical at first, and prepared to complete his mission of killing wife Isobel and son Gulliver, learning the ways of the human race and adapting to life with his family changes Andrew's mission. After falling in love with Isobel, Andrew realises that although humans are dumb, feel too much and have weird inventions like music, these are all things that make humans unique and loveable. He discovers the backlash of cheating, what heartbreak feels like, and how being with the one you love is worth more than anything in the universe. Isobel teaches Andrew how to be human and love, whilst Andrew helps his wife rediscover what it really means to feel, be appreciated, and make miserable son Gulliver happy. Not your typical romance, but a must-read nonetheless!
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MADDIE LOCK
LOVE, ROMANCE.... TITLE OF ARTICLE AND GAMING??
CULTURE
From swords and staffs, slaying dragons, riding magical beasts, and cooking and crafting, video games provide something new and exciting, letting us live our greatest fantasies in the expanse of a developer’s world. However, despite how meticulously AUTHOR ARTICLE crafted andOF varied these worlds are (sometimes with mechanics based around urinating, wearing warmer clothes in cold areas or even the need to purify dirty water Content before drinking) one aspect always has audiences invested. It has proven Article to be a respectable game mechanic in itself: romance. Games like the real-life simulator The Sims have allowed you to live your greatest mundane fantasies, like meeting someone in the morning, having them married to you by midday, and pregnant by noon. The Mass Effect series saw us go on galactic adventures and battle aliens while having the freedom to form relationships with a variety of characters and races that we saw fit. Fire Emblem Awakening has us play match-mater as the newly formed marriages led to an inevitably of children, influencing the second half of the game as their offsprings became playable characters. Even the reward for completing every task in a Harvest Moon game is the chance to form a relationship with the superior Harvest Goddess. All of these are just a few exemplary examples of romance in games, but the inclusion of this mechanic and the success of them helps to highlight how players love a good romance option. But why? One reason is it tends to lend itself to be a more thoughtful gaming experience, pushing developers to think about the writing of their characters and ensuring they seem as real as possible. It streamlines the experience to be as organic as possible and provides a facet for expressing a romanticised part of ourselves we may lack in the real world. In the worlds where you can create yourself as uniquely gorgeous or hideous before romanticising the most stunning in-game character, it allows you to live the fantasy where physical appearance matters little. In a game, we find ourselves free from judgment, having in-game confidence that we can explore as freely as we want. The gaming world can lack superficiality even when it parades an array of beautiful characters because it’s the gamer’s choice whether they engage romantically or not, and it’s their choice in what they look like. It’s important because in these games you don’t just play the character, you become the character - this form of investment translating into how we feel about other figures within the worlds we enter. Through gaming, we follow a character’s journey and along the way you become captivated, and it’s only fitting we get to play our journey however we see fit, romanticising whoever we feel oddly connected to, despite whether they’re “real” or not. We fall in love with characters of books, films, shows etc., and so it’s only fitting we do this in games as well. There should be no double-standard that says we cannot because... we can. They are just as real as any other fictional character and their supposed sense of will (if it's a game governed by player choices) is something that has us undeniably drawn to them. SAM PEGG Image courtesy of EA (Electronic Arts)
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LIVE
LOVE SONGS LIVE
Love is in the air all over the music industry, but how does this translate on to the stage? There’s a big difference between crying along to a heartbreak ballad alone in your room or sharing a mushy love song with your significant other and enjoying these songs at a concert. And yet, year after year, artists make it work. When it comes to love songs, Taylor Swift undoubtedly reigns supreme, and her live shows are known to be a really special experience. She’s written her share of breakup bangers and romantic anthems, all of which have made it on to her setlists at one point or another. Swift shows that breakups can be empowering with tracks like ‘We Are Never Getting Back Together’, a high-energy tune that has the crowd bouncing. Her latest release, Lover, which shows the softer side of romance, will be hitting the Glastonbury main stage in 2020, showing that Taylor Swift’s ability to craft a love song has made her one of the most sought-after live artists of the last few years. And besides, who wouldn’t want to be in a crowd if she started
playing ‘Love Story’?
One of the most exciting live artists of the past year has been Lizzo, who has captured hearts all over the world for her high-energy, overwhelmingly empowering live shows. Like Taylor Swift, she sings about love in all of its forms. From ‘Truth Hurts’ to ‘Jerome’, Lizzo has felt every emotion there is, and when she’s on stage, we feel them with her. What works so well for her is her constant celebration of love, from breakups to relationships to self-love, Lizzo’s performances are so electric that you can’t help but celebrate with her. But it’s not all fun and games when it comes to live love songs. Adele has made a career of sad ballads can crack even the hardest of hearts, but people still pay good money for tickets to see her live. Although they aren’t the most appropriate to dance to, there’s a different kind of power in hearing tens of thousands of people singing along to her songs. Songs like ‘Someone Like You’ and ‘Rolling in the Deep’ aren’t exactly sunshine and rainbows, but they’ve established Adele as a festival headliner and an unmissable live artist. Similarly, artists who make music on the darker side have never been afraid to shy away from romance when they pick out their setlists. The Cure’s ‘Lovesong’ is one of the band’s most romantic songs – a wedding gift for Robert Smith’s wife - and although it comes from their darkest album, 1989’s Disintegration, it never fails to appear on their sets. This is one of their biggest hits and is a fan favourite at any show, another song that can get thousands of fans singing along no matter how sombre it sounds. One thing that all of these artists have in common is their ability to connect with an audience, even if they do this in different ways. Whether they sing about blossoming love or a painful breakup, they still have fans all over the world coming to their live shows. The success of the love song is that it can be so universally relatable, and that’s why they’re so successful on stage: hearing a song live that you understand so deeply is one of the most deeply moving experiences there is when it you go to a gig. VICKY GREER
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Image courtesy of
Atlanic Records
LIVE
LIVE ACT IN FOCUS
ADELE
Way back in 2007, a 19-year-old Adele Adkins performed in a (now closed) small venue on Southampton’s Above Bar Street. During her set, she performed a song called ‘Hometown Glory’, which would be released as a single in just a few days time. It was the first song she had ever written. It seems hard to believe now, and if it weren’t for a couple of YouTube videos from several years ago, this would be the stuff of myth and legend, but there she was - just her guitar and her stunning voice. A few months later, in 2008, she played Southampton Guildhall. Eight years on, she was headlining Glastonbury.
Adele has become not only a national treasure, but a world record breaking artist. She is most well known for her studio albums - 19, 21 and 25 - which have made her almost synonymous with love and heartbreak. Her iconic performance of ‘Someone Like You’ at the Brit Awards in 2011 seemed to be the moment which catapulted her into worldwide stardom, with people across the globe resonating with her heartfelt lyrics. My own experience of seeing her live in 2016 made me realise just how gifted Adele truly is. Her vocals were flawless, and her onstage banter kept the mood lighthearted. She had everyone in the audience in the palm of her hand, all laughing and crying. I have to admit, I’ve never seen that many people crying at a concert like they were with Adele - her lyrics really do mean a lot to people, and it was clear to see that many audience members had memories of their own attached to each song. The most breathtaking moment was when her microphone cut out during ‘All I Ask’, and every person sang at the top of their lungs to fill the silence. It’s certainly a moment that I will never forget.
Image courtesy of Youtube>Musicofgod
However, despite seeming so natural on stage, Adele suffers terribly with stage fright. She has claimed in the past that touring isn’t something that she’s good at because her nerves get the better of her. At the end of her 2016/7 tour, which included over 120 dates across the world, she released a tour book for the final four shows at Wembley Stadium with a deeply personal note about her emotions when touring. She said: ‘I only ever did this tour for you and to hopefully have an impact on you the way that some of my favourite artists have had on me live. And I wanted my final shows to be in London because I don’t know if I’ll ever tour again and so I want my last time to be at home’. The shows were bittersweet with an air of finality about them, but unfortunately the final two were cancelled due to issues with her vocal cords, as yet un-rescheduled (but we can live in hope, right? At present, it’s difficult to say whether we will see Adele performing live again. There are constant rumours in the press of new material fuelled by a heartbreaking separation from her husband, but it remains to be seen whether they will come to fruition. The world is her stage, and we’ll all be waiting for her when she’s ready. BECKY DAVIES
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LIVE
BEST LIVE SHOWS TO SEE WITH YOUR SIGNIFICANT OTHER A common misconception when going to a concert with a significant other is that it has to be a performer who sings about love and who you would probably want to have sing at your wedding. Many couples go to see Adele or Sam Smith (not that there’s anything wrong with seeing them live) in hopes of having a “that’s totally our song” moment. However, I’d beg to differ... the best concert to see with a significant other isn’t the sort where you’d cry and participate in way too much PDA, but instead one in which you mosh out and go wild. Now, this may sound like it’s better for friends, but let me explain why a concert such as Don Broco or Paramore are the perfect live performers to see with that special someone. A concert in general is a place to let go and have a few hours of being free from all the stresses of the real world, going to see a band live with someone is almost a bonding experience and makes you see a different side to them, the side that only live music can bring out. Bands like Don Broco are the perfect artist to go see with a significant other, not only have they performed amazing sets across the UK including Community Festival 2019, but they allow you to fully immerse yourself in that concert feeling. I saw them with that special someone and it was a moment I could never forget. Imagine the music blazing, you are jumping around going wild,
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smashing your bodies into strangers as that’s just what you do, while in the mist of the mosh pit, you look over at that person and see them the happiest you’ll ever seen them, it was as if they were free from all their own troubles. Seeing that and experiencing that same exact feeling with them will make you feel more connected on a spiritual level. Those moments feel like they last forever at an alternative rock / pop-punk concert and are memories you will keep for a lifetime. You may not be kissing and cuddling throughout, but the minute you step out of that crowd and reality hits, you almost feel as if you had been on a spiritual journey – together. This can be said after Don Broco their last song of the set ‘T-Shirt Song’, not only is this song amazing, but everyone starts to wave their T-Shirts in the air and there’s that moment towards the end as the music begins to fade and the band leave the stage where you look at that person and you are like, “wow, I love you man”, and everything starts to fall into place. Concerts with a significant other aren’t about kissing and crying together - it should be about experiencing a moment of pure bliss and freedom from reality. The best genre of music to gain this experience from can be found within rock. MORGAN MCMILLAN
Image Courtesy of SharpTone Recordst Image courtesy of...SIMS LTD
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Every Sunday in The Bridge from 19:00 Curry from 19:00, quiz starts 20:00 2 to enter, winning teams split the pot!
EDITORIAL
L IST I NGS LIVE MUSIC
15th February - Lauren Hibberd @ The Joiners 15th February - Macky Gee @ Switch Southampton 19th February - The 1975 @ Bournemouth International Centre (BIC) 19th February - New Year’s Day @ The 1865 22nd February - Share the Sound Festival @ The Loft 24th February - The Script @ Bournemouth International Centre (BIC) 29th February - Rudimental @ Switch Southampton 29th February - Portico Quartet @ Turner Sims Highfield Campus 2nd March - Michael Kiwanuka @ O2 Guildhall Southampton 3rd March - Stereophonics @ Bournemouth International Centre (BIC) 6th March - The Sherlocks @ Engine Rooms
THEATRE 16th-22nd February - L’opSoc Presents: HMS Pinafore @ The Annex 17th-19th February - Mamma Mia! @ Mayflower Theatre 18th-23rd February - The Tiger Who Came To Tea @ NST Campus 18th-22nd February - The Three Musketeers: A Comedy Adventure @ NST City 25th February - Round the Horne @ Theatre Royal Winchester 1st-7th March -Showstoppers Presents: Be More Chill @ The Annex
COMEDY 14th February - Ardal O’Hanlon: The Show Must Go On @ Theatre Royal Winchester 27th February - Jo Brand @ Theatre Royal Winchester 27th February - Ed Byrne @ Bournemouth International Centre (BIC) 28th February - Milton Jones @ O2 Guildhall Southampton 29th February - Jimmy Carr @ Bournemouth International Centre 8th March - Rhod Gilbert @ Mayflower Theatre
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